Event Registration
Please login to register for this event
LoginShipping Rate
FUJIFILM GFX ETERNA 55 G/PL Mount Overview
Key Features
- Large-Format Sensor, Variable ND
- 4K48 4:3 Open Gate, 6.3K24 Super 35
- 14.5-Stop Dynamic Range, Dual-Native ISO
- Internal ProRes 422 HQ, H.265, Proxies
- Ext HDMI 10-Bit Uncompressed, 12-Bit Raw
- 5" 16:9, 3" 3:2 Touchscreen LCD Screens
- 20 Film Simulations, F-Log2/C 3D LUTs
- FUJIFILM G and ARRI PL Lens Mounts
- Ethernet, BLE with TG-BT1/ATOMOS AirGlu
- CFexpress and SD Card Slots, USB-C Port
Advanced Large-Format Video Capture
FUJIFILM brings its vaunted photographic history to a video-centric form with the GFX ETERNA 55 Cinema Camera. Built around a new large-format sensor that covers Open Gate and a range of additional formats, the GFX ETERNA 55's array of features is designed for exceptional video capture and seamless integration with FUJIFILM G lenses.
Native 4:3 Aspect Ratio
Dubbed the GFX ETERNA "55" in a nod to its diagonal sensor size, this camera incorporates one of the tallest sensors currently on the market. Its native 4:3 aspect ratio provides creators with a canvas that is 1.75x greater than 4-perf Super 35.
Five Main Formats
- The GFX ETERNA 55 offers five main formats that are paired to specific lens categories:GF and Premista, for use with FUJIFILM lenses.
- 35mm, anamorphic (35mm), and Super 35, for use with a range of lenses from multiple brands.
- Each of these five formats has multiple resolution selections, further expanding your capture options.

Video Formats/Resolutions
- The GFX ETERNA 55 expands the GFX100 II's video recording choices with new Open Gate, Super 35, and 2.39:1 anamorphic options using a large 43.8 x 32.9mm sensor.Open Gate is available in 3.8K 4:3 at rates up to 48 fps.
- Super 35 options include 6.3K24 in 16:9, DCI 4K30/UHD 4K30 in 17:9 and 16:9, and up to 1080p60 in 17:9 and 16:9.
- Anamorphic 2.39:1 is available in Cine 5.8K up to 30 fps, Super 35 8K24 in 2.39:1, and Super 35 4K24 in 1.2:1.
Anamorphic Ready
The GFX ETERNA's large 4:3 sensor is ready for you to combine with anamorphic lenses, and the camera provides real-time anamorphic de-squeezing for on-set monitoring.
Recording Codecs
Take full advantage of the GFX ETERNA 55's large sensor and internally record video in Apple ProRes 422/HQ/LT, 4:2:2, 10-bit HEVC/H.265, or H.264 or ProRes proxies. Use the HDMI output for external 4:2:2 10-bit uncompressed or 12-bit raw recording.
Custom Frame Guides
Users can create custom frame guides right from the viewfinder with up to three saved for quick access. Aspect ratios range include 1:1, 3:2, 4:3, 5:4, 16:9, 17:9, 2.39:1, and custom. Customizable functions include 1-100% scaling, four line widths, and five color options.
FUJIFILM G and ARRI PL Mounts
The native FUJIFILM G-mount ETERNA 55 camera is compatible with existing G-mount lenses and the new power-zoom G 32-90mm lens, which is optimized for this camera and features autofocus and auto iris functions, as well as geared focus, iris, and zoom rings. The included ARRI PL-mount adapter provides compatibility with an array of cine-style lenses and Cooke /i lens data where available.
Variable ND Filter
The built-in variable electronic ND filter lets you adjust your exposure without stopping down or opening up on your lens, ideal for bright exteriors, slow shutter effects, and shallow depth-of-field looks. This dial-control filter varies from ND 0.6 to ND 2.1, providing a range of two to seven stops in visually stepless .015 increments.
Low-Pass Filter
New to the GFX line, the included OLPF (optical low-pass filter) helps to reduce color anomalies and moiré effects, especially helpful when shooting with LED wall backgrounds.
