Sony A7R V Overview

Key Features

• 61MP Full-Frame Exmor R BSI CMOS Sensor
• BIONZ XR & AI Processing Unit
• AI-Based Real-Time Tracking AF System
• 8K 24p, 4K 60p, FHD 120p 10-Bit Video
• 4K 16-Bit Raw Output; S-Log3/S-Cinetone
• 9.44m-Dot EVF with 120 fps Refresh Rate
• 3.2" 4-Axis Multi-Angle Touchscreen LCD
• 10 fps Shooting with AF/AE Tracking
• 8-Stop 5-Axis Image Stabilization
• Dual CFexpress Type A/SD Card Slots

Exmor R BSI Sensor and BIONZ XR Processor

61MP Full-Frame CMOS Sensor

Featuring a back-illuminated design, this full-frame 61MP Exmor R CMOS sensor offers a mixture of incredible resolution with high clarity, low noise, and a wide 15-stop dynamic range. The sensor's structure promotes impressive image quality and a copper wiring layer dramatically improves data transmission speed for creating 14-bit, high-resolution 61MP stills with a native sensitivity range from ISO 100-32000, which can be further expanded to ISO 50-102400.

Improved Processing Engine

A new BIONZ XR processing engine offers up to 8x greater processing performance compared to previous generations, which enables faster overall performance, impressive image quality with wide sensitivity and dynamic ranges, and more fluent processing that's capable of handling a bevy of AI tasks and intelligent AF alongside imaging processes. This processing system also reduces rolling shutter and other motion distortions for clean rendering of moving subjects.

In terms of shooting speeds, the sensor and processor enable up to 10 fps shooting, at full resolution with a mechanical shutter, for up to 583 consecutive compressed raw frames, with full-time AF/AE. If shooting JPEG only, more than 1000 frames can be recorded in a single burst.

Updated 5-Axis Image Stabilization

• Updated for the a7R V, the in-body image stabilization system has been revised to support up to 8 stops of camera shake compensation. This 5-axis stabilization system combines a high-performance gyro sensor with an optimized algorithm for more precise shake control and improved communication between the camera body and lens.
• Additionally, specifically for video, there is also an Active IS mode that adds even more precise stabilization methods for even smoother footage straight out of camera. Also, this digital stabilization system has been updated with a new algorithm that offers the best stabilization performance when paired with select OSS-enabled lenses.

Pixel Shift Multi Shooting

This unique compositing mode allows you to achieve even greater resolution than the 61MP sensor affords. Working in conjunction with the sensor-shift image stabilization, this mode shifts the sensor while making 16 consecutive exposures in order to acquire approximately 240.8MP of information for greater color accuracy and detail than possible with a single exposure, along with an impressive image size of 19,008 x 12,672-pixels. These files can then be merged together during post-production by using the Sony Imaging software suite.

Accurate Exposure and Color

• New auto-exposure algorithm can detect skin area in faces in order to more accurately balance exposures for portraits. This AE method is approximately 20% more reliable, even in backlit or direct sunlight situations, or even when the subject is not directly facing the camera.
• Deep learning technology, along with external visible light and IR sensors, also contributes to more accurate color reproduction and auto white balance processing.

Next Generation AI-Based Autofocus

AI Processing Unit

Using dedicated processing, the a7R V's autofocus is greatly benefitted by more intelligent subject tracking and recognition capabilities along with the reliable hybrid AF system Alpha cameras are known for. Real-time Recognition AF works with seven different selectable target types:

• Human, which tracks body and head positions for accurate portraits. Real-time Eye AF performance has also been improved by 60% thanks to the human pose estimation capabilities.
• Animal, Bird, and Animal/Bird modes are now 40% more accurate for tracking and recognizing a variety of animal types. Recognition of these subjects includes dogs, cats, birds and more, with the ability to pinpoint focus on eyes and recognize animal bodies and heads.

• Insect recognition offers even finer performance with the ability to detect the head or entire insect subject.
• Car/Train and Airplane recognition means the camera can detect the front part of a train, nose of an airplane, or easily detect the entire fast-moving subject.

Real-time Tracking benefits from AI-based subject recognition for following moving subjects, making it particularly well-suited to sports and action subjects. Also, Human pose estimation allows the camera to distinguish between multiple people and maintain focus on the targeted subject; even if someone crosses in front, the camera maintains focus on the key person.

Advanced Fast Hybrid AF

• Covering 79% of the full-frame image area, or 100% of the APS-C cropped area, a Fast Hybrid AF system incorporates a dense 693 phase-detection point grid for quick and precise focusing in a variety of lighting conditions with sensitivity down to -4 EV. This focusing system is available for use in all recording modes, to benefit both video and stills applications.
• Full-time DMF (Direct Manual Focus) enables using the lens's focus ring for manual focus control at any time, making it easier to switch focus to a different subject even when working with AF.
• For photographic moving subjects, this AF system keeps up with the top 10 fps continuous shooting speeds, offering full-time AF tracking between each consecutive frame.
• In-camera Focus Bracketing is possible, with the ability to record up to 299 frames with sequentially shifted focus points for creating composite images during post-production with greater-than-possible depth of field.

AF During Video Recording

• Real-time Eye AF is fully supported during video recording, for subject detection and tracking of human, animal, and bird eyes while shooting.
• Focus Map is a unique way of visualizing depth of field and functions in a similar way to peaking with a colorful overlay of the scene that indicates which parts of the scene are in front of and behind the focus point depending on the chosen aperture.
• A feature carried over from the FX6 digital cine camera, AF Assist lets you intuitively switch over to manual focus control for adjusting focus position when working with AF. This is a quick way to shift selective focus between various subjects in a scene while recording.
• A unique solution to compensate for how certain lenses perform when racking focus, Focus Breathing compensation will automatically smooth focus transitions and maintain a consistent field of view when changing the focus position during a shot. This mode crops into the image slightly and corrects for any detected shifts in composition when focusing is happening. This function is compatible with select E-mount lenses,

Video Recording

8K 24p and 4K 60p Support

• Making use of the high-resolution sensor and fast processing capabilities, UHD 8K 24p and UHD 4K 60p XAVC HS 10-bit video recording is possible using the full width of the sensor with full pixel readout for impressive sharpness and realism.
• If using a Super 35 crop, full pixel readout recording is possible at up to UHD 4K at frame rates up to 30p or 6.2K oversampling can be used for greater sharpness and detail.

• Internal 10-bit 4:2:2 sampling is possible at up to 4K 60p in XAVC HS and XAVC S-I and, if recording externally via the full-size HDMI A port, 16-bit raw output can be used for even greater tonal reproduction and post-production flexibility.
• Raw output is supported at up to 4K 60p and simultaneous internal 4K recording is possible, too.

Recording Flexibility

• The a7R V employs a pair of codecs to suit different workflows: XAVC HS, which uses HEVC/H.265 encoding to retain more detail at smaller bitrates and XAVC S-I, which is an intraframe codec for consistent performance and quality at higher bitrates.
• If recording in Full HD, high-speed, 120 fps recording enables 4x and 5x slow-motion movie recording with the frame rate playback set to either 30p or 24p.
• No recording time limit allows for unlimited clip lengths and the camera's physical design features an improved heat-dissipating structure to promote longer possible recording times.

Advanced Color Control

• S-Cinetone can be used to deliver distinct colors and healthy-looking skin tone rendering that matches the FX9, FX6, a1, and a7S III cameras and is based on technology from the professional Cinema Line cameras, such as the VENICE. This color profile offers natural mid-tones, soft colors, and especially well-controlled highlights.
• Affording extensive customizable color and gamma controls, the you can adjust the gamma, black level, knee, color level, and more. Also, users can use the same S-Log2 Gamma Curve that is found on high end Sony Cinema cameras that squeezes up to 1300% more dynamic range into the video signal then traditional REC709, for increased post-production flexibility.
• HLG (Hybrid Log-Gamma) support is also available, along with the BT.2020 color space, for recording within a wide color gamut and, in addition to S-Log2, S-Log3 is also available for producing a 15+-stop dynamic range with increased grading control in the shadow to mid-tone regions of the image.

Body Design and Connectivity

9.44m-Dot EVF and 4-Axis Multi-Angle LCD

• Sporting a new, more functional LCD design, the a7R V has a 4-axis multi-angle LCD monitor that combines the best assets of both tilting and side-open/flip-out vari-angle designs.
• This 3.2" 2.1m-dot LCD also has a touchscreen design and a DCI-P3 wide gamut for accurate color monitoring.
• An impressive QXGA OLED Tru-Finder EVF features a high 9.44m-dot resolution and 0.9x magnification for exceptionally bright, clear, and detailed eye-level viewing.
• The EVF permits 120 fps playback for smooth motion rendering and the finder's physical design has a long 25mm eye point, 41° field of view, and features a fluorine coating on the outermost viewfinder element to benefit cleaning.

Versatile and Durable Design

• Dual memory card slots both accept either CFexpress Type A or SD-type memory cards. The dual slot design allows for flexible file saving and handling and can be configured to partition file types or can be used for overflow recording. Additionally, both of the card slots are rated to support UHS-II memory cards for faster transfer speeds.
• Accepts the high-capacity NP-FZ100 rechargeable lithium-ion battery, which provides approximately 440 shots/90 minutes of recording per charge when using the viewfinder or 530 shots/100 minutes of recording per charge when using the rear LCD.

• Magnesium alloy chassis assures rigidity, durability, and stability while remaining lightweight. The lens mount has also been improved to better support heavy lenses, and the grip rigidity has been improved for more comfortable hand-holding.
• Extensive weather-sealing, including enhanced sealing around the battery cover, terminal cover, and chassis joints, has been employed to resist dust and moisture for reliable operation in harsh weather conditions.

