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Sony Alpha a7S III Mirrorless Digital Camera with Sony FE 35mm f1.4 GM Lens
Sony Alpha a7S III Mirrorless Digital Camera with Sony FE 35mm f1.4 GM Lens
#11139

Sony A7S III Overview

    Key Features

    • 12MP Full-Frame Exmor R BSI CMOS Sensor
    • UHD 4K 120p Video, 10-Bit 4:2:2 Internal
    • 16-Bit Raw Output, HLG & S-Cinetone
    • 759-Point Fast Hybrid AF
    • 9.44m-Dot QXGA OLED EVF
    • 3.0" 1.44m-Dot Vari-Angle Touchscreen
    • 5-Axis SteadyShot Image Stabilization
    • Extended ISO 40-409600, 10 fps Shooting
    • Dual CFexpress Type A/SD Card Slots

    Optimized video, optimized sensitivity, optimized speed, the Sony Alpha a7S III raises the bar for what a full-frame mirrorless camera is capable of. A revised 12.1MP Exmor R BSI CMOS sensor and updated BIONZ XR image processor offer faster performance, improved noise reduction, and a wider dynamic Range, along with UHD 4K 120p video recording and internal 10-bit 4:2:2 sampling.

    Video is the primary application of the a7S III, and improvements to the sensor and processor enable faster readout speeds and greatly reduced rolling shutter, along with high-bitrate internal recording, 16-bit raw output via the full-size HDMI port, and flexible control over motion with variable frame rate Selection. The a7S III also does away with recording time limits and incorporates HLG for direct HDR production as well as S-Log2/S-Log3 gamma profiles for advanced HDR production with editing.

    The updated sensor design also brings improved autofocus performance via 759 phase-detection points, which offer intelligent subject tracking and Real-time Eye AF to ensure critical focus on moving subjects in all recording modes. The sensor and BIONZ XR processor also facilitate impressive sensitivity, with an expanded Range from ISO 40-409600, as well as fast 10 fps continuous shooting for up to 1000 consecutive raw frames. Additionally, 5-axis SteadyShot INSIDE sensor-shift image stabilization is available, too, which minimizes the appearance of camera shake by up to 5.5 stops.

    Complementing the imaging assets, Sony has also made some changes to the a7S III's physical design, including a rear LCD with a side-open articulating design and an impressive 9.44m-dot OLED electronic viewfinder. The camera's menu system has also been updated for more intuitive navigation and the body design helps to promote better heat dissipation for improved continuous recording capabilities. Additionally, dual memory card slots both support working with CFexpress Type A or SD UHS-II memory cards for flexible and high-speed file storage.

    12.1MP Exmor RS BSI CMOS Sensor and BIONZ XR Image Processor

    A redesigned 12.1MP full-frame CMOS sensor now features a back-illuminated Exmor RS design in order to achieve improved clarity and reduced noise along with the expectedly impressive sensitivity, from ISO 80-102400 with an extended ISO 40-409600 Range. The updated sensor design also yields 2x faster readout speeds than previous generations and, when coupled with the revised BIONZ XR image processor, greatly reduces rolling shutter by 3x and up to 8x faster processing and overall camera handling. The sensor and processor combination also helps to achieve a wide dynamic Range, of up to approximately 14 stops for stills and 15 stops for video, and 10 fps continuous shooting for up to 1000 uncompressed raw files for stills.

    UHD 4K 120p Video, 10-Bit 4:2:2 Internal Recording

    Recording up to UHD 4K is possible with frame rates up to 120p, using full 1:1 pixel readout without binning. Internal 10-bit 4:2:2 sampling is also possible in all recording modes and, if recording externally via the full-size HDMI A port, 16-bit raw output is also possible for even greater tonal reproduction and post-production flexibility. Additionally, two codecs have also been developed: XAVC HS, which uses HEVC/H.265 encoding to retain more detail at smaller bitrates, and XAVC S-I, which is an intraframe codec for consistent performance and quality at bitrates up to 600 Mb/s.

    The high-speed, 120 fps recording also enables 4x and 5x slow-motion movie recording with the frame rate playback set to either 30p or 24p or, if moving down to Full HD resolution, an effective 240p frame rate is also available for even greater motion control. Additionally, suiting long-form recording, the a7S III does not have any recording time limits to allow for unlimited clip lengths. The camera's physical design also features an improved heat-dissipating structure to promote longer possible recording times, up to an approximate 60-minute recording time at 4K60p.

    Affording extensive customizable color and gamma controls, the a7S III allows users to adjust the gamma, black level, knee, color level, and more. Also, users can use the same S-Log2 Gamma Curve that is found on high end Sony Cinema cameras that squeezes up to 1300% more dynamic Range into the video signal then traditional REC709, for increased post-production flexibility. HLG (Hybrid Log-Gamma) support is also available, along with the BT.2020 color space, for recording within a wide color gamut and, in addition to S-Log2, S-Log3 is also available for producing a 15+-stop dynamic Range with increased grading control in the shadow to mid-tone regions of the image.

    Fast Hybrid AF System

    Covering 92% of the image area, a Fast Hybrid AF system incorporates 759 phase-detection points along with 425 contrast-detection areas for quick and precise focusing in a variety of lighting conditions with sensitivity down to -6 EV. This focusing system is available for use in all recording modes, to benefit both video and stills applications. Additionally, it is able to lock onto subjects quickly and can use Real-time Tracking for AI-based tracking on moving subjects or touch tracking for manual Selection of the subject. Real-time Eye AF, suitable for both humans and animals, also ensures critical sharpness when shooting portraits. Helping to fine-tune how the focusing system performs, seven-step AF transition speed and five-step AF subject shift sensitivity controls let you refine how quickly focus shifts from point to point and how smoothly focusing shifts occur.

    5-Axis SteadyShot INSIDE Image Stabilization

    The a7S III incorporates an enhanced 5.5-stop effective 5-axis SteadyShot INSIDE image stabilization system, which compensates for five different types of camera shake encountered during handheld shooting of stills and video. This allows users to confidently use any lens, even adapted lenses, for critical imaging without encountering blur from camera shake.

    for long focal lengths, the system will correct for pitch and yaw adjustments. Macro and high-magnification imagery, on the other hand, will benefit from the inclusion of horizontal and vertical shift compensation. All shooting styles will get usage out of the roll compensation. All 5 axes of stabilization will function at all times, even when used with third-party lenses and adapters or lenses with built-in optical stabilization.

    Additionally, specifically for video, there is also an Active IS mode that adds even more precise stabilization methods for even smoother footage straight out of camera.

    Body Design and Connectivity

    • An impressive QXGA OLED Tru-Finder EVF features a high 9.44m-dot resolution and 0.9x magnification for exceptionally bright, clear, and detailed eye-level viewing. This viewfinder has a dedicated 120 fps High Quality setting for smooth motion rendering and the finder's physical design has a long 25mm eye point, 41° field of view, and features a fluorine coating on the outermost viewfinder element to benefit cleaning.
    • A first for a7-series cameras, a side-opening 3.0" 1.44m-dot vari-angle articulating screen benefits working from high and low angles as well as a front-facing position for vlogging or other self-recording needs. This LCD is a touchscreen, too, for intuitive shooting control and menu navigation.
    • Dual memory card slots both accept either CFexpress Type A or SD-type memory cards. The dual slot design allows for flexible file saving and handling and can be configured to partition file types or can be used for overflow recording. Additionally, both of the card slots are rated to support UHS-II memory cards for faster transfer speeds.
    • Redesigned menu structure is more intuitive and complements having different workflows and settings Selections for movie recording and stills shooting. The menu system also works in conjunction with the touchscreen design of the rear LCD.
    • Magnesium alloy chassis assures rigidity, durability, and stability while remaining lightweight. The lens mount has also been improved to better support heavy lenses, and the grip rigidity has been improved for more comfortable hand-holding.
    • Extensive weather-sealing, including enhanced sealing around the battery cover, terminal cover, and chassis joints, has been employed to resist dust and moisture for reliable operation in harsh weather conditions.
    • Accepts the high-capacity NP-FZ100 rechargeable lithium-ion battery, which provides approximately 510 shots/80 minutes of recording per charge when using the viewfinder or 600 shots/95 minutes of recording per charge when using the rear LCD.
    • Full-size HDMI A port offers a more reliable connection when working with external recorders.
    • A USB 3.2 Gen 1 Type-C port has been added, in addition to a micro-USB port, for faster, more reliable tethering support. The USB Type-C connection allows the camera to be charged or powered from the host power source while connected.
    • Both 3.5mm headphone and external microphone ports facilitate greater control over audio recording.
    • Multi Interface Shoe supports working with the optional ECM-B1M Shotgun Microphone or XLR-K3M XLR Adapter Kit, which provide improved, clear audio recording sound by sending a digital audio signal to the camera, opposed to an analog signal.
    • Built-in Wi-Fi enables the remote camera control and instant sharing of imagery to mobile devices for direct sharing online, and support for both 2.4 and 5 GHz bands also enables wireless tethered shooting support. This connectivity also provides remote camera control
    • USB Type-C port can be paired with an optional Ethernet wired LAN adapter to provide 1000BASE-T connectivity, wired remote shooting, or FTP transferring.

     

    Sony FE 35mm f/1.4 GM Overview

    Key Features

    • E-Mount Lens/Full-Frame Format
    • Aperture Range: f/1.4 to f/16
    • Two XA Elements, One ED Element
    • Nano AR II and Fluorine Coatings
    • Dual XD Linear AF Motors, Internal Focus
    • Focus Hold Button, AF/MF Switch
    • Physical Aperture Ring; De-Click Switch
    • Dust and Moisture-Resistant Construction
    • Rounded 11-Blade Diaphragm

    A classic wide-angle prime with an updated, sleek form factor, the Sony FE 35mm f/1.4 GM is further characterized by its speed and advanced optical design. The versatile focal length suits everything from street shooting to landscape and documentary subjects, and the fast maximum aperture excels in low light and for controlling depth of field.

    IDR 74.798.000IDR 67.498.000
    Promo
    Sony A7IV  Mirrorless Camera with 28-70mm Lens
    Sony A7IV Mirrorless Camera with 28-70mm Lens
    #10936

    Sony A7 IV Overview

    Key Features

    • 33MP Full-Frame Exmor R CMOS Sensor
    • Up to 10 fps Shooting, ISO 100-51200
    • 4K 60p Video in 10-Bit, S-Cinetone
    • 3.68m-Dot EVF with 120 fps Refresh Rate
    • 3" 1.03m-Dot Vari-Angle Touchscreen LCD
    • 759-Pt. Fast Hybrid AF, Real-time Eye AF
    • Focus Breathing Compensation
    • 5-Axis SteadyShot Image Stabilization
    • Creative Looks and Soft Skin Effect
    • FE 28-70mm f/3.5-5.6 OSS Lens

    Sony a7 IV Mirrorless Camera

    An all-arounder that pushes beyond basic, the Sony a7 IV does double duty with strong stills and video performance. An advanced hybrid mirrorless camera, the a7 IV has the resolution and AF performance that appeals to photographers along with robust 4K 60p video recording for filmmakers and content creators.

     

    Sensor and Processor

    Sony a7 IV | Sample Image | Motorcycle

    33MP Exmor R BSI CMOS Sensor

    Newly developed 33MP Exmor R BSI CMOS full-frame sensor features a back-illuminated design that promotes high clarity, low noise, and vivid color rendering. This design benefits working in low-light conditions and works in conjunction with a broad sensitivity range of ISO 100-51200. The sensor's design also achieves an impressive dynamic range of approximately 15 stops and files can be recorded in raw, JPEG, or the 10-bit HEIF format.

    Sony a7 IV | BIONZ XR

    BIONZ XR Processor

    Using the flagship-class BIONZ XR engine, high-speed image processing capabilities are available for fast continuous shooting, 4K video recording, and advanced AF tracking performance. The quick processing also helps to reduce rolling shutter and other motion distortions for clean rendering of moving subjects.

    In terms of shooting speeds, the sensor and processor enable up to 10 fps shooting, using either the mechanical or electronic shutter and with AF/AE enabled. Also, the buffer permits recording up to 828 consecutive uncompressed raw + JPEG frames when using a CFexpress Type A card.

