Key Features
Optimized video, optimized sensitivity, optimized speed, the Sony Alpha a7S III raises the bar for what a full-frame mirrorless camera is capable of. A revised 12.1MP Exmor R BSI CMOS sensor and updated BIONZ XR image processor offer faster performance, improved noise reduction, and a wider dynamic Range, along with UHD 4K 120p video recording and internal 10-bit 4:2:2 sampling.
Video is the primary application of the a7S III, and improvements to the sensor and processor enable faster readout speeds and greatly reduced rolling shutter, along with high-bitrate internal recording, 16-bit raw output via the full-size HDMI port, and flexible control over motion with variable frame rate Selection. The a7S III also does away with recording time limits and incorporates HLG for direct HDR production as well as S-Log2/S-Log3 gamma profiles for advanced HDR production with editing.
The updated sensor design also brings improved autofocus performance via 759 phase-detection points, which offer intelligent subject tracking and Real-time Eye AF to ensure critical focus on moving subjects in all recording modes. The sensor and BIONZ XR processor also facilitate impressive sensitivity, with an expanded Range from ISO 40-409600, as well as fast 10 fps continuous shooting for up to 1000 consecutive raw frames. Additionally, 5-axis SteadyShot INSIDE sensor-shift image stabilization is available, too, which minimizes the appearance of camera shake by up to 5.5 stops.
Complementing the imaging assets, Sony has also made some changes to the a7S III's physical design, including a rear LCD with a side-open articulating design and an impressive 9.44m-dot OLED electronic viewfinder. The camera's menu system has also been updated for more intuitive navigation and the body design helps to promote better heat dissipation for improved continuous recording capabilities. Additionally, dual memory card slots both support working with CFexpress Type A or SD UHS-II memory cards for flexible and high-speed file storage.
A redesigned 12.1MP full-frame CMOS sensor now features a back-illuminated Exmor RS design in order to achieve improved clarity and reduced noise along with the expectedly impressive sensitivity, from ISO 80-102400 with an extended ISO 40-409600 Range. The updated sensor design also yields 2x faster readout speeds than previous generations and, when coupled with the revised BIONZ XR image processor, greatly reduces rolling shutter by 3x and up to 8x faster processing and overall camera handling. The sensor and processor combination also helps to achieve a wide dynamic Range, of up to approximately 14 stops for stills and 15 stops for video, and 10 fps continuous shooting for up to 1000 uncompressed raw files for stills.
Recording up to UHD 4K is possible with frame rates up to 120p, using full 1:1 pixel readout without binning. Internal 10-bit 4:2:2 sampling is also possible in all recording modes and, if recording externally via the full-size HDMI A port, 16-bit raw output is also possible for even greater tonal reproduction and post-production flexibility. Additionally, two codecs have also been developed: XAVC HS, which uses HEVC/H.265 encoding to retain more detail at smaller bitrates, and XAVC S-I, which is an intraframe codec for consistent performance and quality at bitrates up to 600 Mb/s.
The high-speed, 120 fps recording also enables 4x and 5x slow-motion movie recording with the frame rate playback set to either 30p or 24p or, if moving down to Full HD resolution, an effective 240p frame rate is also available for even greater motion control. Additionally, suiting long-form recording, the a7S III does not have any recording time limits to allow for unlimited clip lengths. The camera's physical design also features an improved heat-dissipating structure to promote longer possible recording times, up to an approximate 60-minute recording time at 4K60p.
Affording extensive customizable color and gamma controls, the a7S III allows users to adjust the gamma, black level, knee, color level, and more. Also, users can use the same S-Log2 Gamma Curve that is found on high end Sony Cinema cameras that squeezes up to 1300% more dynamic Range into the video signal then traditional REC709, for increased post-production flexibility. HLG (Hybrid Log-Gamma) support is also available, along with the BT.2020 color space, for recording within a wide color gamut and, in addition to S-Log2, S-Log3 is also available for producing a 15+-stop dynamic Range with increased grading control in the shadow to mid-tone regions of the image.
Covering 92% of the image area, a Fast Hybrid AF system incorporates 759 phase-detection points along with 425 contrast-detection areas for quick and precise focusing in a variety of lighting conditions with sensitivity down to -6 EV. This focusing system is available for use in all recording modes, to benefit both video and stills applications. Additionally, it is able to lock onto subjects quickly and can use Real-time Tracking for AI-based tracking on moving subjects or touch tracking for manual Selection of the subject. Real-time Eye AF, suitable for both humans and animals, also ensures critical sharpness when shooting portraits. Helping to fine-tune how the focusing system performs, seven-step AF transition speed and five-step AF subject shift sensitivity controls let you refine how quickly focus shifts from point to point and how smoothly focusing shifts occur.
The a7S III incorporates an enhanced 5.5-stop effective 5-axis SteadyShot INSIDE image stabilization system, which compensates for five different types of camera shake encountered during handheld shooting of stills and video. This allows users to confidently use any lens, even adapted lenses, for critical imaging without encountering blur from camera shake.
for long focal lengths, the system will correct for pitch and yaw adjustments. Macro and high-magnification imagery, on the other hand, will benefit from the inclusion of horizontal and vertical shift compensation. All shooting styles will get usage out of the roll compensation. All 5 axes of stabilization will function at all times, even when used with third-party lenses and adapters or lenses with built-in optical stabilization.
Additionally, specifically for video, there is also an Active IS mode that adds even more precise stabilization methods for even smoother footage straight out of camera.
Key Features
A classic wide-angle prime with an updated, sleek form factor, the Sony FE 35mm f/1.4 GM is further characterized by its speed and advanced optical design. The versatile focal length suits everything from street shooting to landscape and documentary subjects, and the fast maximum aperture excels in low light and for controlling depth of field.
