Samyang 24mm F/1.4 ED UMC for Canon 

The Samyang 24mm f/1.4 ED AS UMC Wide-Angle Lens for Canon gives you a wide 84° view when used with a full-frame 35mm camera, 57.6° when used with an APS-C camera or 47.6º with Four-Thirds cameras. Four low-dispersion (ED) glass elements and two aspheric elements produce sharply defined images with a minimum of aberrations. The lens focuses as close as 9.84" from the lens, giving you outstanding wide-angle close-up views. A multi-layered and anti-reflection UMC coating provides superb light transmission and reduced flaring. It is a manual focus lens.


	Ideal for landscapes, interiors, street photography, low-light photography and general photography.
	Constructed with hybrid aspherical lenses for outstanding, sharply defined images.
	Features super multi-layer coating to reduce flare and ghost images.
	Lens has a minimum focusing distance of 9.84" for enhanced close-up shots.
	for Canon cameras.


Samyang 24mm f1.4 ED AS UMC Wide-Angle Lens for Canon EF

Apple Earpods with 3.5Mm Headphone Plug

Unlike traditional, circular earbuds, the design of the EarPods is defined by the geometry of the ear. Which makes them more comfortable for more people than any other earbud-style headphones.

The speakers inside the EarPods have been engineered To maximize sound output and minimize sound loss, which means you get high-quality audio.

The EarPods also include a built-in remote that lets you adjust the volume, control the playback of music and video, and answer or end calls with a pInch of the cord.

Apple Earpods with 3.5Mm Headphone Plug

Update your cinema lens set with this 85mm T1.5 VDSLR MK2 Cine Lens from Samyang that comes in an MFT mount. The VDSLR MK2 continues the line with the same multilayer coating process, industry-standard geared focus and iris rings, and fast T1.5 aperture, and it adds a 9-blade iris for beautiful soft bokeh, weather sealing To keep the moisture out, and focal lengths on both sides for added versatility for focus pullers.

This 85mm lens produces a 14.4° coverage when used with Micro Four Thirds cameras. Aspherical lenses render sharply defined images with a minimum of distortion and chromatic aberrations, with a minimum focus distance of 3.6&#39 from the lens. The 9-blade iris also allows you To create up To a stunning 18-ray starburst when you&#39re stopped all the way down.

A removable petal-shaped lens hood provides flare protection when shooting without a matte box, and the lens&#39 threaded front accepts a 72mm filter ring.

Samyang 85mm T1.5 VDSLR MK2 Lens for Fuji X Mount (APS-C)

Samyang 35mm T1.5 VDSLR for Canon

The Samyang 35mm T1.5 Cine Lens for Canon EF with geared, manual focus and aperture control rings, is optimized for digital cinematography. The aperture ring has been "de-clicked" for smooth iris pulls, and depth of field markings provide an essential aid to focus pullers. Optically, this lens is identical to the Samyang 35mm f/1.4, which is known for its excellent sharpness, contrast and bokeh.

A hybrid aspherical lens and multi-layer coating produce sharply defined images with a minimum of flare and ghosting. The 35mm lens focuses as close as 11.8" (30 cm) from the lens. A bayonet mount, petal-type lens hood is also included.


	At T1.5 this lens is great for low light and shallow depth of field
	The focus and aperture control rings feature industry standard gearing
	Covers a wide Range of sensor formats, including full-frame 35mm
	12 elements in 10 groups, including one hybrid aspherical lens
	Minimum focusing distance of 11.8" for great close ups
	Depth of field markings aid in pulling focus


Samyang 35mm T1.5 VDSLRII Cine Lens for Canon EF

Samyang 14mm T3.1 VDSLR II&nbsp;Overview

Overcoming the challenges in assembling a set of lenses over time, the&nbsp;Samyang 14mm T3.1 Cine VDSLRII Lens for Sony E-Mount&nbsp;covers full-frame sensors and features a multi-layer coating process for consistent color rendition from lens To lens. It features industry standard geared focus and iris rings that share a common position with other Samyang VDSLRII Cine lenses. This 14mm lens produces a 115.7&deg;, ultra-wide angle-of-view when used with a full-frame sensor. Hybrid aspherical lenses render sharply defined images with a minimum of distortion and chromatic aberrations, and the minimum focus distance is 11&quot; from the lens.

