Key Features
Super compact and rugged, the Micro Converter HDMI To SDI 3G from Blackmagic Design enables you To link HDMI cameras or computers To pro-style SDI (BNC) monitors or components. You can also use several units To extend HDMI over long distances using SDI cable. This compact converter has one HDMI input and two 3G-SD/HD/SDI outputs that can be set To Level A or B. It auto-detects and matches your HDMI input To the SDI output and is compatible with input/output resolutions up To 1080p60. The Micro Converter HDMI To SDI 3G features HDMI timecode support, SDI re-clocking for stability over long cable runs, and support for a wide Range of pro broadcast resolutions including cine-style 48 fps.
This pocket-sized converter features a sturdy metal housing with power and signal LED status indicators and rugged connector interfaces. A USB Type-C port enables the HDMI To SDI 3G converter To easily connect To and be powered by large-screen monitors, laptops, desktop computers, or projectors. You can also power this converter using a separately available 100-240 VAC power supply, complete with four international socket adapters.
Key Features
The Blackmagic Design DeckLink Mini Recorder is a PCIe slot capture card with both SDI and HDMI inputs for capturing uncompressed 10-bit video from a camera directly into your computer. You'll be able To ingest footage as the camera recording live or from a playback of the camera recording. The inputs are active, so once you plug a cable into them, they'll begin functioning. This card automatically switches between SD and HD, so it'll be able To handle all common video formats. The point of ingesting through a capture card is To bypass unnecessary compressions and hence data loss. The card performs just one compression, upon delivery To your computer, where your footage gets encoded into an edit-ready codec of your choice.
The Mini Monitor is a 1-lane PCI Express card and is compatible with 4, 8 and 16 lane PCI Express slots on Mac OS X, Windows, and Linux. The only Mac capable of accepting the card is a Mac Pro as other Macs can't be opened To enable installation. The card features two PCIe shields for both full height and low profile slots.
AVC-Intra, AVCHD, Canon XF MPEG2, Digital SLR, DV-NTSC, DV-PAL, DVCPRO50, DVCPROHD, DPX, HDV, XDCAM EX, XDCAM HD, XDCAM HD422, Apple ProRes 4444, Apple ProRes 422 (HQ), Apple ProRes 422, Apple ProRes (LT), Apple ProRes 422 (Proxy), Uncompressed 8-bit 4:2:2, Uncompressed 10-bit 4:2:2
Firmware built into software driver. Loaded at system start or via updater software.
Key Features
The Blackmagic Design ATEM Mini Extreme is an 8-input live production switcher for live streaming. It features an integrated control panel and has advanced broadcast features. In addition to live streaming using RTMP protocols, you can also output your program as if it was a webcam over USB. This versatile switcher's eight independent HDMI inputs accept all popular HD signals up to 1080p60. Each input has discrete frame rate and format converters, and it supports re-syncing for seamless switching between a variety of pro and consumer cameras, game consoles, and computer feeds.
Switch, add effects, color grade, and key in real time using the control surface's buttons, or via the software control panel. CCU functions are available for controlling Blackmagic Studio and URSA Mini/Broadcast/Micro Studio cameras from the switcher. The ATEM Mini Extreme supports up to nine layers, with four upstream and two downstream keyers, up to four chroma keyers, up to four linear keyers, two DVE with borders and drop shadow, five pattern generators, and two color generators. Designed for live streaming or webcam production, the Mini Extreme has HDMI outputs to feed monitors and supports up to 16-screen multiview.
Live stream to YouTube, Facebook Live, Skype, Twitch, Zoom, Microsoft Teams, and other platforms that support RTMP protocols.
The front panel includes easy-to-use buttons for Selecting sources, video effects, and transitions. The source buttons are large, allowing you to operate them by feel. Included on the ATEM Extreme are buttons for audio mixing, recording, and streaming control, as well as output Selection buttons that let you change the video output between cameras, program, and multiview. On the rear panel, there are HDMI connections for cameras or computers, extra microphone inputs, USB for webcam out, plus an HDMI "AUX" output for program video.
You can output using the Ethernet connection to your network or use the USB Type-C output to have your switched show recognized as a webcam input by virtually any video software such as Zoom, Microsoft Teams, Skype, Open Broadcaster, XSplit Broadcaster, and others.
If you're doing live production on location, the ATEM Mini Extreme models support connecting an Apple or Android phone to the USB port to use mobile data. It's also a great backup for the main Ethernet connection, so you don't drop your stream if your hardwired connection gets interrupted. The switcher will automatically switch to using the phone as the primary connection, and the USB port will also power your phone, so the battery won't drain.
You can configure the HDMI output for multiview with 4, 7, 10, 13, up to 16 views including Program, Preview, eight HDMI inputs, SuperSource, clean feed, media player, streaming status, recording status, and audio meters.
The ATEM Mini Extreme can control the Blackmagic Pocket Cinema Camera 4K and 6K models when they are updated to the latest software and plugged in via the HDMI inputs. You can control your HDMI camera settings such as iris, gain, focus, detail, and zoom control on compatible lenses. Plus, you can color balance cameras, as well as create unique looks using the DaVinci Resolve primary color corrector built into the Blackmagic Pocket Cinema Camera 4K and 6K.
The switcher can store up to 20 images with fill and key, and it supports PNG, TGA, BMP, GIF, JPEG, and TIFF file formats.
It includes the ATEM Software Control Panel, and it is also compatible with the ATEM 1 M/E, ATEM 2 M/E, and ATEM 4 M/E Advanced Panels. The ATEM Mini Extreme can be configured using Blackmagic's Videohub Hardware Panel Setup utility to route sources to destinations using Videohub Smart Control Pro and Videohub Master Control Pro.
The ATEM Mini Extreme models support the direct recording of your streaming data to USB flash disks using the same H.264 video files with AAC audio that you streamed. Recording to multiple disks is also supported via a USB hub or the Blackmagic MultiDock, so when a disk becomes full, recording can continue to a second disk for nonstop recording. Record settings and disk Selection are set up in ATEM Software Control, and there's a record status view in the built-in multiview. You can even trigger recording on connected Blackmagic Pocket Cinema Cameras.
One of the benefits of ATEM Mini is the professional production values possible using the Range of built-in video effects. The cut button ensures an instant cut when switching between sources. The auto button is a professional term used on large broadcast switchers to enable video effect transitions. There are duration buttons for video effects allowing 0.5-, 1-, 1.5-, and 2-second settings. You can also Select the type of effect you want including mix, which does a smooth transition between sources, and dip, which fades via a color during the transition. Or use fun DVE effects that move the image off-screen when transitioning between sources.
with two independent 3.5mm stereo audio inputs, you can connect desktop and lapel microphones, or you can connect a music player to generate introduction music after the live stream commences but before the program starts. with two extra stereo audio inputs, you can ensure a host and guest both have lapel microphones when doing interviews. All audio inputs to the ATEM Mini include buttons on the panel for adjusting audio level and enabling inputs into the audio mixer. All models feature a Fairlight audio mixer with all HDMI inputs, and both microphone inputs are connected to the audio mixer, so you can live mix from all audio sources. The ATEM Mini Extreme also adds a headphone output.
Hiding in the ATEM Mini Extreme models are a host of broadcast-caliber features that are accessible when connected to a Mac or Windows computer running the free ATEM Software Control app.
