Blackmagic Design Micro Converter Overview

Key Features

• 1 x HDMI Input, 2 x SD/HD/3G-SDI Outputs
• Selectable SD/HD Level A/B SDI Ports
• Supports up To 1080p60 Resolution I/O
• USB Power/SDI Re-Clocking/Timecode
• Automatic Input Signal Detection
• Compact, Rugged Design
• Embedded Audio
• LED Video & Power Signal Indicators

Super compact and rugged, the Micro Converter HDMI To SDI 3G from Blackmagic Design enables you To link HDMI cameras or computers To pro-style SDI (BNC) monitors or components. You can also use several units To extend HDMI over long distances using SDI cable. This compact converter has one HDMI input and two 3G-SD/HD/SDI outputs that can be set To Level A or B. It auto-detects and matches your HDMI input To the SDI output and is compatible with input/output resolutions up To 1080p60. The Micro Converter HDMI To SDI 3G features HDMI timecode support, SDI re-clocking for stability over long cable runs, and support for a wide Range of pro broadcast resolutions including cine-style 48 fps.

This pocket-sized converter features a sturdy metal housing with power and signal LED status indicators and rugged connector interfaces. A USB Type-C port enables the HDMI To SDI 3G converter To easily connect To and be powered by large-screen monitors, laptops, desktop computers, or projectors. You can also power this converter using a separately available 100-240 VAC power supply, complete with four international socket adapters.

Features

Dual SDI Outputs

• One HDMI input
• Two 3G-SDI outputs
• Selectable A and B level formats

Compact, Rugged Design

• Robust metal housing and rugged connectors
• USB Type-C port for powering via a compatible component like a monitor or laptop
• Updatable via the USB Type-C port and your Mac or PC

SDI & HDMI Timecode

• HD and SD timecode support
• Converts HDMI timecode To SDI

SDI Re-Clocking

• Built-in re-clocking on 3G-SDI output enables stable output over longer cable runs
• Compatible with SMPTE 259M/292M/296M/424M/425M level A and B

Wider Resolution Support

• SDI support from NTSC and PAL up To DCI 2Kp60
• HDMI support from NTSC and PAL up To 1080p60

Embedded Audio

• Supports embedded HDMI input and embedded SDI output

LED Indicators

• LED indicators for video and power signals

Versatile Power Options

• Power from a monitor, laptop, or other component using the USB Type-C port
• Separately available 100-240 AC power supply with four socket adapters

Blackmagic Design DeckLink Mini Overview

Key Features

• 1-Lane PCIe Slot Capture Card
• SDI and HDMI Inputs
• Inputs Uncompressed 10-Bit Video
• 4:2:2 Video Sampling
• 16 Ch Audio Embedded in HD SDI
• 8 Ch Audio Embedded in SD SDI
• 8 Ch Audio Embedded in SD and HD HDMI
• OS X, Windows and Linux Compatible

The Blackmagic Design DeckLink Mini Recorder is a PCIe slot capture card with both SDI and HDMI inputs for capturing uncompressed 10-bit video from a camera directly into your computer. You'll be able To ingest footage as the camera recording live or from a playback of the camera recording. The inputs are active, so once you plug a cable into them, they'll begin functioning. This card automatically switches between SD and HD, so it'll be able To handle all common video formats. The point of ingesting through a capture card is To bypass unnecessary compressions and hence data loss. The card performs just one compression, upon delivery To your computer, where your footage gets encoded into an edit-ready codec of your choice.

Inputs

• SDI 10-bit SD/HD switchable video with 16 ch HD / 8 ch SD embedded audio
• HDMI type A video with 8 ch audio embedded in SD and HD

1-Lane PCI Express Card

The Mini Monitor is a 1-lane PCI Express card and is compatible with 4, 8 and 16 lane PCI Express slots on Mac OS X, Windows, and Linux. The only Mac capable of accepting the card is a Mac Pro as other Macs can't be opened To enable installation. The card features two PCIe shields for both full height and low profile slots.

Codecs Supported

AVC-Intra, AVCHD, Canon XF MPEG2, Digital SLR, DV-NTSC, DV-PAL, DVCPRO50, DVCPROHD, DPX, HDV, XDCAM EX, XDCAM HD, XDCAM HD422, Apple ProRes 4444, Apple ProRes 422 (HQ), Apple ProRes 422, Apple ProRes (LT), Apple ProRes 422 (Proxy), Uncompressed 8-bit 4:2:2, Uncompressed 10-bit 4:2:2

Internal Software Upgrade

Firmware built into software driver. Loaded at system start or via updater software.

Blackmagic Design ATEM Mini Extreme Overview

Key Features

• 8-Channel HDMI Live Streaming Switcher
• Supports up to 1080p60
• RTMP Streaming via Ethernet or USB-C
• Record Program Out
• 11-Input, 2-Channel Audio Mixer
• Input Frame Rate and format Converter
• Re-Sync on All HDMI Inputs
• HD Multiview Output with up to 16 Views
• Local and Software Switching
• 4 x Upstream, 2 x Downstream Keyers

The Blackmagic Design ATEM Mini Extreme is an 8-input live production switcher for live streaming. It features an integrated control panel and has advanced broadcast features. In addition to live streaming using RTMP protocols, you can also output your program as if it was a webcam over USB. This versatile switcher's eight independent HDMI inputs accept all popular HD signals up to 1080p60. Each input has discrete frame rate and format converters, and it supports re-syncing for seamless switching between a variety of pro and consumer cameras, game consoles, and computer feeds.

Switch, add effects, color grade, and key in real time using the control surface's buttons, or via the software control panel. CCU functions are available for controlling Blackmagic Studio and URSA Mini/Broadcast/Micro Studio cameras from the switcher. The ATEM Mini Extreme supports up to nine layers, with four upstream and two downstream keyers, up to four chroma keyers, up to four linear keyers, two DVE with borders and drop shadow, five pattern generators, and two color generators. Designed for live streaming or webcam production, the Mini Extreme has HDMI outputs to feed monitors and supports up to 16-screen multiview.

Stream Live

Live stream to YouTube, Facebook Live, Skype, Twitch, Zoom, Microsoft Teams, and other platforms that support RTMP protocols.

Control Interface

The front panel includes easy-to-use buttons for Selecting sources, video effects, and transitions. The source buttons are large, allowing you to operate them by feel. Included on the ATEM Extreme are buttons for audio mixing, recording, and streaming control, as well as output Selection buttons that let you change the video output between cameras, program, and multiview. On the rear panel, there are HDMI connections for cameras or computers, extra microphone inputs, USB for webcam out, plus an HDMI "AUX" output for program video.

Output

You can output using the Ethernet connection to your network or use the USB Type-C output to have your switched show recognized as a webcam input by virtually any video software such as Zoom, Microsoft Teams, Skype, Open Broadcaster, XSplit Broadcaster, and others.

4G and 5G Phone Support

If you're doing live production on location, the ATEM Mini Extreme models support connecting an Apple or Android phone to the USB port to use mobile data. It's also a great backup for the main Ethernet connection, so you don't drop your stream if your hardwired connection gets interrupted. The switcher will automatically switch to using the phone as the primary connection, and the USB port will also power your phone, so the battery won't drain.

Multiview Monitoring

You can configure the HDMI output for multiview with 4, 7, 10, 13, up to 16 views including Program, Preview, eight HDMI inputs, SuperSource, clean feed, media player, streaming status, recording status, and audio meters.

Camera Control

The ATEM Mini Extreme can control the Blackmagic Pocket Cinema Camera 4K and 6K models when they are updated to the latest software and plugged in via the HDMI inputs. You can control your HDMI camera settings such as iris, gain, focus, detail, and zoom control on compatible lenses. Plus, you can color balance cameras, as well as create unique looks using the DaVinci Resolve primary color corrector built into the Blackmagic Pocket Cinema Camera 4K and 6K.

Media Pool

The switcher can store up to 20 images with fill and key, and it supports PNG, TGA, BMP, GIF, JPEG, and TIFF file formats.

Compatibility

It includes the ATEM Software Control Panel, and it is also compatible with the ATEM 1 M/E, ATEM 2 M/E, and ATEM 4 M/E Advanced Panels. The ATEM Mini Extreme can be configured using Blackmagic's Videohub Hardware Panel Setup utility to route sources to destinations using Videohub Smart Control Pro and Videohub Master Control Pro.

Recording

The ATEM Mini Extreme models support the direct recording of your streaming data to USB flash disks using the same H.264 video files with AAC audio that you streamed. Recording to multiple disks is also supported via a USB hub or the Blackmagic MultiDock, so when a disk becomes full, recording can continue to a second disk for nonstop recording. Record settings and disk Selection are set up in ATEM Software Control, and there's a record status view in the built-in multiview. You can even trigger recording on connected Blackmagic Pocket Cinema Cameras.

Video Effects

One of the benefits of ATEM Mini is the professional production values possible using the Range of built-in video effects. The cut button ensures an instant cut when switching between sources. The auto button is a professional term used on large broadcast switchers to enable video effect transitions. There are duration buttons for video effects allowing 0.5-, 1-, 1.5-, and 2-second settings. You can also Select the type of effect you want including mix, which does a smooth transition between sources, and dip, which fades via a color during the transition. Or use fun DVE effects that move the image off-screen when transitioning between sources.

Audio

with two independent 3.5mm stereo audio inputs, you can connect desktop and lapel microphones, or you can connect a music player to generate introduction music after the live stream commences but before the program starts. with two extra stereo audio inputs, you can ensure a host and guest both have lapel microphones when doing interviews. All audio inputs to the ATEM Mini include buttons on the panel for adjusting audio level and enabling inputs into the audio mixer. All models feature a Fairlight audio mixer with all HDMI inputs, and both microphone inputs are connected to the audio mixer, so you can live mix from all audio sources. The ATEM Mini Extreme also adds a headphone output.

Broadcast Features

Hiding in the ATEM Mini Extreme models are a host of broadcast-caliber features that are accessible when connected to a Mac or Windows computer running the free ATEM Software Control app.

Blackmagic Pocket Cinema Camera 4K

The Blackmagic Design Pocket Cinema Camera 4K features a 4/3" sensor for capturing up to 4096 x 2160 DCI 4K images at rates up to 60 fps in a variety of codecs including CinemaDNG Raw/Raw 3:1/Raw 4:1, and various ProRes 422 options. Slow-motion rates up to 120 fps are available in cropped Full HD. Its Micro Four Thirds lens mount accommodates the original, lightweight Pocket Cinema Camera lenses, and can be used with PL, C, EF, and other lenses with the use of separately available adapters. A dual-native ISO up to 25,600 is featured for low-light capture, and 13 stops of dynamic Range provide rich HDR images.

Record using the internal CFast 2.0 and SD/UHS-II card slots, or employ the USB-C output for capturing longer clips to an external drive. The Pocket Cinema Camera 4K's 5" touchscreen LCD display reduces the need for an external, onboard monitor, while a full-sized HDMI port enables you to output a signal to a larger display. The menu and interface are the same as the ones found on the URSA Mini camera, and 3D LUTs can be applied for monitoring or for baking in your look when you're ready to commit.

