Canon TS-E 135mm f4L Macro Overview

A unique telephoto offering close focus control along with perspective control capabilities the TS-E 135mm f4L Macro from Canon is a tilt-shift lens well-suited for studio, product, and tabletop photography. Up To +/- 10° of tilt is possible, for focus control, and +/- 12mm of shift, To adjust perspective and composition, and a tilt-locking mechanism can be used while shooting for more stability. A minimum focus distance of 1.6' and a maximum magnification of 0.5x are also benefitted by the Range of movements for more control over depth of field when photographing close-up subjects.

Complementing the operation of the lens, this L-series prime is also distinguished by its optical design that features a pair of Ultra-Low Dispersion elements To significantly reduce color fringing and chromatic aberrations for high clarity. Individual elements also feature a Subwavelength Coating To suppress flare and ghosting for greater contrast and color neutrality.

Perspective control, tilt-shift lens affords +/- 12mm of shift and +/- 10° of tilt, and both types of movements can be applied independently, and parallel or perpendicular To one another. Additionally, the tilt and shift functions can be rotated +/- 90° in any direction for applying the movements in distinct directions.

Tilt-locking mechanism and a large tilt knob benefit operation and ensure the lens stays in place while shooting.

Two Ultra-Low Dispersion (UD) elements help To reduce color fringing and chromatic aberrations for improved clarity and color accuracy.

A Subwavelength Coating has been applied To lens elements To minimize surface and internal reflections for a marked reduction in lens flare and ghosting when working in strong lighting conditions.

A minimum focusing distance of 1.6' along with a maximum magnification of 0.5x benefits working with close-up subjects.

Rounded nine-blade diaphragm contributes To a pleasing out of focus quality that benefits the use of shallow depth of field techniques.

Canon TS-E 17mm f/4L Overview

Key Features

• EF-Mount Lens/Full-Frame Format
• Aperture Range: f/4 to f/22
• Four UD Elements, One Aspherical Element
• Floating Optical System, Rear Focusing
• Subwavelength Coating
• Maximum Tilt: +/- 6.5°
• Maximum Shift: +/- 12mm
• Mount Rotation: +/- 90°
• Locking Tilt-Shift Mechanism
• Rounded 8-Blade Diaphragm

Presenting an ultra-wide field of view with advanced perspective and focus control, the TS-E 17mm f/4L is a Canon L-series tilt-shift lens well-suited to architecture and interior photography. Up to +/- 6.5° of tilt is possible, for focus control, and +/- 12mm of shift, to adjust perspective and composition. The tilt-shift mechanism can be rotated +/- 90° for applying movements in any direction, and a tilt-locking mechanism can be used while shooting for greater stability.

Complementing the operation of the lens, this L-series prime is also distinguished by its optical design that features four of Ultra-Low Dispersion elements to significantly reduce color fringing and chromatic aberrations as well as one aspherical element to minimize spherical aberrations and distortion. Individual elements also feature a Subwavelength Coating to suppress flare and ghosting for greater contrast and color neutrality. Additionally, a floating optical system and a rear focus design help to maintain consistent image quality throughout the focusing range, from 9.8" to infinity.

Perspective control, tilt-shift lens affords +/- 12mm of shift and +/- 6.5° of tilt, and both types of movements can be applied independently, and parallel or perpendicular to one another. Additionally, the tilt and shift functions can be rotated +/- 90° for applying the movements in distinct directions.

Tilt-locking mechanism ensures the lens stays in place while shooting.

Four Ultra-Low Dispersion elements are used to greatly reduce color fringing and chromatic aberrations in order to achieve greater clarity and color accuracy.

One aspherical element limits distortion and spherical aberrations to realize greater sharpness and accurate rendering.

A Sub Wavelength Coating has been applied to individual elements to control lens flare and ghosting for greater contrast and color fidelity when working in strong lighting conditions.

Floating optical system, along with a rear focusing mechanism, maintains consistent image quality throughout the focusing range, from 9.8" to infinity.