The Blackmagic Design Pocket Cinema Camera 4K features a 4/3" sensor for capturing up to 4096 x 2160 DCI 4K images at rates up to 60 fps in a variety of codecs including CinemaDNG Raw/Raw 3:1/Raw 4:1, and various ProRes 422 options. Slow-motion rates up to 120 fps are available in cropped Full HD. Its Micro Four Thirds lens mount accommodates the original, lightweight Pocket Cinema Camera lenses, and can be used with PL, C, EF, and other lenses with the use of separately available adapters. A dual-native ISO up to 25,600 is featured for low-light capture, and 13 stops of dynamic Range provide rich HDR images.
Record using the internal CFast 2.0 and SD/UHS-II card slots, or employ the USB-C output for capturing longer clips to an external drive. The Pocket Cinema Camera 4K's 5" touchscreen LCD display reduces the need for an external, onboard monitor, while a full-sized HDMI port enables you to output a signal to a larger display. The menu and interface are the same as the ones found on the URSA Mini camera, and 3D LUTs can be applied for monitoring or for baking in your look when you're ready to commit.
Audio features include a mini-XLR input with phantom power for pro-style mics, a 3.5mm jack, and an internal stereo mic. Additional features include the same Blackmagic OS as the URSA Mini, and Bluetooth remote control. A license key for DaVinci Resolve Studio is included for versatile post-production control. The Pocket Cinema Camera 4K's carbon fiber polycarbonate build provides lightweight strength and durability, and power options include running off a Canon LP-E6 type battery or the included power supply.
4/3" Image Sensor / Dual Native ISO
The Pocket Cinema Camera 4K uses a 4/3" sensor, 13 stops of dynamic Range, and a dual native ISO up to 25,600 to capture rich images at resolutions up to DCI 4K.
Active Micro Four Thirds Lens Mount
Use lightweight, electronically-controlled MFT lenses, or use separately available adapters to expand your lens choices to include PL, C, or EF-mount lenses.
CinemaDNG Raw and ProRes Options
Choose from CinemaDNG Raw and ProRes 422 files options depending on your project's needs.
Shooting Resolutions
4096 x 2160 (DCI 4K), 3840 x 2160 (Ultra HD 4K), 1920 x 1080 (HD)
5" Touchscreen Display
A large 5" touchscreen display reduces the need for an external on-board monitor, while a full-sized HDMI port enables you to output a signal to a larger display on your video village.
CFast 2.0, SD/UHS-II, and USB Type-C Capture
Internally record to CFast 2.0 or SD/UHS-II card slots, or capture longer clips using the USB-C output to an external drive.
Flexible Power Options
The Pocket Cinema Camera 4K can be powered using a rechargeable Canon LP-E6 type battery or the included power supply.
DaVinci Resolve Studio
An activation key for DaVinci Resolve Studio is included with the camera.
The ATEM Mini Pro ISO HDMI Live Stream Switcher from Blackmagic Design is a four-input live production switcher with an integrated control panel designed for multicamera live streaming up to HD video to the internet via Ethernet output. It features a USB output that allows you to record the program output as well as record the individual HDMI inputs to an external USB drive (not included). In addition to recording the program stream and individual inputs, the ATEM Mini Pro ISO also records the embedded audio and analog audio inputs, generating a DaVinci Resolve project file of your live stream. This allows you to take your live production into DaVinci Resolve to make tweaks or adjustments using the source material that is already on your USB drive.
The ATEM Mini Pro ISO retains the same size, button layout, and rear panel interface connections as the ATEM Mini Pro, with new electronics that allow for the ISO recording and generation of the DaVinci project file. The ATEM Mini Pro ISO supports all the same features as the ATEM Mini Pro including upstream and downstream keyers, an advanced chroma keyer, two linear/luma keyers, a DVE transition keyer, a pattern generator, and color generators. There is also media player support for fill and key images, which supports up to 20 stills in PNG, TGA, BMP, JPEG, and TIFF formats. The ATEM Software Control Panel is used for control and configuration, and it allows you to monitor the data rate, audio meters, configuration, and status of your live feed. And you can use the panel to set up streaming to an optional Blackmagic Design Streaming Bridge anywhere in the world, as long as it is connected to the internet.
Available transitions include:
Layer live video over other video sources or graphics with the upstream keyer. You can use the luma key, linear key, pattern key, or shoot against a green screen and use chroma key to instantly composite the video over virtual sets.
The ATEM Mini switcher includes one downstream keyer, so you can add high-quality graphics like logos, bugs, and titles from the built-in media player over the live stream program output. Downstream keyers are the last layers of keying, so they overlay all video switched to the main program output.
The built-in audio mixer lets you control both camera and external audio with precision level and balance adjustments on all six available audio inputs and two channels. The mixer features Selectable on/off and audio-follow-video per channel, plus it has separate gain control per channel, level and peak metering, and new Fairlight audio enhancements such as compressor, gate, limiter, six bands of parametric EQ, and master gain control.
The HDMI monitor output allows you to see your sources, graphics, preview, and program output on a single screen.
Eliminate external character generators by storing up to 20 broadcast-quality RGBA graphic files in the media pool. The one media player appears as input sources to your switcher. You can transition to graphics as full-frame video, or feed them to the keyers for overlaying video. Popular image formats such as PNG, TGA, BMP, GIF, JPEG, and TIFF are supported.
This Blackmagic Design Pocket Cinema Camera 4K DC Cable Pack contains three different cables To power your Pocket Cinema Camera 4K. You can choose To power your camera via its 2-pin power port through D-Tap, 2.5mm barrel, or add your own connector on the cable with flying leads. Each cable measures 25.6" long.
Key Features
Add accessory mounting prowess to your PYXIS 6K camera with this Rosette Plate from Blackmagic Design. Constructed from the same aircraft-grade aluminum as the PYXIS camera body, this versatile plate provides a rosette mounting option to facilitate the mounting of handgrips or extension arms. It also has five 1/4"-20 and four 3/8"-16 threaded mounting holes for adding a wide range of accessories such as microphones, brackets, and more.
Key Features
The Blackmagic Design PYXIS 6K Cinema Box Camera takes the digital film innovations of the Blackmagic Design Cinema Camera 6K and turns it into a box-style cinema camera with a lockable Canon EF lens mount and customizable side plates. A full-frame 6K sensor captures rich colors, accurate skin tones, and a wide 13-stop dynamic range with its expanded 36 x 24mm sensor. Record both Blackmagic RAW and H.265 proxy files to the cloud or even stream directly to your social media platform of choice via Ethernet or mobile 4G/5G technology. The PYXS can film up to 6K Open Gate 3:2 video at 36 fps or 6K Anamorphic 6:5 video at 60 fps, among other selectable resolutions.
Large-Format Digital Film Sensor
The PYXIS is equipped with a massive 24 x 36mm full-frame sensor with a native 6048 x 4032 resolution, making it 3x larger than a Super35 sensor. This allows you to shoot with a shallow depth of field or use anamorphic lenses without cropping for a true cinematic look. A 13-stop dynamic range with dual-native ISO up to 25,600 ensures low-noise imagery in all lighting conditions. Shoot up to 36 fps at full sensor resolution or 120 fps windowed.
Flexible Film Formats
Work in a variety of film formats and aspect ratios without sacrificing quality, thanks to the large sensor. At its full area, the sensor provides you with Open Gate 3:2 images for easier framing in post-production. You can also work in true 6:5 anamorphic without needing to crop for widescreen cinematics. Use a Super35-sized window to create a close-up version of your shot.
