Key Features
Compact and capable, the Nikon Z 5 is an FX-format mirrorless camera with a well-rounded feature-set to suit both photo and video needs. Its 24.3MP CMOS sensor and EXPEED 6 processor afford wide sensitivity to ISO 51200, quick shooting at 4.5 fps, and UHD 4K video at 30 fps.
The imaging capabilities further translate to a refined autofocus system with 273 Selectable points, and is a hybrid focusing system that uses both phase-detection and contrast-detection methods for high-speed, accurate focusing with adept subject tracking. Face Detection can be used in both stills and video modes while the more precise Eye Detection benefits portrait photographers working with either human or animal subjects.
Complementing the sensor and processor is a sleek but versatile physical design that includes a magnesium alloy chassis with a weather-sealed construction to suit working in inclement weather. A high-resolution 3.6m-dot OLED electronic viewfinder allows for high-res eye-level viewing while a rear 3.2" 1.04m-dot tilting touchscreen LCD accommodates working from high and low angles. Additionally, for easy sharing, built-in Wi-Fi and Bluetooth work in conjunction with the Nikon SnapBridge app for wirelessly transferring photos and videos and remotely controlling the camera from your mobile device.
The full-frame, FX-format 24.3MP CMOS sensor is paired with an EXPEED 6 image processor to provide a versatile mixture of high sensitivity, nuanced image quality, and fast overall performance. A native sensitivity Range from ISO 100-51200 permits working in a broad array of lighting conditions and can be further expanded up to ISO 102400 for extreme low-light conditions. The mixture of resolution and sensor size also contributes to clean image quality and smooth color transitions with reduced noise throughout the sensitivity Range. In addition to benefitting image quality, the EXPEED 6 processor also affords useful speed throughout the camera system, including a top full-resolution continuous shooting rate of 4.5 fps as well as the ability to take 8MP when recording video.
Besides imaging, the sensor's design also incorporates a 273-point hybrid autofocus system that uses both phase-detection and contrast-detection methods to quickly and accurately acquire focus for both stills and video applications. This focusing system supports Eye Detection AF, which uses facial recognition to help lock focus onto subjects' eyes, along with Face Detection for both stills and video and for both humans and animals.
Capable of recording more than just stills, the Z 5 supports UHD 4K video recording at up to 30 fps and Full HD recording at up to 60 fps, with the ability to save movie files to the in-camera memory cards or to an optional external recorder via HDMI out. UHD 4K recording uses a 1.7x crop of the center portion of the frame while Full HD recording uses the entire full frame. Additionally, in-camera time-lapse shooting is also possible with the ability to produce a finished UHD 4K video file directly from the camera.
Built-in to the body is a 5-axis sensor-shift Vibration Reduction (VR) mechanism that compensates for up to five stops of stabilization regardless of the lens in use. This system also works with adapted lenses, when using the optional FTZ Adapter, where 3-axis stabilization is used. Also, benefitting video recording, Electronic VR is available to help steady footage to suit handheld shooting.
Included with the camera body is the NIKKOR Z 24-50mm f/4-6.3 lens; a compact standard zoom covering wide-angle to normal focal lengths. Its retractable design helps to achieve the slim form factor that is suitable to walkaround and travel shooting applications. A stepping motor provides quick, quiet, and precise autofocus performance along with full-time manual focus override to suit both stills and video applications. Also, a programmable control ring can be set for intuitive adjustment over a variety of camera and exposure settings.
Key Features
Redefining medium format, the Fujifilm GFX 100S pairs an ultra high-resolution 102MP sensor with an impressively compact and portable mirrorless camera body design. Appealing to both photo and video needs, too, this camera is further rounded out by a durable construction, in-body image stabilization, and apt autofocus to make the camera more accessible and applicable for a variety of shooting needs.
At the heart of the GFX 100S platform is the 102MP 44 x 33mm BSI CMOS sensor, which offers the ultra-high resolution coveted by stills photographers as well impressive 4K video recording options, too. The sensor pairs with the X-Processor 4 in order to output 16-bit raw imagery with a broad dynamic Range, low noise levels, and sensitivity to a ISO 12800, and the BSI design of the sensor contributes to high clarity and accurate color rendering when working in a variety of lighting conditions. In terms of video, DCI and UHD 4K video recording is possible at 4:2:0 10-bit internally, 4:2:2 10-bit via HDMI, or raw 12-bit if recording externally, and an F-log gamma setting can also be used for more advanced color grading during post-production. Beyond high-resolution shooting, the unique sensor design also incorporates a sophisticated hybrid AF system that features 425 Selectable phase-detection points, which cover nearly the entire frame, and aid with precise face and eye-detection modes.
Balancing the awesome sensor design is a notably compact form factor, which opens up a Range of new working scenarios for this high-res platform. Sleek and lightweight, the portability of the GFX 100S is backed up by capable in-body image stabilization that compensates for up to 6 stops of camera shake for improved handheld shooting. Conversely, this stabilization system also enables making 400MP files using Pixel Shift Multi-Shot mode for extreme detail of still subjects. Also contributing to the sleek form factor is a fixed 3.69m-dot EVF for bright eye-level viewing and a rear 3.2" touchscreen LCD with a three-way tilting design.
Utilizing a large and exceedingly high 102MP resolution 43.8 x 32.9mm BSI CMOS sensor and X-Processor 4, the GFX 100S is capable of delivering 16-bit stills with wide dynamic Range as well as a broad sensitivity Range of ISO 100-12800, which can be extended to ISO 50-102400. The large size of each pixel allows for more efficient light gathering, too, for smoother tonal and color transitions to produce a characteristic three-dimensional "medium format look." Also contributing to several medium format looks, a variety of traditional medium and large format aspect ratios can be used in addition to the standard 4:3, including 1:1, 65:24, 5:4, 7:6, 3:2, and 16:9.
The image processor and sensor also lend a versatile edge to the system, and permit shooting continuously up to 5 fps or for recording DCI and UHD 4K30 video.
Utilizing the large sensor size for more than just stills, the GFX 100S also offers an enticing array of video capabilities, including internal UHD and DCI 4K30p video recording at up 4:2:0 10-bit, as well as 4K30p 4:2:2 10-bit via HDMI output, both at up to 400 Mb/s-and simultaneous external and internal recording is possible. If working with an Atomos Ninja V, then UHD 4K30p raw 12-bit output is also possible using the Apple ProRes RAW format.
Greatly benefitting overall video performance, the speed of the quad-CPU X-Processor 4 enables fast read speeds when recording 4K video, which helps to reduce rolling shutter distortion when filming moving subjects.
In addition to the supported 10-bit color depth, the GFX 100 also includes the F-Log gamma setting, which provides a flat picture for use in advanced color grading software during editing. This maximizes the potential dynamic Range in difficult scenes and image adjustments can be made, as well, to highlight tone, shadow tone, color, and sharpness. HLG recording is supported, too, for HDR applications, and F-Log, HLG, and Film Simulations can all be used simultaneously with raw external output.
Also, the camera features a 3.5mm microphone jack and 3.5mm headphone jack for more advanced audio solutions.
Built-in 5-axis sensor-shift image stabilization helps to minimize the appearance of camera shake to better suit handheld shooting. This system works in conjunction with any lens, including non-stabilized ones, but when used with OIS-enabled lenses offers up to approximately 6 stops of shake reduction.
The sensor's design also includes an expanded phase-detection autofocus system, which has 425 Selectable points that cover nearly the entire sensor area. This AF system delivers fast and accurate focusing performance along with low-light sensitivity down to -5.5 EV. Complementing the imaging and focusing capabilities, an updated X-Processor 4 is also featured, and delivers fast focus response for subject tracking and also supports Face- and Eye-Detection AF when working in AF-C mode and when recording video.
Key Features
Addressing the needs of multimedia image-makers, the black Fujifilm X-T4 is a versatile mirrorless camera that blends advanced stills and video capabilities along with enhanced workflow and assistive functionality. Utilizing a proven and well-regarded APS-C-format 26.1MP X-Trans CMOS 4 sensor, the X-T4 is capable of high-resolution recording along with support for DCI/UHD 4K video at 60 fps, Full HD recording up To 240 fps, sensitivity from ISO 160-12800, and continuous shooting up To 15 fps with the mechanical shutter. The BSI design of the sensor affords reduced noise and greater overall clarity and is paired with the X-Processor 4 To achieve fast performance and improved responsiveness. The sensor design also enables a hybrid autofocus system that combines 425 phase-detection points with a contrast-detection system for quick and accurate AF performance. Additionally, complementing all aspects of image production, the X-T4 also incorporates a 6.5 stop-effective sensor-shift image stabilization system To reduce the appearance of camera shake with almost any mounted lens.
Beyond the sensor and processor capabilities, Fujifilm cameras are also beloved for their physical design, and the X-T4 has an updated design for improved handling and shooting efficiency. A large, bright 3.69m-dot electronic viewfinder can be set To a 100 fps refresh rate for notable smoothness when panning or tracking subjects. Conversely, the rear 3.0" 1.62m-dot touchscreen LCD now features a vari-angle design To suit working from high, low, and front-facing angles or it can be closed against the body if just working with the EVF. Dual SD UHS-II memory card slots offer file-saving flexibility and the X-T4 supports the updated, high capacity NP-W235 battery that provides approximately 600 shots per charge. Additionally, built-in Wi-Fi and Bluetooth enables wireless remote camera control and image sharing To a mobile device.
Revolving around a highly versatile sensor, the X-T4 features an APS-C-format 26.1MP X-Trans CMOS 4 sensor, which has a back-illuminated design To afford smooth tonal rendering, improved low-light performance, and a wide native sensitivity Range of ISO 160-12800. As an X-Trans sensor, it utilizes a randomized pixel array, too, which provides a high degree of image quality and sharpness due To the omission of an optical low-pass filter. Versus conventional pixel patterns, the X-Trans design more closely mimics the organic nature of film in order To produce nuanced colors and tonal transitions, while also reducing moir and aliasing.
The sensor design also includes an expanded phase-detection autofocus system, which has 425 Selectable points that cover nearly the entire sensor area. This AF system delivers faster, more accurate focusing performance in a variety of lighting conditions down To -6 EV. Complementing the imaging and focusing capabilities, an updated X-Processor 4 is also featured, which has a quad-core CPU, and delivers faster, more responsive performance throughout the camera system, including a full-resolution 15 fps shooting rate with the mechanical shutter, 20 fps rate with an electronic shutter, or a 30 fps rate with an electronic shutter and a 1.25x crop.
Built-in 5-axis sensor-shift image stabilization helps To minimize the appearance of camera shake by up To 6.5 stops. This system works in conjunction with most X Series lenses, including non-stabilized ones, and benefits working with slower shutter speeds and when shooting in difficult lighting conditions. Additionally, 4-axis digital image stabilization can also be used during video recording To further aid in steadying footage, especially when recording handheld.
Expanding its capabilities beyond stills, the X-T4 offers a versatile array of video capabilities, including internal DCI/UHD 4K recording at up To 60 fps and Full HD recording up To 240 fps for ultra slow-motion playback. Greatly benefitting overall video performance, the speed of the X-Processor 4 enables fast read speeds when recording video and helps To reduce rolling shutter distortion when filming moving subjects. Also, a micro-HDMI port enables 10-bit 4:2:2 recording To an optional external recorder.
In addition To the supported 10-bit color depth, the X-T4 also includes the F-Log gamma setting, which provides a flat picture for use in advanced color grading software during editing. This maximizes the potential dynamic Range in difficult scenes and image adjustments can be made, as well, To highlight tone, shadow tone, color, and sharpness.
Also, the camera features a 3.5mm microphone jack and 2.5mm remote port with included headphone adapter for more advanced audio solutions.
Fast and wide, the 24mm-equivalent wide-angle lens designed specifically for Fujifilm ;X-mount mirrorless cameras. Two aspherical and two extra-low dispersion elements are featured in the optical design, and help To reduce spherical and chromatic aberrations for improved sharpness, clarity, and color accuracy. Both a Nano-GI coating and HT-EBC coating are also used To control ghosting and flare for enhanced contrast and color fidelity when working in strong lighting conditions. Complementing the optics is a floating focus system that benefits autofocus speed and also maintains consistent performance throughout the focusing Range. Additionally, the lens body is also weather-sealed To support working in trying environmental conditions.