Please note that some cameras may require that Shutter Lock be disengaged when using this lens.

14mm lens with approximately 115.7&deg; angle-of-view on full-frame cameras.

Ultra Multi Coated lenses minimize flare and ghosting, and the lenses are matched To a color standard eliminating the need To acquire an entire set of lenses at the same time.

Industry-standard gearing for focus and aperture rings. Each lens in the Samyang VDSLRII Cine series share common focus and iris gear ring positions, which speeds up lens changes as accessories such as follow focus units or iris motors don&#39;t have To be re-positioned.

De-clicked aperture ring for smooth iris pulls.

A minimum focusing distance of 11&quot; allows you To get up close To your subject.

A built-in petal-type lens hood provides flare protection without a matte box.

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Samyang 14mm T3.1 VDSLRII Cine Lens for Sony E

Voigtlander Nokton 35mm f/1.2 Aspherical III Overview

Featuring a refined design that is impressively sleek and lightweight, the Voigtlander Nokton 35mm f/1.2 Aspherical III is a fast, compact, and versatile wide-angle prime for M-mount Rangefinder cameras. The reformulated construction renders this lens notably lighter and smaller than previous versions, and a redeveloped optical layout is better suited for accurate color rendering with digital cameras. Two aspherical elements are featured, too, which help to reduce spherical aberrations and distortions for improved clarity and sharpness throughout the aperture Range. The lens is defined by its bright f/1.2 maximum aperture, which benefits working with Selective focus techniques, and also aids working in low-light conditions. Additionally, a 12-blade diaphragm contributes to a pleasing bokeh quality and the lens&#39;s manual focus operation permits working with subjects as close as 1.6&#39; away.

Version III of this bright wide-angle prime has an updated optical design that renders more accurate colors to suit digital capture, and the physical design is also noticeably lighter and more compact than previous versions.

Notably fast f/1.2 maximum aperture helps control depth of field for shallow depth of field shooting, and also benefits working in difficult lighting conditions.

Two aspherical elements are used to reduce field curvature, distortion, and spherical aberrations for improved clarity and sharpness.

Manual focus design enables a minimum focusing distance of 1.6&#39;, and it is Rangefinder coupled for accurate focusing to 2.3&#39;.

A 12-blade diaphragm contributes to a smooth and pleasing bokeh quality.

Compatible with optional LH-8 lens hood.

 




Voigtlander Nokton 35mm F1.2 Aspherical III Lens

The 100 x 100mm K-Series PureNight Filter from H&Y Filters is designed to reduce the appearance of light pollution in images or video that include the night sky and illumination from artificial light sources. This effect can be obtained when this filter is used on a film camera system with daylight film installed, or on a digital camera system with its daylight white balance setting Selected.

Light pollution occurs in areas of the night sky that are above or near concentrated and intense sources of artificial light such as cities. These light sources can include exterior and interior lamps for commercial or residential buildings, brightly lit advertisements such as billboards, streetlamps, as well as sports and entertainment venues. Together, they can result in a type of light pollution known as skyglow, where individual stars, the Milky Way, and other astronomical features in the night sky are obscured. Additionally, artificial lights clustered together can become difficult to individually discern. Light pollution from these "cluttered" sources can become a source of distraction within an image and can resemble overexposed areas of glare.

