Leica Summaron-M 28mm f/5.6 Overview

Based on the classic screw-mount version of this lens from 1955, this silver Summaron-M 28mm f/5.6 Lens from Leica has been updated to contemporary standards, and fitted with an M-mount bayonet, yet still sports the ultra slim profile and vintage aesthetic. This wide-angle prime's calling card is its small, discreet size that is ideal for use as an everyday lens, and its symmetrical six elements in four groups optical design renders subjects with natural contrast and distinctive vignetting for a unique character and analog quality. Manual focus operation permits working with subjects as close as 3.3' away, and an integrated depth of field scale aids in pre-focusing for faster, more spontaneous shooting. Complementing the lens is an included lens hood that is machined from solid brass to match the classic lines of the lens as well as guard against stray light from affecting image quality.

Modeled after the original screw mount version from 1955, this revised edition utilizes the same classic optical design but updated with contemporary materials and 6-bit coding to better support working with digital rangefinder cameras.

Both a wide-angle field of view and discreet profile, which measures less than 0.8"-long, make this lens ideal for street photography and other everyday shooting applications.

Classic symmetrical optical design uses six elements in four groups to achieve a distinctly analog appearance with natural contrast, fine rendition of details and sharpness, and noticeable vignetting for an aesthetic, unique image quality.

Manual focus design provides a minimum focusing distance of 3.3' with a maximum magnification ratio of 1:33.4. An integrated depth of field scale aids when using pre-focusing techniques, and a long focus throw offers greater precision for isolating subjects in the frame.

Included lens hood is machined from solid brass to further recall the historical character of the lens.

Canon TS-E 135mm f4L Macro Overview

A unique telephoto offering close focus control along with perspective control capabilities the TS-E 135mm f4L Macro from Canon is a tilt-shift lens well-suited for studio, product, and tabletop photography. Up To +/- 10° of tilt is possible, for focus control, and +/- 12mm of shift, To adjust perspective and composition, and a tilt-locking mechanism can be used while shooting for more stability. A minimum focus distance of 1.6' and a maximum magnification of 0.5x are also benefitted by the Range of movements for more control over depth of field when photographing close-up subjects.

Complementing the operation of the lens, this L-series prime is also distinguished by its optical design that features a pair of Ultra-Low Dispersion elements To significantly reduce color fringing and chromatic aberrations for high clarity. Individual elements also feature a Subwavelength Coating To suppress flare and ghosting for greater contrast and color neutrality.

Perspective control, tilt-shift lens affords +/- 12mm of shift and +/- 10° of tilt, and both types of movements can be applied independently, and parallel or perpendicular To one another. Additionally, the tilt and shift functions can be rotated +/- 90° in any direction for applying the movements in distinct directions.

Tilt-locking mechanism and a large tilt knob benefit operation and ensure the lens stays in place while shooting.

Two Ultra-Low Dispersion (UD) elements help To reduce color fringing and chromatic aberrations for improved clarity and color accuracy.

A Subwavelength Coating has been applied To lens elements To minimize surface and internal reflections for a marked reduction in lens flare and ghosting when working in strong lighting conditions.

A minimum focusing distance of 1.6' along with a maximum magnification of 0.5x benefits working with close-up subjects.

Rounded nine-blade diaphragm contributes To a pleasing out of focus quality that benefits the use of shallow depth of field techniques.

Canon TS-E 17mm f/4L Overview

Key Features

• EF-Mount Lens/Full-Frame Format
• Aperture Range: f/4 to f/22
• Four UD Elements, One Aspherical Element
• Floating Optical System, Rear Focusing
• Subwavelength Coating
• Maximum Tilt: +/- 6.5°
• Maximum Shift: +/- 12mm
• Mount Rotation: +/- 90°
• Locking Tilt-Shift Mechanism
• Rounded 8-Blade Diaphragm

Presenting an ultra-wide field of view with advanced perspective and focus control, the TS-E 17mm f/4L is a Canon L-series tilt-shift lens well-suited to architecture and interior photography. Up to +/- 6.5° of tilt is possible, for focus control, and +/- 12mm of shift, to adjust perspective and composition. The tilt-shift mechanism can be rotated +/- 90° for applying movements in any direction, and a tilt-locking mechanism can be used while shooting for greater stability.

Complementing the operation of the lens, this L-series prime is also distinguished by its optical design that features four of Ultra-Low Dispersion elements to significantly reduce color fringing and chromatic aberrations as well as one aspherical element to minimize spherical aberrations and distortion. Individual elements also feature a Subwavelength Coating to suppress flare and ghosting for greater contrast and color neutrality. Additionally, a floating optical system and a rear focus design help to maintain consistent image quality throughout the focusing range, from 9.8" to infinity.