Key Features
Compact and capable, the Nikon Z5 is an FX-format mirrorless camera with a well-rounded feature-set to suit both photo and video needs. Its 24.3MP CMOS sensor and EXPEED 6 processor afford wide sensitivity to ISO 51200, quick shooting at 4.5 fps, and UHD 4K video at 30 fps. Complementing the sensor and processor is a sleek but versatile physical design that includes a magnesium alloy chassis with a weather-sealed construction to suit working in inclement weather. A high-resolution 3.6m-dot OLED electronic viewfinder allows for high-res eye-level viewing while a rear 3.2" 1.04m-dot tilting touchscreen LCD accommodates working from high and low angles. Additionally, for easy sharing, built-in Wi-Fi and Bluetooth work in conjunction with the Nikon SnapBridge app for wirelessly transferring photos and videos and remotely controlling the camera from your mobile device.
24.3MP FX-Format CMOS Sensor and EXPEED 6 Image Processor
The full-frame, FX-format 24.3MP CMOS sensor is paired with an EXPEED 6 image processor to provide a versatile mixture of high sensitivity, nuanced image quality, and fast overall performance. A native sensitivity range from ISO 100-51200 permits working in a broad array of lighting conditions and can be further expanded up to ISO 102400 for extreme low-light conditions. The mixture of resolution and sensor size also contributes to clean image quality and smooth color transitions with reduced noise throughout the sensitivity range. In addition to benefitting image quality, the EXPEED 6 processor also affords useful speed throughout the camera system, including a top full-resolution continuous shooting rate of 4.5 fps as well as the ability to take 8MP when recording video.
Besides imaging, the sensor's design also incorporates a 273-point hybrid autofocus system that uses both phase-detection and contrast-detection methods to quickly and accurately acquire focus for both stills and video applications. This focusing system supports Eye Detection AF, which uses facial recognition to help lock focus onto subjects' eyes, along with Face Detection for both stills and video and for both humans and animals.
UHD 4K Video Recording
Capable of recording more than just stills, the Z5 supports UHD 4K video recording at up to 30 fps and Full HD recording at up to 60 fps, with the ability to save movie files to the in-camera memory cards or to an optional external recorder via HDMI out. UHD 4K recording uses a 1.7x crop of the center portion of the frame while Full HD recording uses the entire full frame. Additionally, in-camera time-lapse shooting is also possible with the ability to produce a finished UHD 4K video file directly from the camera.
Sensor-Shift Vibration Reduction
Built-in to the body is a 5-axis sensor-shift Vibration Reduction (VR) mechanism that compensates for up to five stops of stabilization regardless of the lens in use. This system also works with adapted lenses, when using the optional FTZ Adapter, where 3-axis stabilization is used. Also, benefitting video recording, Electronic VR is available to help steady footage to suit handheld shooting.
Body Design and Connectivity
Other Camera Features
Nikon NIKKOR Z 24-200mm f/4-6.3 VR Lens
A one-lens solution for working in a wide variety of shooting situations, the NIKKOR Z 24-200mm f/4-6.3 VR from Nikon is an all-in-one 8.3x zoom covering wide-angle to telephoto focal lengths. An advanced optical design, which uses a series of aspherical and ED elements, pairs with both ARNEO and Nano Crystal Coatings to produce sharp and clear image quality with high contrast and accurate color rendering to benefit working in various lighting conditions.
The impressive zoom reach is also benefitted by Vibration Reduction image stabilization, which minimizes the appearance of camera shake by up to 5 stops for sharper handheld shooting. A stepping motor provides quick, quiet, and precise autofocus performance along with full-time manual focus override to suit both stills and video applications. Also, a programmable control ring can be set for intuitive adjustment over a variety of camera and exposure settings.
All-in-one zoom covers wide-angle to telephoto fields of view and is designed for FX-format Z-mount mirrorless cameras, however, can also be used with DX cameras where it will provide a 36-300mm equivalent focal length range.
Two aspherical elements and one aspherical ED element is used to reduce spherical aberrations and distortion in order to realize sharp imagery with accurate rendering.
Two extra-low dispersion elements greatly reduce color fringing and chromatic aberrations throughout the zoom range in order to produce greater clarity and color rendering.
ARNEO and Nano Crystal Coats are used to prevent ghosting, reflections, and flare in order to realize improved contrast and clarity when working in strong lighting and backlit conditions. The Nano Crystal Coat controls incidental light from a diagonal direction while the ARNEO Coat controls incidental light from a vertical direction. A Super Integrated Coating is also featured on multiple elements to help ensure consistently accurate colors.
Stepping motor delivers impressively smooth, quiet, and fast autofocus performance that is well-suited to both stills and video applications. Full-time manual focus override is also possible and an internal focusing design is used, where only the internal lens groups are moved during focusing, to maintain the overall length of the lens during use and to promote faster focusing speeds.
Vibration Reduction image stabilization minimizes the appearance of camera shake by up to 5 stops for sharper handheld shooting.
Programmable Control Ring is, by default, set to adjust manual focus, but can also be used to control aperture or exposure compensation.
Specialized electromagnetic aperture mechanism provides greater exposure control stability that is especially beneficial when working with fast continuous shooting rates.
Rounded seven-blade diaphragm promotes a pleasing out of focus quality that benefits the use of shallow depth of field and selective focus techniques.
Dust- and moisture-resistant lens barrel benefits the lens' use in inclement conditions.
Key Features
More speed, more versatility, more performance, the Nikon Z6 II is an updated take on the all-rounder mirrorless camera designed for high-end photo and video applications. Despite the wealth of upgrades, the Z6 II retains its familiar form factor and prized image quality to benefit working multimedia image-makers.
Revolving around a 24.5MP BSI CMOS sensor and dual EXPEED 6 image processors, the Z6 II is characterized by an increased buffer depth and faster continuous shooting rate, up to 14 fps with single-point AF or 12 fps shooting in other focusing modes. Video recording at UHD 4K 30p is possible, or up to FHD 120p for slow-motion output, and external recording gains 10-bit out along with N-Log and HLG (HDR) support. The sensor also suits working in a variety of lighting conditions, with sensitivity from ISO 100-51200, and in-body 5-axis Vibration Reduction reduces the appearance of camera shake for sharper handheld shooting. Additionally, the sensor also incorporates a 273-point phase-detection AF system, which now supports Eye-Detect AF in Wide-Area AF modes and during movie recording, and permits focusing in low-light down to -4.5 EV.
Balancing the imaging, the Z6 II retains its overall physical design, however it has been updated with a new dual memory card slot interface to hold one CFexpress Type B card and one SD UHS-II card for more flexible storage. Both a high-res 3.6m-dot OLED EVF and rear 3.2" 2.1m-dot tilting touchscreen LCD lend versatility to image composition and playback, and SnapBridge wireless connectivity can be used for remote camera control, image sharing to a mobile device, and even over-the-air firmware updates.
Firmware version 1.10 unlocks UHD 4K recording at 60p and 50p frame rates, enables raw video output to Blackmagic Design Video Assist external recorders, and improves eye-detection performance when using Auto-Area AF and Wide-Area AF modes.
Improving upon their initial efforts, Nikon has revised the Z6 platform to offer more speed, faster processing, and greater versatility without sacrificing the beloved qualities of the original camera.
A 24.5MP BSI CMOS sensor is used for all-around shooting, impressive low-light quality, and fast readout speeds to benefit continuous shooting, movies, and time-lapse recording. The back-illuminated design of the sensor affords noticeably clean high-sensitivity output for reduced noise when working at high ISO values, up to a native ISO 51200, as well as vivid and smooth quality at sensitivities as low as ISO 100. Benefitting the sensor are dual EXPEED 6 image processors, which affords a wealth of speed throughout the camera system, including the ability to shoot continuously at 14 fps for up to 124 consecutive frames.
Utilizing the sensor and processor attributes for more than just still imagery, the Z6 II is also a more-than-capable multimedia camera. UHD 4K video recording is possible with full pixel readout up to 30p and Full HD 1080p video recording is also supported at up to 120p for slow motion playback. Video files can be saved to the in-camera memory cards or as an uncompressed file to an optional external recorder via HDMI out.
Advanced video functionalities have been added with the Z6 II, including the N-Log gamma for capturing flat-looking footage that maximizes dynamic range and HLG (HDR) for recording HDR-ready footage. Other additions are the ability to output high-quality 10-bit data over HDMI and an Electronic VR function for smooth handheld shooting. Focus Peaking can be used to benefit manual focus control and a Zebra Stripes option is also available to help detect over-exposed areas within the frame. Audio recording can be handled using the built-in stereo microphone or an optional external mic can be added via the 3.5mm stereo jack for greater control over quality, and live monitoring is possible via the headphone jack.
Firmware version 1.10 unlocks UHD 4K recording at 60p and 50p frame rates and enables raw video output to Blackmagic Design Video Assist external recorders, and also improves eye-detection performance Auto-Area AF and Wide-Area AF modes.
Located on the sensor is an array of 273 phase-detect autofocus points covering 90% of the image area both vertically and horizontally. This provides fast and accurate focusing for both stills and video and with a wide coverage area, subject tracking will work out to near the edges of the frame. Hybrid AF is available for video, which will automatically switch between phase- and contrast-detect systems to provide smooth focus during shooting. Additionally, the latest NIKKOR Z lenses are optimized for silent operation.
In-body 5-axis sensor-shift Vibration Reduction compensates for up to 5 stops of camera shake regardless of the Z-type lens being used. This system also works with adapted F-mount lenses, when using the optional FTZ Adapter, where 3-axis stabilization is used.
Included with the camera body is the standard zoom NIKKOR Z 24-70mm f/4 S lens, which covers a wide-angle to portrait-length range and features a constant f/4 maximum aperture. The optical design incorporates one aspherical element as well as a unique aspherical extra-low dispersion element; both of which help to greatly reduce a variety of aberrations and distortion for high sharpness and accurate color rendering. A Nano Crystal Coating is also used to control flare and ghosting for increased contrast in strong lighting conditions. Suiting both photo and video applications, a stepping AF motor is also featured for smooth, near-silent autofocus performance.
Key Features
More speed, more versatility, more performance, the Nikon Z6 II is an updated take on the all-rounder mirrorless camera designed for high-end photo and video applications. Despite the wealth of upgrades, the Z6 II retains its familiar form factor and prized image quality to benefit working multimedia image-makers.
Revolving around a 24.5MP BSI CMOS sensor and dual EXPEED 6 image processors, the Z6 II is characterized by an increased buffer depth and faster continuous shooting rate, up to 14 fps with single-point AF or 12 fps shooting in other focusing modes. Video recording at UHD 4K 30p is possible, or up to FHD 120p for slow-motion output, and external recording gains 10-bit out along with N-Log and HLG (HDR) support. The sensor also suits working in a variety of lighting conditions, with sensitivity from ISO 100-51200, and in-body 5-axis Vibration Reduction reduces the appearance of camera shake for sharper handheld shooting. Additionally, the sensor also incorporates a 273-point phase-detection AF system, which now supports Eye-Detect AF in Wide-Area AF modes and during movie recording, and permits focusing in low-light down to -4.5 EV.
Balancing the imaging, the Z6 II retains its overall physical design, however it has been updated with a new dual memory card slot interface to hold one CFexpress Type B card and one SD UHS-II card for more flexible storage. Both a high-res 3.6m-dot OLED EVF and rear 3.2" 2.1m-dot tilting touchscreen LCD lend versatility to image composition and playback, and SnapBridge wireless connectivity can be used for remote camera control, image sharing to a mobile device, and even over-the-air firmware updates.
Firmware version 1.10 unlocks UHD 4K recording at 60p and 50p frame rates, enables raw video output to Blackmagic Design Video Assist external recorders, and improves eye-detection performance when using Auto-Area AF and Wide-Area AF modes.
Improving upon their initial efforts, Nikon has revised the Z6 platform to offer more speed, faster processing, and greater versatility without sacrificing the beloved qualities of the original camera.
A 24.5MP BSI CMOS sensor is used for all-around shooting, impressive low-light quality, and fast readout speeds to benefit continuous shooting, movies, and time-lapse recording. The back-illuminated design of the sensor affords noticeably clean high-sensitivity output for reduced noise when working at high ISO values, up to a native ISO 51200, as well as vivid and smooth quality at sensitivities as low as ISO 100. Benefitting the sensor are dual EXPEED 6 image processors, which affords a wealth of speed throughout the camera system, including the ability to shoot continuously at 14 fps for up to 124 consecutive frames.