Key Features
Sony a7 IV Mirrorless Camera
An all-arounder that pushes beyond basic, the Sony a7 IV does double duty with strong stills and video performance. An advanced hybrid mirrorless camera, the a7 IV has the resolution and AF performance that appeals to photographers along with robust 4K 60p video recording for filmmakers and content creators.
Sensor and Processor
33MP Exmor R BSI CMOS Sensor
Newly developed 33MP Exmor R BSI CMOS full-frame sensor features a back-illuminated design that promotes high clarity, low noise, and vivid color rendering. This design benefits working in low-light conditions and works in conjunction with a broad sensitivity range of ISO 100-51200. The sensor's design also achieves an impressive dynamic range of approximately 15 stops and files can be recorded in raw, JPEG, or the 10-bit HEIF format.
BIONZ XR Processor
Using the flagship-class BIONZ XR engine, high-speed image processing capabilities are available for fast continuous shooting, 4K video recording, and advanced AF tracking performance. The quick processing also helps to reduce rolling shutter and other motion distortions for clean rendering of moving subjects.
In terms of shooting speeds, the sensor and processor enable up to 10 fps shooting, using either the mechanical or electronic shutter and with AF/AE enabled. Also, the buffer permits recording up to 828 consecutive uncompressed raw + JPEG frames when using a CFexpress Type A card.
Video Recording
4K 60p Video Recording in 10-Bit
S-Cinetone, S-Log3, and Other Color and Gamma Controls
Fast Hybrid AF System
AI-Based Autofocus
Covering approximately 94% of the image area, a Fast Hybrid AF system incorporates 759 phase-detection points for quick and precise focusing in a variety of lighting conditions with sensitivity down to -4 EV. This focusing system is available for use in all recording modes, to benefit both video and stills applications.
Real-time Tracking and Real-time Eye AF
Borrowing from the flagship AF system, the a7 IV has tuned tracking and subject detection capabilities that lock onto subjects quickly and refines focus accurately on recognized eyes and faces of subjects:
AF During Video Recording and Additional Focusing Modes
Body Design, Connectivity, and Streaming
Viewfinder and LCD Screen
Ports and Interface
5-Axis SteadyShot INSIDE Image Stabilization
Advanced External Flash Control
Suiting working with flash while photographing fast-moving subjects, P-TTL flash metering is possible in between each exposure when working with lo, mid, or even hi-speed continuous shooting modes. This helps to maintain stable illumination if making low-light bursts and greatly benefits working in changing light or low-light conditions. The updated flash control system also helps to reduce flash trigger lag, uses the camera's AWB information for natural color rendering, and supports adjusting select flash and transmitter units directly from the camera's interface.
Wireless Connectivity and Streaming
Sony FE 28-70mm f/3.5-5.6 OSS Lens
A Versatile Standard
A top pick for users looking for a lightweight all-around zoom, the FE 28-70mm f/3.5-5.6 OSS Lens from Sony is a great go-to for full-frame E-mount shooters. The lens has a compact, portable design that is ideal for everyday, walkaround use and its versatile wide-angle to portrait-length range suits working with a variety of subject types.
Optical Design
Autofocus, Image Stabilization, and Design
Key Features
Sony a7 IV: Beyond Basic
melakukan tugas ganda dengan gambar diam dan performa video yang kuat. Sebagai kamera mirrorless hybrid yang canggih, Sony a7 IV memiliki resolusi dan performa AF yang menarik bagi fotografer serta perekaman video 4K 60p yang tangguh untuk pembuat film dan pembuat konten.
Sensor and Processor
33MP Exmor R BSI CMOS Sensor
Sensor full-frame Exmor R BSI CMOS 33MP yang baru dikembangkan menampilkan desain bercahaya belakang yang menghasilkan kejernihan tinggi, noise rendah, dan rendering warna cerah. Desain ini bermanfaat untuk bekerja dalam kondisi cahaya redup dan bekerja bersama dengan rentang sensitivitas ISO 100-51200 yang luas. Desain sensor juga mencapai rentang dinamis yang mengesankan sekitar 15 stop dan file dapat direkam dalam format mentah, JPEG, atau HEIF 10-bit.
BIONZ XR Processor
Dengan menggunakan mesin BIONZ XR kelas unggulan, kemampuan pemrosesan gambar berkecepatan tinggi tersedia untuk pemotretan beruntun yang cepat, perekaman video 4K, dan performa pelacakan AF yang canggih. Pemrosesan cepat ini juga membantu mengurangi rana bergulir dan distorsi gerakan lainnya untuk menghasilkan gambar yang jernih pada subjek yang bergerak.
Dalam hal kecepatan pengambilan gambar, sensor dan prosesor memungkinkan pengambilan gambar hingga 10 fps, baik menggunakan rana mekanis atau elektronik dan dengan AF/AE yang diaktifkan. Selain itu, buffer memungkinkan perekaman hingga 828 frame mentah + JPEG yang tidak terkompresi berturut-turut saat menggunakan kartu CFexpress Tipe A.
Video Recording
4K 60p Video Recording in 10-Bit
S-Cinetone, S-Log3, and Other Color and Gamma Controls
Fast Hybrid AF System
AI-Based Autofocus
Mencakup sekitar 94% area gambar, sistem Fast Hybrid AF menggabungkan 759 titik deteksi fase untuk pemfokusan yang cepat dan tepat dalam berbagai kondisi pencahayaan dengan sensitivitas hingga -4 EV. Sistem pemfokusan ini tersedia untuk digunakan di semua mode perekaman, untuk menguntungkan aplikasi video dan gambar diam.