    Video Recording

     

    Sony a7 IV | 7K to 4K

    4K 60p Video Recording in 10-Bit

    • Making full use of the high-resolution 33MP sensor and fast processing capabilities, UHD 4K 30p XAVC HS 10-bit recording is possible using the full width of the sensor, offering 7K oversampling for impressive sharpness and realism.
    • There is also oversampled 4K recording, via a 4.6K capture area, with a Super 35 crop, that offers UHD 4K output up to 60p in 10-bit.
    • No recording time limit allows for unlimited clip lengths and the camera's physical design features an improved heat-dissipating structure to promote longer possible recording times; longer than one hour of continuous 4K 60p 10-bit 4:2:2 recording, for example.
    • The a7 IV employs a pair of codecs to suit different workflows: XAVC HS, which uses HEVC/H.265 encoding to retain more detail at smaller bitrates and XAVC S-I, which is an intraframe codec for consistent performance and quality at bitrates up to 600 Mb/s.

     

    S-Cinetone, S-Log3, and Other Color and Gamma Controls

    • S-Cinetone can be used to deliver distinct colors and healthy-looking skin tone rendering that matches the FX9 and FX6 cameras, along with the a1 and a7S III, and is based on technology from the professional Cinema Line cameras, such as the VENICE. This color profile offers natural mid-tones, soft colors, and especially well-controlled highlights.
    • HLG (Hybrid Log-Gamma) support permits recording within a wide color gamut for producing HDR-ready content directly from the camera.
    • S-Log3 is also available for producing a 15+-stop dynamic range with increased grading control in the shadow to mid-tone regions of the image.

    Fast Hybrid AF System

    Sony a7 IV | AF Points

    AI-Based Autofocus

    Covering approximately 94% of the image area, a Fast Hybrid AF system incorporates 759 phase-detection points for quick and precise focusing in a variety of lighting conditions with sensitivity down to -4 EV. This focusing system is available for use in all recording modes, to benefit both video and stills applications.

     

    Real-time Tracking and Real-time Eye AF

    Borrowing from the flagship AF system, the a7 IV has tuned tracking and subject detection capabilities that lock onto subjects quickly and refines focus accurately on recognized eyes and faces of subjects:

    • Real-time Tracking is an AI-based subject recognition system that recognizes color, pattern, and subject distance information for high accuracy and focusing speed.
    • Beyond just tracking subjects, Real-time Eye AF fine-tunes the focusing accuracy and recognizes human, animal, and bird's eyes for critical sharpness. Real-time Eye AF even maintains focus on a subject's eye when they leave and re-enter the frame, allowing for working in more spontaneous shooting situations.

     

    AF During Video Recording and Additional Focusing Modes

    • Real-time Eye AF is fully supported during video recording, for subject detection and tracking of human, animal, and bird eyes while shooting.
    • For more control over how focus shifts appear during recording, seven-step AF transition speeds and five-step AF subject shift sensitivity controls let you refine how quickly focus shifts from point to point and how smoothly focusing shifts occur.
    • Focus Map is a unique way of visualizing depth of field and functions in a similar way to peaking with a colorful overlay of the scene that indicates which parts of the scene are in front of and behind the focus point depending on the chosen aperture.
    • A feature carried over from the FX6 digital cine camera, AF Assist lets you intuitively switch over to manual focus control for adjusting focus position when working with AF. This is a quick way to shift selective focus between various subjects in a scene while recording.

     

    • A unique solution to compensate for how certain lenses perform when racking focus, Focus Breathing compensation will automatically smooth focus transitions and maintain a consistent field of view when changing the focus position during a shot. This mode crops into the image slightly and corrects for any detected shifts in composition when focusing is happening. This function is compatible with select E-mount lenses, check Breathing Compensation lens compatibility here.

    Body Design, Connectivity, and Streaming

    Sony a7 IV | Vari-Angle LCD

    Viewfinder and LCD Screen

    • An improved QVGA OLED Tru-Finder EVF features a 3.68m-dot resolution that is approximately 1.6x higher in resolution than its predecessor for sharper, clearer viewing. This viewfinder supports both standard 60 fps and 120 fps frame rates for smooth motion rendering and its physical design has a long 23mm eye point, 0.78x-magnification, and 37.3° field of view.
    • Perfect for vlogging or other self-recording needs, the side-opening 3.0" 1.03m-dot vari-angle articulating screen can be used in a front-facing orientation or can be tilted up or down to suit working from high or low shooting angles. This LCD is a touchscreen, too, for intuitive shooting control and menu navigation.

    Sony a7 IV | Ports

    Ports and Interface

    • Full-size HDMI A port offers a more reliable connection when working with external recorders.
    • A USB 3.2 Gen 2 Type-C port has been added, in addition to a micro-USB port, for faster, more reliable tethering support. The USB Type-C connection allows the camera to be charged or powered from the host power source while connected.
    • Both 3.5mm headphone and external microphone ports facilitate greater control over audio recording.
    • Multi Interface Shoe supports working with the optional ECM-B1M Shotgun Microphone or XLR-K3M XLR Adapter Kit, which provide improved, clear audio recording sound by sending a digital audio signal to the camera, opposed to an analog signal.
    • USB Type-C port can be paired with an optional Ethernet wired LAN adapter to provide 1000BASE-T connectivity, wired remote shooting, or FTP transferring.

     

    5-Axis SteadyShot INSIDE Image Stabilization

    • Enhanced 5.5-stop effective 5-axis SteadyShot INSIDE image stabilization system compensates for five different types of camera shake encountered during handheld shooting of stills and video and allows users to confidently use any lens, even adapted lenses, for critical shooting without encountering blur from camera shake.
    • For long focal lengths, the system will correct for pitch and yaw adjustments. Macro and high-magnification imagery, on the other hand, will benefit from the inclusion of horizontal and vertical shift compensation. All shooting styles will get usage out of the roll compensation. All 5 axes of stabilization will function at all times, even when used with third-party lenses and adapters or lenses with built-in optical stabilization.
    • Additionally, specifically for video, there is also an Active IS mode that adds even more precise stabilization methods for even smoother footage straight out of camera.

    Sony a7 IV | HVL-F60RM2 | External Flash Control

    Advanced External Flash Control

    Suiting working with flash while photographing fast-moving subjects, P-TTL flash metering is possible in between each exposure when working with lo, mid, or even hi-speed continuous shooting modes. This helps to maintain stable illumination if making low-light bursts and greatly benefits working in changing light or low-light conditions. The updated flash control system also helps to reduce flash trigger lag, uses the camera's AWB information for natural color rendering, and supports adjusting select flash and transmitter units directly from the camera's interface.

    Sony a7 IV | Wireless Connectivity

    Wireless Connectivity and Streaming

    • Built-in Wi-Fi enables the remote camera control and instant sharing of imagery to mobile devices for direct sharing online, and support for both 2.4 and 5 GHz bands also enables wireless tethered shooting support. This connectivity also provides remote camera control.
    • Use of the Imaging Edge mobile app is benefitted by Bluetooth to maintain a reliable connection between the camera and mobile device.
    • Supports Visual Story for easy cloud-based deliver of photos and videos immediately after shooting.

    Sony a7 IV | USB Webcam and Streaming

    • Live streaming is possible directly from the camera simply by connecting the camera to a computer or compatible mobile device via USB, allowing the camera's video and audio capabilities to be used for live social media and video conferencing.
    • 4K 15p, FHD 60p/30p, and HD 30p recording settings are available and there are also internal Creative Look and Soft Skin effects for a refined image quality straight from the camera.
    • Internal recording is supported to a memory card while live streaming.
    • UVC and UAC standards are supported for improved picture and sound quality during streaming.

     

    Sony FE 28-70mm f/3.5-5.6 OSS Lens

    A Versatile Standard

    A top pick for users looking for a lightweight all-around zoom, the FE 28-70mm f/3.5-5.6 OSS Lens from Sony is a great go-to for full-frame E-mount shooters. The lens has a compact, portable design that is ideal for everyday, walkaround use and its versatile wide-angle to portrait-length range suits working with a variety of subject types.

    Optical Design

    • One extra-low dispersion glass element is featured in the lens design to help reduce chromatic aberrations and color fringing for improved clarity and color neutrality.
    • Three aspherical elements are incorporated in the lens design to reduce astigmatism, field curvature, coma, and other monochromatic aberrations.
    • Rounded seven-blade diaphragm contributes to a pleasing bokeh quality when employing selective focus techniques.

    Autofocus, Image Stabilization, and Design

    • An internal focus mechanism and linear motor contribute to faster, more responsive system and easier handling.
    • Optical SteadyShot image stabilization helps to minimize the appearance of camera shake for sharper imagery when shooting handheld with slower shutter speeds. This stabilization system can be combined with select camera's sensor-shift type image stabilization for more effective control of camera blur.
    • Dust- and moisture-sealed design better permits working in inclement conditions and rubberized control rings benefit handling in colder temperatures.
    IDR 40.499.000IDR 36.999.000
    Promo
    Sony A7IV Mirrorless Camera Body Only
    Sony A7IV Mirrorless Camera Body Only
    #10935

    Sony A7 IV Overview

    Key Features

    • 33MP Full-Frame Exmor R CMOS BSI Sensor
    • Up to 10 fps Shooting, ISO 100-51200
    • 4K 60p Video in 10-Bit, S-Cinetone
    • 3.68m-Dot EVF with 120 fps Refresh Rate
    • 3" 1.03m-Dot Vari-Angle Touchscreen LCD
    • 759-Pt. Fast Hybrid AF, Real-time Eye AF
    • Focus Breathing Compensation
    • 5-Axis SteadyShot Image Stabilization
    • Creative Looks and Soft Skin Effect
    • 4K 15p UVC/UAC Streaming via USB Type-C

    Sony a7 IV: Beyond Basic

    melakukan tugas ganda dengan gambar diam dan performa video yang kuat. Sebagai kamera mirrorless hybrid yang canggih, Sony a7 IV memiliki resolusi dan performa AF yang menarik bagi fotografer serta perekaman video 4K 60p yang tangguh untuk pembuat film dan pembuat konten.

     

    Sensor and Processor

    Sony a7 IV | Sample Image | Motorcycle

    33MP Exmor R BSI CMOS Sensor

    Sensor full-frame Exmor R BSI CMOS 33MP yang baru dikembangkan menampilkan desain bercahaya belakang yang menghasilkan kejernihan tinggi, noise rendah, dan rendering warna cerah. Desain ini bermanfaat untuk bekerja dalam kondisi cahaya redup dan bekerja bersama dengan rentang sensitivitas ISO 100-51200 yang luas. Desain sensor juga mencapai rentang dinamis yang mengesankan sekitar 15 stop dan file dapat direkam dalam format mentah, JPEG, atau HEIF 10-bit.

    Sony a7 IV | BIONZ XR

    BIONZ XR Processor

    Dengan menggunakan mesin BIONZ XR kelas unggulan, kemampuan pemrosesan gambar berkecepatan tinggi tersedia untuk pemotretan beruntun yang cepat, perekaman video 4K, dan performa pelacakan AF yang canggih. Pemrosesan cepat ini juga membantu mengurangi rana bergulir dan distorsi gerakan lainnya untuk menghasilkan gambar yang jernih pada subjek yang bergerak.

    Dalam hal kecepatan pengambilan gambar, sensor dan prosesor memungkinkan pengambilan gambar hingga 10 fps, baik menggunakan rana mekanis atau elektronik dan dengan AF/AE yang diaktifkan. Selain itu, buffer memungkinkan perekaman hingga 828 frame mentah + JPEG yang tidak terkompresi berturut-turut saat menggunakan kartu CFexpress Tipe A.