Utilizing the sensor and processor attributes for more than just still imagery, the Z6 II is also a more-than-capable multimedia camera. UHD 4K video recording is possible with full pixel readout up to 30p and Full HD 1080p video recording is also supported at up to 120p for slow motion playback. Video files can be saved to the in-camera memory cards or as an uncompressed file to an optional external recorder via HDMI out.
Advanced video functionalities have been added with the Z6 II, including the N-Log gamma for capturing flat-looking footage that maximizes dynamic range and HLG (HDR) for recording HDR-ready footage. Other additions are the ability to output high-quality 10-bit data over HDMI and an Electronic VR function for smooth handheld shooting. Focus Peaking can be used to benefit manual focus control and a Zebra Stripes option is also available to help detect over-exposed areas within the frame. Audio recording can be handled using the built-in stereo microphone or an optional external mic can be added via the 3.5mm stereo jack for greater control over quality, and live monitoring is possible via the headphone jack.
Firmware version 1.10 unlocks UHD 4K recording at 60p and 50p frame rates and enables raw video output to Blackmagic Design Video Assist external recorders, and also improves eye-detection performance Auto-Area AF and Wide-Area AF modes.
Located on the sensor is an array of 273 phase-detect autofocus points covering 90% of the image area both vertically and horizontally. This provides fast and accurate focusing for both stills and video and with a wide coverage area, subject tracking will work out to near the edges of the frame. Hybrid AF is available for video, which will automatically switch between phase- and contrast-detect systems to provide smooth focus during shooting. Additionally, the latest NIKKOR Z lenses are optimized for silent operation.
In-body 5-axis sensor-shift Vibration Reduction compensates for up to 5 stops of camera shake regardless of the Z-type lens being used. This system also works with adapted F-mount lenses, when using the optional FTZ Adapter, where 3-axis stabilization is used.
Key Features
Well-rounded, lightweight, and sleek, the Panasonic Lumix S5 meshes capable video and photo capabilities with a portable body design. Featuring a full-frame 24.2MP CMOS sensor, the S5 is distinguished by its UHD 4K60 10-bit internal recording, Dual Native ISO, and wide 14+-stop dynamic range. Beyond video, it caters to a versatile range of stills applications with 7 fps continuous shooting, ISO 100-51200 native range, and even a 96MP High-Res Shot mode. Regardless if working with photo or video, the S5 maintains a quick and accurate 225-area DFD autofocus system with refined subject tracking, as well as 5-axis sensor-shift image stabilization to minimize the appearance of camera shake.
In terms of physical design, the S5 borrows elements from the larger S1-series of cameras but has a smaller footprint and lighter weight profile for improved portability. The S5 incorporated a 2.36m-dot OLED electronic viewfinder and a free-angle 3.0" 1.84m-dot touchscreen LCD, and it has built-in Wi-Fi and Bluetooth for wireless connectivity. Dual SD memory card slots are featured, too, for flexible file storage and the body also has a splash- and dust-sealed design for working in trying conditions.
Panasonic Lumix S5 Mirrorless Camera
Well-rounded, lightweight, and sleek, the Panasonic Lumix S5 meshes capable video and photo capabilities with a portable body design. Featuring a full-frame 24.2MP CMOS sensor, the S5 is distinguished by its UHD 4K60 10-bit internal recording, Dual Native ISO, and wide 14+-stop dynamic range. Beyond video, it caters to a versatile range of stills applications with 7 fps continuous shooting, ISO 100-51200 native range, and even a 96MP High-Res Shot mode. Regardless if working with photo or video, the S5 maintains a quick and accurate 225-area DFD autofocus system with refined subject tracking, as well as 5-axis sensor-shift image stabilization to minimize the appearance of camera shake.
In terms of physical design, the S5 borrows elements from the larger S1-series of cameras but has a smaller footprint and lighter weight profile for improved portability. The S5 incorporated a 2.36m-dot OLED electronic viewfinder and a free-angle 3.0" 1.84m-dot touchscreen LCD, and it has built-in Wi-Fi and Bluetooth for wireless connectivity. Dual SD memory card slots are featured, too, for flexible file storage and the body also has a splash- and dust-sealed design for working in trying conditions.
24.2MP Full-Frame CMOS Sensor and Venus Engine
Featuring a full-frame 24.2MP CMOS sensor and an updated Venus Engine, the S5 balances high sensitivity, a wide dynamic range, and speed. The sensor-processor combination enables a useful ISO 100-51200 range, which can be expanded to ISO 50-204800, to suit working in a variety of lighting conditions. For working with fast-moving subjects, the S5 also enables full-res shooting at up to 7 fps with AF-S or 6 fps with AF-C, or up to an impressive 60 fps continuous shooting when using 6K or 4K PHOTO modes.
UHD 4K HDR Video Recording
In addition to stills, the S5 also sports highly capable video recording assets, including full-frame UHD 4K30p internal recording with 4:2:2 10-bit color and UHD 4K60p recording using an APS-C sensor area and 4:2:0 10-bit color. Full HD recording at 60 fps, as well as 4K at 30 fps, is also supported with 8-bit color and no recording time limits. Also, high-speed recording is possible, up to Full HD at 180 fps, and anamorphic recording is also available.
Borrowing from Panasonic's broadcast line of video cameras, Dual Native ISO helps to achieve a balanced combination of low noise and high sensitivity to better suit working in a variety of lighting conditions. Two dedicated circuits are provided for each pixel: a Low ISO circuit provides base sensitivities of ISO 100 for normal use, ISO 640 when V-Log is applied, ISO 400 when HLG is applied, and ISO 200 when Cinelike D2/V2 is applied; a Low Noise circuit provides base sensitivities of ISO 640 for normal use, ISO 4000 when V-Log is applied; ISO 2500 when HLG is applied, and ISO 1250 when Cinelike D2/V2 is applied.
Optimizing your recording for post-production color adjustment, the S5 also features a pair of gamma settings suited to capturing a wide dynamic range. V-Log has been pre-installed on this camera and is used to capture a flat, neutral gamma curve and an equivalent 14+ stops of dynamic range, making it well-suited for grading. Additionally, a High Dynamic Range mode, and Hybrid Log Gamma, can be used to record greater detail in both the shadow and highlight regions of a scene. Additional picture styles are available to provide a more gradable image, such as Cinelike V2 and Cinelike D2, as well as an in-camera LUT to make monitoring easier. Additionally, recording to an optional external recorder is possible, via the HDMI Type D port, and support for an external microphone and headphones are also available via dedicated 3.5mm jacks.
Body Design
Sensor-Shift Image Stabilization
Helping to achieve the utmost sharpness when photographing handheld, Dual I.S. 2 combines the S5's 5 stop-rated 5-axis sensor-shift image stabilization technology with lens-based 2-axis image stabilization to compensate for a broader range of movement types to render sharper, clearer imagery. Dual I.S. 2 requires the use of compatible Lumix lenses featuring O.I.S. This stabilization system is able to compensate for approximately 6.5 stops of camera shake.
DFD Autofocus System
For accelerated autofocus performance, the DFD (Depth-From-Defocus) technology quickly calculates the distance to subjects and adjusts the focusing position in as little as 0.08 seconds, with sensor and lens communication occurring at rates up to 480 fps. This contrast-detection type focus method benefits both still and video recording modes, as well as subject tracking applications, using Advanced AI Technology, where subject type, color, size, and motion vectors are used to intelligently lock-onto the moving subjects and ensure precise focus. When working with portrait subjects, face, eye, head, body, and animal detection capabilities make it easier to prioritize focusing on specific areas of the subject. The focusing sensitivity and speed can be adjusted to further improve performance with certain subjects. It also features 225 AF areas, which provide excellent control over where the camera will focus. Additionally, supporting working in low-light conditions, a Low Light AF feature enables accurate AF performance down to -6 EV.
Benefitting manual focus operation, focus peaking is available that highlights bright edges of contrast with a colored outline for quickly recognizing your focus point, as well as Touch MF Assist for touch-to-focus operation. Other AF features include an AF Point Scope setting that temporarily magnifies the subject by 3x to 10x for confirmation of the focus position and a custom selectable AF zone for Multi AF / Custom Multi AF.
6K and 4K PHOTO
Utilizing the S5's video recording capabilities, a trio of still shooting modes are available for recording continuous 3:2 or 4:3 8MP stills at a 60 or 30 fps shooting rate or 18MP stills at a 30 fps shooting rate:
Bluetooth and Wi-Fi
Bluetooth Low Energy (4.2) provides constant connection between your smartphone or table and the camera with minimal power consumption. For more robust wireless activities, IEEE 802.11ac and b/g/n support is also available for faster transmission and more fluid remote control and monitoring.
Complementing the camera's wireless connectivity, Lumix Sync is an iOS and Android app designed to pair with the camera for smartphone or tablet-based remote shooting control and wireless image transferring.
Other Camera Features
Key Features
for the everyday shooter with high demands, the Canon EOS R6 is a versatile tool to meet the photo and video requirements of a contemporary imaging workflow. This full-frame mirrorless camera revolves around a refined 20MP CMOS sensor and DIGIC X processor, which afford quick shooting up to 12 fps, apt 4K60 video recording, and wide-ranging sensitivity to ISO 102400. It also sports 5-axis in-body image stabilization to help steady shots when working in low-light conditions.
As a do-everything, highly versatile camera, the R6 also employs the sensor and processor for robust focusing performance. Dual Pixel CMOS AF offers quick, smooth, and intelligent focusing using 1053 Selectable points that cover the entire field of view. This focusing system has also been updated to make use of Deep Learning technology for improved subject tracking as well as precise eye, face, and head-detection for both people and animals.
Complementing the imaging capabilities, the R6 sports a bright and detailed 0.5" 3.69m-dot electronic viewfinder, with a high 120 fps refresh rate, and a rear 3.0" 1.62m-dot touchscreen LCD with a vari-angle design to accommodate vlogging needs as well as benefit working from high and low angles. Additionally, dual SD UHS-II memory card slots offer flexible storage and there is of course Bluetooth and Wi-Fi for wireless sharing and remote camera control.
Built around a revised 20MP full-frame CMOS sensor, the EOS R6 offers modest resolution to complement a more manageable workflow, especially for those working with the web and small print forms as their final output. This sensor is paired with a fine-tuned DIGIC X image processor, which enables impressive stills and video capabilities, along with sensitivity from ISO 100-102400, which can be expanded to ISO 204800, along with quick continuous shooting up to 12 fps with a mechanical shutter, or silent 20 fps with an electronic shutter, is ideal for working with moving subjects.
Beyond stills, the 20MP sensor also affords UHD 4K video recording at up to 60 fps, along with Full HD at 120 fps for slow-motion playback. Both formats can be recorded internally at 4:2:2 10-bit and both Canon Log and HDR-PQ are supported for greater control over color rendering, and to suit high dynamic Range output. Additionally, Dual Pixel CMOS AF is supported for all recording settings and external recording, via the HDMI port, enables clean 4K output to an optional external recorded.
An updated Dual Pixel CMOS AF II features 1053 Selectable focusing points, which cover approximately 100% of the image frame for wide and even coverage. This focusing system offers smooth and fast focusing performance in a similar manner to how a camcorder acquires focus. This system integrates two separate photodiodes within each pixel to provide a broad and dense network of phase-detection gathering elements across a majority of the image sensor to reduce focus hunting for faster, more direct control of focus placement. When working with still imagery, this focusing system works to acquire focus quickly and accurately, making it ideally suited to shooting and tracking moving subjects so that critical focus is attained with each shot. When shooting video, a Movie Servo AF mode offers smooth and natural focusing when changing from different subjects or different distances within the scene, as well as the ability to specify tracking sensitivity, AF speed, and Face Tracking priority. Benefited by the Touch AF system, rack focus is possible simply by touching elements within the scene on the touchscreen in order to change focus in an intuitive manner. Subject tracking in movies is also heightened due to the Dual Pixel CMOS AF system's ability to recognize subjects and maintain focus when working within changing or cluttered scenery.
Subject tracking has also been benefitted through the use of Deep Learning technology, which helps to gradually refine the focusing system's ability to quickly and accurately recognize both people and animal subjects. This technology also supports the more refined eye, face, and head detection functions, for both people and animals, that are well-suited for portraiture applications.