Audio features include a mini-XLR input with phantom power for pro-style mics, a 3.5mm jack, and an internal stereo mic. Additional features include the same Blackmagic OS as the URSA Mini, and Bluetooth remote control. A license key for DaVinci Resolve Studio is included for versatile post-production control. The Pocket Cinema Camera 4K's carbon fiber polycarbonate build provides lightweight strength and durability, and power options include running off a Canon LP-E6 type battery or the included power supply.

4/3" Image Sensor / Dual Native ISO
The Pocket Cinema Camera 4K uses a 4/3" sensor, 13 stops of dynamic Range, and a dual native ISO up to 25,600 to capture rich images at resolutions up to DCI 4K.

Active Micro Four Thirds Lens Mount
Use lightweight, electronically-controlled MFT lenses, or use separately available adapters to expand your lens choices to include PL, C, or EF-mount lenses.

CinemaDNG Raw and ProRes Options
Choose from CinemaDNG Raw and ProRes 422 files options depending on your project's needs.

Shooting Resolutions
4096 x 2160 (DCI 4K), 3840 x 2160 (Ultra HD 4K), 1920 x 1080 (HD)

5" Touchscreen Display
A large 5" touchscreen display reduces the need for an external on-board monitor, while a full-sized HDMI port enables you to output a signal to a larger display on your video village.

CFast 2.0, SD/UHS-II, and USB Type-C Capture
Internally record to CFast 2.0 or SD/UHS-II card slots, or capture longer clips using the USB-C output to an external drive.

Flexible Power Options
The Pocket Cinema Camera 4K can be powered using a rechargeable Canon LP-E6 type battery or the included power supply.

DaVinci Resolve Studio
An activation key for DaVinci Resolve Studio is included with the camera.

Blackmagic Design ATEM Mini Pro Overview

The ATEM Mini Pro ISO HDMI Live Stream Switcher from Blackmagic Design is a four-input live production switcher with an integrated control panel designed for multicamera live streaming up to HD video to the internet via Ethernet output. It features a USB output that allows you to record the program output as well as record the individual HDMI inputs to an external USB drive (not included). In addition to recording the program stream and individual inputs, the ATEM Mini Pro ISO also records the embedded audio and analog audio inputs, generating a DaVinci Resolve project file of your live stream. This allows you to take your live production into DaVinci Resolve to make tweaks or adjustments using the source material that is already on your USB drive.

The ATEM Mini Pro ISO retains the same size, button layout, and rear panel interface connections as the ATEM Mini Pro, with new electronics that allow for the ISO recording and generation of the DaVinci project file. The ATEM Mini Pro ISO supports all the same features as the ATEM Mini Pro including upstream and downstream keyers, an advanced chroma keyer, two linear/luma keyers, a DVE transition keyer, a pattern generator, and color generators. There is also media player support for fill and key images, which supports up to 20 stills in PNG, TGA, BMP, JPEG, and TIFF formats. The ATEM Software Control Panel is used for control and configuration, and it allows you to monitor the data rate, audio meters, configuration, and status of your live feed. And you can use the panel to set up streaming to an optional Blackmagic Design Streaming Bridge anywhere in the world, as long as it is connected to the internet.

General

• Connecting a USB drive to the ATEM Mini Pro ISO's USB port enables capturing the switched program stream, as well as up to four isolated (ISO) recordings of input video, as well as embedded audio, analog input audio, graphics, and a DaVinci Resolve project file of your switched program
• The device has the same footprint, layout, and connections of the ATEM Mini Pro
• Stream video up to 1080p HD
• Quick stream, on-air, and record buttons
• Hardware encoder so there's no need for additional streaming software
• Control and configure timecode, stream status
• Full support and control features for BMPCC 6K/4K cameras
• Simultaneous USB recording
• Integration with MultiDock for live hard drive switching
• Customize advanced settings with XML files
• Software multiview with program previews, graphics, record status, on-air status, and audio meters
• Program preview input and output buttons
• Tally light control for BMPCC 6K/4K cameras
• Automatic timecode sync for all cameras

Transitions

Available transitions include:

• Cut: When you press the cut button, ATEM instantly changes from your current program source to the preview source. Cuts can be performed by directly Selecting sources or by pressing the cut button to switch to the next source.
• Mix: The mix, or dissolve, gradually transitions from one source to the next by creating a smooth blend. You can set custom timings to manually blend the transition.
• Dip: Just like mix transitions, a dip transition is a gradual blend that includes either a solid color, graphic, or another clip between the two video sources. Dips to black or white between sources are the most popular, or you can use logos or sponsor graphics.
• Wipe: Built-in wipe patterns include circles, diamonds, squares, and more. Shapes and patterns can be inverted or softened and can even have customized colored borders.
• DVE: with the powerful built-in digital video effects processor, or DVE, you can push, spin, squeeze, or swoosh your live video from one camera to the next with incredible built-in transitions. DVE transitions can be flip-flopped and reversed, giving you even more transition options.

Upstream Keyer

Layer live video over other video sources or graphics with the upstream keyer. You can use the luma key, linear key, pattern key, or shoot against a green screen and use chroma key to instantly composite the video over virtual sets.

• Luma key: Luma keys work best with high-contrast images, like white elements on a black background, so you can use the contrast to cut the black background and replace it with live video or graphics.
• Linear key: Get clean, high-quality results with linear keying by using two separate sources for the fill and the key to create one video image. The fill signal contains the video to be stacked over the background, while the key signal contains a gray scale mask to cut out, or mask, the area to be filled.
• Chroma key: Used every day for TV weather forecasts, chroma keys are a powerful way of combining live images in real time. The presenter typically stands in front of a green or blue background and the chroma keyer will remove only that color and combine it with another image, such as a video or graphic.
• Pattern key: Combine live images with any of the built-in wipe patterns to combine live images or graphics with geometric shapes. You get full control over softness, symmetry, size, and position to create unique picture-in-picture effects that can be transitioned to as easily as any live source.

Downstream Keyers

The ATEM Mini switcher includes one downstream keyer, so you can add high-quality graphics like logos, bugs, and titles from the built-in media player over the live stream program output. Downstream keyers are the last layers of keying, so they overlay all video switched to the main program output.

Audio Mixer

The built-in audio mixer lets you control both camera and external audio with precision level and balance adjustments on all six available audio inputs and two channels. The mixer features Selectable on/off and audio-follow-video per channel, plus it has separate gain control per channel, level and peak metering, and new Fairlight audio enhancements such as compressor, gate, limiter, six bands of parametric EQ, and master gain control.

Monitor Output

The HDMI monitor output allows you to see your sources, graphics, preview, and program output on a single screen.

Media Player

Eliminate external character generators by storing up to 20 broadcast-quality RGBA graphic files in the media pool. The one media player appears as input sources to your switcher. You can transition to graphics as full-frame video, or feed them to the keyers for overlaying video. Popular image formats such as PNG, TGA, BMP, GIF, JPEG, and TIFF are supported.

Blackmagic Design CABLE-CCPOC4K/DC Overview

This Blackmagic Design Pocket Cinema Camera 4K DC Cable Pack contains three different cables To power your Pocket Cinema Camera 4K. You can choose To power your camera via its 2-pin power port through D-Tap, 2.5mm barrel, or add your own connector on the cable with flying leads. Each cable measures 25.6" long.

Blackmagic Design Overview

Key Features

• Side Rosette Plate for PYXIS
• For Adding Handgrips or Extension Arms
• 5 x 1/4"-20 Accessory Mounts
• 4 x 3/8"-16 Accessory Mounts
• Aircraft-Grade Aluminum Construction

Add accessory mounting prowess to your PYXIS 6K camera with this Rosette Plate from Blackmagic Design. Constructed from the same aircraft-grade aluminum as the PYXIS camera body, this versatile plate provides a rosette mounting option to facilitate the mounting of handgrips or extension arms. It also has five 1/4"-20 and four 3/8"-16 threaded mounting holes for adding a wide range of accessories such as microphones, brackets, and more.

Blackmagic Design PYXIS 6K Overview

Key Features

• Full Frame 6K Sensor
• Up to 6K36 fps Open Gate / 6K Anamorphic
• 13-Stop Dynamic Range, Dual-Native ISO
• Canon EF Lens Mount
• 4" HDR LCD Touchscreen
• Records Blackmagic RAW and H.264 Proxies
• Built-In Streaming via Ethernet or 4G/5G
• Switchable Side Plates, Mounting Threads
• Two CFexpress Card Slots, USB-C Port
• Ethernet and 12G-SDI Ports

The Blackmagic Design PYXIS 6K Cinema Box Camera takes the digital film innovations of the Blackmagic Design Cinema Camera 6K and turns it into a box-style cinema camera with a lockable Canon EF lens mount and customizable side plates. A full-frame 6K sensor captures rich colors, accurate skin tones, and a wide 13-stop dynamic range with its expanded 36 x 24mm sensor. Record both Blackmagic RAW and H.265 proxy files to the cloud or even stream directly to your social media platform of choice via Ethernet or mobile 4G/5G technology. The PYXS can film up to 6K Open Gate 3:2 video at 36 fps or 6K Anamorphic 6:5 video at 60 fps, among other selectable resolutions.

Large-Format Digital Film Sensor

The PYXIS is equipped with a massive 24 x 36mm full-frame sensor with a native 6048 x 4032 resolution, making it 3x larger than a Super35 sensor. This allows you to shoot with a shallow depth of field or use anamorphic lenses without cropping for a true cinematic look. A 13-stop dynamic range with dual-native ISO up to 25,600 ensures low-noise imagery in all lighting conditions. Shoot up to 36 fps at full sensor resolution or 120 fps windowed.

Flexible Film Formats

Work in a variety of film formats and aspect ratios without sacrificing quality, thanks to the large sensor. At its full area, the sensor provides you with Open Gate 3:2 images for easier framing in post-production. You can also work in true 6:5 anamorphic without needing to crop for widescreen cinematics. Use a Super35-sized window to create a close-up version of your shot.

Multiple Resolutions and Frame Rates

Shoot in standard video resolutions and frame rates from HD to 6K or still images at 24.6 MP using the PYXIS. For higher frame rates, you can window the center and shoot up to 100 fps at 212 x 1184 Super 16. Other options include 6K Open Gate 3:2 at 36 fps, 4832 x 4032 anamorphic at 24 fps, and 1920 x 1080 at 120 fps, among other resolutions.

HDR Imagery and Dual-Native ISO

A wide 13-stop dynamic range preserves more detail in both the lightest and darkest areas of your image. Set the exposure for an indoor scene while still retaining details in the bright outdoor light coming through a window. An expanded color range and included DaVinci Resolve Studio code give you creative freedom over the look of your footage. Dual-native ISO up to 25,600 minimizes grain and noise in your images while maintaining the full dynamic range of the sensor. ISO 400 is ideal for on-set lighting configurations, while ISO 3200 is perfect for dimly lit environments. The gain is automatically set as you adjust your ISO for intuitive control.

