Sony BP-U Overview

Key Features

• For Select Sony Camcorders (FS7, Etc.)
• 97Wh Capacity
• Communication to Viewfinder
• 4-LED Gauge

The Sony BP-U100 is a high-performance 97Wh lithium-ion battery compatible with select Sony professional video cameras, such as the FS7 (see below). It's designed to communicate status data to the camera, and remaining capacity is displayed on the camera's viewfinder. This battery is rechargeable in approximately 210 minutes using the optional BC-U1A/U2A charger. A 4-LED gauge displays remaining capacity as 20, 40, 60, and 80%.

Compatible Camcorders

• PXW-FS7M2
• PXW-FS7
• PXW-FS5M2
• PXW-FS5
• PXW-X160
• PXW-X180
• PXW-X200
• PXW-Z190
• PXW-Z280
• PMW-300K1

Sony HVL-F28RM

Compact and connected, the Sony HVL-F28RM External Flash is a sleek and portable flash featuring an impressive guide number of 92' at ISO 100 and 50mm, along with a built-in 2.4 GHz radio transceiver To allow photographers To quickly create portable lighting setups with complete support for P-TTL / ADI metering. This flash can be set as a commander or a remote that fully supports Sony existing radio commanders and receivers, including ratio control, the ability To work with up To 15 flashes in five groups. In terms of its physical design, the HVL-F28RM has a compact, pocketable design well-suited To the a7-series mirrorless bodies and has a 0 To 120‚° tilting head for flexible bounce control. Additionally, it sports a dust- and moisture-resistant construction along with a durable metal foot.

Equipped with a 2.4 GHz radio transceiver, the HVL-F28RM is able To operate as either a radio commander or remote as part of Sony radio wireless system, including the FA-WRC1M Wireless Radio Commander and FA-WRR1 Wireless Radio Receiver. This system has an operating Range of approximately 115' and does not require line-of-sight. Also, it will support up To 15 flashes in five groups on one of 14 channels. Additionally, it has full support for Sony P-TTL / ADI metering system, including high-speed sync and ratio control.

Advance Distance Integration (ADI) flash metering works with cameras and lenses with distance encoders To more accurately balance flash output with ambient light and subject reflectivity by taking camera-to-subject distance into account

Guide number of 92' at ISO 100 and 50mm.

Flash head offers 0 To 120‚° of tilting for bounce control.

Covers a 50mm focal length field of view and pull-out wide panel broadens this coverage To a 24mm focal length field of view.

Manual power adjustment is possible across 25 levels, covering full 1/1 power down To 1/256 power.

Can fire continuously for up To 40 flashes at a rate of 10 flashes per second.

Slow, high-speed, 1st and 2nd curtain sync is supported on cameras with TTL communication.

Recycle time of 0.1 To 6.4 seconds with alkaline batteries or 0.1 To 4.1 with NiMH batteries.

Improved resistance To overheating for longer and more rapid shooting sessions.

Dust and moisture-resistant construction enables its use in harsh environments and a durable metal shoe has been added for improved mounting stability.

Requires four AA-sized batteries, either alkaline or NiMH, as a power source.

Micro-USB port can be used for firmware updates.

Sony PXW-FX9 E-Mount Overview

Key Features

• 6K Full-Frame Exmor R CMOS Sensor
• 15 Stops of Dynamic Range, Dynamic HDR
• DCI 4K and UHD 4K up to 60p
• Quad Full HD 120p Raw with XDCA-FX9 Unit
• HD Recording up to 150/180 fps
• Sony E-Mount
• 10-Bit 4:2:2 XAVC-I up to 600 Mb/s
• Auto-HD, AF, 7-Stop ND Filter, 3D LUTs
• Dual Base ISO up to 102,400, HLG Mode
• 12G/6G/3G-SDI & HDMI Output up to 4K

Whether you're shooting documentaries, events, reality TV, education, or corporate productions, the PXW-FX9 XDCAM 6K Full-Frame Camera System from Sony has you covered with its powerful and flexible 4K interchangeable lens camera system. The PXW-FX9 features a full-frame, oversampled 6K Exmor R CMOS sensor that allows you to capture 4K images with cinematic depth of field. The camera's E-mount is machined from stainless steel and allows you to use E-mount lenses.

The PXW-FX9 input and output features include 12G/6G-SDI and HDMI outputs for 4K video, a 3G-SDI output for HD, and genlock and timecode when using a multicamera setup. The Fast Hybrid AF autofocus system allows for accurate focus and even allows facial detection to automatically detect human form with 561 points of detection. Advanced image stabilization is achieved using the PXW-FX9's internal gyroscope for shots so smooth it'll look like you used a gimbal. Its 4-channel audio recording allows you to use external microphones and record ambient sound with the internal mics simultaneously.

The camera features a 15-stop dynamic range, supports dynamic HDR, hybrid log gamma mode (HLG), and records 10-bit 4:2:2 to dual XQD media card slots that support simultaneous and relay recording, as well as multiple backup recording modes that utilize proxy files. The camera can record UHD (3840 x 2160) and HD (1920 x 1080) internally at a selectable frame rate from 1 fps up to 60 fps in XAVC-I, XAVC-Long, and MPEG HD formats. Its 7-stop electronic variable ND filter can perform in auto or manual mode, smoothly adjusting from 1/4 to 1/128 density. The camera's default S-Cinetone color look offers the same soft, vivid tone as with Sony's VENICE camera.

