Godox ML-H Overview

Convert your MoveLink TX into a handheld microphone with the ML-H from Godox. The smartly designed handle simply slides into the belt clip on the TX (available separately) and allows you to use the microphone/transmitter for wireless man-on-the-street interviews and on-scene video reports.

A foam windscreen is included to reduce breath and wind noise. The 1/4"-20 thread on the bottom lets you attach the ML-H to a small stand (available separately) for tabletop use.

Panasonic HC-X1500 Overview

Key Features

• Record up to UHD 4K60 Video, HDMI Out
• 1/2.5" 8.29M MOS Sensor, Venus Engine
• 24x Optical Zoom, 48x Digital iZoom
• 120 fps Slow Motion, Live RTP Streaming
• Manual Lens Rings & Dial, ND Filter
• 5-Axis O.I.S., 3.5" LCD Touchscreen
• Records MP4, MOV, AVCHD to Dual SD Cards
• Wide 25mm Lens, 32x Intelligent 4K Zoom
• Face Detection AF Feature

Panasonic HC-X1500: Pro UHD 4K in a Compact Form

Offering high-quality UHD 4K60 imaging and Wi-Fi live streaming, the Panasonic HC-X1500 UHD 4K Pro Camcorder can meet both your main camera and behind-the-scenes (BTS) capture needs. This compact and lightweight camcorder records UHD 4K at broadcast-compatible frame rates, so it fits smoothly into your existing broadcast workflow.

UHD 4K with Downscaling

The HC-X1500 features a 1/2.5" 8.29M MOS sensor that always shoots at UHD 4K resolution, with the Venus processing engine scaling the 4K image for HD delivery via 3G-SDI or HDMI outputs.

Recording Modes

Record in either MP4, MOV, or AVCHD Progressive at rates ranging from 720p50 to UHD 4K60 to best suit your various projects.

Leica Dicomar 24x Zoom

• The built-in Leica Dicomar lens features a 24x, 25-600mm 35mm-equivalent zoom with a digital iZoom feature to zoom up to 48x.
• The Face Detection AF feature enables you to track faces and automatically adjusts focus on your subject. It also features pro-style manual control rings, a control dial, and 5-axis optical image stabilization to keep your shots steady.

Optional Handle Unit

• The HC-X1500 can be used with a separately available top handle that has two 3-pin XLR audio inputs for line or mic level input, as well as a switch for +48V phantom power.
• Manual adjustments are via dials set into the side of the camera so you can adjust the levels during the shot without having to pull up a menu function.

ND Filters

The camera features built-in selectable 1/4, 1/16, and 1/64 ND mechanical filters for quick adjustments during changing lighting conditions.

3.5" LCD Touchscreen

• Easily view your framing using the fold-out, tilting 3.5 LCD touchscreen.
• Simultaneous output to the tilting EVF is available.
• Closing the LCD can be used to turn the camera on/off.

Wi-Fi Live Streaming

Live stream your footage via RTSP/RTMP/RTMPS using the HC-X1500's integrated Wi-Fi with WPA/WPA2 encryption.

Sony FX3 Overview

Key Features

• 12.1MP Full-Frame CMOS Exmor R Sensor
• UHD 4K up to 120 | 1080p up to 240
• Compact form for Cage-Free Operation
• 10-Bit 4:2:2 XAVC S-I,16-Bit Raw Output
• S-Cinetone/S-Log3/HLG, 15+ Stops DR
• Detachable 2 x XLR/TRS Adapter Handle
• Phase Detection AF/Face Tracking/Eye AF
• 80 to 409,600 Expanded ISO Range
• Dual CFexpress Type A/SDXC Card Slots

with a compact design for solo shooters, travel applications, and to serve as an ideal B cam, the Sony FX3 borrows from both the Cinema Line and Alpha series of cameras to create an optimized portable cinema camera. The FX3 features all of the imaging attributes you'd expect from this class but sports a newly designed body that's hand-holdable, with a streamlined and minimal profile, and has a "cage-free" design, indicating the ability to secure various accessories directly to the camera body.

Its 12.1MP Exmor R BSI CMOS sensor (10.2MP effective in video mode) pairs with a BIONZ XR processor to achieve UHD 4K video capture with internal 10-bit 4:2:2 sampling or 16-bit raw output. The sensor's BSI design heightens clarity and sensitivity, with an expandable ISO 80-409600 Range and greater-than 15-stop dynamic Range for working in mixed lighting conditions. Benefitting color and tonal control, an S-Cinetone mode can be used for matching to VENICE, FX9, or FX6 sources and there is also S-Log3/2 gamut support and 10-bit HLG for simple HDR productions. The sensor and processor also work together to greatly reduce rolling shutter and the sensor's design incorporates a Fast Hybrid AF system for intelligent and quick focusing performance and subject tracking.

Beyond the physical design just being compact, it's also built to maximize efficiency and operability through the inclusion of an articulating 3.0" touchscreen LCD, a removable shoe-mounted top handle with dual XLR mic inputs, and 5-axis mechanical image stabilization for smoother handheld recording.

Note:

The Sony ECM-XM1 Microphone is not included.

Most Compact Member of the Cinema Line Family

This compact addition to Sony's Cinema Line blends the full-frame, S-Cinetone capture of the FX6 with the UHD 4K capture, autofocus options, and body size of the a7S III camera. The video-forward design of the FX3 also shares several handling and audio features with the FX6 and the ISO Range and battery of the a7S III.

Common FX3/FX6/a7S III Features

• Full-frame, back-illuminated 12.1MP Exmor R CMOS sensor and BIONZ XR processor
• High-speed rates of 120p in 4K and 240p in HD
• Dynamic Range of 15+ stops

Shared FX3/FX6 Attributes

• S-Cinetone, S-Log3, HLG, and Rec. 709 gamma options
• Tally lamps on the front, side, and rear
• Internal fan to prevent overheating
• Zoom lever

Shared FX3/a7S III Attributes

• 5-axis in-body image stabilization
• 16-bit raw output via HDMI
• S-Log2 gamma choice
• 80 to 409,6000 ISO Range (expanded)

Improved FX3 Features

• Comfortable, cage-free, handheld operation
• Greater than 1.6x battery runtime compared to a7S II
• USB-PD power option for extended shooting times

4K Full-Frame CMOS Exmor R Sensor

The 12.1MP Exmor R sensor and BIONZ XR processor offer true cinematic expression with 10.2MP effective video and 12.1MP stills capture. The full-frame sensor provides shallow depth of field looks, impressive bokeh, and reduced rolling shutter artifacts.

