Godox ML-H Overview

Convert your MoveLink TX into a handheld microphone with the ML-H from Godox. The smartly designed handle simply slides into the belt clip on the TX (available separately) and allows you to use the microphone/transmitter for wireless man-on-the-street interviews and on-scene video reports.

A foam windscreen is included to reduce breath and wind noise. The 1/4"-20 thread on the bottom lets you attach the ML-H to a small stand (available separately) for tabletop use.

Panasonic HC-X1500 Overview

Key Features

• Record up to UHD 4K60 Video, HDMI Out
• 1/2.5" 8.29M MOS Sensor, Venus Engine
• 24x Optical Zoom, 48x Digital iZoom
• 120 fps Slow Motion, Live RTP Streaming
• Manual Lens Rings & Dial, ND Filter
• 5-Axis O.I.S., 3.5" LCD Touchscreen
• Records MP4, MOV, AVCHD to Dual SD Cards
• Wide 25mm Lens, 32x Intelligent 4K Zoom
• Face Detection AF Feature

Panasonic HC-X1500: Pro UHD 4K in a Compact Form

Offering high-quality UHD 4K60 imaging and Wi-Fi live streaming, the Panasonic HC-X1500 UHD 4K Pro Camcorder can meet both your main camera and behind-the-scenes (BTS) capture needs. This compact and lightweight camcorder records UHD 4K at broadcast-compatible frame rates, so it fits smoothly into your existing broadcast workflow.

UHD 4K with Downscaling

The HC-X1500 features a 1/2.5" 8.29M MOS sensor that always shoots at UHD 4K resolution, with the Venus processing engine scaling the 4K image for HD delivery via 3G-SDI or HDMI outputs.

Recording Modes

Record in either MP4, MOV, or AVCHD Progressive at rates ranging from 720p50 to UHD 4K60 to best suit your various projects.

Leica Dicomar 24x Zoom

• The built-in Leica Dicomar lens features a 24x, 25-600mm 35mm-equivalent zoom with a digital iZoom feature to zoom up to 48x.
• The Face Detection AF feature enables you to track faces and automatically adjusts focus on your subject. It also features pro-style manual control rings, a control dial, and 5-axis optical image stabilization to keep your shots steady.

Optional Handle Unit

• The HC-X1500 can be used with a separately available top handle that has two 3-pin XLR audio inputs for line or mic level input, as well as a switch for +48V phantom power.
• Manual adjustments are via dials set into the side of the camera so you can adjust the levels during the shot without having to pull up a menu function.

ND Filters

The camera features built-in selectable 1/4, 1/16, and 1/64 ND mechanical filters for quick adjustments during changing lighting conditions.

3.5" LCD Touchscreen

• Easily view your framing using the fold-out, tilting 3.5 LCD touchscreen.
• Simultaneous output to the tilting EVF is available.
• Closing the LCD can be used to turn the camera on/off.

Wi-Fi Live Streaming

Live stream your footage via RTSP/RTMP/RTMPS using the HC-X1500's integrated Wi-Fi with WPA/WPA2 encryption.

FeelWorld FT6 Overview

The FeelWorld Two 5.5" On-Camera Monitors with Wireless Transmitter & Receiver System includes a 5.5" monitor with an integrated wireless transmitter and a 5.5" monitor with an integrated receiver. The monitors transmit and receive video with a resolution up to 1080p, though they will each support a 4K signal directly through the HDMI input. The monitors both feature a touchscreen display with a 1920 x 1080 resolution and a brightness of 500 cd/m². Each monitor comes with four built-in LUTs for monitoring HDR footage in Rec. 709, and you can upload up to 50 user LUTs to choose from for monitoring your image.

Multiple power options include a 12 VDC input, an 8 VDC output for connecting optional dummy battery cables, and a USB Type-C port that allows you to upload .cube format logs with an optional USB Type-A to Type-C adapter. Two L-series battery slots allow you to hot-swap batteries for uninterrupted runtimes. A single 1/4"-20 mounting thread is provided on the bottom for mounting. Each monitor includes a removable sunshade to protect from glare and bright skies.

FeelWorld 5.5" On-Camera Monitor with Built-In Wireless Receiver

The FeelWorld 5.5" On-Camera Monitor with Built-In Wireless Receiver features a touchscreen display with a 1920 x 1080 resolution and brightness of 500 cd/m². The monitor receives up to a 1080p signal, which can be transmitted by an optional FeelWorld FT6 wireless receiver/monitor combo. It has an HDMI input port that supports signals up to DCI 4K24 and UHD 4K30, and an HDMI output for connecting to local monitors and other devices. The monitor comes with four built-in LUTs for monitoring HDR footage in Rec. 709, and you can upload up to 50 user LUTs to choose from for monitoring your image.

A large set of software features includes waveform, vectorscope, histogram, and anamorphic mode. These can be accessed via the menu wheel on top of the monitor. The menu system is simple, with touchscreen tabs on the sides and a clean look, and it provides a live view of most settings as you go through the tabs, including in the LUT tab where log profiles are Selectable.

Multiple power options include a 12 VDC input, an 8 VDC output for connecting optional dummy battery cables, and a USB Type-C port that allows you to upload .cube format logs with an optional USB Type-A to Type-C adapter. Two L-series battery slots allow you to hot-swap batteries for uninterrupted runtimes. A single 1/4"-20 mounting thread is provided on the bottom for mounting. The monitor includes a removable sunshade to protect from glare and bright skies.