Perspective control, tilt-shift lens affords +/- 12mm of shift and +/- 6.5° of tilt, and both types of movements can be applied independently, and parallel or perpendicular to one another. Additionally, the tilt and shift functions can be rotated +/- 90° for applying the movements in distinct directions.

Tilt-locking mechanism ensures the lens stays in place while shooting.

Four Ultra-Low Dispersion elements are used to greatly reduce color fringing and chromatic aberrations in order to achieve greater clarity and color accuracy.

One aspherical element limits distortion and spherical aberrations to realize greater sharpness and accurate rendering.

A Sub Wavelength Coating has been applied to individual elements to control lens flare and ghosting for greater contrast and color fidelity when working in strong lighting conditions.

Floating optical system, along with a rear focusing mechanism, maintains consistent image quality throughout the focusing range, from 9.8" to infinity.

As a member of the esteemed L-series, this lens is sealed against dust and moisture for working in inclement environmental conditions.

Rounded eight-blade diaphragm contributes to a pleasing out of focus quality that benefits the use of shallow depth of field techniques.

Canon TS-E 24mm f3.5L II Overview

Balancing a versatile wide-angle field of view with advanced perspective and focus control, the TS-E 24mm f3.5L II is a Canon L-series tilt-shift lens well-suited To architecture, interior, and landscape photography. Up To +/- 8.5° of tilt is possible, for focus control, and +/- 12mm of shift, To adjust perspective and composition. The tilt-shift mechanism can be rotated +/- 90° for applying movements in any direction, and a tilt-locking mechanism can be used while shooting for greater stability.

Complementing the operation of the lens, this L-series prime is also distinguished by its optical design that features four of Ultra-Low Dispersion elements To significantly reduce color fringing and chromatic aberrations as well as one aspherical element To minimize spherical aberrations and distortion. Individual elements also feature a Subwavelength Coating To suppress flare and ghosting for greater contrast and color neutrality.

Perspective control, tilt-shift lens affords +/- 12mm of shift and +/- 8.5° of tilt, and both types of movements can be applied independently, and parallel or perpendicular To one another. Additionally, the tilt and shift functions can be rotated +/- 90° for applying the movements in distinct directions.

Tilt-locking mechanism ensures the lens stays in place while shooting.

Four Ultra-Low Dispersion elements are used To greatly reduce color fringing and chromatic aberrations in order To achieve greater clarity and color accuracy.

One aspherical element limits distortion and spherical aberrations To realize greater sharpness and accurate rendering.

A Sub Wavelength Coating has been applied To individual elements To control lens flare and ghosting for greater contrast and color fidelity when working in strong lighting conditions.

As a member of the esteemed L-series, this lens is sealed against dust and moisture for working in inclement environmental conditions.

Rounded eight-blade diaphragm contributes To a pleasing out of focus quality that benefits the use of shallow depth of field techniques.

Canon TS-E 50mm f2.8L Macro Overview

Characterized by its close-focusing and perspective control capabilities, the TS-E 50mm f2.8L Macro from Canon is a normal-length tilt-shift lens well-suited for product, tabletop, architectural, and interior photography. Up To +/- 8.5° of tilt is possible, for focus control, and +/- 12mm of shift, To adjust perspective and composition, and a tilt-locking mechanism can be used while shooting for more stability. A minimum focus distance of 10.6" and a maximum magnification of 0.5x are also benefitted by the Range of movements for more control over depth of field when photographing close-up subjects.

Complementing the operation of the lens, this L-series prime is also distinguished by its optical design that features a pair of Ultra-Low Dispersion elements To significantly reduce color fringing and chromatic aberrations as well as one aspherical element To minimize spherical aberrations and distortion. Individual elements also feature both Air Sphere and Subwavelength Coatings To suppress flare and ghosting for greater contrast and color neutrality.

Perspective control, tilt-shift lens affords +/- 12mm of shift and +/- 8.5° of tilt, and both types of movements can be applied independently, and parallel or perpendicular To one another. Additionally, the tilt and shift functions can be rotated +/- 90° in any direction for applying the movements in distinct directions.

Tilt-locking mechanism and a large tilt knob benefit operation and ensure the lens stays in place while shooting.

Two ultra-low dispersion elements help To reduce color fringing and chromatic aberrations for improved clarity and color accuracy.

One aspherical element minimizes spherical aberrations and distortion for improved sharpness.

Both Air Sphere and Subwavelength Coatings have been applied To lens elements To minimize surface and internal reflections for a marked reduction in lens flare and ghosting when working in strong lighting conditions.

A minimum focusing distance of 10.6" along with a maximum magnification of 0.5x benefits working with close-up subjects.