As a member of the esteemed L-series, this lens is sealed against dust and moisture for working in inclement environmental conditions.

Rounded eight-blade diaphragm contributes to a pleasing out of focus quality that benefits the use of shallow depth of field techniques.

CANON DIGITAL IXUS 285 HS BLACK

Canon Digital IXUS 285 HS Black adalah Digital Pocket Camera dari Canon. Sempurna untuk setiap kegiatan, Kamera Canon IXUS 285 HS menangkap gambar dengan sensor CMOS 20.2 megapiksel, menghasilkan foto resolusi tinggi yang dapat dibagikan dengan mudah melalui Wi-Fi dan NFC. Dengan bantuan teknologi Canon ZoomPlus, rentang zoom dapat digandakan menjadi 24x tanpa kehilangan kualitas aslinya.

2x optical zoom with IS and Full HD recording

Kamera Canon IXUS 285 HS menampilkan sensor CMOS 20.2 megapiksel resolusi tinggi dan rentang kemampuan zoom optik 12x, IXUS 285 HS memungkinkan pengguna untuk merekam video dalam Full HD dan memperbesar rincian landscape arsitektur serta pemandangan yang dinamis. Teknologi Image Stabilization (IS) cerdas IXUS 285 HS mendeteksi gerakan dan secara otomatis menerapkan pengaturan IS terbaik untuk mengurangi guncangan kamera.

Story Highlights

Story Highlight menggunakan algoritme asli Canon untuk membuat album (film) dengan alur cerita dari semua gambar foto. Hal ini memungkinkan pengguna untuk secara mulus membuat film sekitar 2 – 3 menit dari gambar diam dan cuplikan film yang diambil dalam mode Hybrid Auto dengan opsi untuk memilih dan menambahkan track musik dari galeri untuk latar belakang yang ada di dalamnya.

Auto Zoom

Auto Zoom mendeteksi dan menganalisis pemandangan dan secara otomatis menyesuaikan pengaturan zoom berdasarkan jumlah wajah di tempat tersebut. Ini memastikan bahwa framing yang tepat telah dicapai dalam foto.

Canon TS-E 24mm f3.5L II Overview

Balancing a versatile wide-angle field of view with advanced perspective and focus control, the TS-E 24mm f3.5L II is a Canon L-series tilt-shift lens well-suited To architecture, interior, and landscape photography. Up To +/- 8.5° of tilt is possible, for focus control, and +/- 12mm of shift, To adjust perspective and composition. The tilt-shift mechanism can be rotated +/- 90° for applying movements in any direction, and a tilt-locking mechanism can be used while shooting for greater stability.

Complementing the operation of the lens, this L-series prime is also distinguished by its optical design that features four of Ultra-Low Dispersion elements To significantly reduce color fringing and chromatic aberrations as well as one aspherical element To minimize spherical aberrations and distortion. Individual elements also feature a Subwavelength Coating To suppress flare and ghosting for greater contrast and color neutrality.

Perspective control, tilt-shift lens affords +/- 12mm of shift and +/- 8.5° of tilt, and both types of movements can be applied independently, and parallel or perpendicular To one another. Additionally, the tilt and shift functions can be rotated +/- 90° for applying the movements in distinct directions.

Tilt-locking mechanism ensures the lens stays in place while shooting.

Four Ultra-Low Dispersion elements are used To greatly reduce color fringing and chromatic aberrations in order To achieve greater clarity and color accuracy.

One aspherical element limits distortion and spherical aberrations To realize greater sharpness and accurate rendering.

A Sub Wavelength Coating has been applied To individual elements To control lens flare and ghosting for greater contrast and color fidelity when working in strong lighting conditions.

As a member of the esteemed L-series, this lens is sealed against dust and moisture for working in inclement environmental conditions.

Rounded eight-blade diaphragm contributes To a pleasing out of focus quality that benefits the use of shallow depth of field techniques.