Customize Your Gear

Mounting threads on the side of the PYXIS allow you to secure additional mounting plates and customize your gear configuration. The standard plate included with the PYXIS secures via M4 threads and adds two 1/4"-20 threads and one 3/8"-16 thread to the camera for microphones, articulating arms, or other accessories. An SSD plate offers two hook-and-loop straps for attaching a USB-C drive or mobile device, allowing you to directly record or live stream on the go. A separately available Rosette plate can be purchased for further expansion.

LCD Monitor and Onboard Controls

• Use the built-in 4" LCD touchscreen to monitor and review your shots on set. Its full HD resolution allows you to frame and focus without requiring an additional external unit. A maximum brightness of 1500 cd/m² ensures visibility even in bright sunlit conditions. On-screen overlays show status and recording parameters, histograms, levels, frame guides, and 3D LUTS, among other tools.
• Onboard controls allow you to toggle functions like ISO, white balance, and shutter with ease. A scroll wheel makes quick adjustments, and three customizable function buttons can tailor your workflow to your preference. The controls can be locked to avoid accidental pressing during shooting.

Post-Production File Formats

The PYXS records in Blackmagic RAW to preserve control of detail, exposure, and color during post-production. It also records H.264 proxy files in real time for easy sharing using the Blackmagic Cloud, Ethernet connection, or by connecting 5G/4G mobile phones to the USB-C port for mobile connection. Media files work on all operating systems.

Multiple Recording Options

Two built-in CFExpress Type-B card slots and a USB-C expansion port allow you to record directly to external flash media disks or SSDs.

Built-In SRT and RTMP Live Streaming

Live stream directly from the PYXIS on set to a secondary location via SRT and RTMP protocols. Compatible platforms like YouTube, Facebook, and X can support signals from the PYXIS for live event production. If you want to share internally, use an ATEM Streaming Bridge for a wireless link back to the studio.

Expansive Connectivity

• The front of the PYXIS boasts a USB-C port for the Blackmagic URSA Cine EVF and a mini 3-pin XLR analog audio input with +48V Phantom power for microphone integration.
• The back of the PYXIS has a headphone monitoring jack and an additional 3.5mm microphone input. Use the USB-C port at the back of the camera to connect to recording devices or mobile data. A 12G-SDI output integrates a secondary monitor. A Reference/Timecode input port syncs your sources while an RJ45 Ethernet connection uploads footage to Blackmagic Cloud or controls the camera.
• Power the PYXIS using the locking 2-pin DC power connector or the Sony BP-U battery plate.
• Download the Blackmagic Camera Control app for wireless Bluetooth control from up to 30' away.

Blackmagic Design PYXIS 6K Overview

Key Features

• Full Frame 6K Sensor
• Up to 6K36 fps Open Gate / 6K Anamorphic
• 13-Stop Dynamic Range, Dual-Native ISO
• Canon EF Lens Mount
• 4" HDR LCD Touchscreen
• Records Blackmagic RAW and H.264 Proxies
• Built-In Streaming via Ethernet or 4G/5G
• Switchable Side Plates, Mounting Threads
• Two CFexpress Card Slots, USB-C Port
• Ethernet and 12G-SDI Ports

The Blackmagic Design PYXIS 6K Cinema Box Camera takes the digital film innovations of the Blackmagic Design Cinema Camera 6K and turns it into a box-style cinema camera with a lockable Canon EF lens mount and customizable side plates. A full-frame 6K sensor captures rich colors, accurate skin tones, and a wide 13-stop dynamic range with its expanded 36 x 24mm sensor. Record both Blackmagic RAW and H.265 proxy files to the cloud or even stream directly to your social media platform of choice via Ethernet or mobile 4G/5G technology. The PYXS can film up to 6K Open Gate 3:2 video at 36 fps or 6K Anamorphic 6:5 video at 60 fps, among other selectable resolutions.

Large-Format Digital Film Sensor

The PYXIS is equipped with a massive 24 x 36mm full-frame sensor with a native 6048 x 4032 resolution, making it 3x larger than a Super35 sensor. This allows you to shoot with a shallow depth of field or use anamorphic lenses without cropping for a true cinematic look. A 13-stop dynamic range with dual-native ISO up to 25,600 ensures low-noise imagery in all lighting conditions. Shoot up to 36 fps at full sensor resolution or 120 fps windowed.

Flexible Film Formats

Work in a variety of film formats and aspect ratios without sacrificing quality, thanks to the large sensor. At its full area, the sensor provides you with Open Gate 3:2 images for easier framing in post-production. You can also work in true 6:5 anamorphic without needing to crop for widescreen cinematics. Use a Super35-sized window to create a close-up version of your shot.

Multiple Resolutions and Frame Rates

Shoot in standard video resolutions and frame rates from HD to 6K or still images at 24.6 MP using the PYXIS. For higher frame rates, you can window the center and shoot up to 100 fps at 212 x 1184 Super 16. Other options include 6K Open Gate 3:2 at 36 fps, 4832 x 4032 anamorphic at 24 fps, and 1920 x 1080 at 120 fps, among other resolutions.

HDR Imagery and Dual-Native ISO

A wide 13-stop dynamic range preserves more detail in both the lightest and darkest areas of your image. Set the exposure for an indoor scene while still retaining details in the bright outdoor light coming through a window. An expanded color range and included DaVinci Resolve Studio code give you creative freedom over the look of your footage. Dual-native ISO up to 25,600 minimizes grain and noise in your images while maintaining the full dynamic range of the sensor. ISO 400 is ideal for on-set lighting configurations, while ISO 3200 is perfect for dimly lit environments. The gain is automatically set as you adjust your ISO for intuitive control.

Customize Your Gear

Mounting threads on the side of the PYXIS allow you to secure additional mounting plates and customize your gear configuration. The standard plate included with the PYXIS secures via M4 threads and adds two 1/4"-20 threads and one 3/8"-16 thread to the camera for microphones, articulating arms, or other accessories. An SSD plate offers two hook-and-loop straps for attaching a USB-C drive or mobile device, allowing you to directly record or live stream on the go. A separately available Rosette plate can be purchased for further expansion.

LCD Monitor and Onboard Controls

• Use the built-in 4" LCD touchscreen to monitor and review your shots on set. Its full HD resolution allows you to frame and focus without requiring an additional external unit. A maximum brightness of 1500 cd/m² ensures visibility even in bright sunlit conditions. On-screen overlays show status and recording parameters, histograms, levels, frame guides, and 3D LUTS, among other tools.
• Onboard controls allow you to toggle functions like ISO, white balance, and shutter with ease. A scroll wheel makes quick adjustments, and three customizable function buttons can tailor your workflow to your preference. The controls can be locked to avoid accidental pressing during shooting.

Post-Production File Formats

The PYXS records in Blackmagic RAW to preserve control of detail, exposure, and color during post-production. It also records H.264 proxy files in real time for easy sharing using the Blackmagic Cloud, Ethernet connection, or by connecting 5G/4G mobile phones to the USB-C port for mobile connection. Media files work on all operating systems.

Multiple Recording Options

Two built-in CFExpress Type-B card slots and a USB-C expansion port allow you to record directly to external flash media disks or SSDs.

Built-In SRT and RTMP Live Streaming

Live stream directly from the PYXIS on set to a secondary location via SRT and RTMP protocols. Compatible platforms like YouTube, Facebook, and X can support signals from the PYXIS for live event production. If you want to share internally, use an ATEM Streaming Bridge for a wireless link back to the studio.

Expansive Connectivity

• The front of the PYXIS boasts a USB-C port for the Blackmagic URSA Cine EVF and a mini 3-pin XLR analog audio input with +48V Phantom power for microphone integration.
• The back of the PYXIS has a headphone monitoring jack and an additional 3.5mm microphone input. Use the USB-C port at the back of the camera to connect to recording devices or mobile data. A 12G-SDI output integrates a secondary monitor. A Reference/Timecode input port syncs your sources while an RJ45 Ethernet connection uploads footage to Blackmagic Cloud or controls the camera.
• Power the PYXIS using the locking 2-pin DC power connector or the Sony BP-U battery plate.
• Download the Blackmagic Camera Control app for wireless Bluetooth control from up to 30' away.

Blackmagic Design PYXIS 6K Overview

Key Features

• Full Frame 6K Sensor
• Up to 6K36 fps Open Gate / 6K Anamorphic
• 13-Stop Dynamic Range, Dual-Native ISO
• Leica L Lens Mount
• 4" HDR LCD Touchscreen
• Records Blackmagic RAW and H.264 Proxies
• Built-In Streaming via Ethernet or 4G/5G
• Switchable Side Plates, Mounting Threads
• Two CFexpress Card Slots, USB-C Port
• Ethernet and 12G-SDI Ports

The Blackmagic Design PYXIS 6K Cinema Box Camera takes the digital film innovations of the Blackmagic Design Cinema Camera 6K and turns it into a box-style cinema camera with a native Leica L lens mount with customizable side plates. A full-frame 6K sensor captures rich colors, accurate skin tones, and a wide 13-stop dynamic range with its expanded 36 x 24mm sensor. Record both Blackmagic RAW and H.265 proxy files to the cloud or even stream directly to your social media platform of choice via Ethernet or mobile 4G/5G technology. The PYXIS can film up to 6K Open Gate 3:2 video at 36 fps or 6K Anamorphic 6:5 video at 60 fps, among other selectable resolutions.

Large-Format Digital Film Sensor

The PYXIS is equipped with a massive 24 x 36mm full-frame sensor with native 6048 x 4032 resolution, making it 3x larger than a Super35 sensor. This allows you to shoot with a shallow depth of field or use anamorphic lenses without cropping for a true cinematic look. A 13-stop dynamic range with dual-native ISO up to 25,600 ensures low-noise imagery in all lighting conditions. Shoot up to 36 fps at full sensor resolution or 120 fps windowed.

Flexible Film Formats

Work in a variety of film formats and aspect ratios without sacrificing quality, thanks to the large sensor. At its full area, the sensor provides you with Open Gate 3:2 images for easier framing in post-production. You can also work in true 6:5 anamorphic without needing to crop for widescreen cinematics. Use a Super35-sized window to create a close-up version of your shot.

Multiple Resolutions and Frame Rates

Shoot in standard video resolutions and frame rates from HD to 6K or still images at 24.6 MP using the PYXIS. For higher frame rates, you can window the center and shoot up to 100 fps at 212 x 1184 Super 16. Other options include 6K Open Gate 3:2 at 36 fps, 4832 x 4032 anamorphic at 24 fps, and 1920 x 1080 at 120 fps, among other resolutions.

HDR Imagery and Dual-Native ISO

A wide 13-stop dynamic range preserves more detail in both the lightest and darkest areas of your image. Set the exposure for an indoor scene while still retaining details in the bright outdoor light coming through a window. An expanded color range and included DaVinci Resolve Studio code give you creative freedom over the look of your footage. Dual-native ISO up to 25,600 minimizes grain and noise in your images while maintaining the full dynamic range of the sensor. ISO 400 is ideal for on-set lighting configurations, while ISO 3200 is perfect for dimly lit environments. The gain is automatically set as you adjust your ISO for intuitive control.

