TheLeofoto LPS-A7RIV Combo L Bracket Plateis designed for Sony A7R IV.Quickly clamp your Sony A7R IV into your tripod in both landscape and portrait orientations with the LPS-A7RIV. This solid combo L-plate for the Sony A7R IV camera is lightweight but very strong and durable. Easily attach the two parts together usinga solid hex screw.Combo as the L bracket is made of two sections and can separate into 2 separate pieces(ie. bottom plate only without the edge that covers the battery).

Sony ECM-B1M Overview

Key Features

• Designed for Sony a7R IV
• Mounts via Sony Multi Interface Shoe
• 3 x Selectable Directivity Patterns
• Selectable Digital/Analog Output
• 4" Ultra-Compact Design
• Auto-Level Function
• Low-Cut Filter
• Cable-Free Connection
• Vibration-Resistant Design

The Sony ECM-B1M is an ultra-compact camera-mount digital shotgun microphone designed for mobile video creators working with Sony cameras equipped with the Multi Interface Shoe. Released alongside the a7R IV, which benefits from its built-in Digital Audio Interface, the ECM-B1M is able to produce its best quality by delivering a digital audio stream directly to the camera through the Multi Interface Shoe. Other Sony cameras with the standard Multi Interface Shoe can still make use of the microphone as there is a Selectable digital/analog output.

The ECM-B1M is equipped with eight high-performance mic capsules and advanced digital signal processing, providing three Selectable directivity patterns for a wide Range of shooting and recording situations. Plug-and-play operation makes the microphone easy to use right out of the box you can immediately start recording your YouTube videos, Facebook Live streams, and interviews, at home, in the studio, or on the go.

PGYTECH MantisPod 2.0 Overview

Key Features

• Load Capacity: 4.4 lb
• Tabletop and Vlogging Tripod
• Converts to Handheld Camera Grip
• 120° Head Mount Tilt Adjustment
• Rotating Accessory Cold Shoe Mount
• Multiple Style Modes
• Arca-Type Ball Head with QR Plate
• With RC M1 Wireless Bluetooth Remote

The MantisPod 2.0 Vlogging Tripod with Ball Head and Remote Kit from PGYTECH offers the innovative Mantis claw design that lets the MantisPod 2.0 easily clinch to glass, doors, trees, and railings effortlessly. The convertible design enables switching instantly between tripod and handheld applications. It features a rotating accessory cold shoe mount for adding a microphone, compact LED light, monitor, or more.

Multiple Shooting Modes

By utilizing multiple features of the MantisPod together, a total of 6 different shooting modes are possible. In addition to vlogging and livestreaming, these modes can help when shooting portraits, taking time-lapse photos, conducting video chat interviews, and much more.

• Portrait Mode: A standard 3-leg tabletop tripod setup with your device in landscape orientation.
• Low-Angle Mode: Lowers the 3-leg tabletop option so the tripod is nearly flat for low angle perspective
• High-Angle Mode: Allows raised, extended legs to orient a device for high angle perspective imaging.
• Mantis Mode a short hook extends from one tripod leg, allowing the tripod to hang from fences, railings, glass partitions, and more. NOTE: Surfaces should be no more than 3.5" thick and the other 2 legs must be set against surfaces for stability.
• Handheld Mode: Squeeze the legs together for a configuration that lets you more easily shoot on the move. It can quickly convert to Elevated Tripod mode without altering device orientation.
• Briefcase Mode: Orient the hand grip configuration like the handle of a briefcase with the camera suspended below for low angle perspective.

Compatible Cameras

GoPro: GoPro 5/6/7/8/9/10/11

Canon: EOS M6 Mark II, EOS M50, EOS M50 Mark II, EOS M200, PowerShot G5 X Mark II, PowerShot G7 X Mark III , EOS R, EOS R5, EOS R6

Sony: a7C, a7R IV, a7R III, a7S , a9, a6600, a6100, a7 III, a7, a6400, ZV-1, DSC-RX0M2, DSC-RX100M7, FX3, ZV-E10

SmallRig 4505 Overview

Key Features

• Portable & Compact Battery Mount Plate
• Tool-Free Installation
• 11 lb Payload Capacity
• Multiple 1/4"-20 Threaded Mounting Holes
• Aluminum & Stainless Steel Construction

The compact and portable V-Mount Battery Mounting Plate from SmallRig is a versatile, all-in-one mounting solution for V-mount batteries that boasts tool-free installation and a convenient quick release system. It has multiple 1/4"20 mounting threads, an Arca-style clamp, and built-in 1/4"-20 and 3/8"-16 holes at the bottom to facilitate the attachment of other quick release plates. Constructed with aluminum and stainless steel for added durability and sturdiness, the unit can support payloads up to 11 lb.

Compatibility

Mirrorless/DSLR cameras less than 4.3" thick, such as :

• Sony a7R V, a7 IV, a7S III, a7C, FX3, and FX30
• Canon EOS R5C, R5, R6, R6 Mark II, R7, R10, R, and RP
• Panasonic LUMIX S1H, S1R, S1, S5, S5 II, GH6, and GH5

Falcam 3297 Overview

Key Features

• For Sony a7 III/a7S III/a7R IV
• 1/4"-20 Mounting Screw
• Quick Release Mounting
• Anti-Skid Pads
• Aluminum Construction

This Quick Release Camera Cage Base V2 from Falcam is form-fitted to accommodate the Sony a7 III, a7S III, and a7R IV. The lightweight aluminum alloy cage base offers quick release compatibility with Falcam F22, F38, and F50 accessories and has a 1/4"-20 screw to facilitate camera mounting. The base also has anti-skid pads for keeping the bottom of the camera from sliding and getting scratched.

Compatibility

• Sony a7 III, a7S III, and a7R IV
• Falcam F22, F38, and F50 quick release accessories

Sony NP-FZ100 Overview

Key Features

• for Sony Alpha a9 II, a9, a7R IV, a7R III, a7 III, and a6600 Cameras

The 7.2 VDC, 2280mAh NP-FZ100 Rechargeable Lithium-Ion Battery from Sony is a high-capacity Z-series power source for Select digital cameras. This battery has InfoLITHIUM support for displaying the remaining charge of the battery on the camera's LCD screen.

Compatible Cameras

Alpha a9 II
Alpha a9
Alpha a7R IV
Alpha a7R III
Alpha a7 III
Alpha a6600

Falcam C00B3605 Overview

Key Features

• Maintains Access to Controls & Ports
• Multiple 1/4"-20 & ARRI 3/8"-16 Threads
• F22/F38/F50 Quick Release, Shoe Mount
• Removeable Side Plate
• Wrist Strap Slot, Aluminum Construction

Protect and outfit your Sony a7R V, a1, or a7 IV camera with additional accessories using this gray Quick Release Camera Cage from Falcam. This cage maintains access to your camera's ports and controls while also offering quick release compatibility with Falcam F22, F38, and F50 accessories.

Multiple 1/4"-20 threads, an ARRI-style 3/8"-16 anti-twist thread, and a shoe mount allow you to mount articulating arms, on-camera monitors, or shotgun microphones on your rig. A removable side plate provides even more mounting possibilities. The cage is constructed of aluminum for durability and has a slot for a wrist or neck strap.

Compatibility

• Sony a7R V, a1, and a7 IV
• Falcam F22, F38, and F50 quick release accessories

Falcam 3304 Overview

Key Features

• Fast 90° Horizontal-to-Vertical Setup
• Rotating Circular Mount Around Lens
• Multi-Purpose Mounts for F22, F38 & F50
• Arca-Type and DJI Mount Compatible
• Removable Swivel Ring
• Durable Aluminum Construction

Add a fast-switch vertical-to-horizontal mounting option to your camera rig with this Horizontal-to-Vertical QR Half Cage from Falcam. This handy aluminum half-cage rig mounts onto any Falcam F22, F38, or F50 receiver and it is compatible with DJI Arca-type quick release and standard Arca-type quick release rigs.

The integrated ring secures around compatible Sony E lenses and it allows you to quickly rotate the camera 90° to move from horizontal to vertical shooting in seconds. The swivel ring is removable so you can use the mount without rotation. The camera mounting plate features a 1/4"-20 camera screw and rubber padding to protect your camera.

Compatible Cameras

Sony FX3, FX30, a7R V, a7 IV, a7R IV, ZVE-10, a6400, and other Sony E-mount cameras

Compatible Lenses

Sony E 10-18mm f/4 OSS, FE 12-24mm f/2.8 GM, FE 16-35mm f/2.8 GM, FE 16-35mm f/4 G, E 16-55mm f/2.8 G, E PZ 18-105mm f/4 G OSS, E 18-135mm f/3.5-5.6 OSS, FE 20-70mm f/4 G, E 16-70mm f/4 ZA OSS, FE 24-70mm f/2.8 GM II, FE 28-70mm f/3.5-5.6 OSS, E 11mm f/1.8, FE 20mm f/1.8 G, FE 24mm f1.4 GM, E 30mm f/3.5 Macro, Distagon T* FE 35mm f/1.4 ZA, FE 35mm f/1.8, E 35mm f/1.8 OSS, Sonnar T* FE 35mm f/2.8 ZA, FE 50mm f/1.4 GM, FE 50mm f/1.8, E 50mm f/1.8 OSS, Sonnar T* FE 55mm f/1.8 ZA, FE 85mm f/1.8, and more

Incompatible Lenses

These lenses do not work with this half-cage: Sony E PZ 16-50mm f/3.5-5.6 OSS, FE 24mm f/2.8 G, FE 40mm f/2.5 G, and FE 50mm f/2.5 G.

