Nikon AF-S Nikkor 16-35mm f4G ED VR Overview

Key Features

• F-Mount Lens/FX format
• Aperture Range: f4 To f22
• Three Aspherical and Two ED Elements
• Nano Crystal Coat
• Silent Wave Motor AF System
• VR II Image Stabilization
• Rounded 9-Blade Diaphragm

Covering a versatile array of wide-angle focal lengths, the AF-S Nikkor 16-35mm f4G ED VR from Nikon is a flexible zoom ideal for landscape, cityscape, and interior photography. Its constant f4 maximum aperture maintains consistent illumination throughout the zoom Range and suits working in a variety of lighting conditions. The optical design contains three aspherical elements and two extra-low dispersion elements, which greatly reduce distortion and aberrations for a high degree of sharpness, clarity, and accurate rendering. A Nano Crystal Coat has also been applied To control flare and ghosting for greater contrast and color accuracy in harsh lighting and backlit conditions. Additionally, this lens also sports a Silent Wave Motor for fast and accurate autofocus along with VR II image stabilization To minimize the appearance of camera shake by 2.5 stops.

Wide-angle zoom designed for FX-format sensors, this 16-35mm lens can also be used with DX models where it provides a 24-52.5mm equivalent focal length Range.

Constant f4 maximum aperture offers consistent performance and light transmission throughout the zoom Range.

Three aspherical elements are used To reduce spherical aberrations and distortion in order To realize sharp imagery with accurate rendering.

Two extra-low dispersion elements greatly reduce color fringing and chromatic aberrations in order To produce greater clarity and color accuracy.

A Nano Crystal Coat has been applied To individual elements To suppress internal reflections, flare, and ghosting for improved contrast and color accuracy when working in strong lighting conditions.

Silent Wave Motor affords quick, quiet, and precise autofocus performance along with full-time manual focus override. An internal focusing design is also used, where only the internal lens groups are moved during focusing, To maintain the overall length of the lens during use and To promote faster focusing speeds.

VR II (Vibration Reduction) image stabilization helps To minimize the appearance of camera shake by 2.5 stops To benefit shooting handheld in difficult lighting conditions.

Rounded nine-blade diaphragm promotes a pleasing out of focus quality that benefits the use of shallow depth of field techniques.

Nikon AF NIKKOR 50mm f/1.4D Overview

Key Features

• F-Mount Lens/FX Format
• Aperture Range: f/1.4 to f/16
• Super Integrated Coating
• Rounded 7-Blade Diaphragm

Characterized by its fast design and compact profile, the AF NIKKOR 50mm f/1.4D from Nikon is a versatile normal-length prime for everyday shooting. The bright f/1.4 maximum aperture benefits working in difficult lighting conditions and also helps achieve shallow depth of field and selective focus effects. A Super Integrated Coating has been applied to individual elements, and reduces lens flare and ghosting for increased contrast and color accuracy when working in bright and backlit conditions. Also, a rounded seven-blade diaphragm contributes to a pleasing bokeh quality.

Normal-length prime lens is designed for FX-format Nikon F-mount cameras, however can also be used with DX models where it provides a 75mm equivalent focal length.

Fast f/1.4 maximum aperture is well-suited to working in low-light environments and also affords extensive control over depth of field for using selective focus techniques.

A Super Integrated Coating has been applied to individual elements to suppress internal reflections, flare, and ghosting for improved contrast and color accuracy when working in strong lighting conditions.

Autofocus system is compatible with select Nikon DSLRs that support D-type lenses, and offers quick and precise focusing performance.

Autofocus is not supported by DSLRs lacking an autofocus motor, such as the D3000-series, D5000-series, D40, D40X, and D60, where the lens may be used with manual focus only.

Rounded seven-blade diaphragm promotes a pleasing out of focus quality that benefits the use of shallow depth of field and selective focus techniques.

Nikon AF-S Nikkor 24-70mm f2.8G ED Overview

Key Features

• F-Mount Lens/FX format
• Aperture Range: f2.8 To f22
• Three Aspherical and Three ED Elements
• Nano Crystal & Super Integrated Coatings
• Silent Wave Motor AF System
• Rounded 9-Blade Diaphragm

Commonly referred To as the workhorse of the pros, the AF-S Nikkor 24-70mm f2.8G ED from Nikon is a versatile standard zoom characterized by its bright and sophisticated optical design. The constant f2.8 maximum aperture affords consistent performance and illumination throughout the zoom Range, and suits working in low light and for working with Selective focus techniques. Three precision glass molded aspherical elements and three extra-low dispersion elements are used To greatly reduce spherical and chromatic aberrations throughout the zoom Range in order To produce a high degree of sharpness and clarity. Also benefitting image quality, both a Nano Crystal Coat and a Super Integrated Coating have been applied To control flare and ghosting for improved contrast and color accuracy. Additionally, complementing the imaging capabilities, a Silent Wave Motor affords fast and precise autofocus performance, along with full-time manual focus override, To benefit both stills and video applications.

Standard zoom is designed for FX-format F-mount cameras, however can also be used with DX models where it provides a 36-105mm equivalent focal length Range.

Bright constant f2.8 maximum aperture affords consistent illumination throughout the zoom Range and also affords greater control over depth of field for isolating subjects and working with Selective focus techniques.

Three aspherical elements are used To reduce spherical aberrations and distortion in order To realize sharp imagery with accurate rendering.

