copyright © 2023 PT Global Sukses Digital
Key Features
Blending a familiar form factor with a heightened feature-set, the black X-T20 from Fujifilm is a sleek mirrorless camera designed for multimedia shooters. Utilizing a 24.3MP APS-C X-Trans CMOS III sensor and X-Processor Pro image processor, high-resolution stills can be recorded with notable sharpness and clarity due To the sensor organic layout and omission of an optical low-pass filter. The sensor and processor combination also avails an extended sensitivity Range To ISO 51200, a 14 fps continuous shooting rate when working with the electronic shutter, and the ability To record UHD 4K or Full HD 1080p video. When working with moving subjects, continuous autofocus performance has been optimized for improved moving subject tracking and overall accuracy, and Advanced SR Auto mode can also be used for fully automated shooting with intelligent scene recognition. Additionally, the retro-inspired camera body design incorporates a tilting 3.0" 1.04m-dot touchscreen LCD as well as a 2.36m-dot electronic viewfinder, and physical dials are available for quickly and intuitively adjusting exposure and shooting settings.
Included with the X-T20 is the XF 18-55mm f2.8-4 R LM OIS lens a standard zoom lens providing a 27-84mm equivalent focal length Range, covering wide-angle To portrait-length perspectives. This lens integrates optical image stabilization To minimize the appearance of camera shake To benefit working with longer shutter speeds or greater focal lengths and a linear motor-drive AF system provides fast, smooth focusing capabilities.
Utilizing Fujifilm unique, randomized pixel array, the 24.3MP APS-C X-Trans CMOS III sensor affords a high degree of image quality and sharpness due To the omission of an optical low-pass filter. Versus conventional pixel patterns, the X-Trans design more closely mimics the organic nature of film in order To produce nuanced colors and smooth tonal transitions, while also reducing moir© and aliasing.
Aside from benefitting the low-light performance with an expandable sensitivity Range To ISO 51200, the X-Processor Pro also contributes To fast performance throughout the camera system, including a start-up time of 0.4 seconds, shutter lag time of 0.05 seconds, shooting interval time of 0.25 seconds, and a continuous shoot rate of 14 fps when working with an electronic shutter, or 8 fps with a mechanical shutter.
Accessible via the drive dial on the top plate, the X-T20 supports both recording in both UHD 4K/30p and Full HD 1080/60p resolutions. Film Simulation modes can be used during recording To give a distinct look To footage, and video can also be output via HDMI To an external recorder or monitor, and a mic jack is featured for working with an external microphone.
Utilizing both contrast- and phase-detection methods, the hybrid autofocus system employs 91 total points, which can be divided into 325 total areas for a high degree of focusing accuracy in a variety of lighting conditions. Approximately 50% side-to-side and 75% top-to-bottom of the frame is covered by phase-detection points in order To provide fast AF performance To suit working with moving subjects.
When working with autofocus, you can choose either single-shot AF-S mode or continuous AF-C mode, and each can be used in conjunction with Single Point AF, Zone AF, or Wide/Tracking AF settings. Additionally, AF-C Custom Settings let you choose from five AF-C presets depending on how your subject is moving, and the AF algorithm has been optimized for improved subject tracking and overall accuracy.
Taking advantage of Fujifilm vast history in traditional film-based photography, the X-T20 integrates several Film Simulation modes, which can be used for photos or videos, To mimic the look and feel of some of Fujifilm classic film types. A refined Classic Chrome mode is designed To deliver muted tones and a deep color reproduction, similar To that of a dated slide film. Pulling from their more contemporary line of transparency films, Provia offers natural-looking tones for everyday shooting, Velvia produces a more dramatic and rich tonality with deeper color saturation, and Astia gives less contrast for a softer depiction of skin tones. Mimicking their negative films, Pro Neg. Std. gives smooth image tones that are suitable for accurate color renditions, while Pro Neg. Hi produces a more dramatic feel with the ability To draw color out of a variety of lighting conditions. In addition To the colorful benefits of these Film Simulation modes, there are also monochrome modes that simulate the look of traditional yellow, green, and red black and white contrast filters, as well as an Acros mode that can also be paired with colored filter effects. A sepia mode is also available for producing an inherently nostalgic look.
The XC 15-45mm is composed of ten elements in nine groups, three of which are aspherical and two that are extra-low dispersion (ED) To help achieve optimal image quality and sharpness. It features notable close-up capabilities, focusing as close as 5.1" in wide focal lengths. Fully featured, the lens offers optical image stabilization with claims of up To 3 stops of compensation, as well as autofocus via an inner motor for quick and quiet operation. The maximum aperture varies by little more than a stop, from f3.5 To f5.6 depending on your focal length, and the minimum aperture is f22 when fully stopped down.
The silver Fujifilm XC 50-230mm f4.5-6.7 OIS Lens is an expansive telephoto zoom lens that provides a 35mm-equivalent focal length Range of 76-350mm, covering portrait-length To telephoto perspectives. This broad Range of coverage is well-suited To working with distant subjects and the integration of optical image stabilization To help minimize the appearance of camera shake works To produce sharper imagery when working in low-light conditions throughout the zoom Range. Benefitting working with moving subjects and for video applications, a precision stepping AF motor is incorporated into the lens To provide high-speed, accurate focusing capabilities.