In addition to its wide dynamic range, its enhanced color and light features include a dual base ISO of 800/4000 with a maximum ISO up to 102,400, which is helpful when in low-light situations or using a slower lens. Other improvements with the latest firmware include improved white balancing in sunlight with a more natural look, user-created 3D LUTs, improved AF, audio improvements, USB tethering, T-value metadata, password enhancements, and an S35 2K imager scan mode.

The FX9 includes an integrated Multi-Interface (MI) shoe and comes with a BP-U35 battery, BC-U1A battery charger, AC adapter with power cord, body cap, viewfinder, eyepiece, remote control, and USB cable. The PXW-FX9 is also compatible with the separately available XDCA-FX9 extension unit, which provides ENG shoulder-style support, networking features, and a slot for an optional wireless audio receiver.

Firmware Version 3.0

The v3.0 firmware update offers:

• S700 protocol over Ethernet
• B4 lens support:
  • S16 scanning mode (up to 1080p at rates up to 180 fps)
  • B4 lens control using the LA-EB1 lens mount adapter
  • ALAC (Auto Lens Aberration Correction) function
• Assignable center scan
• Anamorphic lens support
• Clip naming (Cam ID + Reel#)
• Real-time tracking (touch-tracking autofocus)
• Additional items can be modified in the status screen
• SR Live for HDR metadata support
• Recording proxy clip real-time transfer
• Camcorder network setup using smartphone app
• Remote control using smartphone over USB tethering
• USB tethering activated using iOS 14 iPhone and iPad

Note:

The network features above also support C3 Portal (only available in specific countries).

6K CMOS Exmor R Sensor

The PXW-FX9's oversampled full-frame 6K sensor provides recording in DCI 4K, UHD, and HD resolutions. Powerful image processing with debayering and down-sampling ensures image quality beyond the limits of conventional Super 35mm sensors. The back-illuminated CMOS image sensor also uses Sony's Exmor R technology for improved sensitivity and noise reduction. Compared to a 4K Super 35mm sensor, the FX9's 6K sensor has over twice the surface area while providing a wider angle of view and shallower depth of field.

15 Stops of Dynamic Range

The FX9 offers an exceptional 15+ stops of dynamic range, allowing for creative freedom in color grading and post. Camera operators can concentrate on framing the scene they want while relying upon the FX9 to capture every nuance and detail using 4K 4:2:2 10-bit internal recording.

ISO Control

The FX9 features a base sensitivity of ISO 800, providing the optimal dynamic range for typical documentary applications such as shooting outside or in brightly lit interiors. A secondary high base sensitivity of ISO 4000 excels in low-light conditions such as early morning and evening shoots while maintaining superb image quality and whenever you're using slow lenses. The FX9's extended ISO range is 320 to 102,400.

Electronic ND Filter

Sony's built-in electronic variable neutral density (ND) filter can be set to auto, or adjust filter density manually in smooth increments from 1/4 to 1/128 as you shoot, for perfectly exposed images without affecting depth of field as lighting conditions change. Use higher-density settings with a slower shutter speed for artistic effects.

Recording Formats

Depending on the project, the FX9 has a selection of recording formats. XAVC-I with 422 10-bit quality at a higher 600 Mb/s in 60p. XAVC-Long for longer recording time in smaller file size. The traditional MPEG HD codec is also available. All files will be recorded onto XQD media cards.

Adjustable Frame Rates

Choose your desired frame rate from 1 up to 60 fps for quick- and slow-motion footage. The FX9 creates an immersive image with a wide-angle look and shallower depth of field provided by its full-frame sensor in combination with quick and slow motion. It also offers a quality priority setting that maximizes Full HD slow-motion image quality with advanced oversampling technology.

S-Cinetone Look

S-Cinetone is the default look of FX9 that's tuned to meet the requirements of today's content creators with rich midrange colors, alluring facial tones, and a softer tonal look developed with the same expertise as Sony's world-leading VENICE digital cinematography camera. S-Cinetone means that straight out of the camera your content looks fresh and vivid, with subjects that really stand out while retaining plenty of latitude in post-production, thanks to the high-performance full-frame image sensor.

Fast Hybrid AF

Effortlessly track fast-moving subjects with pin-sharp focus, even when using wide-lens aperture settings to maintain a shallow depth of field with the camera's full-frame sensor. Enhanced Fast Hybrid AF combines phase-detection AF for fast, accurate subject tracking with contrast AF for exceptional focus accuracy. In addition, Face Detection intelligently recognizes and locks on to human faces. The dedicated 561-point phase-detection AF sensor covers approximately 94% of the whole image area width and 96% of the height, allowing for consistently accurate, responsive AF tracking, even with fast-moving subjects.

Seven-level AF transition speeds from fast-switching between subjects as quickly as possible to slow, where speed is reduced to fit a more measured shooting style, such as a historical TV drama.

Five-level AF subject shift sensitivity ranges from locked-on, ignoring other moving subjects in the frame, to responsive that switches focus from one subject to another—ideal for snapping between race cars as they speed by.