Customize Your Gear

Mounting threads on the side of the PYXIS allow you to secure additional mounting plates and customize your gear configuration. The standard plate included with the PYXIS secures via M4 threads and adds two 1/4"-20 threads and one 3/8"-16 thread to the camera for microphones, articulating arms, or other accessories. An SSD plate offers two hook-and-loop straps for attaching a USB-C drive or mobile device, allowing you to directly record or live stream on the go. A separately available Rosette plate can be purchased for further expansion.

LCD Monitor and Onboard Controls

• Use the built-in 4" LCD touchscreen to monitor and review your shots on set. Its full HD resolution allows you to frame and focus without requiring an additional external unit. A maximum brightness of 1500 cd/m² ensures visibility even in bright sunlit conditions. On-screen overlays show status and recording parameters, histograms, levels, frame guides, and 3D LUTS, among other tools.
• Onboard controls allow you to toggle functions like ISO, white balance, and shutter with ease. A scroll wheel makes quick adjustments, and three customizable function buttons can tailor your workflow to your preference. The controls can be locked to avoid accidental pressing during shooting.

Post-Production File Formats

The PYXS records in Blackmagic RAW to preserve control of detail, exposure, and color during post-production. It also records H.264 proxy files in real time for easy sharing using the Blackmagic Cloud, Ethernet connection, or by connecting 5G/4G mobile phones to the USB-C port for mobile connection. Media files work on all operating systems.

Multiple Recording Options

Two built-in CFExpress Type-B card slots and a USB-C expansion port allow you to record directly to external flash media disks or SSDs.

Built-In SRT and RTMP Live Streaming

Live stream directly from the PYXIS on set to a secondary location via SRT and RTMP protocols. Compatible platforms like YouTube, Facebook, and X can support signals from the PYXIS for live event production. If you want to share internally, use an ATEM Streaming Bridge for a wireless link back to the studio.

Expansive Connectivity

• The front of the PYXIS boasts a USB-C port for the Blackmagic URSA Cine EVF and a mini 3-pin XLR analog audio input with +48V Phantom power for microphone integration.
• The back of the PYXIS has a headphone monitoring jack and an additional 3.5mm microphone input. Use the USB-C port at the back of the camera to connect to recording devices or mobile data. A 12G-SDI output integrates a secondary monitor. A Reference/Timecode input port syncs your sources while an RJ45 Ethernet connection uploads footage to Blackmagic Cloud or controls the camera.
• Power the PYXIS using the locking 2-pin DC power connector or the Sony BP-U battery plate.
• Download the Blackmagic Camera Control app for wireless Bluetooth control from up to 30' away.

FeelWorld ATEM156 Overview

Allowing you to view four DCI/UHD 4K HDMI signals in a quad split, the FeelWorld ATEM156 can be used as a companion to switchers without a multiview function, such as the Blackmagic ATEM Mini switcher. Four HDMI loop outputs let you connect your four signals to the switcher. You can move any signal to any window in the quad split. A PiP image can also be displayed in each window. Alternatively, a dual view or single image can be displayed on the screen, also supporting Picture-in-Picture. Dual view can be set up in a vertical or horizontal split, and you can set one side of the split to be larger than the other.

The ATEM156 features a 15.6" IPS display with a 1920 x 1080 resolution, 250 cd/m² brightness, and 170° viewing angle. Software features, such as peaking and false color, additionally let you analyze each image. A 3.5mm stereo headphone jack on the front panel allows for audio monitoring.

Additional Features

DCI 4K24/UHD 4K30 HDMI input and loop output

Rec.709 color standard

Aluminum housing

Desktop bracket with three 1/4"-20 holes for various mounting options, including hang-mounted

Customizable F1 to F4 shortcut keys

V-mount battery plate

12 VDC power input

100 and 75mm VESA mounts

Monitoring Features

Screen splits: 1P, 2P LR, 2P TB, 2P PiP, or 4P

Peaking focus assist

False color

Anamorphic: x1.33, x1.5, x1.8, or x2.0

Rotate: 0/90/180/270°, H mirror, V mirror

Check field: red, green, blue, mono

Image freeze

Zoom

Pixel to pixel

Center marker

Safety marker: 80/85/90/93/96%, 4:3, 2.39:1, 2.35:1, 1.85:1

Line color: red, green, blue, white

SmallRig 3665 Overview

Key Features

• Half Cage for Access to Top Controls
• Ergonomic Design for Handheld Comfort
• Expandable via Multiple Attachment Areas
• 1/4"-20, 3/8"-16, NATO Rail & Cold Shoe
• Threading to Attach Quick Release Plate
• Three-Point Locking Prevents Twisting

Expand the capabilities of your cine camera with the Half Cage for Blackmagic Pocket Cinema Camera 6K Pro from SmallRig. Designed to securely mount on the camera body, it provides the strength and structure to attach all kinds of accessories via its 1/4"-20 and 3/8"-16 threading, NATO rail skeleton, and cold shoe female mount.

On-the-fly swaps from a tripod to a motorized gimbal or shoulder rig are possible when using the threaded holes that attach to a quick release mount (available separately). The three-point, anti-twist locking mechanism helps prevent unwanted rotation when shooting. This lightweight and strong aluminum, stainless steel, and silicone gel cage is designed with ergonomics in mind, enabling shoots that last all day.

Expandability

The Blackmagic Pocket Cinema Camera 6K Pro reaches its full potential when combined with an array of monitors, larger batteries, lens hoods, etc. This cage enables you to attach pounds and pounds of optional gear, far more than you would otherwise be able to use with your BMPCC 6K Pro (available separately). These attach via the 1/4"-20 and 3/8"-16 threading, the NATO rail skeleton, and the cold shoe mount.

Secure Connections

Threaded holes at the base enable the use of an external quick release system (available separately). The triple-screw locking method prevents unwanted rotation to keep your lens pointed straight downrange.

Unobtrusive Design

The half cage is engineered to allow full access to the BMPCC 6K Pro's controls for maximum productivity.

FUJIFILM X-H2 Overview

Key Features

• 40MP APS-C X-Trans5 BSI Sensor
• 7-Stop In-Body Image Stabilization
• 8K 30p, 4K 60p, FHD 240p 10-Bit Video
• 5.76m-Dot OLED Electronic Viewfinder
• 160MP Pixel Shift Multi-Shot
• 20 fps E-Shutter, 15 fps Mech. Shutter
• CFexpress Type B & SD UHS-II Card Slots
• ProRes Raw, Blackmagic Raw via HDMI
• Intelligent Hybrid Autofocus

FUJIFILM X-H2: Life in Detail

Pushing the boundaries of APS-C imaging, the FUJIFILM X-H2 is a high-resolution mirrorless crop-sensor camera featuring a groundbreaking 40MP BSI sensor and an arsenal of cutting-edge features packed into a small and durable X-series body. Standing atop the X-System lineup, this high performing camera inherits many of the GFX system's advances in digital capture technology to provide image quality, detail, and color rendition never before seen in a crop-sensor camera, while retaining its characteristic compact form factor and sleek design that has garnered the X-System a loyal following worldwide.

Backside-Illuminated Sensor and 64-Bit Processing

X-Trans 5 BSI Sensor

Ideal for architectural, travel, and landscape photographers, the X-H2 sports a backside-illuminated, APS-C-format 40MP X-Trans 5 HR sensor, which ups the resolution and improves low-light performance compared to previous generations. First, as an X-Trans sensor, it uses the unique color filter array that inherently minimizes moiré and contributes to more natural color rendering; next, the BSI design helps reduce noise and improve tonality and clarity; and, finally, the design greatly reduces rolling shutter and other motion distortion to better suit high-speed video and photo applications. The remarkable resolution allows for 2x digital zoom and has up to 13 stops of dynamic range.

X-Processor 5

Partner to the newly designed sensor is a fresh engine—the X-Processor 5—which uses 64-bit processing to realize 3x faster speeds for both video and photo tasks compared to the X-T4. On the video side, this enables recording at bit rates of up to 720 mb/s.

On the stills end, this quick processing means faster shooting to suit photographing moving subjects. When working with an electronic shutter, shooting at up to 20 fps is possible, with a buffer of 202 consecutive uncompressed raw frames. With the mechanical shutter, shooting speeds of up to 15 fps are possible, along with the ability to shoot upwards of 1000 raw frames in a single burst.

Benefitting both video and stills applications, this processing also benefits the sophisticated and AI-backed autofocus system, helps achieve a 14-stop dynamic range, and enables an enhanced sensitivity range from ISO 125-12800.

4K 120p and 8K 30p Internal Recording

Despite its focus on photography, the X-H2 has an impressive video system capable of 4:2:2 10-bit internal recording in 8K at 30fps and in both DCI/UHD 4K at up to 60 fps and Full HD at up to 240p. A variety of codecs are supported as well, including H.265 and three tiers of ProRes: the high bitrate 422 HQ, the standard 422, and the more compressed 422 LT. Also, continuous recording times up to 160 minutes are possible at all frame rates and resolutions and can be extended to 240 minutes with the external clip-on fan.

External Raw Recording

Using the full-size HDMI port, 12-bit raw video recording is possible when paired with a compatible external recorder. Both ProRes RAW and Blackmagic RAW recording is possible, along with the ability to work with F-Log or F-Log 2 profiles, and either format supports working in resolutions up to the open-gate 8K.

Improved Autofocus and Image Stabilization

Hybrid AF with Deep Learning AI

Benefitted by the improved processing, autofocus performance is noticeably faster and more intelligent. This hybrid focusing system uses 425 phase-detection points and is now sensitive down to -7 EV for working in truly low-light conditions. Also, backed by deep learning, an AI adaptive algorithm means this focusing system is better suited to automatically detect and track a variety of subject types.

Pixel Shift Multishot

Pixel Shift Multishot takes multiple exposures in rapid succession, each one precisely shifting the image sensor by half a pixel, capturing the subject on a different part of the image sensor each time and yielding a single 160-Megapixel image with the help of the Pixel Shift Combiner software.

In-Body Image Stabilization

Built-in 5-axis sensor-shift image stabilization helps to minimize the appearance of camera shake by up to 7 stops. This system works in conjunction with most X Series lenses, including non-stabilized ones, and benefits working with slower shutter speeds and when shooting in difficult lighting conditions. Additionally, digital image stabilization can also be used during video recording to further aid in steadying footage, especially when recording handheld.

Body Design

Practical and Durable Design

• Large OLED electronic viewfinder features a crisp 5.76m-dot resolution and a 0.8x magnification for bright, clear, and detailed eye-level viewing.
• Rear 3.0" LCD has a high 1.62m-dot resolution and a touchscreen interface for intuitive control. Also, its vari-angle design means the screen can be flipped out to the side, tilted up or down, and closed with the screen against the body for protection.
• 1.28" monochrome LCD screen on the top plate is a simple means for quickly reviewing shooting settings.

