Key Features
Compact, lightweight, and close-focusing, the Canon RF 50mm f/1.8 STM is a sleek normal-length prime offering a classic, versatile field of view and an especially compact design. An ideal lens for every day, walkaround shooting, this 50mm f/1.8 is characterized by its bright design for available light shooting and apt depth of field control. The optical design incorporates one aspherical element, which reduces spherical aberrations and distortion, and also sports a Super Spectra coating to minimize flare and ghosting for improved contrast and color accuracy. Also, an STM motor affords impressively quiet and smooth autofocus performance and full-time manual focus override. Additionally, a configurable Control Ring lets you adjust exposure settings, including ISO, aperture, and exposure compensation, from the lens itself.
Normal-length prime is designed for use with full-frame Canon RF-mount mirrorless digital cameras.
Bright f/1.8 maximum aperture suits working in difficult lighting conditions and also offers increased control over depth of field.
One precision-molded (PMo) aspherical element suppresses spherical aberrations and distortion for high sharpness and accurate subject rendering.
Super Spectra coating has been applied to individual elements to minimize ghosting and flare for greater contrast and color neutrality when working in strong lighting conditions.
STM stepping motor offers fast, quiet, smooth, and accurate autofocus performance that is ideal for video recording as well as still shooting.
Configurable Control Ring can be used to adjust a variety of exposure settings, including aperture, ISO, and exposure compensation.
Rounded seven-blade diaphragm contributes to a pleasing bokeh quality.
Key Features
Distinguished by its impressive speed, the Fujifilm GF 80mm f/1.7 R WR is a short portrait-length prime for the G-mount GFX mirrorless medium format system. The bright f/1.7 maximum aperture excels in low-light conditions and also benefits depth of field control for precise Selective focus applications. Optically, the lens uses a pair of low dispersion elements and one aspherical element, which correct a variety of aberrations and help to achieve high sharpness and clarity. Additionally, despite its fast design, this lens is also relatively compact and lightweight for handheld use and sports a weather-sealed design for working in trying weather conditions.
Short portrait-length prime lens offers a 63mm equivalent focal length to realize a slightly narrowed field of view for isolating subject matter.
Impressively bright f/1.7 maximum aperture offers great control over depth of field for working with Selective focus techniques and also suits working in low-light conditions.
Two Super ED elements greatly reduce chromatic aberrations and color fringing throughout the aperture and focusing Ranges for notable clarity and color fidelity.
One aspherical element controls distortion and spherical aberrations in order to achieve high sharpness and accurate rendering.
Physical aperture ring allows for intuitive adjustment over exposure settings and incorporates a C (Command) position to permit camera-based aperture setting.
Dust- and weather-sealed physical construction enables working in harsh climates and temperatures as low as 14°F. Also, the front element features a fluorine coating to repel dust, dirt, and moisture and to aid in cleaning.
Rounded nine-blade diaphragm contributes to a pleasing bokeh quality.
Key Features
Long-reaching yet lightweight, the Fujifilm XF 70-300mm f4-5.6 R LM OIS WR is a versatile 107-457mm-equivalent telephoto zoom positioned To be an ideal companion for long-range outdoor shooting. Ideally suited for landscape, wildlife, and nature photography, this zoom features a versatile feature-set, including 5.5 stop-effective OIS To help reduce camera shake, unique close-focusing capabilities for working with nearby subjects, and fast AF performance due To a smooth, quiet linear motor. The lens also sports a weather-sealed design To benefit working in harsh climates. Optically, this lens features a pair of extra-low dispersion elements and one aspherical element To correct a variety of aberrations and realize a high degree of sharpness and clarity. Additionally, a nine-blade diaphragm contributes To a pleasing bokeh quality when working with Selective focus techniques.
Key Features
Sleek and nimble, the Panasonic Lumix S 85mm f/1.8 is a compact short-telephoto prime designed for full-frame L-mount mirrorless cameras. The 85mm focal length is ideally suited for portraiture and more Selective shooting and pairs with a modestly bright f/1.8 maximum aperture that offers depth of field control while also promoting a sleek form factor. The optical design incorporates a pair of extra-low dispersion elements, which help to reduce color fringing and chromatic aberrations in order to achieve high clarity and accurate color rendering. This lens is also characterized by its linear AF motor, for fast focusing performance, and its dust-, moisture-, and freeze-resistant design to enable working in tough environmental conditions.