Advanced Image Stabilization

Advanced image stabilization information means even handheld footage can be transformed with Sony Catalyst Browse/Catalyst Prepare software in post-production to look as smooth as if it were shot with a gimbal. Unlike in-camera or lens stabilization, metadata generated by the FX9's built-in gyro allows you to creatively choose the balance between the level of shake compensation and the resolution of trimmed 4K imagery. This feature is also compatible with any E-mount lens and allows for far faster processing than conventional NLE stabilization workflows.

4-Channel Audio Recording

The FX9 offers audio capabilities with independent control dials for each channel. In applications such as an interview, 4-channel audio recording enables simultaneous use of an external microphone for recording ambient sounds, and the built-in microphone for ambient sound and voice memos by the operator.

Inputs and Outputs

The FX9 is equipped with various outputs including a 12G-SDI and an HDMI for 4K output. Also, it has a 3G-SDI for HD output to expand its monitoring flexibility. For multicamera operation, Genlock and TC In/Out terminals are available.

Recording Modes

The FX9 has a selection of backup recording modes that will help ensure the recording is safe. Simul Rec will enable simultaneous HD recording onto two media cards. The 4K/HD Sub Rec mode will allow 4K recording on one card and MPEG HD recording on another card. XAVC Proxy Rec is also available, offering a 9 Mb/s small size proxy file which will be easily sent via the network. Also, a maximum 28-second Cache Rec is available to prevent missing any shot.

Multi-Interface (MI) Shoe

Sony's flexible Multi-Interface (MI) shoe provides power, signal connections, and coordinated on/off switching with compatible Sony accessories.

XDCAM Air and GPS Support

Use the FX9 with Sony's XDCAM air service for camera control, to stream to the Sony Cloud, and to upload proxy footage from the field, saving valuable post-production time. A GPS function both records location information in video clips and displays it via XDCAM air.

Optional Extension Unit

Further extend the capabilities of the FX9 with the optional XDCA-FX9 extension unit that optimizes camera weight distribution and ergonomics for comfortable shoulder-style shooting—ideal for ENG and documentary applications. The extension unit also adds advanced networking for streaming/file transfers and a slot-in for a wireless audio receiver.

Samyang Xeen 135mm T2.2 Overview

Samyang Xeen 135mm T2.2 Lens with Sony E-Mount is built specifically for use as a cinema lens. It features an internal focus design so that the lens does not change size while focusing, minimizing breathing. Each lens in the Samyang Xeen cinema lens set is multi-coated for good contrast, glare prevention, and color matched to a factory standard, allowing you to assemble a set over time with minimal color shift. This 135mm focal length is often chosen for portraits and close-ups. The lens features dual-sided focus scales in feet, with dual-sided iris scales. The 11-bladed iris provides a round aperture for natural looking highlights and Bokeh.

The lens is a manual focus and iris lens, and does not have auto focus or auto iris capability. It incorporates cinema-style focus and iris gears that share the same position across the lenses in the Xeen set. The common 114mm front diameter allows for quick lens changes when using a matte box and focus accessories. The focus ring rotates 200° from close focus to infinity; this gives you a high degree of precision and consistent focus.

This is a 135mm lens that has an image circle that covers a full-frame sensor. It has the effect of bringing the background closer, and it is often used for close-ups and long shots, where you want a compressed feel and out of focus background.

The lens features metal construction to withstand the rigors of daily production, and comes with a support foot that can help take strain off your camera's lens port.

Dual calibrated right and left side focus and T-stop scales allow your focus puller to work from either side of the lens, without having to flip the lens.

Each lens in the Xeen series share common focus and iris gear ring positions, which speeds up lens changes as accessories such as follow focus units or iris motors don't have to be re-positioned. The lenses in the Xeen series also share focus and iris rotation, with focus having 200° of rotation and iris having 40° of rotation.

The common 114mm front diameter between lenses in the series allows for quick lens changes as you don't have to swap out anti-reflection donuts or adapters to use the same matte box.

Clickless aperture ring for smooth iris pulls.

A minimum focusing distance of 2.6' allows you to get up close to your subject.

Samyang Xeen 14mm T3.1 Overview

Samyang Xeen 14mm T3.1 Lens for Sony-E Mount is built specifically for use as a cinema lens. It features an internal focus design so that the lens does not change size while focusing, minimizing the appearance of breathing when changing focus. Each lens in the set is multi-coated for good contrast, glare prevention, and color-match to a factory standard, allowing you to assemble a set over time with minimal color shift. This 14mm lens provides what is considered a very wide angle of view on full-frame cameras, and a tighter angle of view on smaller formats.

The lens features dual sided focus scales marked in feet, with dual-sided iris scales. The 9-bladed iris provides a rounded aperture for natural looking highlights and bokeh. The lens is a manual focus and iris lens, and does not have auto focus or auto iris capability. It incorporates cinema-style focus and iris gears that share the same position across the lenses in the Xeen set. The common 114mm front diameter allows for quick lens changes when using a matte box and focus accessories. The focus ring rotates 200° from close focus to infinity. This gives you a high degree of precision when adjusting focus.

This 14mm lens has an image circle that covers a full-frame sensor. When mounted on a camera with a full-frame sensor it provides you with a very wide angle of view.

The lens features metal construction to withstand the rigors of daily production.

Dual right and left side focus and t-stop scales allow your focus puller to work from either side of the lens, without having to flip the lens in the mount, or facing upside numerals.