20 Film Simulations
- GFX ETERNA 55 users have access to 20 FUJIFILM film stock simulations, letting you recreate your favorite cinema looks.PROVIA/Standard, Velvia/Vivid, ASTIA/Soft, Classic Chrome, REALA ACE
- PRO Neg. Hi and Std., Classic Neg., Nostalgic Neg., ETERNA/Cinema
- ETERNA BLEACH BYPASS, ACROS, ACROS + Ye Filter, + R Filter, + G Filter
- Black & White, Black & White + Ye Filter, + R Filter, + G Filter, Sepia
Cinematic Visuals
- In addition to the 20 film looks, the GFX ETERNA 55 lets users create 3D LUTs for select film simulations for use with the expansive colors and dynamic range of F-Log2 C.ETERNA, ETERNA BLEACH BYPASS, PROVIA/Standard
- Velvia/Vivid, ASTIA/Soft, REALA ACE
- Classic Chrome, Classic Neg., ACROS
Hot Swapping
An internal NP-W235 battery enables external battery hot swapping or switching to DC power input. This battery is automatically charged when the camera is attached to an external power source.
5" Monitor and Dual 3" Displays
The GFX ETERNA 55 features dual built-in 3" touchscreens with 4:3 aspect ratios and 700 cd/m² brightness. Located on both sides of the camera, these displays provide easy control access for both the operator and the A.C. The GFX ETERNA 55's external 5" touchscreen color LCD monitor provides a 16:9 aspect ratio and 2000 cd/m² brightness for daylight visibility.
Dedicated Top Handle
The included top handle features a multifunctional left-side dial that can be assigned to ND filter control or to focus, iris, or zoom control when paired with an electronically controlled lens. This handle has a sliding rail base, letting you quickly adjust your camera balance for hand-holding after a lens change, battery addition, etc.
Connectivity
Built-in Wi-Fi and Ethernet enable a range of features, including Frame.io compatibility, browser-based remote control for focus, iris, zoom, and more. BLE (Bluetooth Low Energy) will be supported using the FUJIFILM TG-BT1 tripod grip or an Atomos AirGlu Ambient device.
Expanded Audio Input
Compatibility with the TASCAM XLR microphone adapter handle lets you expand the GFX ETERNA 55's audio input options.
Additional Details
- Grab button for capturing still photos
- 2-pin LEMO output for powering accessories
- SDI, HDMI, genlock, USB-C, Ethernet, and remote connectors
- All connectors have durable caps to protect against dust and debris
- Microphone input and headphone output
FUJIFILM GFX ETERNA 55 G/PL Mount Specs
Key Specs
FUJIFILM G with Included ARRI PL Adapter
43.8 x 33.9 mm (Large Format) CMOS
Effective: 102 Megapixel
No
Dual Base: 800 / 3200 Native: 400 to 12,800 (100 to 25,600 Extended)
ProRes 422/ProRes 422 HQ/H.265 ALL-Intra/ProRes 422LT/MOV Up to DCI 8K at 24.00/23.98 fps ProRes 422/ProRes 422 HQ/XF-HEVC S Long GOP/ProRes 422LT/H.265 Long GOP/MOV Up to DCI 8K at 24.00/23.98 fps
SDI/BNC Up to x DCI 4K]at25/24.00/29.97/47.95/50/48.00/59.94/23.98 x x x x 4:2:2 10-Bit via HDMI Up to x 8Kat24.00/23.98 x x x x x x x x x x x x x x x