Contact Falcam for updated compatibility

Falcam F22&F38&F50 Quick Release Foldable Half Cage Kit C00B3809

Key Features

• Two Rotating Shaft Designs
• Compatible with F22, F38 and F50 Quick Release System
• 1/4"-20 Threaded Holes
• ARRI Locating Holes &Strap Holes
• Wire Clamp Locating Holes
• Anti-mistouch & Anti-deflection Design
• Ultra-portable Foldable Design
• Half Cage's Flat State (maximum lever) Can Bear 4.5kg
• Fit Multiple Camera Models

Overview

The Falcam Foldable Half Camera Cage offers a versatile solution for various shooting scenarios. It features a unique dual-axis design that allows you to adjust the angles of the top, side, and bottom plates with ease, transforming it from a full cage into a half-cage configuration. The half-cage's bottom plate is equipped with an F38 quick-release interface, enabling effortless camera assembly and disassembly.

This cage is compatible with the F22, F38, and F50 quick-release systems, offering a range of attachment options such as 1/4" threaded holes, ARRI locating holes, wire clamp locating holes, strap holes, and cold shoe mounts to meet diverse expansion needs. It features a double-locking mechanism for enhanced stability, ensuring your camera stays securely in place.

The Falcam Foldable Half Camera Cage is compatible with a wide range of cameras, including Sony, Canon (R5/R6/R7/R10), Nikon (Z5/Z50/Z6/Z60/Z7), Fuji (XT series, XH series), and more. For certain blocky camera models like the Nikon Z8/Z9, the cage offers a unique vertical top plate installation method, similar to an L bracket.

With the option to pair it with Falcam F22, F38, F50, or Maglink quick release accessories, you'll experience seamless and fast transitions between different photography scenarios. Don't miss the opportunity to make your photography more versatile and efficient with the Falcam Foldable Half Camera Cage.

Camera Compatibility List

• Sony: A7 IV, A7R V, A7S III, A7 III, A7R IVa, A7R IIIa, A7C, A7C2, A6700, A6600, A6400, A6100, ZV-E1, ZVE-10, ZV1, FX3, FX30
• Fujifilm: X-T1, X-T2, X-T3, X-T4, X-T5, X-T20, X-T30, X-S10, X-S20, H1, X-H2S
• Lumix: S5, S5MK2, S5M2X, G9, DH6A, GH6L, G95D, G7, G100K
• Canon: R5, R6, R6MK2, R7, R8, R10
• Nikon: ZFC, Z30, Z5, Z50, Z6, Z60, Z7
• Sigma: FP, FPL
• Olympus: E-M10, OM-5, OM-1

Sony GP-VPT2BT Overview

Key Features

• For Select Sony Cameras with Bluetooth
• Wireless Camera Control
• Larger Grip with Integrated Controls
• Converts to Tabletop Tripod
• Integrated Shutter/Record and C1 Buttons
• Zoom Toggle Switch
• +80°/-90° Tilting & 360° Rotating Head
• Camera Attaches 1/4"-20 Mount
• Weather-Sealed Construction

Helping to improve shooting stability, the Sony GP-VPT2BT Wireless Shooting Grip is a convenient tool that serves as both a larger grip for handheld shooting as well as a sleek tabletop tripod. Compatible with select Sony cameras featuring Bluetooth connectivity, this grip offers wireless control over select shooting controls, via built-in shutter release and video record buttons, a zoom rocker switch, and a customizable C1 button. Beyond serving as just an accessory grip, the grip itself can be splayed into three legs and function as a tripod for hands-free shooting. The integrated head can tilt upward 80° (40° when setup as a tripod), downward 90°, and rotate 360° for easier positioning. Additionally, the grip is dust and moisture-resistant to suit its use with select weather-sealed cameras.

Camera Compatibility

• a9 II, a7R IV, a6600, a6100, RX100 VII, ZV-1
• a9, a7R III, a7 III, a6400, RX0 II compatible once updated to latest firmware

Sony GP-VPT2BT Overview

Key Features

• For Select Sony Cameras with Bluetooth
• Wireless Camera Control
• Larger Grip with Integrated Controls
• Converts to Tabletop Tripod
• Integrated Shutter/Record and C1 Buttons
• Zoom Toggle Switch
• +80°/-90° Tilting & 360° Rotating Head
• Camera Attaches 1/4"-20 Mount
• Weather-Sealed Construction

Helping to improve shooting stability, the Sony GP-VPT2BT Wireless Shooting Grip is a convenient tool that serves as both a larger grip for handheld shooting as well as a sleek tabletop tripod. Compatible with select Sony cameras featuring Bluetooth connectivity, this grip offers wireless control over select shooting controls, via built-in shutter release and video record buttons, a zoom rocker switch, and a customizable C1 button. Beyond serving as just an accessory grip, the grip itself can be splayed into three legs and function as a tripod for hands-free shooting. The integrated head can tilt upward 80° (40° when setup as a tripod), downward 90°, and rotate 360° for easier positioning. Additionally, the grip is dust and moisture-resistant to suit its use with select weather-sealed cameras.

Camera Compatibility

• a9 II, a7R IV, a6600, a6100, RX100 VII, ZV-1
• a9, a7R III, a7 III, a6400, RX0 II compatible once updated to latest firmware

Sony UWP-D22 Overview

The Sony UWP-D22 is a dependable camera-mount wireless handheld microphone system that delivers uncompromising audio quality while still being easy to use and fast to set up with no menu diving. It is made with simplicity in mind for DIY cameramen, videographers, vloggers, and journalists working in the field without a crew. The system is packed with professional features including NFC Sync and Auto-Gain functions, which handle time-consuming frequency setup and mic-level adjustments for you, so you're ready to shoot within seconds.

The UWP-D22 offers digital signal processing for pristine audio and analog UHF transmission with true-diversity reception for reliability, even under difficult shooting conditions. Rugged and lightweight, this system includes a handheld mic transmitter equipped with a cardioid capsule optimized for speech. The mic is ideal in situations when it's not convenient to position a lavalier mic or you need to quickly move the mic between several people. The system also comes with a low-profile camera-mount receiver designed for enhanced mobility with compact camcorders and smaller DSLR/mirrorless cameras.

Sony shooters can take advantage of the SMAD-P5 digital MI Shoe adapter (available separately), which provides a direct, clean digital audio connection to Select cameras equipped with a digital Multi Interface Shoe. with the UWP-D22, you can focus on the other critical elements competing for your attention during a shoot and confidently record crisp, clear speech or dialog for projects ranging from documentaries to wedding videos, YouTube content, corporate spots, and hands-free interviews.

The UWP-D22 is backward-compatible with Sony WL-800 and UWP Series systems.

Professional Features to Speed Up Your Workflow

NFC Automatic Channel-Setting Mode
Press and hold the NFC/Sync button, and the receiver scans for the cleanest RF channel. Simply hold the transmitter next to the receiver; it automatically syncs up and you’re good to go!

Unlike purely digital systems, the UWP-D22 allows you to send a single mic to multiple cameras for broadcast applications. Fast NFC communication makes setup for multiple receivers a breeze.

Auto-Gain Mode to Prevent Mic Distortion
Auto-Gain mode saves you the time and aggravation of setting and managing the input level on the transmitter. It uses a limiter to help prevent distortion, great when the loudness of the presenter’s voice is unknown.

The +15 dB Gain Volume-Boost mode boosts the mic gain by 15 dB to compensate for situations when the mic is not close enough to the presenter’s mouth and the audio level is insufficient.

Manual input-level setting is also available.

High-Visibility OLED Display for Indoor/Outdoor Use
Both transmitter and receiver feature an easy-to-read OLED display. The quick response of the display lets you see the operating conditions clearly and accurately in real time, even in bright sunlight.

Channel Memory Function
The channel memory function lets you quickly switch between the groom’s lav mic and the wedding guest’s interview mic with the press of a button. It also allows for a fast change between mics in corporate presentations or quickly swapping to a back-up mic.

DSP Filter Removes Occupancy Sensors Artifacts
Two levels of DSP filtering help remove the artifacts caused by occupancy sensors used in modern “green” buildings to turn off lights when people leave a room.

Reliable Reception with True Diversity

To achieve stable audio, the UWP-D receiver employs true-diversity technology with two antennas and two independent receiver sections within the unit. Both RF signals are compared and the stronger signal is automatically Selected for output—reducing dropouts to a minimum.

The angle of the two antennas can also be adjusted, which helps to further prevent signal dropouts.

The system offers a 72 MHz bandwidth with 2772 UHF frequencies.

High-Quality Sound with Digital Audio Processing

Unlike traditional analog wireless systems, The UWP-D supplements its proven analog UHF transmission technology with a proprietary digital audio processing. Transient sounds and consonants are reproduced with greater accuracy, resulting in clear, natural sound that’s intelligible and nuanced.

The handheld mic features a dynamic mic capsule with a directional cardioid polar pattern that helps to reject unwanted background sound, making it ideal in noisy environments such as trade-show floors or busy public areas.

The transmitter uses an interchangeable mic capsule design compatible with over 40 different capsules from various manufacturers.

A Compact Build, Ready for the Camera

The UWP-D22 features robust, all-metal construction and a lightweight handheld transmitter mic well suited for tough operating conditions.

Using the included shoemount adapter, the receiver easily mounts on your camera, while adding minimal weight to your rig. Cables are included to connect to cameras equipped with either a 3.5mm or an XLR audio input.