• Dual memory card slots include one CFexpress Type B slot and one SD UHS-II slot for file-saving flexibility. The CFexpress Type B slot should be prioritized for higher bitrate video recording and fast continuous shooting, and the SD slot is a convenient alternative for backups or less speed-critical shooting.
• NP-W235 battery provides approximately 720 frames per charge when working with the EVF in Economy Mode, or approximately 580 frames in Normal Mode.

Connectivity

• Full-size HDMI Type A port for outputting video to an external recorder or monitor.
• USB 3.2 Gen 2 Type-C port supports tethering, data transfer, and in-camera battery charging.
• 3.5mm headphone and external microphone ports for greater control over audio recording.
• PC sync port for flash sync.
• 2.5mm remote port for using wired remote controllers.
• Integrated Bluetooth and Wi-Fi connectivity allows for wirelessly sharing images to a mobile device or to use the device to remotely control the camera.

Film Simulation Modes

Film Simulation modes allow you to reproduce the look and feel of several of FUJIFILM's film types, including Provia, Velvia, Astia, Classic Chrome, Classic Neg., Nostalgic Neg., Pro Neg. Hi, Pro Neg. Standard, Eterna, Eterna Bleach Bypass, Acros, Monochrome, and Sepia. Additionally, Grain Effect can be adjusted as well as Color Chrome effect to fine-tune the look of imagery.

FUJIFILM X-H2S Overview

Key Features

• 26.1MP APS-C X-Trans Stacked BSI Sensor
• 4K 120p, 6.2K 30p, FHD 240p 10-Bit Video
• Internal ProRes 422 HQ and F-Log 2
• 7-Stop In-Body Image Stabilization
• 5.76m-Dot OLED Electronic Viewfinder
• 3" 1.62m-Dot Vari-Angle Touchscreen LCD
• 40 fps E. Shutter, 15 fps Mech. Shutter
• 425-Pt. Hybrid AF, AI Subject Detection
• ProRes & Blackmagic RAW via HDMI
• CFexpress Type B & SD UHS-II Card Slots

X-H2S: The New FUJIFILM Hybrid

Balancing strong photo and video capabilities, the FUJIFILM X-H2S is a multimedia mirrorless camera featuring a newly developed X-Trans stacked sensor, refined AF and subject detection, and impressive 6.2K video recording. Topping the X System, this camera mixes the intuitiveness, design, and image quality FUJIFILM is known for with a fresh, speedy approach to video and continuous shooting applications.

Stacked Sensor and 64-Bit Processing

X-Trans 5 Stacked BSI Sensor

The first X Series camera to feature a stacked sensor, the X-H2S sports an APS-C-format 26.1MP X-Trans 5 stacked BSI sensor, which ups the readout speeds and improves low-light performance compared to previous generations. First, as an X-Trans sensor, it uses the unique color filter array that inherently minimizes moiré and contributes to more natural color rendering; next, the BSI design helps reduce noise and improve tonality and clarity; and, finally, the stacked design greatly reduces rolling shutter and other motion distortion to better suit high-speed video and photo photo applications.

X-Processor 5

Partner to the newly designed sensor is a fresh engine—the X-Processor 5—which uses 64-bit processing to realize 3x faster speeds for both video and photo tasks compared to the X-T4. On the video side, this enables recording at up to 6.2K with high bitrates like ProRes 422 HQ or at high speeds, like with 240 fps recording at Full HD.

On the stills end, this quick processing means faster shooting to suit photographing moving subjects. When working with an electronic shutter, shooting at up to 40 fps is possible, with a buffer of 140 consecutive uncompressed raw frame. With the mechanical shutter, shooting speeds up to 15 fps are possible, along with the ability to shoot upwards of 1000 raw frames in a single burst.

Benefitting both video and stills applications, this processing also benefits the sophisticated and AI-backed autofocus system, helps achieve a 14-stop dynamic range, and enables a broad sensitivity range from ISO 160-12800.

Powerful Video Capabilities

4K 120p and 6.2K 30p Internal Recording

With a penchant for video, the X-H2S has a well-rounded recording system that places this camera squarely in the 'hybrid' category and performs equally well for video as it does for video. Internal 4:2:2 10-bit recording is possible in both DCI/UHD 4K at up to 120p and Full HD at up to 240p as well as an open-gate 3:2 6.2K setting that's suitable for anamorphic applications. A variety of codecs are supported as well, including H.265 and three tiers of ProRes: the high bitrate 422 HQ, the standard 422, and the more compressed 422 LT. Also, continuous recording times up to 90 minutes are possible at all frame rates and resolutions.

External Raw Recording

Using the full-size HDMI port, raw video recording is possible when paired with a compatible external recorder. Both ProRes RAW and Blackmagic RAW recording is possible, along with the ability to work with F-Log or F-Log 2 profiles, and either format supports working in resolutions up to the open-gate 6.2K.

Improved Autofocus and Image Stabilization

Hybrid AF with Deep Learning AI

Benefitted by the improved processing, autofocus performance is noticeably faster and more intelligent. This hybrid focusing system uses 425 phase-detection points and is now sensitive down to -7 EV for working in truly low-light conditions. Also, backed by deep learning, an AI adaptive algorithm means this focusing system is better suited to automatically detect and track a variety of subject types. Compared to previous focusing systems, the X-H2S's Face and Eye Detection capabilities have been refined for greater accuracy and to account for unique features, like glasses, face coverings, and hairlines. Also, the range of recognized subjects types has been expanded to include cars, planes, trains, motorcyclists, birds, horses, dogs, cats and more.

In-Body Image Stabilization

Built-in 5-axis sensor-shift image stabilization helps to minimize the appearance of camera shake by up to 7 stops. This system works in conjunction with most X Series lenses, including non-stabilized ones, and benefits working with slower shutter speeds and when shooting in difficult lighting conditions. Additionally, digital image stabilization can also be used during video recording to further aid in steadying footage, especially when recording handheld.

Body Design

Practical and Durable Design

• Large OLED electronic viewfinder features a crisp 5.76m-dot resolution and a 0.8x magnification for bright, clear, and detailed eye-level viewing.
• Rear 3.0" LCD has a high 1.62m-dot resolution and a touchscreen interface for intuitive control. Also, its vari-angle design means the screen can be flipped out to the side, tilted up or down, and closed with the screen against the body for protection.
• 1.28" monochrome LCD screen on the top plate is a simple means for quickly reviewing shooting settings.
• Dual memory card slots include one CFexpress Type B slot and one SD UHS-II slot for file-saving flexibility. The CFexpress Type B slot should be prioritized for higher bitrate video recording and fast continuous shooting, and the SD slot is a convenient alternative for backups or less speed-critical shooting.
• NP-W235 battery provides approximately 720 frames per charge when working with the EVF in Economy Mode, or approximately 580 frames in Normal Mode.

Connectivity

• Full-size HDMI Type A port for outputting video to an external recorder or monitor.
• USB 3.2 Gen 2 Type-C port supports tethering, data transfer, and in-camera battery charging.
• 3.5mm headphone and external microphone ports for greater control over audio recording.
• PC sync port for flash sync.
• 2.5mm remote port for using wired remote controllers.
• Integrated Bluetooth and Wi-Fi connectivity allows for wirelessly sharing images to a mobile device or to use the device to remotely control the camera.

Film Simulation Modes

Film Simulation modes allow you to reproduce the look and feel of several of FUJIFILM's film types, including Provia, Velvia, Astia, Classic Chrome, Classic Neg., Nostalgic Neg., Pro Neg. Hi, Pro Neg. Standard, Eterna, Eterna Bleach Bypass, Acros, Monochrome, and Sepia. Additionally, Grain Effect can be adjusted as well as Color Chrome effect to fine-tune the look of imagery.

FUJIFILM X-T5 Overview

Key Features

• 40MP APS-C X-Trans CMOS 5 HR BSI Sensor
• 4K 120p, 6.2K 30p, FHD 240p 10-Bit Video
• 7-Stop In-Body Image Stabilization
• 425-Point Intelligent Hybrid AF System
• 3.69m-Dot OLED Electronic Viewfinder
• 3" 1.84m-Dot Tilting Touchscreen LCD
• 20 fps E. Shutter, 15 fps Mech. Shutter
• 160MP Pixel Shift Multi-Shot
• Bluetooth and Wi-Fi Connectivity
• ProRes & Blackmagic RAW via HDMI

A portable and powerful multimedia mirrorless camera, the FUJIFILM X-T5 features the newly developed 40MP APS-C X-Trans CMOS 5 HR BSI sensor for simply stunning results. Comparable in size to the original X-T1 and lighter than its predecessor, this camera provides a classic, dial-based layout and cutting-edge technology that includes a seven-stop in-body image stabilization system, Pixel Shift Multi-Shot mode for 160MP files, and action-freezing shutter speeds up to 1/180,000 sec from the electronic shutter. In addition to its versatile suite of stills capabilities, the X-T5 is also a highly capable moviemaking machine, recording up to 6.2K in 4:2:2 10-bit color internally or 12-bit ProRes RAW and Blackmagic RAW via HDMI.

40MP APS-C X-Trans CMOS 5 HR BSI Sensor

Offering the ultimate in image quality, the X-T5 features a 40MP X-Trans 5 HR CMOS sensor in a compact, lightweight body that maximizes functionality and portability. Imaging performance is in no way compromised by the camera's diminutive proportions. Instead, the X-T5's improved image processing algorithm delivers outstanding results and is packed with details right across the native ISO range.

Powerful Video Capabilities

A dynamic camera with powerful video functions, movies can be recorded internally at up to 6.2K at 30p in 4:2:2 10-bit color, plus there's a 4K HQ mode which oversamples 6.2K footage for superior 4K output. This higher video resolution unlocks 2x digital zoom functionality, providing additional in-camera versatility without a noticeable drop in quality.

External Raw Recording

Both F-Log and F-Log2 recording are possible, with the latter providing an expanded dynamic range of 13+ stops. Additionally, 12-bit ProRes RAW and Blackmagic RAW can be output via HDMI to Atomos and Blackmagic devices accordingly.

425-Point Intelligent Hybrid AF System

Featuring outstanding autofocus performance, the X-T5 utilizes 425 phase-detection points and is now sensitive down to -7 EV for working in truly low-light conditions. Also, backed by deep learning, an AI adaptive algorithm means this focusing system is better suited to automatically detect and track animals, athletes, birds, cars, motorcycles, and moving subjects.

In-Body Image Stabilization

Thanks to the camera's in-body image stabilization (IBIS) system, quality-sapping camera shake is minimized. Built-in 5-axis sensor-shift image stabilization helps to minimize the appearance of camera shake by up to 7 stops. This system works in conjunction with most X Series lenses, including non-stabilized ones, and benefits working with slower shutter speeds and when shooting in difficult lighting conditions. Additionally, digital image stabilization can also be used during video recording to further aid in steadying footage, especially when recording handheld.

