Blackmagic Design PYXIS 6K Overview

Key Features

• Full Frame 6K Sensor
• Up to 6K36 fps Open Gate / 6K Anamorphic
• 13-Stop Dynamic Range, Dual-Native ISO
• Leica L Lens Mount
• 4" HDR LCD Touchscreen
• Records Blackmagic RAW and H.264 Proxies
• Built-In Streaming via Ethernet or 4G/5G
• Switchable Side Plates, Mounting Threads
• Two CFexpress Card Slots, USB-C Port
• Ethernet and 12G-SDI Ports

The Blackmagic Design PYXIS 6K Cinema Box Camera takes the digital film innovations of the Blackmagic Design Cinema Camera 6K and turns it into a box-style cinema camera with a native Leica L lens mount with customizable side plates. A full-frame 6K sensor captures rich colors, accurate skin tones, and a wide 13-stop dynamic range with its expanded 36 x 24mm sensor. Record both Blackmagic RAW and H.265 proxy files to the cloud or even stream directly to your social media platform of choice via Ethernet or mobile 4G/5G technology. The PYXIS can film up to 6K Open Gate 3:2 video at 36 fps or 6K Anamorphic 6:5 video at 60 fps, among other selectable resolutions.

Large-Format Digital Film Sensor

The PYXIS is equipped with a massive 24 x 36mm full-frame sensor with native 6048 x 4032 resolution, making it 3x larger than a Super35 sensor. This allows you to shoot with a shallow depth of field or use anamorphic lenses without cropping for a true cinematic look. A 13-stop dynamic range with dual-native ISO up to 25,600 ensures low-noise imagery in all lighting conditions. Shoot up to 36 fps at full sensor resolution or 120 fps windowed.

Flexible Film Formats

Work in a variety of film formats and aspect ratios without sacrificing quality, thanks to the large sensor. At its full area, the sensor provides you with Open Gate 3:2 images for easier framing in post-production. You can also work in true 6:5 anamorphic without needing to crop for widescreen cinematics. Use a Super35-sized window to create a close-up version of your shot.

Multiple Resolutions and Frame Rates

Shoot in standard video resolutions and frame rates from HD to 6K or still images at 24.6 MP using the PYXIS. For higher frame rates, you can window the center and shoot up to 100 fps at 212 x 1184 Super 16. Other options include 6K Open Gate 3:2 at 36 fps, 4832 x 4032 anamorphic at 24 fps, and 1920 x 1080 at 120 fps, among other resolutions.

HDR Imagery and Dual-Native ISO

A wide 13-stop dynamic range preserves more detail in both the lightest and darkest areas of your image. Set the exposure for an indoor scene while still retaining details in the bright outdoor light coming through a window. An expanded color range and included DaVinci Resolve Studio code give you creative freedom over the look of your footage. Dual-native ISO up to 25,600 minimizes grain and noise in your images while maintaining the full dynamic range of the sensor. ISO 400 is ideal for on-set lighting configurations, while ISO 3200 is perfect for dimly lit environments. The gain is automatically set as you adjust your ISO for intuitive control.

Customize Your Gear

Mounting threads on the side of the PYXIS allow you to secure additional mounting plates and customize your gear configuration. The standard plate included with the PYXIS secures via M4 threads and adds two 1/4"-20 threads and one 3/8"-16 thread to the camera for microphones, articulating arms, or other accessories. An SSD plate offers two hook-and-loop straps for attaching a USB-C drive or mobile device, allowing you to directly record or live stream on the go. A separately available Rosette plate can be purchased for further expansion.

LCD Monitor and Onboard Controls

• Use the built-in 4" LCD touchscreen to monitor and review your shots on set. Its full HD resolution allows you to frame and focus without requiring an additional external unit. A maximum brightness of 1500 cd/m² ensures visibility even in bright sunlit conditions. On-screen overlays show status and recording parameters, histograms, levels, frame guides, and 3D LUTS, among other tools.
• Onboard controls allow you to toggle functions like ISO, white balance, and shutter with ease. A scroll wheel makes quick adjustments, and three customizable function buttons can tailor your workflow to your preference. The controls can be locked to avoid accidental pressing during shooting.

Post-Production File Formats

The PYXS records in Blackmagic RAW to preserve control of detail, exposure, and color during post-production. It also records H.264 proxy files in real time for easy sharing using the Blackmagic Cloud, Ethernet connection, or by connecting 5G/4G mobile phones to the USB-C port for mobile connection. Media files work on all operating systems.

Multiple Recording Options

Two built-in CFExpress Type-B card slots and a USB-C expansion port allow you to record directly to external flash media disks or SSDs.

Built-In SRT and RTMP Live Streaming

Live stream directly from the PYXIS on set to a secondary location via SRT and RTMP protocols. Compatible platforms like YouTube, Facebook, and X can support signals from the PYXIS for live event production. If you want to share internally, use an ATEM Streaming Bridge for a wireless link back to the studio.

Expansive Connectivity

• The front of the PYXIS boasts a USB-C port for the Blackmagic URSA Cine EVF and a mini 3-pin XLR analog audio input with +48V Phantom power for microphone integration.
• The back of the PYXIS has a headphone monitoring jack and an additional 3.5mm microphone input. Use the USB-C port at the back of the camera to connect to recording devices or mobile data. A 12G-SDI output integrates a secondary monitor. A Reference/Timecode input port syncs your sources while an RJ45 Ethernet connection uploads footage to Blackmagic Cloud or controls the camera.
• Power the PYXIS using the locking 2-pin DC power connector or the Sony BP-U battery plate.
• Download the Blackmagic Camera Control app for wireless Bluetooth control from up to 30' away.

Blackmagic Design PYXIS 6K Overview

Key Features

• Full Frame 6K Sensor
• Up to 6K36 fps Open Gate / 6K Anamorphic
• 13-Stop Dynamic Range, Dual-Native ISO
• Canon EF Lens Mount
• 4" HDR LCD Touchscreen
• Records Blackmagic RAW and H.264 Proxies
• Built-In Streaming via Ethernet or 4G/5G
• Switchable Side Plates, Mounting Threads
• Two CFexpress Card Slots, USB-C Port
• Ethernet and 12G-SDI Ports

The Blackmagic Design PYXIS 6K Cinema Box Camera takes the digital film innovations of the Blackmagic Design Cinema Camera 6K and turns it into a box-style cinema camera with a lockable Canon EF lens mount and customizable side plates. A full-frame 6K sensor captures rich colors, accurate skin tones, and a wide 13-stop dynamic range with its expanded 36 x 24mm sensor. Record both Blackmagic RAW and H.265 proxy files to the cloud or even stream directly to your social media platform of choice via Ethernet or mobile 4G/5G technology. The PYXS can film up to 6K Open Gate 3:2 video at 36 fps or 6K Anamorphic 6:5 video at 60 fps, among other selectable resolutions.

Large-Format Digital Film Sensor

The PYXIS is equipped with a massive 24 x 36mm full-frame sensor with a native 6048 x 4032 resolution, making it 3x larger than a Super35 sensor. This allows you to shoot with a shallow depth of field or use anamorphic lenses without cropping for a true cinematic look. A 13-stop dynamic range with dual-native ISO up to 25,600 ensures low-noise imagery in all lighting conditions. Shoot up to 36 fps at full sensor resolution or 120 fps windowed.

Flexible Film Formats

Work in a variety of film formats and aspect ratios without sacrificing quality, thanks to the large sensor. At its full area, the sensor provides you with Open Gate 3:2 images for easier framing in post-production. You can also work in true 6:5 anamorphic without needing to crop for widescreen cinematics. Use a Super35-sized window to create a close-up version of your shot.

Multiple Resolutions and Frame Rates

Shoot in standard video resolutions and frame rates from HD to 6K or still images at 24.6 MP using the PYXIS. For higher frame rates, you can window the center and shoot up to 100 fps at 212 x 1184 Super 16. Other options include 6K Open Gate 3:2 at 36 fps, 4832 x 4032 anamorphic at 24 fps, and 1920 x 1080 at 120 fps, among other resolutions.

HDR Imagery and Dual-Native ISO

A wide 13-stop dynamic range preserves more detail in both the lightest and darkest areas of your image. Set the exposure for an indoor scene while still retaining details in the bright outdoor light coming through a window. An expanded color range and included DaVinci Resolve Studio code give you creative freedom over the look of your footage. Dual-native ISO up to 25,600 minimizes grain and noise in your images while maintaining the full dynamic range of the sensor. ISO 400 is ideal for on-set lighting configurations, while ISO 3200 is perfect for dimly lit environments. The gain is automatically set as you adjust your ISO for intuitive control.

Customize Your Gear

Mounting threads on the side of the PYXIS allow you to secure additional mounting plates and customize your gear configuration. The standard plate included with the PYXIS secures via M4 threads and adds two 1/4"-20 threads and one 3/8"-16 thread to the camera for microphones, articulating arms, or other accessories. An SSD plate offers two hook-and-loop straps for attaching a USB-C drive or mobile device, allowing you to directly record or live stream on the go. A separately available Rosette plate can be purchased for further expansion.

LCD Monitor and Onboard Controls

• Use the built-in 4" LCD touchscreen to monitor and review your shots on set. Its full HD resolution allows you to frame and focus without requiring an additional external unit. A maximum brightness of 1500 cd/m² ensures visibility even in bright sunlit conditions. On-screen overlays show status and recording parameters, histograms, levels, frame guides, and 3D LUTS, among other tools.
• Onboard controls allow you to toggle functions like ISO, white balance, and shutter with ease. A scroll wheel makes quick adjustments, and three customizable function buttons can tailor your workflow to your preference. The controls can be locked to avoid accidental pressing during shooting.

Post-Production File Formats

The PYXS records in Blackmagic RAW to preserve control of detail, exposure, and color during post-production. It also records H.264 proxy files in real time for easy sharing using the Blackmagic Cloud, Ethernet connection, or by connecting 5G/4G mobile phones to the USB-C port for mobile connection. Media files work on all operating systems.

Multiple Recording Options

Two built-in CFExpress Type-B card slots and a USB-C expansion port allow you to record directly to external flash media disks or SSDs.

Built-In SRT and RTMP Live Streaming

Live stream directly from the PYXIS on set to a secondary location via SRT and RTMP protocols. Compatible platforms like YouTube, Facebook, and X can support signals from the PYXIS for live event production. If you want to share internally, use an ATEM Streaming Bridge for a wireless link back to the studio.

Expansive Connectivity

• The front of the PYXIS boasts a USB-C port for the Blackmagic URSA Cine EVF and a mini 3-pin XLR analog audio input with +48V Phantom power for microphone integration.
• The back of the PYXIS has a headphone monitoring jack and an additional 3.5mm microphone input. Use the USB-C port at the back of the camera to connect to recording devices or mobile data. A 12G-SDI output integrates a secondary monitor. A Reference/Timecode input port syncs your sources while an RJ45 Ethernet connection uploads footage to Blackmagic Cloud or controls the camera.
• Power the PYXIS using the locking 2-pin DC power connector or the Sony BP-U battery plate.
• Download the Blackmagic Camera Control app for wireless Bluetooth control from up to 30' away.

Blackmagic Design PYXIS 6K Overview

Key Features

• Full Frame 6K Sensor
• Up to 6K36 fps Open Gate / 6K Anamorphic
• 13-Stop Dynamic Range, Dual-Native ISO
• Canon EF Lens Mount
• 4" HDR LCD Touchscreen
• Records Blackmagic RAW and H.264 Proxies
• Built-In Streaming via Ethernet or 4G/5G
• Switchable Side Plates, Mounting Threads
• Two CFexpress Card Slots, USB-C Port
• Ethernet and 12G-SDI Ports

The Blackmagic Design PYXIS 6K Cinema Box Camera takes the digital film innovations of the Blackmagic Design Cinema Camera 6K and turns it into a box-style cinema camera with a lockable Canon EF lens mount and customizable side plates. A full-frame 6K sensor captures rich colors, accurate skin tones, and a wide 13-stop dynamic range with its expanded 36 x 24mm sensor. Record both Blackmagic RAW and H.265 proxy files to the cloud or even stream directly to your social media platform of choice via Ethernet or mobile 4G/5G technology. The PYXS can film up to 6K Open Gate 3:2 video at 36 fps or 6K Anamorphic 6:5 video at 60 fps, among other selectable resolutions.