Key Features

• Receives 1080p video to an optional FT6 monitor
• Touchscreen display with a 1920 x 1080 resolution
• 500 cd/m² brightness
• HDMI input signals up to DCI 4K24 and UHD 4K30

Software Features

• Supports 3D LUT Log to Rec. 709, user 3D LUT upload
• Supports up to 50 user-uploadable LUTs
• HDR monitoring
• Support touch menu
• Parade (RGB, YUV, Y)
• Vector
• Brightness histogram
• Peaking focus assist (red, green, blue, white, yellow, five peaking colors optional; 1~10 peaking level adjustable)
• False colors
• Exposure (1~100%, adjustable)
• Check field (red, green, blue, gray)
• Scan mode (underscan, overscan)
• Anamorphic mode (1.25x, 1.33x, 1.5x, 2.0x, 2.0x mag)
• Flip H / Flip V (all open, H/V flip)
• Image freeze
• Nine-grid
• Center marker
• Safety marker (70/80/90%, 16:9, 16:10, 4:3, 5:4, 1.85:1, 2.35:1)
• Marker Color (red, green, blue, white, black, yellow)
• Ratio marker (16:9, 16:10, 4:3, 1.85:1, 2.35:1)
• Color temperature adjustment
• Zoom (100~300%)
• Aspect ratio
• Pixel-to-pixel

FeelWorld 5.5" On-Camera Monitor with Built-In Wireless Transmitter

The FeelWorld 5.5" On-Camera Monitor with Built-In Wireless Transmitter features a touchscreen display with a 1920 x 1080 resolution and brightness of 500 cd/m². The monitor transmits up to a 1080p signal, which can be received by an optional FeelWorld FR6 wireless transmitter/monitor combo. It has an HDMI input port that supports signals up to DCI 4K24 and UHD 4K30, and an HDMI output for connecting to local monitors and other devices. The monitor comes with four built-in LUTs for monitoring HDR footage in Rec. 709, and you can upload up to 50 user LUTs to choose from for monitoring your image.

A large set of software features includes waveform, vectorscope, histogram, and anamorphic mode. These can be accessed via the menu wheel on top of the monitor. The menu system is simple, with touchscreen tabs on the sides and a clean look, and it provides a live view of most settings as you go through the tabs, including in the LUT tab where log profiles are Selectable.

Multiple power options include a 12 VDC input, an 8 VDC output for connecting optional dummy battery cables, and a USB Type-C port that allows you to upload .cube format logs with an optional USB Type-A to Type-C adapter. Two L-series battery slots allow you to hot-swap batteries for uninterrupted runtimes. A single 1/4"-20 mounting thread is provided on the bottom for mounting. The monitor includes a removable sunshade to protect from glare and bright skies.

Key Features

• Transmits 1080p video to an optional FR6 monitor
• Touchscreen display with a 1920 x 1080 resolution
• 500 cd/m² brightness
• HDMI input signals up to DCI 4K24 and UHD 4K30

Software Features

• Supports 3D LUT Log to Rec. 709, user 3D LUT upload
• Supports up to 50 user-uploadable LUTs
• HDR monitoring
• Support touch menu
• Parade (RGB, YUV, Y)
• Vector
• Brightness histogram
• Peaking focus assist (red, green, blue, white, yellow, five peaking colors optional; 1~10 peaking level adjustable)
• False colors
• Exposure (1~100%, adjustable)
• Check field (red, green, blue, gray)
• Scan mode (underscan, overscan)
• Anamorphic mode (1.25x, 1.33x, 1.5x, 2.0x, 2.0x mag)
• Flip H / Flip V (all open, H/V flip)
• Image freeze
• Nine-grid
• Center marker
• Safety marker (70/80/90%, 16:9, 16:10, 4:3, 5:4, 1.85:1, 2.35:1)
• Marker Color (red, green, blue, white, black, yellow)
• Ratio marker (16:9, 16:10, 4:3, 1.85:1, 2.35:1)
• Color temperature adjustment
• Zoom (100~300%)
• Aspect ratio
• Pixel-to-pixel

FeelWorld ATEM156 Overview

Allowing you to view four DCI/UHD 4K HDMI signals in a quad split, the FeelWorld ATEM156 can be used as a companion to switchers without a multiview function, such as the Blackmagic ATEM Mini switcher. Four HDMI loop outputs let you connect your four signals to the switcher. You can move any signal to any window in the quad split. A PiP image can also be displayed in each window. Alternatively, a dual view or single image can be displayed on the screen, also supporting Picture-in-Picture. Dual view can be set up in a vertical or horizontal split, and you can set one side of the split to be larger than the other.

The ATEM156 features a 15.6" IPS display with a 1920 x 1080 resolution, 250 cd/m² brightness, and 170° viewing angle. Software features, such as peaking and false color, additionally let you analyze each image. A 3.5mm stereo headphone jack on the front panel allows for audio monitoring.

Additional Features

DCI 4K24/UHD 4K30 HDMI input and loop output

Rec.709 color standard

Aluminum housing

Desktop bracket with three 1/4"-20 holes for various mounting options, including hang-mounted

Customizable F1 to F4 shortcut keys

V-mount battery plate

12 VDC power input

100 and 75mm VESA mounts

Monitoring Features

Screen splits: 1P, 2P LR, 2P TB, 2P PiP, or 4P

Peaking focus assist

False color

Anamorphic: x1.33, x1.5, x1.8, or x2.0

Rotate: 0/90/180/270°, H mirror, V mirror

Check field: red, green, blue, mono

Image freeze

Zoom

Pixel to pixel

Center marker

Safety marker: 80/85/90/93/96%, 4:3, 2.39:1, 2.35:1, 1.85:1

Line color: red, green, blue, white

FeelWorld P 9HSD Monitor Overview

Key Features

• 17.3" 1920x1080 IPS LCD
• Supports 4K, HD, and SD Formats
• SDI, HDMI, DVI, YPbPr, Composite Inputs
• 160° / 140° Viewing Angle
• Safe Area Markers & Focus Aid Function
• R/G/B-Only and Monochrome
• Pixel-to-Pixel Mapping
• Image Flip
• 12V Battery or 4-Pin XLR Power
• Includes U-Bracket

Featuring a full-HD IPS LCD panel, the FeelWorld P173-9HSD 17.3" Broadcast LCD Monitor can be used for 4K, HD, as well as SD workflows in studio, broadcast, and other professional video applications. The rear panel contains SDI, HDMI, DVI, component, and composite inputs, and outputs are available for SDI, HDMI, component and composite. The HDMI input will accept both DCI and UHD 4K signals for high-resolution productions. A separate audio input for analog stereo audio is available via RCA connections. A tally input can be used for studio integration.

