Zhiyun WEEBILL-S Overview

Key Features

• Rear Underslung Handle in Compact Design
• Highly Upgraded Motors and Algorithm
• Support for Optional Transmission Module
• Updated ZY Play App Features
• Six Modes of Operation
• Up to 14-Hour Battery Operating Time
• Electronic Focus Control Where Supported
• Optional Focus/Zoom Motors Supported
• Arca Swiss/Manfrotto Quick Release Plate
• Supports All TransMount Accessories

The Zhiyun-Tech WEEBILL-S incorporates the underslung mode design of its predecessor, the WEEBILL LAB, and also has a more compact form as well as other new features. The sling mode design consists of a handle on the rear that allows for easy switching to underslung mode as well as better handling in all other modes. Other improvements include upgraded motors and stabilization algorithm. The WEEBILL-S features 300% more motor torque and 50% more responsiveness. This allows you to better balance camera/lens combos such as the Canon 5D Mark IV with a 24-70mm zoom lens.

Being released along with the WEEBILL-S as an optional accessory is the TransMount Image Transmission Module, a compact device designed to neatly mount under the quick release plate of the WEEBILL-S and allow wireless streaming of up to 1080p30 resolution over distances up to 328'. Up to three devices, including phones, tablets, and select professional monitors, can be synced up using corresponding receiver modules.

The companion Zhiyun-Tech ZY Play app, compatible with iOS and Android, has been upgraded to work with the Image Transmission Module to allow more efficient control of the gimbal. A feature in the app called SmartFollow 2.0 works with the module to allow precision object tracking directly from the app. A tool called Sync Motion enables real-time monitoring and synchronous motion control. There are also upgrades to standard features, including ViaTouch 2.0, which allows you to control various functions and settings of your camera and gimbal directly from your smartphone screen. These include zoom and focus, where supported, as well as follow speed, ISO, aperture, and more. Other features you'll find in the ZY Play app include creative capture tools such as Panorama, Timelapse, Motionlapse, and Long Exposure Timelapse, among others.

The WEEBILL-S offers six modes of operation. These include Full-Range POV Mode, which allows 360° synchronous movement on all three axes, and Vortex Mode, which lets you achieve 360° barrel shots. Please see the Features section below for a description of all six modes. Other features of the gimbal include Intelligent Auto-Tune, which automatically recognizes the weight of your camera and adapts to the weight to provide the best power efficiency possible. The battery operating time of the WEEBILL-S has also been increased to up to 14 hours.

The WEEBILL-S allows electronic focus control with supporting cameras. This is done using the integrated handwheel. The gimbal also supports mechanical focus and zoom control using optional motors. The WEEBILL-S supports the TransMount motors as well as all the other TransMount accessories that the predecessor model was compatible with. Among these is the Quick Setup Adapter Set that has become very popular since its release.

The WEEBILL-S comes with multiple accessories, including an Arca Swiss/Manfrotto dual-layer quick release plate and a storage case. Also included is a mini tripod that can be used as a stand or an extension handle. The mini tripod is also what completes the gimbal for underslung, low-mode operation. It attaches to the rear handle to function as an overhead handle.

Note:

The WEEBILL-S doesn't support many 3rd-party 18650 batteries because it requires the slightly shorter kind made by Zhiyun-Tech, so only Zhiyun-Tech 18650 batteries are recommended.

Compatibility

For a full list of compatible cameras, please see the most current compatibility information on the Zhiyun-Tech website page or in PDF format.

Key Features

Improved Design

The WEEBILL-S incorporates the rear handle design of its predecessor, the WEEBILL LAB, into a more compact form with new features. These include highly upgraded motors and stabilization algorithm.

TransMount Image Transmission Module

The WEEBILL-S supports the optional TransMount Image Transmission Module, which is being released at around the same time. This compact module attaches under the mounting plate of the gimbal and allows for 1080p30 transmission for up to 328' to corresponding receivers. Up to three receivers are supported, allowing you to stream to three devices simultaneously. Compatible devices include smartphones, tablets, and select monitors.

Upgraded ZY Play App

The companion ZY Play iOS/Android app has been upgraded to work together with the optional TransMount Image Transmission Module to provide an enhanced workflow. Many features, such as ViaTouch 2.0, have also been upgraded to work independently of the Image Transmission Module.

6 Modes of Operation

Full-Range POV Mode

Allows 360° synchronous movement on all three axes. This ensures that instead of leveling off during motion, the camera will remain locked in position no matter how far you move the gimbal in a certain direction, allowing for true POV shots.