Key Features
An ultra-wide prime with an emphasis on portability, the Sony E-mount24mm f3.5 DG DN Contemporary Lens, fromSigma, is a versatile and highly compact lens well-suited To a variety of shooting tasks. Its sleek profile makes it ideal for walkaround shooting, especially for hiking or travel landscapes, as well as street and reportage applications. Distinguishing itself from other wides, too, it features a 1:2 maximum magnification ratio and 4.25" minimum focusing distance for working with close-up subjects. Its optical design features both aspherical and low dispersion glass elements, which suppress a variety of aberrations and distortions for well-controlled and accurate rendering. Also, a Super Multi-Layer Coating helps To reduce ghosting and flare for improved color fidelity and contrast.
In regard To focusing, this lens uses a stepping motor for quick and quiet AF performance that suits both photo and video applications. As an I Series lens, too, this lens features a manual aperture ring and all-metal barrel constriction for enhanced tactility. Additionally, there is a rounded seven-blade diaphragm for smooth bokeh quality and the lens housing is also weather-sealed To suit working in inclement conditions.
As part of the Contemporary line within Sigma Global Vision series, this lens is designed To achieve a balance between convenience and performance, and meshes a compact, lightweight build and versatile handling with notable optical attributes.
I Series lens emphasizes a sleek and stylish physical design that is built To the same operational standards of Sigma Cine lenses, including a mechanical aperture ring, knurled metal components, and various switches and tactile controls for intuitive operation.
Ultra-wide-angle 24mm lens is designed for full-frame Sony E-mount mirrorless cameras, however can also be used with APS-C models where it provides a 36mm equivalent focal length.
Modest f3.5 maximum aperture helps To maintain an especially compact and lightweight physical profile.
One Special Low Dispersion (SLD) element markedly reduces chromatic aberrations and color fringing for improved clarity and color accuracy.
Three aspherical elements help To control distortion and spherical aberrations for a high degree of sharpness and accurate rendering.
A Super Multi-Layer Coating has been applied To lens elements in order To minimize lens flare and ghosting and contribute To producing contrast-rich and color-neutral imagery, even in backlit conditions.
Maximum magnification of 1:2 pairs with a 4.25" minimum focusing distance for unique close-up shooting capabilities.
Integrated stepping motor realizes smooth and quiet autofocus, which is further complemented by an internal focusing design To promote greater responsiveness.
Manual aperture ring includes an 'A' position for camera-based aperture selection.
Rounded seven-blade diaphragm contributes To a smooth and pleasing bokeh quality.
Brass bayonet affords improved mounting accuracy and rigidity and rubber sealing is incorporated in the mount design To render it dust- and splash-resistant.
Included LCF55-01M magnetic lens cap attaches directly To the front of the lens and is compatible with the optional CH-11 Lens Cap Holder.
Key Features
Stylishly sleek, the Sony E-mount Sigma 65mm f2 DG DN Contemporary Lens is a shot-tele/long-normal prime offering a unique field of view well-suited To portraiture and Selective everyday shooting. Complementing the slightly long focal length is a bright f2 design that helps To maintain a portable form factor while also contributing To low-light performance and depth of field control. Optically, this 65mm f2 includes a pair of aspherical elements and one low dispersion element in its design To control a variety of aberrations and achieve notable sharpness and clarity. A Super Multi-Layer Coating has also been applied, which reduces flare and ghosting for greater contrast.
Benefitting handling, this lens features a stepping motor for quick and quiet AF performance that suits both photo and video applications. As an I Series lens, too, this lens incorporates a manual aperture ring and all-metal barrel constriction into its design for enhanced tactility. Additionally, there is a rounded nine-blade diaphragm for smooth bokeh quality and the lens housing is also weather-sealed To suit working in inclement conditions.
As part of the Contemporary line within Sigma Global Vision series, this lens is designed To achieve a balance between convenience and performance, and meshes a compact, lightweight build and versatile handling with notable optical attributes.
I Series lens emphasizes a sleek and stylish physical design that is built To the same operational standards of Sigma Cine lenses, including a mechanical aperture ring, knurled metal components, and various switches and tactile controls for intuitive operation.