Large-Format Digital Film Sensor

The PYXIS is equipped with a massive 24 x 36mm full-frame sensor with a native 6048 x 4032 resolution, making it 3x larger than a Super35 sensor. This allows you to shoot with a shallow depth of field or use anamorphic lenses without cropping for a true cinematic look. A 13-stop dynamic range with dual-native ISO up to 25,600 ensures low-noise imagery in all lighting conditions. Shoot up to 36 fps at full sensor resolution or 120 fps windowed.

Flexible Film Formats

Work in a variety of film formats and aspect ratios without sacrificing quality, thanks to the large sensor. At its full area, the sensor provides you with Open Gate 3:2 images for easier framing in post-production. You can also work in true 6:5 anamorphic without needing to crop for widescreen cinematics. Use a Super35-sized window to create a close-up version of your shot.

Multiple Resolutions and Frame Rates

Shoot in standard video resolutions and frame rates from HD to 6K or still images at 24.6 MP using the PYXIS. For higher frame rates, you can window the center and shoot up to 100 fps at 212 x 1184 Super 16. Other options include 6K Open Gate 3:2 at 36 fps, 4832 x 4032 anamorphic at 24 fps, and 1920 x 1080 at 120 fps, among other resolutions.

HDR Imagery and Dual-Native ISO

A wide 13-stop dynamic range preserves more detail in both the lightest and darkest areas of your image. Set the exposure for an indoor scene while still retaining details in the bright outdoor light coming through a window. An expanded color range and included DaVinci Resolve Studio code give you creative freedom over the look of your footage. Dual-native ISO up to 25,600 minimizes grain and noise in your images while maintaining the full dynamic range of the sensor. ISO 400 is ideal for on-set lighting configurations, while ISO 3200 is perfect for dimly lit environments. The gain is automatically set as you adjust your ISO for intuitive control.

Customize Your Gear

Mounting threads on the side of the PYXIS allow you to secure additional mounting plates and customize your gear configuration. The standard plate included with the PYXIS secures via M4 threads and adds two 1/4"-20 threads and one 3/8"-16 thread to the camera for microphones, articulating arms, or other accessories. An SSD plate offers two hook-and-loop straps for attaching a USB-C drive or mobile device, allowing you to directly record or live stream on the go. A separately available Rosette plate can be purchased for further expansion.

LCD Monitor and Onboard Controls

• Use the built-in 4" LCD touchscreen to monitor and review your shots on set. Its full HD resolution allows you to frame and focus without requiring an additional external unit. A maximum brightness of 1500 cd/m² ensures visibility even in bright sunlit conditions. On-screen overlays show status and recording parameters, histograms, levels, frame guides, and 3D LUTS, among other tools.
• Onboard controls allow you to toggle functions like ISO, white balance, and shutter with ease. A scroll wheel makes quick adjustments, and three customizable function buttons can tailor your workflow to your preference. The controls can be locked to avoid accidental pressing during shooting.

Post-Production File Formats

The PYXS records in Blackmagic RAW to preserve control of detail, exposure, and color during post-production. It also records H.264 proxy files in real time for easy sharing using the Blackmagic Cloud, Ethernet connection, or by connecting 5G/4G mobile phones to the USB-C port for mobile connection. Media files work on all operating systems.

Multiple Recording Options

Two built-in CFExpress Type-B card slots and a USB-C expansion port allow you to record directly to external flash media disks or SSDs.

Built-In SRT and RTMP Live Streaming

Live stream directly from the PYXIS on set to a secondary location via SRT and RTMP protocols. Compatible platforms like YouTube, Facebook, and X can support signals from the PYXIS for live event production. If you want to share internally, use an ATEM Streaming Bridge for a wireless link back to the studio.

Expansive Connectivity

• The front of the PYXIS boasts a USB-C port for the Blackmagic URSA Cine EVF and a mini 3-pin XLR analog audio input with +48V Phantom power for microphone integration.
• The back of the PYXIS has a headphone monitoring jack and an additional 3.5mm microphone input. Use the USB-C port at the back of the camera to connect to recording devices or mobile data. A 12G-SDI output integrates a secondary monitor. A Reference/Timecode input port syncs your sources while an RJ45 Ethernet connection uploads footage to Blackmagic Cloud or controls the camera.
• Power the PYXIS using the locking 2-pin DC power connector or the Sony BP-U battery plate.
• Download the Blackmagic Camera Control app for wireless Bluetooth control from up to 30' away.

Blackmagic Design ATEM Mini Extreme Overview

Key Features

• 8-Channel HDMI Live Streaming Switcher
• Supports up to 1080p60
• RTMP Streaming via Ethernet or USB-C
• Record Program Out
• 11-Input, 2-Channel Audio Mixer
• Input Frame Rate and format Converter
• Re-Sync on All HDMI Inputs
• HD Multiview Output with up to 16 Views
• Local and Software Switching
• 4 x Upstream, 2 x Downstream Keyers

The Blackmagic Design ATEM Mini Extreme is an 8-input live production switcher for live streaming. It features an integrated control panel and has advanced broadcast features. In addition to live streaming using RTMP protocols, you can also output your program as if it was a webcam over USB. This versatile switcher's eight independent HDMI inputs accept all popular HD signals up to 1080p60. Each input has discrete frame rate and format converters, and it supports re-syncing for seamless switching between a variety of pro and consumer cameras, game consoles, and computer feeds.

Switch, add effects, color grade, and key in real time using the control surface's buttons, or via the software control panel. CCU functions are available for controlling Blackmagic Studio and URSA Mini/Broadcast/Micro Studio cameras from the switcher. The ATEM Mini Extreme supports up to nine layers, with four upstream and two downstream keyers, up to four chroma keyers, up to four linear keyers, two DVE with borders and drop shadow, five pattern generators, and two color generators. Designed for live streaming or webcam production, the Mini Extreme has HDMI outputs to feed monitors and supports up to 16-screen multiview.

Stream Live

Live stream to YouTube, Facebook Live, Skype, Twitch, Zoom, Microsoft Teams, and other platforms that support RTMP protocols.

Control Interface

The front panel includes easy-to-use buttons for Selecting sources, video effects, and transitions. The source buttons are large, allowing you to operate them by feel. Included on the ATEM Extreme are buttons for audio mixing, recording, and streaming control, as well as output Selection buttons that let you change the video output between cameras, program, and multiview. On the rear panel, there are HDMI connections for cameras or computers, extra microphone inputs, USB for webcam out, plus an HDMI "AUX" output for program video.

Output

You can output using the Ethernet connection to your network or use the USB Type-C output to have your switched show recognized as a webcam input by virtually any video software such as Zoom, Microsoft Teams, Skype, Open Broadcaster, XSplit Broadcaster, and others.

4G and 5G Phone Support

If you're doing live production on location, the ATEM Mini Extreme models support connecting an Apple or Android phone to the USB port to use mobile data. It's also a great backup for the main Ethernet connection, so you don't drop your stream if your hardwired connection gets interrupted. The switcher will automatically switch to using the phone as the primary connection, and the USB port will also power your phone, so the battery won't drain.

Multiview Monitoring

You can configure the HDMI output for multiview with 4, 7, 10, 13, up to 16 views including Program, Preview, eight HDMI inputs, SuperSource, clean feed, media player, streaming status, recording status, and audio meters.

Camera Control

The ATEM Mini Extreme can control the Blackmagic Pocket Cinema Camera 4K and 6K models when they are updated to the latest software and plugged in via the HDMI inputs. You can control your HDMI camera settings such as iris, gain, focus, detail, and zoom control on compatible lenses. Plus, you can color balance cameras, as well as create unique looks using the DaVinci Resolve primary color corrector built into the Blackmagic Pocket Cinema Camera 4K and 6K.

Media Pool

The switcher can store up to 20 images with fill and key, and it supports PNG, TGA, BMP, GIF, JPEG, and TIFF file formats.

Compatibility

It includes the ATEM Software Control Panel, and it is also compatible with the ATEM 1 M/E, ATEM 2 M/E, and ATEM 4 M/E Advanced Panels. The ATEM Mini Extreme can be configured using Blackmagic's Videohub Hardware Panel Setup utility to route sources to destinations using Videohub Smart Control Pro and Videohub Master Control Pro.

Recording

The ATEM Mini Extreme models support the direct recording of your streaming data to USB flash disks using the same H.264 video files with AAC audio that you streamed. Recording to multiple disks is also supported via a USB hub or the Blackmagic MultiDock, so when a disk becomes full, recording can continue to a second disk for nonstop recording. Record settings and disk Selection are set up in ATEM Software Control, and there's a record status view in the built-in multiview. You can even trigger recording on connected Blackmagic Pocket Cinema Cameras.

Video Effects

One of the benefits of ATEM Mini is the professional production values possible using the Range of built-in video effects. The cut button ensures an instant cut when switching between sources. The auto button is a professional term used on large broadcast switchers to enable video effect transitions. There are duration buttons for video effects allowing 0.5-, 1-, 1.5-, and 2-second settings. You can also Select the type of effect you want including mix, which does a smooth transition between sources, and dip, which fades via a color during the transition. Or use fun DVE effects that move the image off-screen when transitioning between sources.

Audio

with two independent 3.5mm stereo audio inputs, you can connect desktop and lapel microphones, or you can connect a music player to generate introduction music after the live stream commences but before the program starts. with two extra stereo audio inputs, you can ensure a host and guest both have lapel microphones when doing interviews. All audio inputs to the ATEM Mini include buttons on the panel for adjusting audio level and enabling inputs into the audio mixer. All models feature a Fairlight audio mixer with all HDMI inputs, and both microphone inputs are connected to the audio mixer, so you can live mix from all audio sources. The ATEM Mini Extreme also adds a headphone output.

Broadcast Features

Hiding in the ATEM Mini Extreme models are a host of broadcast-caliber features that are accessible when connected to a Mac or Windows computer running the free ATEM Software Control app.

Blackmagic Pocket Cinema Camera 4K

The Blackmagic Design Pocket Cinema Camera 4K features a 4/3" sensor for capturing up to 4096 x 2160 DCI 4K images at rates up to 60 fps in a variety of codecs including CinemaDNG Raw/Raw 3:1/Raw 4:1, and various ProRes 422 options. Slow-motion rates up to 120 fps are available in cropped Full HD. Its Micro Four Thirds lens mount accommodates the original, lightweight Pocket Cinema Camera lenses, and can be used with PL, C, EF, and other lenses with the use of separately available adapters. A dual-native ISO up to 25,600 is featured for low-light capture, and 13 stops of dynamic Range provide rich HDR images.

Record using the internal CFast 2.0 and SD/UHS-II card slots, or employ the USB-C output for capturing longer clips to an external drive. The Pocket Cinema Camera 4K's 5" touchscreen LCD display reduces the need for an external, onboard monitor, while a full-sized HDMI port enables you to output a signal to a larger display. The menu and interface are the same as the ones found on the URSA Mini camera, and 3D LUTs can be applied for monitoring or for baking in your look when you're ready to commit.

Audio features include a mini-XLR input with phantom power for pro-style mics, a 3.5mm jack, and an internal stereo mic. Additional features include the same Blackmagic OS as the URSA Mini, and Bluetooth remote control. A license key for DaVinci Resolve Studio is included for versatile post-production control. The Pocket Cinema Camera 4K's carbon fiber polycarbonate build provides lightweight strength and durability, and power options include running off a Canon LP-E6 type battery or the included power supply.

4/3" Image Sensor / Dual Native ISO
The Pocket Cinema Camera 4K uses a 4/3" sensor, 13 stops of dynamic Range, and a dual native ISO up to 25,600 to capture rich images at resolutions up to DCI 4K.

Active Micro Four Thirds Lens Mount
Use lightweight, electronically-controlled MFT lenses, or use separately available adapters to expand your lens choices to include PL, C, or EF-mount lenses.

CinemaDNG Raw and ProRes Options
Choose from CinemaDNG Raw and ProRes 422 files options depending on your project's needs.

Shooting Resolutions
4096 x 2160 (DCI 4K), 3840 x 2160 (Ultra HD 4K), 1920 x 1080 (HD)

5" Touchscreen Display
A large 5" touchscreen display reduces the need for an external on-board monitor, while a full-sized HDMI port enables you to output a signal to a larger display on your video village.

CFast 2.0, SD/UHS-II, and USB Type-C Capture
Internally record to CFast 2.0 or SD/UHS-II card slots, or capture longer clips using the USB-C output to an external drive.

Flexible Power Options
The Pocket Cinema Camera 4K can be powered using a rechargeable Canon LP-E6 type battery or the included power supply.