Professional monitoring tools such as focus peaking, markers, monochrome, R/G/B-only, pixel-to-pixel mapping, and image flip are built-in for analyzing your video and ensuring a proper image. A V-mount plate is built into the back for powering in the field, away from a mains source. If shooting outdoors attach the included sunhood for optimal contrast. A U-bracket is also included for convenient tabletop mounting.

Monitoring Tools

• Peaking Focus Assist (Red highlight over parts of the monochrome image in focus)
• R/G/B-only and monochrome viewing modes
• Camera scaling mode
• Pixel-to-pixel mapping
• Aspect ratio and title-safe markers
• Image flip
• Image freeze

Sony FX3 Overview

Key Features

• 12.1MP Full-Frame CMOS Exmor R Sensor
• UHD 4K up to 120 | 1080p up to 240
• Compact form for Cage-Free Operation
• 10-Bit 4:2:2 XAVC S-I,16-Bit Raw Output
• S-Cinetone/S-Log3/HLG, 15+ Stops DR
• Detachable 2 x XLR/TRS Adapter Handle
• Phase Detection AF/Face Tracking/Eye AF
• 80 to 409,600 Expanded ISO Range
• Dual CFexpress Type A/SDXC Card Slots

with a compact design for solo shooters, travel applications, and to serve as an ideal B cam, the Sony FX3 borrows from both the Cinema Line and Alpha series of cameras to create an optimized portable cinema camera. The FX3 features all of the imaging attributes you'd expect from this class but sports a newly designed body that's hand-holdable, with a streamlined and minimal profile, and has a "cage-free" design, indicating the ability to secure various accessories directly to the camera body.

Its 12.1MP Exmor R BSI CMOS sensor (10.2MP effective in video mode) pairs with a BIONZ XR processor to achieve UHD 4K video capture with internal 10-bit 4:2:2 sampling or 16-bit raw output. The sensor's BSI design heightens clarity and sensitivity, with an expandable ISO 80-409600 Range and greater-than 15-stop dynamic Range for working in mixed lighting conditions. Benefitting color and tonal control, an S-Cinetone mode can be used for matching to VENICE, FX9, or FX6 sources and there is also S-Log3/2 gamut support and 10-bit HLG for simple HDR productions. The sensor and processor also work together to greatly reduce rolling shutter and the sensor's design incorporates a Fast Hybrid AF system for intelligent and quick focusing performance and subject tracking.

Beyond the physical design just being compact, it's also built to maximize efficiency and operability through the inclusion of an articulating 3.0" touchscreen LCD, a removable shoe-mounted top handle with dual XLR mic inputs, and 5-axis mechanical image stabilization for smoother handheld recording.

Note:

The Sony ECM-XM1 Microphone is not included.

Most Compact Member of the Cinema Line Family

This compact addition to Sony's Cinema Line blends the full-frame, S-Cinetone capture of the FX6 with the UHD 4K capture, autofocus options, and body size of the a7S III camera. The video-forward design of the FX3 also shares several handling and audio features with the FX6 and the ISO Range and battery of the a7S III.

Common FX3/FX6/a7S III Features

• Full-frame, back-illuminated 12.1MP Exmor R CMOS sensor and BIONZ XR processor
• High-speed rates of 120p in 4K and 240p in HD
• Dynamic Range of 15+ stops

Shared FX3/FX6 Attributes

• S-Cinetone, S-Log3, HLG, and Rec. 709 gamma options
• Tally lamps on the front, side, and rear
• Internal fan to prevent overheating
• Zoom lever

Shared FX3/a7S III Attributes

• 5-axis in-body image stabilization
• 16-bit raw output via HDMI
• S-Log2 gamma choice
• 80 to 409,6000 ISO Range (expanded)

Improved FX3 Features

• Comfortable, cage-free, handheld operation
• Greater than 1.6x battery runtime compared to a7S II
• USB-PD power option for extended shooting times

4K Full-Frame CMOS Exmor R Sensor

The 12.1MP Exmor R sensor and BIONZ XR processor offer true cinematic expression with 10.2MP effective video and 12.1MP stills capture. The full-frame sensor provides shallow depth of field looks, impressive bokeh, and reduced rolling shutter artifacts.

S-Cinetone Color

• Default S-Cinetone color setting provides a softer-toned look with beautiful skin tOne Reproduction
• Complements your VENICE, FX9, or FX6 footage
• S-Log-3, S-Gamut3, S-Gamut3.Cine, and 10-bit 4:2:2: support help to maintain rich gradation and color compatible with the Range of Sony Cinema Line cameras

Cinematic Recording / Frame Rate Options

• Up to 600 Mb/s XAVC S-I ALL-I H.264 codec recording
• XAVC HS codec recording with H.265 encoding for lower bit rates in Long GOP
• Internal 10-bit 4:2:2 recording to CFexpress Type A or SD memory cards
• External, 16-bit raw,10-bit 4:2:2 output via HDMI type-A port
• 8-bit XAVC S or 10-bit XAVC HS proxy capture
• 10-bit, 4:2:2 color available in all formats including HLG
• Full-frame UHD 4K high-speeds up to 120p
• S35 HD high-speed rates up to 240p
• Up to 5x slow-motion rates