Each lens in the XEEN series share common focus and iris gear ring positions, which speeds up lens changes as accessories such as follow focus units or iris motors don't have to be re-positioned.

The common 114mm front diameter allows for quick lens changes as you don't have to swap out anti-reflection donuts or adapters to use the same matte box.

The non-rotating front allows you to use optional clip-on matte boxes.

Clickless aperture ring for smooth iris pulls.

A minimum focusing distance of 11" allows you to get up close to your subject.

Power Meter Magene Ultegra R8000 P325L Left

Garansi Resmi 2 Tahun Magene (Untuk Power Meter) *
GARANSI berlaku Saat di Toko / bukti Video Unboxing (Untuk Online)
Kerusakan Cacat Pabrik ( Bukan karena Pemakaian)
Untuk kerusakan Jatuh , Patah , Bengkok , Kelalaian Pengguna Tidak bisa Claim.

Item Name : Single Sided Power Meter
Power Accuraccy : +- 1,5%
Type : Left Sided, Dual-Protocol
Module Weight : Left 8g, Right 15g

YOOBAO Lightning Fast Charge Cable YB-431L
- Feature: Colorful nylon round cable
- Current Support: 2.4A

Deskripsi Yoobao YB431L - Kabel Nylon Lightning for iPhone/iPad/iPod 120cm - Hitam

Kabel Lightning for iPhone/iPad/iPod

Model : YB431L
Panjang : 120cm
Max Output : 2.4A Fast Charging
Warna : Hitam/Red

Samyang Xeen CF Case Overview

Keep your set of six Samyang XEEN CF lenses securely packed in this Custom Carry-On Case from Samyang . Using a crushproof hard shell and a custom-cut foam insert, this case provides tough, durable protection for your gear.

The foam insert snuggly fits up to six Samyang XEEN CF lenses, and removable foam disk inserts are included to make the lens slots more or less shallow to accommodate different lens sizes. Additionally, two of the lens slots can be entirely removed, creating a large space for other equipment and accessories. The lid is designed to stay open, preventing it from closing accidentally, and it provides a solid seal.

Watertight, dustproof, and rated military-grade crushproof, the case also features an automatic valve that balances interior air pressure while keeping water out. The case's soft-touch latches are easy to open, yet stay securely closed under impact or stress. A rubber over-molded handle, a retractable one-touch pull handle, inset polyurethane wheels, and stainless steel hardware make traveling with your lenses safe and easy.

Magene G601 Exercise Spinning Bike

The Onelap Gaming Power Spinning Bike is an immersive exercise bike that can be connected to cycling training software. Through the 3D-simulated realistic environments, you can experience immersive e-racing, no more boring exercise, feel the new experience of indoor riding.

Garmin Edge 530 Overview

Get advanced performance analysis, robust connectivity, turn-by-turn navigation, and specialized tools with the Garmin Edge 530 Cycling Computer. It is designed for avid riders who want To take their training To the next level. The Edge 530 comes with Garmin Cycle Map turn-by-turn navigation and is compatible with apps from the Garmin Connect IQ Store, such as Trailforks, downloadable trail maps from 80 countries TrainingPeaks, a workout plan for your ride and ClimbPro, which tracks your progress on ascents.

Safety and security features include group messaging and tracking, compatibility with Garmin Varia rearview radar and lights, and even a bike alarm, when paired with your smartphone. If your bike features a SHIMANO STEPS e-bike system, the Edge 530 has a special screen with metrics including time, distance, speed, assist level, gear position, battery life, and remaining Range. You can further customize the device with apps from Connect IQ, such as AccuWeather MinuteCast, Strava, Komoot, Wikiloc, and even Yelp listings of nearby bike shops and cafes. The Edge 530 rechargeable battery lasts up To 20 hours on a full charge. It carries an IPX7 water-resistance rating and will withstand splashes and rain.

Performance Insights

Assess your training for endurance and threshold and high-intensity efforts and sync structured workouts from TrainingPeaks and the Garmin Connect online community.

Safety & Security

Group messaging and tracking keeps you in touch with the pack, incident detection automatically alerts rescuers if you run into trouble, and the PIN-protected bike alarm will notify you on your smartphone if your bike is moved while you're inside getting water or making a pit stop. The Edge 530 is compatible with Varia rear-view radar and lights.

Navigation

Garmin Cycle Map provides turn-by-turn directions, alerts you To upcoming turns, notes the routes most traveled by local cyclists, and guides you back To the route (or back To start) if you deviate or decide To head home early.

Mountain Biking

Featuring trails from more than 80 countries, the Trailforks app displays trail conditions, heat maps, upcoming forks in the trail, and your position within a trail network.

E-Bike Metrics

If your bike is equipped with a supported SHIMANO STEPS eBike system, the Edge 530 gives you a dedicated eBike status screen, data fields, and support for system status and warning messages. In addition To Edge metrics such as time, distance, and speed, you can view your assist level, gear position, battery life, and remaining Range during a ride.

Customization

Access free apps, widgets, and data fields from the Garmin Connect IQ Store, such as AccuWeather MinuteCast for precise forecasting Strava, Komoot, or Wikiloc To import your favorite routes or Yelp for nearby bike shops and cafes.