CANON DIGITAL IXUS 190 BLUE

Body Ultra-slim, stylish dan terhubung dengan 20.0 Megapixel, Canon Digital IXUS 190 Black ini membuatnya mudah untuk menangkap dan berbagi foto yang brilian dan film HD. Nikmati titik mudah dan potret kesederhanaan, lensa zoom optik 10x serbaguna dan Intelligent Image Stabilizer.

Pocketable style

Dengan mudah menangkap foto landscape yang dramatis dan detail yang jauh dari subjek yang jauh menggunakan kamera Canon Digital IXUS 190 Black yang sangat tipis dengan lensa zoom ultra lebar 10x.

High quality results

Nikmati kualitas gambar luar biasa, detail dan date stamped dengan 20.0 Megapixel serta Image Stabilizer yang cerdas untuk secara otomatis menjaga gambar tetap stabil dan perekaman film yang seimbang.

Seamless connectivity

Dengan konektivitas nirkabel yang hebat, cepat dan mudah untuk menautkan kamera Anda ke perangkat pintar Anda dan menggunakan aplikasi Canon Connect untuk berbagi kreasi Anda dan mengambil gambar dari jarak jauh.

Point, shoot, create

Cukup arahkan dan potret untuk foto atau film yang fantastis menggunakan Easy Auto, yang memilih pengaturan kamera yang sempurna untuk Anda, dan bersenang-senang dengan mode kreatif yang mudah.

Fun, easy HD movies

Merekam film HD luar biasa (720p) menyenangkan dan mudah hanya dengan satu sentuhan tombol. Dynamic Image Stabilizer tetap memiliki rekaman genggam dan diperbesar secara tajam dan stabil.

Canon IXUS 185 Digital Camera

Put point and shoot simplicity in your pocket with fantastic results every time using this slim, stylish and versatile 20.0 Megapixel IXUS with 8x optical zoom, 16x ZoomPlus, Easy Auto and instant HD movies.

Easy, slim IXUS you can keep in your pocket
An ultra-slim and stylish IXUS that fits easily into your bag or pocket so you can capture superb quality photos and movies wherever you go.

Capture precious moments near or far with ease using the flexible 28mm wide 8x optical zoom lens; get even closer without any loss of quality with 16x ZoomPlus.

Keep shooting with Eco Mode, which reduces battery consumption so you can capture more shots from a single charge of the rechargeable Lithium-ion battery.

Brilliant results for all your best memories
Enjoy exceptional quality, detailed images of your best memories with 20.0 Megapixels and DIGIC 4+ processing.

Flexibly frame and crop your photos or create beautiful poster sized prints.

Effortlessly capture great shots of friends thanks to Face Detection technology, which detects multiple faces in a single frame and makes sure they remain in focus with optimum brightness.

Use the easy-to-switch Date Button to add a date and time stamp to your photos and keep an accurate timeline of your memories. Great for organising albums of printed or digital images.

Just point and shoot for beautifully easy results
Capture fantastic shots with one touch of a button, using Easy Auto. It automatically detects the scene and chooses exactly the right settings for you - so all you have to do is concentrate on your framing. Plus it locks other camera buttons you don’t press the wrong one by mistake.

Enjoy easy viewing and sharing with friends using the 6.8 cm (2.7”) LCD screen.

Use the Help Button for quick, easy-to-follow guidance on using your camera and its functions.

Have fun with easy creative modes
Have fun with a Range of easy creative modes. Re-create the intriguing, abstract feel of an ultra-wide fish-eye lens, make scenes in stills or movies look like miniature scale models or shoot with special effects like Super Vivid and Monochrome.

Superb HD movies with one touch of a button
Effortlessly shoot great HD movies (720p) with one touch of the Movie Record Button.

Experience the creative versatility of shooting movies using the optical zoom and still enjoy superb, sharp results.