S-Cinetone Color

• Default S-Cinetone color setting provides a softer-toned look with beautiful skin tOne Reproduction
• Complements your VENICE, FX9, or FX6 footage
• S-Log-3, S-Gamut3, S-Gamut3.Cine, and 10-bit 4:2:2: support help to maintain rich gradation and color compatible with the Range of Sony Cinema Line cameras

Cinematic Recording / Frame Rate Options

• Up to 600 Mb/s XAVC S-I ALL-I H.264 codec recording
• XAVC HS codec recording with H.265 encoding for lower bit rates in Long GOP
• Internal 10-bit 4:2:2 recording to CFexpress Type A or SD memory cards
• External, 16-bit raw,10-bit 4:2:2 output via HDMI type-A port
• 8-bit XAVC S or 10-bit XAVC HS proxy capture
• 10-bit, 4:2:2 color available in all formats including HLG
• Full-frame UHD 4K high-speeds up to 120p
• S35 HD high-speed rates up to 240p
• Up to 5x slow-motion rates

Compact Design / Ergonomic Operation

• Flexible, streamlined, 5 x 3 x 3" form
• 3" LCD with 1,440,000-dot resolution tilts for optimal viewing
• Can be used with or without a cage
• Right-handed controls feature placement consistent with the rest of the Cinema Line
• Five 1/4"-20 accessory threads on the FX3 body plus two on the top handle
• Intuitive touchscreen menu
• Customizable buttons for assigning 15 controls and up to 140 menu items
• Tally (record) lights are easily viewable on the top, front, and rear of the camera
• Dual CFexpress Type A/SD slots
• Relay, simultaneous, and backup recording
• Customizable zoom setting plus Clear Image Zoom

Detachable XLR Adapter Handle

• Top handle with two XLR-1/4" TRS combo audio inputs
• Microphone holder and 3.5mm mic input
• Digital audio with up to 4-channel, 24-bit recording
• Contoured for comfortable low-angle shooting

Fast Hybrid / Phase Detection Autofocus

• Multiple autofocusing modes are designed for solo shooting
• Fast Hybrid AF uses 627 points to cover approximately 89% of the image frame
• Real-Time Eye AF, Eye and Face Detection, and subject Touch Tracking

Durable Build / Enhanced Operating

• An integrated cooling fan and a heat-dissipating design enable uninterrupted recording up to 4K60
• Magnesium-alloy chassis and shell
• Sealed against inclement weather and dust

Wireless Connectivity

• Dual-band 2.4/5 GHz wireless connectivity
• Wired LAN link using the USB Type-C port and a separate adapter

Post-Production Stabilization with E-Mount Lenses

• Sony's Catalyst Prepare/Browse software uses shake metadata to stabilize your image
• Adjustable balance between shake compensation and image area trimming

Saramonic SmartMic5

• Compatible with smartphones,tables,laptops with a 3.5mm headphone jack(CTIA standard)
• Plug-and-play operation
• Superior recording performance
• Integrated shockmount design for less vibration noise
• Flexible angle-free design
• Foam windshield included

Sony ECM-W2BT Overview

Key Features

• for Vlogs, Interviews, Videos & YouTube
• Stable, Interference-Free Wireless
• Clip-On Transmitter/Mic with 3.5mm Input
• Compact MI Shoe-Mount Receiver with Mic
• Dialog, Interview & VO Pickup Options
• Power & Digital Audio via MI Interface
• 3 Hr Rechargeable Batteries, 9 Hr via MI
• Dust and Moisture Resistant
• 650' Range

The Sony ECM-W2BT brings vloggers, YouTubers, journalists, and content creators using Sony cameras with digital MI interfaces a flexible and easy-to-use true-wireless microphone system featuring advanced Bluetooth technology for high-quality audio and reliable, low-latency performance.

The miniature clip-on transmitter with a built-in omnidirectional microphone makes it fast and easy to mic up your subject for a quick interview without having to worry about a cable. The transmitter also features a stereo 3.5mm audio input, allowing you to connect a smaller, more discreet lavalier such as the ECM-LV1 (available separately) if desired.

The compact receiver attaches directly to the MI shoe mount on compatible Sony cameras, giving the system up to 9 hours of shooting time, assisted by the camera's power. Both the transmitter and receiver are powered via built-in rechargeable lithium-ion batteries; without an MI connection the system will operate for up to 3 hours between charges. If the camera's MI shoe is also equipped with a digital interface, the direct connection allows the camera to record pristine sound with an ultra-low noise floor.

A smart feature is the addition of a built-in microphone on the receiver unit, along with a 3-setting switch allowing you to pick up audio from either the subject at the transmitter, the camera operator at the receiver, or both at the same time for interviews. The receiver also features a 3.5mm output for connection to traditional DSLR/mirrorless cameras and a 3.5mm TRS cable is supplied along with a USB cable and a windscreen for the transmitter/mic.

Fast and Easy Wireless Audio with High-Quality Advanced Bluetooth

• The small, clip-on transmitter features an internal microphone capsule that picks up sounds cleanly and clearly to deliver a high-quality audio stream. The microphone is also effective at suppressing extraneous noise.
• The omnidirectional microphone picks up sound from all directions. Use the clip to place the microphone near the speaker's mouth, without worrying about which direction it's facing.
• The Qualcomm aptX Low-Latency Bluetooth codec is used for transmission between the microphone and receiver on the camera, ensuring low latency and undiminished audio quality. The system's reliability helps you avoid the stress of having to re-record audio due to interruptions in the recorded sound, and low latency enables you to better match the audio track with the video imagery.