Training, Planning, and Analysis Features (May Require Compatible Sensors)

• Customizable data pages
• Auto pause
• Interval training
• Advanced workouts
• Auto lap
• VO2 max
• Virtual partner
• Auto scroll

Cycling Features (May Require Compatible Sensors)

• Courses
• Time/distance alerts when goal reached
• Compatible with Vector power meter
• Displays power data from compatible third-party ANT+-enabled power meters
• Bluetooth, BLE, Wi-Fi
• Live Track
• Advanced performance and power analysis including Time in Zone, FTP tracking, cycling-specific VO2 and recovery and cycling dynamics, and bike trainer profile for compatible Turbo trainer data display and control

Nikon Nikkor Z 20mm f1.8 S Overview

An ultra-wide field of view along with a sleek form factor, the Nikkor Z 20mm f1.8 S from Nikon is a versatile prime well-suited To a Range of subject types, from architecture To interiors To landscapes. An advanced optical design uses aspherical and ED elements To produce sharp, well-corrected imagery with high clarity and color accuracy, and both Nano Crystal and Super Integrated Coatings are also used To suppress flare and ghosting for greater color fidelity and higher contrast.

Complementing the optical design, a multi-focus system, which employs two stepping motors, helps To realize impressively fast, accurate, and quiet focus performance, along with full-time manual focus override, To suit both stills and video needs. Additionally, a programmable control ring can be set for intuitive adjustment over a variety of camera and exposure settings.

Prime wide-angle lens is designed for FX-format Z-mount mirrorless cameras, however can also be used with DX models where it provides a 30mm equivalent focal length.

Bright f1.8 maximum aperture suits working in difficult lighting conditions and also offers increased control over depth of field.

Three aspherical elements are used To reduce spherical aberrations and distortion in order To realize sharp imagery with accurate rendering.

Three extra-low dispersion elements greatly reduce color fringing and chromatic aberrations throughout the zoom Range in order To produce greater clarity and color rendering.

A Nano Crystal Coat, along with a Super Integrated Coating, has been applied To lens elements To minimize surface and internal reflections for a marked reduction in lens flare and ghosting.

Multi-focus system incorporates two separate AF drive units, which are synchronized, To deliver especially fast and accurate focusing performance. This system uses stepping motors, which offer impressively smooth and quiet autofocus qualities, that are well-suited To both stills and video applications. Full-time manual focus override is also possible and an internal focusing design is used, where only the internal lens groups are moved during focusing, To maintain the overall length of the lens during use and To promote faster focusing speeds.

Programmable Control Ring is, by default, set To adjust manual focus, but can also be used To control aperture or exposure compensation.

Specialized electromagnetic aperture mechanism provides greater exposure control stability that is especially beneficial when working with fast continuous shooting rates.

Rounded nine-blade diaphragm promotes a pleasing out of focus quality that benefits the use of shallow depth of field and Selective focus techniques.

Dust- and moisture-resistant lens barrel benefits the lens' use in inclement conditions.

Larmor for Nikon D750 Screen Protector

Features

• Automatic installation activated by touch
• Impact resistant and shatter proof
• Adhesive free
• Anti glare
• Smudge resistant
• Touch and Swivel screen compatible
• No glue residue after removal
• Frame design

Magene C406 Bike Computer Orange

C406 features a 2.5 Inch FSTN “Infinite Screen”, which provides a more advanced sense of design and allows the unit to display a whole host of data. This allows users to get all the important data they need with the data page settings. The C406 is the most attractive, competitive and advanced product in the entry-level market.

Blackmagic Design Davinci Resolve Studio Overview

Key Features

• Over 100 New Features & 200 Improvements
• 8K Editing & Color Correction
• Advanced HDR Editing
• AI-Based Magic Mask for Targeted Grading
• Next Gen Audio Engine; Edit 2000+ Tracks
• Use Fusion Compositions in Cut/Edit Tabs
• Proxy Media Workflows
• Smart Reframe for Social Media
• DaVinci Neural Engine Face Detection
• Mac, Windows & Linux Compatible

Blackmagic Design DaVinci Resolve Studio is an NLE that can be used for projects ranging from personal films to feature films and VFX. The Color page features new HDR grading tools, an AI-based magic mask for targeted grading, and a color warper. Fairlight provides a faster workflow with updated mouse and keyboard edit selection tools. Fairlight also has a next-generation audio engine and busing architecture with support for editing 2000 tracks in real time. The Cut tab offers Smart Reframe for social media among other new capabilities. The Edit page has many improvements to workflow and now allows independent proxy media that can be generated internally or externally by third-party tools. Fusion provides new features such as custom vector shapes. Also, compositions created in Fusion can now be used as an effect, title, or transition in the Cut and Edit tabs.

DaVinci Resolve offers a comprehensive editing experience by combining different editors in one platform, across different tabs at the bottom of the interface. Between these different tabs, you get full-featured advanced solutions for video editing, color correction, visual effects, motion graphics, and audio post-production. DaVinci Resolve is also built to work fast and efficiently and to handle large projects with collaboration. You can work with up to 8K footage and a wide variety of formats. Toolsets are available for advanced HDR editing, 3D stereoscopic workflows, social media content, and much more.

Your order provides you with an activation card by mail. The card has a code for downloading and running the software on up to two computers.