Multiple Resolutions and Frame Rates
Shoot in standard video resolutions and frame rates from HD to 6K or still images at 24.6 MP using the PYXIS. For higher frame rates, you can window the center and shoot up to 100 fps at 212 x 1184 Super 16. Other options include 6K Open Gate 3:2 at 36 fps, 4832 x 4032 anamorphic at 24 fps, and 1920 x 1080 at 120 fps, among other resolutions.
HDR Imagery and Dual-Native ISO
A wide 13-stop dynamic range preserves more detail in both the lightest and darkest areas of your image. Set the exposure for an indoor scene while still retaining details in the bright outdoor light coming through a window. An expanded color range and included DaVinci Resolve Studio code give you creative freedom over the look of your footage. Dual-native ISO up to 25,600 minimizes grain and noise in your images while maintaining the full dynamic range of the sensor. ISO 400 is ideal for on-set lighting configurations, while ISO 3200 is perfect for dimly lit environments. The gain is automatically set as you adjust your ISO for intuitive control.
Customize Your Gear
Mounting threads on the side of the PYXIS allow you to secure additional mounting plates and customize your gear configuration. The standard plate included with the PYXIS secures via M4 threads and adds two 1/4"-20 threads and one 3/8"-16 thread to the camera for microphones, articulating arms, or other accessories. An SSD plate offers two hook-and-loop straps for attaching a USB-C drive or mobile device, allowing you to directly record or live stream on the go. A separately available Rosette plate can be purchased for further expansion.
LCD Monitor and Onboard Controls
Post-Production File Formats
The PYXS records in Blackmagic RAW to preserve control of detail, exposure, and color during post-production. It also records H.264 proxy files in real time for easy sharing using the Blackmagic Cloud, Ethernet connection, or by connecting 5G/4G mobile phones to the USB-C port for mobile connection. Media files work on all operating systems.
Multiple Recording Options
Two built-in CFExpress Type-B card slots and a USB-C expansion port allow you to record directly to external flash media disks or SSDs.
Built-In SRT and RTMP Live Streaming
Live stream directly from the PYXIS on set to a secondary location via SRT and RTMP protocols. Compatible platforms like YouTube, Facebook, and X can support signals from the PYXIS for live event production. If you want to share internally, use an ATEM Streaming Bridge for a wireless link back to the studio.
Expansive Connectivity
Key Features
The Blackmagic Design PYXIS 6K Cinema Box Camera takes the digital film innovations of the Blackmagic Design Cinema Camera 6K and turns it into a box-style cinema camera with a lockable Canon EF lens mount and customizable side plates. A full-frame 6K sensor captures rich colors, accurate skin tones, and a wide 13-stop dynamic range with its expanded 36 x 24mm sensor. Record both Blackmagic RAW and H.265 proxy files to the cloud or even stream directly to your social media platform of choice via Ethernet or mobile 4G/5G technology. The PYXS can film up to 6K Open Gate 3:2 video at 36 fps or 6K Anamorphic 6:5 video at 60 fps, among other selectable resolutions.
Large-Format Digital Film Sensor
The PYXIS is equipped with a massive 24 x 36mm full-frame sensor with a native 6048 x 4032 resolution, making it 3x larger than a Super35 sensor. This allows you to shoot with a shallow depth of field or use anamorphic lenses without cropping for a true cinematic look. A 13-stop dynamic range with dual-native ISO up to 25,600 ensures low-noise imagery in all lighting conditions. Shoot up to 36 fps at full sensor resolution or 120 fps windowed.
Flexible Film Formats
Work in a variety of film formats and aspect ratios without sacrificing quality, thanks to the large sensor. At its full area, the sensor provides you with Open Gate 3:2 images for easier framing in post-production. You can also work in true 6:5 anamorphic without needing to crop for widescreen cinematics. Use a Super35-sized window to create a close-up version of your shot.
Multiple Resolutions and Frame Rates
Shoot in standard video resolutions and frame rates from HD to 6K or still images at 24.6 MP using the PYXIS. For higher frame rates, you can window the center and shoot up to 100 fps at 212 x 1184 Super 16. Other options include 6K Open Gate 3:2 at 36 fps, 4832 x 4032 anamorphic at 24 fps, and 1920 x 1080 at 120 fps, among other resolutions.
HDR Imagery and Dual-Native ISO
A wide 13-stop dynamic range preserves more detail in both the lightest and darkest areas of your image. Set the exposure for an indoor scene while still retaining details in the bright outdoor light coming through a window. An expanded color range and included DaVinci Resolve Studio code give you creative freedom over the look of your footage. Dual-native ISO up to 25,600 minimizes grain and noise in your images while maintaining the full dynamic range of the sensor. ISO 400 is ideal for on-set lighting configurations, while ISO 3200 is perfect for dimly lit environments. The gain is automatically set as you adjust your ISO for intuitive control.
Customize Your Gear
Mounting threads on the side of the PYXIS allow you to secure additional mounting plates and customize your gear configuration. The standard plate included with the PYXIS secures via M4 threads and adds two 1/4"-20 threads and one 3/8"-16 thread to the camera for microphones, articulating arms, or other accessories. An SSD plate offers two hook-and-loop straps for attaching a USB-C drive or mobile device, allowing you to directly record or live stream on the go. A separately available Rosette plate can be purchased for further expansion.
LCD Monitor and Onboard Controls
Post-Production File Formats
The PYXS records in Blackmagic RAW to preserve control of detail, exposure, and color during post-production. It also records H.264 proxy files in real time for easy sharing using the Blackmagic Cloud, Ethernet connection, or by connecting 5G/4G mobile phones to the USB-C port for mobile connection. Media files work on all operating systems.
Multiple Recording Options
Two built-in CFExpress Type-B card slots and a USB-C expansion port allow you to record directly to external flash media disks or SSDs.
Built-In SRT and RTMP Live Streaming
Live stream directly from the PYXIS on set to a secondary location via SRT and RTMP protocols. Compatible platforms like YouTube, Facebook, and X can support signals from the PYXIS for live event production. If you want to share internally, use an ATEM Streaming Bridge for a wireless link back to the studio.
Expansive Connectivity
Key Features
The Blackmagic Design PYXIS 6K Cinema Box Camera takes the digital film innovations of the Blackmagic Design Cinema Camera 6K and turns it into a box-style cinema camera with a native Leica L lens mount with customizable side plates. A full-frame 6K sensor captures rich colors, accurate skin tones, and a wide 13-stop dynamic range with its expanded 36 x 24mm sensor. Record both Blackmagic RAW and H.265 proxy files to the cloud or even stream directly to your social media platform of choice via Ethernet or mobile 4G/5G technology. The PYXIS can film up to 6K Open Gate 3:2 video at 36 fps or 6K Anamorphic 6:5 video at 60 fps, among other selectable resolutions.
Large-Format Digital Film Sensor
The PYXIS is equipped with a massive 24 x 36mm full-frame sensor with native 6048 x 4032 resolution, making it 3x larger than a Super35 sensor. This allows you to shoot with a shallow depth of field or use anamorphic lenses without cropping for a true cinematic look. A 13-stop dynamic range with dual-native ISO up to 25,600 ensures low-noise imagery in all lighting conditions. Shoot up to 36 fps at full sensor resolution or 120 fps windowed.
Flexible Film Formats
Work in a variety of film formats and aspect ratios without sacrificing quality, thanks to the large sensor. At its full area, the sensor provides you with Open Gate 3:2 images for easier framing in post-production. You can also work in true 6:5 anamorphic without needing to crop for widescreen cinematics. Use a Super35-sized window to create a close-up version of your shot.