Long-normal 65mm lens is designed for full-frame Sony E-mount mirrorless cameras, however can also be used with APS-C models where it provides a 97.5mm equivalent focal length.
Bright f2 maximum aperture strikes and ideal balance between speed and size and manages To maintain a compact physical profile while also offering low-light performance and depth of field control.
One Special Low Dispersion (SLD) element markedly reduces chromatic aberrations and color fringing for improved clarity and color accuracy.
Two aspherical elements help To control distortion and spherical aberrations for a high degree of sharpness and accurate rendering.
A Super Multi-Layer Coating has been applied To lens elements in order To minimize lens flare and ghosting and contribute To producing contrast-rich and color-neutral imagery, even in backlit conditions.
Integrated stepping motor realizes smooth and quiet autofocus, which is further complemented by an internal focusing design To promote greater responsiveness.
Manual aperture ring includes an 'A' position for camera-based aperture Selection.
Rounded nine-blade diaphragm contributes To a smooth and pleasing bokeh quality.
Brass bayonet affords improved mounting accuracy and rigidity and rubber sealing is incorporated in the mount design To render it dust- and splash-resistant.
Included LCF62-01M magnetic lens cap attaches directly To the front of the lens and is compatible with the optional CH-11 Lens Cap Holder.
Key Features
Pairing an exceptionally wide field of view with the ability to correct for perspective distortion, the Sony E-mount Laowa 15mm f/4.5 Zero-D Shift from Venus Optics is an ideal lens for architecture and interior applications. The broad 110° angle of view is complemented by an impressive +/- 11mm shift Range to compensate for unwanted converging lines and keystone distortion. This shift control is further complemented by a 360° rotation mechanism applying the movements in various directions for to suit both horizontal and vertical orientation shooting. Additionally, as part of the Zero-D lens series, this 15mm f/4.5 also renders scenes with a high degree of accuracy and very low distortion.
In terms of optics, two aspherical elements and three extra-low dispersion elements are featured, which reduce both spherical and chromatic aberrations for high sharpness and clarity. An anti-reflective coating also helps to control flare and ghosting for heightened contrast and color rendering. The lens uses a manual focus design for working with subjects as close a 7.9" away and has a five-blade diaphragm for producing distinct 10-point sun stars.
Key Features
Impressively Bright, Surprisingly Compact
A classic wide-angle prime with an updated, sleek form factor, the Sony FE 35mm f/1.4 GM is further characterized by its speed and advanced optical design. The versatile focal length suits everything from street shooting to landscape and documentary subjects, and the fast maximum aperture excels in low light and for controlling depth of field.
G Master Optical Design
As part of Sony's esteemed G Master series, this lens is designed to achieve a balance of impressive resolution and sharpness along with distinctive and pleasing bokeh.
Wide-Angle Versatility and f/1.4 Speed
Fast and Precise Focusing
Two XD Linear Motors provide quick, quiet, and precise autofocus and subject tracking performance. This design also contributes to more natural, intuitive Linear Response manual focus control and an AF/MF switch is located on the lens barrel for tactile control over this setting.
Durable and Reliable Design
Besides signaling impressive optics, G Master lenses are also characterized by a robust and reliable physical construction that includes weather sealing and protective coatings.
Key Features
Characterized by its unique, slightly longer-than-normal focal length and fast design, the XCD 80mm f/1.9 from Hasselblad is a 63mm equivalent prime designed for the X-series of mirrorless medium format cameras. The distinct focal length and bright f/1.9 maximum aperture are especially well-suited to portraiture, and pair with the 2.3' minimum focusing distance for isolating subject matter with shallow depth of field. Like other XCD lenses, the 80mm f/1.9 has an integrated Central Lens Shutter that is capable of shutter speeds up to 1/2000 sec with flash sync at all speeds, and its autofocus design can be manually overridden for fine-tuned focusing control.
Key Features
Update your cinema lens set with this 50mm T1.5 VDSLR MK2 Cine Lens from Samyang that comes in a Sony E mount. The VDSLR MK2 continues the line with the same multilayer coating process, industry-standard geared focus and iris rings, and fast T1.5 aperture, and it adds a 9-blade iris for beautiful soft bokeh, weather sealing to keep the moisture out, and focal lengths on both sides for added versatility for focus pullers.