Single Slot: SD/SDHC/SDXC (UHS-II) [2 TB Maximum / V90 or Faster Recommended] Single Slot: CFexpress Type B [2 TB Maximum]
1x BNC (12G-SDI) Output 1x HDMI 2.1 Output
No
NP-W235, V-Mount
Imaging
FUJIFILM G with Included ARRI PL Adapter
Yes
43.8 x 33.9 mm (Large Format) CMOS
Effective: 102 Megapixel
No
2 to 7 Stop Electronic ND Filter
No
No
Stills & Video
Shutter Type Electronic Rolling Shutter Shutter Speed 1/8000 to 1/8 Second Shutter Angle 5.6 to 360° ISO/Gain Sensitivity Dual Base: 800 / 3200 Native: 400 to 12,800 (100 to 25,600 Extended) Signal-to-Noise Ratio Not Specified by Manufacturer Advertised Dynamic Range 14 Stops White Balance Range: 2000 to 11,000K Presets: Auto, Custom Exposure Modes Auto
Focus Mode Automatic, Manual Focus Autofocus Sensitivity -2 to +1 EV
Video Capture
ProRes 422/ProRes 422 HQ/H.265 ALL-Intra/ProRes 422LT/MOV 8192 x 4320 at 24.00/23.98 fps (50 to 720 Mb/s) 7680 x 4320 at 23.98/24.00/25/29.97 fps (50 to 720 Mb/s) 6382 x 3590 at 23.98/24.00/25/29.97 fps (50 to 720 Mb/s) 4664 x 3380 at 23.98/24.00 fps (50 to 720 Mb/s) 4040 x 3380 at 23.98/24.00 fps (50 to 720 Mb/s) 4776 x 3184 at 23.98/24.00 fps (50 to 720 Mb/s) 8192 x 2968 at 23.98/24.00 fps (50 to 720 Mb/s) 3840 x 2880 at 47.95/48.00/23.98/24.00/25/29.97 fps (50 to 720 Mb/s) 5440 x 2868 at 23.98/24.00/25/29.97 fps (50 to 720 Mb/s) 4776 x 2688 at 23.98/24.00/25/29.97 fps (50 to 720 Mb/s) 5824 x 2436 at 23.98/24.00/25/29.97 fps (50 to 720 Mb/s) 4096 x 2160 at 47.95/48.00/23.98/50/24.00/25/29.97/59.94 fps (50 to 720 Mb/s) 3840 x 2160 at 47.95/48.00/23.98/50/24.00/25/29.97/59.94 fps (50 to 720 Mb/s) 2048 x 1080 at 47.95/48.00/23.98/50/24.00/25/29.97/59.94 fps (50 to 720 Mb/s) 1920 x 1080 at 47.95/48.00/23.98/50/24.00/25/29.97/59.94 fps (50 to 720 Mb/s) ProRes 422/ProRes 422 HQ/XF-HEVC S Long GOP/ProRes 422LT/H.265 Long GOP/MOV 8192 x 4320 at 24.00/23.98 fps (50 to 200 Mb/s) 7680 x 4320 at 23.98/24.00/25/29.97 fps (50 to 200 Mb/s) 6382 x 3590 at 23.98/24.00/25/29.97 fps (50 to 200 Mb/s) 4664 x 3380 at 23.98/24.00 fps (50 to 200 Mb/s) 4040 x 3380 at 23.98/24.00 fps (50 to 200 Mb/s) 4776 x 3184 at 23.98/24.00 fps (50 to 200 Mb/s) 8192 x 2968 at 23.98/24.00 fps (50 to 200 Mb/s) 3840 x 2880 at 47.95/48.00/23.98/24.00/25/29.97 fps (50 to 200 Mb/s) 5440 x 2868 at 23.98/24.00/25/29.97 fps (50 to 200 Mb/s) 4776 x 2688 at 23.98/24.00/25/29.97 fps (50 to 200 Mb/s) 5824 x 2436 at 23.98/24.00/25/29.97 fps (50 to 200 Mb/s) 4096 x 2160 at 47.95/48.00/23.98/50/24.00/25/29.97/59.94 fps (50 to 200 Mb/s) 3840 x 2160 at 47.95/48.00/23.98/50/24.00/25/29.97/59.94 fps (50 to 200 Mb/s) 2048 x 1080 at 47.95/48.00/23.98/50/24.00/25/29.97/59.94 fps (50 to 200 Mb/s) 1920 x 1080 at 47.95/48.00/23.98/50/24.00/25/29.97/59.94 fps (50 to 200 Mb/s)