Compact Design / Ergonomic Operation

• Flexible, streamlined, 5 x 3 x 3" form
• 3" LCD with 1,440,000-dot resolution tilts for optimal viewing
• Can be used with or without a cage
• Right-handed controls feature placement consistent with the rest of the Cinema Line
• Five 1/4"-20 accessory threads on the FX3 body plus two on the top handle
• Intuitive touchscreen menu
• Customizable buttons for assigning 15 controls and up to 140 menu items
• Tally (record) lights are easily viewable on the top, front, and rear of the camera
• Dual CFexpress Type A/SD slots
• Relay, simultaneous, and backup recording
• Customizable zoom setting plus Clear Image Zoom

Detachable XLR Adapter Handle

• Top handle with two XLR-1/4" TRS combo audio inputs
• Microphone holder and 3.5mm mic input
• Digital audio with up to 4-channel, 24-bit recording
• Contoured for comfortable low-angle shooting

Fast Hybrid / Phase Detection Autofocus

• Multiple autofocusing modes are designed for solo shooting
• Fast Hybrid AF uses 627 points to cover approximately 89% of the image frame
• Real-Time Eye AF, Eye and Face Detection, and subject Touch Tracking

Durable Build / Enhanced Operating

• An integrated cooling fan and a heat-dissipating design enable uninterrupted recording up to 4K60
• Magnesium-alloy chassis and shell
• Sealed against inclement weather and dust

Wireless Connectivity

• Dual-band 2.4/5 GHz wireless connectivity
• Wired LAN link using the USB Type-C port and a separate adapter

Post-Production Stabilization with E-Mount Lenses

• Sony's Catalyst Prepare/Browse software uses shake metadata to stabilize your image
• Adjustable balance between shake compensation and image area trimming

Saramonic SmartMic5

• Compatible with smartphones,tables,laptops with a 3.5mm headphone jack(CTIA standard)
• Plug-and-play operation
• Superior recording performance
• Integrated shockmount design for less vibration noise
• Flexible angle-free design
• Foam windshield included

Sony ECM-W2BT Overview

Key Features

• for Vlogs, Interviews, Videos & YouTube
• Stable, Interference-Free Wireless
• Clip-On Transmitter/Mic with 3.5mm Input
• Compact MI Shoe-Mount Receiver with Mic
• Dialog, Interview & VO Pickup Options
• Power & Digital Audio via MI Interface
• 3 Hr Rechargeable Batteries, 9 Hr via MI
• Dust and Moisture Resistant
• 650' Range

The Sony ECM-W2BT brings vloggers, YouTubers, journalists, and content creators using Sony cameras with digital MI interfaces a flexible and easy-to-use true-wireless microphone system featuring advanced Bluetooth technology for high-quality audio and reliable, low-latency performance.

The miniature clip-on transmitter with a built-in omnidirectional microphone makes it fast and easy to mic up your subject for a quick interview without having to worry about a cable. The transmitter also features a stereo 3.5mm audio input, allowing you to connect a smaller, more discreet lavalier such as the ECM-LV1 (available separately) if desired.

The compact receiver attaches directly to the MI shoe mount on compatible Sony cameras, giving the system up to 9 hours of shooting time, assisted by the camera's power. Both the transmitter and receiver are powered via built-in rechargeable lithium-ion batteries; without an MI connection the system will operate for up to 3 hours between charges. If the camera's MI shoe is also equipped with a digital interface, the direct connection allows the camera to record pristine sound with an ultra-low noise floor.

A smart feature is the addition of a built-in microphone on the receiver unit, along with a 3-setting switch allowing you to pick up audio from either the subject at the transmitter, the camera operator at the receiver, or both at the same time for interviews. The receiver also features a 3.5mm output for connection to traditional DSLR/mirrorless cameras and a 3.5mm TRS cable is supplied along with a USB cable and a windscreen for the transmitter/mic.

Fast and Easy Wireless Audio with High-Quality Advanced Bluetooth

• The small, clip-on transmitter features an internal microphone capsule that picks up sounds cleanly and clearly to deliver a high-quality audio stream. The microphone is also effective at suppressing extraneous noise.
• The omnidirectional microphone picks up sound from all directions. Use the clip to place the microphone near the speaker's mouth, without worrying about which direction it's facing.
• The Qualcomm aptX Low-Latency Bluetooth codec is used for transmission between the microphone and receiver on the camera, ensuring low latency and undiminished audio quality. The system's reliability helps you avoid the stress of having to re-record audio due to interruptions in the recorded sound, and low latency enables you to better match the audio track with the video imagery.

Cable-Free MI Digital Connection to Select Sony Cameras

• with the convenient power interface provided by Sony cameras with an MI shoe, you can record wirelessly for up to nine hours.
• You can also benefit from improved sound quality through use of the MI Digital Audio Interface (available on compatible cameras), ensuring pristine digital sound quality.
• Both the transmitter and receiver feature built-in rechargeable batteries.
• Battery life of the receiver will be up to three hours of use when paired with cameras that do not support power supply via the Multi Interface Shoe.

Adjustable Input Levels and Windscreen for Clearer Recordings

• The unit's sophisticated attenuator function allows you to record loud audio sources at a lower volume or amplify quieter sounds, so you can easily optimize recording levels depending on the circumstances.
• The windscreen that's included with the ECM-W2BT effectively reduces wind noise as well as excessive breath noise. This means you can record clear, stable sound even when shooting outdoors on windy days.

Stable, Uninterrupted Audio Recording

• Stable wireless performance provides solid connectivity and greatly reduces the risk of interruption to the audio stream, even in crowded settings with a lot of wireless activity.
• The system provides a 650' (200 m) operating distance in locations with good visibility.