DaVinci Resolve Studio
An activation key for DaVinci Resolve Studio is included with the camera.

Blackmagic Design URSA Mini Pro 4.6K G2 Digital Cinema Camera

Key Features

• 4.6K Super 35 HDR CMOS Sensor
• 4.6K up To 120 fps, 300 fps at 1080p
• 15 Stops of Dynamic Range at 3200 ISO
• USB-C Expansion Port for External Disks

Blackmagic Design URSA Mini Pro 4.6K G2 Overview

Upping the electronics and recording capabilities of its Mini Pro predecessor, the Blackmagic Design URSA Mini Pro 4.6K G2 Digital Cinema Camera brings expanded control set and even more functionality. The G2 introduces an updated Super 35 4.6K sensor featuring 15 stops of dynamic Range at 3200 ISO, high frame rate recording up To 300 fps, and additional recording functionality.

First, the addition of external camera controls allows menus To be accessed To change exposure settings, activate slow/fast motion, or engage focus assist or other functions. The exterior of the camera also gains a monochrome LCD panel which displays essential shooting data at a glance. Another welcome pro feature is the built-in ND (neutral density) filter wheel. The four-position wheel switches between two, four, and six stops of neutral density, plus a clear filter for no exposure reduction.

Behind the display, two SD card slots beside the CFast 2.0 slots enable more affordable media To be used for less intensive recording formats. The G2 introduces a USB-C expansion port so you can record directly To external drives. The default electronic EF lens mount is user-interchangeable and adjustable To ensure proper flange focal distance.

At the heart of the camera is Blackmagic Design acclaimed Super 35mm 4.6K sensor block, known for its ability To capture cinematic images with subtle gradients and large dynamic Range rated at 15 stops. The G2 can now capture Blackmagic RAW footage in film and extended modes which makes it more versatile To meet your production needs. Probably the most impressive update with the G2 is the ability To capture 4.6K footage at 120 fps, 4K DCI at 150 fps, or even 1080p footage at 300 fps which is well suited for fast-action shooting.

Like the URSA Mini, the URSA Mini Pro G2 can record high-resolution raw sensor data in Blackmagic RAW format onto CFast 2.0 or SD memory cards at up To 60 fps. The raw files preserve the full dynamic Range and color tonality output from the sensor, so you can have greater control over the look in post-production. However, data-heavy uncompressed raw files aren't always easy To deal with on set so in addition To uncompressed raw recording, the URSA Mini Pro provides compressed raw recording at 3:1 and 4:1 compression ratios To save space while retaining post-production flexibility.

If raw capture is not necessary for your production, the URSA Mini Pro G2 offers ready-to-edit industry standard Apple ProRes files in many different flavors within the 444 and 422 chroma subsampling variations depending on your workflow. The 4.6K, 4K, 3K, 2K, and HD recording resolutions can be captured as ProRes files either using the "Film" dynamic Range for a flatter image for grading in post-production, or "Video" dynamic Range for a finished look right out of the camera. ProRes can be recorded To either CFast 2.0 or UHS-II SD cards (SD cards top out at UHD 4K please check the Blackmagic Design website for updated card compatibility and limitations).

Since the form factor of the original URSA Mini has been adhered to, the ergonomic benefits have remained as well. with separately available accessories like the VCT shoulder pad, side handgrip, broadcast battery plate, and EVF, the camera can be kitted out for comfortable shooting over extended periods. for studio-style shooting, the same shoulder pad is compatible with 15mm LWS rods for mounting lens supports for long lenses, follow focuses, lens drive motors, matte boxes, and more.

Built-In ND Filters

The URSA Mini Pro G2 features high-quality neutral density (ND) filters that let you quickly reduce the amount of light entering the camera. The clear, 2-, 4-, and 6-stop filters have been specifically designed To match the color science of the URSA Mini Pro G2 To maintain consistent image quality with minimal color shift. The ND filters conveniently let you use different combinations of aperture and shutter angle To achieve shallower depth of field, or specific levels of motion blur, in a wider Range of situations. Additionally, the internal IR filters have been designed To filter both optical and infrared wavelengths evenly To eliminate IR contamination of the images that can be brought about by standard ND filter. A precision mechanism holds the filters and quickly moves them into place when the ND filter dial is turned. Furthermore, the current filter settings can be displayed as an ND number, stop reduction, or fraction on the LCD.

External Control Section

Using a design inspired by classic broadcast cameras, the URSA Mini Pro G2 features a wide array of tactile physical controls with direct access To the most important camera settings. The controls are laid out in a logical order that makes them easy To remember so you'll be able To adjust camera settings, apply ND filters, and change frame rates without having To look at the buttons, dive into on-screen menus, or take the camera off your shoulder.

User-Interchangeable Lens Mounts

By default, the URSA Mini Pro G2 includes an interchangeable EF mount. If you want To use lenses with F (Nikon), PL, or B4 mounts, separately available interchangeable mounts can be purchased. Having an interchangeable lens mount allows the URSA Mini Pro G2 To be used in nearly any kind of workflow including documentary, ENG/EFP, and cinema. for ENG lenses, a 12-pin Hirose connector will power the servo so all lens functionality can be utilized.

External LCD Status Display

The status display is a high-visibility black-and-white LCD screen designed To be easily seen even in bright light. The status display shows record timecode, locked timecode, and reference timecode along with the current shooting frame rate, shutter angle, aperture, white balance, ISO, and iris. It also features a battery indicator, card recording status, and audio meters for monitoring levels. The screen backlight can be turned on when you're shooting in dimly lit locations, and off when you're shooting outdoors and in bright light To increase contrast, making it easy To read under nearly any shooting condition.

Advanced Image Processing

The URSA Mini Pro 4.6K G2 also uses Blackmagic Design Generation 4 Color Science for superior imaging that results in extremely accurate skin tones and lifelike colors that rival those of cameras costing tens of thousands of dollars more. Blackmagic RAW images are encoded using a custom nonlinear 12-bit space designed To provide the maximum amount of color data and dynamic Range. with Blackmagic RAW, customers can choose compression levels up To 12:1 and still get professional-quality images that can be used for feature films, documentaries, and broadcast programming. These formats can be recorded onto CFast or SD cards, as well as direct To flash disks using the USB-C expansion port.

CFast 2.0 and SD Media Support

Two of each CFast 2.0 and SD slots are available for recording media. High-end workflows that require 4K or 4.6K raw recording and high frame rate shooting will take full advantage of the high-bandwidth CFast 2.0 cards. Raw HD and 4K ProRes material can be recorded onto convenient and relatively inexpensive SD cards compatible with the UHS-II standard. Since two of each slot are available, you can keep recording, regardless of format choice.

General Features

Compact Handheld Design

Sizing down the original URSA shape enables the URSA Mini Pro G2 To fit into feature film, indie film, TV, commercial, documentary, and music video workflows with crews of any size. Using the optional shoulder mount with built-in quick release plate, the URSA Mini Pro G2 can go from handheld To shoulder To tripod in a matter of seconds. Despite its size, the URSA Mini Pro G2 still fits essential controls and I/O for professional workflows.

The body is made from magnesium alloys To keep the URSA Mini Pro G2 lightweight at just over five pounds. with the optional shoulder mount and optional side handgrip, the handgrip can be extended off the side of the camera To be used in a doc-style configuration.

4.6K Super 35 Sensor

with an effective resolution of 4608 x 2592, the sensor housed inside the URSA Mini Pro G2 can capture motion pictures that have greater-than 4K resolution with a filmlike 15 stops of dynamic Range at a very high 3200 ISO. A wide exposure latitude allows for greater control in post, enabling highlight recovery while keeping the shadows clean from artifacting.

The URSA Mini Pro G2 can record the entire sensor at up To 60 fps To fit television or other workflows which require higher frame rates. Using a smaller portion of the sensor, the URSA Mini Pro G2 can also record slow-motion footage at up To 300 fps in 1080p resolution. When recording high frame rates, the URSA Mini Pro G2 will conform captured footage To the set standard frame rate, resulting in smooth footage that doesn't require post-processing before editing.

Touchscreen Control

In addition To more traditional button-driven menus and the bevy of external controls, the URSA Mini Pro G2 features a fold-out 4" capacitive touchscreen LCD monitor. Using the easily navigable touchscreen menu, you can see and change all camera settings, view timecode, scopes, audio levels, and focus peaking, as well as add shot metadata with an onscreen keyboard.

Professional Connections

The URSA Mini G2 features multiple connections such as 12G-SDI out, HD-SDI monitoring out, two LANC inputs, balanced XLR audio with phantom power, timecode in, and reference input. On the front right side of the camera, the 4-pin XLR DC and HD-SDI monitoring output are located in the perfect position for connecting To an optional viewfinder or on set monitor. The 12G-SDI output handles up To 2160p60 using a single BNC cable and switches To 6G-SDI or HD-SDI depending on the shooting format.

Quality Sound Recording

with high-quality built-in microphones and professional audio recording features, you don't have To carry around extra sound equipment. You can use the built-in stereo microphone To record natural location sound or connect professional microphones using the two XLR mic inputs. The XLR connections have 48V of switchable phantom power so you can plug shotgun mics or wireless lavalier mics for capturing more detail. You can quickly adjust levels using the physical knobs while monitoring the audio using the onscreen audio meters and headphones.

Multiple Power Options

On its own, the URSA Mini Pro G2 includes a 4-pin XLR industry standard power connector that works with 12 To 30V external power supplies. That means it easy To use the camera with existing professional power supplies and batteries. The camera uses the same battery power connector and mounting points on the rear of the camera as used on the original URSA, so you can use the same Range of battery plates from a wide Range of manufacturers such as IDX, Frezzi, Anton Bauer, and more. You can also add the optional Blackmagic URSA V-Lock Battery Plate for using popular V-mount batteries.

DaVinci Resolve Software Included

Included with the camera is a DaVinci Resolve USB dongle which contains a license To unlock the full feature set within the software. The full version of DaVinci Resolve is compatible with Mac and Windows, and can be used for editing, color grading, media management, mastering, and delivery. DaVinci Resolve is designed To handle the 12-bit log raw images from URSA Mini Pro G2, so you can take advantage of URSA Mini Pro G2 image quality and wide dynamic Range. DaVinci Resolve features advanced, multilayer timeline editing with powerful trimming tools, along with a fully professional suite of creative grading tools

SmallRig 2988 Overview

Key Features

• Mount V-Mount Battery on a Rig
• Lightweight Aluminum V-Lock Plate
• 1/4"-20, M3, and M4 Threads
• ARRI-Style Accessory Mount
• Quick Release Locking Mount

Mount a V-mount battery onto your rig with this V-Lock Battery Plate from SmallRig. The mount features a V-lock mount with a quick release locking mechanism that secures most V-mount batteries. The mount has no electronics and is meant to mount a battery that has its own power outputs to power your gear.

The mount features multiple 1/4"-20, M3, and M4 countersink holes, multiple 1/4"-20 and M4 threads, and an ARRI-style accessory mount to add a variety of gear such as clamps, rod mounts, extension arms, or other accessories. It is constructed with durable aluminum and multiple 1/4"-20, M3, and M4 screws. Allen wrenches are included for mounting.

Note:

This is a V-lock plate with no electronics, for mounting a V-mount battery that has power outputs onto a rig.

Compatibility

Fits most V-mount batteries (however, it does not fit PAGlink series V-mount batteries or the Patona Premium Battery for BP-190WS)
Compatible with cameras such as the Blackmagic Design URSA Mini
There are no electronics on the plate

SmallRig 3016 Overview

Key Features

• Mount a V-Mount Battery on 15mm Rods
• Lightweight Aluminum V-Lock Plate
• 15mm LWS Rod Clamp with Locking Levers
• 1/4"-20, M3, M4 & ARRI-Style Threads
• Quick Release Locking Mount

Mount a V-mount battery onto your rig with this V-Lock Battery Plate with 15mm Rod Clamp from SmallRig. The mount features a V-lock mount with a quick release locking mechanism that secures most V-mount batteries. The mount has no electronics and is designed to mount a battery that has its own power outputs to power your gear. A 15mm rod clamp attaches to the plate and allows you to mount the battery plate onto standard 15mm LWS rods.

Note:

This is a V-lock plate with no electronics for mounting a V-mount battery with power outputs onto a rig.

SmallRig V-Lock Battery Plate

Mount a V-mount battery onto your rig with this V-Lock Battery Plate from SmallRig. The mount features a V-lock mount with a quick release locking mechanism that secures most V-mount batteries. The mount has no electronics and is meant to mount a battery that has its own power outputs to power your gear.