Cable-Free MI Digital Connection to Select Sony Cameras

• with the convenient power interface provided by Sony cameras with an MI shoe, you can record wirelessly for up to nine hours.
• You can also benefit from improved sound quality through use of the MI Digital Audio Interface (available on compatible cameras), ensuring pristine digital sound quality.
• Both the transmitter and receiver feature built-in rechargeable batteries.
• Battery life of the receiver will be up to three hours of use when paired with cameras that do not support power supply via the Multi Interface Shoe.

Adjustable Input Levels and Windscreen for Clearer Recordings

• The unit's sophisticated attenuator function allows you to record loud audio sources at a lower volume or amplify quieter sounds, so you can easily optimize recording levels depending on the circumstances.
• The windscreen that's included with the ECM-W2BT effectively reduces wind noise as well as excessive breath noise. This means you can record clear, stable sound even when shooting outdoors on windy days.

Stable, Uninterrupted Audio Recording

• Stable wireless performance provides solid connectivity and greatly reduces the risk of interruption to the audio stream, even in crowded settings with a lot of wireless activity.
• The system provides a 650' (200 m) operating distance in locations with good visibility.

Convenient Modes for Single- and Two-Person Shoots

• The ECM-W2BT can easily be used to record the voices of two people—the camera operator and the subject—at the same time.
• with microphones built into both the transmitter and receiver units, the ECM-W2BT is perfect for quick single-operator recording.
• The audio sources can be mixed and recorded together using the MIX mode.
• A single switch on the receiver makes it easy to Select the pick-up mode needed for your shoot. There are three pickup modes to choose from: capturing audio from the microphone only, the receiver only, or a mix of both microphone and receiver.
• for multiperson shoots, use the provided connector protect holder as a microphone stand and set the mic in a central position; the 360° omnidirectional microphone will capture audio from all participants.

3.5mm Input on Transmitter for Smaller Lav Mic Option

• The 3.5mm input jack lets you attach a compact external lavalier microphone (available separately) for a more discreet visual appearance.
• The optional ECM-LV1 lavalier, for example, can be easily concealed in your subject's clothing, capturing up-close stereo audio that's then transmitted over the long-distance wireless Range available to the ECM-W2BT.

Tough, Compact, and Lightweight Design for Superior Mobility

• with its moisture- and dust-resistant design, the ECM-W2BT is ready for dependable use in any environment. The components incorporate weather-sealed seams and port covers for reliable, interruption-free operation outdoors.
• The compact size of the system is perfect for shooting outdoors or on location. At just 0.95 oz for the microphone/transmitter unit and 0.99 oz for the receiver, it won't weigh you down during a shoot.

Use with a Wide Range of Devices

• An extensive Range of cameras and other devices can be connected to the receiver unit.
• Equipment such as PCs and digital voice recorders that support audio input but don't have a Multi Interface Shoe can be connected via the 3.5mm stereo mini-jack output port.

Safeguards to Prevent Recording Failures

• To avoid accidental interruptions during audio recording, the ECM-W2BT is equipped with display lamps that confirm successful operation.
• The LINK lamp indicates the status of transmission between the microphone and the receiver, and the POWER lamp warns when the remaining battery charge is getting low.

Sony ECMLV1 Overview

Key Features

• for YouTube, TikTok, and Video Creators
• Fits Cameras, Transmitters & Recorders
• Use as Smaller Mic with ECM-W2BT
• Two Omnidirectional Mic Capsules
• Requires Plug-In Power
• 360° Rotatable Clip, 3.3' Cable
• Includes Windscreen

Designed for vlogging, YouTube videos, and content creation, the black Sony ECM-LV1 is a compact stereo lavalier microphone with a 3.3' cable and 3.5mm TRS connector for use with cameras and wireless transmitters—including the Sony ECM-W2BT Camera-Mount Bluetooth Wireless system. The lav features two omnidirectional capsules that each pick up sound in a 360° radius, resulting in stereo audio capture.

The low-profile mic is only 32mm in length and 11mm in diameter, while the included 360° rotatable clip offers flexible options for discreetly attaching the mic to clothing. The electret-condenser capsule is powered by plug-in power from your camera, voice recorder, or transmitter, so a battery is not required. The included foam windscreen helps reduce wind noise for cleaner recordings.

GoPro Sleeve + Lanyard Overview

Key Features

• Silicone Protective Anti-Scratch Cover
• Leaves Access to Ports, Controls & LCDs
• Neck-Worn Lanyard

The GoPro Sleeve + Lanyard set for HERO9/HERO10/HERO11 Black features a black silicone protective sleeve cover that protects your camera from scratches while leaving access to the ports, buttons, and front and rear displays of the camera. Using the lanyard, you can wear the camera around your neck, or you can remove the lanyard and mount the camera on various supports the way you normally would in most cases.

GoPro ADIOD-001 Overview

Replace the original door of your HERO9 Black with the GoPro Replacement Door. Snapping into place on the camera, it maintains the camera waterproof capacity while also keeping debris out.

Rode SC6 Overview

Key Features

• Connects 2 Mics to Smartphone Audio Jack
• Headphone Monitoring Jack

The RØDE SC6 Dual TRRS Input and Headphone Output for Smartphones is an input/output breakout box for smartphones and tablets. It has two TRRS inputs and one stereo headphone output. It connects to any TRRS device, such as your smartphone, and allows you to use one or two smartLav microphones while providing a headphone jack for monitoring and playback. Use it to monitor audio from the smartLav and input two smartLavs into the mono channel in interview or dual-dialog applications.

Rode DEADCAT VMPR Overview

Key Features

• For VideoMic Pro with Lyre Shock-Mount
• Minimizes Wind-Noise
• Acoustically Transparent

The DeadCat VMPR Artificial Fur Wind Shield from Rode is a furry wind-cover for the VideoMic Pro with the Lyre Shock-mount (sold separately). The artificial fur minimizes wind-noise in windy environments while remaining acoustically transparent. Not compatible with VideoMic Pro with band suspension.