When used, the 100 x 100mm K-Series PureNight Filter can improve the results of nighttime images by absorbing the yellow light from sodium-vapor lamps, mercury-vapor lamps, or low Color Rendering Index LED&#39;s, common light sources within urban areas. By preventing the dominant wavelengths of light associated with the color of those lamps from being recorded, the visibility of astronomical objects is enhanced, and artificial light sources are more clearly defined with less glare and improved contrast.

H&Y Filters 100 x 100mm K-Series Night Filter with Quick Release Magnetic Frame

Samyang 14mm T3.1 VDSLR II Overview

Overcoming the challenges in assembling a set of lenses over time, the Samyang 14mm T3.1 Cine VDSLRII Lens for Sony E-Mount covers full-frame sensors and features a multi-layer coating process for consistent color rendition from lens To lens. It features industry standard geared focus and iris rings that share a common position with other Samyang VDSLRII Cine lenses. This 14mm lens produces a 115.7°, ultra-wide angle-of-view when used with a full-frame sensor. Hybrid aspherical lenses render sharply defined images with a minimum of distortion and chromatic aberrations, and the minimum focus distance is 11" from the lens.

 

Samyang 35mm VDSLR T1.5 MK2 Cine For Sony E mount

Update your cinema lens set with this 35mm T1.5 VDSLR MK2 Cine Lens from Samyang that comes in a Sony E mount. The VDSLR MK2 continues the line with the same multilayer coating process, industry-standard geared focus and iris rings, and fast T1.5 aperture, and it adds a 9-blade iris for beautiful soft bokeh, weather sealing To keep the moisture out, and focal lengths on both sides for added versatility for focus pullers.

 

Samyang 50mm T1.5 VDSLR MK2 For Sony E mount Overview

Update your cinema lens set with this 50mm T1.5 VDSLR MK2 Cine Lens from Samyang that comes in a Sony E mount. The VDSLR MK2 continues the line with the same multilayer coating process, industry-standard geared focus and iris rings, and fast T1.5 aperture, and it adds a 9-blade iris for beautiful soft bokeh, weather sealing To keep the moisture out, and focal lengths on both sides for added versatility for focus pullers.

Paket Samyang 14mm T3.1 VDSLR II + VDSLR 35mm T1.5 MK2 + VDSLR 50mm T1.5 MK2 for Sony

Samyang 85mm T1.5 VDSLR II Overview

 

Utilizing a multi-layer coating process for consistent color rendition from lens to lens, the Samyang 85mm T1.5 VDSLRII Cine Lens for Canon EF Mount answers the challenge of assembling a set of lenses over time. The lens comes in Canon EF Mount and it features industry standard geared focus and iris rings that share common position with other Samyang VDSLTII Cine lenses. To aid focus pullers who have to work both sides of the lens, the aperture and focus scales are marked on both sides of the lens.

This 85mm lens produces a 28.3Â° angle-of-view when used with a full-frame sensor camera or a 35mm SLR. Hybrid aspherical lenses render sharply defined images with a minimum of distortion and chromatic aberrations, with a minimum focus distance of 3&#39;6" from the lens. A removable lens hood provides flare protection when shooting without a matte box and the lens&#39;s threaded front accepts 72mm filter rings.

Ultra Multi Coated lenses minimize flare and ghosting, and the lenses are color matched to a standard eliminating the need to acquire an entire set of lenses at the same time.

Industry-standard gearing for focus and aperture rings. Each lens in the Samyang VDSLRII Cine Lens series share common focus and iris gear ring positions, which speeds up lens changes as accessories such as follow focus units or iris motors don&#39;t have to be re-positioned.

Declicked aperture ring for smooth iris pulls.

A removable lens hood provides flare protection without a matte box.

The lens opens up to T1.5, providing the capability for low light shooting or creating extremely shallow depth of field.