Rounded nine-blade diaphragm contributes To a pleasing out of focus quality that benefits the use of shallow depth of field techniques.

Canon TS-E 90mm f/2.8L Macro Overview

A short telephoto prime distinguished by its close focusing and perspective control capabilities, the TS-E 90mm f/2.8L Macro from Canon is a tilt-shift lens well-suited for product and tabletop photography. Up to +/- 10° of tilt is possible, for focus control, and +/- 12mm of shift, to adjust perspective and composition, and a tilt-locking mechanism can be used while shooting for more stability. A minimum focus distance of 1.3' and a maximum magnification of 0.5x are also benefitted by the Range of movements for more control over depth of field when photographing close-up subjects.

Complementing the operation of the lens, this L-series prime is also distinguished by its optical design, which features one Ultra-Low Dispersion element to significantly reduce color fringing and chromatic aberrations as well as one aspherical element to minimize spherical aberrations and distortion. Individual elements also feature an Air Sphere Coating to suppress flare and ghosting for greater contrast and color neutrality.

Perspective control, tilt-shift lens affords +/- 12mm of shift and +/- 10° of tilt, and both types of movements can be applied independently, and parallel or perpendicular to one another. Additionally, the tilt and shift functions can be rotated +/- 90° in any direction for applying the movements in distinct directions.

Tilt-locking mechanism and a large tilt knob benefit operation and ensure the lens stays in place while shooting.

One ultra-low dispersion element helps to reduce color fringing and chromatic aberrations for improved clarity and color accuracy.

One aspherical element minimizes spherical aberrations and distortion for improved sharpness.

An Air Sphere Coating has been applied to lens elements to minimize surface and internal reflections for a marked reduction in lens flare and ghosting when working in strong lighting conditions.

A minimum focusing distance of 1.3' along with a maximum magnification of 0.5x benefits working with close-up subjects.

Rounded nine-blade diaphragm contributes to a pleasing out of focus quality that benefits the use of shallow depth of field techniques.

Canon TS-E 90mm f2.8L Macro Overview

A short telephoto prime distinguished by its close focusing and perspective control capabilities, the TS-E 90mm f2.8L Macro from Canon is a tilt-shift lens well-suited for product and tabletop photography. Up To +/- 10° of tilt is possible, for focus control, and +/- 12mm of shift, To adjust perspective and composition, and a tilt-locking mechanism can be used while shooting for more stability. A minimum focus distance of 1.3' and a maximum magnification of 0.5x are also benefitted by the Range of movements for more control over depth of field when photographing close-up subjects.

Complementing the operation of the lens, this L-series prime is also distinguished by its optical design, which features one Ultra-Low Dispersion element To significantly reduce color fringing and chromatic aberrations as well as one aspherical element To minimize spherical aberrations and distortion. Individual elements also feature an Air Sphere Coating To suppress flare and ghosting for greater contrast and color neutrality.

Perspective control, tilt-shift lens affords +/- 12mm of shift and +/- 10° of tilt, and both types of movements can be applied independently, and parallel or perpendicular To one another. Additionally, the tilt and shift functions can be rotated +/- 90° in any direction for applying the movements in distinct directions.

Tilt-locking mechanism and a large tilt knob benefit operation and ensure the lens stays in place while shooting.

One ultra-low dispersion element helps To reduce color fringing and chromatic aberrations for improved clarity and color accuracy.

One aspherical element minimizes spherical aberrations and distortion for improved sharpness.

An Air Sphere Coating has been applied To lens elements To minimize surface and internal reflections for a marked reduction in lens flare and ghosting when working in strong lighting conditions.

A minimum focusing distance of 1.3' along with a maximum magnification of 0.5x benefits working with close-up subjects.

Rounded nine-blade diaphragm contributes To a pleasing out of focus quality that benefits the use of shallow depth of field techniques.

Venus Optics Laowa 100mm f/2.8 2X Ultra Macro Overview

Characterized by its close-focusing capabilities and apochromatic design, the Nikon Z-mount Laowa 100mm f/2.8 2X Ultra Macro APO from Venus Optics is a unique and versatile short-telephoto prime. Featuring a pair of low dispersion elements, color fringing and chromatic aberrations have been virtually eliminated throughout the focusing Range in order to achieve high clarity and color accuracy. The lens's manual focus design also suits its macro capabilities, which permit working with subjects as close as 2:1 with a minimum focusing distance of 9.7". Additionally, a 13-blade diaphragm contributes to a pleasing bokeh quality.

Telephoto prime is designed for FX-format Nikon Z-mount mirrorless cameras and can also be used with DX models where it will provide a 150mm equivalent focal length.