Three extra-low dispersion elements greatly reduce color fringing and chromatic aberrations in order To produce greater clarity and color accuracy.

Both a Nano Crystal Coat and a Super Integrated Coating have been applied To individual elements To suppress internal reflections, flare, and ghosting for improved contrast and color accuracy when working in strong lighting conditions.

Silent Wave Motor affords quick, quiet, and precise autofocus performance along with full-time manual focus override. An internal focusing design is also used, where only the internal lens groups are moved during focusing, To maintain the overall length of the lens during use and To promote faster focusing speeds.

Rounded nine-blade diaphragm promotes a pleasing out of focus quality that benefits the use of shallow depth of field techniques.

Sigma 50-100mm f/1.8 DC HSM Art Overview

Pairing a useful Range of telephoto focal lengths with an especially fast design, this Nikon F-mount Sigma 50-100mm f/1.8 DC HSM is an Art-series zoom mixing impressive versatility with advanced optics. The bright f/1.8 constant maximum aperture offers consistent low-light performance throughout the zoom Range and also affords greater control over focus placement for shallow depth of field and Selective focus applications. The optical design incorporates a series of low dispersion and high-refractive index elements, which help to achieve high clarity and sharpness by suppressing various aberrations, color fringing, and distortion. A Super Multi-Layer Coating has been applied, too, which controls lens flare and ghosting for improved contrast and color accuracy. Balancing the optical merits, this 50-100mm also sports an advanced Hyper Sonic Motor, along with an internal focusing and zoom design, to promote fast, quiet, and precise autofocus performance. Additionally, a tripod collar is integrated into the lens's design for greater stability when working atop a tripod or monopod.

As part of the Art line within Sigma's Global Vision series, this lens is designed to achieve truly notable optical performance and is ideally suited for creative and artistic applications.

Telephoto zoom is designed for DX-format Nikon F-mount cameras and provides a 75-150mm equivalent focal length Range.

Impressively fast f/1.8 constant maximum aperture benefits working in difficult lighting conditions throughout the zoom Range and also offers increased control over focus when working with Selective focus techniques.

Three F Low Dispersion (FLD) elements and four Special Low Dispersion (SLD) elements markedly reduce chromatic aberrations and color fringing throughout the zoom Range. Additionally, one high-refractive index, high-dispersion glass element controls spherical aberrations for increased clarity and sharpness.

A Super Multi-Layer Coating has been applied to lens elements in order to minimize lens flare and ghosting and contribute to producing contrast-rich and color-neutral imagery, even in backlit conditions.

Integrated HSM (Hyper Sonic Motor), along with an internal focusing system, realizes quick and quiet autofocus, which is further complemented by an optimized AF algorithm to produce smoother focusing performance. The HSM also permits full-time manual focus control simply by rotating the focus ring at any time.

Internal zoom and focus designs limit the overall length of the lens during operation for more intuitive, controlled handling as well as faster performance.

Rounded nine-blade diaphragm is constructed from durable, fluorine-coated polycarbonate and also features a carbon feather film for smooth performance when working with fast continuous shooting rates.

Constructed using a Thermally Stable Composite (TSC) material for greater precision and use in wide temperature variations. Additionally, a brass bayonet affords improved mounting accuracy and rigidity.

Fixed, rotating tripod collar offers increased stability when working from a tripod and integrates 90° click stops for intuitive switching between horizontal and vertical shooting orientations.

This lens is compatible with the optional Sigma USB Dock for fine-tuning different lens characteristics and updating its firmware.

Sigma APO 300-800mm f5.6 EX DG APO HSM Overview

Covering an impressive Range of super telephoto focal lengths, the Canon EF-mount APO 300-800mm f5.6 EX DG HSM from Sigma is a sophisticated zoom characterized by its advanced optics and constant f5.6 maximum aperture. Designated an apochromat, this lens uses a pair of extra-low dispersion elements To effectively eliminate color fringing and chromatic aberrations for high clarity and color accuracy throughout the zoom Range. A multi-layer coating has also been applied To lens elements To control flare and ghosting for improved contrast and clarity.

Benefitting the optical attributes is a Hyper Sonic Motor, which provides quick, smooth, and quiet autofocus performance with full-time manual focus override. The physical design also incorporates a fixed, rotating tripod collar for easy attachment To a tripod or monopod, and a drop-in filter slot permits working with rear 46mm filters, such as the included circular polarizer filter.

Super telephoto zoom is designed for full-frame Canon EF-mount cameras, however can also be used with APS-C models where it will provide a 480-1280mm equivalent focal length Range.

Constant f5.6 maximum aperture offers consistent performance throughout the zoom Range.

Apochromatic optical design utilizes two extra-low dispersion elements To significantly reduce color fringing and chromatic aberrations for increased clarity and color fidelity.

Multi-layer coating has been applied To individual elements To minimize flare and ghosting for improved contrast and color accuracy when working in strong lighting conditions.

Hyper Sonic Motor (HSM) realizes quick and quiet autofocus performance as well as full-time manual focus override.

Internal focusing and zooming design maintains the overall length of the lens during use and also promotes faster performance.

Nine-blade diaphragm contributes To a pleasing bokeh quality.

A fixed, rotating tripod collar offers well-balanced support for photographing atop a tripod or monopod with either vertical or horizontal shooting orientations.

Rear drop-in 46mm filters can be used and a circular polarizer filter is included for reducing reflections and increasing contrast and saturation.

Compatible with optional APO 1.4x EX DG and APO 2x EX DG teleconverters.