Samyang 85mm T1.5 VDSLR MK2 Cine Lens for Canon EF

Samyang 14mm T3.1 VDSLR II&nbsp;Overview

Key Features


	Ultra-Wide-Angle 14mm Lens
	Full-Frame
	UMC Lens Coating To Reduce Flare
	Standard Gearing for Focus and Iris
	De-Clicked Aperture Ring
	Hybrid Aspherical Lenses
	Manual Focus and Aperture
	Built-In Petal-Type Lens Hood


Overcoming the challenges in assembling a set of lenses over time, the&nbsp;Samyang 14mm T3.1 Cine VDSLRII Lens for Canon EF Mount&nbsp;covers full-frame sensors and features a multi-layer coating process for consistent color rendition from lens To lens. It features industry standard geared focus and iris rings that share a common position with other Samyang VDSLRII Cine lenses. This 14mm lens produces a 115.7&deg;, ultra-wide angle-of-view when used with a full-frame sensor. Hybrid aspherical lenses render sharply defined images with a minimum of distortion and chromatic aberrations, and the minimum focus distance is 11&quot; from the lens.

Please note that some cameras may require that Shutter Lock be disengaged when using this lens.

14mm lens with approximately 115.7&deg; angle-of-view on full-frame cameras.

Ultra Multi Coated lenses minimize flare and ghosting, and the lenses are matched To a color standard eliminating the need To acquire an entire set of lenses at the same time.

Industry-standard gearing for focus and aperture rings. Each lens in the Samyang VDSLRII Cine series share common focus and iris gear ring positions, which speeds up lens changes as accessories such as follow focus units or iris motors don&#39;t have To be re-positioned.

De-clicked aperture ring for smooth iris pulls.

A minimum focusing distance of 11&quot; allows you To get up close To your subject.

A built-in petal-type lens hood provides flare protection without a matte box.

&nbsp;

Samyang 14mm T3.1 VDSLRII Cine Lens for Canon EF Mount

Samyang 14mm T3.1 VDSLR II&nbsp;Overview

Key Features


	Ultra-Wide-Angle 14mm Lens
	UMC Lens Coating To Reduce Flare
	Standard Gearing for Focus and Iris
	De-Clicked Aperture Ring
	Hybrid Aspherical Lenses
	Manual Focus and Aperture
	Built-In Petal-Type Lens Hood


Overcoming the challenges in assembling a set of lenses over time, the&nbsp;Samyang 14mm T3.1 Cine VDSLRII Lens for Micro Four Thirds Mount&nbsp;covers four thirds sensors and features a multi-layer coating process for consistent color rendition from lens To lens. It features industry standard geared focus and iris rings that share a common position with other Samyang VDSLRII Cine lenses. This 14mm lens produces a 76.2&deg;, wide angle-of-view when used with a four thirds sensor. Hybrid aspherical lenses render sharply defined images with a minimum of distortion and chromatic aberrations, and the minimum focus distance is 11&quot; from the lens.

Please note that some cameras may require that Shutter Lock be disengaged when using this lens.

14mm lens with approximately 76.2&deg; angle-of-view on four thirds cameras.

Ultra Multi Coated lenses minimize flare and ghosting, and the lenses are matched To a color standard eliminating the need To acquire an entire set of lenses at the same time.

Industry-standard gearing for focus and aperture rings. Each lens in the Samyang VDSLRII Cine series share common focus and iris gear ring positions, which speeds up lens changes as accessories such as follow focus units or iris motors don&#39;t have To be re-positioned.

De-clicked aperture ring for smooth iris pulls.

A minimum focusing distance of 11&quot; allows you To get up close To your subject.

A built-in petal-type lens hood provides flare protection without a matte box.

Samyang 14mm T3.1 VDSLRII Cine Lens for Micro Four Thirds Mount

Samyang 24mm T1.5 VDSLR II&nbsp;Overview

Utilizing a multi-layer coating process for consistent color rendition from lens to lens, the&nbsp;Samyang 24mm T1.5 VDSLRII Cine Lens for Canon EF Mount&nbsp;answers the challenge of assembling a set of lenses over time. The lens comes in a Canon EF Mount and features industry standard geared focus and iris rings that share common position with other Samyang VDSLRII Cine lenses. To aid focus pullers who have to work both sides of the lens, the aperture and focus scales are marked on both sides of the lens.