    Video Recording

     

    Sony a7 IV | 7K to 4K

    4K 60p Video Recording in 10-Bit

    • Memanfaatkan sepenuhnya sensor resolusi tinggi 33MP dan kemampuan pemrosesan yang cepat, perekaman UHD 4K 30p XAVC HS 10-bit dimungkinkan menggunakan lebar penuh sensor, menawarkan oversampling 7K untuk ketajaman dan realisme yang mengesankan.
    • Ada juga perekaman 4K oversampled, melalui area pengambilan 4,6K, dengan pemotongan Super 35, yang menawarkan output UHD 4K hingga 60p dalam 10-bit.
    • Tidak ada batasan waktu perekaman yang memungkinkan panjang klip tidak terbatas dan desain fisik kamera dilengkapi struktur pembuangan panas yang ditingkatkan untuk memungkinkan waktu perekaman yang lebih lama; misalnya, perekaman 4K 60p 10-bit 4:2:2 yang berlangsung lebih dari satu jam.
    • a7 IV menggunakan sepasang codec untuk disesuaikan dengan alur kerja yang berbeda: XAVC HS, yang menggunakan pengkodean HEVC/H.265 untuk mempertahankan lebih banyak detail pada bitrate yang lebih kecil dan XAVC S-I, yang merupakan codec intraframe untuk kinerja dan kualitas yang konsisten pada bitrate hingga 600 Mb/dtk.

     

    S-Cinetone, S-Log3, and Other Color and Gamma Controls

    • S-Cinetone dapat digunakan untuk menghadirkan warna berbeda dan rendering rona kulit tampak sehat yang cocok dengan kamera FX9 dan FX6, bersama dengan a1 dan a7S III, dan didasarkan pada teknologi dari kamera Cinema Line profesional, seperti VENICE. Profil warna ini menawarkan rona tengah alami, warna lembut, dan highlight yang terkontrol dengan baik.
    • Dukungan HLG (Hybrid Log-Gamma) memungkinkan perekaman dalam gamut warna lebar untuk menghasilkan konten siap HDR langsung dari kamera.
    • S-Log3 juga tersedia untuk menghasilkan rentang dinamis 15+-stop dengan peningkatan kontrol gradasi pada area bayangan hingga nada tengah pada gambar.

    Fast Hybrid AF System

    Sony a7 IV | AF Points

    AI-Based Autofocus

    Mencakup sekitar 94% area gambar, sistem Fast Hybrid AF menggabungkan 759 titik deteksi fase untuk pemfokusan yang cepat dan tepat dalam berbagai kondisi pencahayaan dengan sensitivitas hingga -4 EV. Sistem pemfokusan ini tersedia untuk digunakan di semua mode perekaman, untuk menguntungkan aplikasi video dan gambar diam.

    Real-time Tracking and Real-time Eye AF

    Meminjam dari sistem AF andalan, a7 IV telah menyetel kemampuan pelacakan dan deteksi subjek yang mengunci subjek dengan cepat dan menyempurnakan fokus secara akurat pada mata dan wajah subjek yang dikenali:

    • Pelacakan Real-time adalah sistem pengenalan subjek berbasis AI yang mengenali informasi warna, pola, dan jarak subjek untuk akurasi tinggi dan kecepatan pemfokusan.
    • Selain hanya melacak subjek, Eye AF Real-time menyempurnakan akurasi pemfokusan dan mengenali mata manusia, hewan, dan burung untuk ketajaman kritis. Eye AF Real-time bahkan mempertahankan fokus pada mata subjek saat subjek keluar dan masuk kembali ke dalam bingkai, sehingga memungkinkan untuk bekerja dalam situasi pengambilan gambar yang lebih spontan.

     

    AF During Video Recording and Additional Focusing Modes

    • Eye AF Real-time didukung sepenuhnya selama perekaman video, untuk mendeteksi subjek dan melacak mata manusia, hewan, dan burung saat memotret.
    • Untuk kontrol lebih besar terhadap tampilan pergeseran fokus selama perekaman, kecepatan transisi AF tujuh langkah dan kontrol sensitivitas pergeseran subjek AF lima langkah memungkinkan Anda menyempurnakan seberapa cepat peralihan fokus dari titik ke titik dan seberapa mulus pergeseran fokus terjadi.
    • Peta Fokus adalah cara unik untuk memvisualisasikan kedalaman bidang dan fungsinya mirip dengan peaking dengan hamparan pemandangan berwarna-warni yang menunjukkan bagian pemandangan mana yang berada di depan dan di belakang titik fokus, bergantung pada aperture yang dipilih.
    • Sebuah fitur yang dibawa dari kamera film digital FX6, AF Assist memungkinkan Anda secara intuitif beralih ke kontrol fokus manual untuk menyesuaikan posisi fokus saat bekerja dengan AF. Ini adalah cara cepat untuk mengalihkan fokus selektif antara berbagai subjek dalam suatu adegan saat merekam.

     

    • A unique solution to compensate for how certain lenses perform when racking focus, Focus Breathing compensation will automatically smooth focus transitions and maintain a consistent field of view when changing the focus position during a shot. This mode crops into the image slightly and corrects for any detected shifts in composition when focusing is happening. This function is compatible with select E-mount lenses, check Breathing Compensation lens compatibility here.

    Body Design, Connectivity, and Streaming

    Sony a7 IV | Vari-Angle LCD

    Viewfinder and LCD Screen

    • QVGA OLED Tru-Finder EVF yang ditingkatkan memiliki resolusi 3,68m-dot yang kira-kira 1,6x lebih tinggi dalam resolusi dibandingkan pendahulunya untuk tampilan yang lebih tajam dan jernih. Jendela bidik ini mendukung kecepatan bingkai standar 60 fps dan 120 fps untuk rendering gerakan yang mulus dan desain fisiknya memiliki titik mata 23 mm, pembesaran 0,78x, dan bidang pandang 37,3°.
    • Sempurna untuk vlogging atau kebutuhan perekaman mandiri lainnya, bukaan samping 3.0" Layar artikulasi vari-angle 1,03m-dot dapat digunakan dalam orientasi menghadap ke depan atau dapat dimiringkan ke atas atau ke bawah agar sesuai dengan sudut pengambilan gambar yang tinggi atau rendah. LCD ini juga merupakan layar sentuh, untuk kontrol pemotretan intuitif dan navigasi menu.

    Sony a7 IV | Ports

    Ports and Interface

    • Port HDMI A ukuran penuh menawarkan koneksi yang lebih andal saat bekerja dengan perekam eksternal.
    • Port USB 3.2 Gen 2 Type-C telah ditambahkan, selain port micro-USB, untuk dukungan tethering yang lebih cepat dan andal. Koneksi USB Type-C memungkinkan kamera diisi atau diberi daya dari sumber daya host saat terhubung.
    • Headphone 3,5 mm dan port mikrofon eksternal memfasilitasi kontrol lebih besar atas perekaman audio.
    • Multi Interface Shoe mendukung penggunaan Mikrofon Shotgun ECM-B1M opsional atau Kit Adaptor XLR-K3M XLR, yang menghasilkan suara rekaman audio yang lebih baik dan jernih dengan mengirimkan sinyal audio digital ke kamera, bukan sinyal analog.
    • Port USB Type-C dapat dipasangkan dengan adaptor LAN kabel Ethernet opsional untuk menyediakan konektivitas 1000BASE-T, pemotretan jarak jauh berkabel, atau transfer FTP.

     

    5-Axis SteadyShot INSIDE Image Stabilization

    • Sistem stabilisasi gambar SteadyShot INSIDE 5-sumbu 5,5-stop yang ditingkatkan dan efektif mengkompensasi lima jenis goyangan kamera berbeda yang ditemui selama pengambilan gambar diam dan video dengan genggaman dan memungkinkan pengguna dengan percaya diri menggunakan lensa apa pun, bahkan lensa yang disesuaikan, untuk pengambilan gambar kritis tanpa mengalami kekaburan dari kamera menggoyang.
    • Untuk panjang fokus yang panjang, sistem akan mengoreksi penyesuaian pitch dan yaw. Sebaliknya, citra makro dan pembesaran tinggi akan mendapat manfaat dari penyertaan kompensasi pergeseran horizontal dan vertikal. Semua gaya pemotretan akan mendapatkan penggunaan kompensasi gulungan. Kelima sumbu stabilisasi akan berfungsi setiap saat, bahkan saat digunakan dengan lensa dan adaptor pihak ketiga atau lensa dengan stabilisasi optik internal.
    • Selain itu, khusus untuk video, terdapat juga mode Active IS yang menambahkan metode stabilisasi yang lebih presisi untuk hasil rekaman yang lebih halus langsung dari kamera.

    Sony a7 IV | HVL-F60RM2 | External Flash Control

    Advanced External Flash Control

    Menyesuaikan bekerja dengan flash saat memotret subjek yang bergerak cepat, pengukuran flash P-TTL dimungkinkan di antara setiap eksposur saat bekerja dengan mode pemotretan beruntun kecepatan tinggi, sedang, atau bahkan tinggi. Hal ini membantu menjaga kestabilan pencahayaan jika terjadi semburan cahaya redup dan sangat bermanfaat saat bekerja dalam kondisi cahaya atau cahaya redup yang berubah-ubah. Sistem kontrol lampu kilat yang diperbarui juga membantu mengurangi kelambatan pemicu lampu kilat, menggunakan informasi AWB kamera untuk rendering warna alami, dan mendukung penyesuaian unit lampu kilat dan pemancar tertentu langsung dari antarmuka kamera.

    Sony a7 IV | Wireless Connectivity

    Wireless Connectivity and Streaming

    • Wi-Fi internal memungkinkan kontrol kamera jarak jauh dan berbagi citra secara instan ke perangkat seluler untuk dibagikan langsung secara online, dan dukungan untuk pita 2,4 dan 5 GHz juga memungkinkan dukungan pengambilan gambar tertambat secara nirkabel. Konektivitas ini juga menyediakan kontrol kamera jarak jauh.
    • Penggunaan aplikasi seluler Imaging Edge diuntungkan oleh Bluetooth untuk menjaga koneksi yang andal antara kamera dan perangkat seluler.
    • Mendukung Visual Story untuk kemudahan pengiriman foto dan video berbasis cloud segera setelah pengambilan gambar.

    Sony a7 IV | USB Webcam and Streaming

    • Streaming langsung dapat dilakukan langsung dari kamera hanya dengan menyambungkan kamera ke komputer atau perangkat seluler yang kompatibel melalui USB, sehingga kemampuan video dan audio kamera dapat digunakan untuk media sosial langsung dan konferensi video.
    • Tersedia pengaturan perekaman 4K 15p, FHD 60p/30p, dan HD 30p dan terdapat juga efek Creative Look internal dan Soft Skin untuk kualitas gambar yang lebih baik langsung dari kamera.
    • Perekaman internal didukung ke kartu memori saat streaming langsung.
    • Standar UVC dan UAC didukung untuk meningkatkan kualitas gambar dan suara selama streaming.
      IDR 37.499.000IDR 33.999.000
      Promo
      Sony ZV-E10 Mirrorless Camera with 16-50mm Lens White
      Sony ZV-E10 Mirrorless Camera with 16-50mm Lens White
      #10400

      Sony ZV-E10 Overview

      Key Features

      • 24.2MP APS-C Exmor CMOS Sensor
      • UHD 4K30p and Full HD 120p Video
      • 3.0" Side Flip-Out Touchscreen LCD
      • 425-Point Fast Hybrid AF
      • Up to 11-fps Shooting, ISO 100-32000
      • Real-Time Eye AF and Tracking
      • Background Defocus & Face Priority AE
      • Directional 3-Capsule Mic and Windscreen
      • Headphone and Microphone Ports
      • E PZ 16-50mm f/3.5-5.6 OSS Lens

      apture More of Your World

      Perfect for vloggers, the Sony ZV-E10 pairs a large APS-C sensor and mirrorless versatility with a specialized feature-set built just for content creators. Improving upon the ubiquitous smartphone, the ZV-E10 is an Alpha camera that brings improved image quality, greater choice of lenses, and increased control to up your creativity when shooting.

      Taking a concept that originated with the ZV-1, the ZV-E10 is the mirrorless continuation of this idea of a camera built around the concept of vlogging. It's a highly capable and portable camera but incorporates a series of design choices and shooting modes that are ideal for single-person productions. A vari-angle screen lets you accurately frame up shots, the integrated directional mic is purpose-built for recording more accurate sound from front-facing subjects, and shooting modes like Background Defocus and Product Showcase help you highlight specific subjects with ease.