Featuring an apochromatic designation, this lens uses a pair of low dispersion elements to effectively eliminate chromatic aberrations and color fringing for greater clarity and accurate rendering.

Greater-than-life-size 2:1 maximum magnification pairs with a 9.7" minimum focusing distance to suit working with close-up subjects.

Manual focus design, along with focus distance and depth of field scales, aids in precise focusing control.

A 13-blade diaphragm contributes to a pleasing bokeh quality.

Venus Optics Laowa 100mm f/2.8 2X Ultra Macro... Overview

Key Features

• E-Mount Lens/Full-Frame Format
• Aperture Range: f/2.8 to f/22
• Two Low Dispersion Elements
• Maximum Magnification: 2:1
• Minimum Focusing Distance: 9.7"
• Manual Focus Design
• 13-Blade Diaphragm

Characterized by its close-focusing capabilities and apochromatic design, the Sony E-mount Laowa 100mm f/2.8 2X Ultra Macro APO from Venus Optics is a unique and versatile short-telephoto prime. Featuring a pair of low dispersion elements, color fringing and chromatic aberrations have been virtually eliminated throughout the focusing range in order to achieve high clarity and color accuracy. The lens has a manual focus design to suits its macro capabilities, which permit working with subjects as close as 2:1 with a minimum focusing distance of 9.7".

• Telephoto prime is designed for full-frame Sony E-mount mirrorless cameras and can also be used with APS-C models where it will provide a 150mm equivalent focal length.
• Featuring an apochromatic designation, this lens uses a pair of low dispersion elements to effectively eliminate chromatic aberrations and color fringing for greater clarity and accurate rendering.
• Greater-than-life-size 2:1 maximum magnification pairs with a 9.7" minimum focusing distance to suit working with close-up subjects.
• Manual focus design, along with focus distance and depth of field scales, aids in precise focusing control.
• A 13-blade diaphragm contributes to a pleasing bokeh quality.

Canon EF 28mm f/1.8 USM

Key Features

• EF-Mount Lens/Full-Frame format
• Aperture Range: f/1.8 to f/22
• One Aspherical Element
• Super Spectra Coating

Canon EF 28mm f/1.8 USM Overview

Delivering a comfortable wide-angle field of view, the EF 28mm f/1.8 USM from Canon balances a versatile perspective with a bright f/1.8 maximum aperture for controlling depth of field and working in low-light conditions. Complementing the fast and wide design, the optical design incorporates one aspherical element to help control distortion and reduce spherical aberrations in order to achieve greater sharpness and clarity. A Super Spectra coating has also been applied to minimize surface reflection, flare, and ghosting for increased contrast when working in strong lighting. Additionally, this lens sports a ring-type USM for quick and quiet autofocus performance and full-time manual focus override.

• Wide-angle prime is designed for full-frame Canon EF-mount DSLRs, however can also be used with APS-C models where it provides a 44.8mm equivalent focal length.
• Bright f/1.8 maximum aperture benefits working in low-light and affords control over depth of field for working with Selective focus techniques.
• One aspherical element limits distortion and spherical aberration in order to realize greater sharpness and accurate rendering.
• Super Spectra coating has been applied to individual elements to minimize ghosting and flare for greater contrast and color neutrality when working in strong lighting conditions.
• A ring-type Ultrasonic Motor (USM) is employed to deliver fast, precise, and quiet autofocus performance as well as full-time manual focus override.
• Rounded seven-blade diaphragm contributes to a pleasing out of focus quality that benefits the use of shallow depth of field and Selective focus techniques.

Venus Optics Laowa 10-18mm f4.5-5.6 Overview

Characterized by its especially compact and lightweight form factor, the Laowa 10-18mm f4.5-5.6 FE Zoom from Venus Optics is a petite and flexible ultra-wide-angle zoom for Sony E-mount mirrorless cameras. Its sleek size and versatile Range of wide-angle focal lengths make it ideal for landscape, nature, and architectural shooting as well as astrophotography applications. Its optical design incorporates both extra-low dispersion and aspherical elements in order To correct a variety of aberrations and distortions for sharper, clearer image quality and accurate color rendering. A Frog Eye Coating has also been applied To repel dust and moisture from the front element of the lens To benefit working in trying environmental conditions. Additionally, the manual aperture ring can be de-clicked for smooth, silent aperture changes To suit video applications, and the rear of the lens is threaded To accept 37mm screw-in filters.

Ultra-wide-angle zoom designed for full-frame Sony E-mount mirrorless cameras, this 10-18mm lens can also be used with APS-C models where it provides a 15-27mm equivalent focal length Range.

Especially sleek design measures just 2.75 x 3.6" and weighs approximately 1 lb.