Real-time Tracking and Real-time Eye AF
Meminjam dari sistem AF andalan, a7 IV telah menyetel kemampuan pelacakan dan deteksi subjek yang mengunci subjek dengan cepat dan menyempurnakan fokus secara akurat pada mata dan wajah subjek yang dikenali:
AF During Video Recording and Additional Focusing Modes
Body Design, Connectivity, and Streaming
Viewfinder and LCD Screen
Ports and Interface
5-Axis SteadyShot INSIDE Image Stabilization
Advanced External Flash Control
Menyesuaikan bekerja dengan flash saat memotret subjek yang bergerak cepat, pengukuran flash P-TTL dimungkinkan di antara setiap eksposur saat bekerja dengan mode pemotretan beruntun kecepatan tinggi, sedang, atau bahkan tinggi. Hal ini membantu menjaga kestabilan pencahayaan jika terjadi semburan cahaya redup dan sangat bermanfaat saat bekerja dalam kondisi cahaya atau cahaya redup yang berubah-ubah. Sistem kontrol lampu kilat yang diperbarui juga membantu mengurangi kelambatan pemicu lampu kilat, menggunakan informasi AWB kamera untuk rendering warna alami, dan mendukung penyesuaian unit lampu kilat dan pemancar tertentu langsung dari antarmuka kamera.
Wireless Connectivity and Streaming
Key Features
Perfect for vloggers, the Sony ZV-E10 pairs a large APS-C sensor and mirrorless versatility with a specialized feature-set built just for content creators. Improving upon the ubiquitous smartphone, the ZV-E10 is an Alpha camera that brings improved image quality, greater choice of lenses, and increased control to up your creativity when shooting.
Taking a concept that originated with the ZV-1, the ZV-E10 is the mirrorless continuation of this idea of a camera built around the concept of vlogging. It's a highly capable and portable camera but incorporates a series of design choices and shooting modes that are ideal for single-person productions. A vari-angle screen lets you accurately frame up shots, the integrated directional mic is purpose-built for recording more accurate sound from front-facing subjects, and shooting modes like Background Defocus and Product Showcase help you highlight specific subjects with ease.
The included E PZ 16-50mm f/3.5-5.6 OSS lens is a 24-75mm-equivalent zoom characterized by its versatile range and sleek, retractable design. Helping to deliver excellent optical quality throughout the range are an extra-low dispersion element and four aspherical elements to combat various aberrations and improve contrast. The lens also incorporates Optical SteadyShot image stabilization and a power zoom mechanism, both of which will help you capture smooth and steady stills and video. Additionally, it has an internal focus design, a minimum focus distance of 9.8", and uses a 7-blade aperture for smooth bokeh.
Key Features
Perfect for vloggers, the Sony ZV-E10 pairs a large APS-C sensor and mirrorless versatility with a specialized feature-set built just for content creators. Improving upon the ubiquitous smartphone, the ZV-E10 is an Alpha camera that brings improved image quality, greater choice of lenses, and increased control to up your creativity when shooting.
Taking a concept that originated with the ZV-1, the ZV-E10 is the mirrorless continuation of this idea of a camera built around the concept of vlogging. It's a highly capable and portable camera but incorporates a series of design choices and shooting modes that are ideal for single-person productions. A vari-angle screen lets you accurately frame up shots, the integrated directional mic is purpose-built for recording more accurate sound from front-facing subjects, and shooting modes like Background Defocus and Product Showcase help you highlight specific subjects with ease.
Optimized Camera Design
24.2MP APS-C Exmor CMOS Sensor and BIONZ X Processor
The included E PZ 16-50mm f/3.5-5.6 OSS lens is a 24-75mm-equivalent zoom characterized by its versatile range and sleek, retractable design. Helping to deliver excellent optical quality throughout the range are an extra-low dispersion element and four aspherical elements to combat various aberrations and improve contrast. The lens also incorporates Optical SteadyShot image stabilization and a power zoom mechanism, both of which will help you capture smooth and steady stills and video. Additionally, it has an internal focus design, a minimum focus distance of 9.8", and uses a 7-blade aperture for smooth bokeh.
Key Features
The lightweight DC-550 PRO 5.5" Touchscreen HD Monitor from Viltrox lets you view your camera's image on a bright, sharp 5.5" display. The DC-550 PRO supports up to 4K30 video input and can send the signal through an HDMI loop-through output. This PRO model features two additional histograms, three parade waveforms, a cooling fan, and 1200 cd/m² brightness, making it suitable for outdoor use.
The DC-550 PRO features a 1920 x 1080 touchscreen display that supports live view from your camera, and it provides image tools such as peaking, color temperature, tone, pixel-to-pixel zoom, brightness, and contrast. You can monitor the audio via its built-in speaker or 3.5mm headphone port. At the rear of the monitor, a built-in L-series battery plate enables you to power the monitor with the L-series battery, or you can power it with a separately available AC adapter.
Features
Daylight-viewable, 5.5" on-camera touchscreen LCD monitor with 1920 x 1080 resolution
The DC-550 PRO features 1200 cd/m² brightness for indoor and outdoor use, two additional histograms including RGB and brightness, and three parade waveforms including RGB, Y, and YUV
Full-size HDMI input, full-size HDMI loop-through output
Supports up to 4K30 video input and output
The 178° ultra-wide-angle screen is convenient for creators to enjoy clear picture quality when monitoring from different angles
Power the monitor with a separately available power adapter or Sony L-series type batteries in the built-in battery plate
Rec.709 color standard
Import custom 3D LUTs via a separately available SD card using the built-in slot
Key Features
The lightweight DC-550 5.5" Lite Touchscreen HD Monitor from Viltrox lets you view your camera's image on a 5.5" display. The DC-550 supports up to 4K30 video input and can send the signal through an HDMI loop-through output. This model features one brightness histogram, one parade waveform, and 400 cd/m² brightness, making it suitable for outdoor use.