Ports and Interface

• Full-size HDMI A port offers a more reliable connection when working with external recorders.
• A USB-C 3.2 Gen 2 port has been added, in addition to a micro-USB port, for faster, more reliable tethering support. The USB-C connection allows the camera to be charged or powered from the host power source while connected.
• PC sync terminal for wired flash sync with strobe packs or wireless radio remotes.
• Both 3.5mm headphone and external microphone ports facilitate greater control over audio recording.
• Multi Interface Shoe supports working with the optional ECM-B1M Shotgun Microphone or XLR-K3M XLR Adapter Kit, which provide improved, clear audio recording sound by sending a digital audio signal to the camera, opposed to an analog signal.

Connectivity

• Built-in Wi-Fi and NFC enables the a7R V to instantly share imagery to mobile devices for direct sharing online, and support for both 2.4 and 5 GHz bands also enables wireless tethered shooting support. Also, the 5 GHz band supports 2x2 MIMO for fast communication speeds and dual antennas ensure a reliable connection.
• Bluetooth connectivity allows for location data acquisition.
• Supports 4K webcam use and is UVC/UAC compliant for simple operation. Internal recording is also supported while live streaming.
• USB-C port, when used in conjunction with an optional USB-Ethernet adapter, offers up to 1000BASE-T speeds for quick wired LAN sharing and remote operation.
• Imaging Edge Remote for desktop supports PC Remote shooting via the Wi-Fi connection or tethered by the wired USB-C port. An updated data transfer control also makes it possible to transfer files from an SD card over Wi-Fi using the Imaging Edge Mobile app even when the camera is powered off.

Falcam C00B3605 Overview

Key Features

• Maintains Access to Controls & Ports
• Multiple 1/4"-20 & ARRI 3/8"-16 Threads
• F22/F38/F50 Quick Release, Shoe Mount
• Removeable Side Plate
• Wrist Strap Slot, Aluminum Construction

Protect and outfit your Sony a7R V, a1, or a7 IV camera with additional accessories using this gray Quick Release Camera Cage from Falcam. This cage maintains access to your camera's ports and controls while also offering quick release compatibility with Falcam F22, F38, and F50 accessories.

Multiple 1/4"-20 threads, an ARRI-style 3/8"-16 anti-twist thread, and a shoe mount allow you to mount articulating arms, on-camera monitors, or shotgun microphones on your rig. A removable side plate provides even more mounting possibilities. The cage is constructed of aluminum for durability and has a slot for a wrist or neck strap.

Compatibility

• Sony a7R V, a1, and a7 IV
• Falcam F22, F38, and F50 quick release accessories

SmallRig 4505 Overview

Key Features

• Portable & Compact Battery Mount Plate
• Tool-Free Installation
• 11 lb Payload Capacity
• Multiple 1/4"-20 Threaded Mounting Holes
• Aluminum & Stainless Steel Construction

The compact and portable V-Mount Battery Mounting Plate from SmallRig is a versatile, all-in-one mounting solution for V-mount batteries that boasts tool-free installation and a convenient quick release system. It has multiple 1/4"20 mounting threads, an Arca-style clamp, and built-in 1/4"-20 and 3/8"-16 holes at the bottom to facilitate the attachment of other quick release plates. Constructed with aluminum and stainless steel for added durability and sturdiness, the unit can support payloads up to 11 lb.

Compatibility

Mirrorless/DSLR cameras less than 4.3" thick, such as :

• Sony a7R V, a7 IV, a7S III, a7C, FX3, and FX30
• Canon EOS R5C, R5, R6, R6 Mark II, R7, R10, R, and RP
• Panasonic LUMIX S1H, S1R, S1, S5, S5 II, GH6, and GH5

Sony ECM-B1M Overview

Key Features

• Designed for Sony a7R IV
• Mounts via Sony Multi Interface Shoe
• 3 x Selectable Directivity Patterns
• Selectable Digital/Analog Output
• 4" Ultra-Compact Design
• Auto-Level Function
• Low-Cut Filter
• Cable-Free Connection
• Vibration-Resistant Design

The Sony ECM-B1M is an ultra-compact camera-mount digital shotgun microphone designed for mobile video creators working with Sony cameras equipped with the Multi Interface Shoe. Released alongside the a7R IV, which benefits from its built-in Digital Audio Interface, the ECM-B1M is able to produce its best quality by delivering a digital audio stream directly to the camera through the Multi Interface Shoe. Other Sony cameras with the standard Multi Interface Shoe can still make use of the microphone as there is a Selectable digital/analog output.

The ECM-B1M is equipped with eight high-performance mic capsules and advanced digital signal processing, providing three Selectable directivity patterns for a wide Range of shooting and recording situations. Plug-and-play operation makes the microphone easy to use right out of the box you can immediately start recording your YouTube videos, Facebook Live streams, and interviews, at home, in the studio, or on the go.

Falcam 3304 Overview

Key Features

• Fast 90° Horizontal-to-Vertical Setup
• Rotating Circular Mount Around Lens
• Multi-Purpose Mounts for F22, F38 & F50
• Arca-Type and DJI Mount Compatible
• Removable Swivel Ring
• Durable Aluminum Construction

Add a fast-switch vertical-to-horizontal mounting option to your camera rig with this Horizontal-to-Vertical QR Half Cage from Falcam. This handy aluminum half-cage rig mounts onto any Falcam F22, F38, or F50 receiver and it is compatible with DJI Arca-type quick release and standard Arca-type quick release rigs.

The integrated ring secures around compatible Sony E lenses and it allows you to quickly rotate the camera 90° to move from horizontal to vertical shooting in seconds. The swivel ring is removable so you can use the mount without rotation. The camera mounting plate features a 1/4"-20 camera screw and rubber padding to protect your camera.

Compatible Cameras

Sony FX3, FX30, a7R V, a7 IV, a7R IV, ZVE-10, a6400, and other Sony E-mount cameras

Compatible Lenses

Sony E 10-18mm f/4 OSS, FE 12-24mm f/2.8 GM, FE 16-35mm f/2.8 GM, FE 16-35mm f/4 G, E 16-55mm f/2.8 G, E PZ 18-105mm f/4 G OSS, E 18-135mm f/3.5-5.6 OSS, FE 20-70mm f/4 G, E 16-70mm f/4 ZA OSS, FE 24-70mm f/2.8 GM II, FE 28-70mm f/3.5-5.6 OSS, E 11mm f/1.8, FE 20mm f/1.8 G, FE 24mm f1.4 GM, E 30mm f/3.5 Macro, Distagon T* FE 35mm f/1.4 ZA, FE 35mm f/1.8, E 35mm f/1.8 OSS, Sonnar T* FE 35mm f/2.8 ZA, FE 50mm f/1.4 GM, FE 50mm f/1.8, E 50mm f/1.8 OSS, Sonnar T* FE 55mm f/1.8 ZA, FE 85mm f/1.8, and more

Incompatible Lenses

These lenses do not work with this half-cage: Sony E PZ 16-50mm f/3.5-5.6 OSS, FE 24mm f/2.8 G, FE 40mm f/2.5 G, and FE 50mm f/2.5 G.

Contact Falcam for updated compatibility

Falcam F22&F38&F50 Quick Release Foldable Half Cage Kit C00B3809

Key Features

• Two Rotating Shaft Designs
• Compatible with F22, F38 and F50 Quick Release System
• 1/4"-20 Threaded Holes
• ARRI Locating Holes &Strap Holes
• Wire Clamp Locating Holes
• Anti-mistouch & Anti-deflection Design
• Ultra-portable Foldable Design
• Half Cage's Flat State (maximum lever) Can Bear 4.5kg
• Fit Multiple Camera Models

Overview

The Falcam Foldable Half Camera Cage offers a versatile solution for various shooting scenarios. It features a unique dual-axis design that allows you to adjust the angles of the top, side, and bottom plates with ease, transforming it from a full cage into a half-cage configuration. The half-cage's bottom plate is equipped with an F38 quick-release interface, enabling effortless camera assembly and disassembly.

This cage is compatible with the F22, F38, and F50 quick-release systems, offering a range of attachment options such as 1/4" threaded holes, ARRI locating holes, wire clamp locating holes, strap holes, and cold shoe mounts to meet diverse expansion needs. It features a double-locking mechanism for enhanced stability, ensuring your camera stays securely in place.

The Falcam Foldable Half Camera Cage is compatible with a wide range of cameras, including Sony, Canon (R5/R6/R7/R10), Nikon (Z5/Z50/Z6/Z60/Z7), Fuji (XT series, XH series), and more. For certain blocky camera models like the Nikon Z8/Z9, the cage offers a unique vertical top plate installation method, similar to an L bracket.

With the option to pair it with Falcam F22, F38, F50, or Maglink quick release accessories, you'll experience seamless and fast transitions between different photography scenarios. Don't miss the opportunity to make your photography more versatile and efficient with the Falcam Foldable Half Camera Cage.