Sigma 18-200mm f/3.5-6.3 DC Macro OS HSM Contemporary Overview

Spanning wide-angle to telephoto, the Nikon F-mount Sigma 18-200mm f/3.5-6.3 DC Macro OS HSM is a Contemporary-series all-in-one zoom covering an impressively versatile Range while maintaining an overall compact and lightweight profile. The optical design utilizes Four SLD and three aspherical elements to greatly reduce chromatic and spherical aberrations throughout the zoom Range and a Super Multi-Layer Coating also helps to control lens flare and ghosting for high contrast and color accuracy. Additionally, this lens is also adept at close-up shooting with a 1:3 maximum magnification and 1.3' minimum focusing distance.

Complementing the optical design, this lens also incorporates a Hyper Sonic Motor, which affords fast and precise autofocus performance along with full-time manual focus control. An Optical Stabilizer also benefits creating sharp imagery by minimizing the appearance of camera shake. Additionally, a rounded seven-blade diaphragm is featured, which contributes to a pleasing bokeh quality.

As part of the Contemporary line within Sigma's Global Vision series, this lens is designed to achieve a balance between convenience and performance, and meshes a compact, lightweight build and versatile handling with notable optical attributes.

All-in-one zoom is designed for DX-format Nikon F-mount cameras and provides a 27-300mm equivalent focal length Range.

Four Special Low Dispersion (SLD) elements are featured in the optical design and help to reduce color fringing and chromatic aberrations for improved clarity and color accuracy.

Three aspherical elements are used to help limit distortion and spherical aberrations and also contribute to greater overall sharpness and accurate rendering.

A Super Multi-Layer Coating has been applied to lens elements in order to minimize lens flare and ghosting and contribute to producing contrast-rich and color-neutral imagery, even in backlit conditions.

Ideal for close-up shooting, this lens offers a 1:3 maximum magnification along with a minimum focusing distance of 1.3' to suit working with nearby subjects.

Integrated HSM (Hyper Sonic Motor), along with a rear focus system, realizes quick and quiet autofocus, which is further complemented by an optimized AF algorithm to produce smoother focusing performance. The HSM also permits full-time manual focus control simply by rotating the focus ring at any time.

Optical Stabilizer system minimizes the appearance of camera shake to benefit making sharper imagery when shooting handheld.

Rounded seven-blade diaphragm contributes to a smooth and pleasing bokeh quality.

Constructed using a Thermally Stable Composite (TSC) material for greater precision and use in wide temperature variations. Additionally, a brass bayonet affords improved mounting accuracy and rigidity.

Zoom lock switch helps to prevent accidental and unwanted zoom adjustment.

This lens is compatible with the optional Sigma USB Dock for fine-tuning different lens characteristics and updating its firmware.

Venus Optics Laowa 15mm f4.5 Zero-D Shift Overview

Key Features

• EF-Mount Lens/Full-Frame Format
• Aperture Range: f/4.5 to f/22
• +/- 11mm of Shift, 360° Rotation
• Two Aspherical Elements
• Three Extra-Low Dispersion Elements
• Anti-Reflection Coating
• 65mm-Diameter Image Circle
• Manual Focus Design, 7.9" Min. Focus
• 14-Blade Diaphragm

Pairing an exceptionally wide field of view with the ability To correct for perspective distortion, the Canon EF-mount Laowa 15mm f4.5 Zero-D Shift from Venus Optics is an ideal lens for architecture and interior applications. The broad 110 Degree angle of view is complemented by an impressive +/- 11mm shift Range To compensate for unwanted converging lines and keystone distortion. This shift control is further complemented by a 360 Degree rotation mechanism applying the movements in various directions for To suit both horizontal and vertical orientation shooting. Additionally, as part of the Zero-D lens series, this 15mm f4.5 also renders scenes with a high degree of accuracy and very low distortion.

In terms of optics, two aspherical elements and three extra-low dispersion elements are featured, which reduce both spherical and chromatic aberrations for high sharpness and clarity. An anti-reflective coating also helps To control flare and ghosting for heightened contrast and color rendering. The lens uses a manual focus design for working with subjects as close a 7.9" away and has a five-blade diaphragm for producing distinct 10-point sun stars.

• Ultra-wide lens is designed for full-frame Canon EF-mount cameras, however can also be used with APS-C models where it provides a 24mm equivalent focal length.
• As part of the Zero-D series, this lens has a rectilinear design that renders subjects with minimal distortion in order To suit architectural, interior, and landscape applications.
• Integrated +/- 11mm of shift adjustment helps To correct perspective distortion and eliminate keystone distortion.
• Large 65mm-diameter image circle easily covers full-frame sensors without any vignetting. Additionally, this lens can also be adapted To medium format mirrorless cameras (44 x 33mm sensor), where up To +/- 8mm of shift is available.
• The shift control works in conjunction with 360 Degree of rotation for applying the shift in various directions, benefitting switching between vertical and horizontal shooting orientations, and the rotation mechanism has click stops at 15 Degree increments for intuitive handling.
• Two aspherical elements limit spherical aberrations and distortion for improved sharpness and accurate rendering.
• Three extra-low dispersion elements reduce chromatic aberrations and color fringing for increased clarity and color neutrality.
• Updated anti-reflective coating suppresses flare and ghosting for improved contrast and color accuracy when working in strong lighting conditions.
• Manual focusing design and a minimum focusing distance of 7.9" suits working with close-up subjects.
• Five-blade diaphragm produces distinct 10-point sun stars and specular highlights when stopped-down and photographing point light sources.
• Compatible with optional Shift Lens Support for more balanced mounting and To better enable using the lens for shift-type stitched panorama shooting without parallax error.