Convenient Modes for Single- and Two-Person Shoots

• The ECM-W2BT can easily be used to record the voices of two people—the camera operator and the subject—at the same time.
• with microphones built into both the transmitter and receiver units, the ECM-W2BT is perfect for quick single-operator recording.
• The audio sources can be mixed and recorded together using the MIX mode.
• A single switch on the receiver makes it easy to Select the pick-up mode needed for your shoot. There are three pickup modes to choose from: capturing audio from the microphone only, the receiver only, or a mix of both microphone and receiver.
• for multiperson shoots, use the provided connector protect holder as a microphone stand and set the mic in a central position; the 360° omnidirectional microphone will capture audio from all participants.

3.5mm Input on Transmitter for Smaller Lav Mic Option

• The 3.5mm input jack lets you attach a compact external lavalier microphone (available separately) for a more discreet visual appearance.
• The optional ECM-LV1 lavalier, for example, can be easily concealed in your subject's clothing, capturing up-close stereo audio that's then transmitted over the long-distance wireless Range available to the ECM-W2BT.

Tough, Compact, and Lightweight Design for Superior Mobility

• with its moisture- and dust-resistant design, the ECM-W2BT is ready for dependable use in any environment. The components incorporate weather-sealed seams and port covers for reliable, interruption-free operation outdoors.
• The compact size of the system is perfect for shooting outdoors or on location. At just 0.95 oz for the microphone/transmitter unit and 0.99 oz for the receiver, it won't weigh you down during a shoot.

Use with a Wide Range of Devices

• An extensive Range of cameras and other devices can be connected to the receiver unit.
• Equipment such as PCs and digital voice recorders that support audio input but don't have a Multi Interface Shoe can be connected via the 3.5mm stereo mini-jack output port.

Safeguards to Prevent Recording Failures

• To avoid accidental interruptions during audio recording, the ECM-W2BT is equipped with display lamps that confirm successful operation.
• The LINK lamp indicates the status of transmission between the microphone and the receiver, and the POWER lamp warns when the remaining battery charge is getting low.

Sony ECMLV1 Overview

Key Features

• for YouTube, TikTok, and Video Creators
• Fits Cameras, Transmitters & Recorders
• Use as Smaller Mic with ECM-W2BT
• Two Omnidirectional Mic Capsules
• Requires Plug-In Power
• 360° Rotatable Clip, 3.3' Cable
• Includes Windscreen

Designed for vlogging, YouTube videos, and content creation, the black Sony ECM-LV1 is a compact stereo lavalier microphone with a 3.3' cable and 3.5mm TRS connector for use with cameras and wireless transmitters—including the Sony ECM-W2BT Camera-Mount Bluetooth Wireless system. The lav features two omnidirectional capsules that each pick up sound in a 360° radius, resulting in stereo audio capture.

The low-profile mic is only 32mm in length and 11mm in diameter, while the included 360° rotatable clip offers flexible options for discreetly attaching the mic to clothing. The electret-condenser capsule is powered by plug-in power from your camera, voice recorder, or transmitter, so a battery is not required. The included foam windscreen helps reduce wind noise for cleaner recordings.

GoPro Sleeve + Lanyard Overview

Key Features

• Silicone Protective Anti-Scratch Cover
• Leaves Access to Ports, Controls & LCDs
• Neck-Worn Lanyard

The GoPro Sleeve + Lanyard set for HERO9/HERO10/HERO11 Black features a black silicone protective sleeve cover that protects your camera from scratches while leaving access to the ports, buttons, and front and rear displays of the camera. Using the lanyard, you can wear the camera around your neck, or you can remove the lanyard and mount the camera on various supports the way you normally would in most cases.

GoPro ADIOD-001 Overview

Replace the original door of your HERO9 Black with the GoPro Replacement Door. Snapping into place on the camera, it maintains the camera waterproof capacity while also keeping debris out.

GoPro ADDBD-001 Overview

The GoPro Dual Battery Charger + Battery for HERO9 Black includes a spare HERO9 Black 1720mAh battery and features a simultaneous dual charger for two 1720mAh GoPro batteries. The charger has a USB Type-C power port and comes with a USB Type-C to Type-A cable for use with USB wall plug adapters or other USB power sources.

Rode SC6 Overview

Key Features

• Connects 2 Mics to Smartphone Audio Jack
• Headphone Monitoring Jack

The RØDE SC6 Dual TRRS Input and Headphone Output for Smartphones is an input/output breakout box for smartphones and tablets. It has two TRRS inputs and one stereo headphone output. It connects to any TRRS device, such as your smartphone, and allows you to use one or two smartLav microphones while providing a headphone jack for monitoring and playback. Use it to monitor audio from the smartLav and input two smartLavs into the mono channel in interview or dual-dialog applications.

Rode DEADCAT VMPR Overview

Key Features

• For VideoMic Pro with Lyre Shock-Mount
• Minimizes Wind-Noise
• Acoustically Transparent

The DeadCat VMPR Artificial Fur Wind Shield from Rode is a furry wind-cover for the VideoMic Pro with the Lyre Shock-mount (sold separately). The artificial fur minimizes wind-noise in windy environments while remaining acoustically transparent. Not compatible with VideoMic Pro with band suspension.

Rode MAGCLIP GO Overview

Turn your Wireless GO Transmitter into a piece of wearable tech with the Rode MagClip GO, a magnetic clip that lets you affix the transmitter to nearly any piece of clothing. Clip the transmitter to a tie, a shirt collar and more. Position the mic with complete flexibility.

Simply put the transmitter on one side of the material and the magnet on the other side with the swatch of clothing sandwiched in between. The transmitter will stay in place.