Camera Compatibility List

• Sony: A7 IV, A7R V, A7S III, A7 III, A7R IVa, A7R IIIa, A7C, A7C2, A6700, A6600, A6400, A6100, ZV-E1, ZVE-10, ZV1, FX3, FX30
• Fujifilm: X-T1, X-T2, X-T3, X-T4, X-T5, X-T20, X-T30, X-S10, X-S20, H1, X-H2S
• Lumix: S5, S5MK2, S5M2X, G9, DH6A, GH6L, G95D, G7, G100K
• Canon: R5, R6, R6MK2, R7, R8, R10
• Nikon: ZFC, Z30, Z5, Z50, Z6, Z60, Z7
• Sigma: FP, FPL
• Olympus: E-M10, OM-5, OM-1

Sony A7R III Overview

Key Features

• 42MP Full-Frame Exmor R BSI CMOS Sensor
• BIONZ X Image Processor & Front-End LSI
• 399-Point AF System & 10 fps Shooting
• UHD 4K30p Video with HLG & S-Log3 Gammas
• 3.69m-Dot Tru-Finder OLED EVF
• 3.0" 2.36m-Dot Tilting Touchscreen LCD
• 5-Axis SteadyShot INSIDE Stabilization
• ISO 102400 & Pixel Shift Multi Shooting
• Built-In Wi-Fi/Bluetooth, Dual SD Slots
• USB 3.2 Gen 1 Type-C Port & PC Sync Port

Blending Speed and Resolution

Proving that speed, resolution, and video capabilities can all coexist, the Sony a7R IIIA is a versatile, high-performance camera characterized by not only its resolution, but by its multimedia versatility.

42.4 MP Exmor R BSI CMOS Sensor and BIONZ X Image Processor

Featuring a back-illuminated design, the full-frame 42.4-megapixel Exmor R CMOS sensor works with the BIONZ X image processor to offer high-resolution stills and video while minimizing noise and improving speed. This sensor structure works with gapless on-chip lens design and an anti-reflection coating, as well as eliminating the optical low-pass filter, to improve light collection and enhance detail. Also, the copper wiring layer dramatically improves data transmission speed for creating 14-bit, high-resolution 42.4-megapixel stills with a native sensitivity range from ISO 100-32000, which can be further expanded to ISO 50-102400. Also, it enables internal UHD 4K video recording with a wide dynamic range using the full width of the full-frame sensor. The BIONZ X processor also works in conjunction with a high-speed front-end LSI to realize faster processing times along with the ability to capture an impressive 15-stop dynamic range at low sensitivity values.

The sensor and processor combination also avails fast continuous shooting at up to 10 fps at full resolution, for up to 76 consecutive frames, and with full-time AF/AE when working with either a mechanical shutter or an electronic shutter. If shooting in live view mode, a continuous shooting rate of up to 8 fps is also possible.

Autofocus and Image Stabilization

Fast Hybrid AF System

An evolved 4D FOCUS system now employs a combination of 399 phase-detection points, which cover approximately 68% of the frame, along with 425 contrast-detection areas for reliable and quick autofocus and subject tracking performance. This Fast Hybrid AF System now achieves twice the focusing speed and more reliable tracking compared to previous a7R models, as well as improved low-light focusing response down to -3 EV.

• Lock-on AF maintains focus on moving subjects throughout the use of a configurable frame that is set over the desired moving subject
• Expand Flexible Spot employs neighboring focus points to retain focus on moving subjects even if the originally selected point loses focus
• Eye AF can be used to base focus on recognized human subjects' eyes for portraits and is available in both AF-S and AF-C modes, for both stills and video. Eye AF can be used when photographing animal subjects, too, with any focusing mode when shooting stills
• Focus Magnifier function can be used for critical focus when homing in on minute subject details
• Rear touchscreen can also be used for Touch Focus control, and a Touchpad Focus Control mode lets you use the rear screen intuitively while keeping your eye to the viewfinder
• For more personalized control over focus, and benefitting working in either vertical or horizontal shooting orientation, the AF area can be switched in orientation to better suit your subject matter
• AF tracking sensitivity can also be customized in five steps to match how a subject is moving
• Frequently used focus point settings can be memorized and recalled with a custom button for faster switching between focus settings

5-Axis SteadyShot INSIDE Image Stabilization

The a7R IIIA incorporates an enhanced 5.5-stop effective 5-axis SteadyShot INSIDE image stabilization system, which compensates for five different types of camera shake encountered during handheld shooting of stills and video. This allows users to confidently use any lens, even adapted lenses, for critical imaging without encountering blur from camera shake.

For long focal lengths, the system will correct for pitch and yaw adjustments. Macro and high-magnification imagery, on the other hand, will benefit from the inclusion of horizontal and vertical shift compensation. All shooting styles will get usage out of the roll compensation. All 5 axes of stabilization will function at all times, even when used with third-party lenses and adapters or lenses with built-in optical stabilization.

UHD 4K Video Recording in XAVC S Format

• Internal recording of UHD 4K video is possible in multiple frame rates up to 30 fps using the full width of the sensor with 8-bit 4:2:0 color sampling using the 100Mbps XAVC S codec.
• Oversampled 4K recording is also possible, which uses a 5K capture area with a Super 35 crop for greater detail. This full pixel readout is void of pixel binning for higher quality imagery with reduced moiré and aliasing.
• Full HD 1080p recording is also supported in frame rates up to 120 fps. The high-speed, 120 fps recording also enables 4x and 5x Slow& Quick Motion (S&Q) movie recording with the frame rate set to either 30p or 24p.
• In addition to high-resolution internal recording, uncompressed HDMI output also enables the use of an optional external recorder for clean 4K recording with 4:2:2 sampling.
• 4K video recording also avails the ability to produce 8MP stills during playback by taking a frame grab from a movie and storing it as a separate file.

S-Log3 and HLG Color Control

• HLG (Hybrid Log-Gamma) support permits recording within a wide color gamut for producing HDR-ready content directly from the camera.
• S-Log3 is also available for producing a 14+-stop dynamic range with increased grading control in the shadow to mid-tone regions of the image.

Body Design and Connectivity

Viewfinder and LCD Screen

• An updated Quad-VGA OLED Tru-Finder EVF is featured and has a 3.69m-dot resolution for bright, clear viewing in high detail. Both Standard and High-quality settings can be used, depending on the shooting situation, in order to optimize the viewing experience.
• In addition to the EVF, a 3.0" 2.36m-dot rear LCD is also available, which has a touch panel design for intuitive operation and focusing control. The screen also tilts upward 107° and downward 41° to benefit working from high and low angles.

Reliable Construction

• Magnesium alloy chassis assures rigidity, durability, and stability while remaining lightweight. The lens mount has also been improved to better support heavy lenses and the grip rigidity has been improved for more comfortable handholding.
• A durable shutter unit incorporates a coreless motor and brake system that reduces vibrations to better control shutter shock as well as extend its rated lifespan to approximately 500,000 actuations.
• Weather-sealing has been employed to resist dust and moisture for reliable operation in harsh weather conditions.
• Using the same NP-FZ100 battery as the a9, the a7R IIIA has improved battery life and is now rated for approximately 530 shots per charge with the EVF or 640 shots with the rear LCD.
• Dual SD memory card slots allow for flexible file saving and handling and can be configured to partition raw and JPEG files or can be used for overflow recording. One of the card slots is rated to support UHS-II memory cards.

Connectivity

• Integrated PC sync terminal for wired flash sync with strobe packs or wireless radio remotes.
• A USB 3.2 Gen 1 Type-C port has been added, in addition to a micro-USB port, for faster, more reliable tethering support. The USB Type-C connection allows the camera to be charged from the host power source while connected.
• The a7R IIIA features a 3.5mm microphone input jack for compatibility with external microphones. And for users needing more, the camera is also compatible with the Sony XLR-K2M XLR Adapter for recording professional balanced XLR audio signals with phantom power and adjustable mic/line inputs. For monitoring audio, a 3.5mm headphone jack is available as well as real time audio levels for a visual reference.
• Built-in Wi-Fi enables the a7R IIIA to instantly share imagery to mobile devices for direct sharing online to social networking, via email, and to cloud storage sites. NFC (Near Field Communication) is also supported, which allows for one-touch connection between the camera and compatible mobile devices; no complex set-up is required. Once connected, the linked mobile device can also display a live view image on its screen and remotely control the camera's shutter.
• Bluetooth connectivity allows for location data acquisition.

Pixel Shift Multi Shooting

This unique compositing mode allows you to achieve even greater resolution than the 42.4MP sensor affords. Working in conjunction with the sensor-shift image stabilization, this mode shifts the sensor while making four consecutive exposures in order to acquire approximately 169.6MP of information for greater color accuracy and detail than possible with a single exposure. These files can then be merged together during post-production by using the Sony Imaging software suite.

Saramonic SR-CA Overview

Key Features

• For Ultra/Mix Wireless Receivers
• Cold Shoe Mount, MI Shoe
• Record Audio to Sony Cameras
• Fold-Out Construction

Adapt your Ultra or Mix wireless receiver for compatibility with Sony MI shoes with this Digital MI Shoe Adapter from Saramonic. The adapter features a fold-out construction to accommodate Ultra or Mix receivers with a cold shoe mount. The other end of the adapter features a MI shoe to record wireless audio to your compatible Sony camera without requiring cables.

Camera Compatibility

Sony ZV-E1, ZV-E10
Sony a1
Sony a7C, a7C II, a7CR
Sony a7S III
Sony a7R IV, a7R IVA, a7R V
Sony a9 II, a9III
Sony a6700
Sony FX3, FX30

TheLeofoto LPS-A7RIV Combo L Bracket Plateis designed for Sony A7R IV.Quickly clamp your Sony A7R IV into your tripod in both landscape and portrait orientations with the LPS-A7RIV. This solid combo L-plate for the Sony A7R IV camera is lightweight but very strong and durable. Easily attach the two parts together usinga solid hex screw.Combo as the L bracket is made of two sections and can separate into 2 separate pieces(ie. bottom plate only without the edge that covers the battery).