Pixel Shift Multishot

Utilizing the camera's IBIS system to precisely shift the sensor, Pixel Shift Multishot automatically records 20 separate frames with one press of the shutter release. Resulting files are combined using Pixel Shift Combiner software to quadruple the camera's resolution and produce a detail-rich, 160MP file. Perfect for commercial applications or digital archiving, it's also ideal for any static subject where image quality is of primary importance.

Built for Speed

The X-T5 provides powerful image making performance to ensure it's ready for action, no matter how fast your subject is moving. A top electronic shutter speed of 1/180,000 sec and a maximum mechanical shutter speed of 1/8000 sec will stop any subject in its tracks, while a lag time of just 35 ms gives an almost instantaneous response when the shutter release is pressed. Keep a finger down, and the X-T5 will record images at up to 15 fps with the mechanical shutter, or 20 fps with the electronic shutter. Either way, no important moment will be missed.

Film Simulation Modes

Film Simulation modes allow you to reproduce the look and feel of several of FUJIFILM's film types, including Provia, Velvia, Astia, Classic Chrome, PRO Neg.Std, PRO Neg. Hi, Classic Neg., Nostalgic Neg., Eterna Cinema, Eterna Bleach Bypass, Acros, Acros + Ye Filter, Acros + R Filter, Acros + G Filter, Black & White, Black & White + Ye Filter, Black & White + R Filter, Black & White + G Filter, and Sepia.

Enhanced Body Design

• Large OLED electronic viewfinder features a crisp 3.69m-dot resolution for bright, clear, and detailed eye-level viewing. Additionally, this EVF offers 0.8x magnification for an easy-to-view image that is further enhanced by improved suppression of parallax and distortion compared to its predecessor. The 100 fps refresh rate, meanwhile, allows virtually blackout-free image making.
• Large 3.0" 1.62m-dot LCD touchscreen for intuitive operation and playback, and the tilting design greatly benefits working from high and low shooting angles.
• Utilizing an NP-W235 battery, up to 680 frames can be recorded from a single charge, plus the mechanical shutter guarantees 500,000 actuations, delivering long-term accuracy and reliability.

Connectivity

• Micro-HDMI port for outputting video to an external recorder or monitor.
• USB 3.2 Gen 2 port supports tethering, data transfer, and in-camera battery charging.
• 3.5mm external microphone port for greater control over audio recording.
• PC sync port for flash sync.
• 2.5mm remote port for using wired remote controllers.
• Integrated Bluetooth and Wi-Fi connectivity allows for wirelessly sharing images to a mobile device or to use the device to remotely control the camera.

Fujifilm X-T5 Overview

Key Features

• 40MP APS-C X-Trans CMOS 5 HR BSI Sensor
• 4K 120p, 6.2K 30p, FHD 240p 10-Bit Video
• 7-Stop In-Body Image Stabilization
• 425-Point Intelligent Hybrid AF System
• 3.69m-Dot OLED Electronic Viewfinder
• 3" 1.84m-Dot Tilting Touchscreen LCD
• 20 fps E. Shutter, 15 fps Mech. Shutter
• 160MP Pixel Shift Multi-Shot
• Bluetooth and Wi-Fi Connectivity
• ProRes & Blackmagic RAW via HDMI

A portable and powerful multimedia mirrorless camera, the FUJIFILM X-T5 features the newly developed 40MP APS-C X-Trans CMOS 5 HR BSI sensor for simply stunning results. Comparable in size to the original X-T1 and lighter than its predecessor, this camera provides a classic, dial-based layout and cutting-edge technology that includes a seven-stop in-body image stabilization system, Pixel Shift Multi-Shot mode for 160MP files, and action-freezing shutter speeds up to 1/180,000 sec from the electronic shutter. In addition to its versatile suite of stills capabilities, the X-T5 is also a highly capable moviemaking machine, recording up to 6.2K in 4:2:2 10-bit color internally or 12-bit ProRes RAW and Blackmagic RAW via HDMI.

40MP APS-C X-Trans CMOS 5 HR BSI Sensor

Offering the ultimate in image quality, the X-T5 features a 40MP X-Trans 5 HR CMOS sensor in a compact, lightweight body that maximizes functionality and portability. Imaging performance is in no way compromised by the camera's diminutive proportions. Instead, the X-T5's improved image processing algorithm delivers outstanding results and is packed with details right across the native ISO range.

Powerful Video Capabilities

A dynamic camera with powerful video functions, movies can be recorded internally at up to 6.2K at 30p in 4:2:2 10-bit color, plus there's a 4K HQ mode which oversamples 6.2K footage for superior 4K output. This higher video resolution unlocks 2x digital zoom functionality, providing additional in-camera versatility without a noticeable drop in quality.

External Raw Recording

Both F-Log and F-Log2 recording are possible, with the latter providing an expanded dynamic range of 13+ stops. Additionally, 12-bit ProRes RAW and Blackmagic RAW can be output via HDMI to Atomos and Blackmagic devices accordingly.

425-Point Intelligent Hybrid AF System

Featuring outstanding autofocus performance, the X-T5 utilizes 425 phase-detection points and is now sensitive down to -7 EV for working in truly low-light conditions. Also, backed by deep learning, an AI adaptive algorithm means this focusing system is better suited to automatically detect and track animals, athletes, birds, cars, motorcycles, and moving subjects.

In-Body Image Stabilization

Thanks to the camera's in-body image stabilization (IBIS) system, quality-sapping camera shake is minimized. Built-in 5-axis sensor-shift image stabilization helps to minimize the appearance of camera shake by up to 7 stops. This system works in conjunction with most X Series lenses, including non-stabilized ones, and benefits working with slower shutter speeds and when shooting in difficult lighting conditions. Additionally, digital image stabilization can also be used during video recording to further aid in steadying footage, especially when recording handheld.

Pixel Shift Multishot

Utilizing the camera's IBIS system to precisely shift the sensor, Pixel Shift Multishot automatically records 20 separate frames with one press of the shutter release. Resulting files are combined using Pixel Shift Combiner software to quadruple the camera's resolution and produce a detail-rich, 160MP file. Perfect for commercial applications or digital archiving, it's also ideal for any static subject where image quality is of primary importance.

Built for Speed

The X-T5 provides powerful image making performance to ensure it's ready for action, no matter how fast your subject is moving. A top electronic shutter speed of 1/180,000 sec and a maximum mechanical shutter speed of 1/8000 sec will stop any subject in its tracks, while a lag time of just 35 ms gives an almost instantaneous response when the shutter release is pressed. Keep a finger down, and the X-T5 will record images at up to 15 fps with the mechanical shutter, or 20 fps with the electronic shutter. Either way, no important moment will be missed.

Film Simulation Modes

Film Simulation modes allow you to reproduce the look and feel of several of FUJIFILM's film types, including Provia, Velvia, Astia, Classic Chrome, PRO Neg.Std, PRO Neg. Hi, Classic Neg., Nostalgic Neg., Eterna Cinema, Eterna Bleach Bypass, Acros, Acros + Ye Filter, Acros + R Filter, Acros + G Filter, Black & White, Black & White + Ye Filter, Black & White + R Filter, Black & White + G Filter, and Sepia.

Enhanced Body Design

• Large OLED electronic viewfinder features a crisp 3.69m-dot resolution for bright, clear, and detailed eye-level viewing. Additionally, this EVF offers 0.8x magnification for an easy-to-view image that is further enhanced by improved suppression of parallax and distortion compared to its predecessor. The 100 fps refresh rate, meanwhile, allows virtually blackout-free image making.
• Large 3.0" 1.62m-dot LCD touchscreen for intuitive operation and playback, and the tilting design greatly benefits working from high and low shooting angles.
• Utilizing an NP-W235 battery, up to 680 frames can be recorded from a single charge, plus the mechanical shutter guarantees 500,000 actuations, delivering long-term accuracy and reliability.

Connectivity

• Micro-HDMI port for outputting video to an external recorder or monitor.
• USB 3.2 Gen 2 port supports tethering, data transfer, and in-camera battery charging.
• 3.5mm external microphone port for greater control over audio recording.
• PC sync port for flash sync.
• 2.5mm remote port for using wired remote controllers.
• Integrated Bluetooth and Wi-Fi connectivity allows for wirelessly sharing images to a mobile device or to use the device to remotely control the camera.

Zhiyun-Tech Crane-2S Overview

Key Features

• 9th Instune High Axis Response Algorithm
• Large Camera Support: BMPCC 6K, S1H, 1DX
• Dedicated TransMount Transmitter Mounts
• Standard & Vertical Camera Mounts
• Carbon Fiber Handle
• Low Servo Delay Handwheel Performance
• 0.96" OLED Screen
• Panorama & Multiple Time-Lapse Functions
• Up to 12-Hour Runtime

A follow-up to the Crane-2, the Zhiyun-Tech CRANE 2S has been highly upgraded to better suit the needs of filmmakers. Featuring a new-generation 9th Instune Algorithm that improves the responsiveness of each axis, the CRANE 2S is capable of stabilizing large cameras such as the Blackmagic Pocket 6K, Panasonic S1H, and Canon EOS 1DX Mark II along with accessories. (Please visit the Zhiyun website for a full list of compatible cameras and lenses.)

To support a collaborative process, the CRANE 2S offers dedicated mounting points for attaching an optional Zhiyun-Tech TransMount transmitter. Another new feature, integrated to support the growing demand for social media content, is a vertical quick release mount that enables you to set your camera up vertically. Besides this, a new FlexMount system is used for mounting your camera the standard way. This technology simplifies the mounting and setup process while securing your camera with a double-safety mechanism. The axis-locking mechanism for balancing a camera has also been improved with a two-phase locking design. The axis-locking mechanism additionally ensures that there's no movement of the gimbal components during travel or storage.

The grip handle of the gimbal is made out of carbon fiber so the gimbal feels lighter in your hand. The built-in handwheel on the side of the handle has been upgraded to allow for very low delay when controlling an add-on lens motor, sold separately, so you can make adjustments with more precision. (When using both a focus and zoom motor, you can set the handwheel to control your choice of one or the other.) On the bottom of the handle is a 1/4"-20 thread that allows you to attach the included mini tripod to be used as a stand or as an extension that can be held with the other hand for more control.

Using the companion iOS/Android mobile app, advanced cinematic functions such as panorama, time-lapse, motion-lapse, and long exposure time-lapse can be performed with the gimbal to achieve creative results. Many of the gimbal's parameters can be adjusted via this app, while many key modes and parameters can be accessed directly from the 0.96" OLED screen right above the handle.

The CRANE 2S also supports a variety of dedicated Zhiyun-Tech TransMount accessories, which include servo motors. The quick release plate included with the gimbal is compatible with many common tripod heads so you can efficiently move your camera between the gimbal and tripods, sliders, and other camera supports. Also included are a lens control and multiple camera control cables to allow for a comprehensive workflow. The CRANE 2S runs for up to 12 hours on three included batteries, which are rechargeable using a supplied triple charger.