Venus Optics Laowa 15mm f4.5 Zero-D Shift Overview

Key Features

• F-Mount Lens/FX Format
• Aperture Range: f/4.5 to f/22
• +/- 11mm of Shift, 360° Rotation
• Two Aspherical Elements
• Three Extra-Low Dispersion Elements
• Anti-Reflection Coating
• 65mm-Diameter Image Circle
• Manual Focus Design, 7.9" Min. Focus
• 5-Blade Diaphragm

Pairing an exceptionally wide field of view with the ability To correct for perspective distortion, the Nikon F-mount Laowa 15mm f4.5 Zero-D Shift from Venus Optics is an ideal lens for architecture and interior applications. The broad 110 angle of view is complemented by an impressive +/- 11mm shift Range To compensate for unwanted converging lines and keystone distortion. This shift control is further complemented by a 360 rotation mechanism applying the movements in various directions for To suit both horizontal and vertical orientation shooting. Additionally, as part of the Zero-D lens series, this 15mm f4.5 also renders scenes with a high degree of accuracy and very low distortion.

In terms of optics, two aspherical elements and three extra-low dispersion elements are featured, which reduce both spherical and chromatic aberrations for high sharpness and clarity. An anti-reflective coating also helps To control flare and ghosting for heightened contrast and color rendering. The lens uses a manual focus design for working with subjects as close a 7.9" away and has a five-blade diaphragm for producing distinct 10-point sun stars.

• Ultra-wide lens is designed for FX-format Nikon F-mount cameras, however can also be used with DX models where it provides a 22.5mm equivalent focal length.
• As part of the Zero-D series, this lens has a rectilinear design that renders subjects with minimal distortion in order To suit architectural, interior, and landscape applications.
• Integrated +/- 11mm of shift adjustment helps To correct perspective distortion and eliminate keystone distortion.
• Large 65mm-diameter image circle easily covers full-frame sensors without any vignetting. Additionally, this lens can also be adapted To medium format mirrorless cameras (44 x 33mm sensor), where up To +/- 8mm of shift is available.
• The shift control works in conjunction with 360 of rotation for applying the shift in various directions, benefitting switching between vertical and horizontal shooting orientations, and the rotation mechanism has click stops at 15 increments for intuitive handling.
• Two aspherical elements limit spherical aberrations and distortion for improved sharpness and accurate rendering.
• Three extra-low dispersion elements reduce chromatic aberrations and color fringing for increased clarity and color neutrality.
• Updated anti-reflective coating suppresses flare and ghosting for improved contrast and color accuracy when working in strong lighting conditions.
• Manual focusing design and a minimum focusing distance of 7.9" suits working with close-up subjects.
• Five-blade diaphragm produces distinct 10-point sun stars and specular highlights when stopped-down and photographing point light sources.
• Compatible with optional Shift Lens Support for more balanced mounting and To better enable using the lens for shift-type stitched panorama shooting without parallax error.

Canon EF 20mm f/2.8 USM

Key Features

• EF-Mount Lens/Full-Frame format
• Aperture Range: f/2.8 to f/22
• Four Aspherical Elements
• Two Super UD Elements

Canon EF 20mm f/2.8 USM Overview

Canon EF 20mm f/2.8 USM Lens from Canon is an ultra-wide-angle lens with a fast maximum aperture for full frame EF mount cameras. A floating rear focusing system gives sharp images at all subject distances and an ultrasonic motor (USM) enables fast, smooth and quiet autofocus. Full-time manual focus override allows for precise manual focus even when in AF mode. The minimum focus distance is 9.8".

Sharp, high-contrast images and minimized aberrations result from the lens' optical construction which includes aspherical and Super UD lens elements. Canon's Super Spectra lens coating suppresses ghosting and flare by absorbing light that might otherwise reflect off the camera's sensor. A metal front barrel- including filter ring and lens hood mount- provides durability and a stable hold for those optional accessories.

• Ultra-wide-angle lens with diagonal angle of view of 94° for full frame EF mount DSLRs
• Ultrasonic autofocus motor for precise, fast and quiet autofocus.
• Manual Focus Override
• 9.8" minimum focus distance
• Six-blade circular aperture

Nikon AF-P DX Nikkor 18-55mm f3.5-5.6G Overview

Updating the staple DX-format standard zoom, the AF-P DX Nikkor 18-55mm f3.5-5.6G from Nikon offers a 27-82.5mm equivalent focal length Range as well as an especially sleek form factor. Two aspherical elements are featured in the optical design, which help To control spherical aberrations and distortion in order To realize high sharpness and accurate rendering. A Super Integrated Coating is also used To minimize flare and ghosting for greater contrast and color accuracy. Suiting both photo and video applications, the AF-P designation indicates the use of a pulse stepping motor that offers notably quiet, fast, and precise autofocus performance.

Standard zoom spans wide-angle To portrait focal lengths and is designed for Nikon F-mount DX-format cameras, where it provides a 27-82.5mm equivalent Range.

Two aspherical elements are used To reduce spherical aberrations and distortion in order To realize sharp imagery with accurate rendering.

A Super Integrated Coating has been applied To individual elements To suppress internal reflections, flare, and ghosting for improved contrast and color accuracy when working in strong lighting conditions.