Sony A7CR Overview

Key Features

• 61MP Full-Frame Exmor R BSI Sensor
• BIONZ XR Image Processor
• Shooting Up to 8 fps, ISO 50-102400
• 240.8MP Pixel Shift Multi Shooting
• 10-Bit Full-Frame 4K60p Video
• S-Log3, S-Gamut3, S-Cinetone, User LUTs
• 7 Stops of In-Body Image Stabilization
• 693-Point Phase Detection, 79% Coverage
• 2.36m-Dot OLED Electronic Viewfinder
• 3" 1.03m-Dot Vari-Angle LCD Touchscreen

A Compact Powerhouse for Everyday Carry

Dilengkapi dengan kekuatan pemrosesan dan resolusi, Sony telah memasukkan sensor full-frame 61MP a7R V dan prosesor BIONZ XR ke dalam kamera mirrorless a7CR hitam yang paling ringkas, yang menghadirkan kualitas gambar profesional ke dalam faktor bentuk yang dioptimalkan untuk dibawa sepanjang hari dan sehari-hari

61MP Exmor R CMOS Sensor and BIONZ XR Processor

 Sistem penggambaran canggih Sony a7CR didukung oleh sensor CMOS Exmor R Full-Frame 61MP dan prosesor BIONZ XR, kombinasi ampuh dari resolusi yang luar biasa dengan kejernihan yang tinggi, noise yang rendah, dan rentang dinamis yang lebar 15-stop. Dari segi kecepatan pemotretan, sensor dan prosesor memungkinkan pemotretan hingga 8 fps dengan rana mekanis dan 7 fps dengan rana elektronik pada resolusi penuh dengan AF/AE full-time. Jika hanya memotret JPEG, lebih dari 1000 frame dapat direkam dalam satu burst. Struktur sensor meningkatkan kualitas gambar yang mengesankan, dan lapisan kabel tembaga secara dramatis meningkatkan kecepatan transmisi data untuk menciptakan gambar diam 61MP resolusi tinggi 14-bit dengan kisaran sensitivitas asli dari ISO 100-32000, yang dapat diperluas lebih jauh ke ISO 50-102400.

Improved Processing Engine

Mesin pemrosesan BIONZ XR baru menawarkan kinerja pemrosesan hingga 8x lebih baik dibandingkan generasi sebelumnya, yang memungkinkan kinerja keseluruhan lebih cepat, kualitas gambar mengesankan dengan sensitivitas lebar dan rentang dinamis, serta pemrosesan lebih lancar yang mampu menangani sekumpulan AI tugas dan AF cerdas serta proses pencitraan. Sistem pemrosesan ini juga mengurangi rolling shutter dan distorsi gerakan lainnya untuk menghasilkan rendering subjek bergerak yang bersih.

Pixel Shift Multi Shooting

Mode pengomposisian unik ini memungkinkan Anda mencapai resolusi lebih besar daripada yang dihasilkan sensor 61MP. Bekerja bersama dengan stabilisasi gambar pergeseran sensor, mode ini menggeser sensor sambil membuat 16 eksposur berturut-turut untuk memperoleh informasi sekitar 240,8MP untuk akurasi dan detail warna yang lebih besar daripada yang mungkin dilakukan dengan eksposur tunggal, bersama dengan ukuran gambar yang mengesankan sebesar 19.008 x 12.672 piksel. File-file ini kemudian dapat digabungkan selama pascaproduksi dengan menggunakan rangkaian perangkat lunak Sony Imaging.

Accurate Exposure and Color

A7CR menggunakan algoritme bertenaga AI seperti Human Pose Estimation untuk mendeteksi area kulit agar menyeimbangkan eksposur dengan lebih akurat saat memotret. Metode AE ​​ini kira-kira 20% lebih andal, bahkan dalam situasi cahaya latar atau sinar matahari langsung, atau bahkan ketika subjek tidak menghadap kamera secara langsung. Teknologi pembelajaran mendalam, bersama dengan cahaya tampak eksternal dan sensor IR, juga berkontribusi pada reproduksi warna yang lebih akurat dan pemrosesan white balance otomatis.

Image Stabilization

Kini menawarkan kompensasi guncangan tujuh stop, sistem stabilisasi gambar optik 5-sumbu tingkat piksel pada kamera, yang melawan lima jenis guncangan kamera berbeda yang ditemui selama pengambilan gambar diam dan video dengan tangan, dioptimalkan secara algoritmik untuk deteksi dan kontrol yang presisi. hingga satu piksel. Unit Pemrosesan AI juga meningkatkan komunikasi antara bodi dan lensa, sehingga menghasilkan pembingkaian yang lebih stabil sebelum pengambilan gambar. Hal ini memungkinkan pengguna dengan percaya diri menggunakan lensa apa pun, bahkan lensa yang disesuaikan, untuk pengambilan gambar kritis tanpa mengalami keburaman akibat guncangan kamera.

Next Generation AI-Based Autofocus

AI Processing Unit

Menggunakan pemrosesan khusus, fokus otomatis a7RC sangat diuntungkan oleh kemampuan pelacakan dan pengenalan subjek yang lebih cerdas serta sistem AF hybrid yang andal yang dikenal dengan kamera Alpha. AF Pengenalan Real-time bekerja dengan tujuh jenis target berbeda yang dapat dipilih:

• Human, which tracks body and head positions for accurate portraits. Real-time Eye AF performance has also been improved by 60% thanks to the human pose estimation capabilities.
• Animal, Bird, and Animal/Bird modes are now 40% more accurate for tracking and recognizing a variety of animal types. Recognition of these subjects includes dogs, cats, birds and more, with the ability to pinpoint focus on eyes and recognize animal bodies and heads.
• Insect recognition offers even finer performance with the ability to detect the head or entire insect subject.
• Car/Train and Airplane recognition means the camera can detect the front part of a train, nose of an airplane, or easily detect the entire fast-moving subject.
• Real-time Tracking benefits from AI-based subject recognition for following moving subjects, making it particularly well-suited to sports and action subjects. Also, Human pose estimation allows the camera to distinguish between multiple people and maintain focus on the targeted subject; even if someone crosses in front, the camera maintains focus on the key person.

Advanced Fast Hybrid AF

• Covering 79% of the full-frame image area, or 100% of the APS-C cropped area, a Fast Hybrid AF system incorporates a dense 693 phase-detection point grid for quick and precise focusing in a variety of lighting conditions with sensitivity down to -4 EV. This focusing system is available for use in all recording modes, to benefit both video and stills applications.
• Full-time DMF (Direct Manual Focus) enables using the lens's focus ring for manual focus control at any time, making it easier to switch focus to a different subject even when working with AF.
• For photographic moving subjects, this AF system keeps up with the top 10 fps continuous shooting speeds, offering full-time AF tracking between each consecutive frame.
• In-camera focus bracketing is possible, with the ability to record up to 299 frames with sequentially shifted focus points for creating composite images during post-production with greater-than-possible depth of field.

AF During Video Recording

• Real-time Eye AF is fully supported during video recording, for subject detection and tracking of human, animal, and bird eyes while shooting.
• Focus Map is a unique way of visualizing depth of field and functions in a similar way to peaking with a colorful overlay of the scene that indicates which parts of the scene are in front of and behind the focus point depending on the chosen aperture.
• A feature carried over from the FX6 digital cine camera, AF Assist lets you intuitively switch over to manual focus control for adjusting focus position when working with AF. This is a quick way to shift selective focus between various subjects in a scene while recording.
• A unique solution to compensate for how certain lenses perform when racking focus, Focus Breathing compensation will automatically smooth focus transitions and maintain a consistent field of view when changing the focus position during a shot. This mode crops into the image slightly and corrects for any detected shifts in composition when focusing is happening.

Video Recording

• Record full frame, 60 fps 4K video in 10-bit 4:2:2 using the advanced XAVC S-I format for consistent performance and quality at bitrates up to 600 Mb/s, and, if recording externally via the full-size HDMI port, 16-bit raw output can be used for even greater tonal reproduction and post-production flexibility.
• If using a Super 35 crop, full pixel readout recording is possible at up to UHD 4K at frame rates up to 30p or 6.2K oversampling can be used for greater sharpness and detail.
• Raw output is supported at up to 4K 60p and simultaneous internal 4K recording is possible, too.
• If recording in Full HD, high-speed, 120 fps recording enables 4x and 5x slow-motion movie recording with the frame rate playback set to either 30p or 24p.
• The S-Log3 and S-Gamut3.Cine Gamma Curves allow for more than 15 stops of dynamic range and for increased post-production flexibility, including matching video from other Sony Cinema Line cameras.
• S-Cinetone can be used to deliver distinct colors and healthy-looking skin tone rendering that is based on technology from the professional Cinema Line cameras, such as the VENICE. This color profile offers natural mid-tones, soft colors, and especially well-controlled highlights.
• Creative Looks can be baked into the recorded footage to create a specific mood during recording and minimize the need for editing.
• User-created LUTs and presets can be set for accurately monitoring footage or previewing a specific look during shooting and can be applied to the camera's monitor, EVF, or HDMI output.