One extra-low dispersion element reduces chromatic aberrations and color fringing for increased clarity and color neutrality. Two aspherical elements are also featured To limit spherical aberrations for improved sharpness.

A Frog Eye Coating has been applied To repel both dust and moisture for added protection when working in inclement conditions.

Manual focus design permits working with subjects as close as 5.9" away with a maximum magnification ratio of 1:4.

The manual aperture ring can be mechanically 'de-clicked' for smooth, silent rotation throughout the aperture Range making it ideal for video applications.

Five straight diaphragm blades are used To render crisp 10-point sun-stars when photographing point light sources with smaller aperture sizes.

Accepts 37mm filters via a rear filter mount and is also compatible with the optional Laowa Magnetic 100mm Filter Holder.

Venus Optics Laowa 15mm f2 Zero-D Overview

A fast and bright wide-angle prime, the Canon RF-mount Laowa 15mm f2 FE Zero-D Lens from Venus Optics is a rectilinear lens with a sophisticated optical design To effectively limit distortion. The bright f2 maximum aperture makes this lens especially useful for astrophotography and low-light use, and when paired with the 5.9" minimum focusing distance, distinct shallow depth of field imagery can also be produced. The optical construction includes three extra-low dispersion elements and two aspherical elements To control both chromatic and spherical aberrations for greater sharpness, clarity, and reduced color fringing. A Frog Eye Coating has been applied, too, To repel dust and moisture from the front element of the lens To benefit working in trying environmental conditions. Additionally, the manual aperture ring can be de-clicked for smooth, silent aperture changes To suit video applications, and the front of the lens is threaded To accept 72mm screw-in filters.

Ultra wide-angle prime is designed for full-frame Canon RF-mount mirrorless cameras.

Relatively fast f2 maximum aperture benefits astrophotography and low-light shooting applications.

Rectilinear design renders subjects with minimal distortion in order To suit landscape and architectural applications.

Three extra-low dispersion elements reduce chromatic aberrations and color fringing for increased clarity and color neutrality. Two aspherical elements are also featured To limit spherical aberrations for improved sharpness.

A Frog Eye Coating has been applied To repel both dust and moisture for added protection when working in inclement conditions.

Manual focus design permits working with subjects as close as 5.9" away with a maximum magnification ratio of 1:4.

The manual aperture ring can be mechanically 'de-clicked' for smooth, silent rotation throughout the aperture Range making it ideal for video applications.

Five straight diaphragm blades are used To render crisp 10-point sun-stars when photographing point light sources with smaller aperture sizes.

Despite its ultra-wide design, this lens can accept 72mm screw-in filters on the front of the lens.

Venus Optics Laowa 15mm f2 Zero-D Overview

A fast and bright wide-angle prime, the Nikon Z-mount Laowa 15mm f2 FE Zero-D Lens from Venus Optics is a rectilinear lens with a sophisticated optical design To effectively limit distortion. The bright f2 maximum aperture makes this lens especially useful for astrophotography and low-light use, and when paired with the 5.9" minimum focusing distance, distinct shallow depth of field imagery can also be produced. The optical construction includes three extra-low dispersion elements and two aspherical elements To control both chromatic and spherical aberrations for greater sharpness, clarity, and reduced color fringing. A Frog Eye Coating has been applied, too, To repel dust and moisture from the front element of the lens To benefit working in trying environmental conditions. Additionally, the manual aperture ring can be de-clicked for smooth, silent aperture changes To suit video applications, and the front of the lens is threaded To accept 72mm screw-in filters.

Ultra wide-angle prime is designed for FX-format Nikon Z-mount mirrorless cameras.

Relatively fast f2 maximum aperture benefits astrophotography and low-light shooting applications.

Rectilinear design renders subjects with minimal distortion in order To suit landscape and architectural applications.

Three extra-low dispersion elements reduce chromatic aberrations and color fringing for increased clarity and color neutrality. Two aspherical elements are also featured To limit spherical aberrations for improved sharpness.

A Frog Eye Coating has been applied To repel both dust and moisture for added protection when working in inclement conditions.

Manual focus design permits working with subjects as close as 5.9" away with a maximum magnification ratio of 1:4.

The manual aperture ring can be mechanically 'de-clicked' for smooth, silent rotation throughout the aperture Range making it ideal for video applications.

Five straight diaphragm blades are used To render crisp 10-point sun-stars when photographing point light sources with smaller aperture sizes.

Despite its ultra-wide design, this lens can accept 72mm screw-in filters on the front of the lens.