Resolve Studio New Features

Key Features

• Blackmagic Cloud to host and manage cloud-based project libraries.
• Collaborate securely over the internet using Blackmagic ID.
• Support for intelligent path mapping to relink files automatically.
• Vastly improved project library performance for network workflows.
• Improved project performance, especially when working with large projects.
• New Proxy Generator app for auto-creating proxies within watch folders.
• Ability to choose between prioritizing proxies or camera originals.
• Proxy files in subfolders are automatically assigned in the media pool.

Media and Edit

• Stabilize Blackmagic Pocket Camera clips with camera gyro metadata.

New subtitle improvements, including:

• Support for timed text TTML, XML, and embedded MXF/IMF subtitles.
• Ability to view and import subtitles from media storage.
• Support for relinking subtitle clips from the media pool.
• Subtitle region support with multiple simultaneous captions per track.
• Set individual presets, text positions, and intuitively edit between regions.
• Add, rename and manage regions from the timeline context menu.
• Ability to export TTML subtitles from the track header context menu.
• Ability to import, export, and embed multiple subtitle tracks as TTML.
• Support for reversing shape, iris, and wipe transitions on the edit page.
• Support for showing up to 25 simultaneous multicamera angles on the viewer.
• Edit Index now shows clip duration.
• Ability to navigate keyframes outside trimmed clip extents.
• Ability to navigate retime keyframes using hotkeys.
• Smart bin filter for disabled timelines.
• Render in place and open in Fusion actions can be assigned shortcuts.
• Reset Fusion composition now works on multiple clip selections.

Color

• New object mask capability in Magic Mask.
• Adjustment clips and Fusion generators can bypass color management.
• Support for syncing clip groups in remote grading sessions.
• Ability to trigger bidirectional tracking from advanced and mini panels.
• Support for matte finesse and 3D qualifier in advanced and mini panels.
• Dolby Vision highlight clipping support in advanced panels.
• Support for bypassing color outputs from advanced panels.
• Add key mixers with auto-connected key outs from advanced panels.
• Support for bidirectional tracking in advanced panels.
• Support for fast review playback mode in advanced panels.
• ACES support for Blackmagic Gen 5 camera formats.
• Support for the HDR Vivid standard.
• Reference gamut compression is enabled by default in ACES 1.3.

Resolve FX

• New Resolve FX Depth Map to generate 3D depth-based keys in Studio.
• New Resolve FX Fast Noise.
• New Resolve FX Despill.
• New Resolve FX Surface Tracker for tracking warped surfaces in Studio.
• Improved Resolve FX Beauty with new ultra mode.
• Improved edge strength and filter controls in Resolve FX Edge Detection.
• Option to composite from a second input in Resolve FX Transform.
• New bokeh preset for Resolve FX Lens Reflections.
• Green-purple control for Resolve FX Chromatic Aberration.
• Sizing awareness option in Resolve FX lens flare and radial and zoom blurs.

Fairlight

• Ability to convert fixed bus projects to FlexBus in project settings.
• Ability to freely order tracks and buses in the mixer via the track index.
• Ability to nudge custom millisecond or sub-frame intervals in the timeline.
• Improved quality for time-stretched audio.
• Improved Dolby Atmos immersive mixing, including binaural monitoring.
• Native support for Dolby Atmos production for Linux and Apple silicon.
• Independent controls to enable automation and expose parameters.
• Improved behavior of automated tracks under VCA control.
• Improved meters with configurable decay, peak hold, and display modes.
• Ability to ctrl-alt click to remove gain and elastic wave keyframes.
• Ability to double click a clip in the timeline to rename.
• Ability to set record clip name prefix at a per-track level.
• Support for renaming underlying tracks when renaming a linked group
• Equalizers with improved Q controls and mouse wheel inputs.
• Dynamics with enhanced metering, gain display, and enable controls.
• Dynamics with improved dry mix, soft knee, and metering in FlexBus.
• Improved plug-in management with replace and copy settings in the mixer.
• New built-in presets for equalizers and dynamics.
• Hold shift and double-click clips to extend the edit selection range.
• Support for applying audio gain on range selection.
• Improved waveform display accuracy under crossfades.
• Origination time metadata is now persisted when bouncing mix to track.
• Option to trim from unity on the Fairlight Desktop Console.
• Support for VCA and bus spill on the Fairlight Desktop Console.
• Support for using the Fairlight Desktop Console on Linux systems.
• Studio monitoring support for FlexBus on consoles.
• Fairlight console option to mute speakers on timeline load.
• Support for chasing timecode via Fairlight audio interfaces.
• Support for user views in the Fairlight Desktop Console.
• Improved mapping for audio effects on the Audio Editor panel.
• Ability to use alt + solo to invoke solo safe in the Audio Editor panel.
• Support for a new clear mutes action in the timeline menu.
• Enabling track mixer controls brings a window to focus if already open.
• Grid and list modes are persisted for patch, bus, and VCA assign.

Fusion

• Multi-button mode selection in the inspector for multiple tools.
• Support for all modern and future python 3 versions for scripting.
• Support for live previews when using the Text+ color picker.
• Multiple new composition blend modes.
• New expression animated Custom Poly modifier for masks and strokes.
• Faster GPU accelerated paint tool with smoother strokes.
• Faster duplicate tool with additional blur, glow, and size controls.
• Improved fade-on and text ripple title performance.
• Improved performance for night vision, glitch, TV, and other effects.