Body Design and Connectivity

• The introduction of a front command dial puts an added level of control and speed at the tip of your forefinger and ensures that you won't be all thumbs at the moment of peak action.
• Use the camera's USB output function with UVC/UAC control via a computer for streaming applications and broadcasts.
• Built-in 802.11a/b/g/n/ac Wi-Fi allows communication on the 2.4 GHz and 5 GHz bands to instantly share imagery to mobile devices for direct sharing online to social networking, via email, and to cloud storage sites.
• Integrated 3.5mm headphone and microphone ports afford greater control over audio during video recording.
• The 2.36m-dot OLED electronic viewfinder offers a bright, high-resolution, .70x magnification means for eye-level monitoring and sports and a dedicated 120 fps mode for smoother viewing when tracking moving subjects.
• The side-opening, vari-angle 3.0" 1.03m-dot LCD touchscreen works from high, low, and front-facing angles.
• Accepts the high-capacity Z battery rechargeable lithium-ion battery and can also be powered via a USB connection to a computer or mobile battery. This connection can also be used to charge the battery.
• Robust magnesium alloy body offers a durable profile and incorporates dust and moisture seals to protect against harsh environments.

Sony A1 II Overview

Key Features

• 50MP Full-Frame Stacked BSI CMOS Sensor
• AI Tracking & Human Pose Estimation
• 8K 30p and 4K 120p Video in 10-Bit
• Up to 30 fps Shooting with AF/AE
• Pre-Capture & Speed Boost Button
• 8.5-Stop IBIS + Dynamic Stabilization
• 9.44m-Dot EVF with 240 fps Refresh Rate
• 3.2" 2.1m-Dot 4-Axis Touchscreen LCD
• 5 GHz MIMO Wi-Fi, 2.5GBASE-T Ethernet
• Dual CFexpress Type A/SD Card Slots

The Sony a1 II is their most versatile camera yet offering the best overall mixture of speed, video capabilities, high-resolution stills, and a robust, professional-worthy body design. It pulls much of the original a1's well-rounded feature-set into an a9 III body and adds the AF and IBIS technologies introduced with the a7R V. It's a camera meant for working professionals, whether their sports, editorial, product, fashion, or advertising shooters, and it's equally appealing to landscape, portrait, wedding, and event photographers, too. And, beyond photography, it has the video tools the a1-series is known for, including 8K recording, along with useful stabilization and framing aids borrowed from the ZV class of cameras.

The a1 II brings Sony's best technology from every lineup into one all-encompassing camera body making it the do anything camera solution for professionals.

Upgraded Features and Functions

The original a1 was a standout camera within Sony's lineup, meshing high-end photo and high-end video features within a single, powerful camera body. Version two takes this theme and runs with it, improving on a number of key features to further benefit the professional hybrid image-maker.

• AI Processing Unit-The addition of this key piece of tech greatly improves autofocus, subject detection, and subject tracking accuracy, speed, and reliability. These new processing capabilities allow the camera to more accurately and intelligently recognize subjects, predict their movements, and generally retain critical focus on them as they move.
• Pre-Capture and Speed Boost Functions-These two features are dedicated to continuous burst-style shooting and make the a1 II an even better option for action photographers looking to use this camera in high-end sports, wildlife, and birding situations.
• 8.5-Stop IBIS-It's typical for cameras to have better IBIS figures with each new generation, but the a1 II adds a whopping 3 extra stops to its predecessor's performance, meaning it's possible to use the camera handheld in noticeably dimmer lighting conditions and with slower shutter speeds, opening even more shooting versatility.
• Video Improvements-The core video specs remain the same between the generations, but the a1 II gains some asked-for features to make it even more of a video powerhouse: Dynamic Active Mode Stabilizer, Framing Stabilizer, true 24.00 frame rate, and Breathing Compensation are all welcomed additions for content creators.
• Overhauled Body Design-The a1 II inherits the a9 III's body design, making it more comfortable to use, more robust in terms of weather-sealing, compatibility with the latest VG-C5 Vertical Grip, and an improved LCD and EVF.

Sensor and Processing Improvements

The original a1 was already known for its strong imaging performance and the a1 II improves on this with upgraded BIONZ XR processing, an AI processing unit, more powerful 8.5-stop IBIS, and the impressive 50MP stacked BSI CMOS sensor from its predecessor. The sensor and processor still afford a top 30-fps shooting rate, expandable sensitivity from ISO 50-102400, and an impressive 15-stop dynamic range. Additionally, on the speed front, the a1 II gains the Pre-Capture and Speed Boost functions that debuted on the a9 III.

• Up to 30 fps continuous shooting with an electronic shutter, or 10 fps with the mechanical shutter, with AF and AE supported.
• Pre-Capture Shooting records at up to 30 fps for up to 1 second prior to fully pressing the shutter, helping to ensure you don't miss fleeting moments.
• Speed Boost lets you vary your continuous shooting speed mid-burst; when the C5 button is depressed while burst shooting, you can switch from the chosen continuous shooting speed to a faster or slower one to suit the pace of action you're photographing.
• Refined 5-axis in-body image stabilization compensates for up to 8.5 stops of camera shake at the center of the frame and 7 stops at the periphery; an improvement of 3 stops of shake control compared to the original a1.
• Same full-frame 50MP stacked BSI CMOS sensor as the a1, mixing high resolution with the speed and reduced rolling shutter of a stacked design to suit both meticulous and quick-working shooters.

Smarter, Faster Autofocus and Subject Tracking

The a1 II's focusing system received similarly significant upgrades from its predecessor, now sporting an AI Processing Unit and refined subject detection and tracking. The phase-detection AF system itself still comprises 759 points, which cover about 92% of the sensor area, and support focusing down to -4 EV at f/2. Subject tracking and subject detection is improved, too, specifically how the camera is 30% faster at detect human eyes and 50% faster with animal eyes.

• First seen in the a7R V and a9 III, the a1 II sports a dedicated AI Processing Unit for refined, responsive, and intelligent subject tracking and detection of humans, animals, birds, insects, cars, trains, and airplanes.
• Human pose estimation tracks body and head positions for accurate focus in portraiture and sports settings and Real-time Eye AF performance has been improved by 30%.
• Additionally, human pose estimation can distinguish between multiple people and maintain focus on the targeted subject; even if someone crosses in front, the camera maintains focus on the key person.
• Real-time Tracking benefits from AI-based subject recognition for following moving subjects, making it particularly well-suited to sports and action subjects.
• Auto Subject Recognition modes no longer necessitate selecting a subject type, letting the camera detect and track the intended subject.
• XS and XL focus area spot sizes have been added for more subject versatility or you can customize AF focus areas to suit uniquely sized or shaped subjects.
• Full-time DMF (Direct Manual Focus) enables using the lens's focus ring for manual focus control at any time, making it easier to switch focus to a different subject even when working with AF.

Alpha's Alpha in Video Capabilities

The core video specs of the original a1 were ahead of their time, and in many ways, still are. The a1 II keeps many of the core resolutions and frame rates but refines the video recording capabilities with more supportive modes and features, including access to Dynamic Area Stabilization and support for a true 24.00 frame rate for a cinematic look and timecode input with optional adapter. This makes the a1 II just as capable on a professional film set as it is in a photography studio.

• Familiar recording formats: 8K 30p with 10-bit 4:2:0 sampling and 4K 120p with 10-bit 4:2:2 sampling. When using a Super 35 recording area, 4K footage can use 5.8K oversampling for improved detail and the full-frame area offers 8.6K oversampling for the 8K footage.
• Included S-Cinetone profile, ProRes RAW output over HDMI, and the ability to import LUTs all point to the great amount of color control the a1 II offers.
• AI subject recognition, gained from the AI Processing Unit, benefits the Framing Stabilizer mode, which can be used to automatically crop and recompose so the subject remains centered in the image.
• Dynamic Active Mode Stabilization also helps retain accurate framing while filming, especially when recording while walking or moving.
• Support for Breathing Compensation mode, which reduces the effects of focus breathing when using select lenses.

Pre-Capture & Speed Boost-Never Miss a Moment

Along with the key technology delivered by the sensor, the a1 II brings additional features to unlock the camera's full potential.

• Pre-Capture: The a1 II can be configured to begin recording images to the buffer when the shutter button is half-pressed. Users can set this between 0.03-1.0 second. Upon pressing the shutter these images will be saved to the memory card.
• Speed Boost: With Speed Boost and the C5 button, which is conveniently placed near the grip on the front of the camera, users can instantly switch their camera from their usual continuous shooting frame rate to a faster one to make sure their next shot is just right. Photographers will be able to select various frame rates up to 30 fps.

Professional Body Design and Connectivity

The a1-series has always been a top-of-the-line model for Sony and, as such, had one of the most durable and refined physical designs within the system. The a1 II, though, gains a bit of an upgrade to bring it in line with the a9 III in terms of button layout, screen and EVF implementation, and durability. It's a camera built for professional use and has the strongest, most reliable design in Sony's lineup.

Versatile and Durable Design

• The a1 II gains the latest Sony mirrorless body design first seen on the a9 III which includes a C5 custom button on the front of camera body and an enhanced grip.
• For transferring, an upgraded 2.5GBASE-T wired LAN port offers faster transfer speeds to suit high-profile tethered shooting applications. There is also a USB-C port and a full-size HDMI port.
• USB-C port offers fast USB 3.2 Gen 2 speeds of up to 10 Gb/s.
• For transferring, an upgraded 2.5GBASE-T wired LAN port offers faster transfer speeds to suit high-profile tethered shooting applications. There is also a USB-C port and a full-size HDMI port.
• Dual memory card slots both accept either CFexpress Type A or SD-type memory cards. The dual slot design allows for flexible file saving and handling and can be configured to partition file types or can be used for overflow recording. Additionally, both of the card slots are rated to support UHS-II memory cards for faster transfer speeds.