SDI/BNC 4096 x 2160 at 25/24.00/29.97/47.95/50/48.00/59.94/23.98 fps 3840 x 2880 at 59.94/23.98/24.00/25/29.97/47.95/48.00/50 fps 3680 x 2160 at 59.94/23.98/24.00/25/29.97/47.95/48.00/50 fps 2048 x 1080 at 59.94/23.98/24.00/25/29.97/47.95/48.00/50 fps 1920 x 1080 at 59.94/23.98/24.00/25/29.97/47.95/48.00/50 fps 4:2:2 10-Bit via HDMI 8192 x 4320 at 24.00/23.98 fps 7680 x 4320 at 23.98/24.00/25/29.97 fps 6382 x 3590 at 23.98/24.00/25/29.97 fps 4664 x 3380 at 23.98/24.00 fps 4040 x 3380 at 23.98/24.00 fps 4776 x 3184 at 23.98/24.00 fps 8192 x 2968 at 23.98/24.00 fps 3840 x 2880 at 23.98/24.00/25/29.97/47.95/48.00 fps 5440 x 2868 at 23.98/24.00/25/29.97 fps 5440 x 2868 at 23.98/24.00/25/29.97 fps 4776 x 2688 at 23.98/24.00/25/29.97 fps 5824 x 2436 at 23.98/24.00/25/29.97 fps 4096 x 2160 at 59.94/23.98/24.00/25/29.97/47.95/48.00/50 fps 3840 x 2160 at 59.94/23.98/24.00/25/29.97/47.95/48.00/50 fps 2048 x 1080 at 59.94/23.98/24.00/25/47.95/48.00/50 fps 1920 x 1080 at 59.94/23.98/24.00/25/29.97/47.95/48.00/50 fps
Yes
FUJIFILM F-Log2, FUJIFILM F-Log2 C
Stereo
MOV: 2-Channel, 24-Bit at 48 kHz via LPCM Audio
Media/Memory Card Slot Single Slot: SD/SDHC/SDXC (UHS-II) [2 TB Maximum / V90 or Faster Recommended] Single Slot: CFexpress Type B [2 TB Maximum] Internal Storage No Video I/O 1x BNC (12G-SDI) Output 1x HDMI 2.1 Output Audio I/O 1x 1/8" / 3.5 mm TRRS Headphone/Mic Headphone Output 1x 1/8" / 3.5 mm TRS Stereo Input Power I/O 1x LEMO 4-Pin Input 1x LEMO 2-Pin Output Other I/O 1x 2.5 mm Sub-Mini (Remote) 1x BNC (Timecode) Input/Output 1x BNC (Genlock) 1x 12-Pin (Lens Control) 1x RJ45 (Ethernet) Wireless 802.11a/b/g Wi-Fi / Bluetooth LE *Built-In Mobile App Compatible No Global Positioning (GPS, GLONASS, etc.) No
Display Type Primary Monitor: Included External 5" Touchscreen LCD Secondary Monitor: Fixed 3" Touchscreen LCD Resolution Primary Monitor: 1920 x 1080 (6,220,000 Dot) Secondary Monitor: 720 x 480 (1,040,000 Dot) Power Battery NP-W235, V-Mount Power Consumption 21 W
Operating Conditions 14 to 104°F / -10 to 40°C at 10 to 80% Humidity
General
1x Intelligent Hot Shoe on Included Handle
2x 1/4"-20 Female 3x 3/8"-16 Female
4x 1/4"-20 on Included Handle 6x Anti-Twist 1/4"-20 on Camera Body 12x Anti-Twist 3/8"-16 on Camera Body 9x Anti-Twist 3/8"-16 on Included Handle
4.4 x 5.4 x 7" / 110.8 x 138.2 x 176.8 mm
4.4 lb / 2 kg (Body Only)
Packaging Info
12.43 lb
15.2 x 10.1 x 10"
What's in The Box
- FUJIFILM GFX ETERNA 55 Cinema Camera (FUJIFILM G, ARRI PL)
- AC-15VS AC Power Adapter
- AC Cable
- Body Cap
- Top Handle
- 5" Touchscreen LCD Monitor
- LCD Monitor Hood
- LCD Monitor Mount
- ARRI PL-Mount Adapter
Shipping and Return
- Segala kerusakan dan kehilangan yang timbul setelah pesanan dikirimkan kepada pihak ekspedisi adalah diluar kuasa kami. DOSS dibebaskan dari segala tuntutan yang timbul yang diakibatkan oleh kesalahan pihak ekspedisi
- Setiap pengajuan Retur & Refund wajib melampirkan Video Unboxing. Kami tidak dapat memproses permintaan Retur / Refund jika tidak disertai Video Unboxing
- Pengajuan Retur & Refund hanya akan disetujui jika diketemukan kerusakan dari pabrik. Jika kerusakan ditimbulkan akibat kesalahan pemakaian, maka pengajuan tidak dapat disetujui