The mount features multiple 1/4"-20, M3, and M4 countersink holes, multiple 1/4"-20 and M4 threads, and an ARRI-style accessory mount to add a variety of gear such as clamps, rod mounts, extension arms, or other accessories. It is constructed with durable aluminum and multiple 1/4"-20, M3, and M4 screws. Allen wrenches are included for mounting.

Note:

This is a V-lock plate with no electronics for mounting a V-mount battery with power outputs onto a rig.

Compatibility

Fits most V-mount batteries (however, it does not fit PAGlink series V-mount batteries or the Patona Premium Battery for BP-190WS)
Compatible with cameras such as the Blackmagic Design URSA Mini
There are no electronics on the plate

SmallRig 942 Super Lightweight 15mm LWS Rod Bracket v3

Use the 942 Super Lightweight 15mm LWS Rod Bracket v3 from SmallRig to mount a battery plate, camera cage, shoulder pad, or other component on your 15mm LWS rods.

This aluminum rod bracket features multiple 1/4"-20 threads and thumb-lever rod locks. An Allen wrench and screws are included with the bracket.

SmallRig 2991 Overview

Key Features

• Mount a V-Mount Battery on 15mm Rods
• Lightweight Aluminum V-Lock Plate
• Adjustable Extension Arm, 15mm Rod Clamp
• 1/4"-20, M3, M4 & ARRI-Style Threads
• Quick Release Locking Mount

Mount a V-mount battery onto your rig with this V-Lock Battery Plate with 15mm Rod Clamp & Adjustable Arm from SmallRig. The mount features a V-lock mount with a quick release locking mechanism that secures most V-mount batteries. The mount has no electronics and is meant to mount a battery that has its own power outputs to power your gear.

The mount features multiple 1/4"-20, M3, and M4 countersunk holes, multiple 1/4"-20 and M4 threads, and an ARRI-style accessory mount to add a variety of gear such as clamps, rod mounts, extension arms, or other accessories. It is constructed with durable aluminum and multiple 1/4"-20, M3, and M4 screws, and Allen wrenches are included for mounting.

Note:

This is a V-lock plate with no electronics for mounting a V-mount battery with power outputs on a rig.

SmallRig V-Lock Battery Plate

Mount a V-mount battery onto your rig with this V-Lock Battery Plate from SmallRig. The mount features a V-lock mount with a quick release locking mechanism that secures most V-mount batteries. The mount has no electronics and is meant to mount a battery that has its own power outputs to power your gear.

The mount features multiple 1/4"-20, M3, and M4 countersink holes, multiple 1/4"-20 and M4 threads, and an ARRI-style accessory mount to add a variety of gear such as clamps, rod mounts, extension arms, or other accessories. It is constructed with durable aluminum and multiple 1/4"-20, M3, and M4 screws. Allen wrenches are included for mounting.

Note:

This is a V-lock plate with no electronics for mounting a V-mount battery with power outputs on a rig.

Compatibility

Fits most V-mount batteries (however, it does not fit PAGlink series V-mount batteries or the Patona Premium Battery for BP-190WS)
Compatible with cameras such as the Blackmagic Design URSA Mini
There are no electronics on the plate

SmallRig 942 Super Lightweight 15mm LWS Rod Bracket v3

Use the 942 Super Lightweight 15mm LWS Rod Bracket v3 from SmallRig to mount a battery plate, camera cage, shoulder pad, or other component on your 15mm LWS rods.

This aluminum rod bracket features multiple 1/4"-20 threads and thumb-lever rod locks. An Allen wrench and screws are included with the bracket.

Note:

This is a V-lock plate with no electronics for mounting a V-mount battery with power outputs on a rig.

Blackmagic Design ATEM Overview

Key Features

• 8-Channel 12G-SDI Switcher
• HD and UHD Signal-Compatible To 2160p60
• 12-Input, 2-Channel Audio Mixer
• Re-Sync on All Inputs
• UHD 4K Multiview Output
• Low-Latency Converter
• Built-In Talkback Feature
• CCU Control for Select Cameras
• ATEM Advanced Chroma Keyer
• Powerful DVE Processor, 2 x Clip Pool

The Blackmagic Design ATEM Television Studio Pro 4K is a UHD 4K-compatible, 8-input live production switcher with an integrated control panel, suitable for broadcast, sports, web, and A/V productions. This versatile switcher eight independent 12G-SDI inputs accept all popular HD and UHD signals up To 2160p60. A re-syncing feature on each input enables you To seamlessly use an amalgam of pro and consumer cameras, game consoles, and computer feeds.

Switch, add effects, color grade, and key in real time using the control surface buttons, knobs, and slider. CCU functions are available for controlling Blackmagic Studio and URSA Mini/Broadcast/Micro Studio cameras from the switcher. A software-based control panel is included and may be used independently, or on multiple laptops for delegating multicamera control. The ATEM Advanced Chroma Keyer, with one upstream and two downstream keys, offers live graphics and virtual set creation with improved image control and spill correction. Create PiP effects, resize and scale live video, and choose from 17 powered transitions with the ATEM Television Studio Pro 4K DVE processor.

Multiview output is available for all eight channels, via HDMI or SDI, complete with tally, labeling, audio metering, and safe-area marking. A talkback function is available for director/operator communication with compatible cameras. The integrated Fairlight audio mixer features six-band parametric EQ, compression, limiting, and stereo simulation on analog and mic inputs. Mix solely from the panel, or use the multitrack interface on your Mac or Windows PC. Use the auxiliary output port To send your switched program or clean feed To a large-scale screen or other display.

Features

• Eight 12G-SDI inputs, each with re-sync and low-latency conversion
• Supports HD video signals up To UHD 4K 2160p60
• 12-input, 2-channel Fairlight audio mixer
• UHD 4K multiviewer with up To 10 windows
• CCU functions for compatible cameras
• ATEM advanced chroma keyer
• Integrated talkback feature for compatible cameras
• Powerful DVE processor, 2-clip media pool with fill and key
• Mac and PC compatible

Blackmagic Design ATEM Mini Extreme Overview

Key Features

• 8-Channel HDMI Live Streaming Switcher
• Supports up to 1080p60
• RTMP Streaming via Ethernet or USB-C
• Record Program Out and Individual Inputs
• 11-Input, 2-Channel Audio Mixer
• Input Frame Rate and format Converter
• Re-Sync on All HDMI Inputs
• HD Multiview Output with up to 16 Views
• Local and Software Switching
• 4 x Upstream, 2 x Downstream Keyers

The Blackmagic Design ATEM Mini Extreme ISO is an 8-input live production switcher for live streaming. It features an integrated control panel and has advanced broadcast features. In addition to live streaming using RTMP protocols, you can also output your program as if it was a webcam over USB. The switcher's ISO label means you can individually record each of the eight input videos as an MP4, as well as the program output via one of the USB Type-C ports. The switcher automatically generates a DaVinci Resolve project file, so you can clean it up and make changes later. This versatile switcher's eight independent HDMI inputs accept all popular HD signals up to 1080p60. Each input has discrete frame rate and format converters, and it supports re-syncing for seamless switching between a variety of pro and consumer cameras, game consoles, and computer feeds.

Switch, add effects, color grade, and key in real time using the control surface's buttons, or via the software control panel. CCU functions are available for controlling Blackmagic Studio and URSA Mini/Broadcast/Micro Studio cameras from the switcher. The ATEM Mini Extreme ISO supports up to nine layers, with four upstream and two downstream keyers, up to four chroma keyers, up to four linear keyers, two DVE with borders and drop shadow, five pattern generators, and two color generators. Designed for live streaming or webcam, the Mini Extreme ISO has HDMI outputs to feed monitors and supports up to 16-screen multiview.

Stream Live

Live stream to YouTube, Facebook Live, Skype, Twitch, Zoom, Microsoft Teams, and other platforms that support RTMP protocols.

Control Interface

The front panel includes easy-to-use buttons for Selecting sources, video effects, and transitions. The source buttons are large, allowing you to operate them by feel. Included on the ATEM Extreme ISO are buttons for audio mixing, recording, and streaming control, as well as output Selection buttons that let you change the video output between cameras, program, and multiview. On the rear panel, there are HDMI connections for cameras or computers, extra microphone inputs, USB for webcam out, plus an HDMI "AUX" output for program video.

Output

You can output using the Ethernet connection to your network or use the USB Type-C output to have your switched show recognized as a webcam input by virtually any video software such as Zoom, Microsoft Teams, Skype, Open Broadcaster, XSplit Broadcaster, and others.

4G and 5G Phone Support

If you're doing live production on location, the ATEM Mini Extreme models support connecting an Apple or Android phone to the USB port to use mobile data. It's also a great backup for the main Ethernet connection, so you don't drop your stream if your hardwired connection gets interrupted. The switcher will automatically switch to using the phone as the primary connection, and the USB port will also power your phone, so the battery won't drain.

Multiview Monitoring

You can configure the HDMI output for multiview with 4, 7, 10, 13, up to 16 views including Program, Preview, eight HDMI inputs, SuperSource, clean feed, media player, streaming status, recording status, and audio meters.

Camera Control

The ATEM Mini Extreme ISO can control the Blackmagic Pocket Cinema Camera 4K and 6K models when they are updated to the latest software and plugged in via the HDMI inputs. You can control your HDMI camera settings such as iris, gain, focus, detail, and zoom control on compatible lenses. Plus, you can color balance cameras, as well as create unique looks using the DaVinci Resolve primary color corrector built into the Blackmagic Pocket Cinema Camera 4K and 6K.

Media Pool

The switcher can store up to 20 images with fill and key, and it supports PNG, TGA, BMP, GIF, JPEG, and TIFF file formats.

Compatibility

It includes the ATEM Software Control Panel, and it is also compatible with the ATEM 1 M/E, ATEM 2 M/E, and ATEM 4 M/E Advanced Panels. The ATEM Mini Extreme ISO can be configured using Blackmagic's Videohub Hardware Panel Setup utility to route sources to destinations using Videohub Smart Control Pro and Videohub Master Control Pro.

Recording

The ATEM Mini Extreme models support the direct recording of your streaming data to USB flash disks using the same H.264 video files with AAC audio that you streamed. The Mini Extreme ISO also allows you to record the eight input video channels as MP4 files. This allows you to directly upload to any online video site, such as YouTube or Vimeo. Recording to multiple disks is also supported via a USB hub or the Blackmagic MultiDock, so when a disk becomes full, recording can continue to a second disk for nonstop recording. Record settings and disk Selection are set up in ATEM Software Control, and there's a record status view in the built-in multiview. You can even trigger recording on connected Blackmagic Pocket Cinema Cameras.

DaVinci Resolve Integration

The Mini Extreme ISO saves a DaVinci Resolve project file, so with a single click, you can open your live production as a video edit. All cuts, dissolves, and media pool graphics will be loaded, allowing you to tweak and edit your live production using the recorded input footage. If you recorded the camera originals as Blackmagic Raw camera files, you can relink those and take advantage of DaVinci Resolve's color correction abilities.

Video Effects

One of the benefits of ATEM Mini is the professional production values possible using the Range of built-in video effects. The cut button ensures an instant cut when switching between sources. The auto button is a professional term used on large broadcast switchers to enable video effect transitions. There are duration buttons for video effects allowing 0.5-, 1-, 1.5-, and 2-second settings. You can also Select the type of effect you want including mix, which does a smooth transition between sources, and dip, which fades via a color during the transition. Or use fun DVE effects that move the image off-screen when transitioning between sources.

Audio

with two independent 3.5mm stereo audio inputs, you can connect desktop and lapel microphones, or you can connect a music player to generate introduction music after the live stream commences but before the program starts. with two extra stereo audio inputs, you can ensure a host and guest both have lapel microphones when doing interviews. All audio inputs to the ATEM Mini include buttons on the panel for adjusting audio level and enabling inputs into the audio mixer. All models feature a Fairlight audio mixer with all HDMI inputs, and both microphone inputs are all connected to the audio mixer, so you can live mix from all audio sources. The ATEM Mini Extreme also adds a headphone output.

Broadcast Features

Hiding in the ATEM Mini Extreme models are a host of broadcast-caliber features that are accessible when connected to a Mac or Windows computer running the free ATEM Software Control app.