Codecs

• Support for Blackmagic RAW SDK 2.6.
• Support for video uploads to internet accounts using custom presets.
• Support for encoding mono and stereo MP3 audio.
• New HyperDeck export preset in the Quick Export and deliver page.
• Ability to render individual clips with timeline effects.
• Ability to embed Blackmagic RAW metadata in QuickTime renders.
• Custom quality and profile media management options where available.
• Support for rendering Dolby Vision compatible H.265 clips.
• Support for decoding CMYK format TIFF files.
• Support for retaining reel name metadata in rendered EXRs.
• Support for record date and time metadata for JPEG stills.
• Alpha channel support in the IO Encode Plug-in SDK.
• Support for RED SDK 8.3.
• Support for the ARRI Alexa 35 camera.
• New 1440p YouTube preset.
• Render option to override ACES gamut compression for round trips.
• Main10 is now the default H.265 encoding profile on Mac.

General

• Support for 10-bit viewers on Windows and Linux in Studio.
• Stream video output to remote monitoring in Windows and Linux in Studio.
• Apple Neural Engine support for DaVinci Neural Engine on M1 and M1 Pro.
• Support for Korean localizations in DaVinci Resolve.
• PostgreSQL 13 is now bundled with Project Server.
• Support for desktop notifications for collaboration chat.
• User preference to import Finder tags as clip keywords on Mac.
• Support for importing and exporting Final Cut Pro v1.10 XMLs.
• Ability to unlink Dropbox comment and marker sync for timelines.
• Playback and render now prevent Mac systems from sleeping.
• Render jobs now show progress bars for uploads.
• Support for per-system project working paths in collaboration and cloud.
• Support for per-system render cache mode in collaboration and cloud.
• Support for setting current project settings as default.
• Drag and drop project archives to the project manager to restore.
• Scripting API support for creating Fusion compositions.
• Scripting API support for exporting project archives.
• Scripting API support to get and set timeline start timecode.
• Scripting API support to detect stale media bins and refresh them.
• Scripting API support for updating camera raw sidecar files.
• General performance and stability improvements.

Cut

Metadata view and clip sorting

Trimming against audio waveforms

Smart Reframe for social media

Fast effects search and live preview

Import ATEM Mini projects

Updated clip inspector

Edit

Proxy media workflows

Easily sync multicamera clips

Keying and compositing

Render in place

Source clip adjustments

Share timelines and bins

Improved editing with interlaced material

Enhanced timeline organization

Scene cut detection

Other New Features

Updated inspector layout

Additional format support: decoding support for QuickTime PNG, uncompressed RGB 8-bit and YUV 10-bit AVI, and spanned Panasonic 8K SHV clips; improved support for GoPro CineForm, HTJ2K, and MP3 on Linux

Increased video metadata support: support for frame-based metadata from Blackmagic RAW, ARRI, RED, and Sony camera files, along with decoding and rendering per frame EXR metadata; improved metadata support for Sony MXF, IMF MCA audio, non-HDR DCP export, and HDR tags in DCP workflows

New integration and encoding APIs

Other Resolve Studio Features

Advanced noise reduction

Lens distortion

Professional HDR scopes

Stereoscopic 3D

Remote grading

DaVinci color space transforms language

Scripting and automation

DaVinci Neural Engine

Dolby Atmos mastering

Re-mix external productions

DCP encoding and decoding

IMF audio deliverables

Dolby Vision mastering

Native IMF encoding and decoding

Encoder plug-in support

Pre-Installation Notes

• PostgreSQL 9.0 is the minimum supported version.
• PostgreSQL 13 is the recommended version.
• 10-bit viewers on Windows and Linux need a capable graphics card and display.

Minimum System Requirements for Mac OS

• macOS 11 Big Sur
• 8GB of system memory, 16GB when using Fusion
• Blackmagic Design Desktop Video version 12.0 or later
• Integrated GPU or discrete GPU with at least 2GB of VRAM
• GPU that supports Metal or OpenCL 1.2

Minimum System Requirements for Windows

• Windows 10 Creators Update
• 16GB of system memory, 32GB when using Fusion
• Blackmagic Design Desktop Video 10.4.1 or later
• Integrated GPU or discrete GPU with at least 2GB of VRAM
• GPU that supports OpenCL 1.2 or CUDA 11
• NVIDIA/AMD/Intel GPU Driver version–as required by your GPU

Minimum System Requirements for Linux

• CentOS 7.3
• 32GB of system memory
• Blackmagic Design Desktop Video 10.4.1 or later
• Discrete GPU with at least 2GB of VRAM
• GPU that supports OpenCL 1.2 or CUDA 11
• NVIDIA/AMD Driver version–as required by your GPU

The versatile 3+ 263CB Carbon Fiber Tripod with Veo BH-160 Ball Head from Vanguard is a 67.9-Inch tall, feature-laden tripod. The Veo 3+ tripod's innovative Multi-Angle Central Column (MACC) system allows the center column to move at angles from from 0- to 180-degrees in variable vertical and horizontal positions, beyond the Range of conventional lateral center columns. The included column ballast hook helps keep the tripod stable even at full extension, and the Veo+MA1 multi-mount adapter provides an additional 1/4" mount for an additional camera, a monitor, microphone, light, or other accessory. The center column may also be removed and combined with one leg to form a full-featured monopod for situations where a tripod is inconvenient.

with the press of an ergonomically positioned thumb-release button, the carbon fiber legs independently open to three positions to level the tripod on uneven terrain, and to spread fully for floor-level positioning. The legs feature removable rubber feet, and a set of steel spike feet is included for use in icy conditions.