Venus Optics Laowa 15mm f/2 Zero-D Overview

A fast and bright wide-angle prime, the Sony E-mount Laowa 15mm f/2 FE Zero-D Lens from Venus Optics is a rectilinear lens with a sophisticated optical design to effectively limit distortion. The bright f/2 maximum aperture makes this lens especially useful for astrophotography and low-light use, and when paired with the 5.9" minimum focusing distance, distinct shallow depth of field imagery can also be produced. The optical construction includes three extra-low dispersion elements and two aspherical elements to control both chromatic and spherical aberrations for greater sharpness, clarity, and reduced color fringing. A Frog Eye Coating has been applied, too, to repel dust and moisture from the front element of the lens to benefit working in trying environmental conditions. Additionally, the manual aperture ring can be de-clicked for smooth, silent aperture changes to suit video applications, and the front of the lens is threaded to accept 72mm screw-in filters.

Ultra wide-angle prime designed for full-frame Sony E-mount mirrorless cameras, this 15mm f/2 can also be used with APS-C models where it provides a 22.5mm equivalent focal length.

Relatively fast f/2 maximum aperture benefits astrophotography and low-light shooting applications.

Rectilinear design renders subjects with minimal distortion in order to suit landscape and architectural applications.

Three extra-low dispersion elements reduce chromatic aberrations and color fringing for increased clarity and color neutrality. Two aspherical elements are also featured to limit spherical aberrations for improved sharpness.

A Frog Eye Coating has been applied to repel both dust and moisture for added protection when working in inclement conditions.

Manual focus design permits working with subjects as close as 5.9" away with a maximum magnification ratio of 1:4.

The manual aperture ring can be mechanically 'de-clicked' for smooth, silent rotation throughout the aperture Range; making it ideal for video applications.

Despite its ultra-wide design, this lens can accept 72mm screw-in filters on the front of the lens.

Venus Optics Laowa 15mm f4 Macro Overview

Venus Optics is offering photographers the first native option To get started in the world of wide-angle macro photography with the Laowa 15mm f4 Macro Lens, available here for full-frame Sony E-mount cameras. Before now, wide-angle macro required the use of extension tubes and other workarounds, but now the Laowa 15mm Macro offers true 1:1 magnification without the hassle. The ultra-wide perspective on full-frame cameras allows users To get exceptionally close To their subjects with a minimum focus distance of just 4.7", and have them fill the frame, while still capturing the background for more informative scenes. Internal focusing further assists by not disturbing your subject, even when you reach the 0.2" minimum working distance.

Optically, it is designed To minimize distortion that plagues wide-angle lenses with the use of an advanced 12 element in 9 group construction with one extra-low dispersion and three high-refractive elements. A multi-layer low-reflective coating further improved image quality by reducing the appearance of flare and ghosting. Also, when used on APS-C cameras, or in crop modes, the lens offers +/- 6mm of vertical shift which can help correct for perspective when shooting objects such as buildings.

Full manual operation is required with this lens through the use of a physical aperture ring with a Range of f4 To f32 and a large focusing ring. A flat front element provides room for a 77mm front filter thread for using a Selection of specialized filters To enhance your scene. Additionally, it has a near circular 14-blade diaphragm for smooth out of focus elements and comes with a lens hood.

Ultra-wide 110 angle of view on full-frame cameras.

The wide-angle lens offers a 35mm equivalent focal length of 22.5mm with an 85 angle of view when used on APS-C cameras bodies or in crop modes.

Wide aperture Range of f4 To f32.

Lens construction features 12 elements in 9 groups with 3 high-refractive elements and on extra-low dispersion element.

Minimum focus distance of 4.7" with a minimum working distance of just 0.2".

Manual focus and aperture control.

When used with APS-C cameras, the Laowa 15mm Macro can utilize +/-6 mm of vertical shift To help correct perspective.

True 1:1 magnification allows photographers To capture life-sized images of their subjects while still providing infinity focus for use as a standard wide-angle lens.

Near-circular 14-blade aperture diaphragm provides smooth out-of-focus elements.

Accepts 77mm threaded filters.

Venus Optics Laowa 24mm f14 Macro Probe Overview

Key Features

• E-Mount Lens/Full-Frame Format
• Aperture Range: f/14 to f/40
• Two Extra-Low Dispersion Elements
• One Extra Refractive Index Element
• Magnification: 2:1 to Infinity
• Min. Focus: 1.5'; Working Distance: 0.8"
• Long Lens Barrel, Small Front Diameter
• Built-In LED Ring Light, Micro-USB Power
• Waterproof Front Lens Barrel
• Manual Focus Design

Described as "weird but genius," the Sony E-mount Laowa 24mm f/14 Probe Lens from Venus Optics is a truly unique lens designed for close-up shooting. Distinguished by its long and slender lens barrel, this macro lens provides a 2:1 maximum magnification with a 1.5' minimum focusing distance and a close 0.8" minimum working distance. Even with such a close working distance, the lens measures 1.3' long, placing you at a comfortable distance to photograph nearby subjects. Also, as a wide-angle lens, greater depth of field is afforded when compared to traditional telephoto macro lenses, allowing for greater detail in the background with less subject isolation.