Tru-Finder EVF and Tilting Touchscreen LCD

• An impressive QXGA OLED Tru-Finder EVF features a high 9.44m-dot resolution and 0.9x magnification for exceptionally bright, clear, and detailed eye-level viewing. There is also a 120-fps option that maintains the higher resolution for a better mixture of clarity and motion fluidity.
• 3.2" 2.1m-dot 4-axis multi-angle touchscreen LCD-first seen on the a7R V. This screen has a wide color gamut covering the DCI-P3 space.
• Intuitive menu structure that complements having different workflows with different settings selections for movie recording and stills shooting. The menu system also works in conjunction with the touchscreen design of the rear LCD.

Enhanced Functionality and Usability

Sony has continued to improve the workflows of their professional cameras with upgraded and additional features:

• A voice memo function promises clearer recording with a microphone located close to the user. These memos can be transferred via FTP and can be converted to text using Sony's Transfer & Tagging application.
• IPTC metadata can be automatically added to images and up to 20 presets can be saved.
• Built-in Wi-Fi and Ethernet can be used for fast networked data transfer during shooting.

Composite Shooting Modes

By capturing multiple images and combining them in post-production, users can achieve image quality and resolutions not possible with just the core sensor technology. The a1 II offers two different options for composite shooting:

• Pixel Shift Multi Shooting: This unique compositing mode allows you to achieve even greater resolution than the 50.1MP sensor affords. Working in conjunction with the sensor-shift image stabilization, this mode shifts the sensor while making 16 consecutive exposures in order to acquire approximately 199MP of information for greater color accuracy and detail than possible with a single exposure. These files can then be merged together during post-production by using the Sony Imaging software suite.
• Noise Reduction: This method uses multiple images to reduce the noise in an image without sacrificing sharpness and detail. By leveraging the information of several frames, users will be able to improve the legibility of details and minimize the impact of noise without the smoothing effect common with more conventional noise reduction techniques.

Godox MF12 Overview

Key Features

• Optimized for Dental Photography
• TTL/Manual Flash Modes
• Guide Number: 16'
• Power Ratio: 1/128 - 1/1
• Recycling Time: 0.01 to 1.7 Seconds
• Operates on 2.4 GHz Frequencies
• Includes Bracket & Diffusers
• Built-In Rechargeable Lithium Battery
• 500 Full-Power Flashes on Full Charge
• USB-C Port for Charging

Optimized for close-up dental photography, the MF12 Dental Macro Flash with Bracket Kit for Sony Cameras from Godox makes macro photography easy. This kit includes two flash heads that enable you to shoot teeth at an extremely close distance when using Sony cameras. The bundle is packed with multiple mounting options and two dedicated silicon diffusers. The MF12 flashes can be mounted on the included flash stands and feature an adjustable head for quick positioning. For added versatility, both flashes can be mounted simultaneously to the included dental bracket, specifically designed for improved dental work. As an off-camera TTL flash, the MF12 can work with the also included Godox XPro II wireless flash trigger. Featuring an optical lens, the MF12 provides soft, even light distribution.

Practical Dental Photography Guide

For best results taking dental photographs, your camera should be set to manual exposure mode with a shutter speed of 1/200s at ISO 100. Godox also recommends the use of the included dental bracket to easily move the light closer to the subject. The dental version of the MF12 flash will help you to capture images at different stages of the dental treatment to easily compare the patient's progress.

2.4 GHz Wireless Control

2.4 GHz wireless technology enables long-distance transmission, adding more flexibility to your shooting. Additionally, 5 groups with 32 channels each help to prevent interference and disturbance when several wireless systems are working close to each other.

Compact Design

The MF12 Dental Macro Flash is optimized for close-up dental photography due to its compact design and unique ability to be mounted directly to a lens via an optional adapter or placed around the subject with the included flash stand or included bracket. Also, its size and wireless capabilities make it a good option for general photography as well.

Rechargeable High-Performance Battery

The powerful built-in lithium battery supports approximately 500 full-power flashes with a 0.01 to 1.7 second recycling time. The battery is also easily rechargeable through an included USB-C cable.

Compatibility

Godox has developed the MF12 dental flash system to work seamlessly with Sony cameras such as the a6400, a7 IV, a7R V, and ZV-E10 models.

Additional Benefits

• Easy-to-use interface
• Battery fully recharges in 55 minutes
• Optical mode offers S1 and S2 settings
• LED modeling lamp
• Clear OLED display
• Includes storage case for protection and portability

Sony NP-FZ100 Overview

Key Features

• for Sony Alpha a9 II, a9, a7R IV, a7R III, a7 III, and a6600 Cameras

The 7.2 VDC, 2280mAh NP-FZ100 Rechargeable Lithium-Ion Battery from Sony is a high-capacity Z-series power source for Select digital cameras. This battery has InfoLITHIUM support for displaying the remaining charge of the battery on the camera's LCD screen.

Compatible Cameras

Alpha a9 II
Alpha a9
Alpha a7R IV
Alpha a7R III
Alpha a7 III
Alpha a6600

Sony a7R IV Overview

Key Features

• 61MP Full-Frame Exmor R BSI CMOS Sensor
• BIONZ X Image Processor & Front-End LSI
• 567-Point Phase-Detection AF System
• UHD 4K30p Video with HLG & S-Log3 Gammas
• 5.76m-Dot Tru-Finder OLED EVF
• 3.0" 2.36m-Dot Tilting Touchscreen LCD
• Up to 10 fps Shooting, ISO 100-32000
• 5-Axis SteadyShot INSIDE Stabilization
• 240MP Pixel Shift Multi Shooting
• Bluetooth & Wi-Fi, Dual UHS-II SD Slots

Moving to an even higher resolution realm, the Sony Alpha a7R IVA continues the noteworthy series of highly capable full-frame cameras, characterized by impressive stills and video performance and versatility. This fourth edition of the a7R sees the inclusion of an updated 61MP Exmor R BSI CMOS sensor and enhanced BIONZ X image processor, which afford impressive imaging results with marked smoothness, a 15-stop dynamic Range, and, of course, speed. Up to 10 fps shooting is possible along with the ability to record UHD 4K30 video, both with support for Real-time Eye AF and Tracking AF technologies. The revised sensor design uses a Fast Hybrid AF System, with 567 phase-detection autofocus points, for notably fast and accurate focusing performance. Despite being such a high-resolution sensor, it is also distinguished by its flexible native sensitivity Range from ISO 100-32000 for working in a variety of lighting conditions. Additionally, benefitting both stills and video operation, the a7R IVA retains the 5-axis SteadyShot INSIDE sensor-shift image stabilization, which is effective to minimize the appearance of camera shake by up to 5.5 stops.

Balancing the imaging merits, the a7R IVA also sees an updated physical design with more robust weather sealing to suit working in especially harsh weather conditions. In terms of usability, the OLED electronic viewfinder has been boosted to an impressive 5.76m-dot resolution for clear viewing and the 3.0" rear tilting touchscreen LCD has a high 2.36m-dot resolution for crisp playback, live view shooting, and menu navigation. Dual SD card slots are both UHS-II-rated for faster performance and the inclusion of a USB Type-C port permits tethering and quick in-camera battery charging. Additionally, built-in Bluetooth and both 2.4 and 5 GHz Wi-Fi bands afford wireless transferring and remote camera control from linked mobile devices.

a7R IVA Improvements

Compared to its predecessor the a7R IV, the significant improvement of the a7R IVA is the rear LCD resolution, which jumps from 1,440,000 dots to 2,359,296 dots. Beside this improvement, the a7R IV and a7R IVA are equal in specifications and performance.

61MP Exmor R BSI CMOS Sensor and BIONZ X Image Processor

Featuring a back-illuminated design, the full-frame 61MP Exmor R CMOS sensor works with the BIONZ X image processor to offer impressively high-resolution stills and video while minimizing noise, improving speed, and achieving a wide 15-stop dynamic Range. This sensor structure works with gapless on-chip lens design and an anti-reflection coating, as well as eliminating the optical low-pass filter, to improve light collection and enhance detail. Also, the copper wiring layer dramatically improves data transmission speed for creating 14-bit, high-resolution 61MP stills with a native sensitivity Range from ISO 100-32000, which can be further expanded to ISO 50-102400. Also, it enables internal UHD 4K video recording with a wide 14-stop dynamic Range using either the full width of the full-frame sensor or an APS-C-sized area. The BIONZ X processor also works in conjunction with a high-speed front-end LSI to realize faster processing times along with the ability to capture this impressive 15-stop dynamic Range with smooth tonal rendering.

The sensor and processor combination also avails fast continuous shooting at up to 10 fps at full resolution, for up to 68 consecutive frames, with full-time AF/AE.

Fast Hybrid AF System

An updated Fast Hybrid AF system now employs a combination of 567 phase-detection points, which cover approximately 99.7% of the height and 74% of the width of the frame, along with 425 contrast-detection areas for reliable and quick autofocus and subject tracking performance. This focusing system also achieves especially quick speed and reliable tracking, as well as enhanced low-light focusing response down to -3 EV. The use of phase-detection points also enables the use of A-mount lenses via the optional LA-EA3 or LA-EA1 lens mount adapters with full continuous AF/AE tracking compatibility.

The apt focus system also lends itself to a variety of focusing functions for refined accuracy, including Lock-on AF, which maintains focus on moving subjects throughout the use of a configurable frame that is set over the desired moving subject, and Expand Flexible Spot, which employs neighboring focus points to retain focus on moving subjects even if the originally Selected point loses focus. Additionally, Eye AF can be used to base focus on recognized human subjects' eyes for portraits and is available in both AF-S and AF-C modes, for both stills and video. Eye AF can be used when photographing animal subjects, too, with any focusing mode when shooting stills. Autofocus can also be used in conjunction with the Focus Magnifier function for critical focus when homing in on minute subject details. The rear touchscreen can also be used for Touch Focus control, and a Touchpad Focus Control mode lets you use the rear screen intuitively while keeping your eye to the viewfinder.