      Vlogging Features

      Optimized Camera Design

      • Rear 3.0" 921.6k-dot touchscreen LCD features a side flip-out design that is ideal for filming yourself or taking selfies in a natural and intuitive manner.
      • Side-opening screen allows for a redesigned top plate, which incorporates a directional 3-capsule microphone that is specifically designed for forward-directional audio recording. Also, a dedicated wind screen for the built-in mic is included to help achieve cleaner audio when working outdoors. It attaches using the supplied wind screen adapter, which mounts into the shoe mount on the top of the camera and holds the wind screen to the side.
      • Both 3.5mm microphone and headphone ports are also featured for more advanced audio recording, and the Multi Interface Shoe also benefits audio recording capabilities. This accessory shoe supports a digital audio interface that helps to achieve lower noise during recording and also eliminates cable clutter and the need for external power when working with compatible shoe-mounted mics.

      • Front tally lamp serves as a visual indicator for when recording is occurring. Also, the LCD can display a red border frame to further serve as an additional recording indicator.
      • Live streaming is possible directly from the camera simply by connecting the camera to a computer or compatible mobile device via USB, allowing the camera's video and audio capabilities to be used for live social media and video conferencing. UVC and UAC standards are supported for improved picture and sound quality during streaming.

       

      Specialized Shooting Modes

      • Product Showcase setting is ideal for vlogging and product review or demonstration videos and allows for quick and smooth focus transitions between a subject's face and an object placed in front of the lens.
      • Face-Priority AE detects the subject's face and adjusts the exposure to ensure the face is depicted in an ideal brightness, even if walking from a bright place into shade. The AE technology also suppresses abrupt changes in exposure if the subject quickly turns away from the frame to eliminate unexpected blown-out or extremely dark shots.
      • Refined color science helps to optimize skin tones for any subject, in both still and video modes, in order to achieve a healthy and natural look that is inclusive of different ages, genders, and ethnicity.
      • Soft Skin Effect can be used to soften and smooth wrinkles or blemishes on a subject's face to create a natural, smooth complexion. The default setting is Mid and can be adjusted to Off, Low, or Hi. For longer takes, extended continuous video recording is available when setting the Auto Power OFF Temp. function to High.

       

      • Background Defocus lets you immediately switch to the maximum aperture setting of the attached lens, using a custom button function, for isolating your subject using shallow depth of field and bokeh.
      • Movie footage can be tagged with specific metadata to indicate vertical recording orientation for direct playback in smartphone apps or for other instances when vertical video playback is needed.
      • Active SteadyShot is an advanced image stabilization mode that ensures steady video while moving, even when handheld shooting while walking.

      Image Quality, Autofocus, and 4K Video

       

      24.2MP APS-C Exmor CMOS Sensor and BIONZ X Processor

      • A revised APS-C-format 24.2MP Exmor CMOS sensor realizes smooth, nuanced image quality with minimal noise and high sensitivity from ISO 100-32000, which can further be expanded to ISO 51200 for working in low-light conditions.
      • The sensor dimensions are approximately 3x larger than a 1" sensor, and up to 10x larger than some smartphone sensors, enabling greater sensitivity, reduced noise, and improved control over depth of field.
      • The sensor and BIONZ X processor combination also avails a top continuous-shooting rate of 11 fps with AF and AE and permits 14-bit raw file output for a wide tonal and color scale.

       

      425-Point Fast Hybrid AF

      • The sensor's design incorporates a 425-point Fast Hybrid AF system, which blends both phase-detection and contrast-detection methods to achieve focusing performance that is fast, natural, and accurate.
      • The on-chip focusing system covers 84% of the sensor field and is capable of achieving focus in as little as 0.02 sec.
      • Real-time Eye AF can prioritize focusing on human or animal eyes for ensured sharpness when making portraits. When selected, this function is activated by half-pressing the shutter button and you can further choose to prioritize either the right or left eye.
      • Real-time tracking utilizes AI-based algorithms to automatically recognize and track moving subjects. If Face/Eye Priority AF is on, this tracking method will further track a subject's eye or face in real time with seamless changing depending on the status of the moving subject.

       

      4K Video Recording

      • UHD 4K video recording is possible up to 30p and uses full pixel readout with 6K oversampling to yield greater detail with reduced moiré and aliasing. Full HD 1080p recording is also supported in frame rates up to 120 fps, and both resolutions utilize the 100 Mb/s XAVC S format contained within an MP4 wrapper with 4:2:0 sampling. In addition to high-resolution internal recording, uncompressed HDMI output also enables the use of an optional external recorder for clean 4K recording with 4:2:2 sampling.
      • No recording limit for movie recording, allowing for longer takes and uninterrupted shooting of live events.
      • Affording extensive customizable color and gamma controls, the ZV-E10 allows users to adjust the gamma, black level, knee, color level, and more. Use the same S-Log2 Gamma Curve that is found on high-end Sony Cinema cameras, which squeezes up to 1300% more dynamic range into the video signal then traditional Rec. 709, for increased post-production flexibility. HLG (Hybrid Log-Gamma) support is also available, along with the BT.2020 color space, for recording within a wide color gamut and, in addition to S-Log2, S-Log3 is also available for producing an effective 14-stop dynamic range with increased grading control in the shadow to mid-tone regions of the image.

       

      • Slow & Quick (S&Q) mode allows shooters to capture Full HD video at specified steps between 1-120 fps. These settings will allow you to slow down action as well as speed up a slow-moving scene.
      • Interval shooting mode is ideal for creating time-lapse movies with the aid of Imaging Edge software. Intervals can be selected between 1-60 seconds for recording up to 9999 sequential free. Also, in-camera battery charging is possible via the USB port using a portable battery to benefit long interval shooting sessions.

      Physical Design and Wireless Connectivity

      Camera Body Design

      • Built for portable applications and one-handed use, the camera incorporates a large right-hand grip and intuitive physical control layout.
      • Grip design, along with the vari-angle LCD, also suits working from front-facing angles, such as when vlogging or taking selfies.
      • Integrated zoom lever surrounds the shutter button and works in conjunction with select Power Zoom lenses.

      • Vari-angle screen can be closed against the body, with the screen facing inward, to automatically power off the camera even when the power switch is set to 'On'.
      • Dedicated Movie Record, Background Defocus, Product Showcase, and S&Q buttons provide direct access to common features used by vloggers.
      • Included NP-FW50 battery is rated for up to 440 shots or approximately 125 minutes of recording per charge. Power can also be supplied to the camera through the USB Type-C port or by using the optional AC-PW20AM AC adapter.

      Wireless and Sharing

      • Built-in Bluetooth and Wi-Fi connectivity enables instant transferring of imagery to mobile devices for direct sharing online to social networking, via email, and to cloud storage sites. Once connected, the linked mobile device can also display a live view image on its screen and, using Smart Remote Control, remotely control the camera's shutter release.
      • The ZV-E10 is also compatible with the Movie Edit add-on from the Imaging Edge mobile app.
      • Bluetooth connectivity enables connecting to the optional GP-VPT2BT Wireless Shooting Grip for efficient camera control.

      E PZ 16-50mm f/3.5-5.6 OSS Lens

      The included E PZ 16-50mm f/3.5-5.6 OSS lens is a 24-75mm-equivalent zoom characterized by its versatile range and sleek, retractable design. Helping to deliver excellent optical quality throughout the range are an extra-low dispersion element and four aspherical elements to combat various aberrations and improve contrast. The lens also incorporates Optical SteadyShot image stabilization and a power zoom mechanism, both of which will help you capture smooth and steady stills and video. Additionally, it has an internal focus design, a minimum focus distance of 9.8", and uses a 7-blade aperture for smooth bokeh.

       

        IDR 11.999.000IDR 10.999.000
        Promo
        Sony ZV-E10 Mirrorless Camera with 16-50mm Lens Black
        Sony ZV-E10 Mirrorless Camera with 16-50mm Lens Black
        #10399

        Sony ZV-E10 Overview

        Key Features

        • 24.2MP APS-C Exmor CMOS Sensor
        • UHD 4K30p and Full HD 120p Video
        • 3.0" Side Flip-Out Touchscreen LCD
        • 425-Point Fast Hybrid AF
        • Up to 11-fps Shooting, ISO 100-32000
        • Real-Time Eye AF and Tracking
        • Background Defocus & Face Priority AE
        • Directional 3-Capsule Mic and Windscreen
        • Headphone and Microphone Ports
        • E PZ 16-50mm f/3.5-5.6 OSS Lens

        Aperture More of Your World

        Perfect for vloggers, the Sony ZV-E10 pairs a large APS-C sensor and mirrorless versatility with a specialized feature-set built just for content creators. Improving upon the ubiquitous smartphone, the ZV-E10 is an Alpha camera that brings improved image quality, greater choice of lenses, and increased control to up your creativity when shooting.

        Taking a concept that originated with the ZV-1, the ZV-E10 is the mirrorless continuation of this idea of a camera built around the concept of vlogging. It's a highly capable and portable camera but incorporates a series of design choices and shooting modes that are ideal for single-person productions. A vari-angle screen lets you accurately frame up shots, the integrated directional mic is purpose-built for recording more accurate sound from front-facing subjects, and shooting modes like Background Defocus and Product Showcase help you highlight specific subjects with ease.

        Vlogging Features

        Optimized Camera Design

        • Rear 3.0" 921.6k-dot touchscreen LCD features a side flip-out design that is ideal for filming yourself or taking selfies in a natural and intuitive manner.
        • Side-opening screen allows for a redesigned top plate, which incorporates a directional 3-capsule microphone that is specifically designed for forward-directional audio recording. Also, a dedicated wind screen for the built-in mic is included to help achieve cleaner audio when working outdoors. It attaches using the supplied wind screen adapter, which mounts into the shoe mount on the top of the camera and holds the wind screen to the side.
        • Both 3.5mm microphone and headphone ports are also featured for more advanced audio recording, and the Multi Interface Shoe also benefits audio recording capabilities. This accessory shoe supports a digital audio interface that helps to achieve lower noise during recording and also eliminates cable clutter and the need for external power when working with compatible shoe-mounted mics.

        • Front tally lamp serves as a visual indicator for when recording is occurring. Also, the LCD can display a red border frame to further serve as an additional recording indicator.
        • Live streaming is possible directly from the camera simply by connecting the camera to a computer or compatible mobile device via USB, allowing the camera's video and audio capabilities to be used for live social media and video conferencing. UVC and UAC standards are supported for improved picture and sound quality during streaming.

        Specialized Shooting Modes

        • Product Showcase setting is ideal for vlogging and product review or demonstration videos and allows for quick and smooth focus transitions between a subject's face and an object placed in front of the lens.
        • Face-Priority AE detects the subject's face and adjusts the exposure to ensure the face is depicted in an ideal brightness, even if walking from a bright place into shade. The AE technology also suppresses abrupt changes in exposure if the subject quickly turns away from the frame to eliminate unexpected blown-out or extremely dark shots.
        • Refined color science helps to optimize skin tones for any subject, in both still and video modes, in order to achieve a healthy and natural look that is inclusive of different ages, genders, and ethnicity.
        • Soft Skin Effect can be used to soften and smooth wrinkles or blemishes on a subject's face to create a natural, smooth complexion. The default setting is Mid and can be adjusted to Off, Low, or Hi. For longer takes, extended continuous video recording is available when setting the Auto Power OFF Temp. function to High.
        • Background Defocus lets you immediately switch to the maximum aperture setting of the attached lens, using a custom button function, for isolating your subject using shallow depth of field and bokeh.
        • Movie footage can be tagged with specific metadata to indicate vertical recording orientation for direct playback in smartphone apps or for other instances when vertical video playback is needed.
        • Active SteadyShot is an advanced image stabilization mode that ensures steady video while moving, even when handheld shooting while walking.

        Image Quality, Autofocus, and 4K Video

        24.2MP APS-C Exmor CMOS Sensor and BIONZ X Processor

        • A revised APS-C-format 24.2MP Exmor CMOS sensor realizes smooth, nuanced image quality with minimal noise and high sensitivity from ISO 100-32000, which can further be expanded to ISO 51200 for working in low-light conditions.
        • The sensor dimensions are approximately 3x larger than a 1" sensor, and up to 10x larger than some smartphone sensors, enabling greater sensitivity, reduced noise, and improved control over depth of field.
        • The sensor and BIONZ X processor combination also avails a top continuous-shooting rate of 11 fps with AF and AE and permits 14-bit raw file output for a wide tonal and color scale.

