Apple Earpods with 3.5Mm Headphone Plug

Unlike traditional, circular earbuds, the design of the EarPods is defined by the geometry of the ear. Which makes them more comfortable for more people than any other earbud-style headphones.

The speakers inside the EarPods have been engineered To maximize sound output and minimize sound loss, which means you get high-quality audio.

The EarPods also include a built-in remote that lets you adjust the volume, control the playback of music and video, and answer or end calls with a pInch of the cord.

Apple Earpods with 3.5Mm Headphone Plug

Update your cinema lens set with this&nbsp;85mm T1.5 VDSLR MK2 Cine Lens&nbsp;from&nbsp;Samyang&nbsp;that comes in an MFT mount. The VDSLR MK2 continues the line with the same multilayer coating process, industry-standard geared focus and iris rings, and fast T1.5 aperture, and it adds a 9-blade iris for beautiful soft bokeh, weather sealing To keep the moisture out, and focal lengths on both sides for added versatility for focus pullers.

This 85mm lens produces a 14.4&deg; coverage when used with Micro Four Thirds cameras. Aspherical lenses render sharply defined images with a minimum of distortion and chromatic aberrations, with a minimum focus distance of 3.6&#39; from the lens. The 9-blade iris also allows you To create up To a stunning 18-ray starburst when you&#39;re stopped all the way down.

A removable petal-shaped lens hood provides flare protection when shooting without a matte box, and the lens&#39; threaded front accepts a 72mm filter ring.

Samyang 85mm T1.5 VDSLR MK2 Lens for Fuji X Mount (APS-C)

Apple iPhone 13 Pro Max

The iPhone 13 Pro and iPhone 13 Pro Max mark the third year in a row that Apple released two Pro models. The phones have the same price as last year&#39;s 12 Pro and 12 Pro Max, and are loaded with updated cameras, a larger battery and an A15 Bionic chip. By packing the 13 Pro and 13 Pro Max with features many of us have wanted for years, including a display with a high refresh rate, Apple further defined the difference between its Pro and non-Pro phones.&nbsp;


	17 cm (6.7-inch) Super Retina XDR display with ProMotion for a faster, more responsive feel
	Cinematic mode adds shallow depth of field and shifts focus automatically in your videos
	Pro camera system with new 12MP Telephoto, Wide and Ultra Wide cameras; LiDAR Scanner; 6x optical zoom range; macro photography; Photographic Styles, ProRes video, Smart HDR 4, Night mode, Apple ProRAW, 4K Dolby Vision HDR recording
	12MP TrueDepth front camera with Night mode, 4K Dolby Vision HDR recording
	A15 Bionic chip for lightning-fast performance
	Up to 28 hours of video playback, the best battery life ever in an iPhone
	Durable design with Ceramic Shield



	Industry-leading IP68 water resistance
	iOS 15 packs new features to do more with iPhone than ever before
	Supports MagSafe accessories for easy attachment and faster wireless charging


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Apple iPhone 13 Pro Max 128GB Graphite MLL63PA/A

Apple iPhone 13 Pro Max 128GB Silver MLL73PA/A

Apple iPhone 13 Pro Max 128GB Gold MLL83PA/A

Apple iPhone 13 Pro Max 256GB Graphite MLLA3PA/A

Apple iPhone 13 Pro Max 256GB Silver MLLC3PA/A

Apple iPhone 13 Pro Max 256GB Gold MLLD3PA/A

Apple iPhone 13 Pro Max 256GB Sierra Blue MLLE3PA/A

Apple iPhone 13 Pro Max 128GB Sierra Blue MLL93PA/A

Apple iPhone 13 Pro Max 512GB Gold MLLH3PA/A

Apple iPhone 13 Pro Max 512GB Sierra Blue MLLJ3PA/A

Voigtlander Nokton 35mm f/1.2 Aspherical III Overview

Featuring a refined design that is impressively sleek and lightweight, the Voigtlander Nokton 35mm f/1.2 Aspherical III is a fast, compact, and versatile wide-angle prime for M-mount Rangefinder cameras. The reformulated construction renders this lens notably lighter and smaller than previous versions, and a redeveloped optical layout is better suited for accurate color rendering with digital cameras. Two aspherical elements are featured, too, which help to reduce spherical aberrations and distortions for improved clarity and sharpness throughout the aperture Range. The lens is defined by its bright f/1.2 maximum aperture, which benefits working with Selective focus techniques, and also aids working in low-light conditions. Additionally, a 12-blade diaphragm contributes to a pleasing bokeh quality and the lens&#39;s manual focus operation permits working with subjects as close as 1.6&#39; away.

Version III of this bright wide-angle prime has an updated optical design that renders more accurate colors to suit digital capture, and the physical design is also noticeably lighter and more compact than previous versions.

Notably fast f/1.2 maximum aperture helps control depth of field for shallow depth of field shooting, and also benefits working in difficult lighting conditions.

Two aspherical elements are used to reduce field curvature, distortion, and spherical aberrations for improved clarity and sharpness.

Manual focus design enables a minimum focusing distance of 1.6&#39;, and it is Rangefinder coupled for accurate focusing to 2.3&#39;.