This 50mm lens produces a 46.2° coverage when used with full-frame cameras. Hybrid aspherical lenses render sharply defined images with a minimum of distortion and chromatic aberrations, with a minimum focus distance of about 1.5' from the lens. The 9-blade iris also allows you to create up to a stunning 18-ray starburst when you're stopped all the way down.
A removable petal-shaped lens hood provides flare protection when shooting without a matte box, and the lens' threaded front accepts a 77mm filter ring.
Samyang 24mm T1.5 VDSLR MK2 Cine for Sony E Mount (Full-Frame)
Key Features
Update your cinema lens set with this 50mm T1.5 VDSLR MK2 Cine Lens from Samyang that comes in a Sony E mount. The VDSLR MK2 continues the line with the same multilayer coating process, industry-standard geared focus and iris rings, and fast T1.5 aperture, and it adds a 9-blade iris for beautiful soft bokeh, weather sealing to keep the moisture out, and focal lengths on both sides for added versatility for focus pullers.
This 50mm lens produces a 46.2° coverage when used with full-frame cameras. Hybrid aspherical lenses render sharply defined images with a minimum of distortion and chromatic aberrations, with a minimum focus distance of about 1.5' from the lens. The 9-blade iris also allows you to create up to a stunning 18-ray starburst when you're stopped all the way down.
A removable petal-shaped lens hood provides flare protection when shooting without a matte box, and the lens' threaded front accepts a 77mm filter ring.
Key Features
An effective take on a popular focal length, the Sony E-mount AF 35mm f1.8 FE from Samyang is a wide-angle prime mixing a lightweight and portable design with a bright f1.8 maximum aperture. The optical design incorporates a two extra-low dispersion elements and a pair of aspherical elements, which help To suppress both chromatic and spherical aberrations for improved sharpness, color accuracy, and clarity. An Ultra Multi-Coating has also been applied To reduce flare and ghosting in order To achieve higher contrast when working in strong lighting conditions. The lens linear STM autofocus motor works in conjunction with Sony cameras' AF systems for quick, quiet, and precise focusing performance, and manual focus override is also available for more refined control. Additionally, a Custom Switch enables making intuitive adjustments of a variety of camera and exposure settings by rotating the lens focusing ring.
Compact wide-angle prime is designed for full-frame Sony E-mount mirrorless cameras, however can also be used with APS-C models where it provides a 52.5mm equivalent focal length.
Bright f1.8 maximum aperture suits working in difficult lighting conditions and also offers increased control over depth of field for isolating subjects and working with Selective focus.
Two extra-low dispersion elements reduce color fringing and chromatic aberrations in order To produce greater clarity and color rendering.
Two aspherical elements control spherical aberrations and distortions for improved sharpness and resolution.
An Ultra Multi-Coating has been applied To individual elements in order To reduce flare and ghosting for increased contrast and a neutral color balance.
The integrated linear STM autofocus motor works in conjunction with Sony cameras' focusing systems for quick, quiet, and precise AF control. Manual focus override is also available for refining your focus position.
Internal focusing design maintains the overall lens length and prevents the front of the lens from rotating during use.
Custom switch can used for lens-based control over Select exposure or shooting functions, such as aperture Selection, with additional settings coming via future firmware updates.
Rounded nine-blade diaphragm contributes To a smooth and pleasing bokeh quality.
Included lens hood helps To block stray light from causing flare and ghosting.
Update your cinema lens set with this 85mm T1.5 VDSLR MK2 Cine Lens from Samyang that comes in an MFT mount. The VDSLR MK2 continues the line with the same multilayer coating process, industry-standard geared focus and iris rings, and fast T1.5 aperture, and it adds a 9-blade iris for beautiful soft bokeh, weather sealing to keep the moisture out, and focal lengths on both sides for added versatility for focus pullers.
This 85mm lens produces a 14.4° coverage when used with Micro Four Thirds cameras. Aspherical lenses render sharply defined images with a minimum of distortion and chromatic aberrations, with a minimum focus distance of 3.6' from the lens. The 9-blade iris also allows you to create up to a stunning 18-ray starburst when you're stopped all the way down.
A removable petal-shaped lens hood provides flare protection when shooting without a matte box, and the lens' threaded front accepts a 72mm filter ring.