        425-Point Fast Hybrid AF

        • The sensor's design incorporates a 425-point Fast Hybrid AF system, which blends both phase-detection and contrast-detection methods to achieve focusing performance that is fast, natural, and accurate.
        • The on-chip focusing system covers 84% of the sensor field and is capable of achieving focus in as little as 0.02 sec.
        • Real-time Eye AF can prioritize focusing on human or animal eyes for ensured sharpness when making portraits. When selected, this function is activated by half-pressing the shutter button and you can further choose to prioritize either the right or left eye.
        • Real-time tracking utilizes AI-based algorithms to automatically recognize and track moving subjects. If Face/Eye Priority AF is on, this tracking method will further track a subject's eye or face in real time with seamless changing depending on the status of the moving subject.

         

        4K Video Recording

        • UHD 4K video recording is possible up to 30p and uses full pixel readout with 6K oversampling to yield greater detail with reduced moiré and aliasing. Full HD 1080p recording is also supported in frame rates up to 120 fps, and both resolutions utilize the 100 Mb/s XAVC S format contained within an MP4 wrapper with 4:2:0 sampling. In addition to high-resolution internal recording, uncompressed HDMI output also enables the use of an optional external recorder for clean 4K recording with 4:2:2 sampling.
        • No recording limit for movie recording, allowing for longer takes and uninterrupted shooting of live events.
        • Affording extensive customizable color and gamma controls, the ZV-E10 allows users to adjust the gamma, black level, knee, color level, and more. Use the same S-Log2 Gamma Curve that is found on high-end Sony Cinema cameras, which squeezes up to 1300% more dynamic range into the video signal then traditional Rec. 709, for increased post-production flexibility. HLG (Hybrid Log-Gamma) support is also available, along with the BT.2020 color space, for recording within a wide color gamut and, in addition to S-Log2, S-Log3 is also available for producing an effective 14-stop dynamic range with increased grading control in the shadow to mid-tone regions of the image.
        • Slow & Quick (S&Q) mode allows shooters to capture Full HD video at specified steps between 1-120 fps. These settings will allow you to slow down action as well as speed up a slow-moving scene.
        • Interval shooting mode is ideal for creating time-lapse movies with the aid of Imaging Edge software. Intervals can be selected between 1-60 seconds for recording up to 9999 sequential free. Also, in-camera battery charging is possible via the USB port using a portable battery to benefit long interval shooting sessions.

         

        Physical Design and Wireless Connectivity

        Camera Body Design

        • Video Hands On Sony e-10
        • Built for portable applications and one-handed use, the camera incorporates a large right-hand grip and intuitive physical control layout.
        • Grip design, along with the vari-angle LCD, also suits working from front-facing angles, such as when vlogging or taking selfies.
        • Integrated zoom lever surrounds the shutter button and works in conjunction with select Power Zoom lenses.

        • Vari-angle screen can be closed against the body, with the screen facing inward, to automatically power off the camera even when the power switch is set to 'On'.
        • Dedicated Movie Record, Background Defocus, Product Showcase, and S&Q buttons provide direct access to common features used by vloggers.
        • Included NP-FW50 battery is rated for up to 440 shots or approximately 125 minutes of recording per charge. Power can also be supplied to the camera through the USB Type-C port or by using the optional AC-PW20AM AC adapter.

        Wireless and Sharing

        • Built-in Bluetooth and Wi-Fi connectivity enables instant transferring of imagery to mobile devices for direct sharing online to social networking, via email, and to cloud storage sites. Once connected, the linked mobile device can also display a live view image on its screen and, using Smart Remote Control, remotely control the camera's shutter release.
        • The ZV-E10 is also compatible with the Movie Edit add-on from the Imaging Edge mobile app.
        • Bluetooth connectivity enables connecting to the optional GP-VPT2BT Wireless Shooting Grip for efficient camera control.

        E PZ 16-50mm f/3.5-5.6 OSS Lens

         

        The included E PZ 16-50mm f/3.5-5.6 OSS lens is a 24-75mm-equivalent zoom characterized by its versatile range and sleek, retractable design. Helping to deliver excellent optical quality throughout the range are an extra-low dispersion element and four aspherical elements to combat various aberrations and improve contrast. The lens also incorporates Optical SteadyShot image stabilization and a power zoom mechanism, both of which will help you capture smooth and steady stills and video. Additionally, it has an internal focus design, a minimum focus distance of 9.8", and uses a 7-blade aperture for smooth bokeh.

        IDR 11.999.000IDR 10.999.000
        Viltrox DC-550 PRO 5.5" Touchscreen HD Monitor
        Viltrox DC-550 PRO 5.5" Touchscreen HD Monitor
        #17622

        Viltrox DC-550 PRO Overview

        Key Features

        • 5.5" On-Camera Touchscreen Monitor
        • 1920 x 1080 Resolution Display
        • 1200 cd/m² Brightness, 3D LUTs
        • Cooling Fan, 2 Histograms, 3 Waveforms
        • Up to 4K30 Input and Loop Output
        • 1 x HDMI Input, 1 x HDMI Output
        • Sony L-Series Type Battery
        • Includes Sun Hood, HDMI Cables
        • Includes Shoe Mount Adapter

        The lightweight DC-550 PRO 5.5" Touchscreen HD Monitor from Viltrox lets you view your camera's image on a bright, sharp 5.5" display. The DC-550 PRO supports up to 4K30 video input and can send the signal through an HDMI loop-through output. This PRO model features two additional histograms, three parade waveforms, a cooling fan, and 1200 cd/m² brightness, making it suitable for outdoor use.

        The DC-550 PRO features a 1920 x 1080 touchscreen display that supports live view from your camera, and it provides image tools such as peaking, color temperature, tone, pixel-to-pixel zoom, brightness, and contrast. You can monitor the audio via its built-in speaker or 3.5mm headphone port. At the rear of the monitor, a built-in L-series battery plate enables you to power the monitor with the L-series battery, or you can power it with a separately available AC adapter.

        Features

        Daylight-viewable, 5.5" on-camera touchscreen LCD monitor with 1920 x 1080 resolution

        The DC-550 PRO features 1200 cd/m² brightness for indoor and outdoor use, two additional histograms including RGB and brightness, and three parade waveforms including RGB, Y, and YUV

        Full-size HDMI input, full-size HDMI loop-through output

        Supports up to 4K30 video input and output

        The 178° ultra-wide-angle screen is convenient for creators to enjoy clear picture quality when monitoring from different angles

        Power the monitor with a separately available power adapter or Sony L-series type batteries in the built-in battery plate

        Rec.709 color standard

        Import custom 3D LUTs via a separately available SD card using the built-in slot

        IDR 2.990.000
        Viltrox DC-550 Lite 5.5" Touchscreen HD Monitor
        Viltrox DC-550 Lite 5.5" Touchscreen HD Monitor
        #17620

        Viltrox DC-550 Lite Overview

        Key Features

        • 5.5" On-Camera Touchscreen Monitor
        • 1920 x 1080 Resolution Display
        • 400 cd/m² Brightness, 3D LUTs
        • 1 x Histogram, 1 x Waveform
        • Up to 4K30 Input and Loop Output
        • 1 x HDMI Input, 1 x HDMI Output
        • Sony L-Series Type Battery
        • Includes Sun Hood, HDMI Cables
        • Includes Shoe Mount Adapter

        The lightweight DC-550 5.5" Lite Touchscreen HD Monitor from Viltrox lets you view your camera's image on a 5.5" display. The DC-550 supports up to 4K30 video input and can send the signal through an HDMI loop-through output. This model features one brightness histogram, one parade waveform, and 400 cd/m² brightness, making it suitable for outdoor use.

        The DC-550 Lite features a 1920 x 1080 touchscreen display that supports live view from your camera, and it provides image tools such as peaking, color temperature, tone, pixel-to-pixel zoom, brightness, and contrast. You can monitor the audio via its built-in speaker or 3.5mm headphone port. At the rear of the monitor, a built-in L-series battery plate enables you to power the monitor with the L-series battery, or you can power it with a separately available AC adapter.

        Features

        Daylight-viewable, 5.5" on-camera touchscreen LCD monitor with 1920 x 1080 resolution

        The DC-550 features 400 cd/m² brightness for indoor and outdoor use, one brightness histogram, and one Y parade waveform

        Full-size HDMI input, full-size HDMI loop-through output

        Supports up to 4K30 video input and output

        The 178° ultra-wide-angle screen is convenient for creators to enjoy clear picture quality when monitoring from different angles

        Power the monitor with a separately available power adapter or Sony L-series type batteries in the built-in battery plate

        Rec.709 color standard

        Import custom 3D LUTs via a separately available SD card using the built-in slot

        IDR 2.250.000
        Kaizen 3M Brushed Metal Grey (BR201) A3 Film for Sony
        Kaizen 3M Brushed Metal Grey (BR201) A3 Film for Sony
        #16466

        Kaizen 3M Brushed Metal Grey (BR201) A3 Film

        For traditional camouflage print lovers, 3M created car wrap in a camouflage green color. No matter if you wrap your company car or your private one, the feeling this coloration gives is always the same – respect, trust and a touch of exoticism.

        Camouflage green car wrap film by 3M 2080

        For traditional camouflage print lovers, 3M created car wrap in a camouflage green color. No matter if you wrap your company car or your private one, the feeling this coloration gives is always the same. Cars wrapped with this vinyl will catch the eye. The military and camouflage print remind people of stability, seriousness and a touch of exoticism.

        Improved stretching and flexibility

        The improved product allows easy and fast installation even on complex 3D curves, featuring high conformability, great cold stretch, and excellent lifting resistance. 3M Car Wrap Film 2080 has another advantage – a specially treated surface against pollution. Thanks to its low surface energy, the vinyl does not retain dirt and your car is practically self-cleaning. The innovative technology is reminiscent of nanovax – a liquid polymer that creates a protective layer that leads to water repellency.

         

        Excellent durability

        After gluing, the bond strength increases within a few hours. Nevertheless, the 3M 2080 Series car film can be removed without leaving any residue on your car, even years later. The 3M Car Wrap Film 2080 series guarantees the strength and durability of the installation even on vulnerable details – the edges of doors and fenders, the front cover, and the bumper.

        Attention: After gluing with 3M Car Wrap Film 2080, the technology does not allow gluing another vinyl on the already glued surface.

        IDR 499.000
        Kaizen 3M Camo Skin Black (SB12) A3 Film for Sony
        Kaizen 3M Camo Skin Black (SB12) A3 Film for Sony
        #16465

        Kaizen 3M Camo Skin Black (SB12) A3 Film

        For traditional camouflage print lovers, 3M created car wrap in a camouflage green color. No matter if you wrap your company car or your private one, the feeling this coloration gives is always the same – respect, trust and a touch of exoticism.

        Camouflage green car wrap film by 3M 2080

        For traditional camouflage print lovers, 3M created car wrap in a camouflage green color. No matter if you wrap your company car or your private one, the feeling this coloration gives is always the same. Cars wrapped with this vinyl will catch the eye. The military and camouflage print remind people of stability, seriousness and a touch of exoticism.

        Improved stretching and flexibility

        The improved product allows easy and fast installation even on complex 3D curves, featuring high conformability, great cold stretch, and excellent lifting resistance. 3M Car Wrap Film 2080 has another advantage – a specially treated surface against pollution. Thanks to its low surface energy, the vinyl does not retain dirt and your car is practically self-cleaning. The innovative technology is reminiscent of nanovax – a liquid polymer that creates a protective layer that leads to water repellency.

         

        Excellent durability

        After gluing, the bond strength increases within a few hours. Nevertheless, the 3M 2080 Series car film can be removed without leaving any residue on your car, even years later. The 3M Car Wrap Film 2080 series guarantees the strength and durability of the installation even on vulnerable details – the edges of doors and fenders, the front cover, and the bumper.

        Attention: After gluing with 3M Car Wrap Film 2080, the technology does not allow gluing another vinyl on the already glued surface.