Blackmagic Design ATEM SDI Extreme Overview

Key Features

• 8-Channel 3G-SDI Live Streaming Switcher
• Supports up to 1080p60
• RTMP Streaming via Ethernet or USB-C
• Record Program Out and Individual Inputs
• 11-Input, 2-Channel Audio Mixer
• Input Frame Rate and Format Converter
• Re-Sync on All 3G-SDI Inputs
• HD Multiview Output with up to 16 Views
• Local and Software Switching
• 4 x Upstream, 2 x Downstream Keyers

The Blackmagic Design ATEM SDI Extreme ISO Switcher is an 8-input live production switcher for live streaming. It features an integrated control panel and has advanced broadcast features. In addition to live streaming using RTMP protocols, you can also output your program as if it was a webcam over USB. The switcher's ISO label means you can individually record each of the eight input videos as an MP4, as well as the program output via one of the USB Type-C ports. The switcher automatically generates a DaVinci Resolve project file, so you can clean it up and make changes later. This versatile switcher's eight independent 3G-SDI inputs accept all popular HD signals up to 1080p60. Each input has discrete frame rate and format converters, and it supports re-syncing for seamless switching between a variety of pro and consumer cameras, game consoles, and computer feeds.

Switch, add effects, color grade, and key in real time using the control surface's buttons, or via the software control panel. CCU functions are available for controlling Blackmagic Studio and URSA Mini/Broadcast/Micro Studio cameras from the switcher. The ATEM Mini Extreme ISO supports up to nine layers, with four upstream and two downstream keyers, up to four chroma keyers, up to four linear keyers, two DVE with borders and drop shadow, five pattern generators, and two color generators. Designed for live streaming or webcam, the Mini Extreme ISO has four 3G-SDI outputs to feed monitors and supports up to 16-screen multiview.

Stream Live

Live stream to YouTube, Facebook Live, Skype, Twitch, Zoom, Microsoft Teams, and other platforms that support RTMP protocols.

Control Interface

The front panel includes easy-to-use buttons for selecting sources, video effects, and transitions. The source buttons are large, allowing you to operate them by feel. Included on the ATEM Extreme ISO are buttons for audio mixing, recording, and streaming control, as well as output selection buttons that let you change the video output between cameras, program, and multiview. On the rear panel, there are 3G-SDIconnections for cameras or computers, extra microphone inputs, USB for webcam out, plus 4 x 3G-SDI "AUX" outputs for program video.

Output

You can output using the Ethernet connection to your network or use the USB Type-C output to have your switched show recognized as a webcam input by virtually any video software such as Zoom, Microsoft Teams, Skype, Open Broadcaster, XSplit Broadcaster, and others.

4G and 5G Phone Support

If you're doing live production on location, the ATEM Mini Extreme models support connecting an Apple or Android phone to the USB port to use mobile data. It's also a great backup for the main Ethernet connection, so you don't drop your stream if your hardwired connection gets interrupted. The switcher will automatically switch to using the phone as the primary connection, and the USB port will also power your phone, so the battery won't drain.

Multiview Monitoring

You can configure the 3G-SDI outputs for multiview with 4, 7, 10, 13, up to 16 views including Program, Preview, eight 3G-SDI inputs, SuperSource, clean feed, media player, streaming status, recording status, and audio meters.

Media Pool

The switcher can store up to 20 images with fill and key, and it supports PNG, TGA, BMP, GIF, JPEG, and TIFF file formats.

Compatibility

It includes the ATEM Software Control Panel, and it is also compatible with the ATEM 1 M/E, ATEM 2 M/E, and ATEM 4 M/E Advanced Panels. The ATEM Mini Extreme ISO can be configured using Blackmagic's Videohub Hardware Panel Setup utility to route sources to destinations using Videohub Smart Control Pro and Videohub Master Control Pro.

Recording

The ATEM Mini Extreme models support the direct recording of your streaming data to USB flash disks using the same H.264 video files with AAC audio that you streamed. The Mini Extreme ISO also allows you to record the eight input video channels as MP4 files. This allows you to directly upload to any online video site, such as YouTube or Vimeo. Recording to multiple disks is also supported via a USB hub or the Blackmagic MultiDock, so when a disk becomes full, recording can continue to a second disk for nonstop recording. Record settings and disk selection are set up in ATEM Software Control, and there's a record status view in the built-in multiview. You can even trigger recording on connected Blackmagic Pocket Cinema Cameras.

DaVinci Resolve Integration

The Mini Extreme ISO saves a DaVinci Resolve project file, so with a single click, you can open your live production as a video edit. All cuts, dissolves, and media pool graphics will be loaded, allowing you to tweak and edit your live production using the recorded input footage. If you recorded the camera originals as Blackmagic Raw camera files, you can relink those and take advantage of DaVinci Resolve's color correction abilities.

Video Effects

One of the benefits of ATEM Mini is the professional production values possible using the range of built-in video effects. The cut button ensures an instant cut when switching between sources. The auto button is a professional term used on large broadcast switchers to enable video effect transitions. There are duration buttons for video effects allowing 0.5-, 1-, 1.5-, and 2-second settings. You can also select the type of effect you want including mix, which does a smooth transition between sources, and dip, which fades via a color during the transition. Or use fun DVE effects that move the image off-screen when transitioning between sources.

Audio

With two independent 3.5mm stereo audio inputs, you can connect desktop and lapel microphones, or you can connect a music player to generate introduction music after the live stream commences but before the program starts. With two extra stereo audio inputs, you can ensure a host and guest both have lapel microphones when doing interviews. All audio inputs to the ATEM Mini include buttons on the panel for adjusting audio level and enabling inputs into the audio mixer. All models feature a Fairlight audio mixer with all SDI inputs, and both microphone inputs are all connected to the audio mixer, so you can live mix from all audio sources. The ATEM Mini Extreme also adds a headphone output.

Broadcast Features

Hiding in the ATEM Mini Extreme models are a host of broadcast-caliber features that are accessible when connected to a Mac or Windows computer running the free ATEM Software Control app.

Blackmagic Design ATEM HD8 Overview

Key Features

• 8-Input 3G-SDI 1080p60 Live Switcher
• Redesigned Buttons and Layout
• Record Each Input to Separate Files
• Supports Remote Internet Cameras
• Streaming Support, USB & M.2 Recording
• Blackmagic Cloud Integration
• Up to 16 Multiview Output Sources
• Audio Mixing, Transitions, T-Bar, AUX
• Customizable Electronic LCDs
• Camera Control, Timecode, Talkback

Add an all-in-one live streaming switcher to your television studio, remote production, or live venue with the ATEM Television Studio HD8 ISO from Blackmagic Design. This compact, redesigned live TV switcher is a great fit to any streaming production, providing eight 3G-SDI inputs that support up to 1080p60 video, built-in live streaming, USB webcam support, audio mixing, chroma keyers, DVE, transitions, media players, internal recording, and talkback support. This ISO model also allows you to record each input to separate files, and it allows you to control and integrate control of remote Internet cameras. The switcher is compatible with the Blackmagic Cloud, so your program recordings can be available immediately from anywhere around the globe.

The switcher features an all-new button layout, and it's made from polycarbonate material, so it's much lighter than its predecessor. It provides numerous enhancements to the layout with professional buttons, LCD label displays, and an easy-to-navigate button layout. It includes all the features you'd need for studio operation, including talkback compatibility, GPI and tally interfaces, and timecode as well as a MADI input that supports up to 32 channels and 64 output channels for use with external switchers; input audio can be mapped to any of the eight SDI outputs as well as analog audio input and output.

The HD8 ISO features built-in live streaming, and it can connect to the Blackmagic Cloud to share your program for a smooth remote workflow. It also features redundant Ethernet and power to keep your production going if one connection is lost. Two USB-C connectors are available for use as either a webcam, when connected to a computer, or you can utilize an external disk for recording your program.

Live Production

You get an incredibly powerful 8-input switcher with both program and two aux outputs, so you have everything you need for mobile production. That means you can connect up to 8 cameras. Plus you get professional camera control, talkback, and audio mixing, all designed into a familiar broadcast panel.

Postproduction

The ISO model records all inputs into separate files, so you can edit using any NLE that supports multicam. That's possible because all files have perfect timecode sync. Plus with built-in network storage, you can edit while recording. Multiple users can even share media and collaborate.

Distribution

With a built-in hardware streaming engine, you can live stream your event to a global audience. Recording to H.264 files with AAC audio means you get the correct format to upload to YouTube. Plus, you share live broadcasts with your audience by using the aux outputs and large screens and projectors.

Production Switcher Control

You get an advanced broadcast-grade switcher, with built-in ATEM Advanced Chroma Keyers, Fairlight audio mixer, DVE, still store for graphics, and more. Most of the features can be operated from the front panel, or you can use the free ATEM Software Control on macOS or Windows to access even more features.

Easy Setup and Usage

Simply press any of the program row buttons on the front panel to cut between video sources. Or you can pre select a source on the preview row and then choose between cut or effect transitions by selecting the cut or auto buttons. You can select from exciting transitions such as dissolve, or more dramatic effects such as dip to color, DVE squeeze, and DVE push. You can even add a DVE for picture-in-picture effects with customized graphics. There are also media players, which let you store graphics with alpha channels for titles and graphics that you can load as live video inputs. Then you can live stream the results.

Redesigned Front Panel

The front panel includes buttons for selecting sources, triggering transitions, and setting up video effects. Plus the buttons are the same high-end type used on expensive broadcast switchers. You also get a built-in T-bar for manual transition control. The front panel even has an innovative audio mixer control area with live metering on a dedicated LCD. There are also buttons for recording and streaming control, plus live aux switching that lets you change aux outputs between all 8 cameras, program, preview, or the multiview.

Connect 5G or 4G Phones for Mobile Data

If you're doing live production on location, then the ATEM Television Studio HD supports mobile data by connecting an Apple or Android phone to the USB port. It's also a great backup for the main Ethernet connection. Phone tethering works with the latest high-speed 5G phones plus the more common 4G phones.

The ATEM switcher will detect when a phone is connected and automatically switch its internet connection to use it if the Ethernet connection is lost. When connected, the phone will also power from the USB port, so it always remains charged and ready to go. By using phone tethering and mobile data, you get the perfect mobile production solution that can be transported anywhere.

Edit Live Production with Separate ISO Recordings

The ATEM Television Studio HD ISO model allows you to edit your live event as it can record all inputs to separate video files. You get 8 separate video input files with matching timecode and sync, plus the program video is also recorded into a separate master video file. This means you can edit using any NLE software that supports multi-cam editing.

A DaVinci Resolve Project file is saved and linked to the input video files, so your live switching is converted into an edit timeline that you simply click to open. Now it's easy to re-edit your show with new color grades and even updated graphics. Plus all audio is recorded into separate WAV files, so you can professionally remix your audio.

Connect to Remote Internet Cameras

Another exciting feature on the ATEM Television Studio HD ISO model is that it can connect to remote cameras. The Blackmagic URSA Broadcast G2, Blackmagic Studio Camera 4K Pro G2, and Blackmagic Studio Camera 6K Pro cameras can live stream in H.264 direct to the switcher. If you're connected to the local network, then simply select the camera in the input menu.

However, if the switcher is set to a fixed external IP address, then you can export an XML file with the camera settings to live stream from anywhere on the internet. Simply load the XML file into the camera. Plus you even get camera control and tally. Program audio is also sent back to the camera, which is great for live interviews.

Broadcast Style Mix/Effects Switching

ATEM Television Studio uses a professional program/preview style of operation, which is exactly the way large broadcasters use live production switchers. ATEM Television Studio can be switched to A/B style switching, which is easier when it's used by volunteers or community groups. However, if you want to operate the switcher like a broadcast professional, then the program/preview is perfect. This means a source won't be put on air until you press the cut or auto button. This two-step process means you see what you are selecting before putting it to air, so you get fewer mistakes.

Add Exciting Video Effects

One of the benefits of ATEM Television Studio is the range of professional built-in video effects. The cut button ensures an instant cut when switching between sources. The T-bar fader can be used to transition video effects, or you can do the transition automatically by pressing the auto button. Auto uses the transition duration set in the system control. You can also select the type of effect you want, including mix, which does a smooth transition between sources, or dip which transitions via a third video source, such as a color generator. There is a wide range of SMPTE wipes included, plus DVE effects that slide or squeeze the image off screen when transitioning between video sources.