Direct Digital Audio via SMAD-P5 MI Shoe Adapter

The SMAD-P5 digital MI Shoe adapter allows you to integrate the receiver with XDCAM camcorders and Select Sony cameras equipped with a digital Multi Interface Shoe.

• This setup provides a direct digital connection, skipping the receiver’s D/A and camera’s A/D converters for superior audio quality and low noise.
• Audio information such as RF level meter, audio-mute status, and low-battery alert for the transmitters is displayed on the camera's viewfinder.
• This cable-free configuration allows for fast setup in the field.
• Compatible models include the a7R IV mirrorless camera, the PXW-Z280 and PXW-Z190 XDCAM camcorders, and more.

Multiple Powering Options

Two AA batteries (alkaline or NiMH rechargeable type) power the transmitter for up to 8 hours and the receiver for up to 6 hours.

A battery count-up timer allows for accurate reading of battery running time to minute accuracy.

The transmitter and receiver can also be powered through their USB ports, allowing them to run for numerous hours on a USB power pack or indefinitely, if you have access to AC.

with the SMAD-P5 Digital MI Shoe adapter, the receiver can get power directly from Sony cameras equipped with an MI Shoe.

Cartridge-type battery cases allow for quick battery replacement on set.

Headphone Monitoring for Location Sound

If your camera doesn’t have a headphone jack, Phone mode lets you monitor your sound via the receiver’s headphone output while recording.

When the receiver is used as a personal monitoring device by director or crew on set, Monitor mode lets you adjust the headphone volume on the fly with the +/- buttons.

Other Features

• The RF output level on the transmitter has two settings: the 5mW option allows you to conserve battery life, while the 30mW setting gives you more power to overcome interference, great in busy RF environments.
• Low-cut filter reduces noise caused by wind or machinery—Off/Low (100 Hz)/Mid (150 Hz)/High (200 Hz).
• The receiver provides a variable output level control of ±12 dB, useful when working with cameras without manual input level control.
• Simple menus make navigation easy. Advanced menus for in-depth control are also available.
• The variable mute button on the transmitter can be programmed for latched or momentary muting. It can also be used as a momentary talk button.
• You can operate up to 16 mics in one location.

Configure Your System to Do More

with this set, you can add the UTX-B40 bodypack transmitter with an omnidirectional lavalier mic, ideal for hands-free interviews.

for clearer speech in noisy environments, you can use an ECM-322BMP headset mic with the bodypack transmitter.

Adding the UTX-P40 plug-on transmitter with 48V phantom allows you to connect any handheld microphone of your choice for man-on-the-street-style interviews, or a shotgun mic for wireless booming.

Compatibility with Other Sony Wireless Systems

The UWP-D transmitter can be used with a UWP Series or WL-800 Series receiver. A UWP Series or WL-800 Series transmitter can be used with a UWP-D receiver.

Sony ECM-B10 Overview

Key Features

• Content Creator, Podcaster, Videographer
• For Sony Cameras with MI Shoe
• Advanced Beamforming Technology
• Super/Uni/Omni Pickup Patterns
• 3.1" Compact Design
• Digital Audio Transmission to Camera
• DSP with Auto Level & Noise Suppression
• Shock- and Vibration-Resistant Design
• Cable-Free and Battery-Free Operation
• Dust-/Moisture-Resistant, Windscreen

Capture crystal-clear speech, interviews, ambience, or nature sounds with the Sony ECM-B10, a camera-mount digital shotgun microphone designed for on-the-go content creators, podcasters, and videographers using Sony cameras equipped with the Multi Interface Shoe (MI). Combining digital signal processing with advanced beamforming technology, the mic delivers superdirectional performance in a remarkably compact package that provides flexibility and mobility, even in gimbal and grip-mounted shots. The ECM-B10 offers three types of pickup patterns in a single mic. For selfies and interviews, use the superdirectional pattern to tightly focus audio capture on a single subject directly in front of the camera. Switch to the unidirectional pattern for a wider shot or if you have two subjects on camera. The omnidirectional setting captures audio in a 360° field around the mic, making it a smart choice to pick up environmental sounds and voices from behind the camera.

High-Quality Recording and Digital Transmission to Your Camera

The ECM-B10 converts analog sound to digital within the microphone body and performs digital signal processing using Sony's unique algorithms—enabling three directional pickup patterns as well as noise reduction. In-body digital conversion also helps to reduce noise inside the microphone.

Direct digital audio transmission to the camera eliminates signal degradation, supplying pristine in-camera audio recordings without the noise and hiss common to analog preamps found in many cameras.

A simple Digital/Analog switch also provides compatibility with a wide range of cameras using an analog interface. The ECM-B10 is compatible with a7R IV, a7C, ZVE10 cameras and other Sony products with MI (Multi-interface shoe) that support digital audio.

Advanced Beamforming Technology

The ECM-B1M is equipped with four high-performance mic capsules. Digital signal processing using beamforming technology achieves high-quality audio with three switchable directivities, providing three microphones in one, including superdirectivity.

Your Choice of Three Pickup Patterns

Choose the most suitable pickup pattern with an easy-to-reach, three-way switch on the rear panel of the microphone. Quickly switch back and forth among the three pickup patterns, giving you the flexibility to adapt to your shooting requirements.

Superdirectional: Focused Front Area

Ideal for selfies or interviews, the superdirectional pattern collects sound from a focused area in front of the microphone, effectively suppressing sounds from off-axis and behind the camera.

Unidirectional: Wide Frontal Range

Perfect for multiperson conversations, the unidirectional pattern captures sound from a wide field in front of the microphone, while minimizing pickup from behind.

Omnidirectional : Sound from Any Direction

The omnidirectional pattern picks up audio equally from all directions, useful for recording environmental sounds or the voice of the camera operator.

Noise Filters, Auto-Level, Pad Controls on Intuitive, Easily Visible Rear Panel

Controls for pickup pattern and other functions are easy to reach on the rear panel and visible at a glance for quick adjustments during shooting.

The ECM-B10's noise-cut filter and low-cut filter are very effective at reducing extraneous ambient noises and cutting out low-frequency noise through the use of digital signal processing algorithms, maximizing audio quality at the recording stage and reducing the need for complex post-processing.

Auto level control and a variable pad (-20, -10, 0 dB) makes it easy to set optimum recording levels.

Compact and Portable Mic

Even at only 3.1" in length, the ECM-B10 offers impressive directional audio capture. Its small size gives you plenty of clearance for wide-angle lenses, viewfinder use, and gimbals.

Cable-Free Connection

No cables are required for connection to a wide range of Sony cameras equipped with an MI shoe. The absence of connecting cables means that no noise can be transmitted to the microphone mechanically via cables and connectors.

Designed to Minimize Shock and Vibration Noise

The ECM-B10 features an advanced shock- and vibration-suppressing design to effectively minimize low-frequency or handling noise, which can degrade audio quality.

Dust- and Moisture-Resistant Design

Complementing similarly dust- and moisture-resistant cameras, the ECM-B10 designed for worry-free outdoor shooting.

Battery-Free Operation

Power is supplied via the MI shoe in compatible cameras, so you don't have to worry about microphone batteries running out during a shoot.

Supplied Windscreen

The ECM-B10 comes with a furry windshield that's easily detachable and effective with reducing wind noise for capturing crisp audio on outdoor shoots.

ECM-B10 Highlights

• Digital signal processing using beamforming technology
• Compact, lightweight, and portable at only 3.1" in length
• Three selectable pickup patterns; Super/Uni/Omnidirectional
• Auto Level function
• Highly efficient noise filters: Noise Cut and Low Cut
• MI (Multi-Interface) Shoe requires no batteries or cables
• Digital/Analog switch for compatibility with a wide range of Sony cameras
• Direct control with the intuitive, easily visible rear panel
• Noise suppression contributes to high-quality audio
• Supplied furry windscreen to reduce wind noise
• Designed to suppress vibration and mechanical noise
• Dust- and moisture-resistant design

Godox MF-R76S Overview

Key Features

• Optimized for Dental Photography
• Compatible with Sony TTL
• Works with 2.4 GHz Wireless System
• Includes Ring Flash and Control Unit
• Includes Rechargeable Lithium Battery
• Includes Eight Lens Adapter Rings

Compatible with Sony TTL and optimized for dental photography, the MF-R76S+ Dental Macro Ring Flash from Godox delivers an adjusted, improved performance for dental shootings. It illuminates teeth in every direction with a soft and even light, eliminating unwanted vignetting and shadows. The ring light consists of two components: a controller that slips into your camera's hot shoe, and the ring flash, which mounts on your lens. Godox includes 49, 52, 55, 58, 62, 67, 72, and 77mm adapter rings to ensure wide compatibility with most lenses. With a guide number of 45.9' at ISO 100, the MF-R76S+ provides detailed, wrap-around lighting for your close-ups.

Adding to the unit's versatility, the MF-R76S+ offers TTL and manual modes combined with HSS, first, and second curtain sync capabilities. Besides that, two focus-assist lamps with 10 adjustable levels of power ratio are useful for low light scenes. The control unit powers the system via an included rechargeable lithium battery to ensure long-lasting shoots, giving you up to full-power 550 flashes. A large panel conveniently displays flash settings for easy navigation and control. Godox also supplies a charger, a USB-C cable, and a storage bag.

Practical Dental Photography Guide

For best results taking dental photographs, your camera should be set to manual exposure mode with a shutter speed of 1/200s at ISO 100. Godox also recommends a distance of 5' between the shooter and the subject. Additionally, setting your lens to manual focus is suggested. The MF-R76S+ will help you to capture images at different stages of the dental treatment to easily compare the patient's progress.