RODE Lavgo Overview

Key Features

• For Mobile Journalist, Videographer
• Clip-On Mic for Rode Wireless GO Systems
• Gold-Plated 3.5mm TRS Connector
• Durable 3.9' Kevlar-Reinforced Cable
• Discreet Black, Easy to Conceal
• Omni Polar Pattern for 360° Pickup
• Wide 20 Hz to 20 kHz Frequency Response
• Pop Shield Reduces Vocal Plosives
• Mic Clip with Cable Management
• Compatible with Many 3.5mm Transmitters

A Discreet Lav Mic for On-Camera Talent

Use the black Rode Lavalier GO omnidirectional lavalier microphone to get the convenience and clarity of a broadcast-quality, clip-on lapel mic for your Rode Wireless GO system. Ideal for mobile journalists and videographers, the Lavalier GO features a durable 3.9' Kevlar-reinforced cable terminated in a gold-plated 3.5mm TRS connector for enhanced conductivity. The miniature mic capsule is easily concealed and features a foam pop shield to reduce vocal plosives. Its omnidirectional polar pattern provides 360 degrees of sound pickup, while the condenser element yields a wide, full-frequency response, giving you a clear and intelligible voice capture.

Designed for Journalists and Creators

• 3.5mm TRS output provides compatibility with the Rode Wireless GO and many recording devices and wireless transmitters equipped to provide 2.7V of plug-in power through a standard, non-locking 3.5mm TRS microphone connector
• Discreet 4.5mm miniature mic capsule handles up to 110 dB of SPL for speech, dialog, and presentations
• Condenser mic element and active JFET electronics yield a wide 20 Hz to 20 kHz frequency response
• 3.9' Kevlar-reinforced cable ensures lasting durability
• Gold plating on 3.5mm plug enhances conductivity

Accessories

• Mic clip with cable management included for neatly securing microphone to clothing
• Foam pop shield softens vocal plosives and wind noise
• Small pouch included for storage and transport
• Combine with Rode SC4 adapter (available separately) to use the Lavalier GO with smartphones and tablets outfitted with 3.5mm TRRS jacks

Rode VideoMic Me Overview

If you're shooting mobile video and want better audio than what your phone provides—or if you need to record VO or ADR on the go—the Rode VideoMIC Me is worth your consideration. This is a shotgun mic that plugs right into a smartphone's 3.5mm TRRS headphone jack, letting you record quality audio in the process.

The mic focuses the audio capture on what's directly in front of the capsule thanks to the directional polar pattern. It's primarily intended for use with compatible smartphones and devices that sport 3.5mm TRRS connections. The mic comes with a flexible mounting bracket as well as a furry windscreen for achieving a better sound in windy conditions.

Perfect for Mobile Video and More

with its simple plug-and-play form factor, the mic is perfectly suited for mobile video recording. However, the quality of the mic itself is good enough to be used for VO or ADR when studios are not available; the mic has been used this way in a few television shows.

Directional Pickup for a Better Sound

The highly directional cardioid polar pattern will help tamp down unwanted room noise and ambience.

Versatile 3.5mm Jack

A rear-mounted, built-in 3.5mm jack works with headphones, or it can also be utilized for backup recording.

Sony PXW-Z90T Overview

Key Features

• Single 1" Exmor RS CMOS Sensor
• UHD 4K (3840 x 2160) up to 30p
• 4K HDR with Hybrid Log-Gamma (HLG)
• 3G-SDI Output, 2.4/5 GHz Live Streaming
• Phase-Detection Autofocus (AF)
• Zeiss 12x Optical / 18x Clear Image Zoom
• Records MPEG-2 HD with Optional License
• XAVC HD / QFHD Recording
• S-Log3/S-Gamut3 Imaging Options
• 2 x SD Card Slots, Relay & Simul Modes

The Sony PXW-Z90T 4K HDR XDCAM camcorder offers phase-detection autofocus (AF) and HDR capabilities in a compact, palm-style body. Suitable for corporate events, broadcast news, and television production, the PXW-Z90V camcorder features a stacked 1" Exmor RS CMOS sensor with UHD 4K (3840 x 2160) resolution, a 12x Zeiss optical zoom, an OLED viewfinder, and 3.5" touchscreen LCD monitor. It can record 4K in XAVC Long at 4:2:0, HD in XAVC Long at 4:2:2 10-bit, as well as MPEG HD at 4:2:2 (requires optional license key). S-Log3/S-Gamut3 functions offer users additional image control. Additional features include built-in 2.4/5 GHz for multiple streaming via RTMP/RTMPS protocols and FTP options.

The PXW-Z90V's Fast Hybrid AF uses high-density placement of autofocus points and a newly developed AF algorithm to offer highly accurate focusing and tracking—a boon when shooting UHD 4K, especially for individual operators. In movie recording mode, use the appearance of phase-detection AF frames to monitor your subject's focus. The PXW-Z90V's 3.5" touchscreen is used to quickly switch focus among subjects. AF Drive Speed, Tracking Depth Range, and Subject Switching Sensitivity can each be configured to suit different subjects and content styles.

Hybrid Log-Gamma (HLG) enables you to future-proof your output by smoothly integrating your 4K recordings into an HDR workflow without the need for color grading during post-production. Capture images with high-quality contrast and resolution using the PXW-Z90V's 12x optical Zeiss zoom, and 18x 4K digital zoom (24x in HD). An integrated ND filter function enables greater exposure and depth-of-field control.

The PXW-Z90V camera supports Sony's Slow and Quick Motion for shooting HD video at variable frame rates, including 120 fps. Recording to a variety of formats, frame rates, and codecs, the camcorder supports 100 Mb/s XAVC Long recording of 4K UHD video at up to 29.97p, and 50 Mb/s capture of HD up to 59.94p. Footage is recorded to two SD memory card slots, either simultaneously to both cards or in relay mode to create a backup. The PXW-Z90V's 3G-SDI output offers integration with professional studio environments.