RODE Lavgo Overview

Key Features

• For Mobile Journalist, Videographer
• Clip-On Mic for Rode Wireless GO Systems
• Gold-Plated 3.5mm TRS Connector
• Durable 3.9' Kevlar-Reinforced Cable
• Discreet Black, Easy to Conceal
• Omni Polar Pattern for 360° Pickup
• Wide 20 Hz to 20 kHz Frequency Response
• Pop Shield Reduces Vocal Plosives
• Mic Clip with Cable Management
• Compatible with Many 3.5mm Transmitters

A Discreet Lav Mic for On-Camera Talent

Use the black Rode Lavalier GO omnidirectional lavalier microphone to get the convenience and clarity of a broadcast-quality, clip-on lapel mic for your Rode Wireless GO system. Ideal for mobile journalists and videographers, the Lavalier GO features a durable 3.9' Kevlar-reinforced cable terminated in a gold-plated 3.5mm TRS connector for enhanced conductivity. The miniature mic capsule is easily concealed and features a foam pop shield to reduce vocal plosives. Its omnidirectional polar pattern provides 360 degrees of sound pickup, while the condenser element yields a wide, full-frequency response, giving you a clear and intelligible voice capture.

Designed for Journalists and Creators

• 3.5mm TRS output provides compatibility with the Rode Wireless GO and many recording devices and wireless transmitters equipped to provide 2.7V of plug-in power through a standard, non-locking 3.5mm TRS microphone connector
• Discreet 4.5mm miniature mic capsule handles up to 110 dB of SPL for speech, dialog, and presentations
• Condenser mic element and active JFET electronics yield a wide 20 Hz to 20 kHz frequency response
• 3.9' Kevlar-reinforced cable ensures lasting durability
• Gold plating on 3.5mm plug enhances conductivity

Accessories

• Mic clip with cable management included for neatly securing microphone to clothing
• Foam pop shield softens vocal plosives and wind noise
• Small pouch included for storage and transport
• Combine with Rode SC4 adapter (available separately) to use the Lavalier GO with smartphones and tablets outfitted with 3.5mm TRRS jacks

Rode VideoMic Me Overview

If you're shooting mobile video and want better audio than what your phone provides—or if you need to record VO or ADR on the go—the Rode VideoMIC Me is worth your consideration. This is a shotgun mic that plugs right into a smartphone's 3.5mm TRRS headphone jack, letting you record quality audio in the process.

The mic focuses the audio capture on what's directly in front of the capsule thanks to the directional polar pattern. It's primarily intended for use with compatible smartphones and devices that sport 3.5mm TRRS connections. The mic comes with a flexible mounting bracket as well as a furry windscreen for achieving a better sound in windy conditions.

Perfect for Mobile Video and More

with its simple plug-and-play form factor, the mic is perfectly suited for mobile video recording. However, the quality of the mic itself is good enough to be used for VO or ADR when studios are not available; the mic has been used this way in a few television shows.

Directional Pickup for a Better Sound

The highly directional cardioid polar pattern will help tamp down unwanted room noise and ambience.

Versatile 3.5mm Jack

A rear-mounted, built-in 3.5mm jack works with headphones, or it can also be utilized for backup recording.

Kandao Meeting Pro Overview

Key Features

• Dual Mode 1080p/720p30 Conference Camera
• 360° Camera, 18' Mic, Speaker & Recorder
• HDMI Standalone & USB Laptop Modes
• Intelligent Tracking and Autofocus
• Built-In Wi-Fi and Ethernet Output
• Android Operating System
• USB Port for Mouse/Keyboard
• 64GB Internal Storage & SD Card Support

Via an HDMI output to a meeting room display or digital whiteboard, the Kandao Meeting Pro can be connected to an online meeting without being plugged into a computer. In this mode, it can be connected to the web over your choice of Wi-Fi or Ethernet, and you can plug in peripherals such as a mouse or keyboard to a USB port. Alternatively, you can plug the camera into your laptop over a USB connection for a more traditional setup. The Meeting Pro provides an immersive 360° camera, an omnidirectional microphone with an 18' pickup range, and full-duplex speakerphones with noise and echo cancellation, all in a single unit that can turn virtually any space into a meeting room for small to mid-size meetings.

The Meeting Pro allows you to switch between 1080p30 or 720p30 HD resolutions and to record your meetings to 64GB of internal storage and to an optional SD card. The all-in-one conference camera features an Android operating system in which you can download and use popular conferencing platforms such as Zoom, Skype, and Teams. Advanced algorithms in the camera provide automatic tracking and focusing on the active speaker. When there are multiple active speakers, the Meeting Pro will split the screen to display the entire meeting across the top and closeup shots of active speakers below.

All-in-One Conference Camera

The Meeting Pro features an immersive dual-lens 360° camera that delivers 1080p30 or 720p30 resolution output, an omnidirectional 8-microphone array with an 18' diameter pickup range, and full-duplex speakerphones that minimize noise and echo. It also allows you to record your meetings to 64GB of internal storage and to an optional SD card. Its Android operating system can download and run popular conferencing platforms such as Zoom, Skype, and Teams.

Two Operating Modes

Connect to an online meeting as a standalone unit over an HDMI connection to a meeting room display, digital whiteboard, or projector. Or plug into a Mac or Windows laptop (or desktop) via a USB connection.

Automatic Tracking and Focusing

The Meeting Pro automatically tracks and focuses on the active speaker in a meeting. When there are multiple active speakers, the Meeting Pro will split the screen and display the entire meeting across the top and closeup shots of active speakers below.

Bluetooth Remote Control

A Bluetooth remote is included to control many functions, including switching between 1080p30 and 720p30 resolution types. Several of the functions can also be controlled via onboard buttons.

Compared to Kandao Meeting 360

The Meeting Pro provides many upgrades over its predecessor, the Kandao Meeting 360 system. The new features include HDMI and Ethernet connectivity, a built-in Android system, SD card recording, and more.