AF-P pulse motor uses stepping motors To deliver impressively smooth, quiet, and fast autofocus performance that is well-suited To both stills and video applications.

Rounded seven-blade diaphragm promotes a pleasing out of focus quality that benefits the use of shallow depth of field and Selective focus techniques.

A retractable lens barrel design maintains an especially compact form factor when the lens is not in use. Additionally, the autofocus switch has been removed from the lens design for a sleek profile this operation is now accessible in compatible cameras' menu systems.

Compatible Cameras

• Full Compatibility: D500, D7500, D5600, D5500, D3500, D3400, D850 (in DX mode), and Z-series mirrorless cameras with FTZ adapter
• Compatible with Limited Functions: D7200, D7100, D5300, D5200, and D3300 D810A, D810, D800E, D800, D750, D610, D600, D5, and Df in DX mode and 1-series mirrorless cameras with FT1 adapter
• Compatible cameras may require a firmware update for use

Venus Optics Laowa 105mm f/2 Smooth Trans Foc... Overview

Designed to provide a wealth of control over out-of-focus quality and to enhance bokeh, the Laowa 105mm f/2 Smooth Trans Focus Lens from Venus Optics is a short telephoto prime designed for full-frame Pentax K-mount cameras. The unique optical design incorporates an apodization (APD) element, as well as two separate diaphragms€”8- and 14-blade€”to provide separate adjustment over the bokeh as well as the exposure and depth of field. This APD element functions as a radially graduated neutral density filter, and as such limits the light transmission to a T-stop value of 3.2, while permitting the depth of field and Selective focus qualities of a true f/2 design.

Alongside the unique attributes of the APD element, the lens also incorporates three low dispersion elements and one extra refractive index element to control chromatic aberrations and color fringing, as well as produce a great deal of overall clarity and sharpness. The lens is also characterized by its manual focus, manual aperture design, that provides a wealth of control over focus and exposure to benefit working with the APD element.

Short telephoto prime designed for full-frame Pentax K-mount cameras, this lens can also be used on APS-C models where it provides a 157.5mm equivalent focal length.

Optical design incorporates an apodization element that helps to improve the quality of bokeh. This element, which resembles a radially graduated ND filter that tapers from clear in the center to more dense around the edges, produces more circular out-of-focus highlights for more pleasing Selective focus and shallow depth of field effects.

To control the effect of the apodization element, two separate diaphragms are incorporated in the lens' design: a 14-blade diaphragm that works mainly in conjunction with the APD element to control bokeh, as well as a standard 8-blade diaphragm at the rear of the lens design to control the overall light transmission and affect depth of field.

Due to the incorporation of the APD element, the lens offers an effective light transmission value of T3.2, while the f/2 designation relates mainly toward the potential for Selective focus and depth of field control.

Beyond the APD element, the lens also features three low dispersion elements and one extra refractive index element, which combine to limit chromatic aberrations throughout the aperture Range and contribute to a high degree of sharpness and clarity.

A manual focus design permits fine-tuned control for focusing as closely as 3' away with a maximum magnification of 0.16x.

Two manual aperture rings enable you to adjust both the exposure-affecting diaphragm as well as the APD-affecting aperture.

Venus Optics Laowa 105mm f/2 Smooth Trans Foc... Overview

Designed to provide a wealth of control over out-of-focus quality and to enhance bokeh, the Laowa 105mm f/2 Smooth Trans Focus Lens from Venus Optics is a short telephoto prime designed for FX-format Nikon F-mount cameras. The unique optical design incorporates an apodization (APD) element, as well as two separate diaphragms€”8- and 14-blade€”to provide separate adjustment over the bokeh as well as the exposure and depth of field. This APD element functions as a radially graduated neutral density filter, and as such limits the light transmission to a T-stop value of 3.2, while permitting the depth of field and Selective focus qualities of a true f/2 design.

Alongside the unique attributes of the APD element, the lens also incorporates three low dispersion elements and one extra refractive index element to control chromatic aberrations and color fringing, as well as produce a great deal of overall clarity and sharpness. The lens is also characterized by its manual focus, manual aperture design, that provides a wealth of control over focus and exposure to benefit working with the APD element.

Short telephoto prime designed for FX-format Nikon F-mount cameras, this lens can also be used on DX models where it provides a 157.5mm equivalent focal length.

Optical design incorporates an apodization element that helps to improve the quality of bokeh. This element, which resembles a radially graduated ND filter that tapers from clear in the center to more dense around the edges, produces more circular out-of-focus highlights for more pleasing Selective focus and shallow depth of field effects.

To control the effect of the apodization element, two separate diaphragms are incorporated in the lens' design: a 14-blade diaphragm that works mainly in conjunction with the APD element to control bokeh, as well as a standard 8-blade diaphragm at the rear of the lens design to control the overall light transmission and affect depth of field.

Due to the incorporation of the APD element, the lens offers an effective light transmission value of T3.2, while the f/2 designation relates mainly toward the potential for Selective focus and depth of field control.

Beyond the APD element, the lens also features three low dispersion elements and one extra refractive index element, which combine to limit chromatic aberrations throughout the aperture Range and contribute to a high degree of sharpness and clarity.

A manual focus design permits fine-tuned control for focusing as closely as 3' away with a maximum magnification of 0.16x.

Two manual aperture rings enable you to adjust both the exposure-affecting diaphragm as well as the APD-affecting aperture.