Key Features

• 9th Instune Algorithm with high axis responsiveness
• Support for large cameras such as the Blackmagic Pocket 6K, Panasonic S1H, and Canon EOS 1DX Mark II
• Six modes: pan follow, lock, follow, full-range POV, vortex, and Go modes
• Dedicated mounting points for attaching an optional Zhiyun-Tech TransMount transmitter
• FlexMount camera mounting system with a double safety mechanism
• Vertical quick release camera mount
• Quick release plate compatible with many tripod heads and sliders
• Two-phase axis locking mechanism for balancing a camera and for storage/travel
• Carbon fiber handle
• Low-delay handwheel performance when used with optional lens motors
• Up to 12-hour runtime on three included removable batteries
• 360° pan motion
• 0.96" OLED screen
• Panorama, time-lapse, motion-lapse, and long exposure time-lapse via the companion iOS/Android app
• 1/4"-20 thread on the bottom

FUJIFILM X-T5 Overview

Key Features

• 40MP APS-C X-Trans CMOS 5 HR BSI Sensor
• 4K 120p, 6.2K 30p, FHD 240p 10-Bit Video
• 7-Stop In-Body Image Stabilization
• 425-Point Intelligent Hybrid AF System
• 3.69m-Dot OLED Electronic Viewfinder
• 3" 1.84m-Dot Tilting Touchscreen LCD
• 20 fps E. Shutter, 15 fps Mech. Shutter
• 160MP Pixel Shift Multi-Shot
• Bluetooth and Wi-Fi Connectivity
• XF 16-80mm f/4 R OIS WR Lens

A portable and powerful multimedia mirrorless camera, the FUJIFILM X-T5 features the newly developed 40MP APS-C X-Trans CMOS 5 HR BSI sensor for simply stunning results. Comparable in size to the original X-T1 and lighter than its predecessor, this camera provides a classic, dial-based layout and cutting-edge technology that includes a seven-stop in-body image stabilization system, Pixel Shift Multi-Shot mode for 160MP files, and action-freezing shutter speeds up to 1/180,000 sec from the electronic shutter. In addition to its versatile suite of stills capabilities, the X-T5 is also a highly capable moviemaking machine, recording up to 6.2K in 4:2:2 10-bit color internally or 12-bit ProRes RAW and Blackmagic RAW via HDMI.

FUJIFILM X-T5 Mirrorless Camera (Black)

A portable and powerful multimedia mirrorless camera, the FUJIFILM X-T5 features the newly developed 40MP APS-C X-Trans CMOS 5 HR BSI sensor for simply stunning results. Comparable in size to the original X-T1 and lighter than its predecessor, this camera provides a classic, dial-based layout and cutting-edge technology that includes a seven-stop in-body image stabilization system, Pixel Shift Multi-Shot mode for 160MP files, and action-freezing shutter speeds up to 1/180,000 sec from the electronic shutter. In addition to its versatile suite of stills capabilities, the X-T5 is also a highly capable moviemaking machine, recording up to 6.2K in 4:2:2 10-bit color internally or 12-bit ProRes RAW and Blackmagic RAW via HDMI.

40MP APS-C X-Trans CMOS 5 HR BSI Sensor

Offering the ultimate in image quality, the X-T5 features a 40MP X-Trans 5 HR CMOS sensor in a compact, lightweight body that maximizes functionality and portability. Imaging performance is in no way compromised by the camera's diminutive proportions. Instead, the X-T5's improved image processing algorithm delivers outstanding results and is packed with details right across the native ISO range.

Powerful Video Capabilities

A dynamic camera with powerful video functions, movies can be recorded internally at up to 6.2K at 30p in 4:2:2 10-bit color, plus there's a 4K HQ mode which oversamples 6.2K footage for superior 4K output. This higher video resolution unlocks 2x digital zoom functionality, providing additional in-camera versatility without a noticeable drop in quality.

External Raw Recording

Both F-Log and F-Log2 recording are possible, with the latter providing an expanded dynamic range of 13+ stops. Additionally, 12-bit ProRes RAW and Blackmagic RAW can be output via HDMI to Atomos and Blackmagic devices accordingly.

425-Point Intelligent Hybrid AF System

Featuring outstanding autofocus performance, the X-T5 utilizes 425 phase-detection points and is now sensitive down to -7 EV for working in truly low-light conditions. Also, backed by deep learning, an AI adaptive algorithm means this focusing system is better suited to automatically detect and track animals, athletes, birds, cars, motorcycles, and moving subjects.

In-Body Image Stabilization

Thanks to the camera's in-body image stabilization (IBIS) system, quality-sapping camera shake is minimized. Built-in 5-axis sensor-shift image stabilization helps to minimize the appearance of camera shake by up to 7 stops. This system works in conjunction with most X Series lenses, including non-stabilized ones, and benefits working with slower shutter speeds and when shooting in difficult lighting conditions. Additionally, digital image stabilization can also be used during video recording to further aid in steadying footage, especially when recording handheld.

Pixel Shift Multishot

Utilizing the camera's IBIS system to precisely shift the sensor, Pixel Shift Multishot automatically records 20 separate frames with one press of the shutter release. Resulting files are combined using Pixel Shift Combiner software to quadruple the camera's resolution and produce a detail-rich, 160MP file. Perfect for commercial applications or digital archiving, it's also ideal for any static subject where image quality is of primary importance.

Built for Speed

The X-T5 provides powerful image making performance to ensure it's ready for action, no matter how fast your subject is moving. A top electronic shutter speed of 1/180,000 sec and a maximum mechanical shutter speed of 1/8000 sec will stop any subject in its tracks, while a lag time of just 35 ms gives an almost instantaneous response when the shutter release is pressed. Keep a finger down, and the X-T5 will record images at up to 15 fps with the mechanical shutter, or 20 fps with the electronic shutter. Either way, no important moment will be missed.

Film Simulation Modes

Film Simulation modes allow you to reproduce the look and feel of several of FUJIFILM's film types, including Provia, Velvia, Astia, Classic Chrome, PRO Neg.Std, PRO Neg. Hi, Classic Neg., Nostalgic Neg., Eterna Cinema, Eterna Bleach Bypass, Acros, Acros + Ye Filter, Acros + R Filter, Acros + G Filter, Black & White, Black & White + Ye Filter, Black & White + R Filter, Black & White + G Filter, and Sepia.

Enhanced Body Design

• Large OLED electronic viewfinder features a crisp 3.69m-dot resolution for bright, clear, and detailed eye-level viewing. Additionally, this EVF offers 0.8x magnification for an easy-to-view image that is further enhanced by improved suppression of parallax and distortion compared to its predecessor. The 100 fps refresh rate, meanwhile, allows virtually blackout-free image making.
• Large 3.0" 1.62m-dot LCD touchscreen for intuitive operation and playback, and the tilting design greatly benefits working from high and low shooting angles.
• Utilizing an NP-W235 battery, up to 680 frames can be recorded from a single charge, plus the mechanical shutter guarantees 500,000 actuations, delivering long-term accuracy and reliability.

Connectivity

• Micro-HDMI port for outputting video to an external recorder or monitor.
• USB 3.2 Gen 2 port supports tethering, data transfer, and in-camera battery charging.
• 3.5mm external microphone port for greater control over audio recording.
• PC sync port for flash sync.
• 2.5mm remote port for using wired remote controllers.
• Integrated Bluetooth and Wi-Fi connectivity allows for wirelessly sharing images to a mobile device or to use the device to remotely control the camera.

FUJIFILM XF 16-80mm f/4 R OIS WR Lens

Well-suited for a wide variety of shooting situations, the FUJIFILM XF 16-80mm f/4 R OIS WR is a versatile 24-120mm-equivalent zoom, spanning wide-angle to medium-telephoto, and featuring a constant f/4 maximum aperture. Complementing this flexible design is an advanced optical layout, which includes a trio of aspherical elements and one ED aspherical element that help to minimize a variety of aberrations in order to produce high sharpness and clarity. A Super EBC coating also improves contrast and color neutrality by reducing flare and ghosting when working in strong lighting conditions. Also benefitting use in a variety of situations is a quick and quiet autofocus system along with a six stop-effective image stabilization system that minimizes the appearance of camera shake. Additionally, the lens is fully weather-sealed for working in inclement conditions.

• Standard zoom is designed for APS-C-format Fujifilm X-mount mirrorless cameras and offers a 24-120mm equivalent focal length range.
• One extra-low dispersion aspherical element is used greatly reduce color fringing and chromatic aberrations in order to produce high clarity and color fidelity throughout the zoom range.
• Three aspherical elements control distortion and spherical aberrations, which helps to improve sharpness and realize more accurate rendering.
• A Super EBC (Electron Beam Coating) coating has been applied to the entire surface of each element to for controlling ghosting and flare for greater contrast and color accuracy.
• Quick and quiet autofocus performance benefits both stills and video applications.
• An advanced Optical Image Stabilization system minimizes the appearance of camera shake by up to six stops to enable sharper imaging when working with longer focal lengths or slower shutter speeds.
• Weather-sealed lens body protects against dust and moisture, and to enable worry-free use in inclement conditions and freezing temperatures as low as 14°F.
• Rounded nine-blade diaphragm contributes to a pleasing out-of-focus quality to benefit the use of selective focus and shallow depth of field techniques.

FUJIFILM X-T5 Overview

Key Features

• 40MP APS-C X-Trans CMOS 5 HR BSI Sensor
• 4K 120p, 6.2K 30p, FHD 240p 10-Bit Video
• 7-Stop In-Body Image Stabilization
• 425-Point Intelligent Hybrid AF System
• 3.69m-Dot OLED Electronic Viewfinder
• 3" 1.84m-Dot Tilting Touchscreen LCD
• 20 fps E. Shutter, 15 fps Mech. Shutter
• 160MP Pixel Shift Multi-Shot
• Bluetooth and Wi-Fi Connectivity
• XF 18-55mm f/2.8-4 R LM OIS Lens

A portable and powerful multimedia mirrorless camera, the FUJIFILM X-T5 features the newly developed 40MP APS-C X-Trans CMOS 5 HR BSI sensor for simply stunning results. Comparable in size to the original X-T1 and lighter than its predecessor, this camera provides a classic, dial-based layout and cutting-edge technology that includes a seven-stop in-body image stabilization system, Pixel Shift Multi-Shot mode for 160MP files, and action-freezing shutter speeds up to 1/180,000 sec from the electronic shutter. In addition to its versatile suite of stills capabilities, the X-T5 is also a highly capable moviemaking machine, recording up to 6.2K in 4:2:2 10-bit color internally or 12-bit ProRes RAW and Blackmagic RAW via HDMI.

FUJIFILM X-T5 Mirrorless Camera (Black)

A portable and powerful multimedia mirrorless camera, the FUJIFILM X-T5 features the newly developed 40MP APS-C X-Trans CMOS 5 HR BSI sensor for simply stunning results. Comparable in size to the original X-T1 and lighter than its predecessor, this camera provides a classic, dial-based layout and cutting-edge technology that includes a seven-stop in-body image stabilization system, Pixel Shift Multi-Shot mode for 160MP files, and action-freezing shutter speeds up to 1/180,000 sec from the electronic shutter. In addition to its versatile suite of stills capabilities, the X-T5 is also a highly capable moviemaking machine, recording up to 6.2K in 4:2:2 10-bit color internally or 12-bit ProRes RAW and Blackmagic RAW via HDMI.