The PXW-Z90V provides external microphone support via two 3-pin XLR audio inputs (line, mic, mic +48V phantom) and a 3.5mm mini input. You can also use the PXW-Z90V's built-in microphone to record audio when shooting. for multicamera productions, the PXW-Z90V integrates seamlessly with Sony's MCX-500 live switcher (available separately).

Godox GM55 Overview

Key Features

• Full HD 1080p Touchscreen Display
• DCI 4K24/UHD 4K30 HDMI Input & Output
• Headphone Port / Camera Control Port
• 3D LUT Import via SD Card Slot
• Waveform, Zebra, Audio Meters & More
• L-Series Battery Plate
• DC Input & Output Power Ports
• Sun Hood & Shoe Mount Included
• Six Function Buttons

The Godox GM55 is a compact, 5.5" on-camera monitor with a lightweight plastic design, 1080p touchscreen display, and HDMI input and output supporting up to DCI 4K24 and UHD 4K30 camera signals. The output allows you to connect to a wireless transmitter so other operators can monitor the image on set. The GM55 also features a headphone port and a proprietary camera control port for controlling record start/stop and other basic functions of Select cameras via optional Godox control cables. The monitor comes with an L-series battery plate on the rear and offers a DC power input port for optional power cables. Additionally, a DC output port is provided for running power to Select cameras from the monitor. Batteries and power cables are sold separately.

The GM55 allows you to import up to 25 3D LUTs via an SD card slot, which has a protective cover over it just as there is over the camera control port (the SD slot is for LUT import only). The extensive software features of the GM55, such as false color and vectorscope, can be adjusted by touchscreen via a simple interface with headings on the left side and adjustment points on the right. These allow you to monitor focus, exposure, and other factors in more detail. The menu can also partly be controlled by a scroll wheel on top. Six function buttons are provided on the top as well, which can be loaded with the software monitoring features of your choice for quick recall. Three 1/4"-20 mounting ports are provided, on the top, bottom, and right side, allowing for horizontal and vertical mount. A shoe mount adapter is included for attaching the monitor to your camera's hot shoe or to a cage with a shoe mount. A slim, collapsible sun hood is also included and snaps onto the monitor to block sunlight in outdoor environments.

Software Monitoring Features

Rec. 709 color space

False color

Zebra

Waveform

Vectorscope

Histogram

Focus assist

Safety marker

Center marker

Audio meters

Zoom

Grid lines

Aspect ratio (up to anamorphic 2.35:1)

Image flip

Sony PXW-FX9 E-Mount Overview

Key Features

• 6K Full-Frame Exmor R CMOS Sensor
• 15 Stops of Dynamic Range, Dynamic HDR
• DCI 4K and UHD 4K up to 60p
• Quad Full HD 120p Raw with XDCA-FX9 Unit
• HD Recording up to 150/180 fps
• Sony E-Mount
• 10-Bit 4:2:2 XAVC-I up to 600 Mb/s
• Auto-HD, AF, 7-Stop ND Filter, 3D LUTs
• Dual Base ISO up to 102,400, HLG Mode
• 12G/6G/3G-SDI & HDMI Output up to 4K

Whether you're shooting documentaries, events, reality TV, education, or corporate productions, the PXW-FX9 XDCAM 6K Full-Frame Camera System from Sony has you covered with its powerful and flexible 4K interchangeable lens camera system. The PXW-FX9 features a full-frame, oversampled 6K Exmor R CMOS sensor that allows you to capture 4K images with cinematic depth of field. The camera's E-mount is machined from stainless steel and allows you to use E-mount lenses.

The PXW-FX9 input and output features include 12G/6G-SDI and HDMI outputs for 4K video, a 3G-SDI output for HD, and genlock and timecode when using a multicamera setup. The Fast Hybrid AF autofocus system allows for accurate focus and even allows facial detection to automatically detect human form with 561 points of detection. Advanced image stabilization is achieved using the PXW-FX9's internal gyroscope for shots so smooth it'll look like you used a gimbal. Its 4-channel audio recording allows you to use external microphones and record ambient sound with the internal mics simultaneously.

The camera features a 15-stop dynamic range, supports dynamic HDR, hybrid log gamma mode (HLG), and records 10-bit 4:2:2 to dual XQD media card slots that support simultaneous and relay recording, as well as multiple backup recording modes that utilize proxy files. The camera can record UHD (3840 x 2160) and HD (1920 x 1080) internally at a selectable frame rate from 1 fps up to 60 fps in XAVC-I, XAVC-Long, and MPEG HD formats. Its 7-stop electronic variable ND filter can perform in auto or manual mode, smoothly adjusting from 1/4 to 1/128 density. The camera's default S-Cinetone color look offers the same soft, vivid tone as with Sony's VENICE camera.

In addition to its wide dynamic range, its enhanced color and light features include a dual base ISO of 800/4000 with a maximum ISO up to 102,400, which is helpful when in low-light situations or using a slower lens. Other improvements with the latest firmware include improved white balancing in sunlight with a more natural look, user-created 3D LUTs, improved AF, audio improvements, USB tethering, T-value metadata, password enhancements, and an S35 2K imager scan mode.

The FX9 includes an integrated Multi-Interface (MI) shoe and comes with a BP-U35 battery, BC-U1A battery charger, AC adapter with power cord, body cap, viewfinder, eyepiece, remote control, and USB cable. The PXW-FX9 is also compatible with the separately available XDCA-FX9 extension unit, which provides ENG shoulder-style support, networking features, and a slot for an optional wireless audio receiver.

Firmware Version 3.0

The v3.0 firmware update offers:

• S700 protocol over Ethernet
• B4 lens support:
  • S16 scanning mode (up to 1080p at rates up to 180 fps)
  • B4 lens control using the LA-EB1 lens mount adapter
  • ALAC (Auto Lens Aberration Correction) function
• Assignable center scan
• Anamorphic lens support
• Clip naming (Cam ID + Reel#)
• Real-time tracking (touch-tracking autofocus)
• Additional items can be modified in the status screen
• SR Live for HDR metadata support
• Recording proxy clip real-time transfer
• Camcorder network setup using smartphone app
• Remote control using smartphone over USB tethering
• USB tethering activated using iOS 14 iPhone and iPad

Note:

The network features above also support C3 Portal (only available in specific countries).