The DC-550 Lite features a 1920 x 1080 touchscreen display that supports live view from your camera, and it provides image tools such as peaking, color temperature, tone, pixel-to-pixel zoom, brightness, and contrast. You can monitor the audio via its built-in speaker or 3.5mm headphone port. At the rear of the monitor, a built-in L-series battery plate enables you to power the monitor with the L-series battery, or you can power it with a separately available AC adapter.
Features
Daylight-viewable, 5.5" on-camera touchscreen LCD monitor with 1920 x 1080 resolution
The DC-550 features 400 cd/m² brightness for indoor and outdoor use, one brightness histogram, and one Y parade waveform
Full-size HDMI input, full-size HDMI loop-through output
Supports up to 4K30 video input and output
The 178° ultra-wide-angle screen is convenient for creators to enjoy clear picture quality when monitoring from different angles
Power the monitor with a separately available power adapter or Sony L-series type batteries in the built-in battery plate
Rec.709 color standard
Import custom 3D LUTs via a separately available SD card using the built-in slot
For traditional camouflage print lovers, 3M created car wrap in a camouflage green color. No matter if you wrap your company car or your private one, the feeling this coloration gives is always the same – respect, trust and a touch of exoticism.
For traditional camouflage print lovers, 3M created car wrap in a camouflage green color. No matter if you wrap your company car or your private one, the feeling this coloration gives is always the same. Cars wrapped with this vinyl will catch the eye. The military and camouflage print remind people of stability, seriousness and a touch of exoticism.
The improved product allows easy and fast installation even on complex 3D curves, featuring high conformability, great cold stretch, and excellent lifting resistance. 3M Car Wrap Film 2080 has another advantage – a specially treated surface against pollution. Thanks to its low surface energy, the vinyl does not retain dirt and your car is practically self-cleaning. The innovative technology is reminiscent of nanovax – a liquid polymer that creates a protective layer that leads to water repellency.
After gluing, the bond strength increases within a few hours. Nevertheless, the 3M 2080 Series car film can be removed without leaving any residue on your car, even years later. The 3M Car Wrap Film 2080 series guarantees the strength and durability of the installation even on vulnerable details – the edges of doors and fenders, the front cover, and the bumper.
Attention: After gluing with 3M Car Wrap Film 2080, the technology does not allow gluing another vinyl on the already glued surface.
For traditional camouflage print lovers, 3M created car wrap in a camouflage green color. No matter if you wrap your company car or your private one, the feeling this coloration gives is always the same – respect, trust and a touch of exoticism.
For traditional camouflage print lovers, 3M created car wrap in a camouflage green color. No matter if you wrap your company car or your private one, the feeling this coloration gives is always the same. Cars wrapped with this vinyl will catch the eye. The military and camouflage print remind people of stability, seriousness and a touch of exoticism.
The improved product allows easy and fast installation even on complex 3D curves, featuring high conformability, great cold stretch, and excellent lifting resistance. 3M Car Wrap Film 2080 has another advantage – a specially treated surface against pollution. Thanks to its low surface energy, the vinyl does not retain dirt and your car is practically self-cleaning. The innovative technology is reminiscent of nanovax – a liquid polymer that creates a protective layer that leads to water repellency.
After gluing, the bond strength increases within a few hours. Nevertheless, the 3M 2080 Series car film can be removed without leaving any residue on your car, even years later. The 3M Car Wrap Film 2080 series guarantees the strength and durability of the installation even on vulnerable details – the edges of doors and fenders, the front cover, and the bumper.
Attention: After gluing with 3M Car Wrap Film 2080, the technology does not allow gluing another vinyl on the already glued surface.
For traditional camouflage print lovers, 3M created car wrap in a camouflage green color. No matter if you wrap your company car or your private one, the feeling this coloration gives is always the same – respect, trust and a touch of exoticism.
For traditional camouflage print lovers, 3M created car wrap in a camouflage green color. No matter if you wrap your company car or your private one, the feeling this coloration gives is always the same. Cars wrapped with this vinyl will catch the eye. The military and camouflage print remind people of stability, seriousness and a touch of exoticism.
The improved product allows easy and fast installation even on complex 3D curves, featuring high conformability, great cold stretch, and excellent lifting resistance. 3M Car Wrap Film 2080 has another advantage – a specially treated surface against pollution. Thanks to its low surface energy, the vinyl does not retain dirt and your car is practically self-cleaning. The innovative technology is reminiscent of nanovax – a liquid polymer that creates a protective layer that leads to water repellency.
After gluing, the bond strength increases within a few hours. Nevertheless, the 3M 2080 Series car film can be removed without leaving any residue on your car, even years later. The 3M Car Wrap Film 2080 series guarantees the strength and durability of the installation even on vulnerable details – the edges of doors and fenders, the front cover, and the bumper.
Attention: After gluing with 3M Car Wrap Film 2080, the technology does not allow gluing another vinyl on the already glued surface.
Key Features
The Sony E-mount Laowa Nanomorph 80mm T2.4 1.5x S35 Anamorphic Lens from Venus Optics is a compact, lightweight anamorphic lens that captures high-quality, organic imagery with 1.5x anamorphic squeeze on cameras with S35 sensors. It features telephoto compression ideal for close-ups, an aperture range of T2.4 to T16 for a deep depth of field, and 13 iris blades for soft bokeh.