Benefits

• Easy-to-use interface
• Supports TTL, improving your shooting efficiency
• Recycles in 0.1 to 1 second
• Accurate power adjustment from 1/1 full power to 1/256 in 1/3 increments per stop
• Equipped with 2.4 GHz wireless transmission, it works as a transmitter or receiver unit

Compatible Sony Cameras

• a6400, a6000, a9, a7R, a7R II, a7R III, a7R IV, a7R V, DSC-RX100, a7 III, a7 IV, a7C, and ZV-E10

SmallRig 3322 Overview

Key Features

• Mounts on Camera or Cage with NATO Clamp
• Start/Stop Remote Trigger Button
• 1/4"-20, 3/8"-16 & ARRI Accessory Mounts
• 3 x Shoe Mounts, Anti-Slip Front Shoe
• 3 x Cables for Multiple Camera Types
• Slots for Securing Cable

Add a top handle with start/stop capability to your Panasonic, Fujifilm, Sony, Z CAM, or Panasonic camera or rig with this NATO Top Handle with Record Start/Stop Remote Trigger from SmallRig. The handle mounts onto your cage or rig using a NATO clamp that allows you to mount it onto any camera or rig with a standard NATO rail. The top handle features a top-mounted start/stop record button placed where your thumb would usually rest. The USB port on the side of the handle allows you to use one of the three included cables to connect to your camera and control the record start/stop.

The handle has multiple 1/4"-20 and 3/8"-16 threaded accessory mounting points, as well as three shoe mounts. The front shoe mount has an anti-slip mechanism that helps hold your accessory in the shoe. Additionally, four of the 3/8"-16 threaded holes feature anti-twist divots. This handle is made from machined aluminum, allowing it to be lightweight and durable. It has a slotted cable pathway that lets you route your cable neatly around the top handle for a clean appearance with a minimum chance of cable snag.

Camera Compatibility

Sony

a7, a7R, a7S, a7 II, a7R II, a7S II, a7 III, a7R III, a7S III, a7R IV, a9, a9 II, a5100, a6000, a6100, a6300, a6400, a6500, a6600, RX100 III, RX100 IV, RX100 V, RX100 VI, RX100 VII

Panasonic

S5, S1, S1R, S1H, GH4, GH5, GH5S, G9, G95

Fujifilm

X-T3, X-T4

Z CAM

Z CAM E2, M4, S6

Panasonic

BGH1

Accessory Compatibility

Compatible with but not limited to:

SmallRig Monitor Mount 2348

SmallRig Monitor Mount 2346

SmallRig NATO Rail 2172

SmallRig NATO Rail 1409

GGS LCD Portable Ocular Hight Definition Magnification with Leather Pouch

The GGSFOTO LCD Portable Ocular HD Viewfinder is a folding magnifier or screen shade . It is designed to provide a high quality viewfinder experience when shooting with a DSLR or Mirrorless CSC camera via the LCD screen. The GGSFOTO Ocular adopts an innovative design that makes it easy to attach and detach from the camera, provides a magnified view of the LCD, acts as a screen shade, folds into a compact package for easy transportation and storage and provides optional LCD protection when not in use.

• 3X Optical Magnification
• Classic design
• Easy and simple connection
• Friendly to swivel screen
• Support all types of screens

Full Screen Sunshade Hood

Four-direction sunshade hood for LCD view in sunlight

High Sharpness for Your Lcd Screen Photography

Using by the lens, both photo and video will be much sharp and real

Friendly for Your Pocket

Easy to be folded and taken along, convenient to use optical eyepiece

Gorgeous Appearance

Complete metal body , classic design, friendly to swivel screen

Innovative Optical Glass Lens

GGSFOTO LCD Ocular is made by special process, very clear for your shooting

Easy Magnetic Installation

Attach to the Gen5 Screen Protector

How To Use

Simply place the Ocular onto the LCD.

The magnets inside the edge of the frame will hold the Ocular firmly onto the metal frame / screen protector.

Now grasp the sides of the Ocular at the bottom and pull away from the LCD to open the device for use as a sunshade.

To use as viewfinder, slide the actuator at the top to the right and the lens will swing into position.

After use, to pack away, push the lens back into the stowed position, then squeeze the sides of the Ocular to let it fold back down.

Once folded, simply pull it away from the camera.

When not in use, keep the Ocular in its storage case for maximum protection.

Compatible Camera Models

Sony A7 IV Overview

Key Features

• 33MP Full-Frame Exmor R CMOS BSI Sensor
• Up to 10 fps Shooting, ISO 100-51200
• 4K 60p Video in 10-Bit, S-Cinetone
• 3.68m-Dot EVF with 120 fps Refresh Rate
• 3" 1.03m-Dot Vari-Angle Touchscreen LCD
• 759-Pt. Fast Hybrid AF, Real-time Eye AF
• Focus Breathing Compensation
• 5-Axis SteadyShot Image Stabilization
• Creative Looks and Soft Skin Effect
• 4K 15p UVC/UAC Streaming via USB Type-C

Sony a7 IV: Beyond Basic

An all-arounder that pushes beyond basic, the Sony a7 IV does double duty with strong stills and video performance. An advanced hybrid mirrorless camera, the a7 IV has the resolution and AF performance that appeals to photographers along with robust 4K 60p video recording for filmmakers and content creators.

Sensor and Processor

33MP Exmor R BSI CMOS Sensor

Newly developed 33MP Exmor R BSI CMOS full-frame sensor features a back-illuminated design that promotes high clarity, low noise, and vivid color rendering. This design benefits working in low-light conditions and works in conjunction with a broad sensitivity range of ISO 100-51200. The sensor's design also achieves an impressive dynamic range of approximately 15 stops and files can be recorded in raw, JPEG, or the 10-bit HEIF format.

BIONZ XR Processor

Using the flagship-class BIONZ XR engine, high-speed image processing capabilities are available for fast continuous shooting, 4K video recording, and advanced AF tracking performance. The quick processing also helps to reduce rolling shutter and other motion distortions for clean rendering of moving subjects.

In terms of shooting speeds, the sensor and processor enable up to 10 fps shooting, using either the mechanical or electronic shutter and with AF/AE enabled. Also, the buffer permits recording up to 828 consecutive uncompressed raw + JPEG frames when using a CFexpress Type A card.

Video Recording

4K 60p Video Recording in 10-Bit

• Making full use of the high-resolution 33MP sensor and fast processing capabilities, UHD 4K 30p XAVC HS 10-bit recording is possible using the full width of the sensor, offering 7K oversampling for impressive sharpness and realism.
• There is also oversampled 4K recording, via a 4.6K capture area, with a Super 35 crop, that offers UHD 4K output up to 60p in 10-bit.
• No recording time limit allows for unlimited clip lengths and the camera's physical design features an improved heat-dissipating structure to promote longer possible recording times; longer than one hour of continuous 4K 60p 10-bit 4:2:2 recording, for example.
• The a7 IV employs a pair of codecs to suit different workflows: XAVC HS, which uses HEVC/H.265 encoding to retain more detail at smaller bitrates and XAVC S-I, which is an intraframe codec for consistent performance and quality at bitrates up to 600 Mb/s.

S-Cinetone, S-Log3, and Other Color and Gamma Controls

• S-Cinetone can be used to deliver distinct colors and healthy-looking skin tone rendering that matches the FX9 and FX6 cameras, along with the a1 and a7S III, and is based on technology from the professional Cinema Line cameras, such as the VENICE. This color profile offers natural mid-tones, soft colors, and especially well-controlled highlights.
• HLG (Hybrid Log-Gamma) support permits recording within a wide color gamut for producing HDR-ready content directly from the camera.
• S-Log3 is also available for producing a 15+-stop dynamic range with increased grading control in the shadow to mid-tone regions of the image.

Fast Hybrid AF System

AI-Based Autofocus

Covering approximately 94% of the image area, a Fast Hybrid AF system incorporates 759 phase-detection points for quick and precise focusing in a variety of lighting conditions with sensitivity down to -4 EV. This focusing system is available for use in all recording modes, to benefit both video and stills applications.

Real-time Tracking and Real-time Eye AF

Borrowing from the flagship AF system, the a7 IV has tuned tracking and subject detection capabilities that lock onto subjects quickly and refines focus accurately on recognized eyes and faces of subjects:

• Real-time Tracking is an AI-based subject recognition system that recognizes color, pattern, and subject distance information for high accuracy and focusing speed.
• Beyond just tracking subjects, Real-time Eye AF fine-tunes the focusing accuracy and recognizes human, animal, and bird's eyes for critical sharpness. Real-time Eye AF even maintains focus on a subject's eye when they leave and re-enter the frame, allowing for working in more spontaneous shooting situations.

AF During Video Recording and Additional Focusing Modes

• Real-time Eye AF is fully supported during video recording, for subject detection and tracking of human, animal, and bird eyes while shooting.
• For more control over how focus shifts appear during recording, seven-step AF transition speeds and five-step AF subject shift sensitivity controls let you refine how quickly focus shifts from point to point and how smoothly focusing shifts occur.
• Focus Map is a unique way of visualizing depth of field and functions in a similar way to peaking with a colorful overlay of the scene that indicates which parts of the scene are in front of and behind the focus point depending on the chosen aperture.
• A feature carried over from the FX6 digital cine camera, AF Assist lets you intuitively switch over to manual focus control for adjusting focus position when working with AF. This is a quick way to shift selective focus between various subjects in a scene while recording.