As well as delivering the beloved image quality and fast T-stop values of the existing VDSLR series, the VDSLR MK2 models now have weather sealing, nine aperture blades, and focal lengths that are visible on both sides for more professional use.
The VDSLR MK2 Range is highly versatile and available in Canon EF, Sony E, Canon RF, Nikon F, Canon M, Fuji X, and MFT mounts.
Ultra Multi-Coated lenses minimize flare and ghosting, and the lenses are color matched to a standard eliminating the need to acquire an entire set of lenses at the same time.
Each lens in the Samyang VDSLRII MK2 cine lens series shares common focus and iris gear ring positions, which speeds up lens changes as accessories such as follow focus units or iris motors don't have to be repositioned.
Focal lengths and measurements in feet and meters on both sides of the lens.
De-clicked aperture ring for smooth iris pulls.
A minimum focusing distance of 3.6' allows you to get up close to your subject.
A removable petal-type lens hood provides flare protection without a matte box.
Update your cinema lens set with this 85mm T1.5 VDSLR MK2 Cine Lens from Samyang that comes in an MFT mount. The VDSLR MK2 continues the line with the same multilayer coating process, industry-standard geared focus and iris rings, and fast T1.5 aperture, and it adds a 9-blade iris for beautiful soft bokeh, weather sealing To keep the moisture out, and focal lengths on both sides for added versatility for focus pullers.
This 85mm lens produces a 14.4° coverage when used with Micro Four Thirds cameras. Aspherical lenses render sharply defined images with a minimum of distortion and chromatic aberrations, with a minimum focus distance of 3.6' from the lens. The 9-blade iris also allows you To create up To a stunning 18-ray starburst when you're stopped all the way down.
A removable petal-shaped lens hood provides flare protection when shooting without a matte box, and the lens' threaded front accepts a 72mm filter ring.
Update your cinema lens set with this 50mm T1.5 VDSLR MK2 Cine Lens from Samyang that comes in an MFT mount. The VDSLR MK2 continues the line with the same multilayer coating process, industry-standard geared focus and iris rings, and fast T1.5 aperture, and it adds a 9-blade iris for beautiful soft bokeh, weather sealing to keep the moisture out, and focal lengths on both sides for added versatility for focus pullers.
This 50mm lens produces 23.6° coverage when used with Micro Four Thirds cameras. Hybrid aspherical lenses render sharply defined images with a minimum of distortion and chromatic aberrations, with a minimum focus distance of about 1.5' from the lens. The 9-blade iris also allows you to create up to a stunning 18-ray starburst when you're stopped all the way down.
A removable petal-shaped lens hood provides flare protection when shooting without a matte box, and the lens' threaded front accepts a 77mm filter ring.
As well as delivering the beloved image quality and fast T-stop values of the existing VDSLR series, the VDSLR MK2 models now have weather sealing, nine aperture blades, and focal lengths that are visible on both sides for more professional use.
The VDSLR MK2 Range is highly versatile and available in Canon EF, Sony E, Canon RF, Nikon F, Canon M, Fuji X, and MFT mounts.
Ultra Multi-Coated lenses minimize flare and ghosting, and the lenses are color matched to a standard eliminating the need to acquire an entire set of lenses at the same time.
Each lens in the Samyang VDSLRII MK2 cine lens series shares common focus and iris gear ring positions, which speeds up lens changes as accessories such as follow focus units or iris motors don't have to be repositioned.
Focal lengths and measurements in feet and meters on both sides of the lens.
De-clicked aperture ring for smooth iris pulls.
A minimum focusing distance of about 1.5' allows you to get up close to your subject.
A removable petal-type lens hood provides flare protection without a matte box.
Update your cinema lens set with this 50mm T1.5 VDSLR MK2 Cine Lens from Samyang that comes in an MFT mount. The VDSLR MK2 continues the line with the same multilayer coating process, industry-standard geared focus and iris rings, and fast T1.5 aperture, and it adds a 9-blade iris for beautiful soft bokeh, weather sealing To keep the moisture out, and focal lengths on both sides for added versatility for focus pullers.
This 50mm lens produces 23.6° coverage when used with Micro Four Thirds cameras. Hybrid aspherical lenses render sharply defined images with a minimum of distortion and chromatic aberrations, with a minimum focus distance of about 1.5' from the lens. The 9-blade iris also allows you To create up To a stunning 18-ray starburst when you're stopped all the way down.