Anamorphic Cinema Lens
This prime lens has a short minimum focus distance of 27.5" and offers anamorphic qualities such as oval bokeh, shallower depth of field, and blue color lens flares. Other features include focus marks in both feet and meters, 0.8 MOD cine gears on focus and aperture rings, and a 62mm front filter thread. The Sony E lens mount is interchangeable and can be swapped out for six other separately available mounts. Use this Nanomorph prime with the separately available 1.33x adapter to obtain a 2x squeeze ratio.
Constant 1.5x Squeeze Ratio
A 1.5x squeeze ratio is a perfect balance between the size and anamorphic intensity. With a 1.5x squeeze ratio, you will have a 2.66:1 on a 16:9 sensor after de-squeeze. The larger-than-S35 coverage enables you to use Nanomorph lenses with minimal vignetting on select full-frame cameras.
Optional 1.33x Adapter
Use this Nanomorph prime with the separately available 1.33x front-mounted adapter to obtain a wider 2x squeeze ratio.
Compact Design
Interchangeable Sony E Mount
The included Sony E mount is interchangeable with separately available Canon RF, DJI DL, Fuji X, Leica L, Micro Four Thirds, and Nikon Z mounts.
Artistic Oval Bokeh
A 1.5x squeeze ratio also renders an oval bokeh that gives an artistic touch to the image. It also creates a blurry and creamy background that pops out the subject.
Telephoto Compression
This 80mm telephoto focal length provides enhanced depth of field and impressive bokeh effects, making it ideal for close-up imaging.
T2.4 Aperture, Close Focus
The 27.5" minimum focus distance enables users to create closer shots. The T2.4 maximum aperture renders a shallower depth of field, creating a stronger sense of compression and oval-shaped bokeh.
Blue Anamorphic Flare
Unified Gear Position
The unified gear position allows users to switch lenses quickly and without readjustment on the focus gear.
62mm Filter Thread
A 62mm filter can be attached directly to the lens for a variety of handy setups. The small diameter is favorable when doing run-and-gun shots or utilizing it with an aerial drone.
Dual Focus Scales
Focus marks are provided in both feet and meters.
0.8 MOD Gears
Industry-standard 0.8 MOD gears are installed on both aperture and focus rings.
Key Features
The Sony E-mount Laowa Nanomorph 80mm T2.4 1.5x S35 Anamorphic Lens from Venus Optics is a compact, lightweight anamorphic lens that captures high-quality, organic imagery with 1.5x anamorphic squeeze on cameras with S35 sensors. It features telephoto compression ideal for close-ups, an aperture range of T2.4 to T16 for a deep depth of field, and 13 iris blades for soft bokeh.
Anamorphic Cinema Lens
This prime lens has a short minimum focus distance of 27.5" and offers anamorphic qualities such as oval bokeh, shallower depth of field, and blue color lens flares. Other features include focus marks in both feet and meters, 0.8 MOD cine gears on focus and aperture rings, and a 62mm front filter thread. The Sony E lens mount is interchangeable and can be swapped out for six other separately available mounts. Use this Nanomorph prime with the separately available 1.33x adapter to obtain a 2x squeeze ratio.
Constant 1.5x Squeeze Ratio
A 1.5x squeeze ratio is a perfect balance between the size and anamorphic intensity. With a 1.5x squeeze ratio, you will have a 2.66:1 on a 16:9 sensor after de-squeeze. The larger-than-S35 coverage enables you to use Nanomorph lenses with minimal vignetting on select full-frame cameras.
Optional 1.33x Adapter
Use this Nanomorph prime with the separately available 1.33x front-mounted adapter to obtain a wider 2x squeeze ratio.
Compact Design
Interchangeable Sony E Mount
The included Sony E mount is interchangeable with separately available Canon RF, DJI DL, Fuji X, Leica L, Micro Four Thirds, and Nikon Z mounts.
Artistic Oval Bokeh
A 1.5x squeeze ratio also renders an oval bokeh that gives an artistic touch to the image. It also creates a blurry and creamy background that pops out the subject.
Telephoto Compression
This 80mm telephoto focal length provides enhanced depth of field and impressive bokeh effects, making it ideal for close-up imaging.
T2.4 Aperture, Close Focus
The 27.5" minimum focus distance enables users to create closer shots. The T2.4 maximum aperture renders a shallower depth of field, creating a stronger sense of compression and oval-shaped bokeh.
Blue Anamorphic Flare
Unified Gear Position
The unified gear position allows users to switch lenses quickly and without readjustment on the focus gear.
62mm Filter Thread
A 62mm filter can be attached directly to the lens for a variety of handy setups. The small diameter is favorable when doing run-and-gun shots or utilizing it with an aerial drone.
Dual Focus Scales
Focus marks are provided in both feet and meters.
0.8 MOD Gears
Industry-standard 0.8 MOD gears are installed on both aperture and focus rings.
Key Features
The Sony E-mount Laowa Nanomorph 80mm T2.4 1.5x S35 Anamorphic Lens from Venus Optics is a compact, lightweight anamorphic lens that captures high-quality, organic imagery with 1.5x anamorphic squeeze on cameras with S35 sensors. It features telephoto compression ideal for close-ups, an aperture range of T2.4 to T16 for a deep depth of field, and 13 iris blades for soft bokeh.