        IDR 499.000
        Kaizen 3M Camo Skin Green (SB26) A3 Film for Sony
        Kaizen 3M Camo Skin Green (SB26) A3 Film for Sony
        #16464

        Kaizen 3M Camo Skin Green (SB26) A3 Film

        For traditional camouflage print lovers, 3M created car wrap in a camouflage green color. No matter if you wrap your company car or your private one, the feeling this coloration gives is always the same – respect, trust and a touch of exoticism.

        Camouflage green car wrap film by 3M 2080

        For traditional camouflage print lovers, 3M created car wrap in a camouflage green color. No matter if you wrap your company car or your private one, the feeling this coloration gives is always the same. Cars wrapped with this vinyl will catch the eye. The military and camouflage print remind people of stability, seriousness and a touch of exoticism.

        Improved stretching and flexibility

        The improved product allows easy and fast installation even on complex 3D curves, featuring high conformability, great cold stretch, and excellent lifting resistance. 3M Car Wrap Film 2080 has another advantage – a specially treated surface against pollution. Thanks to its low surface energy, the vinyl does not retain dirt and your car is practically self-cleaning. The innovative technology is reminiscent of nanovax – a liquid polymer that creates a protective layer that leads to water repellency.

         

        Excellent durability

        After gluing, the bond strength increases within a few hours. Nevertheless, the 3M 2080 Series car film can be removed without leaving any residue on your car, even years later. The 3M Car Wrap Film 2080 series guarantees the strength and durability of the installation even on vulnerable details – the edges of doors and fenders, the front cover, and the bumper.

        Attention: After gluing with 3M Car Wrap Film 2080, the technology does not allow gluing another vinyl on the already glued surface.

        IDR 499.000
        Pre Order
        Laowa Nanomorph 80mm T2.4 1.5X S35 (Silver) for Sony E Mount
        Laowa Nanomorph 80mm T2.4 1.5X S35 (Silver) for Sony E Mount
        #15715

        Venus Optics Laowa Nanomorph 80mm T2.4 1.5x S... Overview

        Key Features

        • Compact Anamorphic Lens for S35 Sensors
        • T2.4 to T16 Aperture Range
        • 1.5x Anamorphic Squeeze Ratio
        • Amber Color Anamorphic Lens Flare
        • Lightweight Build, Interchangeable Mount
        • Telephoto Compression
        • 67mm Front Diameter, 62mm Filter Thread
        • 0.8 MOD Gears, Metric/Imperial Markings
        • 13-Blade Iris for Smooth Bokeh
        • 27.5" Close Focus

        The Sony E-mount Laowa Nanomorph 80mm T2.4 1.5x S35 Anamorphic Lens from Venus Optics is a compact, lightweight anamorphic lens that captures high-quality, organic imagery with 1.5x anamorphic squeeze on cameras with S35 sensors. It features telephoto compression ideal for close-ups, an aperture range of T2.4 to T16 for a deep depth of field, and 13 iris blades for soft bokeh.

         

        Anamorphic Cinema Lens

        This prime lens has a short minimum focus distance of 27.5" and offers anamorphic qualities such as oval bokeh, shallower depth of field, and blue color lens flares. Other features include focus marks in both feet and meters, 0.8 MOD cine gears on focus and aperture rings, and a 62mm front filter thread. The Sony E lens mount is interchangeable and can be swapped out for six other separately available mounts. Use this Nanomorph prime with the separately available 1.33x adapter to obtain a 2x squeeze ratio.

        Constant 1.5x Squeeze Ratio

        A 1.5x squeeze ratio is a perfect balance between the size and anamorphic intensity. With a 1.5x squeeze ratio, you will have a 2.66:1 on a 16:9 sensor after de-squeeze. The larger-than-S35 coverage enables you to use Nanomorph lenses with minimal vignetting on select full-frame cameras.

        Optional 1.33x Adapter

        Use this Nanomorph prime with the separately available 1.33x front-mounted adapter to obtain a wider 2x squeeze ratio.

        Compact Design

        • This compact and lightweight lens measures just 5.5" in length and weighs less than 1.6 lb.
        • The smaller design enables you to get an anamorphic look for handheld, slider, and gimbal capture.

        Interchangeable Sony E Mount

        The included Sony E mount is interchangeable with separately available Canon RF, DJI DL, Fuji X, Leica L, Micro Four Thirds, and Nikon Z mounts.

        Artistic Oval Bokeh

        A 1.5x squeeze ratio also renders an oval bokeh that gives an artistic touch to the image. It also creates a blurry and creamy background that pops out the subject.

        Telephoto Compression

        This 80mm telephoto focal length provides enhanced depth of field and impressive bokeh effects, making it ideal for close-up imaging.

        T2.4 Aperture, Close Focus

        The 27.5" minimum focus distance enables users to create closer shots. The T2.4 maximum aperture renders a shallower depth of field, creating a stronger sense of compression and oval-shaped bokeh.

        Blue Anamorphic Flare

        • The blue flare creates a sci-fi or vintage look that highlights the anamorphic style.
        • Horizontal flares are a signature feature of the anamorphic look.
        • Note that an alternate flare color may be shown.

        Unified Gear Position

        The unified gear position allows users to switch lenses quickly and without readjustment on the focus gear.

        62mm Filter Thread

        A 62mm filter can be attached directly to the lens for a variety of handy setups. The small diameter is favorable when doing run-and-gun shots or utilizing it with an aerial drone.

        Dual Focus Scales

        Focus marks are provided in both feet and meters.

        0.8 MOD Gears

        Industry-standard 0.8 MOD gears are installed on both aperture and focus rings.

        IDR 21.420.000
        Pre Order
        Laowa Nanomorph 80mm T2.4 1.5X S35 (Amber) for Sony E Mount
        Laowa Nanomorph 80mm T2.4 1.5X S35 (Amber) for Sony E Mount
        #15714

        Venus Optics Laowa Nanomorph 80mm T2.4 1.5x S... Overview

        Key Features

        • Compact Anamorphic Lens for S35 Sensors
        • T2.4 to T16 Aperture Range
        • 1.5x Anamorphic Squeeze Ratio
        • Amber Color Anamorphic Lens Flare
        • Lightweight Build, Interchangeable Mount
        • Telephoto Compression
        • 67mm Front Diameter, 62mm Filter Thread
        • 0.8 MOD Gears, Metric/Imperial Markings
        • 13-Blade Iris for Smooth Bokeh
        • 27.5" Close Focus

        The Sony E-mount Laowa Nanomorph 80mm T2.4 1.5x S35 Anamorphic Lens from Venus Optics is a compact, lightweight anamorphic lens that captures high-quality, organic imagery with 1.5x anamorphic squeeze on cameras with S35 sensors. It features telephoto compression ideal for close-ups, an aperture range of T2.4 to T16 for a deep depth of field, and 13 iris blades for soft bokeh.

         

        Anamorphic Cinema Lens

        This prime lens has a short minimum focus distance of 27.5" and offers anamorphic qualities such as oval bokeh, shallower depth of field, and blue color lens flares. Other features include focus marks in both feet and meters, 0.8 MOD cine gears on focus and aperture rings, and a 62mm front filter thread. The Sony E lens mount is interchangeable and can be swapped out for six other separately available mounts. Use this Nanomorph prime with the separately available 1.33x adapter to obtain a 2x squeeze ratio.

        Constant 1.5x Squeeze Ratio

        A 1.5x squeeze ratio is a perfect balance between the size and anamorphic intensity. With a 1.5x squeeze ratio, you will have a 2.66:1 on a 16:9 sensor after de-squeeze. The larger-than-S35 coverage enables you to use Nanomorph lenses with minimal vignetting on select full-frame cameras.

        Optional 1.33x Adapter

        Use this Nanomorph prime with the separately available 1.33x front-mounted adapter to obtain a wider 2x squeeze ratio.

        Compact Design

        • This compact and lightweight lens measures just 5.5" in length and weighs less than 1.6 lb.
        • The smaller design enables you to get an anamorphic look for handheld, slider, and gimbal capture.

        Interchangeable Sony E Mount

        The included Sony E mount is interchangeable with separately available Canon RF, DJI DL, Fuji X, Leica L, Micro Four Thirds, and Nikon Z mounts.

        Artistic Oval Bokeh

        A 1.5x squeeze ratio also renders an oval bokeh that gives an artistic touch to the image. It also creates a blurry and creamy background that pops out the subject.

        Telephoto Compression

        This 80mm telephoto focal length provides enhanced depth of field and impressive bokeh effects, making it ideal for close-up imaging.

        T2.4 Aperture, Close Focus

        The 27.5" minimum focus distance enables users to create closer shots. The T2.4 maximum aperture renders a shallower depth of field, creating a stronger sense of compression and oval-shaped bokeh.

        Blue Anamorphic Flare

        • The blue flare creates a sci-fi or vintage look that highlights the anamorphic style.
        • Horizontal flares are a signature feature of the anamorphic look.
        • Note that an alternate flare color may be shown.

        Unified Gear Position

        The unified gear position allows users to switch lenses quickly and without readjustment on the focus gear.

        62mm Filter Thread

        A 62mm filter can be attached directly to the lens for a variety of handy setups. The small diameter is favorable when doing run-and-gun shots or utilizing it with an aerial drone.

        Dual Focus Scales

        Focus marks are provided in both feet and meters.

        0.8 MOD Gears

        Industry-standard 0.8 MOD gears are installed on both aperture and focus rings.

        IDR 21.420.000
        Pre Order
        Laowa Nanomorph 80mm T2.4 1.5X S35 (Blue) for Sony E Mount
        Laowa Nanomorph 80mm T2.4 1.5X S35 (Blue) for Sony E Mount
        #15713

        Venus Optics Laowa Nanomorph 80mm T2.4 1.5x S... Overview

        Key Features

        • Compact Anamorphic Lens for S35 Sensors
        • T2.4 to T16 Aperture Range
        • 1.5x Anamorphic Squeeze Ratio
        • Blue Color Anamorphic Lens Flare
        • Lightweight Build, Interchangeable Mount
        • Telephoto Compression
        • 67mm Front Diameter, 62mm Filter Thread
        • 0.8 MOD Gears, Metric/Imperial Markings
        • 13-Blade Iris for Smooth Bokeh
        • 27.5" Close Focus

        The Sony E-mount Laowa Nanomorph 80mm T2.4 1.5x S35 Anamorphic Lens from Venus Optics is a compact, lightweight anamorphic lens that captures high-quality, organic imagery with 1.5x anamorphic squeeze on cameras with S35 sensors. It features telephoto compression ideal for close-ups, an aperture range of T2.4 to T16 for a deep depth of field, and 13 iris blades for soft bokeh.

         

        Anamorphic Cinema Lens

        This prime lens has a short minimum focus distance of 27.5" and offers anamorphic qualities such as oval bokeh, shallower depth of field, and blue color lens flares. Other features include focus marks in both feet and meters, 0.8 MOD cine gears on focus and aperture rings, and a 62mm front filter thread. The Sony E lens mount is interchangeable and can be swapped out for six other separately available mounts. Use this Nanomorph prime with the separately available 1.33x adapter to obtain a 2x squeeze ratio.

        Constant 1.5x Squeeze Ratio

        A 1.5x squeeze ratio is a perfect balance between the size and anamorphic intensity. With a 1.5x squeeze ratio, you will have a 2.66:1 on a 16:9 sensor after de-squeeze. The larger-than-S35 coverage enables you to use Nanomorph lenses with minimal vignetting on select full-frame cameras.

        Optional 1.33x Adapter

        Use this Nanomorph prime with the separately available 1.33x front-mounted adapter to obtain a wider 2x squeeze ratio.

        Compact Design

        • This compact and lightweight lens measures just 5.5" in length and weighs less than 1.6 lb.
        • The smaller design enables you to get an anamorphic look for handheld, slider, and gimbal capture.

        Interchangeable Sony E Mount

        The included Sony E mount is interchangeable with separately available Canon RF, DJI DL, Fuji X, Leica L, Micro Four Thirds, and Nikon Z mounts.

        Artistic Oval Bokeh

        A 1.5x squeeze ratio also renders an oval bokeh that gives an artistic touch to the image. It also creates a blurry and creamy background that pops out the subject.

        Telephoto Compression

        This 80mm telephoto focal length provides enhanced depth of field and impressive bokeh effects, making it ideal for close-up imaging.