Body Design and Built-In Wi-Fi/Bluetooth

• An updated UXGA OLED Tru-Finder EVF is featured and has a 5.76m-dot resolution for bright, clear viewing in rich detail, and a dedicated High quality setting enables a 120 fps refresh rate for especially smooth playback of moving subjects.
• In addition to the EVF, a 3.0" 2.36m-dot rear LCD is also available, which has a touch panel design for intuitive operation and focusing control. The screen also tilts upward 107° and downward 41° to benefit working from high and low angles.
• Magnesium alloy chassis assures rigidity, durability, and stability while remaining lightweight. The lens mount has also been improved to better support heavy lenses and the grip rigidity has been improved for more comfortable hand-holding.
• Extensive weather-sealing, including enhanced sealing around the battery cover, terminal cover, and chassis joints, has been employed to resist dust and moisture for reliable operation in harsh weather conditions.
• Using the same NP-FZ100 battery as its predecessor, the a7R IVA's battery life is rated for approximately 530 shots per charge with the EVF or 660 shots with the rear LCD.
• Dual SD memory card slots allow for flexible file saving and handling and can be configured to partition raw and JPEG files or can be used for overflow recording. Both of the card slots are rated to support UHS-II memory cards for faster transfer speeds.
• Integrated PC sync terminal for wired flash sync with strobe packs or wireless radio remotes.
• A USB 3.2 Gen 1 Type-C port has been added, in addition to a micro-USB port, for faster, more reliable tethering support. The USB Type-C connection allows the camera to be charged from the host power source while connected.
• Updated Multi Interface Shoe supports working with the optional ECM-B1M Shotgun Microphone or XLR-K3M XLR Adapter Kit, which provide improved, clear audio recording sound by sending a digital audio signal to the camera, opposed to an analog signal.
• The a7R IVA also features a 3.5mm microphone input jack for compatibility with external microphones.
• Built-in Wi-Fi enables the a7R IVA to instantly share imagery to mobile devices for direct sharing online to social networking, via email, and to cloud storage sites. Support for both 2.4 and 5.0 GHz bands also enables wireless tethered shooting support. NFC (Near Field Communication) is also supported, which allows for one-touch connection between the camera and compatible mobile devices; no complex set-up is required. Once connected, the linked mobile device can also display a live view image on its screen and remotely control the camera's shutter.
• Bluetooth connectivity allows for location data acquisition.

5-Axis SteadyShot INSIDE Image Stabilization

Packed into the robust a7R IVA is a 5.5-stop effective 5-axis SteadyShot INSIDE image stabilization system that compensates for five different types of camera shake encountered during handheld shooting of stills and video. This allows users to confidently use any lens, even adapted lenses, for critical imaging without encountering blur from camera shake.

for long focal lengths, the system will correct for pitch and yaw adjustments. Macro and high-magnification imagery, on the other hand, will benefit from the inclusion of horizontal and vertical shift compensation. All shooting styles will get usage out of the roll compensation. All 5 axes of stabilization will function at all times, even when used with third-party lenses and adapters or lenses with built-in optical stabilization.

Pixel Shift Multi Shooting

This unique compositing mode allows you to achieve even greater resolution than the 61MP sensor affords. Working in conjunction with the sensor-shift image stabilization, this mode shifts the sensor while making 16 consecutive exposures in order to acquire approximately 240.8MP of information for greater color accuracy and detail than possible with a single exposure, along with an impressive image size of 19,008 x 12,672-pixels. These files can then be merged together during post-production by using the Sony Imaging software suite.

UHD 4K Video Recording in XAVC S format

Internal recording of UHD 4K movies is possible in multiple frame rates up to 30 fps and, based on the Super35mm recording area and effective 6K resolution, oversampling renders greater detail and full pixel readout is possible, that is void of pixel binning, for higher quality imagery with reduced moiré and aliasing. Full-frame 4K recording has also been dramatically improved for improved quality when working at mid to high sensitivities to permit full use of the entire sensor width. Full HD 1080p recording is also supported in frame rates up to 120 fps, and both resolutions utilize the 100 Mbps XAVC S format contained within an MP4 wrapper with 4:2:0 sampling. The high-speed, 120 fps recording also enables 4x and 5x slow-motion movie recording with the frame rate set to either 30p or 24p. In addition to high-resolution internal recording, uncompressed HDMI output also enables the use of an optional external recorder for clean 4K recording with 4:2:2 sampling.

4K video recording also avails the ability to produce 8MP stills during playback by taking a frame grab from a movie and storing it as a separate file.

Additional Video Features

Support for HDR Content:

• Affording extensive customizable color and gamma controls, the a7R IVA allows users to adjust the gamma, black level, knee, color level, and more. Also, users can use the same S-Log2 Gamma Curve that is found on high-end Sony Cinema cameras that squeezes up to 1300% more dynamic Range into the video signal then traditional REC709, for increased post-production flexibility. HLG (Hybrid Log-Gamma) support is also available, along with the BT.2020 color space, for recording within a wide color gamut and, in addition to S-Log2, S-Log3 is also available for producing an effective 14-stop dynamic Range with increased grading control in the shadow to mid-tone regions of the image.

Slow & Quick Motion:

• Take more control over your video capture capabilities with a variety of new frame rates available in an S&Q mode. This will allow shooters to capture Full HD video at one of either steps between 1-120 fps. These settings will allow you to slow down action as well as speed up a slow-moving scene. This setting is also NTSC/PAL switchable.

Enhanced Zebra Function:

• An enhanced Zebra function is ideally suited to aid in monitoring exposure values in high-contrast scenes. Video signal level targets can be set from 0 to 109, and specific Ranges can be set to make exposure level adjustments easier.

Time Code and User Bit Settings:

• A time code can be used to record hours, minutes, seconds, frames on image data for more precise editing while the User Bit function can record date, time, and scene number to aid in editing together footage from multiple cameras.

Proxy Recording:

• UHD 4K movies and lower-resolution proxy movies can be simultaneously recorded. The smaller proxy files are ideal for quick previewing or pre-editing that can reduce the time required for final 4K editing.

Other Camera Features

• A Ratings function lets you assign star values, from 1-5, to images in-camera for faster editing and sorting at home during post-production.
• An advanced 1200-zone evaluative exposure metering sensor delivers consistent and accurate results using multi-segment, center-weighted, or spot metering modes.
• Highlight and Average metering modes helps avoid blown-out highlights and provide stable auto-exposure, respectively.
• Anti-flicker shooting automatically recognizes and times the shutter action to minimize the flicker effect for more consistent results on still images.
• Picture Effect modes: Posterization (Color), Posterization (B/W), Pop Color, Retro Photo, Partial Color (R/G/B/Y), High Contrast Monochrome, Toy Camera (Normal/Cool/Warm/Green/Magenta), and Soft High-Key.
• Creative Style modes: Standard, Vivid, Neutral, Clear, Deep, Light, Portrait, Landscape, Sunset, Night Scene, Autumn leaves, Black & White, Sepia, Style Box (1-6), (Contrast (-3 to +3 steps), Saturation (-3 to +3 steps), Sharpness (-3 to +3 steps).

PGYTECH MantisPod 2.0 Overview

Key Features

• Load Capacity: 4.4 lb
• Tabletop and Vlogging Tripod
• Converts to Handheld Camera Grip
• 120° Head Mount Tilt Adjustment
• Rotating Accessory Cold Shoe Mount
• Multiple Style Modes
• Arca-Type Ball Head with QR Plate
• With RC M1 Wireless Bluetooth Remote

The MantisPod 2.0 Vlogging Tripod with Ball Head and Remote Kit from PGYTECH offers the innovative Mantis claw design that lets the MantisPod 2.0 easily clinch to glass, doors, trees, and railings effortlessly. The convertible design enables switching instantly between tripod and handheld applications. It features a rotating accessory cold shoe mount for adding a microphone, compact LED light, monitor, or more.

Multiple Shooting Modes

By utilizing multiple features of the MantisPod together, a total of 6 different shooting modes are possible. In addition to vlogging and livestreaming, these modes can help when shooting portraits, taking time-lapse photos, conducting video chat interviews, and much more.

• Portrait Mode: A standard 3-leg tabletop tripod setup with your device in landscape orientation.
• Low-Angle Mode: Lowers the 3-leg tabletop option so the tripod is nearly flat for low angle perspective
• High-Angle Mode: Allows raised, extended legs to orient a device for high angle perspective imaging.
• Mantis Mode a short hook extends from one tripod leg, allowing the tripod to hang from fences, railings, glass partitions, and more. NOTE: Surfaces should be no more than 3.5" thick and the other 2 legs must be set against surfaces for stability.
• Handheld Mode: Squeeze the legs together for a configuration that lets you more easily shoot on the move. It can quickly convert to Elevated Tripod mode without altering device orientation.
• Briefcase Mode: Orient the hand grip configuration like the handle of a briefcase with the camera suspended below for low angle perspective.