Multiple Resolutions and Frame Rates
Shoot in standard video resolutions and frame rates from HD to 6K or still images at 24.6 MP using the PYXIS. For higher frame rates, you can window the center and shoot up to 100 fps at 212 x 1184 Super 16. Other options include 6K Open Gate 3:2 at 36 fps, 4832 x 4032 anamorphic at 24 fps, and 1920 x 1080 at 120 fps, among other resolutions.
HDR Imagery and Dual-Native ISO
A wide 13-stop dynamic range preserves more detail in both the lightest and darkest areas of your image. Set the exposure for an indoor scene while still retaining details in the bright outdoor light coming through a window. An expanded color range and included DaVinci Resolve Studio code give you creative freedom over the look of your footage. Dual-native ISO up to 25,600 minimizes grain and noise in your images while maintaining the full dynamic range of the sensor. ISO 400 is ideal for on-set lighting configurations, while ISO 3200 is perfect for dimly lit environments. The gain is automatically set as you adjust your ISO for intuitive control.
Customize Your Gear
Mounting threads on the side of the PYXIS allow you to secure additional mounting plates and customize your gear configuration. The standard plate included with the PYXIS secures via M4 threads and adds two 1/4"-20 threads and one 3/8"-16 thread to the camera for microphones, articulating arms, or other accessories. An SSD plate offers two hook-and-loop straps for attaching a USB-C drive or mobile device, allowing you to directly record or live stream on the go. A separately available Rosette plate can be purchased for further expansion.
LCD Monitor and Onboard Controls
Post-Production File Formats
The PYXS records in Blackmagic RAW to preserve control of detail, exposure, and color during post-production. It also records H.264 proxy files in real time for easy sharing using the Blackmagic Cloud, Ethernet connection, or by connecting 5G/4G mobile phones to the USB-C port for mobile connection. Media files work on all operating systems.
Multiple Recording Options
Two built-in CFExpress Type-B card slots and a USB-C expansion port allow you to record directly to external flash media disks or SSDs.
Built-In SRT and RTMP Live Streaming
Live stream directly from the PYXIS on set to a secondary location via SRT and RTMP protocols. Compatible platforms like YouTube, Facebook, and X can support signals from the PYXIS for live event production. If you want to share internally, use an ATEM Streaming Bridge for a wireless link back to the studio.
Expansive Connectivity
Allowing you to view four DCI/UHD 4K HDMI signals in a quad split, the FeelWorld ATEM156 can be used as a companion to switchers without a multiview function, such as the Blackmagic ATEM Mini switcher. Four HDMI loop outputs let you connect your four signals to the switcher. You can move any signal to any window in the quad split. A PiP image can also be displayed in each window. Alternatively, a dual view or single image can be displayed on the screen, also supporting Picture-in-Picture. Dual view can be set up in a vertical or horizontal split, and you can set one side of the split to be larger than the other.
The ATEM156 features a 15.6" IPS display with a 1920 x 1080 resolution, 250 cd/m² brightness, and 170° viewing angle. Software features, such as peaking and false color, additionally let you analyze each image. A 3.5mm stereo headphone jack on the front panel allows for audio monitoring.
DCI 4K24/UHD 4K30 HDMI input and loop output
Rec.709 color standard
Aluminum housing
Desktop bracket with three 1/4"-20 holes for various mounting options, including hang-mounted
Customizable F1 to F4 shortcut keys
V-mount battery plate
12 VDC power input
100 and 75mm VESA mounts
Screen splits: 1P, 2P LR, 2P TB, 2P PiP, or 4P
Peaking focus assist
False color
Anamorphic: x1.33, x1.5, x1.8, or x2.0
Rotate: 0/90/180/270°, H mirror, V mirror
Check field: red, green, blue, mono
Image freeze
Zoom
Pixel to pixel
Center marker
Safety marker: 80/85/90/93/96%, 4:3, 2.39:1, 2.35:1, 1.85:1
Line color: red, green, blue, white
Key Features
In a sleek and ergonomic design, the Moza AirCross 2, in black, supports up to 7 lb cameras, including wide-body types like the Blackmagic Pocket 4K and those with a built-in grip. It comes with a companion iOS/Android smartphone app that provides many creative features, including an AI calculation function that auto-tunes the gimbal by selecting optimal parameters based on the camera load. The AirCross 2 is designed to hold the camera mounted closer to the tilt motor, allowing for more stability with most cameras, and the camera orientation can be switched between portrait and landscape modes when using the dedicated included bracket. The gimbal also has an angled motor arm in order to allow a clear view of the camera LCD during operation.
The AirCross 2 features a manual lock on each axis that makes balancing your camera easier. You can unlock one axis, balance it, then unlock the next one and so on. When done, a balance check feature will confirm on the gimbal's OLED screen whether all axes are balanced or which one needs adjusting and in which direction. This 3-latch locking system also allows you to lock all the axes during transport so the axes stay firmly in one place. This gimbal has several advanced shooting modes including multiple follow modes, time-lapse capture, Sports Gear mode, and Inception mode, which rotates the gimbal in place.
The AirCross 2 is designed with Moza's Spark Power Supply System 2.0, which consists of a battery with its own USB charging port. The battery can be removed and separately plugged directly into a USB charger, not included. This battery provides up to a 12-hour runtime.
The gimbal controls include a customizable smart wheel, dial wheel, and smart trigger that provide direct control over select camera functions, while the OLED screen provides an intuitive display of the gimbal status and camera parameters. On the bottom of the gimbal handle, there are both a 1/4"-20 and a 3/8"-16 threaded mounting hole for attaching a mini tripod, extension handle, or other accessory.
Compatibility
For a full list of compatible cameras, please see the most current compatibility information on
Key Features
Key Features
Expand the capabilities of your cine camera with the Half Cage for Blackmagic Pocket Cinema Camera 6K Pro from SmallRig. Designed to securely mount on the camera body, it provides the strength and structure to attach all kinds of accessories via its 1/4"-20 and 3/8"-16 threading, NATO rail skeleton, and cold shoe female mount.
On-the-fly swaps from a tripod to a motorized gimbal or shoulder rig are possible when using the threaded holes that attach to a quick release mount (available separately). The three-point, anti-twist locking mechanism helps prevent unwanted rotation when shooting. This lightweight and strong aluminum, stainless steel, and silicone gel cage is designed with ergonomics in mind, enabling shoots that last all day.
The Blackmagic Pocket Cinema Camera 6K Pro reaches its full potential when combined with an array of monitors, larger batteries, lens hoods, etc. This cage enables you to attach pounds and pounds of optional gear, far more than you would otherwise be able to use with your BMPCC 6K Pro (available separately). These attach via the 1/4"-20 and 3/8"-16 threading, the NATO rail skeleton, and the cold shoe mount.
Threaded holes at the base enable the use of an external quick release system (available separately). The triple-screw locking method prevents unwanted rotation to keep your lens pointed straight downrange.
The half cage is engineered to allow full access to the BMPCC 6K Pro's controls for maximum productivity.
Key Features
FUJIFILM X-H2: Life in Detail
Pushing the boundaries of APS-C imaging, the FUJIFILM X-H2 is a high-resolution mirrorless crop-sensor camera featuring a groundbreaking 40MP BSI sensor and an arsenal of cutting-edge features packed into a small and durable X-series body. Standing atop the X-System lineup, this high performing camera inherits many of the GFX system's advances in digital capture technology to provide image quality, detail, and color rendition never before seen in a crop-sensor camera, while retaining its characteristic compact form factor and sleek design that has garnered the X-System a loyal following worldwide.