Venus Optics Laowa 105mm f/2 Smooth Trans Foc... Overview

Designed to provide a wealth of control over out-of-focus quality and to enhance bokeh, the Laowa 105mm f/2 Smooth Trans Focus Lens from Venus Optics is a short telephoto prime designed for full-frame Canon EF-mount cameras. The unique optical design incorporates an apodization (APD) element, as well as two separate diaphragms€”8- and 14-blade€”to provide separate adjustment over the bokeh as well as the exposure and depth of field. This APD element functions as a radially graduated neutral density filter, and as such limits the light transmission to a T-stop value of 3.2, while permitting the depth of field and Selective focus qualities of a true f/2 design.

Alongside the unique attributes of the APD element, the lens also incorporates three low dispersion elements and one extra refractive index element to control chromatic aberrations and color fringing, as well as produce a great deal of overall clarity and sharpness. The lens is also characterized by its manual focus, manual aperture design, that provides a wealth of control over focus and exposure to benefit working with the APD element.

Short telephoto prime designed for full-frame Canon EF-mount cameras, this lens can also be used on APS-C models where it provides a 168mm equivalent focal length.

Optical design incorporates an apodization element that helps to improve the quality of bokeh. This element, which resembles a radially graduated ND filter that tapers from clear in the center to more dense around the edges, produces more circular out-of-focus highlights for more pleasing Selective focus and shallow depth of field effects.

To control the effect of the apodization element, two separate diaphragms are incorporated in the lens' design: a 14-blade diaphragm that works mainly in conjunction with the APD element to control bokeh, as well as a standard 8-blade diaphragm at the rear of the lens design to control the overall light transmission and affect depth of field.

Due to the incorporation of the APD element, the lens offers an effective light transmission value of T3.2, while the f/2 designation relates mainly toward the potential for Selective focus and depth of field control.

Beyond the APD element, the lens also features three low dispersion elements and one extra refractive index element, which combine to limit chromatic aberrations throughout the aperture Range and contribute to a high degree of sharpness and clarity.

A manual focus design permits fine-tuned control for focusing as closely as 3' away with a maximum magnification of 0.16x.

Two manual aperture rings enable you to adjust both the exposure-affecting diaphragm as well as the APD-affecting aperture.

Venus Optics Laowa 12mm f/2.8 Zero-D Overview

A truly wide-angle prime featuring a rectilinear optical design, the black Pentax K-mount Laowa 12mm f/2.8 Zero-D from Venus Optics is specifically meant to limit distortion for clear and accurate portrayals of landscapes and architectural subjects. The optical construction also incorporates a pair of aspherical elements and three extra-low dispersion elements to control both spherical and chromatic aberrations for improved sharpness and reduced color fringing. A Frog Eye Coating has been applied, too, to repel dust and moisture from the front element of the lens to benefit working in trying environmental conditions. Benefitting the optical attributes, this lens also features a precise manual focus design along with a floating optical system to maintain accurate rendering throughout the focus Range, from 7.09" to infinity. Additionally, a petal-shaped lens hood is also incorporated into the lens' design to reduce flare and ghosting when working in strong lighting conditions.

Ultra wide-angle prime designed for full-frame Pentax K-mount DSLRs, this 12mm f/2.8 can also be used with APS-C models where it provides an 18mm equivalent focal length.

Bright f/2.8 maximum aperture is well-suited to working in low and difficult lighting conditions.

Rectilinear design renders subjects with minimal distortion in order to suit landscape and architectural applications.

Three extra-low dispersion elements reduce chromatic aberrations and color fringing for increased clarity and color neutrality. Two aspherical elements are also featured to limit spherical aberrations for improved sharpness.

A Frog Eye Coating has been applied to repel both dust and moisture for added protection when working in inclement conditions.

Manual focus design employs a floating optical system to maintain performance throughout the focusing Range of 7.09" to infinity.

Built-in petal-shaped lens hood shields the lens from stray light to reduce flare and ghosting and also protects the front elements from accidental impacts.

Venus Optics Laowa 12mm f/2.8 Zero-D Overview

A truly wide-angle prime featuring a rectilinear optical design, the silver Canon EF-mount Laowa 12mm f/2.8 Zero-D from Venus Optics is specifically meant to limit distortion for clear and accurate portrayals of landscapes and architectural subjects. The optical construction also incorporates a pair of aspherical elements and three extra-low dispersion elements to control both spherical and chromatic aberrations for improved sharpness and reduced color fringing. A Frog Eye Coating has been applied, too, to repel dust and moisture from the front element of the lens to benefit working in trying environmental conditions. Benefitting the optical attributes, this lens also features a precise manual focus design along with a floating optical system to maintain accurate rendering throughout the focus Range, from 7.09" to infinity. Additionally, a petal-shaped lens hood is also incorporated into the lens' design to reduce flare and ghosting when working in strong lighting conditions.

Ultra wide-angle prime designed for full-frame Canon EF-mount DSLRs, this 12mm f/2.8 can also be used with APS-C models where it provides a 19.2mm equivalent focal length.

Bright f/2.8 maximum aperture is well-suited to working in low and difficult lighting conditions.

Rectilinear design renders subjects with minimal distortion in order to suit landscape and architectural applications.

Three extra-low dispersion elements reduce chromatic aberrations and color fringing for increased clarity and color neutrality. Two aspherical elements are also featured to limit spherical aberrations for improved sharpness.

A Frog Eye Coating has been applied to repel both dust and moisture for added protection when working in inclement conditions.