Creative Transitions

ATEM Television Studio includes the same kind of transitions found on expensive broadcast switchers. This means the effects and transitions can be customized in many different ways, so they are surprisingly powerful. You'll never stop finding new ways of using them. That's because all transitions can be customized by adjusting parameters such as duration, border color, border width, position, and direction. You can even use the DVE with a wipe transition, where the DVE moves a graphic over the wipe edge. That's called a graphic wipe and it's often used in sports broadcasting. The preview transition button can be used to set up effects offline, which is great for eliminating mistakes.

Built-In DVE

ATEM Television Studio HD features an independent DVE that lets you reposition graphics and create picture-in-picture compositions. You get amazing quality and the DVE supports position, resize, and scale, all in real time. The DVE lets you create professional picture-in-picture effects with customizable 3D borders, shadows, and lighting. DVEs can also be used to create amazing DVE transitions with squeeze, swoosh, and push effects for adding excitement to your programming. You can even combine DVE transitions with custom graphics to create your own graphic wipe transitions. Pus, there is also a SuperSource multilayer processing engine with 4 extra DVEs.

Supports Internal Media

The built-in media pool stores broadcast-quality graphics and animations that can be played back using the built-in media players. Media players appear as independent sources, so you don't need to waste any of the SDI inputs for graphics. For highest quality, all media supports RGB colorspace with alpha channel, allowing transparency and layering. The media pool can hold 20 HD resolution stills. Motion graphics, clips for animations, and stingers can be up to 400 frames in 720HD and 200 frames in 1080HD. The ATEM Software Control allows you to upload and manage media. You can even prepare graphics in Adobe Photoshop and then download to the media pool using the free ATEM Photoshop plug-in.

Includes 4 ATEM Advanced Chroma Keyers

ATEM Television Studio is perfect for news and on-set presentation work because it features 4 ATEM Advanced Chroma Keyers for green screen keying effects. The chroma keyers are incredibly powerful and include features, such as a color picker to sample background colors for automatic generation of the key parameters. You get precise controls for edge and flare, and there is even a foreground color corrector, so you can match the foreground and background layers for seamless compositions. You can even use it for title overlays by creating graphics with a green or blue background. With 4 ATEM Advanced Chroma Keyers, ATEM Television Studio is perfect for creating fixed camera virtual sets.

SuperSource Processing

In addition to the DVE in the ATEM Television Studio, there is also a powerful SuperSource multilayer processor. SuperSource gives you 4 extra DVE layers plus a background layer, all layered together as an additional input source. Any video input can be used as sources for each DVE, then it's all layered together over a media pool, custom background, or live video. SuperSource is perfect for doing multiple picture-in-picture displays with people being interviewed, because you can set up the effect, so the viewer can see each person being interviewed, all within a stylish graphic. SuperSource is just like having a completely independent multilayer VFX switcher built in.

8 Standards Converted 3G-SDI Inputs

The ATEM Television Studio HD features 8 independent 3G-SDI inputs, with each input featuring its own dedicated standards converter. That means it's possible to convert any 1080HD or 720HD input source to the video standard of the switcher, so you could have each switcher SDI input running a different television standard and all the inputs would just work.

SDI input audio channels 1, 2, 3, and 4 can also be manually routed to various embedded audio channels in the program and aux outputs. Plus, you can even router out audio channels 1 and 2 from the SDI inputs to the MADI digital audio output, so you can hand off the switcher input audio to an external audio engineer for mixing.

3G-SDI Outputs with 16 Channel Embedded Audio

The ATEM Television Studio includes nine 3G-SDI program outputs, so you get enough connections to send a separate program return feed to all of your cameras. That's important because the SDI program return is used to send tally, talkback, and control information back to the cameras.

You also get two dedicated aux outputs for driving stage monitors and master recorders. These aux outputs can be live switched using dedicated buttons on the control panel. Aux 1 even includes an on-screen counter for presenter monitoring. Plus, you can manually route audio into all 16 embedded audio channels in the SDI outputs. For camera monitoring, there is a dedicated 3G-SDI and HDMI output for the multiview.

16-Source Multiview on a Single Monitor

When doing larger live productions with multiple cameras, it's vital to see all your video sources at the same time on a single monitor. ATEM Television Studio HD includes a professional multiview that lets you see all video inputs, preview, and program on a single SDI or HDMI monitor. You can even send the multiview to the aux outputs. Each camera view includes tally indicators, so you know when each source is on-air; plus, each view has custom labels and audio meters. You can fully customize the multiview layout with up to 16 simultaneous views. You can also select one of the additional status views that lets you track recording, streaming, and the audio mixer status, right from the multiview.

Add Audio Expansion for More Microphones

If you're building a podcasting studio or you need more microphones, then the ATEM Microphone Converter allows audio input expansion. It connects to the ATEM Television Studio using the MADI port, so there's no complex setup and you can daisy-chain units to add more inputs. Each converter has 4 analog inputs that are mic/line selectable and have phantom power.

The design features amazing quality with an extremely low noise floor of -129 dBV, a dynamic range of 131 dB(A), low distortion of 0.002%, and uniform tolerances across all channels. It even uses 8 separate ADCs on each input to collectively extend the dynamic range. Plus, it has a fun HDMI monitoring output with scrolling audio waveforms.

Record Direct to Internal Cloud Storage or USB Disks

ATEM Television Studio HD supports recording to external USB flash disks. Or if an optional M.2 flash disk is installed, you can record direct to internal cloud storage. The internal storage plus any external USB disks will be available to share over the local Ethernet network, so other people can work on postproduction tasks such as editing, color correction, and graphics preparation.

All recordings are in H.264 format with AAC audio for broadcast-quality video and small file sizes. You can also connect multiple USB disks, so recording will continue if a disk becomes full. You even get buttons on the control panel to start recording, and you can see record status in the multiview.

Outputs to Any Software that Supports USB Webcams

You can use any video software with ATEM Television Studio HD because the USB connection will emulate a webcam. That means you can plug into a computer and use any video software that works with a webcam. The software is tricked into thinking the ATEM Television Studio HD is a common webcam, but it's really a live production switcher. That guarantees full compatibility with any video software and in full resolution 1080HD quality.

Imagine doing a presentation from a professional broadcast studio to software such as Zoom, Teams, or Skype. For streaming, the webcam output also works with streaming software such as Open Broadcaster, XSplit Broadcaster, and more.

Includes Free ATEM Software Control Panel

The ATEM Software Control app unlocks the hidden power of ATEM Television Studio HD by allowing access to all the features in the switcher. ATEM Software Control features a visual switcher user interface with parameter palettes for making adjustments. Although you can connect via USB, if you connect using Ethernet, you can run multiple copies of ATEM Software Control on different computers.

The software lets you live switch, mix audio, color correct in the cameras and manage media. You can also build and run complex macros from the software. Plus, you can save the switcher state as an XML file for recalling jobs later. You can even control-trigger external HyperDeck recorders.

Live Stream to a Global Audience

ATEM Television Studio HD has a built-in hardware streaming engine for live streaming to a global audience. That means you can live stream to services such as YouTube, Facebook, and Twitch in better video quality and without dropped frames.

Streaming works using the Ethernet connection to the internet, or you can connect a smartphone to use mobile data. Then, you simply select the streaming service and enter the streaming key using ATEM Software Control. This makes streaming easy to set up, and the convenient data rate indicator shows the internet speed required. If you're technically minded, you can even update the streaming profiles in an XML settings file to add new services.

Localized for 13 Popular Languages

ATEM Television Studio HD supports multiple languages in the menus and in the ATEM Software Control, so you can customize it to the language you prefer. You get support for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese, Turkish, Polish, and Ukrainian languages.

Simply go into the setup menu to change the language, or you can always switch to another language at any time in the future. Once a language is selected, the menus on all the LCDs will change to the selected language. Multiple language support means ATEM Television Studio HD is perfect for doing live production work anywhere in the world and with any crew.

Flexible and Redundant Power

The all-in-one design of ATEM Television Studio includes a built-in power supply, so you don't have to carry around an external power brick. Simply plug it into any AC mains outlet and start live production. The international power supply automatically works from 100 to 240 VAC, so you can use it anywhere in the world. Plus, ATEM Television Studio includes both AC and DC power connections.

A broadcast standard XLR 12 VDC power connection is included, which is perfect for backup power or for running on batteries. That means you can use it in extremely remote locations. Plus, if the internal power supply should malfunction, then you can simply connect an external DC supply to keep running.

Designed to Be Easy to Repair

With so many features built in, it's vital that ATEM Television Studio can be easily repaired. Plus, there is already a lot of built-in redundancy, with 4 Ethernet connections, 9 program SDI outputs, 2 USB ports, and 2 power connections. However, if someone trips on a cable and breaks a connector, then you need to be able to repair the connector at low cost.

All the internal electronic PCBs are modular, so any qualified technician can buy a replacement and easily swap the board. This includes the connector PCBs, which can be purchased separately. All the technician needs to do is remove the bottom cover and replace the PCB. A large broadcaster could even buy the boards as a spare parts kit.

Applications

Compact Broadcast Vans

With the all in one design, you can build a new generation of ultracompact broadcast vans. You don't need racks of equipment, so you can eliminate clutter for a much nicer work environment. For stability, you can even mount the switcher inset into the desk.

Music Venues and Clubs

Some of the most exciting venues, such as downstairs music venues or comedy clubs, are too small for racks of video equipment. However, ATEM Television Studio can be carried into any venue. It's also easy to pack up, even if the venue is still crowded.

Online Education

ATEM Television Studio is perfect for creating education content. As the ISO model records the video inputs, you can finesse edits, replace shots, and even add color correction. Plus, you can even connect to Zoom to incorporate live chat with students.

Live Sports

ATEM Television Studio is perfect for live sports because it has a simple design that's easy for community volunteers to use. It can be installed into sports clubs or taken on the road with the team. With up to 8 cameras, you'll catch all the exciting angles.

Blackmagic Design Pocket Cinema Camera 6K G2 Overview

Key Features

• Super 35 HDR Sensor, Gen 5 Color Science
• Canon Active EF Mount, Mini XLR Inputs
• 5" Tilting LCD Touchscreen
• Does Not Have Internal ND Filters
• Record 6K 6144 x 3456 up to 50 fps
• Record up to 120 fps Windowed 2.8K/1080p
• CFast 2.0 & SD/UHS-II Card Slots
• Dual Native 400 & 3200 ISO
• Supports Optional Pro EVF
• Supports Optional Pro Battery Grip

The Pocket Cinema Camera 6K G2 is the latest compact Super35 camera to join the Blackmagic Design series. This cine-style camera features the same 6K S35 sensor, recording features, dynamic range, interface ports, and controls as the 6K Pro but pares a few features to create a more affordable form. Features inherited from the 6K Pro include a 5" tilting touchscreen LCD, Pro EVF and battery grip options, dual mini-XLR audio inputs, an NP-F570 L-series battery slot, and the updated Gen 5 color science. By eliminating the internal ND filters and reducing the 1500cd/m² LCD brightness of the 6K Pro, Blackmagic now enables users to choose between two near identical 6K models as best suits their priorities.

The Blackmagic Design 6K G2 camera comes with a DaVinci Resolve Studio activation key plus a 30W power supply, offering simultaneous battery charging, an NP-F570 battery, a lens port cap, and a camera strap.

Firmware Update 7.9

Firmware upgrade 7.9 features include:

• A new focus-assist intensity adjustment slider
• The ability to select between SD and SSD media on the LCD screen itself
• Frame guide color adjustment
• Improved lens control and autofocus features
• Adds support for focus and zoom demands—no longer just for studio cameras
• Gyro sensor information can be recorded into data and DaVinci Pro can use the gyro data to stabilize the footage

Super35 Image Sensor/Dual Native ISO

The Pocket Cinema Camera 6K G2 camera uses a Super35 size sensor, 13 stops of dynamic range, and a dual native 400/3200 ISO up to 25,600 to capture rich images at resolutions up to 6144 x 3456 up to 60 fps

Gen 5 Color

The 6K G2 uses the same advanced Gen 5 color science as the 6K Pro and URSA Mini Pro 12K cameras, making it easy to intercut 6K Pro, 6K, and BMPCC 4K footage.

Tilting 5" LCD Touchscreen

The 5" tilting HDR touchscreen LCD makes it easy to view and adjust your settings, even when shooting in high or low modes.

Active Canon EF Mount

• Choose from a wide array of Canon EF/EF-S-mount lenses
• Electronic lens communication with iris, autofocus, and zoom control available with compatible lenses

Mini-XLR Audio Inputs

Professional audio support now includes two mini XLR inputs with phantom +48V power, a 3.5mm stereo input, a mono speaker, a headphone output, and a built-in stereo mic system.