Vortex Mode

Create 360° barrel shots.

Go Mode

Operate at maximum follow speed for extreme sports and similar applications.

PF Mode

The camera pans as you turn the gimbal left and right. This feature is highly useful for hyperlapse capture.

F Mode

The camera will follow the movement of the gimbal handle.

L Mode

Keep your subject in focus when you mimic dolly or jib movements.

Zhiyun-Tech Crane-2 Overview

The Zhiyun-Tech Crane-2 is a 3-axis handheld gimbal stabilizer supporting mirrorless and DSLR cameras weighing up to 7 lb. Mount your camera on the included Manfrotto-standard quick release plate, balance it, and shoot for up to 18 hours on the supplied batteries. A rod-mount mechanical focus motor is included and can be controlled via the gimbal's handwheel or an optional remote control for the Crane 2. It can be aligned to the focus or zoom ring of your lens for follow focus or zoom control. A support rod, USB cable, and two universal lens gear rings are also supplied for attaching and connecting the focus motor and using it with virtually all lenses.

The Crane-2 also allows for digital follow focus control via the gimbal handwheel for select Canon DSLRs and the Nikon D850 with compatible autofocus lenses. Simply connect the camera to the gimbal with the included USB cables, and after a few settings adjustments you'll have direct follow focus control without requiring the external motor.

The Crane-2 features 360° pan, 320° tilt, and 360° roll adjustment. Multiple different special shooting modes allow you to get extra creative with the gimbal. Full-range POV mode enables 360° synchronous movement on all three axes. This means that the camera will lock into a single position and follow your movements without any limits, as opposed to evening out at some point. This allows for true POV capture.

Gimbal settings are quickly adjustable using the onboard control buttons and an OLED display. For safety, a "slow-fall" feature protects your camera from a sudden drop when the Crane-2 is powered down.

Features

• Includes external rod-mount focus motor for mechanical follow focus/zoom control
• 360° pan, 320° tilt, and 360° roll adjustment
• 7 lb payload
• 18-hour runtime using the included batteries
• Digital follow focus control for select Canon cameras and the Nikon D850 with compatible autofocus lenses
• Manfrotto-standard quick release plate
• "Slow-fall" feature protects your camera from a sudden drop when the Crane-2 is powered down

Firmware Update v1.76 (June 2019)

• Full-range POV: 360° synchronous movement on all three axes—instead of leveling off during motion, the camera will remain locked in position no matter which way or how far you move the gimbal, allowing for true POV shots
• Vortex mode: Add dynamic movements to your barrel shot and open up possibilities
• Direct control support for the Nikon Z6 and Z7 via the control panel—take photos, start/stop recording video, and control various other parameters

Vanguard PH-304 Overview

When you don't have a tripod, you'll want to have the Vanguard PH-304 Window Camera Mount around to be sure you don't miss the shot. The PH-304 includes a quick release plate (QS-36) and a 3-way pan head so that it can be easily attached to car and truck windows, fences, tree branches, tubular objects or even tripods, providing smooth panning and tilting with a camera, camcorder or spotter scope.

• 3-way pan head
• +90 to -60° and 0 to +90° tilt
• Supports up to 8.8 lbs
• Quick-release plate QS-36 included, non-slip platform
• Adjustable base

The Vanguard PH-222 Window Mount allows you to attach your camera or spotting scope to a tree branch, fence, window frame, tripod leg and other tubular structures, enabling steady use of cameras, camcorders or spotting scopes for effortless panning. The 3-way pan head has a quick release platform with ¼€ screw and will support up to 2kg.  

PRODUCT HIGHLIGHTS

• 3-Way Pan Head
• Quick-Release Plate QS-36 Included
• Adjustable Base
• +90 to -60° Tilt
• 0 ~ +90° Tilt
• 360° Pan

Sony ECM-CG60 Overview

The ECM-CG60 from Sony is a pro-quality supercardioid, electret- condenser, monaural shotgun microphone that can be used To capture audio in several environments for devices such as video cameras, DSLRs, camcorders, and more.

Some of the features for the ECM-CG60 are that it is designed To improve sound collection within areas of narrow Range To pick up targeted sound. for instance, there is a low cut filter that reduces unwanted noise. Also, there is a switch that can Select between Norm for picking up natural sound within low-to-high tone Ranges, or Low Cut for effectively cutting low tone To reduce wind noise and noise from vibration and air conditioners.