Canon TS-E 50mm f2.8L Macro Overview

Characterized by its close-focusing and perspective control capabilities, the TS-E 50mm f2.8L Macro from Canon is a normal-length tilt-shift lens well-suited for product, tabletop, architectural, and interior photography. Up To +/- 8.5° of tilt is possible, for focus control, and +/- 12mm of shift, To adjust perspective and composition, and a tilt-locking mechanism can be used while shooting for more stability. A minimum focus distance of 10.6" and a maximum magnification of 0.5x are also benefitted by the Range of movements for more control over depth of field when photographing close-up subjects.

Complementing the operation of the lens, this L-series prime is also distinguished by its optical design that features a pair of Ultra-Low Dispersion elements To significantly reduce color fringing and chromatic aberrations as well as one aspherical element To minimize spherical aberrations and distortion. Individual elements also feature both Air Sphere and Subwavelength Coatings To suppress flare and ghosting for greater contrast and color neutrality.

Perspective control, tilt-shift lens affords +/- 12mm of shift and +/- 8.5° of tilt, and both types of movements can be applied independently, and parallel or perpendicular To one another. Additionally, the tilt and shift functions can be rotated +/- 90° in any direction for applying the movements in distinct directions.

Tilt-locking mechanism and a large tilt knob benefit operation and ensure the lens stays in place while shooting.

Two ultra-low dispersion elements help To reduce color fringing and chromatic aberrations for improved clarity and color accuracy.

One aspherical element minimizes spherical aberrations and distortion for improved sharpness.

Both Air Sphere and Subwavelength Coatings have been applied To lens elements To minimize surface and internal reflections for a marked reduction in lens flare and ghosting when working in strong lighting conditions.

A minimum focusing distance of 10.6" along with a maximum magnification of 0.5x benefits working with close-up subjects.

Rounded nine-blade diaphragm contributes To a pleasing out of focus quality that benefits the use of shallow depth of field techniques.

Canon TS-E 90mm f/2.8L Macro Overview

A short telephoto prime distinguished by its close focusing and perspective control capabilities, the TS-E 90mm f/2.8L Macro from Canon is a tilt-shift lens well-suited for product and tabletop photography. Up to +/- 10° of tilt is possible, for focus control, and +/- 12mm of shift, to adjust perspective and composition, and a tilt-locking mechanism can be used while shooting for more stability. A minimum focus distance of 1.3' and a maximum magnification of 0.5x are also benefitted by the Range of movements for more control over depth of field when photographing close-up subjects.

Complementing the operation of the lens, this L-series prime is also distinguished by its optical design, which features one Ultra-Low Dispersion element to significantly reduce color fringing and chromatic aberrations as well as one aspherical element to minimize spherical aberrations and distortion. Individual elements also feature an Air Sphere Coating to suppress flare and ghosting for greater contrast and color neutrality.

Perspective control, tilt-shift lens affords +/- 12mm of shift and +/- 10° of tilt, and both types of movements can be applied independently, and parallel or perpendicular to one another. Additionally, the tilt and shift functions can be rotated +/- 90° in any direction for applying the movements in distinct directions.

Tilt-locking mechanism and a large tilt knob benefit operation and ensure the lens stays in place while shooting.

One ultra-low dispersion element helps to reduce color fringing and chromatic aberrations for improved clarity and color accuracy.

One aspherical element minimizes spherical aberrations and distortion for improved sharpness.

An Air Sphere Coating has been applied to lens elements to minimize surface and internal reflections for a marked reduction in lens flare and ghosting when working in strong lighting conditions.

A minimum focusing distance of 1.3' along with a maximum magnification of 0.5x benefits working with close-up subjects.

Rounded nine-blade diaphragm contributes to a pleasing out of focus quality that benefits the use of shallow depth of field techniques.

Canon IXUS 185 Digital Camera

Put point and shoot simplicity in your pocket with fantastic results every time using this slim, stylish and versatile 20.0 Megapixel IXUS with 8x optical zoom, 16x ZoomPlus, Easy Auto and instant HD movies.