MACC multi-angle lateral center column
Included Veo+ MA1 adaptor
Center column converts to monopod
Removable ballast hook
Three adjustable leg angles: 23, 50, 80° with innovative thumb button lock
Grip and go with non-slip, all-weather grips on two legs
Arca-type quick release plate compatibility

iFootage TA6Overview

Designed for both video and still photo capture, theGazelle TA6S Uprise TripodfromiFootageis a durable, versatile two-stage Aluminum tripod supporting up To 13.23 lb. Topped with a 75mm half-bowl swivel head, this tripod features a detachable center column with an upgraded locking mechanism over the previous version, independent legs with three locking positions, and a folded length of 25".

Additional Gazelle TA6S features include ergonomic leg locks that allow for single-handed use, spiked feet with retractable rubber pads, a 3/8"-16 accessory mount, a weight hook, and a 3/8"-16 camera screw. Remove the center column To lower the tripod To 7.7" or extend both stages To rise To 65". The included Allen wrench can be used To adjust the leg locks and snaps onto a leg for storage.

Features

Lightweight, portable design folds To 25" for easy transport
Leg locks are designed for single-handed use
Three independent, locking leg positions at 22, 55, and 80°
Detachable center column enables a maximum height of 65"

Fujifilm LH-XF16 Lens Hood Key Features

• for XF 16mm f1.4 R WR Lens
• Blocks Stray Light from Entering Lens
• Protects Lens from Impact
• Metal Construction

Reduce flare and ghosting in your images by picking up this Fujifilm LH-XF16 Lens Hood for the XF 16mm f1.4 R WR Lens. It helps block stray light from entering the lens and also serves To protect the lens from impact damage. The hood is made of metal and maintains the aesthetic of the lens and camera system.

Hollyland Mars 400 Pro Overview

Key Features

• Transmitter and Receiver Set
• Transmit up to 1080p60 Video
• Transmit up to 400' to RX, 300' to App
• SDI and HDMI Inputs and Outputs
• L-Series Battery/USB Type-C/DC Power
• OLED Display, Low-Battery Warning
• Extremely Low 0.1s Latency
• Shoe Adapter & 1/4"-20 Mounting Thread

Add up to 1080p60 wireless video transmission to your gimbal, mirrorless, or DSLR camera rig using the lightweight Mars 400S PRO SDI/HDMI Wireless Video Transmission System from Hollyland. The transmitter provides HDMI and SDI inputs and the receiver offers SDI and HDMI outputs. It features extremely low 0.1s latency with line-of-sight transmission up to 400' to the receiver and up to 300' to the Hollyview Wi-Fi app. For a strong line-of-sight signal, the system includes two external antennas on the transmitter and two on the receiver, and one is included as a spare.

Using the Hollyview app for iOS or Android, you can monitor your video transmission in real time via a Wi-Fi connection as well as live stream directly from the receiver via your computer using a USB Type-C adapter. The app also allows you to install optional channel scanning firmware enabling you to easily find the strongest transmission signals. The transmitter can simultaneously transmit to up to one receiver and two apps, or to a total of four apps without the receiver. The redesigned body makes it a low-profile choice for your rig, and it features multiple fan modes to keep it cool or quiet when you are shooting.

The 400S PRO transmitter and receiver are compact in size, feature a bright OLED display for configuration, and an integrated shoe adapter with a 1/4"-20 mounting thread for different mounting options. Each unit can be powered using a USB Type-C source, the included locking DC power adapter, or by using a separately available L-series type battery using the integrated battery plate.

Key Features

• Transmits up to 1080p60 SDI or HDMI video
• 400' line-of-sight transmission to receiver, 300' to App
• Bright OLED display
• Real-time app monitoring and live streaming via the HollyView app
• Simultaneously transmit to one receiver and two apps, or to four apps
• HDMI and SDI inputs on transmitter and HDMI and SDI outputs on receiver
• Two antennas on transmitter and two antennas on receiver
• Power via L-series battery, DC adapter, or USB Type-C input
• Integrated shoe adapter with 1/4"-20 mounting thread
• Install optional channel scan firmware via the HollyView app to find the strongest signal

Profoto Umbrella Deep White XL

Key Features

• Soft White Interior
• Deep Shape Provides More Precise Control
• 16 Fiberglass Rods for Rounder Shape
• Heat-Resistant Materials
• Surface Treated to Prevent Rust
• Carrying Bag

The 65" extra large Deep White Umbrella from Profoto has a soft white interior that helps produce even, diffuse light with soft shadows. The increased depth of this model allows for more precise control over the spread of the light. Also, it features 16 fiberglass rods for a rounder shape and more even light spread.

ItIt is made of heat-resistant materials and the metal elements are surface treated to prevent rust and discoloration. Additionally, this umbrella comes with a fabric carrying bag for travel. An optional diffuser (sold separately) allows you to transform this umbrella into a softbox.