A first for EOS cameras, the R6 incorporates five-axis sensor-shift image stabilization that compensates for up to an impressive eight stops of camera shake for truly effective compensation of camera shake to suit handheld shooting with slower shutter speeds. This stabilization system also works in concert with lens-based optical image stabilization for both native RF lenses and adapted EF lenses.
Key Features
For the professional image-maker who needs resolution, speed, and video capabilities, there is the Canon EOS R5. Setting a new standard for versatility, this full-frame mirrorless camera features a newly developed 45MP CMOS sensor, which offers 8K raw video recording, 12 fps continuous shooting with a mechanical shutter, and is the first EOS camera to feature 5-axis sensor-shift image stabilization.
Beyond just resolution, the sensor also pairs with the refined DIGIC X image processor to usher in a new generation of Dual Pixel CMOS AF for quick, smooth, and intelligent focusing performance using 1053 selectable points that cover the entire field of view. This focusing system has also been updated to make use of Deep Learning technology for improved subject tracking as well as precise eye, face, and head-detection for both people and animals.
Complementing the imaging assets, the R5, while sporting a new design, also feels familiar to EOS 5-series users. An especially high-resolution 5.76m-dot electronic viewfinder provides a realistic 120 fps refresh rate while the rear touchscreen LCD monitor sports a vari-angle design to accommodate vlogging needs as well as benefit working from high and low angles. A top status LCD makes for an intuitive workflow and the camera also incorporates dual memory card slots—one CFexpress Type B, one SD UHS-II—along with Bluetooth and Wi-Fi wireless connectivity.
Built around a newly developed 45MP full-frame CMOS sensor, the EOS R5 offers both high-resolution stills and video output and the fine-tuned DIGIC X image processor complements this with a wealth of speed. Sensitivity from ISO 100-51200, which can be expanded to ISO 102400, suits working in a variety of lighting conditions while quick continuous shooting up to 12 fps with a mechanical shutter, or silent 20 fps with an electronic shutter, is ideal for working with moving subjects.
Benefitting more than just stills, the 45MP full-frame sensor also enables impressively high-resolution DCI and UHD 8K 30 fps raw video recording internally along with 4K recording up to 120 fps in 4:2:2 10-bit with Canon Log. HDR-PQ recording is possible, too, in-camera HDR production and external recording, via the HDMI port supports a clean 4K output at up to 60 fps. Both All-I and IPB compression options are available, along with the ability to use Dual Pixel CMOS AF when shooting at up to 8K raw.
An updated Dual Pixel CMOS AF II features 1053 selectable focusing points, which cover approximately 100% of the image frame for wide and even coverage. This focusing system offers smooth and fast focusing performance in a similar manner to how a camcorder acquires focus. This system integrates two separate photodiodes within each pixel to provide a broad and dense network of phase-detection gathering elements across a majority of the image sensor to reduce focus hunting for faster, more direct control of focus placement. When working with still imagery, this focusing system works to acquire focus quickly and accurately, making it ideally suited to shooting and tracking moving subjects so that critical focus is attained with each shot. When shooting video, a Movie Servo AF mode offers smooth and natural focusing when changing from different subjects or different distances within the scene, as well as the ability to specify tracking sensitivity, AF speed, and Face Tracking priority. Benefited by the Touch AF system, rack focus is possible simply by touching elements within the scene on the touchscreen in order to change focus in an intuitive manner. Subject tracking in movies is also heightened due to the Dual Pixel CMOS AF II system's ability to recognize subjects and maintain focus when working within changing or cluttered scenery.
Subject tracking has also been benefitted through the use of Deep Learning technology, which helps to gradually refine the focusing system's ability to quickly and accurately recognize both people and animal subjects. This technology also supports the more refined eye, face, and head detection functions, for both people and animals, that are well-suited for portraiture applications.
A first for EOS cameras, the R5 incorporates five-axis sensor-shift image stabilization that compensates for up to an impressive eight stops of camera shake for truly effective compensation of camera shake to suit handheld shooting with slower shutter speeds. This stabilization system also works in concert with lens-based optical image stabilization for both native RF lenses and adapted EF lenses.
Included with the camera body is the versatile RF 24-105mm f/4L IS USM lens; a standard zoom covering wide-angle to portrait-length focal lengths. Its f/4 constant maximum aperture maintains consistent performance throughout the zoom range and suits working in a variety of lighting conditions. An Image Stabilizer also suits photographing in low-light by compensating for the effects of camera shake to result in sharper imagery when shooting handheld. Benefitting both stills and video applications, it also has an Ultrasonic Motor that delivers quick, quiet, and precise autofocus performance along with full-time manual focus override.
Improved processing, greater versatility, but familiar in design, the Nikon Z 7II takes everything that was great from the original and ups its capabilities even more. Sporting a high-resolution 45.7MP FX-format BSI CMOS sensor and dual EXPEED 6 image processors, the Z 7II is clearly aimed at the detail-obsessed image-maker.
The sensor design omits the optical low-pass filter for greater detail recording capability and the sensor supports a native sensitivity range down To ISO 64 for lush, rich capture. Updated processing also yields faster speeds, including a quickened 10 fps continuous shooting rate and deeper buffer for working with moving subjects. UHD 4K 60p video is supported, too, with the option To record externally in 10-bit using N-Log or HLG (HDR) modes). The sensor also incorporates a 493-point phase-detection AF system, which now supports Eye-Detect AF in Wide-Area AF modes and during movie recording, and permits focusing in low-light down To -4.5 EV. Additionally, 5-axis in-body Vibration Reduction helps To reduce the appearance of camera shake with any mounted lens.
Balancing the imaging, the Z 7II retains its overall physical design, however it has been updated with a new dual memory card slot interface To hold one CFexpress Type B card and one SD UHS-II card for more flexible storage. Both a high-res 3.6m-dot OLED EVF and rear 3.2" 2.1m-dot tilting touchscreen LCD lend versatility To image composition and playback, and SnapBridge wireless connectivity can be used for remote camera control, image sharing To a mobile device, and even over-the-air firmware updates.
Improving upon their initial efforts, Nikon has revised the Z 7 platform To offer more speed, faster processing, and greater versatility without sacrificing the beloved qualities of the original camera.
A 45.7MP BSI CMOS sensor is used for high-resolution shooting, impressive low-light quality, and fast readout speeds To benefit continuous shooting, movies, and time-lapse recording. The back-illuminated design of the sensor affords noticeably clean high-sensitivity output and reduced noise when working at high ISO values, up To a native ISO 25600, as well as vivid and smooth quality at sensitivities as low as ISO 64. The sensor design also omits the conventional optical low-pass filter in order To achieve the greatest sharpness and resolution from the sensor. Benefitting the sensor are dual EXPEED 6 image processors, which affords a wealth of speed throughout the camera system, including the ability To shoot continuously at 10 fps for up To 50 consecutive frames.
Utilizing the sensor and processor attributes for more than just still imagery, the Z 7II is also a more-than-capable multimedia camera. UHD 4K video recording is possible up To 60p and Full HD 1080p video recording is also supported at up To 120p for slow motion playback. Video files can be saved To the in-camera memory cards or as an uncompressed file To an optional external recorder via HDMI out.
Advanced video functionalities have been added with the Z 7II, including the N-Log gamma for capturing flat-looking footage that maximizes dynamic range and HLG (HDR) for recording HDR-ready footage. Other additions are the ability To output high-quality 10-bit data over HDMI and an Electronic VR function for smooth handheld shooting. Focus Peaking can be used To benefit manual focus control and a Zebra Stripes option is also available To help detect over-exposed areas within the frame. Audio recording can be handled using the built-in stereo microphone or an optional external mic can be added via the 3.5mm stereo jack for greater control over quality, and live monitoring is possible via the headphone jack.
Located on the sensor is an array of 493 phase-detect autofocus points covering 90% of the image area both vertically and horizontally. This provides fast and accurate focusing for both stills and video and with a wide coverage area, subject tracking will work out To near the edges of the frame. Hybrid AF is available for video, which will automatically switch between phase- and contrast-detect systems To provide smooth focus during shooting. Additionally, the latest NIKKOR Z lenses are optimized for silent operation.
In-body 5-axis sensor-shift Vibration Reduction compensates for up To 5 stops of camera shake regardless of the Z-type lens being used. This system also works with adapted F-mount lenses, when using the optional FTZ Adapter, where 3-axis stabilization is used.
Included with the camera body is the standard zoom NIKKOR Z 24-70mm f/4 S lens, which covers a wide-angle To portrait-length range and features a constant f/4 maximum aperture. The optical design incorporates one aspherical element as well as a unique aspherical extra-low dispersion element both of which help To greatly reduce a variety of aberrations and distortion for high sharpness and accurate color rendering. A Nano Crystal Coating is also used To control flare and ghosting for increased contrast in strong lighting conditions. Suiting both photo and video applications, a stepping AF motor is also featured for smooth, near-silent autofocus performance.
Sporting an especially sleek design, the Nikon Z 50 is a DX-format mirrorless digital camera revolving around the versatile Z Mount. Capable in both stills and video realms, the Z 50 features a 20.9MP CMOS sensor and EXPEED 6 image processor, which enables fast performance up To 11 fps, a reliable 209-point hybrid AF system with eye detection, and notable low-light performance To ISO 51200. for video shooters, UHD 4K is supported up To 30 fps along with Full HD recording at up To 120 fps for slow-motion playback. for fine-tuning your photos and videos, in-camera clip trimming can be used, and 20 Creative Picture Controls and 10 Special Effects settings help To infuse your imagery with a unique look.
The body design is impressively sleek yet still ergonomic To benefit all-day-long shooting. A high-resolution 2.36m-dot OLED EVF benefits working in bright conditions with clear eye-level viewing and the 3.2" rear touchscreen LCD has a 180 flip-down design that is perfect for selfies. The magnesium alloy body is weather-sealed, too, To suit working in inclement conditions. Additionally, for easy sharing, built-in Wi-Fi and Bluetooth work in conjunction with the Nikon SnapBridge app for wirelessly transferring photos and videos and remotely controlling the camera from your mobile device.
The DX-format 20.9MP CMOS sensor is paired with the EXPEED 6 image processor To provide a versatile mixture of high sensitivity, nuanced image quality, and fast overall performance. At native values, a sensitivity Range from ISO 100-51200 permits working in a broad array of lighting conditions, and can be further expanded up To ISO 204800 for extreme low-light conditions. The mixture of resolution and sensor size also contributes To clean image quality and smooth color transitions with reduced noise throughout the sensitivity Range. In addition To benefitting image quality, the EXPEED 6 processor also affords a wealth of speed throughout the camera system, including a top full-resolution continuous shooting rate of 11 fps as well as 30 fps shooting at 8MP.
Besides imaging, the sensor design also incorporates a 209-point hybrid autofocus system, which uses both phase-detection and contrast-detection methods To quickly and accurately acquire focus for both stills and video applications. This focusing system also supports Eye Detection AF, which uses facial recognition To help lock focus onto subjects' eyes.
Capable of recording more than just stills, the Z 50 supports UHD 4K video recording at up To 30 fps and Full HD recording at up To 120 fps, for slow-motion effects, along with the ability To save movie files To the in-camera memory cards or To an optional external recorder via HDMI out. In-camera time-lapse shooting is also possible with the ability To produce a finished UHD 4K video file directly from the camera.
Included with the camera body are the NIKKOR Z DX 16-50mm f3.5-6.3 VR standard zoom and the NIKKOR Z DX 50-250mm f4.5-6.3 VR telephoto zoom lenses. Providing 24-75mm and 75-375mm equivalent focal length Ranges, respectively, these two lenses encompass a wide-angle To super-telephoto Range To suit working in a wide variety of conditions. Both lenses also feature Vibration Reduction image stabilization, which minimizes the appearance of camera shake for sharper handheld imagery.
Key Features
For the professional image-maker who needs resolution, speed, and video capabilities, there is the Canon EOS R5. Setting a new standard for versatility, this full-frame mirrorless camera features a newly developed 45MP CMOS sensor, which offers 8K raw video recording, 12 fps continuous shooting with a mechanical shutter, and is the first EOS camera to feature 5-axis sensor-shift image stabilization.