• A unique solution to compensate for how certain lenses perform when racking focus, Focus Breathing compensation will automatically smooth focus transitions and maintain a consistent field of view when changing the focus position during a shot. This mode crops into the image slightly and corrects for any detected shifts in composition when focusing is happening. This function is compatible with select E-mount lenses, check

Body Design, Connectivity, and Streaming

Viewfinder and LCD Screen

• An improved QVGA OLED Tru-Finder EVF features a 3.68m-dot resolution that is approximately 1.6x higher in resolution than its predecessor for sharper, clearer viewing. This viewfinder supports both standard 60 fps and 120 fps frame rates for smooth motion rendering and its physical design has a long 23mm eye point, 0.78x-magnification, and 37.3° field of view.
• Perfect for vlogging or other self-recording needs, the side-opening 3.0" 1.03m-dot vari-angle articulating screen can be used in a front-facing orientation or can be tilted up or down to suit working from high or low shooting angles. This LCD is a touchscreen, too, for intuitive shooting control and menu navigation.

Ports and Interface

• Full-size HDMI A port offers a more reliable connection when working with external recorders.
• A USB 3.2 Gen 2 Type-C port has been added, in addition to a micro-USB port, for faster, more reliable tethering support. The USB Type-C connection allows the camera to be charged or powered from the host power source while connected.
• Both 3.5mm headphone and external microphone ports facilitate greater control over audio recording.
• Multi Interface Shoe supports working with the optional ECM-B1M Shotgun Microphone or XLR-K3M XLR Adapter Kit, which provide improved, clear audio recording sound by sending a digital audio signal to the camera, opposed to an analog signal.
• USB Type-C port can be paired with an optional Ethernet wired LAN adapter to provide 1000BASE-T connectivity, wired remote shooting, or FTP transferring.

5-Axis SteadyShot INSIDE Image Stabilization

• Enhanced 5.5-stop effective 5-axis SteadyShot INSIDE image stabilization system compensates for five different types of camera shake encountered during handheld shooting of stills and video and allows users to confidently use any lens, even adapted lenses, for critical shooting without encountering blur from camera shake.
• For long focal lengths, the system will correct for pitch and yaw adjustments. Macro and high-magnification imagery, on the other hand, will benefit from the inclusion of horizontal and vertical shift compensation. All shooting styles will get usage out of the roll compensation. All 5 axes of stabilization will function at all times, even when used with third-party lenses and adapters or lenses with built-in optical stabilization.
• Additionally, specifically for video, there is also an Active IS mode that adds even more precise stabilization methods for even smoother footage straight out of camera.

Advanced External Flash Control

Suiting working with flash while photographing fast-moving subjects, P-TTL flash metering is possible in between each exposure when working with lo, mid, or even hi-speed continuous shooting modes. This helps to maintain stable illumination if making low-light bursts and greatly benefits working in changing light or low-light conditions. The updated flash control system also helps to reduce flash trigger lag, uses the camera's AWB information for natural color rendering, and supports adjusting select flash and transmitter units directly from the camera's interface.

Wireless Connectivity and Streaming

• Built-in Wi-Fi enables the remote camera control and instant sharing of imagery to mobile devices for direct sharing online, and support for both 2.4 and 5 GHz bands also enables wireless tethered shooting support. This connectivity also provides remote camera control.
• Use of the Imaging Edge mobile app is benefitted by Bluetooth to maintain a reliable connection between the camera and mobile device.
• Supports Visual Story for easy cloud-based deliver of photos and videos immediately after shooting.

• Live streaming is possible directly from the camera simply by connecting the camera to a computer or compatible mobile device via USB, allowing the camera's video and audio capabilities to be used for live social media and video conferencing.
• 4K 15p, FHD 60p/30p, and HD 30p recording settings are available and there are also internal Creative Look and Soft Skin effects for a refined image quality straight from the camera.
• Internal recording is supported to a memory card while live streaming.
• UVC and UAC standards are supported for improved picture and sound quality during streaming.

Sony FE 24-70mm f/2.8 GM II Overview

Key Features

• E-Mount Lens/Full-Frame Format
• Aperture Range: f/2.8 to f/22
• 22% Lighter, 18% Smaller than Previous
• XA and Super ED Elements
• Nano AR Coating II and Fluorine Coating
• Four XD Linear AF Motors, Floating Focus
• Aperture De-Click and Lock Switches
• Zoom Smoothness Switch
• Dust and Moisture-Resistant Construction
• Eleven-Blade Circular Diaphragm

Sony A7 IV Overview

Key Features

• 33MP Full-Frame Exmor R CMOS BSI Sensor
• Up to 10 fps Shooting, ISO 100-51200
• 4K 60p Video in 10-Bit, S-Cinetone
• 3.68m-Dot EVF with 120 fps Refresh Rate
• 3" 1.03m-Dot Vari-Angle Touchscreen LCD
• 759-Pt. Fast Hybrid AF, Real-time Eye AF
• Focus Breathing Compensation
• 5-Axis SteadyShot Image Stabilization
• Creative Looks and Soft Skin Effect
• 4K 15p UVC/UAC Streaming via USB Type-C

Sony a7 IV: Beyond Basic

melakukan tugas ganda dengan gambar diam dan performa video yang kuat. Sebagai kamera mirrorless hybrid yang canggih, Sony a7 IV memiliki resolusi dan performa AF yang menarik bagi fotografer serta perekaman video 4K 60p yang tangguh untuk pembuat film dan pembuat konten.

Sensor and Processor

33MP Exmor R BSI CMOS Sensor

Sensor full-frame Exmor R BSI CMOS 33MP yang baru dikembangkan menampilkan desain bercahaya belakang yang menghasilkan kejernihan tinggi, noise rendah, dan rendering warna cerah. Desain ini bermanfaat untuk bekerja dalam kondisi cahaya redup dan bekerja bersama dengan rentang sensitivitas ISO 100-51200 yang luas. Desain sensor juga mencapai rentang dinamis yang mengesankan sekitar 15 stop dan file dapat direkam dalam format mentah, JPEG, atau HEIF 10-bit.

BIONZ XR Processor

Dengan menggunakan mesin BIONZ XR kelas unggulan, kemampuan pemrosesan gambar berkecepatan tinggi tersedia untuk pemotretan beruntun yang cepat, perekaman video 4K, dan performa pelacakan AF yang canggih. Pemrosesan cepat ini juga membantu mengurangi rana bergulir dan distorsi gerakan lainnya untuk menghasilkan gambar yang jernih pada subjek yang bergerak.

Dalam hal kecepatan pengambilan gambar, sensor dan prosesor memungkinkan pengambilan gambar hingga 10 fps, baik menggunakan rana mekanis atau elektronik dan dengan AF/AE yang diaktifkan. Selain itu, buffer memungkinkan perekaman hingga 828 frame mentah + JPEG yang tidak terkompresi berturut-turut saat menggunakan kartu CFexpress Tipe A.

Video Recording

4K 60p Video Recording in 10-Bit

• Memanfaatkan sepenuhnya sensor resolusi tinggi 33MP dan kemampuan pemrosesan yang cepat, perekaman UHD 4K 30p XAVC HS 10-bit dimungkinkan menggunakan lebar penuh sensor, menawarkan oversampling 7K untuk ketajaman dan realisme yang mengesankan.
• Ada juga perekaman 4K oversampled, melalui area pengambilan 4,6K, dengan pemotongan Super 35, yang menawarkan output UHD 4K hingga 60p dalam 10-bit.
• Tidak ada batasan waktu perekaman yang memungkinkan panjang klip tidak terbatas dan desain fisik kamera dilengkapi struktur pembuangan panas yang ditingkatkan untuk memungkinkan waktu perekaman yang lebih lama; misalnya, perekaman 4K 60p 10-bit 4:2:2 yang berlangsung lebih dari satu jam.
• a7 IV menggunakan sepasang codec untuk disesuaikan dengan alur kerja yang berbeda: XAVC HS, yang menggunakan pengkodean HEVC/H.265 untuk mempertahankan lebih banyak detail pada bitrate yang lebih kecil dan XAVC S-I, yang merupakan codec intraframe untuk kinerja dan kualitas yang konsisten pada bitrate hingga 600 Mb/dtk.

S-Cinetone, S-Log3, and Other Color and Gamma Controls

• S-Cinetone dapat digunakan untuk menghadirkan warna berbeda dan rendering rona kulit tampak sehat yang cocok dengan kamera FX9 dan FX6, bersama dengan a1 dan a7S III, dan didasarkan pada teknologi dari kamera Cinema Line profesional, seperti VENICE. Profil warna ini menawarkan rona tengah alami, warna lembut, dan highlight yang terkontrol dengan baik.
• Dukungan HLG (Hybrid Log-Gamma) memungkinkan perekaman dalam gamut warna lebar untuk menghasilkan konten siap HDR langsung dari kamera.
• S-Log3 juga tersedia untuk menghasilkan rentang dinamis 15+-stop dengan peningkatan kontrol gradasi pada area bayangan hingga nada tengah pada gambar.

Fast Hybrid AF System

AI-Based Autofocus

Mencakup sekitar 94% area gambar, sistem Fast Hybrid AF menggabungkan 759 titik deteksi fase untuk pemfokusan yang cepat dan tepat dalam berbagai kondisi pencahayaan dengan sensitivitas hingga -4 EV. Sistem pemfokusan ini tersedia untuk digunakan di semua mode perekaman, untuk menguntungkan aplikasi video dan gambar diam.