L-Series Batteries

Both the 6K G2 camera and the optional battery grip use widely available NP-F570 L-series batteries

Blackmagic Raw and ProRes Recording

Capture in Blackmagic Raw or ProRes 422 options, depending on your project's needs, and record using the internal CFast 2.0 and SD/UHS-II card slots or via the full-size HDMI port to an optional ATEM Mini switcher for live streaming or output via the USB Type-C port to capture longer clips to an external SSD.

Up to 6K Shooting Resolutions

Multiple resolutions include:

• 6144 x 3456 (6K), 6144 x 2560 (6K 2.4:1)
• 5744 x 3024 (5.7K 17:9), 4096 x 2160 (4K DCI)
• 1920 x 1080 (HD)
• Both 2868 x 1512 (2.8K 17:9) and 1920 x 1080 (HD) at rates up to 120 fps

Versatile Media Capture Options

Record internally to CFast 2.0 or SD/UHS-II card slots or capture longer clips using the USB Type-C output to an external SSD

Studio Camera Features

• Like the Blackmagic Studio cameras, the BMPCC 6K G2 has a built-in color corrector that works with the ATEM Mini
• Supports the optional pedestal-style focus and zoom controls

DaVinci Resolve Studio License Included

The 6K G2 is compatible with DaVinci Resolve and includes an activation key for Resolve Studio

Blackmagic Design ATEM HD8 Overview

Key Features

• 8-Input 3G-SDI 1080p60 Live Switcher
• Redesigned Buttons and Layout
• Streaming Support, USB & M.2 Recording
• Blackmagic Cloud Integration
• Webcam Support, Runs Blackmagic OS
• Up to 16 Multiview Output Sources
• Audio Mixing, Transitions, T-Bar, AUX
• Customizable Electronic LCDs
• Studio Camera Control
• Timecode, MADI, Talkback

Add an all-in-one live streaming switcher to your television studio, remote production, or live venue with the ATEM Television Studio HD8 from Blackmagic Design. This compact, redesigned live TV switcher is a great fit to any streaming production, providing eight 3G-SDI inputs that support up to 1080p60 video, built-in live streaming, USB webcam support, a 58-channel audio mixer, chroma keyers, DVE, transitions, media players, internal recording, and talkback support. The switcher is also compatible with the Blackmagic Cloud, so your program recordings can be available immediately from anywhere around the globe.

The switcher features an all-new button layout, and it's made from polycarbonate material, so it's much lighter than its predecessor. It provides numerous enhancements to the layout with professional buttons, LCD label displays, and an easy-to-navigate button layout. It includes all the features you'd need for studio operation, including talkback compatibility, GPI and tally interfaces, timecode, MADI input that support up to 32 input channels and 64 output channels for use with external switchers; input audio can be mapped to any of the eight SDI outputs as well as analog audio input and output.

The HD8 features built-in live streaming, and it can connect to the Blackmagic Cloud to share your program for a smooth remote workflow. It also features redundant Ethernet and power to keep your production going if one connection is lost. Two USB-C connectors are available for use as either a webcam, when connected to a computer, or you can utilize an external disk for recording your program.

Live Production

You get an incredibly powerful 8-input switcher with both program and two aux outputs, so you have everything you need for mobile production. That means you can connect up to 8 cameras. Plus you get professional camera control, talkback, and audio mixing, all designed into a familiar broadcast panel.

Distribution

With a built-in hardware streaming engine, you can live stream your event to a global audience. Recording to H.264 files with AAC audio means you get the correct format to upload to YouTube. Plus, you share live broadcasts with your audience by using the aux outputs and large screens and projectors.

Production Switcher Control

You get an advanced broadcast-grade switcher, with built-in ATEM Advanced Chroma Keyers, Fairlight audio mixer, DVE, still store for graphics, and more. Most of the features can be operated from the front panel, or you can use the free ATEM Software Control on macOS or Windows to access even more features.

Easy Setup and Usage

Simply press any of the program row buttons on the front panel to cut between video sources. Or you can pre-select a source on the preview row and then choose between cut or effect transitions by selecting the cut or auto buttons. You can select from exciting transitions, such as dissolve, or more dramatic effects, such as dip to color, DVE squeeze, and DVE push. You can even add a DVE for picture-in-picture effects with customized graphics. There are also media players, which let you store graphics with alpha channels for titles and graphics that you can load as live video inputs. Then you can live stream the results.

Redesigned Front Panel

The front panel includes buttons for selecting sources, triggering transitions, and setting up video effects. Plus the buttons are the same high-end type used on expensive broadcast switchers. You also get a built-in T-bar for manual transition control. The front panel even has an innovative audio mixer-control area with live metering on a dedicated LCD. There are also buttons for recording and streaming control, plus live aux switching that lets you change aux outputs between all 8 cameras, program, preview, or the multiview.

Broadcast-Style Mix/Effects Switching

ATEM Television Studio uses a professional program/preview style of operation, which is exactly the way large broadcasters use live production switchers. However, ATEM Television Studio can be switched to A/B style switching, which is easier when it's used by volunteers or community groups. However, if you want to operate the switcher like a broadcast professional, then the program/preview is perfect. This means a source won't be put on air until you press the cut or auto button. This two-step process means you see what you are selecting before putting it to air, so you get fewer mistakes.

Add Exciting Video Effects

One of the benefits of ATEM Television Studio is the range of professional built-in video effects. The cut button ensures an instant cut when switching between sources. The T-bar fader can be used to transition video effects, or you can do the transition automatically by pressing the auto button. Auto uses the transition duration set in the system control. You can also select the type of effect you want, including mix, which does a smooth transition between sources, or dip which transitions via a third video source, such as a color generator. There is a wide range of SMPTE wipes included, plus DVE effects that slide or squeeze the image off screen when transitioning between video sources.

Creative Transitions

ATEM Television Studio includes the same kind of transitions found on expensive broadcast switchers. This means the effects and transitions can be customized in many different ways, so they are surprisingly powerful. You'll never stop finding new ways of using them. That's because all transitions can be customized by adjusting parameters such as duration, border color, border width, position, and direction. You can even use the DVE with a wipe transition, where the DVE moves a graphic over the wipe edge. That's called a graphic wipe and it's often used in sports broadcasting. The preview transition button can be used to set up effects offline, which is great for eliminating mistakes.

Built-In DVE

ATEM Television Studio HD features an independent DVE that lets you reposition graphics and create picture-in-picture compositions. You get amazing quality and the DVE supports position, resize, and scale, all in real time. The DVE lets you create professional picture-in-picture effects with customizable 3D borders, shadows, and lighting. DVEs can also be used to create amazing DVE transitions with squeeze, swoosh, and push effects for adding excitement to your programming. You can even combine DVE transitions with custom graphics to create your own graphic wipe transitions. Pus, there is also a SuperSource multilayer processing engine with 4 extra DVEs.

Supports Internal Media

The built-in media pool stores broadcast-quality graphics and animations that can be played back using the built-in media players. Media players appear as independent sources, so you don't need to waste any of the SDI inputs for graphics. For highest quality, all media supports RGB colorspace with alpha channel, allowing transparency and layering. The media pool can hold 20 HD resolution stills. Motion graphics clips for animations and stingers can be up to 400 frames in 720HD and 200 frames in 1080HD. The ATEM Software Control allows you to upload and manage media. You can even prepare graphics in Adobe Photoshop and then download to the media pool using the free ATEM Photoshop plug-in.

Includes 4 ATEM Advanced Chroma Keyers

ATEM Television Studio is perfect for news and on-set presentation work because it features 4 ATEM Advanced Chroma Keyers for green screen keying effects. The chroma keyers are incredibly powerful and include features such as a color picker to sample background colors for automatic generation of the key parameters. You get precise controls for edge and flare, and there is even a foreground color corrector, so you can match the foreground and background layers for seamless compositions. You can even use it for title overlays by creating graphics with a green or blue background. With 4 ATEM Advanced Chroma Keyers, ATEM Television Studio is perfect for creating fixed camera virtual sets.

SuperSource Processing

In addition to the DVE in the ATEM Television Studio, there is also a powerful SuperSource multi-layer processor. SuperSource gives you 4 extra DVE layers plus a background layer, all layered together as an additional input source. Any video input can be used as sources for each DVE, then it's all layered together over a media pool custom background or live video. SuperSource is perfect for doing multiple picture-in-picture displays with people being interviewed because you can set up the effect, so the viewer can see each person being interviewed, all within a stylish graphic. SuperSource is just like having a completely independent multi-layer VFX switcher built in.

8 Standards Converted 3G-SDI Inputs

The ATEM Television Studio HD features 8 independent 3G-SDI inputs, with each input featuring its own dedicated standards converter. That means it's possible to convert any 1080HD or 720HD input source to the video standard of the switcher. That means you could have each switcher SDI input running a different television standard and all the inputs would just work.

SDI input audio channels 1, 2, 3, and 4 can also be manually routed to various embedded audio channels in the program and aux outputs. Plus, you can even router out audio channels 1 and 2 from the SDI inputs to the MADI digital audio output, so you can hand off the switcher input audio to an external audio engineer for mixing.

3G-SDI Outputs with 16 Channel Embedded Audio

The ATEM Television Studio includes nine 3G-SDI program outputs, so you get enough connections to send a separate program return feed to all of your cameras. That's important because the SDI program return is used to send tally, talkback, and control information back to the cameras.

You also get two dedicated aux outputs for driving stage monitors and master recorders. These aux outputs can be live switched using dedicated buttons on the control panel. Aux 1 even includes an on-screen counter for presenter monitoring. Plus, you can manually route audio into all 16 embedded audio channels in the SDI outputs. For camera monitoring, there is a dedicated 3G-SDI and HDMI output for the multiview.

16-Source Multiview on a Single Monitor

When doing larger live productions with multiple cameras, it's vital to see all your video sources at the same time on a single monitor. ATEM Television Studio HD includes a professional multiview that lets you see all video inputs, preview, and program on a single SDI or HDMI monitor. You can even send the multiview to the aux outputs. Each camera view includes tally indicators, so you know when each source is on-air, plus each view has custom labels and audio meters. You can fully customize the multiview layout with up to 16 simultaneous views. You can also select one of the additional status views that lets you track recording, streaming, and the audio mixer status, right from the multiview.

Add Audio Expansion for More Microphones

If you're building a podcasting studio or you need more microphones, then the ATEM Microphone Converter allows audio input expansion. It connects to the ATEM Television Studio using the MADI port, so there's no complex setup and you can daisy-chain units to add more inputs. Each converter has 4 analog inputs that are mic/line selectable and have phantom power.

The design features amazing quality with an extremely low noise floor of -129 dBV, a dynamic range of 131 dB(A), low distortion of 0.002%, and uniform tolerances across all channels. It even uses 8 separate ADCs on each input to collectively extend the dynamic range. Plus, it has a fun HDMI monitoring output with scrolling audio waveforms.

Record Direct to Internal Cloud Storage or USB Disks

ATEM Television Studio HD supports recording to external USB flash disks. Or if an optional M.2 flash disk is installed, you can record direct to internal cloud storage. The internal storage plus any external USB disks will be available to share over the local Ethernet network, so other people can work on postproduction tasks such as editing, color correction, and graphics preparation.

All recordings are in H.264 format with AAC audio for broadcast-quality video and small file sizes. You can also connect multiple USB disks, so recording will continue if a disk becomes full. You even get buttons on the control panel to start recording, and you can see record status in the multiview.

Outputs to Any Software that Supports USB Webcams

You can use any video software with ATEM Television Studio HD because the USB connection will emulate a webcam. That means you can plug into a computer and use any video software that works with a webcam. The software is tricked into thinking the ATEM Television Studio HD is a common webcam, but it's really a live production switcher. That guarantees full compatibility with any video software and in full resolution 1080HD quality.

Imagine doing a presentation from a professional broadcast studio to software such as Zoom, Teams or Skype. For streaming, the webcam output also works with streaming software such as Open Broadcaster, XSplit Broadcaster, and more.

Includes Free ATEM Software Control Panel

The ATEM Software Control app unlocks the hidden power of ATEM Television Studio HD by allowing access to all the features in the switcher. ATEM Software Control features a visual switcher user interface with parameter palettes for making adjustments. Although you can connect via USB, if you connect using Ethernet, you can run multiple copies of ATEM Software Control on different computers.