Beyond just resolution, the sensor also pairs with the refined DIGIC X image processor to usher in a new generation of Dual Pixel CMOS AF for quick, smooth, and intelligent focusing performance using 1053 selectable points that cover the entire field of view. This focusing system has also been updated to make use of Deep Learning technology for improved subject tracking as well as precise eye, face, and head-detection for both people and animals.
Complementing the imaging assets, the R5, while sporting a new design, also feels familiar to EOS 5-series users. An especially high-resolution 0.5" 5.76m-dot electronic viewfinder provides a realistic 120 fps refresh rate while the 3.2" rear touchscreen LCD monitor sports a vari-angle design to accommodate vlogging needs as well as benefit working from high and low angles. A top status LCD makes for an intuitive workflow and the camera also incorporates dual memory card slots—one CFexpress Type B, one SD UHS-II—along with Bluetooth and Wi-Fi wireless connectivity.
45MP Full-Frame Sensor and DIGIC X Processor
Built around a newly developed 45MP full-frame CMOS sensor, the EOS R5 offers both high-resolution stills and video output and the fine-tuned DIGIC X image processor complements this with a wealth of speed. Sensitivity from ISO 100-51200, which can be expanded to ISO 102400, suits working in a variety of lighting conditions while quick continuous shooting up to 12 fps with a mechanical shutter, or silent 20 fps with an electronic shutter, is ideal for working with moving subjects.
8K30 Raw and 4K120 Video Recording
Benefitting more than just stills, the 45MP full-frame sensor also enables impressively high-resolution DCI 8K 30 fps raw video recording internally along with 4K recording up to 120 fps in 4:2:2 10-bit with Canon Log. HDR-PQ recording is possible, too, in-camera HDR production and external recording, via the HDMI port supports a clean 4K output at up to 60 fps. Both All-I and IPB compression options are available, along with the ability to use Dual Pixel CMOS AF when shooting at up to 8K raw.
HDMI 8K Raw Output to Atomos Ninja V+
Firmware update 1.4.0 adds the ability to output 8K30, 10-bit video for ProRes raw recording to the Atomos Ninja V+ recorder over an optional HDMI cable. (Please note, the recorder may become hot.)
Dual Pixel CMOS AF II
An updated Dual Pixel CMOS AF II features 1053 selectable focusing points, which cover approximately 100% of the image frame for wide and even coverage. This focusing system offers smooth and fast focusing performance in a similar manner to how a camcorder acquires focus. This system integrates two separate photodiodes within each pixel to provide a broad and dense network of phase-detection gathering elements across a majority of the image sensor to reduce focus hunting for faster, more direct control of focus placement. When working with still imagery, this focusing system works to acquire focus quickly and accurately, making it ideally suited to shooting and tracking moving subjects so that critical focus is attained with each shot. When shooting video, a Movie Servo AF mode offers smooth and natural focusing when changing from different subjects or different distances within the scene, as well as the ability to specify tracking sensitivity, AF speed, and Face Tracking priority. Benefited by the Touch AF system, rack focus is possible simply by touching elements within the scene on the touchscreen in order to change focus in an intuitive manner. Subject tracking in movies is also heightened due to the Dual Pixel CMOS AF system's ability to recognize subjects and maintain focus when working within changing or cluttered scenery.
Subject tracking has also been benefitted through the use of Deep Learning technology, which helps to gradually refine the focusing system's ability to quickly and accurately recognize both people and animal subjects. This technology also supports the more refined eye, face, and head detection functions, for both people and animals, that are well-suited for portraiture applications.
Sensor-Shift Image Stabilizer
A first for EOS cameras, the R5 incorporates five-axis sensor-shift image stabilization that compensates for up to an impressive eight stops of camera shake for truly effective compensation of camera shake to suit handheld shooting with slower shutter speeds. This stabilization system also works in concert with lens-based optical image stabilization for both native RF lenses and adapted EF lenses.
Body Design and Wireless Connectivity
Key Features
with an emphasis on speed and versatility, the Sony Alpha a6600 is a sleek-yet-fully-featured APS-C-format mirrorless camera well-suited for both stills and video. Sporting a revised 24.2MP CMOS sensor, the a6600 is capable of producing high-resolution photos and up to UHD 4K video with no recording time limit, more efficient processing, and faster focusing. The 4D FOCUS system, which covers 84% of the image frame, utilizes 425 phase-detection points along with 425 contrast-detection areas for especially quick and intuitive performance along with Real-time Eye AF for both photo and video. Complementing both stills and video, 5-axis SteadyShot INSIDE image stabilization minimizes the appearance of camera shake with all mounted lenses to support working with slower shutter speeds.
Beyond imaging capabilities, the a6600 also sports a robust magnesium alloy body that is dust- and moisture-resistant to permit working in harsh environments. The compact profile incorporates a high-resolution XGA Tru-Finder 2.36m-dot OLED electronic viewfinder for bright, clear, eye-level viewing, and this EVF features a 120-fps viewing mode for smooth tracking of fast-moving subjects. A rear 3.0" 921.6k-dot touchscreen LCD monitor is also available and has a tilting design to benefit shooting from high and low working angles, and the touchscreen design allows for intuitive touch-to-focus control. for video, both headphone and microphone ports have been incorporated, too, for improved audio control. Additionally, for wireless remote control over the camera, or for just sharing imagery online, built-in Wi-Fi with NFC permits linking with a mobile device for intuitive wireless control.
A revised APS-C-format 24.2MP Exmor CMOS sensor realizes smooth, nuanced image quality with minimal noise and high sensitivity from ISO 100-32000, which can further be expanded to ISO 102400 for working in low-light conditions. The sensor features a unique design that utilizes thin copper wiring, enhanced circuit processing, and an enhanced front-end LSI to boost light-gathering abilities, reduce noise, and increase readout speeds to benefit video recording. The sensor and BIONZ X processor combination also avails a top continuous-shooting rate of 11 fps with AF and AE and permits 16-bit recording with 14-bit raw file output for a wider tonal and color scale.
Internal recording of UHD 4K movies is possible in multiple frame rates up to 30 fps and, based on the Super35mm recording area and effective 6K resolution, oversampling renders greater detail and full pixel readout is possible, that is void of pixel binning, for higher quality imagery with reduced moiré and aliasing. Full Frame 4K recording has also been dramatically improved for finer quality when working at mid to high sensitivities to permit full use of the entire sensor width. Full HD 1080p recording is also supported in frame rates up to 120 fps, and both resolutions utilize the 100 Mbps XAVC S format contained within an MP4 wrapper with 4:2:0 sampling. The high-speed, 120 fps recording also enables 4x and 5x slow-motion movie recording with the frame rate set to either 30p or 24p. The a6600 also has no recording time limit, allowing for extended clip lengths. In addition to high-resolution internal recording, uncompressed HDMI output also enables the use of an optional external recorder for clean 4K recording with 4:2:2 sampling.
4K video recording also avails the ability to produce 8MP stills during playback by taking a frame grab from a movie and storing it as a separate file.
Support for HDR Content:
Slow & Quick Motion:
Enhanced Zebra Function:
Time Code and User Bit Settings:
Covering nearly the entire sensor area, a powerful 4D FOCUS system incorporates 425 on-chip phase-detection points along with 425 contrast-detection areas for precise focusing in as little as 0.02 seconds. The density of focusing points from this hybrid AF system also enables High-density Tracking AF Technology, which is adept at tracking moving subjects in a variety of lighting conditions. Real-time Eye AF can be used to base focus on recognized subjects' eyes for portraits (either humans or animals) and is available for both AF-S and AF-C modes, for stills or video. The use of phase-detection points also enables the use of A-mount lenses via the optional LA-EA3 or LA-EA1 lens mount adapters with full AF compatibility.
The apt 4D FOCUS system also lends itself to a variety of focusing functions for refined accuracy, including Lock-on AF, which maintains focus on moving subjects throughout the use of a configurable frame that is set over the desired moving subject, and Expand Flexible Spot, which employs neighboring focus points to retain focus on moving subjects even if the originally Selected point loses focus. Autofocus can also be used in conjunction with the Focus Magnifier function for critical focus when homing in on minute subject details.
In addition to autofocus, the a6600 also features a Peaking MF function to benefit manual focus control by highlighted sharp edges of contrast for a more objective means of acquiring sharp focus.
Packed into the svelte body is a 5-stop effective 5-axis SteadyShot INSIDE image stabilization system that compensates for five different types of camera shake encountered during handheld shooting of stills and video. This allows users to confidently use any lens, even adapted lenses, for critical imaging without encountering blur from camera shake.
for long focal lengths, the system will correct for pitch and yaw adjustments. Macro and high-magnification imagery, on the other hand, will benefit from the inclusion of horizontal and vertical shift compensation. All shooting styles will get usage out of the roll compensation. All 5 axes of stabilization will function at all times, even when used with third-party lenses and adapters or lenses with built-in optical stabilization.
24.3MP Full-Frame Exmor CMOS Sensor
Full-Frame Alpha Stabilized
Sony has taken their line of full-frame cameras to the next level with the a7 II Mirrorless Camera, which features 5-axis SteadyShot INSIDE image stabilization with 4.5 stops of compensation. Operation of the 24.3-megapixel series has been streamlined with a redesigned grip, shutter release button, and customizable controls; the a7 II also features a moisture- and dust-resistant design with a magnesium alloy body and a more robust lens mount. And, with refined algorithms and better utilization of the BIONZ X image processor, the a7 II has an enhanced Fast Hybrid AF system that is about 30% faster than the previous model along with a 5 fps burst rate with continuous autofocus.
Full-Frame Sensor, BIONZ X Processor, and Stabilization
Incorporated into the a7 II's redesigned body is a full-frame 24.3MP Exmor CMOS sensor, which offers a wide dynamic range with minimal noise and rich, subtle gradations. The sensor also offers an ISO range of 100-51,200 which can be expanded down to ISO 50. Coupled with the BIONZ X processor, this camera also supports fluid performance for high-speed shooting applications, including the ability to shoot continuously at up to 5 fps and record Full HD video at up to 60p
5-Axis SteadyShot INSIDE Image Stabilization
Packed into the svelte a7 II is a 5-axis SteadyShot INSIDE image stabilization system, which compensates for five types of camera shake encountered during handheld shooting of still images and video. This allows users to confidently use any lens, even adapted lenses, for critical imaging without encountering blur from camera shake. This system will compensate for approximately 4.5 stops of shutter speed for working with a huge variety of subjects.
Enhanced Fast Hybrid AF
Utilizing 117 phase-detection and 25 contrast-detection autofocus points with a wide area of coverage, the a7 II can smoothly and quickly track fast-moving subjects throughout the frame. It optimizes for both speed and accuracy with an enhanced algorithm that improves performance by about 30% when compared to previous generations. This just-developed algorithm will more accurately predict subject movement for tracking that is 1.5x more accurate. Also, Lock-on AF tracking will analyze more information from the scene to provide dramatically improved accuracy and stability and Eye AF can prioritize a subject's pupil for excellent portraits even with a shallow depth of field.
Full HD and XAVC S Format
Shoot Full HD 1920 x 1080 video at frame rates of 60p, 30p, and 24p with the high-bit-rate 50 Mbps XAVC S format. This results in excellent image quality with minimal noise and artifacts without requiring a large amount of disk space. Additionally, the system uses linear PCM sound for high quality audio.
When recording internally, users will record video with a 4:2:0 sampling at 8-bit, however, to even further improve image quality the a7 II has clean HDMI output for use with an external recorder. This allows users to capture 4:2:2 uncompressed video and save in an edit-ready format.
Customizable Color Profiles and S-Log2 Gamma
To make sure the a7 II is able to use its extensive dynamic range while recording video it incorporates extensive customizable color and gamma controls. Users can adjust the gamma, black level, knee, color level, and more. Also users can use the same S-Log2 Gamma Curve that is found on high end Sony Cinema cameras that squeezes up to 1300% more dynamic range into the video signal then traditional REC709, for increased post-production flexibility.
Audio Input & Headphone Jack
The a7 II features a 3.5mm microphone input jack for compatibility with external microphones. And for users needing more the a7 II is also compatible with the Sony XLR-K2M XLR Adapter for recording professional balanced XLR audio signals with phantom power and adjustable mic/line inputs. For monitoring audio the a7 II features a 3.5mm headphone jack as well as real time audio levels for a visual reference.