Imaging
| Lens Mount | Fujifilm X |
| Camera format | APS-C (1.5x Crop Factor) |
| Pixels | Effective: 24.3 Megapixel |
| Maximum Resolution | 6000 x 4000 |
| Aspect Ratio | 3:2 |
| Sensor Type | CMOS |
| Sensor Size | 23.6 x 15.6 mm |
| Image File format | JPEG, Raw |
| Bit Depth | 14-Bit |
| Image Stabilization | None |
Exposure Control
| ISO Sensitivity | Auto, 200 To 12800 (Extended: 100 To 51200) |
| Shutter Speed | Mechanical Shutter 1/4000 To 30 Seconds 1/4000 To 4 Seconds in Program Mode 0 To 60 Minutes in Bulb Mode Electronic Shutter 1/32000 To 1 Second 1/4000 To 4 Seconds in Program Mode 1 Second in Bulb Mode Electronic Front Curtain Shutter 1/32000 To 30 Seconds 1/32000 To 4 Seconds in Program Mode 0 To 60 Minutes in Bulb Mode |
| Metering Method | Average, Center-Weighted Average, Multiple, Spot |
| Exposure Modes | Aperture Priority, Manual, Program, Shutter Priority |
| Exposure Compensation | -5 To +5 EV (1/3 EV Steps) |
| White Balance | Automatic Scene Recognition, Color Temperature, Custom, Daylight, Fluorescent (Cool White), Fluorescent (Daylight), Fluorescent (Warm White), Incandescent, Shade, Underwater |
| Continuous Shooting | Up To 14 fps at 24.3 MP for up To 42 Frames (JPEG) Up To 14 fps at 24.3 MP for up To 23 Frames (Raw) Up To 11 fps at 24.3 MP for up To 56 Frames (JPEG) Up To 11 fps at 24.3 MP for up To 24 Frames (Raw) Up To 8 fps at 24.3 MP for up To 62 Frames (JPEG) Up To 8 fps at 24.3 MP for up To 25 Frames (Raw) Up To 5 fps at 24.3 MP for up To 68 Frames (JPEG) Up To 5 fps at 24.3 MP for up To 28 Frames (Raw) Up To 4 fps at 24.3 MP for up To 73 Frames (JPEG) Up To 4 fps at 24.3 MP for up To 29 Frames (Raw) Up To 3 fps at 24.3 MP for up To 81 Frames (JPEG) Up To 3 fps at 24.3 MP for up To 32 Frames (Raw) |
| Interval Recording | Yes |
| Self-Timer | 2/10-Second Delay |
Video
| Recording Modes | MOV/H.264 UHD 4K (3840 x 2160) at 23.976p/24.00p/25p/29.97p [100 Mb/s] Full HD (1920 x 1080) at 23.976p/24.00p/25p/29.97p/50p/59.94p [36 Mb/s] HD (1280 x 720) at 23.976p/24.00p/25p/29.97p/50p/59.94p [18 Mb/s] |
| Recording Limit | Up To 29 Minutes, 59 Seconds |
| Video Encoding | NTSC/PAL |
| Audio Recording | Built-In Microphone (Stereo) |
| Audio File format | Linear PCM (Stereo) |
Focus
| Focus Type | Auto and Manual Focus |
| Focus Mode | Continuous-Servo AF (C), Manual Focus (M), Single-Servo AF (S) |
| Autofocus Points | Phase Detection: 91 |
Viewfinder and Monitor
| Viewfinder Type | Electronic |
| Viewfinder Size | 0.39" |
| Viewfinder Resolution | 2,360,000 Dot |
| Viewfinder Eye Point | 17.5 mm |
| Viewfinder Coverage | 100% |
| Viewfinder Magnification | Approx. 0.62x |
| Diopter Adjustment | -4 To +2 |
| Monitor Size | 3" |
| Monitor Resolution | 1,040,000 Dot |
| Monitor Type | Tilting Touchscreen LCD |
Flash
| Built-In Flash | Yes |
| Flash Modes | Commander, First-Curtain Sync, Manual, Off, Second-Curtain Sync, Slow Sync, TTL Auto |
| Guide Number | 16.4' / 5 m at ISO 100 |
| Maximum Sync Speed | 1/180 Second |
| External Flash Connection | Hot Shoe |
Interface
| Memory Card Slot | Single Slot: SD/SDHC/SDXC (UHS-I) |
| Connectivity | 2.5mm Sub-Mini, HDMI D (Micro), Micro-B (USB 2.0) |
| Wireless | Wi-Fi |
| GPS | None |
Environmental
| Operating Temperature | 32 To 104‚°F / 0 To 40‚°C |
| Operating Humidity | 10 To 80% |
Physical
| Battery | 1 x NP-W126S Rechargeable Lithium-Ion, 8.4 VDC, 1260 mAh |
| Dimensions (W x H x D) | 4.7 x 3.3 x 1.6" / 118.4 x 82.8 x 41.4 mm |
| Weight | 13.51 oz / 383 g (Body with Battery and Memory) |
| Focal Length | 15 To 45mm (35mm Equivalent Focal Length: 23 To 69mm) |
| Maximum Aperture | f3.5 To 5.6 |
| Minimum Aperture | f22 |
| Angle of View | 86.9‚° To 35‚° |
| Maximum Magnification | 0.24x |
| Minimum Focus Distance | 5.12" / 13 cm |
| Optical Design | 10 Elements in 9 Groups |
| Diaphragm Blades | 7, Rounded |
| Focus Type | Autofocus |
| Image Stabilization | Yes |
| Filter Size | 52 mm (Front) |
| Dimensions (ƒ¸ x L) | 24.65 x 17.4" / 62.6 x 44.2 cm |
| Weight | 4.8 oz / 135 g |
Packaging Info
| Package Weight | 3.52 lb |
| Box Dimensions (LxWxH) | 9.6 x 8.2 x 5.7" |