Backside-Illuminated Sensor and 64-Bit Processing
X-Trans 5 BSI Sensor
Ideal for architectural, travel, and landscape photographers, the X-H2 sports a backside-illuminated, APS-C-format 40MP X-Trans 5 HR sensor, which ups the resolution and improves low-light performance compared to previous generations. First, as an X-Trans sensor, it uses the unique color filter array that inherently minimizes moiré and contributes to more natural color rendering; next, the BSI design helps reduce noise and improve tonality and clarity; and, finally, the design greatly reduces rolling shutter and other motion distortion to better suit high-speed video and photo applications. The remarkable resolution allows for 2x digital zoom and has up to 13 stops of dynamic range.
X-Processor 5
Partner to the newly designed sensor is a fresh engine—the X-Processor 5—which uses 64-bit processing to realize 3x faster speeds for both video and photo tasks compared to the X-T4. On the video side, this enables recording at bit rates of up to 720 mb/s.
On the stills end, this quick processing means faster shooting to suit photographing moving subjects. When working with an electronic shutter, shooting at up to 20 fps is possible, with a buffer of 202 consecutive uncompressed raw frames. With the mechanical shutter, shooting speeds of up to 15 fps are possible, along with the ability to shoot upwards of 1000 raw frames in a single burst.
Benefitting both video and stills applications, this processing also benefits the sophisticated and AI-backed autofocus system, helps achieve a 14-stop dynamic range, and enables an enhanced sensitivity range from ISO 125-12800.
4K 120p and 8K 30p Internal Recording
Despite its focus on photography, the X-H2 has an impressive video system capable of 4:2:2 10-bit internal recording in 8K at 30fps and in both DCI/UHD 4K at up to 60 fps and Full HD at up to 240p. A variety of codecs are supported as well, including H.265 and three tiers of ProRes: the high bitrate 422 HQ, the standard 422, and the more compressed 422 LT. Also, continuous recording times up to 160 minutes are possible at all frame rates and resolutions and can be extended to 240 minutes with the external clip-on fan.
External Raw Recording
Using the full-size HDMI port, 12-bit raw video recording is possible when paired with a compatible external recorder. Both ProRes RAW and Blackmagic RAW recording is possible, along with the ability to work with F-Log or F-Log 2 profiles, and either format supports working in resolutions up to the open-gate 8K.
Improved Autofocus and Image Stabilization
Hybrid AF with Deep Learning AI
Benefitted by the improved processing, autofocus performance is noticeably faster and more intelligent. This hybrid focusing system uses 425 phase-detection points and is now sensitive down to -7 EV for working in truly low-light conditions. Also, backed by deep learning, an AI adaptive algorithm means this focusing system is better suited to automatically detect and track a variety of subject types.
Pixel Shift Multishot
Pixel Shift Multishot takes multiple exposures in rapid succession, each one precisely shifting the image sensor by half a pixel, capturing the subject on a different part of the image sensor each time and yielding a single 160-Megapixel image with the help of the Pixel Shift Combiner software.
In-Body Image Stabilization
Built-in 5-axis sensor-shift image stabilization helps to minimize the appearance of camera shake by up to 7 stops. This system works in conjunction with most X Series lenses, including non-stabilized ones, and benefits working with slower shutter speeds and when shooting in difficult lighting conditions. Additionally, digital image stabilization can also be used during video recording to further aid in steadying footage, especially when recording handheld.
Body Design
Practical and Durable Design
Connectivity
Film Simulation Modes
Film Simulation modes allow you to reproduce the look and feel of several of FUJIFILM's film types, including Provia, Velvia, Astia, Classic Chrome, Classic Neg., Nostalgic Neg., Pro Neg. Hi, Pro Neg. Standard, Eterna, Eterna Bleach Bypass, Acros, Monochrome, and Sepia. Additionally, Grain Effect can be adjusted as well as Color Chrome effect to fine-tune the look of imagery.
Key Features
Balancing strong photo and video capabilities, the FUJIFILM X-H2S is a multimedia mirrorless camera featuring a newly developed X-Trans stacked sensor, refined AF and subject detection, and impressive 6.2K video recording. Topping the X System, this camera mixes the intuitiveness, design, and image quality FUJIFILM is known for with a fresh, speedy approach to video and continuous shooting applications.
The first X Series camera to feature a stacked sensor, the X-H2S sports an APS-C-format 26.1MP X-Trans 5 stacked BSI sensor, which ups the readout speeds and improves low-light performance compared to previous generations. First, as an X-Trans sensor, it uses the unique color filter array that inherently minimizes moiré and contributes to more natural color rendering; next, the BSI design helps reduce noise and improve tonality and clarity; and, finally, the stacked design greatly reduces rolling shutter and other motion distortion to better suit high-speed video and photo photo applications.
Partner to the newly designed sensor is a fresh engine—the X-Processor 5—which uses 64-bit processing to realize 3x faster speeds for both video and photo tasks compared to the X-T4. On the video side, this enables recording at up to 6.2K with high bitrates like ProRes 422 HQ or at high speeds, like with 240 fps recording at Full HD.
On the stills end, this quick processing means faster shooting to suit photographing moving subjects. When working with an electronic shutter, shooting at up to 40 fps is possible, with a buffer of 140 consecutive uncompressed raw frame. With the mechanical shutter, shooting speeds up to 15 fps are possible, along with the ability to shoot upwards of 1000 raw frames in a single burst.
Benefitting both video and stills applications, this processing also benefits the sophisticated and AI-backed autofocus system, helps achieve a 14-stop dynamic range, and enables a broad sensitivity range from ISO 160-12800.
With a penchant for video, the X-H2S has a well-rounded recording system that places this camera squarely in the 'hybrid' category and performs equally well for video as it does for video. Internal 4:2:2 10-bit recording is possible in both DCI/UHD 4K at up to 120p and Full HD at up to 240p as well as an open-gate 3:2 6.2K setting that's suitable for anamorphic applications. A variety of codecs are supported as well, including H.265 and three tiers of ProRes: the high bitrate 422 HQ, the standard 422, and the more compressed 422 LT. Also, continuous recording times up to 90 minutes are possible at all frame rates and resolutions.
Using the full-size HDMI port, raw video recording is possible when paired with a compatible external recorder. Both ProRes RAW and Blackmagic RAW recording is possible, along with the ability to work with F-Log or F-Log 2 profiles, and either format supports working in resolutions up to the open-gate 6.2K.
Benefitted by the improved processing, autofocus performance is noticeably faster and more intelligent. This hybrid focusing system uses 425 phase-detection points and is now sensitive down to -7 EV for working in truly low-light conditions. Also, backed by deep learning, an AI adaptive algorithm means this focusing system is better suited to automatically detect and track a variety of subject types. Compared to previous focusing systems, the X-H2S's Face and Eye Detection capabilities have been refined for greater accuracy and to account for unique features, like glasses, face coverings, and hairlines. Also, the range of recognized subjects types has been expanded to include cars, planes, trains, motorcyclists, birds, horses, dogs, cats and more.
Built-in 5-axis sensor-shift image stabilization helps to minimize the appearance of camera shake by up to 7 stops. This system works in conjunction with most X Series lenses, including non-stabilized ones, and benefits working with slower shutter speeds and when shooting in difficult lighting conditions. Additionally, digital image stabilization can also be used during video recording to further aid in steadying footage, especially when recording handheld.