Body Design
Refined EVF, LCD, and Ergonomics
Magnesium Alloy Construction and Robust Lens Mount
Wi-Fi and NFC
Built-in Wi-Fi connectivity enables the a7 II to instantly share imagery to mobile devices for direct sharing online to social networking, via email, and to cloud storage sites. NFC (Near Field Communication) is also supported, which allows for one-touch connection between the camera and compatible mobile devices; no complex set-up is required. Once connected, the linked mobile device can also display a live view image on its screen and remotely control the camera's shutter.
Key Features
Sony has taken their line of Full Frame cameras to the next level with the Alpha a7 II Mirrorless Digital Camera with FE 28-70mm f/3.5-5.6 OSS Lens, which features 5-axis SteadyShot INSIDE image stabilization with 4.5 stops of compensation for pitch, yaw, horizontal shift, vertical shift, and roll. Operation of the 24.3-megapixel series has been streamlined with a redesigned grip, shutter release button, and customizable controls. The a7 II also features a moisture- and dust-resistant design with a magnesium alloy body and a more robust lens mount. And, with refined algorithms and better utilization of the BIONZ X image processor, the a7 II has an enhanced Fast Hybrid AF system that is about 30% faster than the previous model along with a 5 fps burst rate with continuous autofocus as well as a 40% faster start time.
The 24.3-megapixel sensor enables high resolution images and low light effectiveness with its standard ISO sensitivity Range of 100-25600. The BIONZ X image processor offers fast processing and operation speeds and front-end LSI (large-scale integration) improves the early stages of image processing resulting in more natural details and richer tones. And, 16-bit image processing and 14-bit RAW output preserves the detail provided by the sensor.
In addition to highly detailed stills with smooth gradations, the a7 II now has access to the high-bit-rate XAVC S format with 60p, 30p, and 24p recording options, all at 50 Mbps. The look of movies can also be adjusted with picture profiles, including the addition of the S-Log2 gamma setting with a dynamic Range approximately 1,300% of the standard sRGB spectrum. Timecode and user bit settings are available as well as clean HDMI output for a variety of recording options.
The advanced Sony Multi-Interface shoe expands compatibility options for flash, microphone, and other accessories and, as an E-mount Full Frame camera, the a7 II is compatible with all present APS-C E-mount lenses in APS-C crop mode as well as new E-mount Full Frame Zeiss and Sony G-series lenses. Lens mount adapters with a tripod mount are also available to use A-mount lenses on E-mount cameras, and an optional dedicated battery grip enables stable extended shooting and vertical orientation stability.
Rounding out the a7 II's imaging capabilities, both a 3.0" 1,228.8k-dot tilting LCD monitor and 2.36 million-dot OLED electronic viewfinder are available for image monitoring and review. Built-in Wi-Fi connectivity, with support for NFC, is available, too, for instant sharing of imagery from the camera as well as remote camera control from a linked mobile device.
Bundled with the a7 II in this kit is the FE 28-70mm f/3.5-5.6 OSS E-mount lens. This wide-to-portrait zoom incorporates three aspherical elements and one extra-low dispersion element into its design to minimize chromatic aberrations and enhance overall image clarity. An optical SteadyShot image stabilization system has also been added to minimize the appearance of camera shake to suit working in dim lighting and with low shutter speeds. This stabilization will work with the in-body stabilization found in the camera. It has a minimum focus distance of 11.8".
Incorporated into the a7II's redesigned body are a 24.3-megapixel Exmor CMOS image sensor and BIONZ X image processor, which work together to enable a wide dynamic Range with minimal noise and rich, subtle gradations. The camera features an ISO Range of 100-51,200 which can be expanded down to ISO 50. Also, this combination allows the a7II to reproduce details with excellent clarity.
Benefitting image quality is the use of detail reproduction technology and diffraction-reducing technology which suppresses the effects of diffraction to reproduce fine details at small aperture settings. Add to this area-specific noise reduction to Selectively apply different noise reduction to each area for clear imagery. Also, the sensor features 16-bit image processing with a 14-bit RAW output to preserve detail and ensure optimal quality for later adjustment.
Further improved in this generation is metering performance, which is now possible down to a rated -1 EV. Also, the a7II will start up approximately 40% faster than the previous generation for almost instant on.
Packed into the svelte a7II is a remarkable 5-axis SteadyShot INSIDE image stabilization system. This compensates for five types of camera shake encountered during handheld shooting of still images and video. This allows users to confidently use any lens, even adapted lenses, for critical imaging without encountering blur from camera shake. This system will compensate for approximately 4.5 stops of shutter speed for working with a huge variety of subjects.
for long focal lengths, the system will correct for pitch and yaw adjustments. Macro and high magnification imagery on the other hand will benefit from the inclusion of horizontal and vertical shift compensation. And, all shooting styles will get usage out of the roll compensation. All 5 axes of stabilization will function at all times, even when used with third-party lenses and adapters or lenses with built-in optical stabilization.
When using lenses that do not transmit imaging data to the camera, manual settings can be used to input the correct focal length and ensure proper stabilization. Also, the viewfinder can be used to preview the amount of compensation by pressing the shutter release button halfway or magnifying the image.
Utilizing 117 phase-detection and 25 contrast-detection autofocus points with a wide area of coverage, the a7II can smoothly and quickly track fast-moving subjects throughout the frame. It optimizes for both speed and accuracy with an enhanced algorithm that improves performance by about 30% when compared to previous generations. This just developed algorithm will also more accurately predict subject movement for tracking that is 1.5x more accurate. Additionally, it can capture images at a rate of 5 fps while using continuous autofocus and automatic exposure. This can be captured in a burst of up to 77 frames when shooting in JPEG Fine L format and a continuous AF Display allows users to view the active AF points.
Another feature available with this AF system is a Lock-on AF tracking that will analyze more information from the scene to provide dramatically improved accuracy and stability. Eye AF is also available which will prioritize a subject's pupil for excellent portraits even with a shallow depth of field.
Shoot full HD 1920 x 1080 video at frame rates of 60p, 30p, and 24p with the high-bit-rate 50Mbps XAVC S format. This results in excellent image quality with minimal noise and artifacts without requiring a large amount of disk space. Additionally, the system using linear PCM sound for high quality audio.
When recording internally, users will record video with a 4:2:0 sampling at 8-bit, however, to even further improve image quality the a7II has clean HDMI output for use with an external recorder. This allows users to capture 4:2:2 uncompressed video and save in an edit-ready format.
The a7II has multiple timecode recording options to meet different workflows. It has the standard 'Record Run" mode that only advances the timecode when recording, as well as "Free Run" timecode that advances the timecode even when not recording, which can be great for syncing multiple cameras at live events. It can also record timecode in both drop frame and non-drop frame modes. When recording internally the a7II is also able to output timecode via HDMI.
To make sure the a7II is able to use its extensive dynamic Range while recording video it incorporates extensive customizable color and gamma controls. Users can adjust the gamma, black level, knee, color level, and more. Also users can use the same S-Log2 Gamma Curve that is found on high end Sony Cinema cameras that squeezes up to 1300% more dynamic Range into the video signal then traditional REC709, for increased post-production flexibility.
with a higher 1,228.8k-dot resolution, the LCD screen will provide shooters with an excellent screen for composing images, adjusting settings, and reviewing video and photos. It also tilts upward 107° and downward 41° for working with multiple shooting angles. Use in sunlight is improved with the implementation of WhiteMagic technology which doubles the brightness of the display through a RGBW pixel structure.
with its 3-lens optical system the viewfinder faithfully displays what will appear in your recording, including the effects of your camera settings. You'll enjoy rich tonal gradations and improved contrast. High-end features like 100% frame coverage and a wide viewing angle enable comfortable and stable eye-level composition.
with a larger, more refined shape to the grip, users will find the a7II to have a more secure feel and grasp even when large lenses are mounted. Also, the shutter release button has been reshaped and moved forward for a more natural shooting position and a decrease in camera shake. The controls also have been refined with new position for easier handling and improved operation. Button customization is available with the ability to assign any of 56 functions to any of the 10 customizable buttons for a more personalized setup.
The compact form is well-built with a magnesium allow top cover, front cover, and internal structure. The lens mount has been redesigned with a greater strength and rigidity for extra security when using larger or longer lenses. The body itself also features greater sealing for dust and moisture resistance, providing more protection when shooting out in the elements. Additionally, the optical filter on the sensor has an anti-static coating and there is an anti-dust mechanism to prevent dust from adhering to the sensor.
The a7II features a 3.5mm microphone input jack for compatibility with external microphones. And for users needing more the a7II is also compatible with the Sony XLR-K2M XLR Adapter for recording professional balanced XLR audio signals with phantom power and adjustable mic/line inputs. for monitoring audio the a7II features a 3.5mm headphone jack as well as real time audio levels for a visual reference.
Built-in Wi-Fi connectivity enables the a7II to instantly share imagery to mobile devices for direct sharing online to social networking, via email, and to cloud storage sites. NFC (Near Field Communication) is also supported, which allows for one-touch connection between the camera and compatible mobile devices; no complex set-up is required. Once connected, the linked mobile device can also display a live view image on its screen and remotely control the camera's shutter.
Additionally, PlayMemories Camera Apps are also supported via the built-in Wi-Fi connection, and allow you to personalize the camera's features depending on specific shooting styles. Apps are available to suit creating portraits, detailed close-ups, sports, time lapse, motion shot, and other specific types of imagery.
An ideal portrait-length prime, the FE 85mm f/1.8 from Sony is a sleek short-telephoto lens designed for Full Frame E-mount mirrorless cameras. The bright f/1.8 maximum aperture benefits this lens's use in low-light conditions and also affords extensive control over depth of field when working with Selective focus techniques. The nine elements, eight groups lens construction includes one extra-low dispersion element to minimize chromatic aberrations and color fringing for greater clarity and color accuracy. Benefitting the optical design is a simple, intuitive physical layout that incorporates a customizable focus hold button and a physical AF/MF switch. The double linear AF motor itself affords quick, quiet, and smooth focusing performance, and this motor also offers snappy manual focus performance for fine-tuned control. Finally, the lens is designed to be dust- and moisture-resistant for increased protection.
Key Features
The second generation of speed, the Sony Alpha a9 II takes the impressive feature-set of its predecessor and adds enhanced connectivity, a refined body design, and even quicker performance. Utilizing the proven 24.2MP Full Frame Exmor RS BSI stacked CMOS sensor and an updated BIONZ X processor, the a9 II sports especially quick and responsive capabilities. Up to 20 fps shooting is possible with a silent electronic shutter or up to 10 fps with a mechanical shutter is supported, along with a wide sensitivity Range that reaches up to an expanded ISO 204800. The sensor's design also incorporates a 693-point phase-detection autofocus system, which offers intelligent subject tracking and Real-time Eye AF to ensure critical focus on moving subjects. The BIONZ X also performs up to 60 AF/AE functions per second to go along with the 20 fps shooting for reliable results in quickly changing situations. In addition to stills, UHD 4K video recording is supported at up to 30 fps and Quick and Slow Motion recording is also available. Additionally, 5-axis SteadyShot INSIDE sensor-shift image stabilization is available, too, which minimizes the appearance of camera shake by up to 5.5 stops.
Benefitting the imaging capabilities, the a9 II receives a dramatic update in its physical design, featuring a more ergonomic body shape, refined weather sealing, and improved connectivity. A 3.69m-dot OLED EVF provides a bright, clear eye-level viewing means and affords blackout-free viewing to support photographing at high continuous speeds. The rear 3.0" 1.44m-dot tilting LCD has a touchscreen design, too, for intuitive control over shooting settings and playback. Dual UHS-II SD memory card slots permit flexible file storage and the a9 II has been fitted with an improved 1000BASE-T Ethernet port for faster wired LAN sharing and remote camera operation. 5.0 GHz wireless sharing and Bluetooth are integrated, as well, for wireless sharing and remote camera control. Additionally, Voice Memos enables you to record up to 60-second sound clips with each photo, which can then be automatically converted to text, using the Transfer & Tagging app add-on, and then embedded into files' metadata.