Easy, slim IXUS you can keep in your pocket
An ultra-slim and stylish IXUS that fits easily into your bag or pocket so you can capture superb quality photos and movies wherever you go.

Capture precious moments near or far with ease using the flexible 28mm wide 8x optical zoom lens; get even closer without any loss of quality with 16x ZoomPlus.

Keep shooting with Eco Mode, which reduces battery consumption so you can capture more shots from a single charge of the rechargeable Lithium-ion battery.

Brilliant results for all your best memories
Enjoy exceptional quality, detailed images of your best memories with 20.0 Megapixels and DIGIC 4+ processing.

Flexibly frame and crop your photos or create beautiful poster sized prints.

Effortlessly capture great shots of friends thanks to Face Detection technology, which detects multiple faces in a single frame and makes sure they remain in focus with optimum brightness.

Use the easy-to-switch Date Button to add a date and time stamp to your photos and keep an accurate timeline of your memories. Great for organising albums of printed or digital images.

Just point and shoot for beautifully easy results
Capture fantastic shots with one touch of a button, using Easy Auto. It automatically detects the scene and chooses exactly the right settings for you - so all you have to do is concentrate on your framing. Plus it locks other camera buttons you don’t press the wrong one by mistake.

Enjoy easy viewing and sharing with friends using the 6.8 cm (2.7”) LCD screen.

Use the Help Button for quick, easy-to-follow guidance on using your camera and its functions.

Have fun with easy creative modes
Have fun with a Range of easy creative modes. Re-create the intriguing, abstract feel of an ultra-wide fish-eye lens, make scenes in stills or movies look like miniature scale models or shoot with special effects like Super Vivid and Monochrome.

Superb HD movies with one touch of a button
Effortlessly shoot great HD movies (720p) with one touch of the Movie Record Button.

Experience the creative versatility of shooting movies using the optical zoom and still enjoy superb, sharp results.

Canon TS-E 90mm f2.8L Macro Overview

A short telephoto prime distinguished by its close focusing and perspective control capabilities, the TS-E 90mm f2.8L Macro from Canon is a tilt-shift lens well-suited for product and tabletop photography. Up To +/- 10° of tilt is possible, for focus control, and +/- 12mm of shift, To adjust perspective and composition, and a tilt-locking mechanism can be used while shooting for more stability. A minimum focus distance of 1.3' and a maximum magnification of 0.5x are also benefitted by the Range of movements for more control over depth of field when photographing close-up subjects.

Complementing the operation of the lens, this L-series prime is also distinguished by its optical design, which features one Ultra-Low Dispersion element To significantly reduce color fringing and chromatic aberrations as well as one aspherical element To minimize spherical aberrations and distortion. Individual elements also feature an Air Sphere Coating To suppress flare and ghosting for greater contrast and color neutrality.

Perspective control, tilt-shift lens affords +/- 12mm of shift and +/- 10° of tilt, and both types of movements can be applied independently, and parallel or perpendicular To one another. Additionally, the tilt and shift functions can be rotated +/- 90° in any direction for applying the movements in distinct directions.

Tilt-locking mechanism and a large tilt knob benefit operation and ensure the lens stays in place while shooting.

One ultra-low dispersion element helps To reduce color fringing and chromatic aberrations for improved clarity and color accuracy.

One aspherical element minimizes spherical aberrations and distortion for improved sharpness.

An Air Sphere Coating has been applied To lens elements To minimize surface and internal reflections for a marked reduction in lens flare and ghosting when working in strong lighting conditions.

A minimum focusing distance of 1.3' along with a maximum magnification of 0.5x benefits working with close-up subjects.

Rounded nine-blade diaphragm contributes To a pleasing out of focus quality that benefits the use of shallow depth of field techniques.