This 24mm lens produces a 84.1&deg; coverage when used with full frame cameras. Hybrid aspherical lenses render sharply defined images with a minimum of distortion and chromatic aberrations, with a minimum focus distance of just under 10&quot; from the lens. A removable petal shaped lens hood provides flare protection when shooting without a matte box, the lenses threaded front accepts a 77mm filter ring.

Please note that some cameras may require that Shutter Lock be disengaged when using this lens.

24mm lens with approximate angle of view of:
115.7&deg;, ultra-wide angle-of-view when used with a full-frame sensor

Ultra Multi Coated lenses minimize flare and ghosting, and the lenses are color matched to a standard eliminating the need to acquire an entire set of lenses at the same time.

Industry-standard gearing for focus and aperture rings. Each lens in the Samyang VDSLRII Cine lens series share common focus and iris gear ring positions, which speeds up lens changes as accessories such as follow focus units or iris motors don&#39;t have to be re-positioned.

De-clicked aperture ring for smooth iris pulls.

A minimum focusing distance of 9.8&quot; allows you to get up close to your subject.

A removable petal-type lens hood provides flare protection without a matte box.

&nbsp;

Samyang 24mm T1.5 VDSLR MK2 Cine Lens for Canon EF

MagMod MagBeam Overview

Key Features


	for MagMod Flash Modifier System
	Tele Lens Focuses Flash Beam
	Collapses for Three Spotlight Patterns
	Wide Lens Projects MagMask Designs
	MagMask Standard Set Included
	Neodymium Rare-Earth Magnetic Attachment
	Stackable with Other MagMod Accessories
	Silicone Rubber Material


Get a fresnel and gobo for your compact speedlight with this MagBeam Kit for the MagMod flash modifier system. The main MagBeam accessory connects via powerful neodymium rare-earth magnets to the separately available MagGrip and then accepts a variety of different tools to control the beam of your flash. The tele lens included here focuses the flash beam, and thanks to the collapsible design of the MagBeam users can Select between three spotlight patterns, each with a crisp, defined edge. This optic also boosts output by 2-3 stops. The wide lens, on the other hand, enables the use of MagMasks to project certain patterns, and this kit comes with a standard set of four masks. Additionally, the MagBeam is fully compatible with the existing system, being both stackable and constructed from a durable silicone rubber material.

MagMod MagBeam Tele Lens

Designed to work with the MagBeam, this MagBeam Tele Lens from MagMod will focus the output from your flash, improving distance and power. This can provide an additional 2-3 stops of usable light, enabling lower power settings and faster recycle times. Also, the MagBeam allows users to collapse the lens to different positions, permitting the creation of wider beam patterns that maintain a distinct shape with crisp edges.

 

MagMod MagBeam Wide Lens

Create fancy effects with your MagMasks and the MagBeam with this MagBeam Wide Lens from MagMod. It easily slides into a fully collapsed MagBeam and directs the light so that your patterns are properly projected. It also has a notch for easy identification.

MagMod MagMask Standard Set

Create fantastic patterns with your flash by placing a stainless steel MagMask from this MagMod Standard Set into the integrated gel slot of your MagBeam modifier. This set includes four distinct patterns, including spot, diagonally, boxed, and slit.