40MP APS-C X-Trans CMOS 5 HR BSI Sensor

Offering the ultimate in image quality, the X-T5 features a 40MP X-Trans 5 HR CMOS sensor in a compact, lightweight body that maximizes functionality and portability. Imaging performance is in no way compromised by the camera's diminutive proportions. Instead, the X-T5's improved image processing algorithm delivers outstanding results and is packed with details right across the native ISO range.

Powerful Video Capabilities

A dynamic camera with powerful video functions, movies can be recorded internally at up to 6.2K at 30p in 4:2:2 10-bit color, plus there's a 4K HQ mode which oversamples 6.2K footage for superior 4K output. This higher video resolution unlocks 2x digital zoom functionality, providing additional in-camera versatility without a noticeable drop in quality.

External Raw Recording

Both F-Log and F-Log2 recording are possible, with the latter providing an expanded dynamic range of 13+ stops. Additionally, 12-bit ProRes RAW and Blackmagic RAW can be output via HDMI to Atomos and Blackmagic devices accordingly.

425-Point Intelligent Hybrid AF System

Featuring outstanding autofocus performance, the X-T5 utilizes 425 phase-detection points and is now sensitive down to -7 EV for working in truly low-light conditions. Also, backed by deep learning, an AI adaptive algorithm means this focusing system is better suited to automatically detect and track animals, athletes, birds, cars, motorcycles, and moving subjects.

In-Body Image Stabilization

Thanks to the camera's in-body image stabilization (IBIS) system, quality-sapping camera shake is minimized. Built-in 5-axis sensor-shift image stabilization helps to minimize the appearance of camera shake by up to 7 stops. This system works in conjunction with most X Series lenses, including non-stabilized ones, and benefits working with slower shutter speeds and when shooting in difficult lighting conditions. Additionally, digital image stabilization can also be used during video recording to further aid in steadying footage, especially when recording handheld.

Pixel Shift Multishot

Utilizing the camera's IBIS system to precisely shift the sensor, Pixel Shift Multishot automatically records 20 separate frames with one press of the shutter release. Resulting files are combined using Pixel Shift Combiner software to quadruple the camera's resolution and produce a detail-rich, 160MP file. Perfect for commercial applications or digital archiving, it's also ideal for any static subject where image quality is of primary importance.

Built for Speed

The X-T5 provides powerful image making performance to ensure it's ready for action, no matter how fast your subject is moving. A top electronic shutter speed of 1/180,000 sec and a maximum mechanical shutter speed of 1/8000 sec will stop any subject in its tracks, while a lag time of just 35 ms gives an almost instantaneous response when the shutter release is pressed. Keep a finger down, and the X-T5 will record images at up to 15 fps with the mechanical shutter, or 20 fps with the electronic shutter. Either way, no important moment will be missed.

Film Simulation Modes

Film Simulation modes allow you to reproduce the look and feel of several of FUJIFILM's film types, including Provia, Velvia, Astia, Classic Chrome, PRO Neg.Std, PRO Neg. Hi, Classic Neg., Nostalgic Neg., Eterna Cinema, Eterna Bleach Bypass, Acros, Acros + Ye Filter, Acros + R Filter, Acros + G Filter, Black & White, Black & White + Ye Filter, Black & White + R Filter, Black & White + G Filter, and Sepia.

Enhanced Body Design

• Large OLED electronic viewfinder features a crisp 3.69m-dot resolution for bright, clear, and detailed eye-level viewing. Additionally, this EVF offers 0.8x magnification for an easy-to-view image that is further enhanced by improved suppression of parallax and distortion compared to its predecessor. The 100 fps refresh rate, meanwhile, allows virtually blackout-free image making.
• Large 3.0" 1.62m-dot LCD touchscreen for intuitive operation and playback, and the tilting design greatly benefits working from high and low shooting angles.
• Utilizing an NP-W235 battery, up to 680 frames can be recorded from a single charge, plus the mechanical shutter guarantees 500,000 actuations, delivering long-term accuracy and reliability.

Connectivity

• Micro-HDMI port for outputting video to an external recorder or monitor.
• USB 3.2 Gen 2 port supports tethering, data transfer, and in-camera battery charging.
• 3.5mm external microphone port for greater control over audio recording.
• PC sync port for flash sync.
• 2.5mm remote port for using wired remote controllers.
• Integrated Bluetooth and Wi-Fi connectivity allows for wirelessly sharing images to a mobile device or to use the device to remotely control the camera.

FUJIFILM XF 18-55mm f/2.8-4 R LM OIS Lens

Mixing versatility, speed, and a sleek design, the XF 18-55mm f/2.8-4 R LM OIS from FUJIFILM is a flexible 27-84mm-equivalent standard zoom for X-mount mirrorless cameras. Its bright f/2.8-4 maximum aperture range suits working in difficult lighting conditions and also helps to keep the overall and size and weight of the lens down. In regard to optics, this zoom features three aspherical elements and one extra-low dispersion element, which help to control spherical and chromatic aberrations in order to improve sharpness and clarity. A Super EBC coating also improves contrast and color neutrality by reducing flare and ghosting when working in strong lighting conditions. Additionally, benefitting use in a variety of situations, a linear motor delivers quick and quiet autofocus performance and a five stop-effective image stabilization system minimizes the appearance of camera shake.

Standard zoom is designed for APS-C-format Fujifilm X-mount mirrorless cameras and offers a 27-84mm equivalent focal length range.

One extra-low dispersion element is used to greatly reduce color fringing and chromatic aberrations in order to produce high clarity and color fidelity throughout the zoom range.

Three aspherical elements control distortion and spherical aberrations, which helps to improve sharpness and realize more accurate rendering.

Super EBC coating has been applied to individual elements to reduce lens flare and ghosting for improved contrast and color fidelity when working in strong lighting conditions.

A linear motor autofocus system, coupled with an internal focusing design, delivers smooth, near-silent performance that is especially beneficial to video applications and when working in noise-sensitive areas.

Complemented by an enhanced gyro sensor and unique series of algorithms, the optical stabilization system minimizes the appearance of camera shake by up to four stops to enable sharper imaging when working with longer focal lengths or slower shutter speeds.

Rounded seven-blade diaphragm contributes to a pleasing out-of-focus quality to benefit the use of selective focus and shallow depth of field techniques.

Zhiyun Crane 4 Overview

Key Features

• 13.2 lb Load Capacity
• Extended Arm for Full-Frame Lenses
• Dual-Layer Quick Release Plates
• 360° Pan, 207° Tilt, 70° Roll Rotation
• Bluetooth 5.0 Shutter Control
• Built-In 3200 Lux Fill Light
• Adjustable Color Temperature
• Creative Operation Modes, 12-Hr Runtime
• 1.22" Touchscreen, Balance Indicators
• 2600mAh Batteries, PD Fast Charge

The Zhiyun CRANE 4 takes the familiar form factor and lightweight experience of previous Zhiyun gimbals while expanding the onboard features for native portrait shooting, Bluetooth shutter control, and an extended grip to accommodate cameras with full-frame lenses. Control the 360° pan, 207° tilt, and 70° roll rotation using the onboard controls. Balance indicator lights on each motor aid in achieving precise calibration. Dual-layer quick release plates facilitate both landscape and portrait-oriented shooting with ease. Easily control your settings with the 1.22" color touchscreen and Bluetooth-powered wireless shutter. The CRANE 4 also features a built-in fill light with a 3200 lux output and adjustable color temperature.

Lightweight Design, Extended Arm Length

• With the CRANE 4 redesign comes an extended arm length and stronger motors, which expands the gimbal's gimbal and lens compatibility to DSLR, mirrorless, and compact cinema cameras with full-frame lenses attached.
• The gimbal weighs just 3.6 lb but has a 13.2 lb load capacity capable of supporting cameras like the Canon EOS 5D Mark IV, Blackmagic Pocket Cinema Camera 6K Pro, Nikon Z8, Panasonic LUMIX S1H, and Sony a7S III, all with full-frame lenses attached.
• For a full list of compatible cameras, please see the most current compatibility information on the Zhiyun website page or see the camera compatibility list in PDF format.

Dual-Layer Quick Release, Lens Support

Mount your camera of choice on the camera quick release plate or upper quick release plate for efficient integration and balancing with the dual-layer plates on the CRANE 4. The lower quick release plate slides in the landscape orientation baseplate and offers a mounting point for the included lens support when using heftier full-frame lenses. The upper quick release slides easily into the portrait orientation baseplate.

Bluetooth 5.0 Shutter Control

While the included camera control cables offer the option for wired shutter control, avoid complicated cable runs by using the embedded Bluetooth 5.0 shutter control. Wirelessly control your compatible camera's shutter and toggle recording via the onboard controls and touchscreen. For a full list of Bluetooth-compatible cameras, please see the most current compatibility information on the Zhiyun website page or see the camera compatibility list in PDF format.

Powerful, Bright Fill Light

• A built-in 10W fill light easily lights subjects thanks to its 3200 lux brightness. An included fill light diffuser can soften the light's effect as needed.
• The light has a CRI of 95+ for accurate and natural color reproduction.
• Adjust the color temperature of the light from 2700 to 5500K with the onboard control wheel.

1.22" Color Touchscreen, Onboard Controls

• Toggle between gimbal modes like Pan Follow Mode, Lock Mode, POV Mode, Follow Mode, Go Mode, Vortex Mode, and Portrait Mode.
• Other shooting features include Panorama, Timelapse, and Motionlapse.
• Check and view the balance status of each axis in real time.
• Auto-calibrate after your rig is fully balanced.
• Set the motor torque, smoothness, follow speed, and joystick speed of the gimbal.
• Customize the function of the trigger button and front dial to toggle settings or modes of your choice.

ZY Play App

Control your gimbal remotely from your iOS or Android device using the ZY Play App. Features of the app include virtual joystick control, photo and video control, motion sensor control, timelapse, panorama, and firmware upgrade. The gimbal's embedded Bluetooth technology facilitates the app connection.

Follow Focus and Video Transmitter Integration

Attach additional pro-level tools to the CRANE 4 to communicate to others on set. Two USB-C ports at the front of the camera mounting area can connect follow focus motors for remote camera control. Another USB-C port at the back of the camera accepts the included camera control cables or connects to the separately available TransMount Image Transmission system. The transmitter unit can mount onto the bottom of your gimbal's baseplate to communicate with its corresponding viewing monitor.

All-Day Production

Four built-in 18650 batteries with a 2600mAh total capacity offer a runtime of 12 hours to shoot all-day events. The USB-C charging port supports PD fast charging to get you back up and running in 1.5 hours. You can charge the gimbal while it's in use to keep capturing the action.