Canon EF 28mm f/1.8 USM

Key Features

• EF-Mount Lens/Full-Frame format
• Aperture Range: f/1.8 to f/22
• One Aspherical Element
• Super Spectra Coating

Canon EF 28mm f/1.8 USM Overview

Delivering a comfortable wide-angle field of view, the EF 28mm f/1.8 USM from Canon balances a versatile perspective with a bright f/1.8 maximum aperture for controlling depth of field and working in low-light conditions. Complementing the fast and wide design, the optical design incorporates one aspherical element to help control distortion and reduce spherical aberrations in order to achieve greater sharpness and clarity. A Super Spectra coating has also been applied to minimize surface reflection, flare, and ghosting for increased contrast when working in strong lighting. Additionally, this lens sports a ring-type USM for quick and quiet autofocus performance and full-time manual focus override.

• Wide-angle prime is designed for full-frame Canon EF-mount DSLRs, however can also be used with APS-C models where it provides a 44.8mm equivalent focal length.
• Bright f/1.8 maximum aperture benefits working in low-light and affords control over depth of field for working with Selective focus techniques.
• One aspherical element limits distortion and spherical aberration in order to realize greater sharpness and accurate rendering.
• Super Spectra coating has been applied to individual elements to minimize ghosting and flare for greater contrast and color neutrality when working in strong lighting conditions.
• A ring-type Ultrasonic Motor (USM) is employed to deliver fast, precise, and quiet autofocus performance as well as full-time manual focus override.
• Rounded seven-blade diaphragm contributes to a pleasing out of focus quality that benefits the use of shallow depth of field and Selective focus techniques.

Canon PZ-E1 Overview

Designed to provide smoother, more natural zoom movements when recording video, the PZ-E1 Power Zoom Adapter is compatible with the Canon EF-S 18-135mm f/3.5-5.6 IS USM lens, and facilitates electronic zoom control. The adapter connects to the lens via an integrated locking mechanism, it features both speed mode and zoom mode switches, and remote-controlled zooming is also possible in conjunction with the EOS 80D using the Canon Camera Connect app or EOS Utility software. Compared to manually rotating the lens' zoom ring, this adapter enables steadier adjustment over zooming speed for repeatable effects.

Canon RF-S 7.8mm f/4 STM Dual Overview

Key Features

• Compatible with EOS R7 Mirrorless Camera
• For Spatial Video with Apple Vision Pro
• APS-C | f/4 to f/16
• 12.6mm (Full-Frame Equivalent)
• EOS VR System; Entry-Level 3D Lens
• STM Stepping Autofocus Motor
• Control Ring
• Ultra-Low Dispersion Elements
• Super Spectra Coating

Canon introduces the RF-S 7.8mm f/4 STM Dual VR Lens, an entry-level stereoscopic VR lens that's made for anyone eager to turn the stuff of everyday life into augmented reality with the Canon EOS VR System. Compatible with APS-C EOS mirrorless cameras like the EOS R7, the autofocus-enabled lens has a 60° field of view akin to human vision and produces photos and video that can be viewed on popular headsets like the Apple Vision Pro and the Meta Quest 3.

STM Autofocusing Motor

Driving the RF-S 7.8mm f/4 STM Dual VR lens is a gear-type stepping motor (STM) with a dual-lens autofocus mechanism, which drives the left and right lenses quickly, quietly, and in unison. This makes autofocus as simple to operate as it is with an ordinary lens. Available for both photo and video, the electronic focusing/control ring and the left-right focus difference adjustment switch allow the option to control focus on both lenses or the left lens only. The lens is compatible with Canon's Dual Pixel CMOS AF autofocus system, and full-time manual focus is also supported.

Design and Construction

The lens creates content in Spatial, 3D 180°, and 3D formats with a straight path optical system that features two ultra-low dispersion elements to suppress chromatic aberrations. With nine total elements in five groups, the lens sports Canon's Super Spectra Coating to reduce ghosting and flare. The lens supports light-modifying filters with a 58mm front thread, and the 5.9" minimum focusing distance means your whole world is rendered sharply. The lens is compact and lightweight, extending only 1.6" from the camera and weighing only 4.6 oz.