Film Simulation modes allow you to reproduce the look and feel of several of FUJIFILM's film types, including Provia, Velvia, Astia, Classic Chrome, Classic Neg., Nostalgic Neg., Pro Neg. Hi, Pro Neg. Standard, Eterna, Eterna Bleach Bypass, Acros, Monochrome, and Sepia. Additionally, Grain Effect can be adjusted as well as Color Chrome effect to fine-tune the look of imagery.
Key Features
A portable and powerful multimedia mirrorless camera, the FUJIFILM X-T5 features the newly developed 40MP APS-C X-Trans CMOS 5 HR BSI sensor for simply stunning results. Comparable in size to the original X-T1 and lighter than its predecessor, this camera provides a classic, dial-based layout and cutting-edge technology that includes a seven-stop in-body image stabilization system, Pixel Shift Multi-Shot mode for 160MP files, and action-freezing shutter speeds up to 1/180,000 sec from the electronic shutter. In addition to its versatile suite of stills capabilities, the X-T5 is also a highly capable moviemaking machine, recording up to 6.2K in 4:2:2 10-bit color internally or 12-bit ProRes RAW and Blackmagic RAW via HDMI.
40MP APS-C X-Trans CMOS 5 HR BSI Sensor
Offering the ultimate in image quality, the X-T5 features a 40MP X-Trans 5 HR CMOS sensor in a compact, lightweight body that maximizes functionality and portability. Imaging performance is in no way compromised by the camera's diminutive proportions. Instead, the X-T5's improved image processing algorithm delivers outstanding results and is packed with details right across the native ISO range.
Powerful Video Capabilities
A dynamic camera with powerful video functions, movies can be recorded internally at up to 6.2K at 30p in 4:2:2 10-bit color, plus there's a 4K HQ mode which oversamples 6.2K footage for superior 4K output. This higher video resolution unlocks 2x digital zoom functionality, providing additional in-camera versatility without a noticeable drop in quality.
External Raw Recording
Both F-Log and F-Log2 recording are possible, with the latter providing an expanded dynamic range of 13+ stops. Additionally, 12-bit ProRes RAW and Blackmagic RAW can be output via HDMI to Atomos and Blackmagic devices accordingly.
425-Point Intelligent Hybrid AF System
Featuring outstanding autofocus performance, the X-T5 utilizes 425 phase-detection points and is now sensitive down to -7 EV for working in truly low-light conditions. Also, backed by deep learning, an AI adaptive algorithm means this focusing system is better suited to automatically detect and track animals, athletes, birds, cars, motorcycles, and moving subjects.
In-Body Image Stabilization
Thanks to the camera's in-body image stabilization (IBIS) system, quality-sapping camera shake is minimized. Built-in 5-axis sensor-shift image stabilization helps to minimize the appearance of camera shake by up to 7 stops. This system works in conjunction with most X Series lenses, including non-stabilized ones, and benefits working with slower shutter speeds and when shooting in difficult lighting conditions. Additionally, digital image stabilization can also be used during video recording to further aid in steadying footage, especially when recording handheld.
Pixel Shift Multishot
Utilizing the camera's IBIS system to precisely shift the sensor, Pixel Shift Multishot automatically records 20 separate frames with one press of the shutter release. Resulting files are combined using Pixel Shift Combiner software to quadruple the camera's resolution and produce a detail-rich, 160MP file. Perfect for commercial applications or digital archiving, it's also ideal for any static subject where image quality is of primary importance.
Built for Speed
The X-T5 provides powerful image making performance to ensure it's ready for action, no matter how fast your subject is moving. A top electronic shutter speed of 1/180,000 sec and a maximum mechanical shutter speed of 1/8000 sec will stop any subject in its tracks, while a lag time of just 35 ms gives an almost instantaneous response when the shutter release is pressed. Keep a finger down, and the X-T5 will record images at up to 15 fps with the mechanical shutter, or 20 fps with the electronic shutter. Either way, no important moment will be missed.
Film Simulation Modes
Film Simulation modes allow you to reproduce the look and feel of several of FUJIFILM's film types, including Provia, Velvia, Astia, Classic Chrome, PRO Neg.Std, PRO Neg. Hi, Classic Neg., Nostalgic Neg., Eterna Cinema, Eterna Bleach Bypass, Acros, Acros + Ye Filter, Acros + R Filter, Acros + G Filter, Black & White, Black & White + Ye Filter, Black & White + R Filter, Black & White + G Filter, and Sepia.
Enhanced Body Design
Connectivity
Key Features
A portable and powerful multimedia mirrorless camera, the FUJIFILM X-T5 features the newly developed 40MP APS-C X-Trans CMOS 5 HR BSI sensor for simply stunning results. Comparable in size to the original X-T1 and lighter than its predecessor, this camera provides a classic, dial-based layout and cutting-edge technology that includes a seven-stop in-body image stabilization system, Pixel Shift Multi-Shot mode for 160MP files, and action-freezing shutter speeds up to 1/180,000 sec from the electronic shutter. In addition to its versatile suite of stills capabilities, the X-T5 is also a highly capable moviemaking machine, recording up to 6.2K in 4:2:2 10-bit color internally or 12-bit ProRes RAW and Blackmagic RAW via HDMI.
Offering the ultimate in image quality, the X-T5 features a 40MP X-Trans 5 HR CMOS sensor in a compact, lightweight body that maximizes functionality and portability. Imaging performance is in no way compromised by the camera's diminutive proportions. Instead, the X-T5's improved image processing algorithm delivers outstanding results and is packed with details right across the native ISO range.
A dynamic camera with powerful video functions, movies can be recorded internally at up to 6.2K at 30p in 4:2:2 10-bit color, plus there's a 4K HQ mode which oversamples 6.2K footage for superior 4K output. This higher video resolution unlocks 2x digital zoom functionality, providing additional in-camera versatility without a noticeable drop in quality.
Both F-Log and F-Log2 recording are possible, with the latter providing an expanded dynamic range of 13+ stops. Additionally, 12-bit ProRes RAW and Blackmagic RAW can be output via HDMI to Atomos and Blackmagic devices accordingly.
Featuring outstanding autofocus performance, the X-T5 utilizes 425 phase-detection points and is now sensitive down to -7 EV for working in truly low-light conditions. Also, backed by deep learning, an AI adaptive algorithm means this focusing system is better suited to automatically detect and track animals, athletes, birds, cars, motorcycles, and moving subjects.
Thanks to the camera's in-body image stabilization (IBIS) system, quality-sapping camera shake is minimized. Built-in 5-axis sensor-shift image stabilization helps to minimize the appearance of camera shake by up to 7 stops. This system works in conjunction with most X Series lenses, including non-stabilized ones, and benefits working with slower shutter speeds and when shooting in difficult lighting conditions. Additionally, digital image stabilization can also be used during video recording to further aid in steadying footage, especially when recording handheld.
Utilizing the camera's IBIS system to precisely shift the sensor, Pixel Shift Multishot automatically records 20 separate frames with one press of the shutter release. Resulting files are combined using Pixel Shift Combiner software to quadruple the camera's resolution and produce a detail-rich, 160MP file. Perfect for commercial applications or digital archiving, it's also ideal for any static subject where image quality is of primary importance.
The X-T5 provides powerful image making performance to ensure it's ready for action, no matter how fast your subject is moving. A top electronic shutter speed of 1/180,000 sec and a maximum mechanical shutter speed of 1/8000 sec will stop any subject in its tracks, while a lag time of just 35 ms gives an almost instantaneous response when the shutter release is pressed. Keep a finger down, and the X-T5 will record images at up to 15 fps with the mechanical shutter, or 20 fps with the electronic shutter. Either way, no important moment will be missed.