A removable petal-shaped lens hood provides flare protection when shooting without a matte box, and the lens' threaded front accepts a 77mm filter ring.
As well as delivering the beloved image quality and fast T-stop values of the existing VDSLR series, the VDSLR MK2 models now have weather sealing, nine aperture blades, and focal lengths that are visible on both sides for more professional use.
The VDSLR MK2 Range is highly versatile and available in Canon EF, Sony E, Canon RF, Nikon F, Canon M, Fuji X, and MFT mounts.
Ultra Multi-Coated lenses minimize flare and ghosting, and the lenses are color matched To a standard eliminating the need To acquire an entire set of lenses at the same time.
Each lens in the Samyang VDSLRII MK2 cine lens series shares common focus and iris gear ring positions, which speeds up lens changes as accessories such as follow focus units or iris motors don't have To be repositioned.
Focal lengths and measurements in feet and meters on both sides of the lens.
De-clicked aperture ring for smooth iris pulls.
A minimum focusing distance of about 1.5' allows you To get up close To your subject.
A removable petal-type lens hood provides flare protection without a matte box.
Update your cinema lens set with this 35mm T1.5 VDSLR MK2 Cine Lens from Samyang that comes in an MFT mount. The VDSLR MK2 continues the line with the same multilayer coating process, industry-standard geared focus and iris rings, and fast T1.5 aperture, and it adds a 9-blade iris for beautiful soft bokeh, weather sealing to keep the moisture out, and focal lengths on both sides for added versatility for focus pullers.
This 35mm lens produces 33.4° coverage when used with Micro Four Thirds cameras. Aspherical lenses render sharply defined images with a minimum of distortion and chromatic aberrations, with a minimum focus distance of just 11.8" from the lens. The 9-blade iris also allows you to create up to a stunning 18-ray starburst when you're stopped all the way down.
A removable petal-shaped lens hood provides flare protection when shooting without a matte box, and the lens' threaded front accepts a 77mm filter ring.
As well as delivering the beloved image quality and fast T-stop values of the existing VDSLR series, the VDSLR MK2 models now have weather sealing, nine aperture blades, and focal lengths that are visible on both sides for more professional use.
The VDSLR MK2 Range is highly versatile and available in Canon EF, Sony E, Canon RF, Nikon F, Canon M, Fuji X, and MFT mounts.
Ultra Multi-Coated lenses minimize flare and ghosting, and the lenses are color matched to a standard eliminating the need to acquire an entire set of lenses at the same time.
Each lens in the Samyang VDSLRII MK2 cine lens series shares common focus and iris gear ring positions, which speeds up lens changes as accessories such as follow focus units or iris motors don't have to be repositioned.
Focal lengths and measurements in feet and meters on both sides of the lens.
De-clicked aperture ring for smooth iris pulls.
A minimum focusing distance of just under 1' allows you to get up close to your subject.
A removable petal-type lens hood provides flare protection without a matte box.
Update your cinema lens set with this 35mm T1.5 VDSLR MK2 Cine Lens from Samyang that comes in a Canon EF mount. The VDSLR MK2 continues the line with the same multilayer coating process, industry-standard geared focus and iris rings, and fast T1.5 aperture, and it adds a 9-blade iris for beautiful soft bokeh, weather sealing To keep the moisture out, and focal lengths on both sides for added versatility for focus pullers.
This 35mm lens produces a 63.1° coverage when used with full-frame cameras. Aspherical lenses render sharply defined images with a minimum of distortion and chromatic aberrations, with a minimum focus distance of just under 1' from the lens. The 9-blade iris also allows you To create up To a stunning 18-ray starburst when you're stopped all the way down.
A removable petal-shaped lens hood provides flare protection when shooting without a matte box, and the lens' threaded front accepts a 77mm filter ring.
As well as delivering the beloved image quality and fast T-stop values of the existing VDSLR series, the VDSLR MK2 models now have weather sealing, nine aperture blades, and focal lengths that are visible on both sides for more professional use.
The VDSLR MK2 Range is highly versatile and available in Canon EF, Sony E, Canon RF, Nikon F, Canon M, Fuji X, and MFT mounts.