Godox GM55 Overview

Key Features

• Full HD 1080p Touchscreen Display
• DCI 4K24/UHD 4K30 HDMI Input & Output
• Headphone Port / Camera Control Port
• 3D LUT Import via SD Card Slot
• Waveform, Zebra, Audio Meters & More
• L-Series Battery Plate
• DC Input & Output Power Ports
• Sun Hood & Shoe Mount Included
• Six Function Buttons

The Godox GM55 is a compact, 5.5" on-camera monitor with a lightweight plastic design, 1080p touchscreen display, and HDMI input and output supporting up to DCI 4K24 and UHD 4K30 camera signals. The output allows you to connect to a wireless transmitter so other operators can monitor the image on set. The GM55 also features a headphone port and a proprietary camera control port for controlling record start/stop and other basic functions of Select cameras via optional Godox control cables. The monitor comes with an L-series battery plate on the rear and offers a DC power input port for optional power cables. Additionally, a DC output port is provided for running power to Select cameras from the monitor. Batteries and power cables are sold separately.

The GM55 allows you to import up to 25 3D LUTs via an SD card slot, which has a protective cover over it just as there is over the camera control port (the SD slot is for LUT import only). The extensive software features of the GM55, such as false color and vectorscope, can be adjusted by touchscreen via a simple interface with headings on the left side and adjustment points on the right. These allow you to monitor focus, exposure, and other factors in more detail. The menu can also partly be controlled by a scroll wheel on top. Six function buttons are provided on the top as well, which can be loaded with the software monitoring features of your choice for quick recall. Three 1/4"-20 mounting ports are provided, on the top, bottom, and right side, allowing for horizontal and vertical mount. A shoe mount adapter is included for attaching the monitor to your camera's hot shoe or to a cage with a shoe mount. A slim, collapsible sun hood is also included and snaps onto the monitor to block sunlight in outdoor environments.

Software Monitoring Features

Rec. 709 color space

False color

Zebra

Waveform

Vectorscope

Histogram

Focus assist

Safety marker

Center marker

Audio meters

Zoom

Grid lines

Aspect ratio (up to anamorphic 2.35:1)

Image flip

Sony PXW-FX9 E-Mount Overview

Key Features

• 6K Full-Frame Exmor R CMOS Sensor
• 15 Stops of Dynamic Range, Dynamic HDR
• DCI 4K and UHD 4K up to 60p
• Quad Full HD 120p Raw with XDCA-FX9 Unit
• HD Recording up to 150/180 fps
• Sony E-Mount
• 10-Bit 4:2:2 XAVC-I up to 600 Mb/s
• Auto-HD, AF, 7-Stop ND Filter, 3D LUTs
• Dual Base ISO up to 102,400, HLG Mode
• 12G/6G/3G-SDI & HDMI Output up to 4K

Whether you're shooting documentaries, events, reality TV, education, or corporate productions, the PXW-FX9 XDCAM 6K Full-Frame Camera System from Sony has you covered with its powerful and flexible 4K interchangeable lens camera system. The PXW-FX9 features a full-frame, oversampled 6K Exmor R CMOS sensor that allows you to capture 4K images with cinematic depth of field. The camera's E-mount is machined from stainless steel and allows you to use E-mount lenses.

The PXW-FX9 input and output features include 12G/6G-SDI and HDMI outputs for 4K video, a 3G-SDI output for HD, and genlock and timecode when using a multicamera setup. The Fast Hybrid AF autofocus system allows for accurate focus and even allows facial detection to automatically detect human form with 561 points of detection. Advanced image stabilization is achieved using the PXW-FX9's internal gyroscope for shots so smooth it'll look like you used a gimbal. Its 4-channel audio recording allows you to use external microphones and record ambient sound with the internal mics simultaneously.

The camera features a 15-stop dynamic range, supports dynamic HDR, hybrid log gamma mode (HLG), and records 10-bit 4:2:2 to dual XQD media card slots that support simultaneous and relay recording, as well as multiple backup recording modes that utilize proxy files. The camera can record UHD (3840 x 2160) and HD (1920 x 1080) internally at a selectable frame rate from 1 fps up to 60 fps in XAVC-I, XAVC-Long, and MPEG HD formats. Its 7-stop electronic variable ND filter can perform in auto or manual mode, smoothly adjusting from 1/4 to 1/128 density. The camera's default S-Cinetone color look offers the same soft, vivid tone as with Sony's VENICE camera.

In addition to its wide dynamic range, its enhanced color and light features include a dual base ISO of 800/4000 with a maximum ISO up to 102,400, which is helpful when in low-light situations or using a slower lens. Other improvements with the latest firmware include improved white balancing in sunlight with a more natural look, user-created 3D LUTs, improved AF, audio improvements, USB tethering, T-value metadata, password enhancements, and an S35 2K imager scan mode.

The FX9 includes an integrated Multi-Interface (MI) shoe and comes with a BP-U35 battery, BC-U1A battery charger, AC adapter with power cord, body cap, viewfinder, eyepiece, remote control, and USB cable. The PXW-FX9 is also compatible with the separately available XDCA-FX9 extension unit, which provides ENG shoulder-style support, networking features, and a slot for an optional wireless audio receiver.

Firmware Version 3.0

The v3.0 firmware update offers:

• S700 protocol over Ethernet
• B4 lens support:
  • S16 scanning mode (up to 1080p at rates up to 180 fps)
  • B4 lens control using the LA-EB1 lens mount adapter
  • ALAC (Auto Lens Aberration Correction) function
• Assignable center scan
• Anamorphic lens support
• Clip naming (Cam ID + Reel#)
• Real-time tracking (touch-tracking autofocus)
• Additional items can be modified in the status screen
• SR Live for HDR metadata support
• Recording proxy clip real-time transfer
• Camcorder network setup using smartphone app
• Remote control using smartphone over USB tethering
• USB tethering activated using iOS 14 iPhone and iPad

Note:

The network features above also support C3 Portal (only available in specific countries).