        T2.4 Aperture, Close Focus

        The 27.5" minimum focus distance enables users to create closer shots. The T2.4 maximum aperture renders a shallower depth of field, creating a stronger sense of compression and oval-shaped bokeh.

        Blue Anamorphic Flare

        • The blue flare creates a sci-fi or vintage look that highlights the anamorphic style.
        • Horizontal flares are a signature feature of the anamorphic look.
        • Note that an alternate flare color may be shown.

        Unified Gear Position

        The unified gear position allows users to switch lenses quickly and without readjustment on the focus gear.

        62mm Filter Thread

        A 62mm filter can be attached directly to the lens for a variety of handy setups. The small diameter is favorable when doing run-and-gun shots or utilizing it with an aerial drone.

        Dual Focus Scales

        Focus marks are provided in both feet and meters.

        0.8 MOD Gears

        Industry-standard 0.8 MOD gears are installed on both aperture and focus rings.

        IDR 21.420.000
        Pre Order
        Laowa Nanomorph 65mm T2.4 1.5X S35 (Silver) for Sony E Mount
        Laowa Nanomorph 65mm T2.4 1.5X S35 (Silver) for Sony E Mount
        #15712

        Venus Optics Laowa Nanomorph 65mm T2.4 1.5x S... Overview

        Key Features

        • Compact Anamorphic Lens for S35 Sensors
        • T2.4 to T16 Aperture Range
        • 1.5x Anamorphic Squeeze Ratio
        • Silver Color Anamorphic Lens Flare
        • Lightweight Build, Interchangeable Mount
        • Telephoto Compression
        • 67mm Front Diameter, 62mm Filter Thread
        • 0.8 MOD Gears, Metric/Imperial Markings
        • 13-Blade Iris for Smooth Bokeh
        • 27.5" Close Focus

        The Sony E-mount Laowa Nanomorph 65mm T2.4 1.5x S35 Anamorphic Lens from Venus Optics is a compact, lightweight anamorphic lens that captures high-quality, organic imagery with 1.5x anamorphic squeeze on cameras with S35 sensors. It features telephoto compression that is ideal for close-ups, an aperture range of T2.4 to T16 for a deep depth of field, and 13 iris blades for soft bokeh.

         

        Anamorphic Cinema Lens

        This prime lens has a short minimum focus distance of 27.5" and offers anamorphic qualities such as oval bokeh, shallower depth of field, and silver color lens flares. Other features include focus marks in both feet and meters, 0.8 MOD cine gears on focus and aperture rings, and a 62mm front filter thread. The Sony E lens mount is interchangeable and can be swapped out for six other separately available mounts.

        Constant 1.5x Squeeze Ratio

        A 1.5x squeeze ratio is a perfect balance between the size and anamorphic intensity. With a 1.5x squeeze ratio, you will have a 2.66:1 on a 16:9 sensor after de-squeeze. The larger-than-S35 coverage enables you to use Nanomorph lenses with minimal vignetting on select full-frame cameras.

        Optional 1.33x Adapter

        Use this Nanomorph prime with the separately available 1.33x front-mounted adapter to obtain a wider 2x squeeze ratio.

        Compact Design

        • This compact and lightweight lens measures just 5.2" in length and weighs less than 1.6 lb.
        • The smaller design enables you to get an anamorphic look for handheld, slider, and gimbal capture.

        Interchangeable Sony E Mount

        The included Sony E mount is interchangeable with separately available Canon RF, DJI DL, Fuji X, Leica L, Micro Four Thirds, and Nikon Z mounts.

        Artistic Oval Bokeh

        A 1.5x squeeze ratio also renders an oval bokeh that gives an artistic touch to the image. It also creates a blurry and creamy background that pops out the subject.

        Telephoto Compression

        This 65mm telephoto focal length provides enhanced depth of field and impressive bokeh effects, making it ideal for close-up imaging.

        T2.4 Aperture, Close Focus

        The 27.5" minimum focus distance enables users to create closer shots. The T2.4 maximum aperture renders a shallower depth of field, creating a stronger sense of compression and oval-shaped bokeh.

        Silver Anamorphic Flare

        • The silver flare creates a more neutral look that can be adjusted according to the color of the light source for more versatility.
        • Horizontal flares are a signature feature of the anamorphic look.
        • Note that an alternate flare color may be shown.

        Unified Gear Position

        The unified gear position allows users to switch lenses quickly and without readjustment on the focus gear.

        62mm Filter Thread

        A 62mm filter can be attached directly to the lens for a variety of handy setups, including handheld, drone, and gimbal shots.

        Dual Focus Scales

        Focus marks are provided in both feet and meters.

        0.8 MOD Gears

        Industry-standard 0.8 MOD gears are installed on both aperture and focus rings.

        IDR 21.420.000
        Pre Order
        Laowa Nanomorph 65mm T2.4 1.5X S35 (Amber) for Sony E Mount
        Laowa Nanomorph 65mm T2.4 1.5X S35 (Amber) for Sony E Mount
        #15711

        Venus Optics Laowa Nanomorph 65mm T2.4 1.5x S... Overview

        Key Features

        • Compact Anamorphic Lens for S35 Sensors
        • T2.4 to T16 Aperture Range
        • 1.5x Anamorphic Squeeze Ratio
        • Amber Color Anamorphic Lens Flare
        • Lightweight Build, Interchangeable Mount
        • Telephoto Compression
        • 67mm Front Diameter, 62mm Filter Thread
        • 0.8 MOD Gears, Metric/Imperial Markings
        • 13-Blade Iris for Smooth Bokeh
        • 27.5" Close Focus

        The Sony E-mount Laowa Nanomorph 65mm T2.4 1.5x S35 Anamorphic Lens from Venus Optics is a compact, lightweight anamorphic lens that captures high-quality, organic imagery with 1.5x anamorphic squeeze on cameras with S35 sensors. It features telephoto compression that is ideal for close-ups, an aperture range of T2.4 to T16 for a deep depth of field, and 13 iris blades for soft bokeh.

         

        Anamorphic Cinema Lens

        This prime lens has a short minimum focus distance of 27.5" and offers anamorphic qualities such as oval bokeh, shallower depth of field, and amber color lens flares. Other features include focus marks in both feet and meters, 0.8 MOD cine gears on focus and aperture rings, and a 62mm front filter thread. The Sony E lens mount is interchangeable and can be swapped out for six other separately available mounts.

        Constant 1.5x Squeeze Ratio

        A 1.5x squeeze ratio is a perfect balance between the size and anamorphic intensity. With a 1.5x squeeze ratio, you will have a 2.66:1 on a 16:9 sensor after de-squeeze. The larger-than-S35 coverage enables you to use Nanomorph lenses with minimal vignetting on select full-frame cameras.

        Optional 1.33x Adapter

        Use this Nanomorph prime with the separately available 1.33x front-mounted adapter to obtain a wider 2x squeeze ratio.

        Compact Design

        • This compact and lightweight lens measures just 5.2" in length and weighs less than 1.6 lb.
        • The smaller design enables you to get an anamorphic look for handheld, slider, and gimbal capture.

        Interchangeable Sony E Mount

        The included Sony E mount is interchangeable with separately available Canon RF, DJI DL, Fuji X, Leica L, Micro Four Thirds, and Nikon Z mounts.

        Artistic Oval Bokeh

        A 1.5x squeeze ratio also renders an oval bokeh that gives an artistic touch to the image. It also creates a blurry and creamy background that pops out the subject.

        Telephoto Compression

        This 65mm telephoto focal length provides enhanced depth of field and impressive bokeh effects, making it ideal for close-up imaging.

        T2.4 Aperture, Close Focus

        The 27.5" minimum focus distance enables users to create closer shots. The T2.4 maximum aperture renders a shallower depth of field, creating a stronger sense of compression and oval-shaped bokeh.

        Amber Anamorphic Flare

        • The amber flare creates a warmer look that highlights the anamorphic style.
        • Horizontal flares are a signature feature of the anamorphic look.
        • Note that an alternate flare color may be shown.

        Unified Gear Position

        The unified gear position allows users to switch lenses quickly and without readjustment on the focus gear.

        62mm Filter Thread

        A 62mm filter can be attached directly to the lens for a variety of handy setups, including handheld, drone, and gimbal shots.

        Dual Focus Scales

        Focus marks are provided in both feet and meters.

        0.8 MOD Gears

        Industry-standard 0.8 MOD gears are installed on both aperture and focus rings.

        IDR 21.420.000
        Pre Order
        Laowa Nanomorph 65mm T2.4 1.5X S35 (Blue) for Sony E Mount
        Laowa Nanomorph 65mm T2.4 1.5X S35 (Blue) for Sony E Mount
        #15710

        Venus Optics Laowa Nanomorph 65mm T2.4 1.5x S... Overview

        Key Features

        • Compact Anamorphic Lens for S35 Sensors
        • T2.4 to T16 Aperture Range
        • 1.5x Anamorphic Squeeze Ratio
        • Blue Color Anamorphic Lens Flare
        • Lightweight Build, Interchangeable Mount
        • Telephoto Compression
        • 67mm Front Diameter, 62mm Filter Thread
        • 0.8 MOD Gears, Metric/Imperial Markings
        • 13-Blade Iris for Smooth Bokeh
        • 27.5" Close Focus

        The Sony E-mount Laowa Nanomorph 65mm T2.4 1.5x S35 Anamorphic Lens from Venus Optics is a compact, lightweight anamorphic lens that captures high-quality, organic imagery with 1.5x anamorphic squeeze on cameras with S35 sensors. It features telephoto compression that is ideal for close-ups, an aperture range of T2.4 to T16 for a deep depth of field, and 13 iris blades for soft bokeh.

         

        Anamorphic Cinema Lens

        This prime lens has a short minimum focus distance of 27.5" and offers anamorphic qualities such as oval bokeh, shallower depth of field, and blue color lens flares. Other features include focus marks in both feet and meters, 0.8 MOD cine gears on focus and aperture rings, and a 62mm front filter thread. The Sony E lens mount is interchangeable and can be swapped out for six other separately available mounts.

        Constant 1.5x Squeeze Ratio

        A 1.5x squeeze ratio is a perfect balance between the size and anamorphic intensity. With a 1.5x squeeze ratio, you will have a 2.66:1 on a 16:9 sensor after de-squeeze. The larger-than-S35 coverage enables you to use Nanomorph lenses with minimal vignetting on select full-frame cameras.

        Optional 1.33x Adapter

        Use this Nanomorph prime with the separately available 1.33x front-mounted adapter to obtain a wider 2x squeeze ratio.

        Compact Design

        • This compact and lightweight lens measures just 5.2" in length and weighs less than 1.6 lb.
        • The smaller design enables you to get an anamorphic look for handheld, slider, and gimbal capture.

        Interchangeable Sony E Mount

        The included Sony E mount is interchangeable with separately available Canon RF, DJI DL, Fuji X, Leica L, Micro Four Thirds, and Nikon Z mounts.

        Artistic Oval Bokeh

        A 1.5x squeeze ratio also renders an oval bokeh that gives an artistic touch to the image. It also creates a blurry and creamy background that pops out the subject.

        Telephoto Compression

        This 65mm telephoto focal length provides enhanced depth of field and impressive bokeh effects, making it ideal for close-up imaging.

        T2.4 Aperture, Close Focus

        The 27.5" minimum focus distance enables users to create closer shots. The T2.4 maximum aperture renders a shallower depth of field, creating a stronger sense of compression and oval-shaped bokeh.

        Blue Anamorphic Flare

        • The blue flare creates a sci-fi or vintage look that highlights the anamorphic style.
        • Horizontal flares are a signature feature of the anamorphic look.
        • Note that an alternate flare color may be shown.

        Unified Gear Position

        The unified gear position allows users to switch lenses quickly and without readjustment on the focus gear.

        62mm Filter Thread

        A 62mm filter can be attached directly to the lens for a variety of handy setups, including handheld, drone, and gimbal shots.

        Dual Focus Scales

        Focus marks are provided in both feet and meters.

        0.8 MOD Gears

        Industry-standard 0.8 MOD gears are installed on both aperture and focus rings.