Canon RF 24mm f/1.4L VCM Overview

Key Features

• Full-Frame Format | f/1.4 to f/16
• Extremely Fast Design, Advanced Optics
• Voice Coil Motor (VCM) for Rear Focus
• Nano USM for Fast Floating Autofocus
• Manual Iris/Full-Time Focus Rings
• Air Sphere (ASC) Coating
• One Aspherical Element, Two UD Elements
• Rounded 11-Blade Diaphragm
• Weather-Sealed Design
• Attachable Rear Gel Filter Holder

Designed to handle the demands of both still photography and video capturing, the RF 24mm f/1.4 L VCM Lens from Canon is a fast wide-angle prime designed for full-frame RF-mount camera systems. With its bright f/1.4 maximum aperture and 11-bladed diaphragm, working in low-light conditions isn't an issue, nor is producing dreamy, complementary bokeh around your subjects. This hybrid lens design incorporates a video-friendly Voice Coil Motor (VCM) rear focus system with a Nano USM (Ultrasonic Motor) for precise autofocus and near-silent lens operation. Its dedicated manual iris ring and AF/MF switch offer users heightened focus control and allow for swift settings and adjustments. Belonging to the L-series, this prime lens promises excellent durability and features a weather-resistant design that protects against dust and moisture.

Optical Design

Two ultra-low dispersion elements and one aspherical element help produce excellent image quality while minimizing chromatic aberrations.

To prevent ghosting and flare considerably, Canon has applied ASC (Air Sphere Coating), SSC (Super Spectra Coating), SWC (Sub Wavelength Coating), and Fluorine coatings to this lens.

Additional Lens Benefits

• A custom function button can be programmed to your preferred setting, which saves you time and makes it easier to make an adjustment while capturing.
• 15 elements in 11 groups including two UD elements and one aspherical element for excellent image quality.
• 9.4" minimum focus distance benefits taking close-up shots.
• Attachable rear filter holder.

Note:

Lens profile corrections, available in the camera and in many editing programs, are highly recommended to achieve optimal results when using this lens.

Canon RF-S 3.9mm f/3.5 STM Dual Fisheye Overview

Key Features

• Compatible with EOS R7 Mirrorless Camera
• APS-C | f/3.5 to f/16
• High-Quality VR Content Creation
• 6.2mm (Full-Frame Equivalent)
• Captures Stereoscopic 3D 180° VR Imagery
• STM Stepping Autofocus Motor
• 144° Field of View
• Air Sphere Coating
• 7-Blade Diaphragm
• 30.5mm Rear Filter Thread

Create more immersive stories with the RF-S 3.9mm f/3.5 STM Dual Fisheye Lens from Canon. Designed for the EOS R7 APS-C mirrorless camera system, a full-frame equivalence of 6.2mm is provided. The dual high-performance fisheye lenses allow you to capture stereoscopic 3D 180° VR imagery with a 144° field of view to a single image sensor, simplifying your workflow and saving you time in post. Pairing this lens with the EOS R7 allows recordings up to 4K 30 fps. Autofocus is available when capturing stills via a gear-type STM motor.

STM Autofocusing Motor

Driving the RF-S 3.9mm f/3.5 STM Dual Fisheye is a gear-type stepping motor (STM) with a dual-lens autofocus mechanism, which moves the left and right lenses in unison. This makes autofocus as simple to operate as it is with an ordinary lens. The electronic focusing/control ring and the left-right focus difference adjustment switch enhance operation by allowing adjustment of the left-right focus differential.

Autofocus operates only on subjects within the image circle of the left lens. Additionally, Servo AF is not available. Before shooting a movie, you must adjust the focus to One-Shot AF or manual focus.

Portable and Lightweight Design

The RF mount and the folded optical design allow for a compact design that's easy to use in tight spaces. Weighing just 10.2oz, this dual fisheye lens conveniently fits in most bags and is perfect for travel.