6K CMOS Exmor R Sensor

The PXW-FX9's oversampled full-frame 6K sensor provides recording in DCI 4K, UHD, and HD resolutions. Powerful image processing with debayering and down-sampling ensures image quality beyond the limits of conventional Super 35mm sensors. The back-illuminated CMOS image sensor also uses Sony's Exmor R technology for improved sensitivity and noise reduction. Compared to a 4K Super 35mm sensor, the FX9's 6K sensor has over twice the surface area while providing a wider angle of view and shallower depth of field.

15 Stops of Dynamic Range

The FX9 offers an exceptional 15+ stops of dynamic range, allowing for creative freedom in color grading and post. Camera operators can concentrate on framing the scene they want while relying upon the FX9 to capture every nuance and detail using 4K 4:2:2 10-bit internal recording.

ISO Control

The FX9 features a base sensitivity of ISO 800, providing the optimal dynamic range for typical documentary applications such as shooting outside or in brightly lit interiors. A secondary high base sensitivity of ISO 4000 excels in low-light conditions such as early morning and evening shoots while maintaining superb image quality and whenever you're using slow lenses. The FX9's extended ISO range is 320 to 102,400.

Electronic ND Filter

Sony's built-in electronic variable neutral density (ND) filter can be set to auto, or adjust filter density manually in smooth increments from 1/4 to 1/128 as you shoot, for perfectly exposed images without affecting depth of field as lighting conditions change. Use higher-density settings with a slower shutter speed for artistic effects.

Recording Formats

Depending on the project, the FX9 has a selection of recording formats. XAVC-I with 422 10-bit quality at a higher 600 Mb/s in 60p. XAVC-Long for longer recording time in smaller file size. The traditional MPEG HD codec is also available. All files will be recorded onto XQD media cards.

Adjustable Frame Rates

Choose your desired frame rate from 1 up to 60 fps for quick- and slow-motion footage. The FX9 creates an immersive image with a wide-angle look and shallower depth of field provided by its full-frame sensor in combination with quick and slow motion. It also offers a quality priority setting that maximizes Full HD slow-motion image quality with advanced oversampling technology.

S-Cinetone Look

S-Cinetone is the default look of FX9 that's tuned to meet the requirements of today's content creators with rich midrange colors, alluring facial tones, and a softer tonal look developed with the same expertise as Sony's world-leading VENICE digital cinematography camera. S-Cinetone means that straight out of the camera your content looks fresh and vivid, with subjects that really stand out while retaining plenty of latitude in post-production, thanks to the high-performance full-frame image sensor.

Fast Hybrid AF

Effortlessly track fast-moving subjects with pin-sharp focus, even when using wide-lens aperture settings to maintain a shallow depth of field with the camera's full-frame sensor. Enhanced Fast Hybrid AF combines phase-detection AF for fast, accurate subject tracking with contrast AF for exceptional focus accuracy. In addition, Face Detection intelligently recognizes and locks on to human faces. The dedicated 561-point phase-detection AF sensor covers approximately 94% of the whole image area width and 96% of the height, allowing for consistently accurate, responsive AF tracking, even with fast-moving subjects.

Seven-level AF transition speeds from fast-switching between subjects as quickly as possible to slow, where speed is reduced to fit a more measured shooting style, such as a historical TV drama.

Five-level AF subject shift sensitivity ranges from locked-on, ignoring other moving subjects in the frame, to responsive that switches focus from one subject to another—ideal for snapping between race cars as they speed by.

Advanced Image Stabilization

Advanced image stabilization information means even handheld footage can be transformed with Sony Catalyst Browse/Catalyst Prepare software in post-production to look as smooth as if it were shot with a gimbal. Unlike in-camera or lens stabilization, metadata generated by the FX9's built-in gyro allows you to creatively choose the balance between the level of shake compensation and the resolution of trimmed 4K imagery. This feature is also compatible with any E-mount lens and allows for far faster processing than conventional NLE stabilization workflows.

4-Channel Audio Recording

The FX9 offers audio capabilities with independent control dials for each channel. In applications such as an interview, 4-channel audio recording enables simultaneous use of an external microphone for recording ambient sounds, and the built-in microphone for ambient sound and voice memos by the operator.

Inputs and Outputs

The FX9 is equipped with various outputs including a 12G-SDI and an HDMI for 4K output. Also, it has a 3G-SDI for HD output to expand its monitoring flexibility. For multicamera operation, Genlock and TC In/Out terminals are available.

Recording Modes

The FX9 has a selection of backup recording modes that will help ensure the recording is safe. Simul Rec will enable simultaneous HD recording onto two media cards. The 4K/HD Sub Rec mode will allow 4K recording on one card and MPEG HD recording on another card. XAVC Proxy Rec is also available, offering a 9 Mb/s small size proxy file which will be easily sent via the network. Also, a maximum 28-second Cache Rec is available to prevent missing any shot.

Multi-Interface (MI) Shoe

Sony's flexible Multi-Interface (MI) shoe provides power, signal connections, and coordinated on/off switching with compatible Sony accessories.

XDCAM Air and GPS Support

Use the FX9 with Sony's XDCAM air service for camera control, to stream to the Sony Cloud, and to upload proxy footage from the field, saving valuable post-production time. A GPS function both records location information in video clips and displays it via XDCAM air.

Optional Extension Unit

Further extend the capabilities of the FX9 with the optional XDCA-FX9 extension unit that optimizes camera weight distribution and ergonomics for comfortable shoulder-style shooting—ideal for ENG and documentary applications. The extension unit also adds advanced networking for streaming/file transfers and a slot-in for a wireless audio receiver.