Built for speed, the a9 II utilizes a 24.2MP Exmor RS BSI stacked CMOS sensor, along with an updated BIONZ X image processor, that yields impressively quick and responsive performance. Up to 20 fps continuous shooting is possible using an electronic shutter or 10 fps shooting is supported with a mechanical shutter. The sensor's back-illuminated design also affords high sensitivity to an extended ISO 204800 with reduced noise for clean image quality in a variety of lighting conditions. Additionally, uncompressed raw files can be recorded in 14-bit for greater color fidelity and post-production flexibility.
The BIONZ X processor also works in conjunction with a high-speed front-end LSI to realize faster processing times along with a wide dynamic Range with smooth tonal rendering. Benefitting the fast recording capabilities is an equally quick AF/AE metering system that functions at 60 times per second to continuously evaluate the scene in order to lock onto and track moving subjects. Automatic anti-flicker shooting also recognizes and times the shutter action to minimize the flicker effect for more consistent results on still images. Additionally, due to the use of an electronic shutter, totally blackout-free monitoring is possible with the electronic viewfinder for more accurate compositions of moving subjects.
Covering 93% of the image area, a Fast Hybrid AF system incorporates 693 phase-detection points along with 425 contrast-detection areas for quick and precise focusing in a variety of lighting conditions with sensitivity down to -3 EV. The density of focusing points from this hybrid AF system also enables High-density Tracking AF Technology, which is adept at tracking moving subjects in a variety of lighting conditions. Updated AF algorithms also benefit maintaining critical focus on erratically or unpredictably moving subjects. Additionally, the use of phase-detection points enables the use of A-mount lenses via the optional LA-EA3 or LA-EA1 lens mount adapters with full continuous AF/AE tracking compatibility.
The apt focus system also lends itself to a variety of focusing functions for refined accuracy, including Lock-on AF, which maintains focus on moving subjects throughout the use of a configurable frame that is set over the desired moving subject, and Expand Flexible Spot, which employs neighboring focus points to retain focus on moving subjects even if the originally Selected point loses focus. The focus frame color is Selectable, between white and red, and AF tracking is possible with apertures narrower than f/16 with Select lenses when working in Focus Priority mode. Additionally, Eye AF can be used to base focus on recognized human subjects' eyes for portraits and is available in both AF-S and AF-C modes, for both stills and video. Eye AF can be used when photographing animal subjects, too, with any focusing mode when shooting stills. Autofocus can also be used in conjunction with the Focus Magnifier function for critical focus when homing in on minute subject details. The rear touchscreen can also be used for Touch Focus control, and a Touchpad Focus Control mode lets you use the rear screen intuitively while keeping your eye to the viewfinder. Additionally, when working in AF-C mode, the focus point can be moved while the shutter button is half-pressed, making it easier to quickly shift focus without losing sight of the action.
Internal recording of UHD 4K movies is possible in multiple frame rates up to 30 fps and, based on the Super35mm recording area and effective 6K resolution, oversampling renders greater detail and full pixel readout is possible, that is void of pixel binning, for higher quality imagery with reduced moiré and aliasing. Full Frame 4K recording has also been dramatically improved for improved quality when working at mid to high sensitivities to permit full use of the entire sensor width. Full HD 1080p recording is also supported in frame rates up to 120 fps, and both resolutions utilize the 100 Mbps XAVC S format contained within an MP4 wrapper with 4:2:0 sampling. The high-speed, 120 fps recording also enables 4x and 5x slow-motion movie recording with the frame rate set to either 30p or 24p. In addition to high-resolution internal recording, uncompressed HDMI output also enables the use of an optional external recorder for clean 4K recording with 4:2:2 sampling.
4K video recording also avails the ability to produce 8MP stills during playback by taking a frame grab from a movie and storing it as a separate file.
The a9 II incorporates an enhanced 5.5-stop effective 5-axis SteadyShot INSIDE image stabilization system, which compensates for five different types of camera shake encountered during handheld shooting of stills and video. This allows users to confidently use any lens, even adapted lenses, for critical imaging without encountering blur from camera shake.
for long focal lengths, the system will correct for pitch and yaw adjustments. Macro and high-magnification imagery, on the other hand, will benefit from the inclusion of horizontal and vertical shift compensation. All shooting styles will get usage out of the roll compensation. All 5 axes of stabilization will function at all times, even when used with third-party lenses and adapters or lenses with built-in optical stabilization.
Key Features
Providing speed, reach, and versatile recording features, the Cyber-shot DSC-RX10 IV from Sony is a compact solution for the multimedia image-makers. Featuring an updated 20.1MP 1" Exmor RS BSI CMOS sensor and BIONZ X image processor, the RX10 IV is capable of up to 24 fps shooting at ISO 12800, as well as recording UHD 4K/30p or Full HD 1080/120p video. The sensor's back-illuminated and stacked technologies afford a high degree of image quality with notable clarity and reduced noise to suit working in challenging lighting conditions. Complementing the shooting speed of the sensor and processor combination, this camera also offers a quickened 315-point focal plane phase-detection autofocus system for focus speeds as fast as 0.03 seconds.
Balancing the imaging capabilities, the RX10 IV is also characterized by its 25x Zeiss Vario-Sonnar T* zoom lens, which spans an impressive 24-600mm equivalent focal length Range and uses Optical SteadyShot image stabilization to minimize the effects of camera shake by up to 4.5 stops. Its optical design incorporates eight extra-low dispersion elements and six aspherical elements to control a variety of aberrations throughout the zoom Range, and its f/2.4-4 maximum aperture Range benefits working in low-light conditions.
Rounding out the RX10 IV is its characteristic robust form factor, which includes both a 2.36m-dot OLED electronic viewfinder along with a tilting 3.0" 1.44m-dot touchscreen LCD. The intuitive design also features three dedicated control rings on the lens-a zoom ring, a manual focus ring, and an aperture ring-and the aperture ring can be de-clicked for smooth, silent aperture adjustments. The magnesium-alloy body is also weather-sealed to permit working in trying environments. Additionally, for sharing and control flexibility, built-in Wi-Fi and Bluetooth are also available for wireless image sharing and remote camera control from a linked smartphone or tablet.
Utilizing an advanced stacked structure with an integrated DRAM chip, the 20.1MP 1" Exmor RS CMOS sensor of the RX10 IV is able to deliver outstanding image quality at up to ISO 12800 with incredibly fast performance. This sensor stacks the pixel area, a high-speed signal processing circuit, and memory in order to increase data throughput by over five times and deliver features such as 40x super slow motion, an Anti-Distortion shutter, UHD 4K video, and has focal-plane phase-detection AF points for faster, more precise focusing.
This sensor is paired with the BIONZ X image processor and a newly developed front-end LSI that dramatically improves the speed and throughput of the entire imaging system, enabling continuous shooting with AF/AE at up to 24 fps. An expanded buffer makes continuous shooting possible for longer bursts, up to 249 JPEGs, and for convenience, bursts can be seen in groups during playback, rather than single images, for faster review. The front-end LSI is also able to improve overall quality of the images, especially at higher sensitivities. Additionally, another advantage of this setup is raw output, which provides outstanding color fidelity and image quality.
The RX10 IV is equipped with an on-sensor phase-detection AF system that will dramatically improve autofocus speed for both stills and video. The camera uses a hybrid system with 315 phase-detection points that provide about 65% frame coverage along with a 25-area contrast-detection system to provide fast, accurate focusing in a Range of situations. The RX10 IV is able to lock onto subjects quickly, in just 0.03 seconds, and it can use AF tracking when shooting at 24 fps.
In order to make operation seamless, the RX10 IV benefits from reduced blackout for easier tracking when using the EVF or LCD. Furthermore, an AF-A mode is now available, which will allow the camera to automatically switch from AF-S and AF-C mode as the situation needs. Users can also display the phase-detection area to help users focus on their subject.
Pairing with the imaging assets, the RX10 IV is distinctly characterized by its expansive 25x zoom lens. This Zeiss Vario-Sonnar T* lens spans a 24-600mm equivalent focal length Range, and has a variable maximum aperture of f/2.4-4 for adept performance from wide-angle to super telephoto. The optical design incorporates eight extra-low dispersion elements to control a color fringing and chromatic aberrations throughout the zoom Range for increased clarity and color accuracy. Five aspherical elements and an advanced aspherical (AA) element are also featured to reduce spherical aberrations for improved sharpness and resolution. Additionally, the esteemed Zeiss T* anti-reflective coating has been applied to individual elements to reduce flare and ghosting for increased contrast when working in strong lighting conditions.
Complementing the lens' reach, Optical SteadyShot image stabilization also helps to minimize the appearance of camera shake by up to 4.5 stops for sharper handheld shooting. The lens also sports a rounded nine-blade diaphragm to produce smooth bokeh, and, despite its long reach, can also focus as closely as 1.2" with a 0.42x maximum magnification for working with close-up subjects.
Able to record UHD 4K video at 30/24 fps, the RX10 IV, is capable of producing movies with exceptional clarity. By using a full pixel readout without binning, the camera collects about 1.7x the information needed for 4K output. This oversampling helps to increase clarity while reducing the impact of moiré and jaggies. Fast Hybrid AF is available during movie shooting for ensuring accurate, fast tracking using phase-detection AF points. The camera also offers Sony's advanced XAVC S format for recording a high bit rates up to 100 Mbps.
for advanced users, picture profiles and image controls are available, including the S-Log2 and S-Log3 gammas, which are able to help expand the dynamic Range by recording a flat image. Gamma Display Assist helps users view a more natural image when shooting with S-Log2/3. Other options such as timecode, zebras, peaking, and more are present for making shooting and editing easier. When recording internally, users will record video with a 4:2:0 sampling at 8-bit, however, to even further improve image quality the RX10 IV has clean HDMI output for use with an external recorder. This allows users to capture 4:2:2 uncompressed video and save in an edit-ready format.
A Photo Capture function is built directly into the camera, allowing shooters to quickly save an 8.29MP still from their UHD 4K movies. Full HD can also benefit from this feature, where users will be able to pull a 2MP still. Additionally, the camera is NTSC/PAL switchable, making it usable around the world.
Speed is a huge advantage of the RX10 IV, and in video users will benefit from advanced High Frame Rate shooting and super slow motion. In Full HD, shooters will have access to a standard 120 fps setting that will enable outstanding slow motion when placed in editing software. In addition to this, the camera also offers a dedicated HFR mode, which will boost the cameras frame rate to up to 960 fps. Videographers will have the option of recording in Quality Priority and Shoot Time Priority modes for approximately twice as long with the RX10 IV compared to its predecessor. This results in about 7 seconds of recording in Shoot Time Priority at the 240 fps setting. The camera will output a Full HD file from slightly lower resolutions in order to produce high quality images at all frame rates. Additionally, an end trigger mode enables users to record 4 or 6 seconds before the record button is pressed.
Addressing the needs of multimedia image-makers, the black Fujifilm X-T4 is a versatile mirrorless camera that blends advanced stills and video capabilities along with enhanced workflow and assistive functionality. Utilizing a proven and well-regarded APS-C-format 26.1MP X-Trans CMOS 4 sensor, the X-T4 is capable of high-resolution recording along with support for DCI/UHD 4K video at 60 fps, Full HD recording up to 240 fps, sensitivity from ISO 160-12800, and continuous shooting up to 15 fps with the mechanical shutter. The BSI design of the sensor affords reduced noise and greater overall clarity and is paired with the X-Processor 4 to achieve fast performance and improved responsiveness. The sensor's design also enables a hybrid autofocus system that combines 425 phase-detection points with a contrast-detection system for quick and accurate AF performance. Additionally, complementing all aspects of image production, the X-T4 also incorporates a 6.5 stop-effective sensor-shift image stabilization system to reduce the appearance of camera shake with almost any mounted lens.
Beyond the sensor and processor capabilities, Fujifilm's cameras are also beloved for their physical design, and the X-T4 has an updated design for improved handling and shooting efficiency. A large, bright 3.69m-dot electronic viewfinder can be set to a 100 fps refresh rate for notable smoothness when panning or tracking subjects. Conversely, the rear 3.0" 1.62m-dot touchscreen LCD now features a vari-angle design to suit working from high, low, and front-facing angles; or it can be closed against the body if just working with the EVF. Dual SD UHS-II memory card slots offer file-saving flexibility and the X-T4 supports the updated, high capacity NP-W235 battery that provides approximately 600 shots per charge. Additionally, built-in Wi-Fi and Bluetooth enables wireless remote camera control and image sharing to a mobile device.