MagMod MMBEAMK01 MagBeam Kit

Samyang 35mm T1.5 VDSLR II&nbsp;Overview

Key Features


	35mm Lens, T1.5
	Covers Full-Frame
	Multi-Layer Coating To Reduce Flare
	Standard Gearing for Focus and Iris
	Dual Side Focus and T-Stop Scales
	De-Clicked Aperture Ring
	Hybrid Aspherical Lenses
	Manual Focus and Aperture
	Removable Petal-Type Lens Hood
	Accepts 77mm Threaded Filter Rings


Utilizing a multi-layer coating process for consistent color rendition from lens To lens, the&nbsp;Samyang 35mm T1.5 VDSLRII Cine Lens for Sony Alpha Mount&nbsp;answers the challenge of assembling a set of lenses over time. The lens comes in Sony Alpha Mount and features industry standard geared focus and iris rings that share common position with other Samyang VDSLRII Cine lenses. To aid focus pullers who have To work both sides of the lens, the aperture and focus scales are marked on both sides of the lens.

This 35mm lens produces a 84.1&deg; coverage when used with full frame cameras. Hybrid aspherical lenses render sharply defined images with a minimum of distortion and chromatic aberrations, with a minimum focus distance of just under 12&quot; from the lens. A removable petal shaped lens hood provides flare protection when shooting without a matte box, the lenses threaded front accepts a 77mm filter ring.

Please note that some cameras may require that Shutter Lock be disengaged when using this lens.

Ultra Multi Coated lenses minimize flare and ghosting, and the lenses are color matched To a standard eliminating the need To acquire an entire set of lenses at the same time.

Industry-standard gearing for focus and aperture rings. Each lens in the Samyang VDSLRII Cine lens series share common focus and iris gear ring positions, which speeds up lens changes as accessories such as follow focus units or iris motors don&#39;t have To be re-positioned.

Declicked aperture ring for smooth iris pulls.

A minimum focusing distance of 12&quot; allows you To get up close To your subject.

A removable petal-type lens hood provides flare protection without a matte box.

The lens opens up To T1.5, providing the capability for low light shooting or creating extremely shallow depth of field.

Samyang 35mm T1.5 VDSLR II Wide Angle Lens for Sony Alpha

Samyang 50mm T1.5 VDSLR MK2&nbsp;Overview

Update your cinema lens set with this&nbsp;50mm T1.5 VDSLR MK2 Cine Lens&nbsp;from&nbsp;Samyang&nbsp;that comes in a Canon EF mount. The VDSLR MK2 continues the line with the same multilayer coating process, industry-standard geared focus and iris rings, and fast T1.5 aperture, and it adds a 9-blade iris for beautiful soft bokeh, weather sealing to keep the moisture out, and focal lengths on both sides for added versatility for focus pullers.

This 50mm lens produces a 46.2&deg; coverage when used with full-frame cameras. Hybrid aspherical lenses render sharply defined images with a minimum of distortion and chromatic aberrations, with a minimum focus distance of about 1.5&#39; from the lens. The 9-blade iris also allows you to create up to a stunning 18-ray starburst when you&#39;re stopped all the way down.

A removable petal-shaped lens hood provides flare protection when shooting without a matte box, and the lens&#39; threaded front accepts a 77mm filter ring.

As well as delivering the beloved image quality and fast T-stop values of the existing VDSLR series, the VDSLR MK2 models now have weather sealing, nine aperture blades, and focal lengths that are visible on both sides for more professional use.

The VDSLR MK2 Range is highly versatile and available in Canon EF, Sony E, Canon RF, Nikon F, Canon M, Fuji X, and MFT mounts.

Ultra Multi-Coated lenses minimize flare and ghosting, and the lenses are color matched to a standard eliminating the need to acquire an entire set of lenses at the same time.

Each lens in the Samyang VDSLRII MK2 cine lens series shares common focus and iris gear ring positions, which speeds up lens changes as accessories such as follow focus units or iris motors don&#39;t have to be repositioned.

Focal lengths and measurements in feet and meters on both sides of the lens.

De-clicked aperture ring for smooth iris pulls.

A minimum focusing distance of about 1.5&#39; allows you to get up close to your subject.

A removable petal-type lens hood provides flare protection without a matte box.

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