In addition, the ECM-CG60 is powered by an AA alkaline battery, or it can be powered by the mic input jack (plug-in power) on your camera. This mic is built for pro-quality cameras and camcorders equipped with a 3.5mm mic input jack and easily attaches To your industry standard cold shoe.

Key Features

• Supercardioid Polar Pattern
• Suitable for Video Cameras and DSLRs
• 40 Hz To 20 kHz Frequency Response
• Runs on AA Battery or Plug-In Power
• Includes Standard Cold Shoe Mic Holder
• 3.5mm Gold Coated Stereo Mini-Plug
• Includes Windshield

Sony ECM-B1M Overview

Key Features

• Designed for Sony a7R IV
• Mounts via Sony Multi Interface Shoe
• 3 x Selectable Directivity Patterns
• Selectable Digital/Analog Output
• 4" Ultra-Compact Design
• Auto-Level Function
• Low-Cut Filter
• Cable-Free Connection
• Vibration-Resistant Design

The Sony ECM-B1M is an ultra-compact camera-mount digital shotgun microphone designed for mobile video creators working with Sony cameras equipped with the Multi Interface Shoe. Released alongside the a7R IV, which benefits from its built-in Digital Audio Interface, the ECM-B1M is able to produce its best quality by delivering a digital audio stream directly to the camera through the Multi Interface Shoe. Other Sony cameras with the standard Multi Interface Shoe can still make use of the microphone as there is a Selectable digital/analog output.

The ECM-B1M is equipped with eight high-performance mic capsules and advanced digital signal processing, providing three Selectable directivity patterns for a wide Range of shooting and recording situations. Plug-and-play operation makes the microphone easy to use right out of the box you can immediately start recording your YouTube videos, Facebook Live streams, and interviews, at home, in the studio, or on the go.

Sony AKASM1 Overview

The Sony Surfboard Mount for Action Cam features a flexible adhesive base that allows you to securely attach your Sony Action Cam to your surfboard, kayak, water skis, wakeboard or other water sports gear. The mount provides a secure platform for attaching the Action Cam anywhere on the surface of the surfboard. Plus, it includes a leash for tethering the camera to the adhesive base. This will prevent your camera from accidentally dropping into the ocean, river or lake if it becomes detached from the mount. Sony's tilt buckle is also included to help you achieve your desired shooting angle. for added safety, you can use the optional Sony Floatation Device with this mount as well. The mount works with all Action Cam models when the camera is in its waterproof housing.

Key Features

• Mount for Surfboards, Kayaks, Etc.
• Features a Flexible Adhesive Base
• Provides Secure Camera Attachment
• Leash Tethers Camera to Adhesive Base
• Tilt Buckle Included for Angled Shooting
• Works with Optional Floatation Device
• Works with All Sony Action Cam Models

Sony AKAAF1 Overview

The Sony Anti-Fog Insert for Action Cam fits inside the waterproof case of your Sony Action Cam. It reduces condensation and prevents fogging within the case. Each insert can be used up to 200 times before becoming ineffective.

Reduces condensation and prevents fogging within the Action Cam's waterproof case

Can be reused up to 200 times

Key Features

• for Use with Sony Action Cam
• Prevents Fogging Inside Waterproof Case
• Can Be Reused up to 200 Times

SmallRig Wooden Handgrip for Sony A6500 ILCE-6500 1970 is an ergonomic wooden handgrip which gives you more convenience during handheld shooting. It is secured in place with three M4 screws. Made of one piece of handcrafted rosewood, it feels good. Adding this handgrip is certainly a good choice, which prevents your hand from uncomfortableness owing to battery overheating.

Note: The wooden handgrip is made of natural rosewood without any painting, thus the color will be a little different from the website.

Key Features :

• 1. Fits the ergonomic design
• 2. Works with handheld shooting
• 3. Locked in place with three M4 screws
• 4. Prevents your hand from uncomfortableness owing to battery overheating

Compatibility:
Sony a 6500 cage 1889
Sony a 6000/6300 cage 1661

Package Includes:
1 x Wooden Handgrip
3 x M4 Screw
1 x M4 Spanner

Product Dimensions: 49x24x66mm
Net Weight: 25g
Package Size: 85x75x24mm
Package Weight: 50g
Material(s): Wood

SmallRig 2077 Overview

The Universal Shoulder Pad with 15mm LWS Rod Clamp from SmallRig provides handheld comfort and accessory mounting for a wide Range of cameras.