Real-time Tracking and Real-time Eye AF

Meminjam dari sistem AF andalan, a7 IV telah menyetel kemampuan pelacakan dan deteksi subjek yang mengunci subjek dengan cepat dan menyempurnakan fokus secara akurat pada mata dan wajah subjek yang dikenali:

• Pelacakan Real-time adalah sistem pengenalan subjek berbasis AI yang mengenali informasi warna, pola, dan jarak subjek untuk akurasi tinggi dan kecepatan pemfokusan.
• Selain hanya melacak subjek, Eye AF Real-time menyempurnakan akurasi pemfokusan dan mengenali mata manusia, hewan, dan burung untuk ketajaman kritis. Eye AF Real-time bahkan mempertahankan fokus pada mata subjek saat subjek keluar dan masuk kembali ke dalam bingkai, sehingga memungkinkan untuk bekerja dalam situasi pengambilan gambar yang lebih spontan.

AF During Video Recording and Additional Focusing Modes

• Eye AF Real-time didukung sepenuhnya selama perekaman video, untuk mendeteksi subjek dan melacak mata manusia, hewan, dan burung saat memotret.
• Untuk kontrol lebih besar terhadap tampilan pergeseran fokus selama perekaman, kecepatan transisi AF tujuh langkah dan kontrol sensitivitas pergeseran subjek AF lima langkah memungkinkan Anda menyempurnakan seberapa cepat peralihan fokus dari titik ke titik dan seberapa mulus pergeseran fokus terjadi.
• Peta Fokus adalah cara unik untuk memvisualisasikan kedalaman bidang dan fungsinya mirip dengan peaking dengan hamparan pemandangan berwarna-warni yang menunjukkan bagian pemandangan mana yang berada di depan dan di belakang titik fokus, bergantung pada aperture yang dipilih.
• Sebuah fitur yang dibawa dari kamera film digital FX6, AF Assist memungkinkan Anda secara intuitif beralih ke kontrol fokus manual untuk menyesuaikan posisi fokus saat bekerja dengan AF. Ini adalah cara cepat untuk mengalihkan fokus selektif antara berbagai subjek dalam suatu adegan saat merekam.

• A unique solution to compensate for how certain lenses perform when racking focus, Focus Breathing compensation will automatically smooth focus transitions and maintain a consistent field of view when changing the focus position during a shot. This mode crops into the image slightly and corrects for any detected shifts in composition when focusing is happening. This function is compatible with select E-mount lenses, check Breathing Compensation lens compatibility here.

Body Design, Connectivity, and Streaming

Viewfinder and LCD Screen

• QVGA OLED Tru-Finder EVF yang ditingkatkan memiliki resolusi 3,68m-dot yang kira-kira 1,6x lebih tinggi dalam resolusi dibandingkan pendahulunya untuk tampilan yang lebih tajam dan jernih. Jendela bidik ini mendukung kecepatan bingkai standar 60 fps dan 120 fps untuk rendering gerakan yang mulus dan desain fisiknya memiliki titik mata 23 mm, pembesaran 0,78x, dan bidang pandang 37,3°.
• Sempurna untuk vlogging atau kebutuhan perekaman mandiri lainnya, bukaan samping 3.0" Layar artikulasi vari-angle 1,03m-dot dapat digunakan dalam orientasi menghadap ke depan atau dapat dimiringkan ke atas atau ke bawah agar sesuai dengan sudut pengambilan gambar yang tinggi atau rendah. LCD ini juga merupakan layar sentuh, untuk kontrol pemotretan intuitif dan navigasi menu.

Ports and Interface

• Port HDMI A ukuran penuh menawarkan koneksi yang lebih andal saat bekerja dengan perekam eksternal.
• Port USB 3.2 Gen 2 Type-C telah ditambahkan, selain port micro-USB, untuk dukungan tethering yang lebih cepat dan andal. Koneksi USB Type-C memungkinkan kamera diisi atau diberi daya dari sumber daya host saat terhubung.
• Headphone 3,5 mm dan port mikrofon eksternal memfasilitasi kontrol lebih besar atas perekaman audio.
• Multi Interface Shoe mendukung penggunaan Mikrofon Shotgun ECM-B1M opsional atau Kit Adaptor XLR-K3M XLR, yang menghasilkan suara rekaman audio yang lebih baik dan jernih dengan mengirimkan sinyal audio digital ke kamera, bukan sinyal analog.
• Port USB Type-C dapat dipasangkan dengan adaptor LAN kabel Ethernet opsional untuk menyediakan konektivitas 1000BASE-T, pemotretan jarak jauh berkabel, atau transfer FTP.

5-Axis SteadyShot INSIDE Image Stabilization

• Sistem stabilisasi gambar SteadyShot INSIDE 5-sumbu 5,5-stop yang ditingkatkan dan efektif mengkompensasi lima jenis goyangan kamera berbeda yang ditemui selama pengambilan gambar diam dan video dengan genggaman dan memungkinkan pengguna dengan percaya diri menggunakan lensa apa pun, bahkan lensa yang disesuaikan, untuk pengambilan gambar kritis tanpa mengalami kekaburan dari kamera menggoyang.
• Untuk panjang fokus yang panjang, sistem akan mengoreksi penyesuaian pitch dan yaw. Sebaliknya, citra makro dan pembesaran tinggi akan mendapat manfaat dari penyertaan kompensasi pergeseran horizontal dan vertikal. Semua gaya pemotretan akan mendapatkan penggunaan kompensasi gulungan. Kelima sumbu stabilisasi akan berfungsi setiap saat, bahkan saat digunakan dengan lensa dan adaptor pihak ketiga atau lensa dengan stabilisasi optik internal.
• Selain itu, khusus untuk video, terdapat juga mode Active IS yang menambahkan metode stabilisasi yang lebih presisi untuk hasil rekaman yang lebih halus langsung dari kamera.

Advanced External Flash Control

Menyesuaikan bekerja dengan flash saat memotret subjek yang bergerak cepat, pengukuran flash P-TTL dimungkinkan di antara setiap eksposur saat bekerja dengan mode pemotretan beruntun kecepatan tinggi, sedang, atau bahkan tinggi. Hal ini membantu menjaga kestabilan pencahayaan jika terjadi semburan cahaya redup dan sangat bermanfaat saat bekerja dalam kondisi cahaya atau cahaya redup yang berubah-ubah. Sistem kontrol lampu kilat yang diperbarui juga membantu mengurangi kelambatan pemicu lampu kilat, menggunakan informasi AWB kamera untuk rendering warna alami, dan mendukung penyesuaian unit lampu kilat dan pemancar tertentu langsung dari antarmuka kamera.

Wireless Connectivity and Streaming

• Wi-Fi internal memungkinkan kontrol kamera jarak jauh dan berbagi citra secara instan ke perangkat seluler untuk dibagikan langsung secara online, dan dukungan untuk pita 2,4 dan 5 GHz juga memungkinkan dukungan pengambilan gambar tertambat secara nirkabel. Konektivitas ini juga menyediakan kontrol kamera jarak jauh.
• Penggunaan aplikasi seluler Imaging Edge diuntungkan oleh Bluetooth untuk menjaga koneksi yang andal antara kamera dan perangkat seluler.
• Mendukung Visual Story untuk kemudahan pengiriman foto dan video berbasis cloud segera setelah pengambilan gambar.

• Streaming langsung dapat dilakukan langsung dari kamera hanya dengan menyambungkan kamera ke komputer atau perangkat seluler yang kompatibel melalui USB, sehingga kemampuan video dan audio kamera dapat digunakan untuk media sosial langsung dan konferensi video.
• Tersedia pengaturan perekaman 4K 15p, FHD 60p/30p, dan HD 30p dan terdapat juga efek Creative Look internal dan Soft Skin untuk kualitas gambar yang lebih baik langsung dari kamera.
• Perekaman internal didukung ke kartu memori saat streaming langsung.
• Standar UVC dan UAC didukung untuk meningkatkan kualitas gambar dan suara selama streaming.

Sony A7 IV Overview

Key Features

• 33MP Full-Frame Exmor R CMOS Sensor
• Up to 10 fps Shooting, ISO 100-51200
• 4K 60p Video in 10-Bit, S-Cinetone
• 3.68m-Dot EVF with 120 fps Refresh Rate
• 3" 1.03m-Dot Vari-Angle Touchscreen LCD
• 759-Pt. Fast Hybrid AF, Real-time Eye AF
• Focus Breathing Compensation
• 5-Axis SteadyShot Image Stabilization
• Creative Looks and Soft Skin Effect
• FE 28-70mm f/3.5-5.6 OSS Lens

Sony a7 IV Mirrorless Camera

An all-arounder that pushes beyond basic, the Sony a7 IV does double duty with strong stills and video performance. An advanced hybrid mirrorless camera, the a7 IV has the resolution and AF performance that appeals to photographers along with robust 4K 60p video recording for filmmakers and content creators.

Sensor and Processor

33MP Exmor R BSI CMOS Sensor

Newly developed 33MP Exmor R BSI CMOS full-frame sensor features a back-illuminated design that promotes high clarity, low noise, and vivid color rendering. This design benefits working in low-light conditions and works in conjunction with a broad sensitivity range of ISO 100-51200. The sensor's design also achieves an impressive dynamic range of approximately 15 stops and files can be recorded in raw, JPEG, or the 10-bit HEIF format.

BIONZ XR Processor

Using the flagship-class BIONZ XR engine, high-speed image processing capabilities are available for fast continuous shooting, 4K video recording, and advanced AF tracking performance. The quick processing also helps to reduce rolling shutter and other motion distortions for clean rendering of moving subjects.