Ultra Multi-Coated lenses minimize flare and ghosting, and the lenses are color matched To a standard eliminating the need To acquire an entire set of lenses at the same time.
Each lens in the Samyang VDSLRII MK2 cine lens series share common focus and iris gear ring positions, which speeds up lens changes as accessories such as follow focus units or iris motors don't have To be repositioned.
Focal lengths and measurements in feet and meters on both sides of the lens.
De-clicked aperture ring for smooth iris pulls.
A minimum focusing distance of just under 1' allows you To get up close To your subject.
A removable petal-type lens hood provides flare protection without a matte box.
Update your cinema lens set with this 24mm T1.5 VDSLR MK2 Cine Lens from Samyang that comes in an MFT mount. The VDSLR MK2 continues the line with the same multilayer coating process, industry-standard geared focus and iris rings, and fast T1.5 aperture, and it adds a 9-blade iris for beautiful soft bokeh, weather sealing to keep the moisture out, and focal lengths on both sides for added versatility for focus pullers.
This 24mm lens produces a 47.6° coverage when used with Micro Four Thirds cameras. Aspherical lenses render sharply defined images with a minimum of distortion and chromatic aberrations, with a minimum focus distance of just under 10" from the lens. The 9-blade iris also allows you to create up to a stunning 18-ray starburst when you're stopped all the way down.
A removable petal-shaped lens hood provides flare protection when shooting without a matte box, and the lens' threaded front accepts a 77mm filter ring.
As well as delivering the beloved image quality and fast T-stop values of the existing VDSLR series, the VDSLR MK2 models now have weather sealing, nine aperture blades, and focal lengths that are visible on both sides for more professional use.
The VDSLR MK2 Range is highly versatile and available in Canon EF, Sony E, Canon RF, Nikon F, Canon M, Fuji X, and MFT mounts.
Ultra Multi-Coated lenses minimize flare and ghosting, and the lenses are color matched to a standard eliminating the need to acquire an entire set of lenses at the same time.
Each lens in the Samyang VDSLRII MK2 cine lens series shares common focus and iris gear ring positions, which speeds up lens changes as accessories such as follow focus units or iris motors don't have to be repositioned.
Focal lengths and measurements in feet and meters on both sides of the lens.
De-clicked aperture ring for smooth iris pulls.
A minimum focusing distance of 9.8" allows you to get up close to your subject.
A removable petal-type lens hood provides flare protection without a matte box.
Update your cinema lens set with this 24mm T1.5 VDSLR MK2 Cine Lens from Samyang that comes in a Sony E mount. The VDSLR MK2 continues the line with the same multilayer coating process, industry-standard geared focus and iris rings, and fast T1.5 aperture, and it adds a 9-blade iris for beautiful soft bokeh, weather sealing To keep the moisture out, and focal lengths on both sides for added versatility for focus pullers.
This 24mm lens produces an 84.1° coverage when used with full-frame cameras. Aspherical lenses render sharply defined images with a minimum of distortion and chromatic aberrations, with a minimum focus distance of just under 10" from the lens. The 9-blade iris also allows you To create up To a stunning 18-ray starburst when you're stopped all the way down.
A removable petal-shaped lens hood provides flare protection when shooting without a matte box, and the lens' threaded front accepts a 77mm filter ring.
As well as delivering the beloved image quality and fast T-stop values of the existing VDSLR series, the VDSLR MK2 models now have weather sealing, nine aperture blades, and focal lengths that are visible on both sides for more professional use.
The VDSLR MK2 Range is highly versatile and available in Canon EF, Sony E, Canon RF, Nikon F, Canon M, Fuji X, and MFT mounts.
Ultra Multi-Coated lenses minimize flare and ghosting, and the lenses are color matched To a standard eliminating the need To acquire an entire set of lenses at the same time.
Each lens in the Samyang VDSLRII MK2 cine lens series share common focus and iris gear ring positions, which speeds up lens changes as accessories such as follow focus units or iris motors don't have To be repositioned.
Focal lengths and measurements in feet and meters on both sides of the lens.
De-clicked aperture ring for smooth iris pulls.
A minimum focusing distance of 9.8" allows you To get up close To your subject.
A removable petal-type lens hood provides flare protection without a matte box.