Manual focus design employs a floating optical system to maintain performance throughout the focusing Range of 7.09" to infinity.

Built-in petal-shaped lens hood shields the lens from stray light to reduce flare and ghosting and also protects the front elements from accidental impacts.

Venus Optics Laowa 12mm f/2.8 Zero-D Overview

A truly wide-angle prime featuring a rectilinear optical design, the black Pentax K-mount Laowa 12mm f/2.8 Zero-D from Venus Optics is specifically meant to limit distortion for clear and accurate portrayals of landscapes and architectural subjects. The optical construction also incorporates a pair of aspherical elements and three extra-low dispersion elements to control both spherical and chromatic aberrations for improved sharpness and reduced color fringing. A Frog Eye Coating has been applied, too, to repel dust and moisture from the front element of the lens to benefit working in trying environmental conditions. Benefitting the optical attributes, this lens also features a precise manual focus design along with a floating optical system to maintain accurate rendering throughout the focus Range, from 7.09" to infinity. Additionally, a petal-shaped lens hood is also incorporated into the lens' design to reduce flare and ghosting when working in strong lighting conditions.

Ultra wide-angle prime designed for full-frame Pentax K-mount DSLRs, this 12mm f/2.8 can also be used with APS-C models where it provides an 18mm equivalent focal length.

Bright f/2.8 maximum aperture is well-suited to working in low and difficult lighting conditions.

Rectilinear design renders subjects with minimal distortion in order to suit landscape and architectural applications.

Three extra-low dispersion elements reduce chromatic aberrations and color fringing for increased clarity and color neutrality. Two aspherical elements are also featured to limit spherical aberrations for improved sharpness.

A Frog Eye Coating has been applied to repel both dust and moisture for added protection when working in inclement conditions.

Manual focus design employs a floating optical system to maintain performance throughout the focusing Range of 7.09" to infinity.

Built-in petal-shaped lens hood shields the lens from stray light to reduce flare and ghosting and also protects the front elements from accidental impacts.

Venus Optics Laowa 12mm f/2.8 Zero-D Overview

A truly wide-angle prime featuring a rectilinear optical design, the black Canon EF-mount Laowa 12mm f/2.8 Zero-D from Venus Optics is specifically meant to limit distortion for clear and accurate portrayals of landscapes and architectural subjects. The optical construction also incorporates a pair of aspherical elements and three extra-low dispersion elements to control both spherical and chromatic aberrations for improved sharpness and reduced color fringing. A Frog Eye Coating has been applied, too, to repel dust and moisture from the front element of the lens to benefit working in trying environmental conditions. Benefitting the optical attributes, this lens also features a precise manual focus design along with a floating optical system to maintain accurate rendering throughout the focus Range, from 7.09" to infinity. Additionally, a petal-shaped lens hood is also incorporated into the lens' design to reduce flare and ghosting when working in strong lighting conditions.

Ultra wide-angle prime designed for full-frame Canon EF-mount DSLRs, this 12mm f/2.8 can also be used with APS-C models where it provides a 19.2mm equivalent focal length.

Bright f/2.8 maximum aperture is well-suited to working in low and difficult lighting conditions.

Rectilinear design renders subjects with minimal distortion in order to suit landscape and architectural applications.

Three extra-low dispersion elements reduce chromatic aberrations and color fringing for increased clarity and color neutrality. Two aspherical elements are also featured to limit spherical aberrations for improved sharpness.

A Frog Eye Coating has been applied to repel both dust and moisture for added protection when working in inclement conditions.

Manual focus design employs a floating optical system to maintain performance throughout the focusing Range of 7.09" to infinity.

Built-in petal-shaped lens hood shields the lens from stray light to reduce flare and ghosting and also protects the front elements from accidental impacts.

Venus Optics Laowa 24mm f14 Macro Probe Overview

Described as "weird but genius," the Pentax K-mount Laowa 24mm f14 Probe from Venus Optics is a truly unique lens designed for close-up shooting. Distinguished by its long, slender lens barrel, this macro lens provides a 2:1 maximum magnification with a 1.5' minimum focusing distance and a close 0.8" minimum working distance. Even with such a close working distance, the lens measures 1.3' long, placing you at a comfortable distance To photograph nearby subjects. Also, as a wide-angle lens, greater depth of field is afforded when compared To traditional telephoto macro lenses, which allows for greater detail in the background with less subject isolation.

The optical design includes both extra-low dispersion and extra refractive index elements, which help To suppress chromatic and spherical aberrations for a high degree of clarity, color accuracy, and sharpness. Manual focus control permits focusing from 1.5' To infinity, and the front of the lens has a built-in LED ring light To aid in focusing at close distances. The slim 0.2" diameter of the front of the lens barrel also offers greater opportunities for lighting subjects from the front. Additionally, the front portion of the lens is waterproof, and permits working with subjects just beneath the surface of water or in other dusty or trying environments.

Wide-angle prime is designed for full-frame Pentax K-mount cameras, however can also be used with APS-C models where it will provide a 36mm equivalent focal length.

Unique macro lens design offers a greater-than-life-size 2:1 maximum magnification along with a minimum focusing distance of 1.5' and a working distance of just 0.8".

The long, tubular lens barrel contributes To producing a distinct bug-eye perspective and, despite the short working distance, the length of the lens barrel places the camera at a comfortable shooting distance.

Wide-angle 24mm focal length affords greater depth of field and more surrounding detail than traditional telephoto macro designs, which tend To isolate subject matter with shallow depth of field.