The optical design includes both extra-low dispersion and extra-refractive index elements, which help to suppress chromatic and spherical aberrations for a high degree of clarity, color accuracy, and sharpness. Manual focus control permits focusing from 1.5' to infinity, and the front of the lens has a built-in LED ring light to aid in focusing at close distances. The slim 0.2" diameter of the front of the lens barrel also offers greater opportunities for lighting subjects from the front. Additionally, the front portion of the lens is waterproof and permits working with subjects just beneath the surface of the water or in dusty or trying environments.

This "cine-mod" version of the lens has been optimized for video use and features integrated gears on both the aperture and focus rings for doing iris and focus pulls using a follow focus.

• Unique macro lens design offers a greater-than-life-sized 2:1 maximum magnification along with a minimum focusing distance of 1.5' and a working distance of just 0.8".
• The long tubular lens barrel contributes to producing a distinct bug-eye perspective and, despite the short working distance, the length of the lens barrel places the camera at a comfortable shooting distance.
• Wide-angle 24mm focal length affords greater depth of field and more surrounding detail than traditional telephoto macro designs, which tend to isolate subject matter with shallow depth of field.
• Optical design includes two extra-low dispersion elements that control color fringing and chromatic aberrations to produce greater clarity and color accuracy. One extra refractive index element is also featured, which reduces spherical aberrations and distortion for improved sharpness and accurate rendering.
• Slim 0.8" front diameter allows performing unique "slide-in" shots as well as affords a greater range of close-up, inconspicuous shooting opportunities. The smaller front diameter also makes it easier to illuminate close-up subjects from the front.
• The front of the lens is waterproof, allowing you to comfortably work just under the water surface or in dusty environments.
• The front of the lens has a built-in LED ring light which is powered via a micro-USB port on the barrel, providing some illumination on close-up subjects for easier focusing.
• Designed for use as a close-up macro lens, the manual focus operation also lets you focus at infinity.
• This "cine-mod" version of the lens has built-in focus and aperture gears to aid in doing focus and iris pulls.
• Seven-blade diaphragm contributes to a pleasing bokeh quality.

Venus Optics Laowa 25mm f/2.8 Ultra Macro Overview

Dedicated to extreme close-up imaging, the Canon RF-mount Laowa 25mm f/2.8 2.5-5X Ultra Macro from Venus Optics is a specialized macro lens for photographing subjects at magnifications greater than life-size. Operating within a 2.5:1 to 5:1 Range, this lens has a minimum focus distance of just 6.8" at the 5:1 magnification along with a comfortable 1.6" working distance. This Range is benefitted by the wide-angle focal length, too, in order to achieve greater depth of field compared to long focal length macro lenses. Complementing the close-up capabilities, the optical design incorporates one extra-low dispersion element to reduce color fringing and chromatic aberrations for a high degree of clarity. Additionally, distinguishing itself from other macro lenses, this 25mm f/2.8 is characterized by its notably sleek and lightweight design for easier handling and more room to work with artificial lighting.

Prime 25mm f/2.8 is designed for full-frame Canon RF-mount mirrorless cameras.

Specifically developed for macro photography, this lens is designed for use within a 2.5:1 to 5:1 magnification Range for producing greater-than-life-size imagery. This lens does not offer infinity focus.

When at 5:1 magnification, the lens has a minimum focusing distance of 6.8" along with a working distance of 1.6", which affords sufficient room for illuminating your subject. At the 2.5:1 position, a minimum focusing distance of 9.2" is possible along with a working distance of 1.8".

Wide-angle design benefits the high magnification design by providing greater depth of field compared to telephoto or long lens designs.

Manual focus operation for precise control over focusing distance when working with close-up subjects.

One extra-low dispersion element greatly reduces chromatic aberrations and color fringing for improved clarity and color accuracy.

Eight-blade diaphragm contributes to a pleasing out of focus quality when using shallow depth of field.

Especially slim and lightweight physical design is easier to use handheld and offers more room for illuminating close-up subjects.

Venus Optics Laowa 25mm f/2.8 Ultra Macro Overview

Dedicated to extreme close-up imaging, the Nikon Z-mount Laowa 25mm f/2.8 2.5-5X Ultra Macro from Venus Optics is a specialized macro lens for photographing subjects at magnifications greater than life-size. Operating within a 2.5:1 to 5:1 Range, this lens has a minimum focus distance of just 6.8" at the 5:1 magnification along with a comfortable 1.6" working distance. This Range is benefitted by the wide-angle focal length, too, in order to achieve greater depth of field compared to long focal length macro lenses. Complementing the close-up capabilities, the optical design incorporates one extra-low dispersion element to reduce color fringing and chromatic aberrations for a high degree of clarity. Additionally, distinguishing itself from other macro lenses, this 25mm f/2.8 is characterized by its notably sleek and lightweight design for easier handling and more room to work with artificial lighting.