6K CMOS Exmor R Sensor

The PXW-FX9's oversampled full-frame 6K sensor provides recording in DCI 4K, UHD, and HD resolutions. Powerful image processing with debayering and down-sampling ensures image quality beyond the limits of conventional Super 35mm sensors. The back-illuminated CMOS image sensor also uses Sony's Exmor R technology for improved sensitivity and noise reduction. Compared to a 4K Super 35mm sensor, the FX9's 6K sensor has over twice the surface area while providing a wider angle of view and shallower depth of field.

15 Stops of Dynamic Range

The FX9 offers an exceptional 15+ stops of dynamic range, allowing for creative freedom in color grading and post. Camera operators can concentrate on framing the scene they want while relying upon the FX9 to capture every nuance and detail using 4K 4:2:2 10-bit internal recording.

ISO Control

The FX9 features a base sensitivity of ISO 800, providing the optimal dynamic range for typical documentary applications such as shooting outside or in brightly lit interiors. A secondary high base sensitivity of ISO 4000 excels in low-light conditions such as early morning and evening shoots while maintaining superb image quality and whenever you're using slow lenses. The FX9's extended ISO range is 320 to 102,400.

Electronic ND Filter

Sony's built-in electronic variable neutral density (ND) filter can be set to auto, or adjust filter density manually in smooth increments from 1/4 to 1/128 as you shoot, for perfectly exposed images without affecting depth of field as lighting conditions change. Use higher-density settings with a slower shutter speed for artistic effects.

Recording Formats

Depending on the project, the FX9 has a selection of recording formats. XAVC-I with 422 10-bit quality at a higher 600 Mb/s in 60p. XAVC-Long for longer recording time in smaller file size. The traditional MPEG HD codec is also available. All files will be recorded onto XQD media cards.

Adjustable Frame Rates

Choose your desired frame rate from 1 up to 60 fps for quick- and slow-motion footage. The FX9 creates an immersive image with a wide-angle look and shallower depth of field provided by its full-frame sensor in combination with quick and slow motion. It also offers a quality priority setting that maximizes Full HD slow-motion image quality with advanced oversampling technology.

S-Cinetone Look

S-Cinetone is the default look of FX9 that's tuned to meet the requirements of today's content creators with rich midrange colors, alluring facial tones, and a softer tonal look developed with the same expertise as Sony's world-leading VENICE digital cinematography camera. S-Cinetone means that straight out of the camera your content looks fresh and vivid, with subjects that really stand out while retaining plenty of latitude in post-production, thanks to the high-performance full-frame image sensor.

Fast Hybrid AF

Effortlessly track fast-moving subjects with pin-sharp focus, even when using wide-lens aperture settings to maintain a shallow depth of field with the camera's full-frame sensor. Enhanced Fast Hybrid AF combines phase-detection AF for fast, accurate subject tracking with contrast AF for exceptional focus accuracy. In addition, Face Detection intelligently recognizes and locks on to human faces. The dedicated 561-point phase-detection AF sensor covers approximately 94% of the whole image area width and 96% of the height, allowing for consistently accurate, responsive AF tracking, even with fast-moving subjects.

Seven-level AF transition speeds from fast-switching between subjects as quickly as possible to slow, where speed is reduced to fit a more measured shooting style, such as a historical TV drama.

Five-level AF subject shift sensitivity ranges from locked-on, ignoring other moving subjects in the frame, to responsive that switches focus from one subject to another—ideal for snapping between race cars as they speed by.

Advanced Image Stabilization

Advanced image stabilization information means even handheld footage can be transformed with Sony Catalyst Browse/Catalyst Prepare software in post-production to look as smooth as if it were shot with a gimbal. Unlike in-camera or lens stabilization, metadata generated by the FX9's built-in gyro allows you to creatively choose the balance between the level of shake compensation and the resolution of trimmed 4K imagery. This feature is also compatible with any E-mount lens and allows for far faster processing than conventional NLE stabilization workflows.

4-Channel Audio Recording

The FX9 offers audio capabilities with independent control dials for each channel. In applications such as an interview, 4-channel audio recording enables simultaneous use of an external microphone for recording ambient sounds, and the built-in microphone for ambient sound and voice memos by the operator.

Inputs and Outputs

The FX9 is equipped with various outputs including a 12G-SDI and an HDMI for 4K output. Also, it has a 3G-SDI for HD output to expand its monitoring flexibility. For multicamera operation, Genlock and TC In/Out terminals are available.

Recording Modes

The FX9 has a selection of backup recording modes that will help ensure the recording is safe. Simul Rec will enable simultaneous HD recording onto two media cards. The 4K/HD Sub Rec mode will allow 4K recording on one card and MPEG HD recording on another card. XAVC Proxy Rec is also available, offering a 9 Mb/s small size proxy file which will be easily sent via the network. Also, a maximum 28-second Cache Rec is available to prevent missing any shot.

Multi-Interface (MI) Shoe

Sony's flexible Multi-Interface (MI) shoe provides power, signal connections, and coordinated on/off switching with compatible Sony accessories.

XDCAM Air and GPS Support

Use the FX9 with Sony's XDCAM air service for camera control, to stream to the Sony Cloud, and to upload proxy footage from the field, saving valuable post-production time. A GPS function both records location information in video clips and displays it via XDCAM air.

Optional Extension Unit

Further extend the capabilities of the FX9 with the optional XDCA-FX9 extension unit that optimizes camera weight distribution and ergonomics for comfortable shoulder-style shooting—ideal for ENG and documentary applications. The extension unit also adds advanced networking for streaming/file transfers and a slot-in for a wireless audio receiver.