Blackmagic Pocket Cinema Camera 4K

The Blackmagic Design Pocket Cinema Camera 4K features a 4/3" sensor for capturing up to 4096 x 2160 DCI 4K images at rates up to 60 fps in a variety of codecs including CinemaDNG Raw/Raw 3:1/Raw 4:1, and various ProRes 422 options. Slow-motion rates up to 120 fps are available in cropped Full HD. Its Micro Four Thirds lens mount accommodates the original, lightweight Pocket Cinema Camera lenses, and can be used with PL, C, EF, and other lenses with the use of separately available adapters. A dual-native ISO up to 25,600 is featured for low-light capture, and 13 stops of dynamic Range provide rich HDR images.

Record using the internal CFast 2.0 and SD/UHS-II card slots, or employ the USB-C output for capturing longer clips to an external drive. The Pocket Cinema Camera 4K's 5" touchscreen LCD display reduces the need for an external, onboard monitor, while a full-sized HDMI port enables you to output a signal to a larger display. The menu and interface are the same as the ones found on the URSA Mini camera, and 3D LUTs can be applied for monitoring or for baking in your look when you're ready to commit.

Audio features include a mini-XLR input with phantom power for pro-style mics, a 3.5mm jack, and an internal stereo mic. Additional features include the same Blackmagic OS as the URSA Mini, and Bluetooth remote control. A license key for DaVinci Resolve Studio is included for versatile post-production control. The Pocket Cinema Camera 4K's carbon fiber polycarbonate build provides lightweight strength and durability, and power options include running off a Canon LP-E6 type battery or the included power supply.

4/3" Image Sensor / Dual Native ISO
The Pocket Cinema Camera 4K uses a 4/3" sensor, 13 stops of dynamic Range, and a dual native ISO up to 25,600 to capture rich images at resolutions up to DCI 4K.

Active Micro Four Thirds Lens Mount
Use lightweight, electronically-controlled MFT lenses, or use separately available adapters to expand your lens choices to include PL, C, or EF-mount lenses.

CinemaDNG Raw and ProRes Options
Choose from CinemaDNG Raw and ProRes 422 files options depending on your project's needs.

Shooting Resolutions
4096 x 2160 (DCI 4K), 3840 x 2160 (Ultra HD 4K), 1920 x 1080 (HD)

5" Touchscreen Display
A large 5" touchscreen display reduces the need for an external on-board monitor, while a full-sized HDMI port enables you to output a signal to a larger display on your video village.

CFast 2.0, SD/UHS-II, and USB Type-C Capture
Internally record to CFast 2.0 or SD/UHS-II card slots, or capture longer clips using the USB-C output to an external drive.

Flexible Power Options
The Pocket Cinema Camera 4K can be powered using a rechargeable Canon LP-E6 type battery or the included power supply.

DaVinci Resolve Studio
An activation key for DaVinci Resolve Studio is included with the camera.

Insta360 Lens Guards for ONE R 360 Dual-Lens Mod (Pair) Overview

Insta360's pair of Lens Guards for ONE R Dual-Lens 360 Mod are hardened, reinforced lens shields for protecting the lenses of the 360 Mod from scratches. One is for the front lens and one for the rear. They're designed to secure to the ONE R Mounting Frame and cannot be attached to the 360 Mod directly. They attach to the Frame, lining up with the lenses precisely.

Osmo Pocket Part13 Expansion Kit Overview

• Controller Wheel
• Wireless Module
• Accessory Mount
• Samsung 32GB microSD Card
• Tombol untuk Mengubah Mode Pemotretan
• Tombol untuk Memusatkan Ulang Gimbal
• Menyediakan Konektor USB-C untuk Pengisian Daya
• Mount 2-cabang untuk aksesori 3-cabang

DJI Osmo Pocket Expansion Kit (Part 13) menyediakan beberapa add-on aksesoris yang akan membiarkan Anda melakukan lebih banyak dengan Osmo Anda Pocket Gimbal.

The Controller Wheel menempel tepat di bawah LCD gimbal, menghadap pengguna, dan menyediakan tombol untuk kontrol pan dan kemiringan yang presisi. Tombol putar dapat diakses dengan nyaman dengan ibu jari. Switch di sebelah dial memungkinkan Anda memilih apakah dial harus mengontrol pan atau tilt motion. Ada juga tombol untuk mengubah mode pemotretan dan tombol lain untuk memusatkan kembali gimbal.

Modul Nirkabel memungkinkan kendali jarak jauh gimbal dari perangkat seluler Anda. Dengan menyediakan koneksi wireless antara keduanya melalui Bluetooth dan Wi-Fi sambil berfungsi sebagai basis untuk gimbal. Ini juga bisa digunakan sebagai dasar untuk mengatur gimbal. Selain itu, ia menawarkan konektor USB-C untuk mengisi daya pada gimbal.

Mount Aksesori menyediakan dudukan 2 cabang untuk memasang aksesori 3 cabang di bagian depan gimbal yang menjepit di sekitar pusat gimbal.

Kartu microSD Samsung 32GB juga termasuk dalam kit.

Zhiyun-Tech WEEBILL-S Handheld Gimbal Stabilizer Pro Package

Key Features

• Rear Underslung Handle in Compact Design
• Highly Upgraded Motors and Algorithm
• Support for Optional Transmission Module
• Updated ZY Play App Features
• Six Modes of Operation
• Up to 14-Hour Battery Operating Time
• Electronic Focus Control Where Supported
• Optional Focus/Zoom Motors Supported
• Arca Swiss/Manfrotto Quick Release Plate
• Supports All TransMount Accessories

Zhiyun-Tech WEEBILL-S Overview

The Zhiyun-Tech WEEBILL-S incorporates the underslung mode design of its predecessor, the WEEBILL LAB, and also has a more compact form as well as other new features. The sling mode design consists of a handle on the rear that allows for easy switching to underslung mode as well as better handling in all other modes. Other improvements include upgraded motors and stabilization algorithm. The WEEBILL-S features 300% more motor torque and 50% more responsiveness. This allows you to better balance camera/lens combos such as the Canon 5D Mark IV with a 24-70mm zoom lens.