Prime 25mm f/2.8 is designed for FX-format Nikon Z-mount mirrorless cameras, however can also be used with DX models where it provides a 37.5mm equivalent focal length.

Specifically developed for macro photography, this lens is designed for use within a 2.5:1 to 5:1 magnification Range for producing greater-than-life-size imagery. This lens does not offer infinity focus.

When at 5:1 magnification, the lens has a minimum focusing distance of 6.8" along with a working distance of 1.6", which affords sufficient room for illuminating your subject. At the 2.5:1 position, a minimum focusing distance of 9.2" is possible along with a working distance of 1.8".

Wide-angle design benefits the high magnification design by providing greater depth of field compared to telephoto or long lens designs.

Manual focus operation for precise control over focusing distance when working with close-up subjects.

One extra-low dispersion element greatly reduces chromatic aberrations and color fringing for improved clarity and color accuracy.

Eight-blade diaphragm contributes to a pleasing out of focus quality when using shallow depth of field.

Especially slim and lightweight physical design is easier to use handheld and offers more room for illuminating close-up subjects.

Venus Optics Laowa 25mm f/2.8 Ultra Macro Overview

Dedicated to extreme close-up imaging, the Sony E-mount Laowa 25mm f/2.8 2.5-5X Ultra Macro from Venus Optics is a specialized macro lens for photographing subjects at magnifications greater than life-size. Operating within a 2.5:1 to 5:1 Range, this lens has a minimum focus distance of just 6.8" at the 5:1 magnification along with a comfortable 1.6" working distance. This Range is benefitted by the wide-angle focal length, too, in order to achieve greater depth of field compared to long focal length macro lenses. Complementing the close-up capabilities, the optical design incorporates one extra-low dispersion element to reduce color fringing and chromatic aberrations for a high degree of clarity. Additionally, distinguishing itself from other macro lenses, this 25mm f/2.8 is characterized by its notably sleek and lightweight design for easier handling and more room to work with artificial lighting.

Prime 25mm f/2.8 is designed for full-frame Sony E-mount mirrorless cameras, however can also be used with APS-C models where it provides a 37.5mm equivalent focal length.

Specifically developed for macro photography, this lens is designed for use within a 2.5:1 to 5:1 magnification Range for producing greater-than-life-size imagery. This lens does not offer infinity focus.

When at 5:1 magnification, the lens has a minimum focusing distance of 6.8" along with a working distance of 1.6", which affords sufficient room for illuminating your subject. At the 2.5:1 position, a minimum focusing distance of 9.2" is possible along with a working distance of 1.8".

Wide-angle design benefits the high magnification design by providing greater depth of field compared to telephoto or long lens designs.

Manual focus operation for precise control over focusing distance when working with close-up subjects.

One extra-low dispersion element greatly reduces chromatic aberrations and color fringing for improved clarity and color accuracy.

Eight-blade diaphragm contributes to a pleasing out of focus quality when using shallow depth of field.

Especially slim and lightweight physical design is easier to use handheld and offers more room for illuminating close-up subjects.

Venus Optics Laowa 4mm f/2.8 Fisheye Overview

Presenting an immensely wide field of view within a truly compact package, the Laowa 4mm f/2.8 Fisheye provides a huge 210 angle of view for Fujifilm X mirrorless cameras. As a circular fisheye, this lens is characterized by its noticeable distortion and bulb-like visual appearance. The greater-than-180 angle of view also enables making full 360 stitched panoramas with just two shots. The lens also sports a bright f/2.8 design for working in available lighting conditions and its manual focus design permits working with subjects as close as 3.1" away for true close-up shooting. Additionally, the fisheye design retains almost full depth of field when stopped down to f/5.6 for consistent and even sharpness.

Ultra wide-angle 4mm f/2.8 prime is designed for Fujifilm X-mount mirrorless cameras and provides a 6mm equivalent focal length.

Bright f/2.8 maximum aperture is well-suited to working in low and difficult lighting conditions.

Exceptionally wide 210 angle of view along with a circular fisheye design produces a highly distorted image for creative applications as well as the potential to stitch images together for full 360 panoramas.

Manual focus design offers a minimum focusing distance of 3.1".

Lightweight and small design makes this lens suitable for use on drones as well as being ideal for VR imaging, action sports filming, or virtual tours.