Compatible Cameras

GoPro: GoPro 5/6/7/8/9/10/11

Canon: EOS M6 Mark II, EOS M50, EOS M50 Mark II, EOS M200, PowerShot G5 X Mark II, PowerShot G7 X Mark III , EOS R, EOS R5, EOS R6

Sony: a7C, a7R IV, a7R III, a7S , a9, a6600, a6100, a7 III, a7, a6400, ZV-1, DSC-RX0M2, DSC-RX100M7, FX3, ZV-E10

SmallRig 3322 Overview

Key Features

• Mounts on Camera or Cage with NATO Clamp
• Start/Stop Remote Trigger Button
• 1/4"-20, 3/8"-16 & ARRI Accessory Mounts
• 3 x Shoe Mounts, Anti-Slip Front Shoe
• 3 x Cables for Multiple Camera Types
• Slots for Securing Cable

Add a top handle with start/stop capability to your Panasonic, Fujifilm, Sony, Z CAM, or Panasonic camera or rig with this NATO Top Handle with Record Start/Stop Remote Trigger from SmallRig. The handle mounts onto your cage or rig using a NATO clamp that allows you to mount it onto any camera or rig with a standard NATO rail. The top handle features a top-mounted start/stop record button placed where your thumb would usually rest. The USB port on the side of the handle allows you to use one of the three included cables to connect to your camera and control the record start/stop.

The handle has multiple 1/4"-20 and 3/8"-16 threaded accessory mounting points, as well as three shoe mounts. The front shoe mount has an anti-slip mechanism that helps hold your accessory in the shoe. Additionally, four of the 3/8"-16 threaded holes feature anti-twist divots. This handle is made from machined aluminum, allowing it to be lightweight and durable. It has a slotted cable pathway that lets you route your cable neatly around the top handle for a clean appearance with a minimum chance of cable snag.

Camera Compatibility

Sony

a7, a7R, a7S, a7 II, a7R II, a7S II, a7 III, a7R III, a7S III, a7R IV, a9, a9 II, a5100, a6000, a6100, a6300, a6400, a6500, a6600, RX100 III, RX100 IV, RX100 V, RX100 VI, RX100 VII

Panasonic

S5, S1, S1R, S1H, GH4, GH5, GH5S, G9, G95

Fujifilm

X-T3, X-T4

Z CAM

Z CAM E2, M4, S6

Panasonic

BGH1

Accessory Compatibility

Compatible with but not limited to:

SmallRig Monitor Mount 2348

SmallRig Monitor Mount 2346

SmallRig NATO Rail 2172

SmallRig NATO Rail 1409

SmallRig 1815 Overview

Protect and add accessories to your a7 series mirrorless camera with the 1815 Camera Cage for Sony a7/a7S/a7R from SmallRig. This formfitting cage features a variety of accessory mounting options and maintains access to both the camera's controls and hot shoe.

In addition to two cold shoes and multiple 1/4"-20 and 3/8"-16 accessory threads, the 1815 cage features several ARRI-style accessory threads for preventing accessories from twisting when mounted on the cage. A single ARRI-style rosette enables you to mount a separately available handgrip or handle. The bottom of this anti-twist cage is designed to mount onto compatible Arca-Swiss-style bases.

Compatibility

Sony a7, a7S, a7R

SmallRig 2918 Overview

Key Features

• Formfitting Camera Cage
• 1/4"-20 Accessory Threads
• 1/4"-20 & 3/8"-16 Tripod Mount Threads
• Open Access to Controls, Slots & Ports
• Strap Slot, Rubber Padding
• 1 x ARRI-Style Accessory Mount on Top
• 1/4"-20 & M2.5 Anti-Twist Screws

The formfitting Light Camera Cage from SmallRig protects and offers accessory mounting for your Sony a7 III, a7R III, or a9 camera. The durable aluminum cage maintains open access to the camera's controls and features a variety of mounting options. It features multiple 1/4"-20 threads and ARRI-style 3/8"-16 anti-twist mounts for attaching accessories.

There are multiple 1/4"-20 and 3/8"-16 tripod mounting threads on the bottom to add an optional quick release plate or mount onto a tripod. The camera mounts onto the cage using a 1/4"-20 screw, as well as an M2.5 screw on the side to prevent twisting, and rubber padding on the base also helps prevent twisting and scratching. An integrated strap slot allows you to add an optional wrist or shoulder strap. A screwdriver is included to secure the screws, and it stores in the base of the cage.

Camera Compatibility

Sony a7 III, a7R III, and a9 cameras

Accessory Compatibility

Compatible with but not limited to:

SmallRig Top Handle 1984
SmallRig Wooden Side Handle 2093
SmallRig Cable Clamp 3104
SmallRig ARRI Locating Handle 2165
SmallRig Ball Head Magic Arm 2115

Sony LCS-ELCC Overview

Key Features

• Custom Fit for Sony Alpha a7, a7R & a7S
• Fits Camera and Sony 16-35mm f/4 ZA Lens
• Fits Camera and Sony 24-70mm f/4 ZA Lens
• Leather Construction
• Protects Camera and Attached Lens
• Access to Battery, Memory Card, Ports
• 1/4"-20 Tripod Threads
• Allows Wireless Communication

This black Sony Soft Carrying Case is constructed from leather and provides protection with a dedicated fit for any Sony Alpha a7, a7s, or a7r Mirrorless Digital Camera with a Sony Vario-Tessar T* FE 16-35mm f/4 ZA OSS Lens or a Sony Vario-Tessar T* FE 24-70mm f/4 ZA OSS Lens attached.

The case is comprised of two parts and installs onto your camera by first screwing a bottom jacket into the camera's tripod mount using a built-in D-ring. A top cover which is designed to encase the front, top, and back of the camera along with the camera's attached lens can then snap onto the bottom jacket. A neck strap attached to the camera remains usable even when the top cover is connected. When you wish to use your Sony Alpha a7II after installing this case, it is only necessary to remove the top cover. The bottom jacket does not block the lens and provides access to the camera's battery compartment, memory card slot, as well as its HDMI and multi-interface terminals.

Sony Alpha's wireless communication abilities are maintained while using this case and the bottom jacket features its own 1/4"-20 threads so that it can remain on the camera while you use a tripod.

Tilta Nucleus-Nano II Overview

Key Features

• Wireless Follow Focus and FIZ Control
• 2.4 GHz Wi-Fi and Bluetooth Connectivity
• 300' Wireless Range
• Wireless Handwheel Controller
• Nano II Lens Control Motor Kit
• 15mm Rod Clamp, Follow Focus Gear Ring
• 0.8 MOD High-Torque Lens Motor
• USB-C Ports, Carrying Case

The Nucleus Nano II FIZ Wireless Lens Control System from Tilta is a focus, iris, and zoom control system designed for both freelance cinematographers and experienced DPs alike, whether they're using a handheld or gimbal-mounted rig. The basic system configuration includes a handwheel controller with upgraded touchscreen display and a lens control motor with five times the torque of its predecessor. USB-C connectivity, 2.4 GHz Wi-Fi, and Bluetooth connect the units to one another from up to 300' away and offer control compatibility with select camera systems, and Wi-Fi allows for firmware updates.

Handwheel Controller with Touchscreen

View your wireless channel, Wi-Fi status, battery life, Bluetooth connectivity, and standby status on the outer portion of the controller's 1.6" touchscreen dial. FIZ parameters and A/B stop live on the center portion, with the option to lock the screen or toggle between auto and manual focusing. Two other menus can be accessed from the main screen to lock and adjust your connected camera's settings and view your current lens parameters. Additional settings that can be accessed from the interface include pairing and accessing manual controls for the motor as well as additional customizations for the handwheel.

FIZ Lens Control Motor

The motor drive is positioned in an offset orientation from the main gearing to prevent the motor from pushing away from the lens during use. A 0.8 MOD gear ensures compatibility with most cinema-standard lenses, while an included lens adapter ring expands this compatibility for DSLR and mirrorless camera lenses. Two USB-C ports on the motor—one I/O and one input only—power the motor and can pass power through to multiple motors to control FIZ from a single source.

USB-C Ports and Power

The USB-C port on the handwheel can be used to facilitate wired connections to compatible cameras. It can also recharge the internal battery when depleted and facilitate firmware updates to the motors or other Nano II accessories. Power can also be delivered to the Nano II using the contact points on the back of the handwheel, which are compatible with select Tilta power accessories. Use professional batteries, power banks, or separately available Tilta power handles to power the motor via the USB-C input. The whole system can run for up to 20 hours.

Intuitive Pairing and Configuration

Select a 2.4 GHz Wi-Fi channel to pair your handwheel with the lens motor over a wireless connection. Press the function button on the motor to finalize the connection and cycle through the available modes: iris control, zoom control, or focus control. Different light colors will show you which mode you are on: green for iris, blue for zoom, purple for focus, and yellow for other. Hold the function button down to automatically calibrate the motor.

Onboard Handwheel Controls

• A run/stop button powers up the handwheel and sends run/stop commands to your connected camera via USB-C for Sony and Canon cameras.
• A zoom rocker can be set to adjust your lens's zoom, focus, or iris adjustment via Bluetooth motor connection.
• A function button calibrates your motors and sets A/B stops.
• Use the TF/DF switch to spin the wheel infinitely or set stops in both directions. TF mode is preferred when using the handwheel in tandem with the Nucleus motor, while DF mode works best with the DJI Focus Motor. Spinning the wheel control will adjust your FIZ sensitivity.

Compatibility

The Nano II is backward compatible with the previous generation Nucleus-Nano and Nucleus-M lens motors for easy integration with your preexisting equipment. The current firmware fully supports all controls for the BMPCC 4K, 6K, and 6K Pro via Bluetooth only, with partial camera control, including run/stop, shutter speed, ISO, and iris adjustment for Sony FX3, a7S 3, a7R 5, ZV-E1, ZV-E10, and Canon R7 via USB-C PD cables.

Note:

Some features listed above are not fully functional in the current firmware, such as DJI Ronin and DJI Focus Motor compatibility and lens mapping, and will be implemented with future firmware updates.