Being released along with the WEEBILL-S as an optional accessory is the TransMount Image Transmission Module, a compact device designed to neatly mount under the quick release plate of the WEEBILL-S and allow wireless streaming of up to 1080p30 resolution over distances up to 328'. Up to three devices, including phones, tablets, and Select professional monitors, can be synced up using corresponding receiver modules.

The companion Zhiyun-Tech ZY Play app, compatible with iOS and Android, has been upgraded to work with the Image Transmission Module to allow more efficient control of the gimbal. A feature in the app called SmartFollow 2.0 works with the module to allow precision object tracking directly from the app. A tool called Sync Motion enables real-time monitoring and synchronous motion control. There are also upgrades to standard features, including ViaTouch 2.0, which allows you to control various functions and settings of your camera and gimbal directly from your smartphone screen. These include zoom and focus, where supported, as well as follow speed, ISO, aperture, and more. Other features you'll find in the ZY Play app include creative capture tools such as Panorama, Timelapse, Motionlapse, and Long Exposure Timelapse, among others.

The WEEBILL-S offers six modes of operation. These include Full-Range POV Mode, which allows 360° synchronous movement on all three axes, and Vortex Mode, which lets you achieve 360° barrel shots. Please see the Features section below for a description of all six modes. Other features of the gimbal include Intelligent Auto-Tune, which automatically recognizes the weight of your camera and adapts to the weight to provide the best power efficiency possible. The battery operating time of the WEEBILL-S has also been increased to up to 14 hours.

The WEEBILL-S allows electronic focus control with supporting cameras. This is done using the integrated handwheel. Please see the Zhiyun-Tech website for an up-to-date list of supported cameras. The gimbal also supports mechanical focus and zoom control using optional motors. The WEEBILL-S supports the TransMount motors as well as all the other TransMount accessories that the predecessor model was compatible with. Among these is the Quick Setup Adapter Set that has become very popular since its release.

The WEEBILL-S comes with multiple accessories, including an Arca Swiss/Manfrotto dual-layer quick release plate and a storage case. Also included is a mini tripod that can be used as a stand or an extension handle. The mini tripod is also what completes the gimbal for underslung, low-mode operation. It attaches to the rear handle to function as an overhead handle.

Note: The WEEBILL-S doesn't support many 3rd-party 18650 batteries because it requires the slightly shorter kind made by Zhiyun-Tech, so only Zhiyun-Tech 18650 batteries are recommended.

Improved Design

The WEEBILL-S incorporates the rear handle design of its predecessor, the WEEBILL LAB, into a more compact form with new features. These include highly upgraded motors and stabilization algorithm.

TransMount Image Transmission Module

The WEEBILL-S supports the optional TransMount Image Transmission Module, which is being released at around the same time. This compact module attaches under the mounting plate of the gimbal and allows for 1080p30 transmission for up to 328' to corresponding receivers. Up to three receivers are supported, allowing you to stream to three devices simultaneously. Compatible devices include smartphones, tablets, and Select monitors.

Upgraded ZY Play App

The companion ZY Play iOS/Android app has been upgraded to work together with the optional TransMount Image Transmission Module to provide an enhanced workflow. Many features, such as ViaTouch 2.0, have also been upgraded to work independently of the Image Transmission Module.

6 Modes of Operation

Full-Range POV Mode

Allows 360° synchronous movement on all three axes. This ensures that instead of leveling off during motion, the camera will remain locked in position no matter how far you move the gimbal in a certain direction, allowing for true POV shots.

Vortex Mode

Create 360° barrel shots.

Go Mode

Operate at maximum follow speed for extreme sports and similar applications.

PF Mode

The camera pans as you turn the gimbal left and right. This feature is highly useful for hyperlapse capture.

F Mode

The camera will follow the movement of the gimbal handle.

L Mode

Keep your subject in focus when you mimic dolly or jib movements.

Zhiyun-Tech Crane-2 Overview

The Zhiyun-Tech Crane-2 is a 3-axis handheld gimbal stabilizer supporting mirrorless and DSLR cameras weighing up to 7 lb. Mount your camera on the included Manfrotto-standard quick release plate, balance it, and shoot for up to 18 hours on the supplied batteries. A rod-mount mechanical focus motor is included and can be controlled via the gimbal's handwheel or an optional remote control for the Crane 2. It can be aligned to the focus or zoom ring of your lens for follow focus or zoom control. A support rod, USB cable, and two universal lens gear rings are also supplied for attaching and connecting the focus motor and using it with virtually all lenses.

The Crane-2 also allows for digital follow focus control via the gimbal handwheel for select Canon DSLRs and the Nikon D850 with compatible autofocus lenses. Simply connect the camera to the gimbal with the included USB cables, and after a few settings adjustments you'll have direct follow focus control without requiring the external motor.

The Crane-2 features 360° pan, 320° tilt, and 360° roll adjustment. Multiple different special shooting modes allow you to get extra creative with the gimbal. Full-range POV mode enables 360° synchronous movement on all three axes. This means that the camera will lock into a single position and follow your movements without any limits, as opposed to evening out at some point. This allows for true POV capture.

Gimbal settings are quickly adjustable using the onboard control buttons and an OLED display. For safety, a "slow-fall" feature protects your camera from a sudden drop when the Crane-2 is powered down.

Features

• Includes external rod-mount focus motor for mechanical follow focus/zoom control
• 360° pan, 320° tilt, and 360° roll adjustment
• 7 lb payload
• 18-hour runtime using the included batteries
• Digital follow focus control for select Canon cameras and the Nikon D850 with compatible autofocus lenses
• Manfrotto-standard quick release plate
• "Slow-fall" feature protects your camera from a sudden drop when the Crane-2 is powered down

Firmware Update v1.76 (June 2019)

• Full-range POV: 360° synchronous movement on all three axes—instead of leveling off during motion, the camera will remain locked in position no matter which way or how far you move the gimbal, allowing for true POV shots
• Vortex mode: Add dynamic movements to your barrel shot and open up possibilities
• Direct control support for the Nikon Z6 and Z7 via the control panel—take photos, start/stop recording video, and control various other parameters