In terms of shooting speeds, the sensor and processor enable up to 10 fps shooting, using either the mechanical or electronic shutter and with AF/AE enabled. Also, the buffer permits recording up to 828 consecutive uncompressed raw + JPEG frames when using a CFexpress Type A card.

Video Recording

4K 60p Video Recording in 10-Bit

• Making full use of the high-resolution 33MP sensor and fast processing capabilities, UHD 4K 30p XAVC HS 10-bit recording is possible using the full width of the sensor, offering 7K oversampling for impressive sharpness and realism.
• There is also oversampled 4K recording, via a 4.6K capture area, with a Super 35 crop, that offers UHD 4K output up to 60p in 10-bit.
• No recording time limit allows for unlimited clip lengths and the camera's physical design features an improved heat-dissipating structure to promote longer possible recording times; longer than one hour of continuous 4K 60p 10-bit 4:2:2 recording, for example.
• The a7 IV employs a pair of codecs to suit different workflows: XAVC HS, which uses HEVC/H.265 encoding to retain more detail at smaller bitrates and XAVC S-I, which is an intraframe codec for consistent performance and quality at bitrates up to 600 Mb/s.

S-Cinetone, S-Log3, and Other Color and Gamma Controls

• S-Cinetone can be used to deliver distinct colors and healthy-looking skin tone rendering that matches the FX9 and FX6 cameras, along with the a1 and a7S III, and is based on technology from the professional Cinema Line cameras, such as the VENICE. This color profile offers natural mid-tones, soft colors, and especially well-controlled highlights.
• HLG (Hybrid Log-Gamma) support permits recording within a wide color gamut for producing HDR-ready content directly from the camera.
• S-Log3 is also available for producing a 15+-stop dynamic range with increased grading control in the shadow to mid-tone regions of the image.

Fast Hybrid AF System

AI-Based Autofocus

Covering approximately 94% of the image area, a Fast Hybrid AF system incorporates 759 phase-detection points for quick and precise focusing in a variety of lighting conditions with sensitivity down to -4 EV. This focusing system is available for use in all recording modes, to benefit both video and stills applications.

Real-time Tracking and Real-time Eye AF

Borrowing from the flagship AF system, the a7 IV has tuned tracking and subject detection capabilities that lock onto subjects quickly and refines focus accurately on recognized eyes and faces of subjects:

• Real-time Tracking is an AI-based subject recognition system that recognizes color, pattern, and subject distance information for high accuracy and focusing speed.
• Beyond just tracking subjects, Real-time Eye AF fine-tunes the focusing accuracy and recognizes human, animal, and bird's eyes for critical sharpness. Real-time Eye AF even maintains focus on a subject's eye when they leave and re-enter the frame, allowing for working in more spontaneous shooting situations.

AF During Video Recording and Additional Focusing Modes

• Real-time Eye AF is fully supported during video recording, for subject detection and tracking of human, animal, and bird eyes while shooting.
• For more control over how focus shifts appear during recording, seven-step AF transition speeds and five-step AF subject shift sensitivity controls let you refine how quickly focus shifts from point to point and how smoothly focusing shifts occur.
• Focus Map is a unique way of visualizing depth of field and functions in a similar way to peaking with a colorful overlay of the scene that indicates which parts of the scene are in front of and behind the focus point depending on the chosen aperture.
• A feature carried over from the FX6 digital cine camera, AF Assist lets you intuitively switch over to manual focus control for adjusting focus position when working with AF. This is a quick way to shift selective focus between various subjects in a scene while recording.

• A unique solution to compensate for how certain lenses perform when racking focus, Focus Breathing compensation will automatically smooth focus transitions and maintain a consistent field of view when changing the focus position during a shot. This mode crops into the image slightly and corrects for any detected shifts in composition when focusing is happening. This function is compatible with select E-mount lenses, check Breathing Compensation lens compatibility here.

Body Design, Connectivity, and Streaming

Viewfinder and LCD Screen

• An improved QVGA OLED Tru-Finder EVF features a 3.68m-dot resolution that is approximately 1.6x higher in resolution than its predecessor for sharper, clearer viewing. This viewfinder supports both standard 60 fps and 120 fps frame rates for smooth motion rendering and its physical design has a long 23mm eye point, 0.78x-magnification, and 37.3° field of view.
• Perfect for vlogging or other self-recording needs, the side-opening 3.0" 1.03m-dot vari-angle articulating screen can be used in a front-facing orientation or can be tilted up or down to suit working from high or low shooting angles. This LCD is a touchscreen, too, for intuitive shooting control and menu navigation.

Ports and Interface

• Full-size HDMI A port offers a more reliable connection when working with external recorders.
• A USB 3.2 Gen 2 Type-C port has been added, in addition to a micro-USB port, for faster, more reliable tethering support. The USB Type-C connection allows the camera to be charged or powered from the host power source while connected.
• Both 3.5mm headphone and external microphone ports facilitate greater control over audio recording.
• Multi Interface Shoe supports working with the optional ECM-B1M Shotgun Microphone or XLR-K3M XLR Adapter Kit, which provide improved, clear audio recording sound by sending a digital audio signal to the camera, opposed to an analog signal.
• USB Type-C port can be paired with an optional Ethernet wired LAN adapter to provide 1000BASE-T connectivity, wired remote shooting, or FTP transferring.

5-Axis SteadyShot INSIDE Image Stabilization

• Enhanced 5.5-stop effective 5-axis SteadyShot INSIDE image stabilization system compensates for five different types of camera shake encountered during handheld shooting of stills and video and allows users to confidently use any lens, even adapted lenses, for critical shooting without encountering blur from camera shake.
• For long focal lengths, the system will correct for pitch and yaw adjustments. Macro and high-magnification imagery, on the other hand, will benefit from the inclusion of horizontal and vertical shift compensation. All shooting styles will get usage out of the roll compensation. All 5 axes of stabilization will function at all times, even when used with third-party lenses and adapters or lenses with built-in optical stabilization.
• Additionally, specifically for video, there is also an Active IS mode that adds even more precise stabilization methods for even smoother footage straight out of camera.

Advanced External Flash Control

Suiting working with flash while photographing fast-moving subjects, P-TTL flash metering is possible in between each exposure when working with lo, mid, or even hi-speed continuous shooting modes. This helps to maintain stable illumination if making low-light bursts and greatly benefits working in changing light or low-light conditions. The updated flash control system also helps to reduce flash trigger lag, uses the camera's AWB information for natural color rendering, and supports adjusting select flash and transmitter units directly from the camera's interface.

Wireless Connectivity and Streaming

• Built-in Wi-Fi enables the remote camera control and instant sharing of imagery to mobile devices for direct sharing online, and support for both 2.4 and 5 GHz bands also enables wireless tethered shooting support. This connectivity also provides remote camera control.
• Use of the Imaging Edge mobile app is benefitted by Bluetooth to maintain a reliable connection between the camera and mobile device.
• Supports Visual Story for easy cloud-based deliver of photos and videos immediately after shooting.

• Live streaming is possible directly from the camera simply by connecting the camera to a computer or compatible mobile device via USB, allowing the camera's video and audio capabilities to be used for live social media and video conferencing.
• 4K 15p, FHD 60p/30p, and HD 30p recording settings are available and there are also internal Creative Look and Soft Skin effects for a refined image quality straight from the camera.
• Internal recording is supported to a memory card while live streaming.
• UVC and UAC standards are supported for improved picture and sound quality during streaming.

Sony FE 28-70mm f/3.5-5.6 OSS Lens

A Versatile Standard

A top pick for users looking for a lightweight all-around zoom, the FE 28-70mm f/3.5-5.6 OSS Lens from Sony is a great go-to for full-frame E-mount shooters. The lens has a compact, portable design that is ideal for everyday, walkaround use and its versatile wide-angle to portrait-length range suits working with a variety of subject types.

Optical Design

• One extra-low dispersion glass element is featured in the lens design to help reduce chromatic aberrations and color fringing for improved clarity and color neutrality.
• Three aspherical elements are incorporated in the lens design to reduce astigmatism, field curvature, coma, and other monochromatic aberrations.
• Rounded seven-blade diaphragm contributes to a pleasing bokeh quality when employing selective focus techniques.

Autofocus, Image Stabilization, and Design

• An internal focus mechanism and linear motor contribute to faster, more responsive system and easier handling.
• Optical SteadyShot image stabilization helps to minimize the appearance of camera shake for sharper imagery when shooting handheld with slower shutter speeds. This stabilization system can be combined with select camera's sensor-shift type image stabilization for more effective control of camera blur.
• Dust- and moisture-sealed design better permits working in inclement conditions and rubberized control rings benefit handling in colder temperatures.

Sony A7 IV Overview

Key Features

• 33MP Full-Frame Exmor R CMOS Sensor
• Up to 10 fps Shooting, ISO 100-51200
• 4K 60p Video in 10-Bit, S-Cinetone
• 3.68m-Dot EVF with 120 fps Refresh Rate
• 3" 1.03m-Dot Vari-Angle Touchscreen LCD
• 759-Pt. Fast Hybrid AF, Real-time Eye AF
• Focus Breathing Compensation
• 5-Axis SteadyShot Image Stabilization
• Creative Looks and Soft Skin Effect
• FE 28-70mm f/3.5-5.6 OSS Lens

Sony a7 IV Mirrorless Camera

An all-arounder that pushes beyond basic, the Sony a7 IV does double duty with strong stills and video performance. An advanced hybrid mirrorless camera, the a7 IV has the resolution and AF performance that appeals to photographers along with robust 4K 60p video recording for filmmakers and content creators.