The software lets you live switch, mix audio, color correct in the cameras, and manage media. You can also build and run complex macros from the software. Plus, you can save the switcher state as an XML file for recalling jobs later. You can even control trigger external HyperDeck recorders.

Localized for 13 Popular Languages

ATEM Television Studio HD supports multiple languages in the menus and in the ATEM Software Control, so you can customize it to the language you prefer. You get support for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese, Turkish, Polish, and Ukrainian languages.

Simply go into the setup menu to change the language, or you can always switch to another language at any time in the future. Once a language is selected, the menus on all the LCDs will change to the selected language. Multiple language support means ATEM Television Studio HD is perfect for doing live production work anywhere in the world and with any crew.

Flexible and Redundant Power

The all-in-one design of ATEM Television Studio includes a built-in power supply, so you don't have to carry around an external power brick. Simply plug it into any AC mains outlet and start live production. The international power supply automatically works from 100 to 240 VAC, so you can use it anywhere in the world. Plus, ATEM Television Studio includes both AC and DC power connections.

A broadcast standard XLR 12 VDC power connection is included, which is perfect for backup power or for running on batteries. That means you can use it in extremely remote locations. Plus, if the internal power supply should malfunction, then you can simply connect an external DC supply to keep running.

Designed to Be Easy to Repair

With so many features built in, it's vital that ATEM Television Studio can be easily repaired. Plus, there is already a lot of built-in redundancy, with 4 Ethernet connections, 9 program SDI outputs, 2 USB ports, and 2 power connections. However, if someone trips on a cable and breaks a connector, then you need to be able to repair the connector at low cost.

All the internal electronic PCBs are modular, so any qualified technician can buy a replacement and easily swap the board. This includes the connector PCBs, which can be purchased separately. All the technician needs to do is remove the bottom cover and replace the PCB. A large broadcaster could even buy the boards as a spare parts kit.

Applications

Compact Broadcast Vans

With the all-in-one design, you can build a new generation of ultracompact broadcast vans. You don't need racks of equipment, so you can eliminate clutter for a much nicer work environment. For stability, you can even mount the switcher inset into the desk.

Music Venues and Clubs

Some of the most exciting venues, such as downstairs music venues or comedy clubs, are too small for racks of video equipment. However, ATEM Television Studio can be carried into any venue. It's also easy to pack up, even if the venue is still crowded.

Online Education

ATEM Television Studio is perfect for creating education content. As the ISO model records the video inputs, you can finesse edits, replace shots, and even add color correction. Plus, you can even connect to Zoom to incorporate live chat with students.

Live Sports

ATEM Television Studio is perfect for live sports because it has a simple design that's easy for community volunteers to use. It can be installed into sports clubs or taken on the road with the team. With up to 8 cameras, you'll catch all the exciting angles.

DJI RS 2 Gimbal Stabilizer Pro Combo

Key Features

• RS 2 + 1080p Transmitter, Servo & More
• Lightweight Design with 10 lb Payload
• Supports BMPCC 6K, ALEXA Mini LF, 1D X
• Advanced 1.4" Full-Color LCD Touchscreen
• RSA Ports with NATO Mount
• DJI Titan Stabilization Algorithm
• SuperSmooth Feature for Long Lenses
• Standard & Portrait Modes
• Fine-Tune Camera Balancing Dial
• Creative Functions Such as Time Tunnel

The DJI RS 2 Pro Combo packs several additional accessories with the RS 2 gimbal To provide for a more comprehensive workflow. A key addition is the DJI Ronin RavenEye Image Transmission System, which allows for 330' 1080p video transmission from the gimbal with a latency of only 50ms for on-set collaboration. The other extra accessories are a focus motor, phone holder, two focus gears, and three HDMI cables.

The RS 2 gimbal is a redesigned follow-up To the Ronin-S gimbal with a payload of up To 10 lb. It about 25% lighter and more compact thanks To monocoque carbon fiber axis arms and a shorter grip handle with a smaller battery cartridge, although still with a 12-hour runtime. The motors are about 20% more powerful and support cameras such as the Blackmagic Pocket 6K, Canon 1D X Mark III, Sony a7S III, and ALEXA Mini LF. Please see the most current camera and lens compatibility list on the DJI website.

The RS 2 also has a 1.4" full-color LCD touchscreen that allows you To access gimbal settings as well as features such as time-lapse and hyperlapse, which were previously accessible only via the companion mobile app.

The RS 2 uses the DJI Titan stabilization algorithm To provide improved stabilization with increased smoothness. In applications with up To 100mm zoom lenses, a built-in feature called SuperSmooth complements the algorithm by compensating for micromovements and increasing torque To achieve fluid motion (an optional lens support is required).

There are also two RSA ports with electrical contacts for dedicated accessories, and each port has a NATO mount for quick release attachment of these optional accessories. One RSA port is provided on the left and one on the right side of the gimbal. Supported accessories include a focus wheel, a twist-grip dual handle, and a universal mount for efficiently attaching the gimbal To a car, jib, or slider.

The companion iOS/Android Ronin app offers many creative features in addition To standard time-lapse and panorama functions. Time Tunnel combines roll motion with hyperlapse To "twist" space and time. Track allows you To create a repeatable camera movement path for a tightly choreographed shot. force Mobile makes the gimbal follow your smartphone movements. force Mobile can also be achieved with enhanced responsiveness when you use the included RavenEye transmission system. When you use the RavenEye, you can also display a live view of your subjects on the touchscreen when using the RavenEye ActiveTrack feature.

The RS 2 uses a dual-layer Manfrotto plus Arca-Swiss camera mounting system with two removable quick release plates. for social media content, the gimbal can be adjusted at the tab of a button To position your camera into portrait mode. To let you efficiently balance your camera, the RS 2 has an axis lock on each axis, so you can unlock and balance one axis at a time. Additionally, a fine-tune balancing knob allows you To further dial in the optimal balance for your camera.

The gimbal runs for up To 12 hours on a battery cartridge that secures To the included grip handle. The cartridge can easily be swapped out for another one, sold separately. The cartridge is rechargeable via a USB Type-C port on the grip, and the grip can be completely removed from the gimbal when you need To recharge the battery. The BG30 grip is compatible with the PD and QC 2.0 charging protocols. DJI highly recommends using a 24W charger, not included. The battery supports 24W fast charging and can be fully recharged in about 1.5 hours.

The RS 2 comes with a splash-proof carry case designed with dedicated compartments for the different parts of the gimbal and key accessories. A mini tripod is also included and attaches To a 1/4"-20 thread on the bottom of the grip handle To function as a stand or an extension handle for two-handed maneuvering of the gimbal in certain scenarios.

Note:

DJI recommends using only the dedicated Ronin quick release plates for mounting a camera, and a 24W USB charger for recharging the included battery.

Key Features

• RS 2 gimbal with the RavenEye 1080p transmitter, a focus motor, phone holder, two focus gears, and three HDMI cables
• 10 lb payload
• Supports larger cameras such as the Blackmagic Pocket 6K and ALEXA Mini LF
• 1.4" full-color LCD touchscreen (with access To features such as time-lapse and hyperlapse)
• DJI Titan stabilization algorithm
• SuperSmooth stabilization feature for long zoom lenses
• Two RSA ports with electrical contacts and a NATO mount for quick release attachment of dedicated accessories such as a focus wheel
• Monocoque carbon fiber axis arms
• Short grip handle with a compact 12-hour battery cartridge
• iOS 11+ / Android 7.0+ companion app
• Creative functions such as Time Tunnel and force Mobile
• Dual-layer Manfrotto plus Arca-Swiss camera mounting system
• Single-tap switching To portrait mode
• Axis locks and fine-tune knob for efficient and precision camera balancing
• Splash-proof carry case included

LCD Touchscreen Languages

English, Chinese (Simplified/Traditional), French, German, Japanese, Korean, Portuguese (Brazil), Russian, Spanish, Thai

DJI Ronin RS 2 Overview

Key Features

• Designed for Mirrorless & DSLR Cameras
• 6.6 lb Payload for Camera & Accessories
• Foldable into Underslung Mode
• 1" OLED Screen
• DJI Titan Stabilization Algorithm
• 2 x NATO Mounts
• SuperSmooth Feature for Long Lenses
• Support for RavenEye 1080p Transmitter
• Standard & Portrait Modes
• Creative Functions Such as Roll 360

The DJI RS 2 is a redesigned follow-up to the Ronin-S gimbal with a payload of up to 10 lb. It's about 25% lighter and more compact thanks to monocoque carbon fiber axis arms and a shorter grip handle with a smaller battery cartridge, although still with a 12-hour runtime. The motors are about 20% more powerful and support cameras such as the Blackmagic Pocket 6K, Canon 1D X Mark III, Sony a7S III, and ALEXA Mini LF. Please see the most current camera and lens compatibility list on the DJI website.

The RS 2 also has a 1.4" full-color LCD touchscreen that allows you to access gimbal settings as well as features such as time-lapse and hyperlapse, which were previously accessible only via the companion mobile app.

The RS 2 uses the DJI Titan stabilization algorithm to provide improved stabilization with increased smoothness. In applications with up to 100mm zoom lenses, a built-in feature called SuperSmooth complements the algorithm by compensating for micromovements and increasing torque to achieve fluid motion (an optional lens support is required).

There are also two RSA ports with electrical contacts for dedicated accessories, and each port has a NATO mount for quick release attachment of these optional accessories. One RSA port is provided on the left and one on the right side of the gimbal. Supported accessories include a focus wheel, a twist-grip dual handle, and a universal mount for efficiently attaching the gimbal to a car, jib, or slider.

The companion iOS/Android Ronin app offers many creative features in addition to standard time-lapse and panorama functions. Time Tunnel combines roll motion with hyperlapse to "twist" space and time. Track allows you to create a repeatable camera movement path for a tightly choreographed shot. force Mobile makes the gimbal follow your smartphone's movements. force Mobile can also be achieved with enhanced responsiveness when you use the optional DJI RavenEye 1080p transmission system. As mentioned, many of these features can be accessed from the touchscreen LCD of the RS 2. When you use the optional RavenEye system, you can also display a live view of your subjects on the touchscreen when using the RavenEye's ActiveTrack feature.

The RS 2 uses a dual-layer Manfrotto plus Arca-Swiss camera mounting system with two removable quick release plates. for social media content, the gimbal can be adjusted at the tab of a button to position your camera into portrait mode. To let you efficiently balance your camera, the RS 2 has an axis lock on each axis, so you can unlock and balance one axis at a time. Additionally, a fine-tune balancing knob allows you to further dial in the optimal balance for your camera.

The gimbal runs for up to 12 hours on a battery cartridge that secures to the included grip handle. The cartridge can easily be swapped out for another one, sold separately. The cartridge is rechargeable via a USB Type-C port on the grip, and the grip can be totally removed from the gimbal when you need to recharge the battery. The BG30 grip is compatible with the PD and QC 2.0 charging protocols. DJI highly recommends using a 24W charger, not included. The battery supports 24W fast charging and can be fully recharged in about 1.5 hours.

The RS 2 comes with a splash-proof carry case designed with dedicated compartments for the different parts of the gimbal and key accessories. A mini tripod is also included and attaches to a 1/4"-20 thread on the bottom of the grip handle to function as a stand or an extension handle for two-handed maneuvering of the gimbal in certain scenarios.

Note:

DJI recommends using only the dedicated Ronin quick release plates for mounting a camera and a 24W USB charger for recharging the included battery.

Key Features

• 10 lb payload
• Supports larger cameras such as the Blackmagic Pocket 6K and ALEXA Mini LF
• 1.4" full-color LCD touchscreen (with access to features such as time-lapse and hyperlapse)
• DJI Titan stabilization algorithm
• SuperSmooth stabilization feature for long zoom lenses
• Two RSA ports with electrical contacts and a NATO mount for quick release attachment of dedicated accessories such as a focus wheel
• Support for an optional DJI RavenEye 1080p transmission system
• Monocoque carbon fiber axis arms
• Short grip handle with a compact 12-hour battery cartridge
• iOS 11+ / Android 7.0+ companion app
• Creative functions such as Time Tunnel and force Mobile
• Dual-layer Manfrotto plus Arca-Swiss camera mounting system
• Single-tap switching to portrait mode
• Axis locks and fine-tune knob for efficient and precision camera balancing
• Splash-proof carry case included

LCD Touchscreen Languages

English, Chinese (Simplified/Traditional), French, German, Japanese, Korean, Portuguese (Brazil), Russian, Spanish, Thai