Optical design includes two extra-low dispersion elements that control color fringing and chromatic aberrations in order To produce greater clarity and color accuracy. One extra refractive index element is also featured, which reduces spherical aberrations and distortion for improved sharpness and accurate rendering.

Slim 0.8" front diameter allows performing unique "slide-in" shots as well as affords a greater Range of close-up, inconspicuous shooting opportunities. The smaller front diameter also makes it easier To illuminate close-up subjects from the front.

The front of the lens is also waterproof, allowing you To comfortably work just under the surface of water or in dusty environments.

The front of the lens also has a built-in LED ring light, which is powered via a micro-USB port on the barrel, To provide some illumination on close-up subjects for easier focusing.

Designed for use as a close-up, macro lens, the manual focus operation also lets you focus at infinity.

Seven-blade diaphragm contributes To a pleasing bokeh quality.

Venus Optics Laowa 24mm f14 Macro Probe Overview

Described as "weird but genius," the Nikon F-mount Laowa 24mm f14 Probe from Venus Optics is a truly unique lens designed for close-up shooting. Distinguished by its long, slender lens barrel, this macro lens provides a 2:1 maximum magnification with a 1.5' minimum focusing distance and a close 0.8" minimum working distance. Even with such a close working distance, the lens measures 1.3' long, placing you at a comfortable distance To photograph nearby subjects. Also, as a wide-angle lens, greater depth of field is afforded when compared To traditional telephoto macro lenses, which allows for greater detail in the background with less subject isolation.

The optical design includes both extra-low dispersion and extra refractive index elements, which help To suppress chromatic and spherical aberrations for a high degree of clarity, color accuracy, and sharpness. Manual focus control permits focusing from 1.5' To infinity, and the front of the lens has a built-in LED ring light To aid in focusing at close distances. The slim 0.2" diameter of the front of the lens barrel also offers greater opportunities for lighting subjects from the front. Additionally, the front portion of the lens is waterproof, and permits working with subjects just beneath the surface of water or in other dusty or trying environments.

Wide-angle prime is designed for FX-format Nikon F-mount cameras, however can also be used with DX models where it will provide a 36mm equivalent focal length.

Unique macro lens design offers a greater-than-life-size 2:1 maximum magnification along with a minimum focusing distance of 1.5' and a working distance of just 0.8".

The long, tubular lens barrel contributes To producing a distinct bug-eye perspective and, despite the short working distance, the length of the lens barrel places the camera at a comfortable shooting distance.

Wide-angle 24mm focal length affords greater depth of field and more surrounding detail than traditional telephoto macro designs, which tend To isolate subject matter with shallow depth of field.

Optical design includes two extra-low dispersion elements that control color fringing and chromatic aberrations in order To produce greater clarity and color accuracy. One extra refractive index element is also featured, which reduces spherical aberrations and distortion for improved sharpness and accurate rendering.

Slim 0.8" front diameter allows performing unique "slide-in" shots as well as affords a greater Range of close-up, inconspicuous shooting opportunities. The smaller front diameter also makes it easier To illuminate close-up subjects from the front.

The front of the lens is also waterproof, allowing you To comfortably work just under the surface of water or in dusty environments.

The front of the lens also has a built-in LED ring light, which is powered via a micro-USB port on the barrel, To provide some illumination on close-up subjects for easier focusing.

Designed for use as a close-up, macro lens, the manual focus operation also lets you focus at infinity.

Seven-blade diaphragm contributes To a pleasing bokeh quality.

Venus Optics Laowa 25mm f/2.8 Ultra Macro Overview

Dedicated to extreme close-up imaging, the Pentax K-mount Laowa 25mm f/2.8 2.5-5X Ultra Macro from Venus Optics is a specialized macro lens for photographing subjects at magnifications greater than life-size. Operating within a 2.5:1 to 5:1 Range, this lens has a minimum focus distance of just 6.8" at the 5:1 magnification along with a comfortable 1.6" working distance. This Range is benefitted by the wide-angle focal length, too, in order to achieve greater depth of field compared to long focal length macro lenses. Complementing the close-up capabilities, the optical design incorporates one extra-low dispersion element to reduce color fringing and chromatic aberrations for a high degree of clarity. Additionally, distinguishing itself from other macro lenses, this 25mm f/2.8 is characterized by its notably sleek and lightweight design for easier handling and more room to work with artificial lighting.

Prime 25mm f/2.8 is designed for full-frame Pentax K-mount DSLR cameras, however can also be used with APS-C models where it provides a 37.5mm equivalent focal length.

Specifically developed for macro photography, this lens is designed for use within a 2.5:1 to 5:1 magnification Range for producing greater-than-life-size imagery. This lens does not offer infinity focus.

When at 5:1 magnification, the lens has a minimum focusing distance of 6.8" along with a working distance of 1.6", which affords sufficient room for illuminating your subject. At the 2.5:1 position, a minimum focusing distance of 9.2" is possible along with a working distance of 1.8".

Wide-angle design benefits the high magnification design by providing greater depth of field compared to telephoto or long lens designs.

Manual focus operation for precise control over focusing distance when working with close-up subjects.

One extra-low dispersion element greatly reduces chromatic aberrations and color fringing for improved clarity and color accuracy.

Eight-blade diaphragm contributes to a pleasing out of focus quality when using shallow depth of field.

Especially slim and lightweight physical design is easier to use handheld and offers more room for illuminating close-up subjects.