This lightweight shoulder support is compatible with most mirrorless, DSLR, and small cine-style video cameras. Features include a detachable 15mm LWS rod clamp that can be front- or rear-mounted, multiple 1/4"-20, 3/8"-16, and M4 accessory threads, and several ARRI-style anti-twist accessory mounts.

SmallRig 1893 Monitor Video Devices PIX-E5/PIX-E5H MonitorKey Features:
1. Perfectly matches To your monitor and helps To dissipate heat
2. Shoe mount, side and bottom NATO rails for accessories attachment
3. Compatible with PIX-LR by adjusting the height of the cage freely.
4. Allows To mount HDMI clamp To protect the HDMI cable
5. Compatible with Video Devices original sunhood

Compatibility:
Video Devices PIX-E5/PIX-E5H Monitor

SmallRig 1891 Overview

Contoured for a comfortable grip, the Left-Side Wooden Grip with ARRI Rosette from SmallRig mounts onto your camera rig's ARRI-standard rosette.

Fasten the grip's rosette component to one of several positions on the grip to adjust its vertical position and rotate the rosette itself to your preferred tilt angle. The center M6 screw may be removed for use with a rig requiring a female thread. This lightweight Left-Side Grip is composed of rosewood and aluminum.

SmallRig 2013 Overview

The formfitting 2013 Cage for Sony a9 from SmallRig protects and offers accessory mounting for your Alpha a9 camera. The cage maintains access To the camera controls and features a variety of mounting options.

Multiple 1/4"-20 and 3/8"-16 threads, one cold shoe, and one integrated ARRI anti-twist thread are provided for attaching accessories. The cage single ARRI-style rosette can be used for mounting a compatible handgrip or handle. The 2013 Cage is constructed from lightweight, sturdy aluminum and includes a 1/4"-20 camera screw.

Compatibility

Sony Alpha a9 camera

SmallRig 1815 Overview

Protect and add accessories to your a7 series mirrorless camera with the 1815 Camera Cage for Sony a7/a7S/a7R from SmallRig. This formfitting cage features a variety of accessory mounting options and maintains access to both the camera's controls and hot shoe.

In addition to two cold shoes and multiple 1/4"-20 and 3/8"-16 accessory threads, the 1815 cage features several ARRI-style accessory threads for preventing accessories from twisting when mounted on the cage. A single ARRI-style rosette enables you to mount a separately available handgrip or handle. The bottom of this anti-twist cage is designed to mount onto compatible Arca-Swiss-style bases.

Compatibility

Sony a7, a7S, a7R

SmallRig 1585 Overview

The lightweight 1585 Cage for Panasonic GH4/GH3 from SmallRig is a protective frame that enables the mounting of accessories To your camera. The included cable clamp secures your camera HDMI cable, preventing accidental unplugging of the cable while shooting. One cold shoe and multiple 1/4"-20 and 3/8"-16 accessory threads are built into the cage top and sides, and a NATO rail is integrated into the right side.

The cage maintains access To the control buttons, compartments, connectors, and shoe interface when mounted on the camera. Threads on the cage bottom enable you To attach a separately available SmallRig rod system, offering additional options for expanding your camera rig.

Wireless microphone Lensgo LWM-308C.

Wireless transmitter with microphone. Equipped with a linear microphone output and thirty UFH channels. Sound can be controlled in real time via headphones. Work distance - up To 50 meters. Power is supplied by a built-in lithium battery. Hours - six hours. Size - 10x5x3 cm.

Sony AKAWM1 Overview

The Sony Wrist Strap for Action Cam allows you to mount your Sony Action Cam right on your wrist or arm for hands-free recording. You can use it to capture POV footage or you can point the camera at you for self-filming. The Wrist Strap also features a 360° rotating mount. Plus, you can tilt the mount up and down for achieving the ideal shooting angle in any situation. The Wrist Strap works in any conditions including rain and snow. You can use it in water as well. The mount will work with all Sony Action Cam models when they are in a waterproof housing or skeleton frame.

Key Features

• for Mounting Action Cam on Wrist or Arm
• Fits Arm with a 5.5 - 9.5" Circumference
• Mount Supports 360° Rotation
• Mount Tilts for Flexible Shooting Angles
• Wrist Strap Works in Rain, Snow & Water
• Works with All Sony Action Cam Models

GoPro GCHM30-001 Overview

Key Features

• One Size Fits All Chest Harness
• Supports All GoPro Models

Capture your adventures hands-free with the GoPro Chesty. This chest harness has a lower line of sight to capture more of your arms, knees and poles while skiing - giving the viewer a true first-person experience. The Chesty supports all GoPro cameras via a standard 3-prong adapter. It has a one-size fits all design and secures around the body with a quick-release clip.