Film Simulation modes allow you to reproduce the look and feel of several of FUJIFILM's film types, including Provia, Velvia, Astia, Classic Chrome, PRO Neg.Std, PRO Neg. Hi, Classic Neg., Nostalgic Neg., Eterna Cinema, Eterna Bleach Bypass, Acros, Acros + Ye Filter, Acros + R Filter, Acros + G Filter, Black & White, Black & White + Ye Filter, Black & White + R Filter, Black & White + G Filter, and Sepia.
Key Features
A follow-up to the Crane-2, the Zhiyun-Tech CRANE 2S has been highly upgraded to better suit the needs of filmmakers. Featuring a new-generation 9th Instune Algorithm that improves the responsiveness of each axis, the CRANE 2S is capable of stabilizing large cameras such as the Blackmagic Pocket 6K, Panasonic S1H, and Canon EOS 1DX Mark II along with accessories. (Please visit the Zhiyun website for a full list of compatible cameras and lenses.)
To support a collaborative process, the CRANE 2S offers dedicated mounting points for attaching an optional Zhiyun-Tech TransMount transmitter. Another new feature, integrated to support the growing demand for social media content, is a vertical quick release mount that enables you to set your camera up vertically. Besides this, a new FlexMount system is used for mounting your camera the standard way. This technology simplifies the mounting and setup process while securing your camera with a double-safety mechanism. The axis-locking mechanism for balancing a camera has also been improved with a two-phase locking design. The axis-locking mechanism additionally ensures that there's no movement of the gimbal components during travel or storage.
The grip handle of the gimbal is made out of carbon fiber so the gimbal feels lighter in your hand. The built-in handwheel on the side of the handle has been upgraded to allow for very low delay when controlling an add-on lens motor, sold separately, so you can make adjustments with more precision. (When using both a focus and zoom motor, you can set the handwheel to control your choice of one or the other.) On the bottom of the handle is a 1/4"-20 thread that allows you to attach the included mini tripod to be used as a stand or as an extension that can be held with the other hand for more control.
Using the companion iOS/Android mobile app, advanced cinematic functions such as panorama, time-lapse, motion-lapse, and long exposure time-lapse can be performed with the gimbal to achieve creative results. Many of the gimbal's parameters can be adjusted via this app, while many key modes and parameters can be accessed directly from the 0.96" OLED screen right above the handle.
The CRANE 2S also supports a variety of dedicated Zhiyun-Tech TransMount accessories, which include servo motors. The quick release plate included with the gimbal is compatible with many common tripod heads so you can efficiently move your camera between the gimbal and tripods, sliders, and other camera supports. Also included are a lens control and multiple camera control cables to allow for a comprehensive workflow. The CRANE 2S runs for up to 12 hours on three included batteries, which are rechargeable using a supplied triple charger.
Key Features
A portable and powerful multimedia mirrorless camera, the FUJIFILM X-T5 features the newly developed 40MP APS-C X-Trans CMOS 5 HR BSI sensor for simply stunning results. Comparable in size to the original X-T1 and lighter than its predecessor, this camera provides a classic, dial-based layout and cutting-edge technology that includes a seven-stop in-body image stabilization system, Pixel Shift Multi-Shot mode for 160MP files, and action-freezing shutter speeds up to 1/180,000 sec from the electronic shutter. In addition to its versatile suite of stills capabilities, the X-T5 is also a highly capable moviemaking machine, recording up to 6.2K in 4:2:2 10-bit color internally or 12-bit ProRes RAW and Blackmagic RAW via HDMI.
FUJIFILM X-T5 Mirrorless Camera (Black)
A portable and powerful multimedia mirrorless camera, the FUJIFILM X-T5 features the newly developed 40MP APS-C X-Trans CMOS 5 HR BSI sensor for simply stunning results. Comparable in size to the original X-T1 and lighter than its predecessor, this camera provides a classic, dial-based layout and cutting-edge technology that includes a seven-stop in-body image stabilization system, Pixel Shift Multi-Shot mode for 160MP files, and action-freezing shutter speeds up to 1/180,000 sec from the electronic shutter. In addition to its versatile suite of stills capabilities, the X-T5 is also a highly capable moviemaking machine, recording up to 6.2K in 4:2:2 10-bit color internally or 12-bit ProRes RAW and Blackmagic RAW via HDMI.
40MP APS-C X-Trans CMOS 5 HR BSI Sensor
Offering the ultimate in image quality, the X-T5 features a 40MP X-Trans 5 HR CMOS sensor in a compact, lightweight body that maximizes functionality and portability. Imaging performance is in no way compromised by the camera's diminutive proportions. Instead, the X-T5's improved image processing algorithm delivers outstanding results and is packed with details right across the native ISO range.
Powerful Video Capabilities
A dynamic camera with powerful video functions, movies can be recorded internally at up to 6.2K at 30p in 4:2:2 10-bit color, plus there's a 4K HQ mode which oversamples 6.2K footage for superior 4K output. This higher video resolution unlocks 2x digital zoom functionality, providing additional in-camera versatility without a noticeable drop in quality.
External Raw Recording
Both F-Log and F-Log2 recording are possible, with the latter providing an expanded dynamic range of 13+ stops. Additionally, 12-bit ProRes RAW and Blackmagic RAW can be output via HDMI to Atomos and Blackmagic devices accordingly.
425-Point Intelligent Hybrid AF System
Featuring outstanding autofocus performance, the X-T5 utilizes 425 phase-detection points and is now sensitive down to -7 EV for working in truly low-light conditions. Also, backed by deep learning, an AI adaptive algorithm means this focusing system is better suited to automatically detect and track animals, athletes, birds, cars, motorcycles, and moving subjects.
In-Body Image Stabilization
Thanks to the camera's in-body image stabilization (IBIS) system, quality-sapping camera shake is minimized. Built-in 5-axis sensor-shift image stabilization helps to minimize the appearance of camera shake by up to 7 stops. This system works in conjunction with most X Series lenses, including non-stabilized ones, and benefits working with slower shutter speeds and when shooting in difficult lighting conditions. Additionally, digital image stabilization can also be used during video recording to further aid in steadying footage, especially when recording handheld.
Pixel Shift Multishot
Utilizing the camera's IBIS system to precisely shift the sensor, Pixel Shift Multishot automatically records 20 separate frames with one press of the shutter release. Resulting files are combined using Pixel Shift Combiner software to quadruple the camera's resolution and produce a detail-rich, 160MP file. Perfect for commercial applications or digital archiving, it's also ideal for any static subject where image quality is of primary importance.
Built for Speed
The X-T5 provides powerful image making performance to ensure it's ready for action, no matter how fast your subject is moving. A top electronic shutter speed of 1/180,000 sec and a maximum mechanical shutter speed of 1/8000 sec will stop any subject in its tracks, while a lag time of just 35 ms gives an almost instantaneous response when the shutter release is pressed. Keep a finger down, and the X-T5 will record images at up to 15 fps with the mechanical shutter, or 20 fps with the electronic shutter. Either way, no important moment will be missed.
Film Simulation Modes
Film Simulation modes allow you to reproduce the look and feel of several of FUJIFILM's film types, including Provia, Velvia, Astia, Classic Chrome, PRO Neg.Std, PRO Neg. Hi, Classic Neg., Nostalgic Neg., Eterna Cinema, Eterna Bleach Bypass, Acros, Acros + Ye Filter, Acros + R Filter, Acros + G Filter, Black & White, Black & White + Ye Filter, Black & White + R Filter, Black & White + G Filter, and Sepia.