Anamorphic Cinema Lens
This prime lens has a short minimum focus distance of 27.5" and offers anamorphic qualities such as oval bokeh, shallower depth of field, and blue color lens flares. Other features include focus marks in both feet and meters, 0.8 MOD cine gears on focus and aperture rings, and a 62mm front filter thread. The Sony E lens mount is interchangeable and can be swapped out for six other separately available mounts. Use this Nanomorph prime with the separately available 1.33x adapter to obtain a 2x squeeze ratio.
Constant 1.5x Squeeze Ratio
A 1.5x squeeze ratio is a perfect balance between the size and anamorphic intensity. With a 1.5x squeeze ratio, you will have a 2.66:1 on a 16:9 sensor after de-squeeze. The larger-than-S35 coverage enables you to use Nanomorph lenses with minimal vignetting on select full-frame cameras.
Optional 1.33x Adapter
Use this Nanomorph prime with the separately available 1.33x front-mounted adapter to obtain a wider 2x squeeze ratio.
Compact Design
Interchangeable Sony E Mount
The included Sony E mount is interchangeable with separately available Canon RF, DJI DL, Fuji X, Leica L, Micro Four Thirds, and Nikon Z mounts.
Artistic Oval Bokeh
A 1.5x squeeze ratio also renders an oval bokeh that gives an artistic touch to the image. It also creates a blurry and creamy background that pops out the subject.
Telephoto Compression
This 80mm telephoto focal length provides enhanced depth of field and impressive bokeh effects, making it ideal for close-up imaging.
T2.4 Aperture, Close Focus
The 27.5" minimum focus distance enables users to create closer shots. The T2.4 maximum aperture renders a shallower depth of field, creating a stronger sense of compression and oval-shaped bokeh.
Blue Anamorphic Flare
Unified Gear Position
The unified gear position allows users to switch lenses quickly and without readjustment on the focus gear.
62mm Filter Thread
A 62mm filter can be attached directly to the lens for a variety of handy setups. The small diameter is favorable when doing run-and-gun shots or utilizing it with an aerial drone.
Dual Focus Scales
Focus marks are provided in both feet and meters.
0.8 MOD Gears
Industry-standard 0.8 MOD gears are installed on both aperture and focus rings.
Key Features
The Sony E-mount Laowa Nanomorph 65mm T2.4 1.5x S35 Anamorphic Lens from Venus Optics is a compact, lightweight anamorphic lens that captures high-quality, organic imagery with 1.5x anamorphic squeeze on cameras with S35 sensors. It features telephoto compression that is ideal for close-ups, an aperture range of T2.4 to T16 for a deep depth of field, and 13 iris blades for soft bokeh.
Anamorphic Cinema Lens
This prime lens has a short minimum focus distance of 27.5" and offers anamorphic qualities such as oval bokeh, shallower depth of field, and silver color lens flares. Other features include focus marks in both feet and meters, 0.8 MOD cine gears on focus and aperture rings, and a 62mm front filter thread. The Sony E lens mount is interchangeable and can be swapped out for six other separately available mounts.
Constant 1.5x Squeeze Ratio
A 1.5x squeeze ratio is a perfect balance between the size and anamorphic intensity. With a 1.5x squeeze ratio, you will have a 2.66:1 on a 16:9 sensor after de-squeeze. The larger-than-S35 coverage enables you to use Nanomorph lenses with minimal vignetting on select full-frame cameras.
Optional 1.33x Adapter
Use this Nanomorph prime with the separately available 1.33x front-mounted adapter to obtain a wider 2x squeeze ratio.
Compact Design
Interchangeable Sony E Mount
The included Sony E mount is interchangeable with separately available Canon RF, DJI DL, Fuji X, Leica L, Micro Four Thirds, and Nikon Z mounts.
Artistic Oval Bokeh
A 1.5x squeeze ratio also renders an oval bokeh that gives an artistic touch to the image. It also creates a blurry and creamy background that pops out the subject.
Telephoto Compression
This 65mm telephoto focal length provides enhanced depth of field and impressive bokeh effects, making it ideal for close-up imaging.
T2.4 Aperture, Close Focus
The 27.5" minimum focus distance enables users to create closer shots. The T2.4 maximum aperture renders a shallower depth of field, creating a stronger sense of compression and oval-shaped bokeh.
Silver Anamorphic Flare
Unified Gear Position
The unified gear position allows users to switch lenses quickly and without readjustment on the focus gear.
62mm Filter Thread
A 62mm filter can be attached directly to the lens for a variety of handy setups, including handheld, drone, and gimbal shots.
Dual Focus Scales
Focus marks are provided in both feet and meters.
0.8 MOD Gears
Industry-standard 0.8 MOD gears are installed on both aperture and focus rings.
Key Features
The Sony E-mount Laowa Nanomorph 65mm T2.4 1.5x S35 Anamorphic Lens from Venus Optics is a compact, lightweight anamorphic lens that captures high-quality, organic imagery with 1.5x anamorphic squeeze on cameras with S35 sensors. It features telephoto compression that is ideal for close-ups, an aperture range of T2.4 to T16 for a deep depth of field, and 13 iris blades for soft bokeh.
Anamorphic Cinema Lens
This prime lens has a short minimum focus distance of 27.5" and offers anamorphic qualities such as oval bokeh, shallower depth of field, and amber color lens flares. Other features include focus marks in both feet and meters, 0.8 MOD cine gears on focus and aperture rings, and a 62mm front filter thread. The Sony E lens mount is interchangeable and can be swapped out for six other separately available mounts.
Constant 1.5x Squeeze Ratio
A 1.5x squeeze ratio is a perfect balance between the size and anamorphic intensity. With a 1.5x squeeze ratio, you will have a 2.66:1 on a 16:9 sensor after de-squeeze. The larger-than-S35 coverage enables you to use Nanomorph lenses with minimal vignetting on select full-frame cameras.