Revolving around a highly versatile sensor, the X-T4 features an APS-C-format 26.1MP X-Trans CMOS 4 sensor, which has a back-illuminated design to afford smooth tonal rendering, improved low-light performance, and a wide native sensitivity Range of ISO 160-12800. As an X-Trans sensor, it utilizes a randomized pixel array, too, which provides a high degree of image quality and sharpness due to the omission of an optical low-pass filter. Versus conventional pixel patterns, the X-Trans design more closely mimics the organic nature of film in order to produce nuanced colors and tonal transitions, while also reducing moiré and aliasing.
The sensor's design also includes an expanded phase-detection autofocus system, which has 425 Selectable points that cover nearly the entire sensor area. This AF system delivers faster, more accurate focusing performance in a variety of lighting conditions down to -6 EV. Complementing the imaging and focusing capabilities, an updated X-Processor 4 is also featured, which has a quad-core CPU, and delivers faster, more responsive performance throughout the camera system, including a full-resolution 15 fps shooting rate with the mechanical shutter, 20 fps rate with an electronic shutter, or a 30 fps rate with an electronic shutter and a 1.25x crop.
Built-in 5-axis sensor-shift image stabilization helps to minimize the appearance of camera shake by up to 6.5 stops. This system works in conjunction with most X Series lenses, including non-stabilized ones, and benefits working with slower shutter speeds and when shooting in difficult lighting conditions. Additionally, 4-axis digital image stabilization can also be used during video recording to further aid in steadying footage, especially when recording handheld.
Expanding its capabilities beyond stills, the X-T4 offers a versatile array of video capabilities, including internal DCI/UHD 4K recording at up to 60 fps and Full HD recording up to 240 fps for ultra slow-motion playback. Greatly benefitting overall video performance, the speed of the X-Processor 4 enables fast read speeds when recording video and helps to reduce rolling shutter distortion when filming moving subjects. Also, a micro-HDMI port enables 10-bit 4:2:2 recording to an optional external recorder.
In addition to the supported 10-bit color depth, the X-T4 also includes the F-Log gamma setting, which provides a flat picture for use in advanced color grading software during editing. This maximizes the potential dynamic Range in difficult scenes and image adjustments can be made, as well, to highlight tone, shadow tone, color, and sharpness.
Also, the camera features a 3.5mm microphone jack and 2.5mm remote port with included headphone adapter for more advanced audio solutions.
Bundled with the camera body is a versatile zoom that covers many different scenarios. The XF 18-55mm f/2.8-4 R LM OIS lens features a 27-84mm equivalent focal length that covers wide angle to telephoto perspectives with ease. The f/2.8-4 maximum aperture Range ensures both speed and compactness in terms of design and it features three aspherical and one extra low dispersion element for combating aberrations. Also, a linear autofocus motor ensures fast performance while an optical image stabilizer will limit the effects of camera shake.
Key Features
Panasonic has taken a different approach to camera development with the stills-focused DC-G9 Micro Four Thirds Mirrorless Camera, which has a variety of newly developed functions and features that will appeal to photographers. Central to the imaging process is the combination of a 20.3MP Live MOS sensor and the latest Venus Engine processor, enabling the capture of sharp images and video with sensitivities ranging up to ISO 25600. Extremely fast speeds are also made available with up to 60 fps continuous shooting with the electronic shutter function. If you want to shoot video along with stills the G9 is very accommodating, offering UHD 4K at up to 60p.
This improved speed is seen in many different aspects, including an enhanced Depth-from-Defocus autofocus system with 225 areas for fast, precise focusing across the frame. A rear joystick has been implemented as well for intuitive control over the current focus point. Another benefit of boosted processing is the inclusion of 6K PHOTO at 30 fps and 4K PHOTO at up to 60 fps, allowing users to capture 18MP or 8MP images, respectively, at exceptional frame rates. Beyond speed, the 5-axis sensor stabilization system supports Dual I.S. 2.0 and can compensate for up to six stops of camera shake. And a significant addition made possible with this new system is a multi-shot mode that captures eight separate images and compiles them into a single 80MP raw image.
It isn't just performance that has been optimized, as the G9 has a redesigned body that is splash, dust, and freezeproof. The body gains a top status LCD for quick access to essential settings without needing to check the LCD or viewfinder, which have also been improved. Most notably, the OLED viewfinder is improved with a 0.83x magnification and 3.68m-dot resolution. The EVF has a fast 120 fps refresh rate as well for lag-free viewing. Additionally, the LCD is now a 3.0" 1.04m-dot free-angle touchscreen for working intuitively and at odd angles.
Optimized for high-speed high-resolution imaging, the G9 packs in both a 20.3MP Light MOS Micro Four Thirds sensor and an enhanced Venus Engine processor to create sharp, detailed stills and UHD 4K video. This configuration maximizes resolution while keeping noise to a minimum, permitting the use of sensitivities up to ISO 25600. It is also very fast, enabling continuous shooting rates of up to 60 fps with AF-S and 20 fps with AF-C when using the G9's electronic shutter or 12 fps for AF-S and 9 fps for AF-C using the mechanical shutter.
Supplementing the camera's stellar stills feature set is UHD 4K video recording at up to 60p. The G9 offers 30p internal recording with a 10-bit color depth and 4:2:2 sampling using Long GOP compression to keep files sizes manageable. Users also have access to various frame rates, including 60p, 30p, and 24p in UHD 4K and 60p and 24p in Full HD. Slow motion video is available in the Variable Frame Rate mode with support for 60 and 48 fps resolution in UHD 4K and up to 180 fps in Full HD. Additionally, HDR recording is supported and V-Log L recording is possible with the optional DMW-SFU1 Upgrade Software Key.
In order to maximize image quality, the G9 features a full-size HDMI output for using an optional external recorder to receive 10-bit 4:2:2 footage at all resolutions up to UHD 4K at 60p. Also, both a 3.5mm headphone jack and 3.5mm microphone input are available for improving audio capture.
Utilizing the G9's video recording capabilities, a trio of still shooting modes are available for recording continuous 8MP stills at a 60 or 30 fps shooting rate or 18MP stills at a 30 fps shooting rate:
Helping to achieve the utmost sharpness when photographing handheld, Dual I.S. 2 combines the G9's sensor-shift image stabilization technology with lens-based image stabilization to compensate for a broader Range of movement types to render sharper, clearer imagery. Dual I.S. 2 requires the use of compatible Lumix lenses featuring O.I.S. This stabilization system is able to compensate for approximately six stops of camera shake.
for accelerated autofocus performance, and Advanced DFD (Depth-From-Defocus) technology is employed to quickly calculate the distance to subjects and adjust the focusing position in as little as 0.04 seconds, which enables continuous shooting up to 20 fps with continuous AF. This contrast-detection type focus method benefits both still and video recording modes, as well as subject tracking applications where subject color, size, and motion vectors are used to intelligently lock-onto the moving subjects and ensure precise focus. The sensitivity and speed can be adjusted to further improve performance with certain subjects. It also features 225 AF areas, which provide excellent control over where the camera will focus. Additionally, supporting working in low-light conditions, a Starlight AF feature enables accurate AF performance down to -4 EV.
Benefitting manual focus operation, focus peaking is available that highlights bright edges of contrast with a colored outline for quickly recognizing your focus point, as well as Touch MF Assist for touch-to-focus operation. Other AF features include an AF Point Scope setting that temporarily magnifies the subject by 3x to 10x for confirmation of the focus position and a custom selectable AF zone for Multi AF / Custom Multi AF.
By using sensor-shift stabilization technology the G9 can use a High Resolution Mode to capture and compile eight separate images to create a single 80MP raw file. This system creates a more highly detailed and color accurate image than a single shot alone can produce and can create an image with a 10368 x 7776 resolution.
Key Features
Upgraded, redesigned, and filled with features, the Lumix DC-GH5 Mirrorless Micro Four Thirds Digital Camera from Panasonic provides an outstanding imaging platform for shooters who demand some of the best video and still photography quality they can get in a single compact camera. At the heart of the camera is a 20.3MP Digital Live MOS sensor and a newly developed Venus Engine processor, which both offer dramatically improved processing times over its predecessor. This enables the ability to record 4K video at up to 60 fps, 10-bit 4:2:2 internal recording with select settings, Full HD video at up to 180 fps, 12 fps continuous shooting, and sensitivities up to ISO 25600. Also, the camera features built-in 5-axis sensor stabilization, which can work with certain lenses to activate Dual I.S. 2 for highly effective shake correction that can compensate for up to 5 stops of shutter speed. Other improvements include a speedier and more accurate Advanced DFD autofocus system that can lock on in just 0.05 seconds, as well as 6K PHOTO at 30 fps and 4K PHOTO at up to 60 fps.
Along with all these internal improvements, the body received some significant upgrades as well. For viewing and composing images both the 0.76x OLED viewfinder and 3.2" free-angle touchscreen received resolution bumps to 3.68m dots and 1.62 m dots, respectively. This will make shooting more comfortable and more accurate. The magnesium alloy body is now freezeproof to 14°F in addition to splash and dustproof. For fast image transfer and saving, there are now two UHS-II SD card slots. Additionally, for a completely wireless setup it offers both Wi-Fi and Bluetooth for advanced functionality when paired with a mobile app.
Packing in a newly developed 20.3MP Digital Live MOS sensor without an optical low-pass filter and a new Venus Engine processor, the GH5 claims to produce the best image quality to date from a Lumix camera. Using Multipixel Luminance Generation and Intelligent Detail Processing, it will maximize sharpness and details as well as accuracy in a variety of lighting conditions. It offers excellent three-dimension color control and precise noise reduction techniques to help with shooting at sensitivities up to ISO 25600. It also enables shooting speeds of up to 12 fps with AF-S or manual focus modes.
The GH5 is an exceptionally capable video camera in addition to its outstanding stills capabilities. The flagship feature is UHD 4K video at up to 60 fps, though another excellent spec is the ability to record 4:2:2 10-bit files at resolutions up to DCI and UHD 4K at 24/30 fps. A full-size HDMI port is present on the camera for high-quality output at 4:2:2 10-bit in all settings for use with external monitors and recorders. The camera also offers high bit-rate recording for highly detailed images free of compression artifacts.
For more advanced users, multiple picture styles are available to provide a more gradable image, such as CINELIKE V and CINELIKE D, as well as an in-camera LUT to make monitoring easier. Also, users will have access to overcranking and undercranking settings which provide speeds up to 2.5x slower in 4K (60 fps) and 7.5x slower in Full HD (180 fps). Also, a 4K Anamorphic mode is available, which will let you record in a proper 4:3 ratio for adjustment in post-production.
The GH5 is designed to be an expandable system, with multiple options available to help improve video recording capabilities. Examples of this are an optional V-Log L upgrade and separately available accessories such as the XLR Microphone Adapter that provides XLR inputs and physical controls through a hot shoe connection. Users can also use standard microphones and headphones via the 3.5mm input and output jacks.
Utilizing the GH5's video recording capabilities, a trio of still shooting modes are available for recording continuous 8MP stills at a 60 or 30 fps shooting rate or 18MP stills at a 30 fps shooting rate:
Helping to achieve the utmost sharpness when photographing handheld, Dual I.S. 2 combines the GH5's sensor-shift image stabilization technology with lens-based image stabilization to compensate for a broader range of movement types to render sharper, clearer imagery. Dual I.S. 2 requires the use of compatible Lumix lenses featuring O.I.S. This stabilization system is able to compensate for approximately 5 stops of camera shake.
For accelerated autofocus performance, and Advanced DFD (Depth-From-Defocus) technology is employed to quickly calculate the distance to subjects and adjust the focusing position in as little as 0.05 seconds, which enables continuous shooting up to 9 fps with continuous AF. This contrast-detection type focus method benefits both still and video recording modes, as well as subject tracking applications where subject color, size, and motion vectors are used to intelligently lock-onto the moving subjects and ensure precise focus. The sensitivity and speed can be adjusted to further improve performance with certain subjects. It also features 225 AF areas which provide excellent control over where the camera will focus. Additionally, supporting working in low-light conditions, a Starlight AF feature enables accurate AF performance down to -4 EV.
Benefitting manual focus operation, focus peaking is available that highlights bright edges of contrast with a colored outline for quickly recognizing your focus point, as well as Touch MF Assist for touch-to-focus operation.