Enhanced Body Design
Connectivity
FUJIFILM XF 16-80mm f/4 R OIS WR Lens
Well-suited for a wide variety of shooting situations, the FUJIFILM XF 16-80mm f/4 R OIS WR is a versatile 24-120mm-equivalent zoom, spanning wide-angle to medium-telephoto, and featuring a constant f/4 maximum aperture. Complementing this flexible design is an advanced optical layout, which includes a trio of aspherical elements and one ED aspherical element that help to minimize a variety of aberrations in order to produce high sharpness and clarity. A Super EBC coating also improves contrast and color neutrality by reducing flare and ghosting when working in strong lighting conditions. Also benefitting use in a variety of situations is a quick and quiet autofocus system along with a six stop-effective image stabilization system that minimizes the appearance of camera shake. Additionally, the lens is fully weather-sealed for working in inclement conditions.
Key Features
A portable and powerful multimedia mirrorless camera, the FUJIFILM X-T5 features the newly developed 40MP APS-C X-Trans CMOS 5 HR BSI sensor for simply stunning results. Comparable in size to the original X-T1 and lighter than its predecessor, this camera provides a classic, dial-based layout and cutting-edge technology that includes a seven-stop in-body image stabilization system, Pixel Shift Multi-Shot mode for 160MP files, and action-freezing shutter speeds up to 1/180,000 sec from the electronic shutter. In addition to its versatile suite of stills capabilities, the X-T5 is also a highly capable moviemaking machine, recording up to 6.2K in 4:2:2 10-bit color internally or 12-bit ProRes RAW and Blackmagic RAW via HDMI.
FUJIFILM X-T5 Mirrorless Camera (Black)
A portable and powerful multimedia mirrorless camera, the FUJIFILM X-T5 features the newly developed 40MP APS-C X-Trans CMOS 5 HR BSI sensor for simply stunning results. Comparable in size to the original X-T1 and lighter than its predecessor, this camera provides a classic, dial-based layout and cutting-edge technology that includes a seven-stop in-body image stabilization system, Pixel Shift Multi-Shot mode for 160MP files, and action-freezing shutter speeds up to 1/180,000 sec from the electronic shutter. In addition to its versatile suite of stills capabilities, the X-T5 is also a highly capable moviemaking machine, recording up to 6.2K in 4:2:2 10-bit color internally or 12-bit ProRes RAW and Blackmagic RAW via HDMI.
40MP APS-C X-Trans CMOS 5 HR BSI Sensor
Offering the ultimate in image quality, the X-T5 features a 40MP X-Trans 5 HR CMOS sensor in a compact, lightweight body that maximizes functionality and portability. Imaging performance is in no way compromised by the camera's diminutive proportions. Instead, the X-T5's improved image processing algorithm delivers outstanding results and is packed with details right across the native ISO range.
Powerful Video Capabilities
A dynamic camera with powerful video functions, movies can be recorded internally at up to 6.2K at 30p in 4:2:2 10-bit color, plus there's a 4K HQ mode which oversamples 6.2K footage for superior 4K output. This higher video resolution unlocks 2x digital zoom functionality, providing additional in-camera versatility without a noticeable drop in quality.
External Raw Recording
Both F-Log and F-Log2 recording are possible, with the latter providing an expanded dynamic range of 13+ stops. Additionally, 12-bit ProRes RAW and Blackmagic RAW can be output via HDMI to Atomos and Blackmagic devices accordingly.
425-Point Intelligent Hybrid AF System
Featuring outstanding autofocus performance, the X-T5 utilizes 425 phase-detection points and is now sensitive down to -7 EV for working in truly low-light conditions. Also, backed by deep learning, an AI adaptive algorithm means this focusing system is better suited to automatically detect and track animals, athletes, birds, cars, motorcycles, and moving subjects.
In-Body Image Stabilization
Thanks to the camera's in-body image stabilization (IBIS) system, quality-sapping camera shake is minimized. Built-in 5-axis sensor-shift image stabilization helps to minimize the appearance of camera shake by up to 7 stops. This system works in conjunction with most X Series lenses, including non-stabilized ones, and benefits working with slower shutter speeds and when shooting in difficult lighting conditions. Additionally, digital image stabilization can also be used during video recording to further aid in steadying footage, especially when recording handheld.
Pixel Shift Multishot
Utilizing the camera's IBIS system to precisely shift the sensor, Pixel Shift Multishot automatically records 20 separate frames with one press of the shutter release. Resulting files are combined using Pixel Shift Combiner software to quadruple the camera's resolution and produce a detail-rich, 160MP file. Perfect for commercial applications or digital archiving, it's also ideal for any static subject where image quality is of primary importance.
Built for Speed
The X-T5 provides powerful image making performance to ensure it's ready for action, no matter how fast your subject is moving. A top electronic shutter speed of 1/180,000 sec and a maximum mechanical shutter speed of 1/8000 sec will stop any subject in its tracks, while a lag time of just 35 ms gives an almost instantaneous response when the shutter release is pressed. Keep a finger down, and the X-T5 will record images at up to 15 fps with the mechanical shutter, or 20 fps with the electronic shutter. Either way, no important moment will be missed.
Film Simulation Modes
Film Simulation modes allow you to reproduce the look and feel of several of FUJIFILM's film types, including Provia, Velvia, Astia, Classic Chrome, PRO Neg.Std, PRO Neg. Hi, Classic Neg., Nostalgic Neg., Eterna Cinema, Eterna Bleach Bypass, Acros, Acros + Ye Filter, Acros + R Filter, Acros + G Filter, Black & White, Black & White + Ye Filter, Black & White + R Filter, Black & White + G Filter, and Sepia.
Enhanced Body Design
Connectivity
FUJIFILM XF 18-55mm f/2.8-4 R LM OIS Lens
Mixing versatility, speed, and a sleek design, the XF 18-55mm f/2.8-4 R LM OIS from FUJIFILM is a flexible 27-84mm-equivalent standard zoom for X-mount mirrorless cameras. Its bright f/2.8-4 maximum aperture range suits working in difficult lighting conditions and also helps to keep the overall and size and weight of the lens down. In regard to optics, this zoom features three aspherical elements and one extra-low dispersion element, which help to control spherical and chromatic aberrations in order to improve sharpness and clarity. A Super EBC coating also improves contrast and color neutrality by reducing flare and ghosting when working in strong lighting conditions. Additionally, benefitting use in a variety of situations, a linear motor delivers quick and quiet autofocus performance and a five stop-effective image stabilization system minimizes the appearance of camera shake.
Standard zoom is designed for APS-C-format Fujifilm X-mount mirrorless cameras and offers a 27-84mm equivalent focal length range.
One extra-low dispersion element is used to greatly reduce color fringing and chromatic aberrations in order to produce high clarity and color fidelity throughout the zoom range.
Three aspherical elements control distortion and spherical aberrations, which helps to improve sharpness and realize more accurate rendering.
Super EBC coating has been applied to individual elements to reduce lens flare and ghosting for improved contrast and color fidelity when working in strong lighting conditions.
A linear motor autofocus system, coupled with an internal focusing design, delivers smooth, near-silent performance that is especially beneficial to video applications and when working in noise-sensitive areas.
Complemented by an enhanced gyro sensor and unique series of algorithms, the optical stabilization system minimizes the appearance of camera shake by up to four stops to enable sharper imaging when working with longer focal lengths or slower shutter speeds.
Rounded seven-blade diaphragm contributes to a pleasing out-of-focus quality to benefit the use of selective focus and shallow depth of field techniques.