Sensor and Processor

33MP Exmor R BSI CMOS Sensor

Newly developed 33MP Exmor R BSI CMOS full-frame sensor features a back-illuminated design that promotes high clarity, low noise, and vivid color rendering. This design benefits working in low-light conditions and works in conjunction with a broad sensitivity range of ISO 100-51200. The sensor's design also achieves an impressive dynamic range of approximately 15 stops and files can be recorded in raw, JPEG, or the 10-bit HEIF format.

BIONZ XR Processor

Using the flagship-class BIONZ XR engine, high-speed image processing capabilities are available for fast continuous shooting, 4K video recording, and advanced AF tracking performance. The quick processing also helps to reduce rolling shutter and other motion distortions for clean rendering of moving subjects.

In terms of shooting speeds, the sensor and processor enable up to 10 fps shooting, using either the mechanical or electronic shutter and with AF/AE enabled. Also, the buffer permits recording up to 828 consecutive uncompressed raw + JPEG frames when using a CFexpress Type A card.

Video Recording

4K 60p Video Recording in 10-Bit

• Making full use of the high-resolution 33MP sensor and fast processing capabilities, UHD 4K 30p XAVC HS 10-bit recording is possible using the full width of the sensor, offering 7K oversampling for impressive sharpness and realism.
• There is also oversampled 4K recording, via a 4.6K capture area, with a Super 35 crop, that offers UHD 4K output up to 60p in 10-bit.
• No recording time limit allows for unlimited clip lengths and the camera's physical design features an improved heat-dissipating structure to promote longer possible recording times; longer than one hour of continuous 4K 60p 10-bit 4:2:2 recording, for example.
• The a7 IV employs a pair of codecs to suit different workflows: XAVC HS, which uses HEVC/H.265 encoding to retain more detail at smaller bitrates and XAVC S-I, which is an intraframe codec for consistent performance and quality at bitrates up to 600 Mb/s.

S-Cinetone, S-Log3, and Other Color and Gamma Controls

• S-Cinetone can be used to deliver distinct colors and healthy-looking skin tone rendering that matches the FX9 and FX6 cameras, along with the a1 and a7S III, and is based on technology from the professional Cinema Line cameras, such as the VENICE. This color profile offers natural mid-tones, soft colors, and especially well-controlled highlights.
• HLG (Hybrid Log-Gamma) support permits recording within a wide color gamut for producing HDR-ready content directly from the camera.
• S-Log3 is also available for producing a 15+-stop dynamic range with increased grading control in the shadow to mid-tone regions of the image.

Fast Hybrid AF System

AI-Based Autofocus

Covering approximately 94% of the image area, a Fast Hybrid AF system incorporates 759 phase-detection points for quick and precise focusing in a variety of lighting conditions with sensitivity down to -4 EV. This focusing system is available for use in all recording modes, to benefit both video and stills applications.

Real-time Tracking and Real-time Eye AF

Borrowing from the flagship AF system, the a7 IV has tuned tracking and subject detection capabilities that lock onto subjects quickly and refines focus accurately on recognized eyes and faces of subjects:

• Real-time Tracking is an AI-based subject recognition system that recognizes color, pattern, and subject distance information for high accuracy and focusing speed.
• Beyond just tracking subjects, Real-time Eye AF fine-tunes the focusing accuracy and recognizes human, animal, and bird's eyes for critical sharpness. Real-time Eye AF even maintains focus on a subject's eye when they leave and re-enter the frame, allowing for working in more spontaneous shooting situations.

AF During Video Recording and Additional Focusing Modes

• Real-time Eye AF is fully supported during video recording, for subject detection and tracking of human, animal, and bird eyes while shooting.
• For more control over how focus shifts appear during recording, seven-step AF transition speeds and five-step AF subject shift sensitivity controls let you refine how quickly focus shifts from point to point and how smoothly focusing shifts occur.
• Focus Map is a unique way of visualizing depth of field and functions in a similar way to peaking with a colorful overlay of the scene that indicates which parts of the scene are in front of and behind the focus point depending on the chosen aperture.
• A feature carried over from the FX6 digital cine camera, AF Assist lets you intuitively switch over to manual focus control for adjusting focus position when working with AF. This is a quick way to shift selective focus between various subjects in a scene while recording.

• A unique solution to compensate for how certain lenses perform when racking focus, Focus Breathing compensation will automatically smooth focus transitions and maintain a consistent field of view when changing the focus position during a shot. This mode crops into the image slightly and corrects for any detected shifts in composition when focusing is happening. This function is compatible with select E-mount lenses, check Breathing Compensation lens compatibility here.

Body Design, Connectivity, and Streaming

Viewfinder and LCD Screen

• An improved QVGA OLED Tru-Finder EVF features a 3.68m-dot resolution that is approximately 1.6x higher in resolution than its predecessor for sharper, clearer viewing. This viewfinder supports both standard 60 fps and 120 fps frame rates for smooth motion rendering and its physical design has a long 23mm eye point, 0.78x-magnification, and 37.3° field of view.
• Perfect for vlogging or other self-recording needs, the side-opening 3.0" 1.03m-dot vari-angle articulating screen can be used in a front-facing orientation or can be tilted up or down to suit working from high or low shooting angles. This LCD is a touchscreen, too, for intuitive shooting control and menu navigation.

Ports and Interface

• Full-size HDMI A port offers a more reliable connection when working with external recorders.
• A USB 3.2 Gen 2 Type-C port has been added, in addition to a micro-USB port, for faster, more reliable tethering support. The USB Type-C connection allows the camera to be charged or powered from the host power source while connected.
• Both 3.5mm headphone and external microphone ports facilitate greater control over audio recording.
• Multi Interface Shoe supports working with the optional ECM-B1M Shotgun Microphone or XLR-K3M XLR Adapter Kit, which provide improved, clear audio recording sound by sending a digital audio signal to the camera, opposed to an analog signal.
• USB Type-C port can be paired with an optional Ethernet wired LAN adapter to provide 1000BASE-T connectivity, wired remote shooting, or FTP transferring.

5-Axis SteadyShot INSIDE Image Stabilization

• Enhanced 5.5-stop effective 5-axis SteadyShot INSIDE image stabilization system compensates for five different types of camera shake encountered during handheld shooting of stills and video and allows users to confidently use any lens, even adapted lenses, for critical shooting without encountering blur from camera shake.
• For long focal lengths, the system will correct for pitch and yaw adjustments. Macro and high-magnification imagery, on the other hand, will benefit from the inclusion of horizontal and vertical shift compensation. All shooting styles will get usage out of the roll compensation. All 5 axes of stabilization will function at all times, even when used with third-party lenses and adapters or lenses with built-in optical stabilization.
• Additionally, specifically for video, there is also an Active IS mode that adds even more precise stabilization methods for even smoother footage straight out of camera.

Advanced External Flash Control

Suiting working with flash while photographing fast-moving subjects, P-TTL flash metering is possible in between each exposure when working with lo, mid, or even hi-speed continuous shooting modes. This helps to maintain stable illumination if making low-light bursts and greatly benefits working in changing light or low-light conditions. The updated flash control system also helps to reduce flash trigger lag, uses the camera's AWB information for natural color rendering, and supports adjusting select flash and transmitter units directly from the camera's interface.

Wireless Connectivity and Streaming

• Built-in Wi-Fi enables the remote camera control and instant sharing of imagery to mobile devices for direct sharing online, and support for both 2.4 and 5 GHz bands also enables wireless tethered shooting support. This connectivity also provides remote camera control.
• Use of the Imaging Edge mobile app is benefitted by Bluetooth to maintain a reliable connection between the camera and mobile device.
• Supports Visual Story for easy cloud-based deliver of photos and videos immediately after shooting.

• Live streaming is possible directly from the camera simply by connecting the camera to a computer or compatible mobile device via USB, allowing the camera's video and audio capabilities to be used for live social media and video conferencing.
• 4K 15p, FHD 60p/30p, and HD 30p recording settings are available and there are also internal Creative Look and Soft Skin effects for a refined image quality straight from the camera.
• Internal recording is supported to a memory card while live streaming.
• UVC and UAC standards are supported for improved picture and sound quality during streaming.

Sony FE 28-70mm f/3.5-5.6 OSS Lens

A Versatile Standard

A top pick for users looking for a lightweight all-around zoom, the FE 28-70mm f/3.5-5.6 OSS Lens from Sony is a great go-to for full-frame E-mount shooters. The lens has a compact, portable design that is ideal for everyday, walkaround use and its versatile wide-angle to portrait-length range suits working with a variety of subject types.

Optical Design

• One extra-low dispersion glass element is featured in the lens design to help reduce chromatic aberrations and color fringing for improved clarity and color neutrality.
• Three aspherical elements are incorporated in the lens design to reduce astigmatism, field curvature, coma, and other monochromatic aberrations.
• Rounded seven-blade diaphragm contributes to a pleasing bokeh quality when employing selective focus techniques.

Autofocus, Image Stabilization, and Design

• An internal focus mechanism and linear motor contribute to faster, more responsive system and easier handling.
• Optical SteadyShot image stabilization helps to minimize the appearance of camera shake for sharper imagery when shooting handheld with slower shutter speeds. This stabilization system can be combined with select camera's sensor-shift type image stabilization for more effective control of camera blur.
• Dust- and moisture-sealed design better permits working in inclement conditions and rubberized control rings benefit handling in colder temperatures.