        IDR 21.420.000
        Godox GMC-S1 Monitor Camera Control Cable for GM55 (Sony Multi)
        Godox GMC-S1 Monitor Camera Control Cable for GM55 (Sony Multi)
        #10915

        Godox GMC-S1 Overview

        The Multi Monitor Camera Control Cable from Godox allows you to control the functions of select Sony cameras with a Multi control port utilizing a remote Pogo pin port from a Godox GM55 monitor. Simply plug the cable into your camera and monitor, and use the monitor's onscreen touchscreen display to control your camera. The monitor has a sliding lock that holds the connector secure. The cable measures 23.6" in length.

        Read more below for a list of compatible cameras.

        Compatibility

        Select Sony cameras with a Multi port, including:
        Sony a7 III
        Sony RX10
        Sony a7R
        Sony a9
        Sony a7R

        IDR 229.000
        Promo
        Tamron AF 90mm F2.8 Di III VXD Macro Lens for Sony E
        Tamron AF 90mm F2.8 Di III VXD Macro Lens for Sony E
        #17708

        Tamron 90mm F2.8 Di III VXD Overview

        Key Features

        • Full-Frame | f/2.8 to f/16
        • Short Telephoto Prime
        • VXD Autofocus System
        • 1:1 Magnification
        • 9.1" Min. Focus
        • Focus Limit Switch, Focus Set Button
        • BBAR-G2 & Fluorine Coating
        • Moisture Resistant Construction

        The 90mm f/2.8 Di III VXD Macro Lens from Tamron for full-frame mirrorless Sony E-mount cameras puts fast aperture macro shooting into your hands. With 1:1 magnification and a 9.1"minimum focusing distance, this lens is ideal for shooting small and nearby subjects, though its short telephoto, large f/2.8 aperture, and 12-blade diaphragm will help you create stunning, flattering imagery no matter what you put in frame. Its compact, lightweight design also makes it easy and comfortable to handle whether shooting on a tripod or handheld. Moisture-resistant construction with fluorine and BBAR-G2 coatings means you can comfortably take the lens into inclement conditions.

        12-blade circular aperture design creates 12-ray starburst effects around point-light sources with perfectly circular bokeh

        Focus limiter switch to reduce autofocus range for faster lock-on and to prevent it from searching its full range, reducing the chance for you to miss focus or lose your shot unnecessarily

        Assignable focus set button that can be reconfigured with the use of the Tamron Lens Utility software

        Calibrated focus ring and rotational torque for precise manual focusing and smooth adjustment

        Specially designed hood with sliding window for easy filter swapping

        Compatible with Tamron Lens Utility software for customizing settings, assigning functions, and updating firmware

        In the Box

        • Tamron 90mm f/2.8 Di III VXD Macro Lens (Sony E)
        • Front Lens Cap
        • Rear lens Cap
        • Lens Hood
        • Limited 6-Year Manufacturer Warranty

        Additional Resources

        IDR 11.850.000IDR 11.350.000
        Promo
        Canon EOS R6 Mark II Mirrorless Camera
        Canon EOS R6 Mark II Mirrorless Camera
        #12531

        Canon R6 Mark II Overview

        Key Features

        • 24.2MP Full-Frame CMOS Sensor
        • 4K60 10-Bit Internal Video, C-Log 3
        • External 6K ProRes RAW Recording
        • Dual Pixel CMOS AF II
        • 12 fps Mech. Shutter, 40 fps E. Shutter
        • Sensor-Shift 5-Axis Image Stabilization
        • 3.69m-Dot OLED EVF
        • 3" 1.62m-Dot Vari-Angle Touchscreen LCD
        • Dual UHS-II Memory Card Slots
        • Multi-Function Shoe, Wi-Fi and Bluetooth

        The Full-Frame All-Rounder

        Matching strong photo performance with apt video capabilities, the Canon EOS R6 Mark II is a versatile mirrorless body for the multimedia creator. An updated 24.2MP CMOS sensor pairs with updated processing for more improved AF, impressive 4K 60p 10-bit video, and faster overall performance. Also, the camera body has been updated for more intuitive handling, including a redesigned top plate for easier access to different shooting modes.

        24.2MP Full-Frame Sensor and DIGIC X Processing

        Updated Full-Frame Sensor

        Hitting a sweet-spot in terms of resolution, the R6 Mark II incorporates a new 24.2MP CMOS sensor that's versatile for both photo and video applications, performs well in low-light conditions, and yields striking and accurate colors.

        DIGIC X Processor

        Borrowed from the R3, the R6 Mark II's upgraded processing suits the multimedia nature of the camera. Capable of processing high speed bursts as well as high-res 4K video, the DIGIC X supports up to 40 fps continuous shooting with a silent electronic shutter or 12 fps with a mechanical shutter, with AF and AE readings before each frame. There is also a 30 fps RAW Burst mode, which offers pre-release capture to record moments that happened up to 0.5-sec before you press the shutter.

        Also, improved processing leads to improved low-light performance, with the sensitivity range now extending from ISO 100-102400, and expandable to ISO 204800 for working in very difficult lighting conditions.

        UHD 4K Video Recording

        Beyond stills, the R6 Mark II's sensor also offers high-res UHD 4K 60p internal video using the full width of the sensor and the ability to work with 10-bit sampling with Canon Log 3. A 6K recording area can also be used for oversampled 4K shooting at 30p for improved sharpness, reduced moiré, and lower noise. And, for slow-motion playback, 180p recording is supported at up to Full HD resolution.

        HDR-PQ recording is possible, too, for in-camera HDR production and external recording, via the micro-HDMI port, which supports a clean 6K output at up to 60 fps. Also, unlimited recording times are possible, too, and the R6 Mark II features both mic and headphone ports, as well as a multi-function shoe for wide accessories compatibility.

        External 6K Raw Recording

        Using the micro-HDMI port, raw video recording is possible when paired with a compatible external recorder. ProRes RAW up to 6K 60p is possible using the full width of the sensor as well as 3.7K raw recording with a crop.

        Autofocus and Image Stabilization

        Dual Pixel CMOS AF II

        • Advanced Dual Pixel CMOS AF II system features 1053 automatic AF points that cover the entire sensor area and provide notably fast, responsive, and precise focusing performance.
        • This phase-detection focusing system also has enhanced subject detection and tracking, benefitted by deep learning technology, with the ability to intelligently recognize people, animals, and vehicles. Subject tracking will automatically lock onto these subjects and maintain sharp focus while shooting, even throughout burst captures and when recording video.
        • Dual Pixel AF II's low-luminance limit focuses down to an impressive -6.5 EV for accurate focusing even in nighttime conditions.

        Sensor-Shift Image Stabilizer

        An In-Body Image Stabilizer (IBIS) corrects up to 7 stops of unwanted camera shake when shooting handheld, helping to shoot handheld in low-light conditions and reduce shake when recording videos. This 5-axis system can be also used in conjunction with lenses featuring optical image stabilization to compensate for up to 8 stops of camera shake depending on the specific lens in use. Additionally, Movie Digital IS uses the optical and sensor-shift stabilization methods along with digital IS to help acquire steadier footage while moving.

        Body Design

        EVF and Vari-Angle Touchscreen LCD

        • High-resolution 3.69m-dot 0.5" electronic viewfinder provides a bright and detailed means for eye-level viewing and the quick 120 fps refresh rate offers natural motion rendering for a more realistic viewfinder experience.
        • Rear 3.0" 1.62m-dot LCD touchscreen features a vari-angle design that benefits front-facing recording, such as for vlogging needs, as well as working from high and low shooting angles.
        • Refined body design incorporates four distinct control dials across the body for intuitive tactile control and a joystick controller is used on the back of the camera for fast and intuitive focus point selection and menu navigation.

        Reliable and Intuitive Handling

        • An updated top plate design repositions the On/Off dial and Photo/Video mode dial for more intuitive handling.
        • Built for everyday use, this camera touts a dust- and moisture-sealed body constructions that's suitable for working in inclement conditions.
        • Dual SD memory card slots offer file-saving flexibility and both are rated for UHS-II card speeds to support fluent 4K video recording and high-speed continuous shooting.

        Flexible Connectivity

        Wired and wireless connectivity options are available, allowing for multiple methods of transferring photos and videos, as well as for remotely controlling the camera.

        • USB-C 3.2 Gen 2 port for in-camera charging and file transfers; this port also enables using the camera as a Full HD 30p webcam with support for UVC/UAC protocols
        • 3.5mm headphone and external microphone ports
        • Micro-HDMI port for working with an external recorder
        • Bluetooth and 5/2.4 GHz Wi-Fi for wireless transfers and remote camera control from mobile devices

        Next-Generation Multi-Function Shoe

        An update to a conventional hot shoe, the Multi-Function Shoe adds a row of pins at the front of the design to permit greater accessory functionality as well as provide power to select accessory types that traditionally rely on separate batteries. This updated shoe is compatible with select accessories, including the EL-5 Speedlite, ST-E10 Speedlite Transmitter, DM-E1D Stereo Microphone, and AD-P1 Smartphone Link Adapter, as well as the AD-E1 Multi-Function Shoe Adapter to provide compatibility with legacy shoe-mounted accessories.

          IDR 31.999.000IDR 29.999.000
          Promo
          Feiyu Scorp-C 3-Axis Handheld Gimbal for Camera
          Feiyu Scorp-C 3-Axis Handheld Gimbal for Camera
          #11386

          Feiyu SCORP 3-Axis Gimbal Stabilizer

          Key Features

          • Motorized 3-Axis Gimbal
          • Lightweight Design with 5.5 lb Payload
          • Supports Sony a7S III & Canon 5D Mark IV
          • Action Handle for Low Center of Gravity
          • Advanced 1.3" Full-Color LCD Touchscreen
          • 2500mAh Battery, 1.6-Hour Charge (18W)
          • Macromolecular Resin, Aluminum Alloy
          • Follow Modes for Customized Control
          • Fine Tune the Motor Power & Follow Speed
          • Customizable Buttons Improve Efficiency

           

          Professional videographers with a DSLR or mirrorless camera can achieve impressively smooth shots with the SCORP 3-Axis Gimbal Stabilizer from Feiyu. Intuitive controls and an ergonomically angled handgrip enable the operator to follow the action, whether shooting in a low-angle position or attached to a boom pole for extra height. Various shooting modes and precise settings can be accessed via the touchscreen on the handgrip.

          A single wheel on the joystick controls parameters like shutter speed and ISO, the gimbal tilt angle, or the use of a third-party follow focus system (available separately). A high-powered CPU drives the anti-shake algorithm of this stabilizer, enabling the mounted camera to capture professional-grade footage. The 2500mAh battery runs this device for up to thirteen hours and can be rapidly recharged in under two.

          Precision Stabilization

          The gimbal is equipped with an intricate anti-shake algorithm powered by a high-octane CPU. This combination enables lightning-fast reactions to the bumps encountered while shooting handheld, even when running.

          Low Center of Gravity

          Reposition the camera below the handgrip to improve stability. Instead of balancing the camera on top of the gimbal, using the action handle lets the weight hang below. This enables shooters to capture low-angle boom shots by fully extending their arm toward the floor.

          Wheel Control

          A wheel on the joystick is designed to control the focus with third-party follow focus systems (available separately). USB Type-C ports are provided to transmit this data from the gimbal to your existing follow focus system. Parameters like ISO and shutter speed, or gimbal settings like follow speed and tilt angle, can be set with the wheel.

          Automated Modes

          • Balance Calibration
          • Horizontal-to-Vertical Flip
          • Dolly Zoom
          • Panorama
          • Timelapse
          • Rotation Mode

          1.3" Touchscreen

          Located on the joystick, this square screen facilitates an on-the-go selection of the gimbal's various shooting modes and settings, including motor power and follow speed.

          13-Hour Battery Life

          The 2500mAh battery can be ready to go in 1.6 hours using the rapid, 18W recharging capabilities. On a full charge, it can last up to thirteen hours, provided the rig is properly balanced.

          Lightweight Strength

          Designed to handle a payload of up to 10.5 lb, this stabilizer gets its strength from the combination of aluminum alloy and a synthetic macromolecular resin.

          Camera Compatibility

          This gimbal is designed to work with many leading DSLR and mirrorless cameras, including the Canon 5D Mark IV and the Sony a7S III. A full list of compatible cameras is provided by the manufacturer.

           

           

          IDR 3.999.000IDR 3.399.000