DeskripsiOsmo Pocket - Wireless Module Part5

Deskripsi DJI Osmo Pocket Wireless Module
The Wireless Module provides Bluetooth and Wi-Fi connection between Osmo Pocket and your mobile device To support seamless remote control and make shooting more flexible. It also serves as a base To set Osmo Pocket on level surfaces. You can also charge Osmo Pocket via the USB-C port.

Sony FX6 E-Mount Overview

Key Features

• 4K Full-Frame 10.2MP CMOS Exmor R Sensor
• DCI 4K60p | UHD 4K120 | 1080p240
• 15+ Stops of Dynamic Range in S-Log 3 EI
• Compact Form Weighs Just <2 lb
• Phase Detection AF/Face Tracking/Eye AF
• Base 800-12,800 ISO / 320-409,600 Max
• S-Cinetone, S-Log3, HLG Modes
• 10-Bit 4:2:2 XAVC-I/16-Bit Raw Output
• Dual CFexpress Type A/SDXC Card Slots

The FX6 Full-Frame Camera from Sony was developed to offer versatile, cine-style imaging in a truly compact form. With the ability to capture up to 15+ stops of dynamic range, Sony's S-Cinetone gamma for filmlike skin tones, and up to 10-bit, 4:2:2 XAVC-I recording, the FX6 is poised to both supplement your FX9 or VENICE capture and to nimbly take on documentary, gimbal, and drone shoots on its own. The FX6 camera combines a 4K full-frame Exmor R sensor with a BIONX XR engine for extremely sensitive capture in a range of settings using a base ISO of 800 as well as an ISO 12800 high-sensitivity mode for nuanced low-light scenes.

Weighing just under 2 lb, the FX6 body is a full 2 lb lighter than the FX9 and measuring 6 x 4.6", it packs a full-frame sensor into a body comparable to the S35-sensor Sony FS5. While the FX6 fits seamlessly into a pro-cine on-set workflow, it also offers several features that are a boon for a single-operator user. These include fast and accurate phase-detection autofocus with both Face Detection and real-time Eye autofocus, both auto and manual ND filter settings for quick exposure compensation, and a 3.5" LCD monitor that boasts timesaving touchscreen access to key menu settings and versatile positioning for comfortable operating. In addition to improving the camera's overall stability, firmware update v1.10 adds 100p and 120p options to the Slow and Quick Motion frame rate menu when the codec is set to RAW or RAW and XAVC-I.

Versatile Addition to Sony Cinema Line

As part of Sony's Cinema Line, the FX6 shares key imaging features with established cameras like the VENICE and FX9. Common core attributes include a full-frame sensor, filmlike color science, a compact, lightweight form, professional connector interfaces, and advanced autofocus choices.

Compared to the FX9, the FX6 differs in several specs; but many FX6 specs tick the same boxes and several improve upon the FX9:

• It matches the FX9's video capture up to DCI 4K60
• Has the same S-Cinetone, S-Log3, and HLG gamma choices 
• Outputs 16-bit raw like the FX9
• Sony E lens mount
• Offers the same 1/4 to 1/128 ND options
• Also provides 2-channel XLR audio inputs

FX6 differences from the FX9:

• 4K capture vs 6K
• Has a single 12G/6G/3G-SDI BNC port, trimming the FX9's additional 3G-SDI port
• Incorporates a timecode port but lacks the FX9's genlock connector

Improved FX6 specs include:

• An ISO range of 320 to 409,600 vs the FX9's 320 to 102,400 range 
• Top frame rates of 120p in 4K and up to 240p in HD vs the FX9's top 1080p in HD  
• Dual card slots compatible with both durable, highly efficient CFexpress Type A or widely available SDXC cards, compared to the FX9's reliance on proprietary XQD cards and a single SD card option

Firmware Update v1.10

• Adds 100p and 120p options to the Slow and Quick Motion frame rate menu when the codec is set to RAW or RAW and XAVC-I
• Improves the overall stability of the FX6 camera

4K Full-Frame CMOS Exmor R Sensor

The FX6's 10.2 MP image sensor features back-side illumination for excellent low-light performance, 627 focal plane points for speedy phase-detection autofocus, and full-frame lens compatibility that produces a rich, immersive look. The sensor's fast scan speed minimizes rolling shutter artifacts and supports high frame rates and quick autofocus responses.