A 12-blade diaphragm contributes to a smooth and pleasing bokeh quality.

Compatible with optional LH-8 lens hood.

 




Voigtlander Nokton 35mm F1.2 Aspherical III Lens

The 100 x 100mm K-Series PureNight Filter from H&amp;Y Filters is designed to reduce the appearance of light pollution in images or video that include the night sky and illumination from artificial light sources. This effect can be obtained when this filter is used on a film camera system with daylight film installed, or on a digital camera system with its daylight white balance setting Selected.

Light pollution occurs in areas of the night sky that are above or near concentrated and intense sources of artificial light such as cities. These light sources can include exterior and interior lamps for commercial or residential buildings, brightly lit advertisements such as billboards, streetlamps, as well as sports and entertainment venues. Together, they can result in a type of light pollution known as skyglow, where individual stars, the Milky Way, and other astronomical features in the night sky are obscured. Additionally, artificial lights clustered together can become difficult to individually discern. Light pollution from these &quot;cluttered&quot; sources can become a source of distraction within an image and can resemble overexposed areas of glare.

When used, the 100 x 100mm K-Series PureNight Filter can improve the results of nighttime images by absorbing the yellow light from sodium-vapor lamps, mercury-vapor lamps, or low Color Rendering Index LED&#39;s, common light sources within urban areas. By preventing the dominant wavelengths of light associated with the color of those lamps from being recorded, the visibility of astronomical objects is enhanced, and artificial light sources are more clearly defined with less glare and improved contrast.

H&Y Filters 100 x 100mm K-Series Night Filter with Quick Release Magnetic Frame

Samyang 14mm T3.1 VDSLR II&nbsp;Overview

Overcoming the challenges in assembling a set of lenses over time, the&nbsp;Samyang 14mm T3.1 Cine VDSLRII Lens for Sony E-Mount&nbsp;covers full-frame sensors and features a multi-layer coating process for consistent color rendition from lens To lens. It features industry standard geared focus and iris rings that share a common position with other Samyang VDSLRII Cine lenses. This 14mm lens produces a 115.7&deg;, ultra-wide angle-of-view when used with a full-frame sensor. Hybrid aspherical lenses render sharply defined images with a minimum of distortion and chromatic aberrations, and the minimum focus distance is 11&quot; from the lens.

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Samyang 35mm VDSLR T1.5 MK2 Cine For Sony E mount

Update your cinema lens set with this&nbsp;35mm T1.5 VDSLR MK2 Cine Lens&nbsp;from&nbsp;Samyang&nbsp;that comes in a Sony E mount. The VDSLR MK2 continues the line with the same multilayer coating process, industry-standard geared focus and iris rings, and fast T1.5 aperture, and it adds a 9-blade iris for beautiful soft bokeh, weather sealing To keep the moisture out, and focal lengths on both sides for added versatility for focus pullers.

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Samyang 50mm T1.5 VDSLR MK2&nbsp;For Sony E mount Overview

Update your cinema lens set with this&nbsp;50mm T1.5 VDSLR MK2 Cine Lens&nbsp;from&nbsp;Samyang&nbsp;that comes in a Sony E mount. The VDSLR MK2 continues the line with the same multilayer coating process, industry-standard geared focus and iris rings, and fast T1.5 aperture, and it adds a 9-blade iris for beautiful soft bokeh, weather sealing To keep the moisture out, and focal lengths on both sides for added versatility for focus pullers.

Paket Samyang 14mm T3.1 VDSLR II + VDSLR 35mm T1.5 MK2 + VDSLR 50mm T1.5 MK2 for Sony

Samyang 85mm T1.5 VDSLR II Overview

Utilizing a multi-layer coating process for consistent color rendition from lens to lens, the Samyang 85mm T1.5 VDSLRII Cine Lens for Canon EF Mount answers the challenge of assembling a set of lenses over time. The lens comes in Canon EF Mount and it features industry standard geared focus and iris rings that share common position with other Samyang VDSLTII Cine lenses. To aid focus pullers who have to work both sides of the lens, the aperture and focus scales are marked on both sides of the lens.

This 85mm lens produces a 28.3&Acirc;&deg; angle-of-view when used with a full-frame sensor camera or a 35mm SLR. Hybrid aspherical lenses render sharply defined images with a minimum of distortion and chromatic aberrations, with a minimum focus distance of 3&#39;6&quot; from the lens. A removable lens hood provides flare protection when shooting without a matte box and the lens&#39;s threaded front accepts 72mm filter rings.

Ultra Multi Coated lenses minimize flare and ghosting, and the lenses are color matched to a standard eliminating the need to acquire an entire set of lenses at the same time.

Industry-standard gearing for focus and aperture rings. Each lens in the Samyang VDSLRII Cine Lens series share common focus and iris gear ring positions, which speeds up lens changes as accessories such as follow focus units or iris motors don&#39;t have to be re-positioned.

Declicked aperture ring for smooth iris pulls.

A removable lens hood provides flare protection without a matte box.

The lens opens up to T1.5, providing the capability for low light shooting or creating extremely shallow depth of field.