Optional 1.33x Adapter
Use this Nanomorph prime with the separately available 1.33x front-mounted adapter to obtain a wider 2x squeeze ratio.
Compact Design
Interchangeable Sony E Mount
The included Sony E mount is interchangeable with separately available Canon RF, DJI DL, Fuji X, Leica L, Micro Four Thirds, and Nikon Z mounts.
Artistic Oval Bokeh
A 1.5x squeeze ratio also renders an oval bokeh that gives an artistic touch to the image. It also creates a blurry and creamy background that pops out the subject.
Telephoto Compression
This 65mm telephoto focal length provides enhanced depth of field and impressive bokeh effects, making it ideal for close-up imaging.
T2.4 Aperture, Close Focus
The 27.5" minimum focus distance enables users to create closer shots. The T2.4 maximum aperture renders a shallower depth of field, creating a stronger sense of compression and oval-shaped bokeh.
Amber Anamorphic Flare
Unified Gear Position
The unified gear position allows users to switch lenses quickly and without readjustment on the focus gear.
62mm Filter Thread
A 62mm filter can be attached directly to the lens for a variety of handy setups, including handheld, drone, and gimbal shots.
Dual Focus Scales
Focus marks are provided in both feet and meters.
0.8 MOD Gears
Industry-standard 0.8 MOD gears are installed on both aperture and focus rings.
Key Features
The Sony E-mount Laowa Nanomorph 65mm T2.4 1.5x S35 Anamorphic Lens from Venus Optics is a compact, lightweight anamorphic lens that captures high-quality, organic imagery with 1.5x anamorphic squeeze on cameras with S35 sensors. It features telephoto compression that is ideal for close-ups, an aperture range of T2.4 to T16 for a deep depth of field, and 13 iris blades for soft bokeh.
Anamorphic Cinema Lens
This prime lens has a short minimum focus distance of 27.5" and offers anamorphic qualities such as oval bokeh, shallower depth of field, and blue color lens flares. Other features include focus marks in both feet and meters, 0.8 MOD cine gears on focus and aperture rings, and a 62mm front filter thread. The Sony E lens mount is interchangeable and can be swapped out for six other separately available mounts.
Constant 1.5x Squeeze Ratio
A 1.5x squeeze ratio is a perfect balance between the size and anamorphic intensity. With a 1.5x squeeze ratio, you will have a 2.66:1 on a 16:9 sensor after de-squeeze. The larger-than-S35 coverage enables you to use Nanomorph lenses with minimal vignetting on select full-frame cameras.
Optional 1.33x Adapter
Use this Nanomorph prime with the separately available 1.33x front-mounted adapter to obtain a wider 2x squeeze ratio.
Compact Design
Interchangeable Sony E Mount
The included Sony E mount is interchangeable with separately available Canon RF, DJI DL, Fuji X, Leica L, Micro Four Thirds, and Nikon Z mounts.
Artistic Oval Bokeh
A 1.5x squeeze ratio also renders an oval bokeh that gives an artistic touch to the image. It also creates a blurry and creamy background that pops out the subject.
Telephoto Compression
This 65mm telephoto focal length provides enhanced depth of field and impressive bokeh effects, making it ideal for close-up imaging.
T2.4 Aperture, Close Focus
The 27.5" minimum focus distance enables users to create closer shots. The T2.4 maximum aperture renders a shallower depth of field, creating a stronger sense of compression and oval-shaped bokeh.
Blue Anamorphic Flare
Unified Gear Position
The unified gear position allows users to switch lenses quickly and without readjustment on the focus gear.
62mm Filter Thread
A 62mm filter can be attached directly to the lens for a variety of handy setups, including handheld, drone, and gimbal shots.
Dual Focus Scales
Focus marks are provided in both feet and meters.
0.8 MOD Gears
Industry-standard 0.8 MOD gears are installed on both aperture and focus rings.
The Multi Monitor Camera Control Cable from Godox allows you to control the functions of select Sony cameras with a Multi control port utilizing a remote Pogo pin port from a Godox GM55 monitor. Simply plug the cable into your camera and monitor, and use the monitor's onscreen touchscreen display to control your camera. The monitor has a sliding lock that holds the connector secure. The cable measures 23.6" in length.
Read more below for a list of compatible cameras.
Select Sony cameras with a Multi port, including:
Sony a7 III
Sony RX10
Sony a7R
Sony a9
Sony a7R
Key Features
The 90mm f/2.8 Di III VXD Macro Lens from Tamron for full-frame mirrorless Sony E-mount cameras puts fast aperture macro shooting into your hands. With 1:1 magnification and a 9.1"minimum focusing distance, this lens is ideal for shooting small and nearby subjects, though its short telephoto, large f/2.8 aperture, and 12-blade diaphragm will help you create stunning, flattering imagery no matter what you put in frame. Its compact, lightweight design also makes it easy and comfortable to handle whether shooting on a tripod or handheld. Moisture-resistant construction with fluorine and BBAR-G2 coatings means you can comfortably take the lens into inclement conditions.
12-blade circular aperture design creates 12-ray starburst effects around point-light sources with perfectly circular bokeh
Focus limiter switch to reduce autofocus range for faster lock-on and to prevent it from searching its full range, reducing the chance for you to miss focus or lose your shot unnecessarily
Assignable focus set button that can be reconfigured with the use of the Tamron Lens Utility software
Calibrated focus ring and rotational torque for precise manual focusing and smooth adjustment
Specially designed hood with sliding window for easy filter swapping
Compatible with Tamron Lens Utility software for customizing settings, assigning functions, and updating firmware
In the Box
Additional Resources
Key Features
Matching strong photo performance with apt video capabilities, the Canon EOS R6 Mark II is a versatile mirrorless body for the multimedia creator. An updated 24.2MP CMOS sensor pairs with updated processing for more improved AF, impressive 4K 60p 10-bit video, and faster overall performance. Also, the camera body has been updated for more intuitive handling, including a redesigned top plate for easier access to different shooting modes.