15+ Stops of Dynamic Range

The Exmor R sensor also enables the FX6 to capture a whopping 15+ stops of dynamic range in Cine EI mode with S-Log3, creating nuanced, high-resolution images.

Wide ISO Range

Choose from a base ISO of 800, a high-sensitivity 12,800 ISO for lower-light capture, and a 409,600 maximum ISO for true low-light settings.

Electronically Variable ND Filters

Set the FX6's integrated neutral density (ND) filter system to auto for correctly exposed shots even in changing light conditions, or smoothly adjust the ND filter density manually in increments from 1/4 to 1/128 as you shoot; both options will produce properly exposed images without affecting your chosen depth of field.

Advanced XAVC Codec Options

The FX6 is the first compact, full-frame camera to offer UHD 4K 4:2:2 capture in the high-quality yet efficient XAVC-I codec. It also enables you to choose from a range of professional XAVC Intra and XAVC Long codecs at bit rates ranging from 35 to 600 Mb/s.

High Frame Rate Selections

For slow-motion and fast action looks, choose from full-frame rates ranging from:

• 1-60 fps in HD to DCI 4K resolutions
• 100 or 120 fps in HD through UHD 4K 
• 150, 180, 200, or 240 fps in Full HD 

Super35 choices include:

• 1-60, 100, and 120 fps in Full HD

Expressive Cinematic Look

Sony's S-Cinetone gamma curve offers a cinematic look with filmlike color, softer tones, and pleasing skin tone reproduction. Not only is this cinematic look available for in-camera viewing, but it can also be captured and output with minimal or no grading at all for a time-saving post process. The S-Cinetone, S-Log3, S-Gamut3, and S-Gamut3.Cine choices also streamline the process of matching FX6 footage with your VENICE or FX9 video and offer broad color-grading options.

Fast Hybrid/Phase Detection Autofocus

Compatible with 50+ native Sony E-mount lenses, the FX6's improved autofocus choices include Face Detection and Eye Autofocus modes for rapid focusing with extremely sharp accuracy, even in lower-light settings. The phase detection autofocus accomplishes this accuracy using seven transition-speed steps and five subject-sensitivity.

Image Stabilization and More with Catalyst and Metadata

Pair the FX6 with Sony's Catalyst Prepare/Browse software to use metadata to stabilize your image, automatically rotate gimbal footage, and add flags for easier clip filtering in post-production.

Touchscreen 3.5" LCD Control

The FX6's 3.5" LCD monitor offers both high-resolution viewing and the ease of touchscreen camera control. The LCD quick menu controls include key settings like Codec, Imager Scan Mode, Picture Size and Frequency, Base ISO/Sensitivity, Shooting Mode, and Audio Levels.

Reliable Design and Construction

Constructed with a lightweight yet durable magnesium alloy chassis, the FX6 body offers maximum reliability and efficiently disperses heat to enable extended recording times. Exterior seams, buttons, and interfaces have been treated with updated sealing that improves the camera's dust and moisture resistance as well.

4-Channel Audio Recording

The FX6 offers up to 4-channel audio recording by combining sources from the dual XLR inputs, the 2-channel multi-interface shoe input, and the stereo mic built into the camera's top handle. This enables the simultaneous use of an external microphone for recording your main audio source and the built-in microphone for ambient sound and/or voice memos by the operator.

Professional Input/Output Interface

FX6 input and output ports include a selectable 12G/6G/3G-SDI output for flexible monitoring, 12-bit raw output via SDI, and an HDMI output. It also has timecode input and output for syncing multiple cameras and a built-in Wi-Fi module.

CFexpress Media Slots and Multiple Recording Modes

The FX6's dual media slots accept both rugged, high-performance, high-capacity CFexpress Type A cards and widely available UHS-II/UHS-1 SDXC cards. Note that the CFexpress Type A cards are required for 100/120 fps UHD 4K capture and 150/180/200/240 fps HD high-speed capture.

Modular, Grab-and-Go Design

The modular design of the FX6 enables you to pare down to its compact body for gimbal or drone use, or it can be used with separately available accessories such as a smart grip and smart handle for fingertip control when shooting handheld. A 3.5" LCD screen can be quickly positioned on the camera at multiple locations to provide comfortable, ergonomic viewing.

Content Browser Mobile Compatibility

When used with the separately available Content Browser Mobile app and a compatible smartphone or remote control, the FX6's Wi-Fi function enables remote monitoring and focus/iris/zoom control.