Updated Full-Frame Sensor
Hitting a sweet-spot in terms of resolution, the R6 Mark II incorporates a new 24.2MP CMOS sensor that's versatile for both photo and video applications, performs well in low-light conditions, and yields striking and accurate colors.
Borrowed from the R3, the R6 Mark II's upgraded processing suits the multimedia nature of the camera. Capable of processing high speed bursts as well as high-res 4K video, the DIGIC X supports up to 40 fps continuous shooting with a silent electronic shutter or 12 fps with a mechanical shutter, with AF and AE readings before each frame. There is also a 30 fps RAW Burst mode, which offers pre-release capture to record moments that happened up to 0.5-sec before you press the shutter.
Also, improved processing leads to improved low-light performance, with the sensitivity range now extending from ISO 100-102400, and expandable to ISO 204800 for working in very difficult lighting conditions.
UHD 4K Video Recording
Beyond stills, the R6 Mark II's sensor also offers high-res UHD 4K 60p internal video using the full width of the sensor and the ability to work with 10-bit sampling with Canon Log 3. A 6K recording area can also be used for oversampled 4K shooting at 30p for improved sharpness, reduced moiré, and lower noise. And, for slow-motion playback, 180p recording is supported at up to Full HD resolution.
HDR-PQ recording is possible, too, for in-camera HDR production and external recording, via the micro-HDMI port, which supports a clean 6K output at up to 60 fps. Also, unlimited recording times are possible, too, and the R6 Mark II features both mic and headphone ports, as well as a multi-function shoe for wide accessories compatibility.
External 6K Raw Recording
Using the micro-HDMI port, raw video recording is possible when paired with a compatible external recorder. ProRes RAW up to 6K 60p is possible using the full width of the sensor as well as 3.7K raw recording with a crop.
Dual Pixel CMOS AF II
Sensor-Shift Image Stabilizer
An In-Body Image Stabilizer (IBIS) corrects up to 7 stops of unwanted camera shake when shooting handheld, helping to shoot handheld in low-light conditions and reduce shake when recording videos. This 5-axis system can be also used in conjunction with lenses featuring optical image stabilization to compensate for up to 8 stops of camera shake depending on the specific lens in use. Additionally, Movie Digital IS uses the optical and sensor-shift stabilization methods along with digital IS to help acquire steadier footage while moving.
Body Design
EVF and Vari-Angle Touchscreen LCD
Reliable and Intuitive Handling
Flexible Connectivity
Wired and wireless connectivity options are available, allowing for multiple methods of transferring photos and videos, as well as for remotely controlling the camera.
Next-Generation Multi-Function Shoe
An update to a conventional hot shoe, the Multi-Function Shoe adds a row of pins at the front of the design to permit greater accessory functionality as well as provide power to select accessory types that traditionally rely on separate batteries. This updated shoe is compatible with select accessories, including the EL-5 Speedlite, ST-E10 Speedlite Transmitter, DM-E1D Stereo Microphone, and AD-P1 Smartphone Link Adapter, as well as the AD-E1 Multi-Function Shoe Adapter to provide compatibility with legacy shoe-mounted accessories.
Key Features
Professional videographers with a DSLR or mirrorless camera can achieve impressively smooth shots with the SCORP 3-Axis Gimbal Stabilizer from Feiyu. Intuitive controls and an ergonomically angled handgrip enable the operator to follow the action, whether shooting in a low-angle position or attached to a boom pole for extra height. Various shooting modes and precise settings can be accessed via the touchscreen on the handgrip.
A single wheel on the joystick controls parameters like shutter speed and ISO, the gimbal tilt angle, or the use of a third-party follow focus system (available separately). A high-powered CPU drives the anti-shake algorithm of this stabilizer, enabling the mounted camera to capture professional-grade footage. The 2500mAh battery runs this device for up to thirteen hours and can be rapidly recharged in under two.
The gimbal is equipped with an intricate anti-shake algorithm powered by a high-octane CPU. This combination enables lightning-fast reactions to the bumps encountered while shooting handheld, even when running.
Reposition the camera below the handgrip to improve stability. Instead of balancing the camera on top of the gimbal, using the action handle lets the weight hang below. This enables shooters to capture low-angle boom shots by fully extending their arm toward the floor.
A wheel on the joystick is designed to control the focus with third-party follow focus systems (available separately). USB Type-C ports are provided to transmit this data from the gimbal to your existing follow focus system. Parameters like ISO and shutter speed, or gimbal settings like follow speed and tilt angle, can be set with the wheel.
Located on the joystick, this square screen facilitates an on-the-go selection of the gimbal's various shooting modes and settings, including motor power and follow speed.
The 2500mAh battery can be ready to go in 1.6 hours using the rapid, 18W recharging capabilities. On a full charge, it can last up to thirteen hours, provided the rig is properly balanced.
Designed to handle a payload of up to 10.5 lb, this stabilizer gets its strength from the combination of aluminum alloy and a synthetic macromolecular resin.
This gimbal is designed to work with many leading DSLR and mirrorless cameras, including the Canon 5D Mark IV and the Sony a7S III. A full list of compatible cameras is provided by the manufacturer.