Air Sphere Coating (ASC)

Ghosting and reflections are noticeably reduced by Canon's air sphere lens coating. During challenging lighting conditions, such as backlit scenes, more contrast and uniform colors are present in your images.

30.5mm Rear Filter Thread

You can attach 30.5mm screw-on filters to the rear of the lens, as well as a filter holder for cut gel and polyester filters.

Canon NB-13L Overview

Key Features

• For PowerShot G7 X Digital Camera
• Spare or Replacement for Original

Pop this Canon NB-13L Lithium-Ion Battery Pack into your PowerShot G7 X Digital Camera and start shooting. The battery features 3.6V of output power, a 1250mAh capacity, and a 4.5Wh rating. It is supplied with the camera and offered here as a spare or replacement part.

Compatible Cameras

• PowerShot G1 X Mark III
• PowerShot G5 X
• PowerShot G7 X 
• PowerShot G7 X Mark II Video Creator Camera Kit
• PowerShot G9 X
• PowerShot G9 X Mark II 
• PowerShot SX620
• PowerShot SX720
• PowerShot SX730

Canon R5 Mark II Overview

Key Features

• 45MP Full-Frame Stacked BSI CMOS Sensor
• DIGIC Accelerator Processing
• Dual Pixel Intelligent AF, Eye Control
• 8K 60 Raw/4K 60 SRAW/4K 120 10-Bit Video
• Up to 30 fps, Pre-Continuous Shoot Mode
• 5.76m-Dot EVF with OVF Sim. View Assist
• 3.2" Vari-Angle Touchscreen LCD
• In-Camera Upscaling to 179MP
• CFexpress & SD UHS-II Memory Card Slots
• RF 24-105mm f/4 L IS USM Lens

Boasting enough horsepower to allow Canon's highest resolution mirrorless sensor to shoot a speedy 30 fps and capture 8K60p raw video, the EOS R5 Mark II Mirrorless Camera is the multimedia professional's solution for versatility, image quality, and intelligence. An all-new 45MP sensor's stacked, back-illuminated design joins a brand new processor to provide upgrades in nearly every category, creating a do-it-all camera that gets the job done.

A Stacked Sensor-Processor Combo

The R5 Mark II's new sensor maintains the high resolution of its predecessor while introducing a stacked, back-illuminated design that makes room for Canon's latest image processor, the DIGIC Accelerator. Operating alongside the stalwart DIGIC X, the camera combines the raw image data with high-volume, deep-learning datasets to produce gains in subject tracking and recognition, pre-continuous capture, blackout-free shooting, video resolution, maximum recording time, and more - making the R5 Mark II a powerful and comprehensive professional creator's toolkit.

Autofocus and Deep Learning

The improved processing speeds benefit the EOS R series' already-robust autofocus, incorporating deep learning datasets in its Dual Pixel Intelligence AF to produce advancements in subject recognition and tracking while also improving on the Eye Control Focus feature introduced in the EOS R3.

• The processor's high-level analyses keep the intended subject locked when similar subjects cross one another
• Head, eyes, upper body, and joint structures are all tracked, as well as persons other than the main subject and the ball
• Action Priority Menu setting for still photos identifies sport-specific events, actions, and ball positions for soccer, basketball, and volleyball
• Photograph or upload a person's image to register and prioritize up to 10 subjects

Eye Control Focus

Reintroduced in the EOS R3, Eye Control AF allows shooters to use their eye to initiate where the focus point is simply by looking through the electronic viewfinder. The R5 Mark II boasts newly developed camera optics and a revised line-of-sight detection algorithm to nearly double the detection frame rate. The camera integrates Eye Control Focus with its improved subject tracking and recognition algorithms to keep the sighted subject in sharp focus.

High Speed, High-Quality Stills Performance

Electronic Shutter

Chief among the benefits of the new sensor-processor combination is the ability to shoot high-quality, high-resolution images at blazing speed, unlocking mural-sized moments of athletic brilliance, breaking news, or even history. The R5 Mark II has the power to record the ephemeral and commit it to memory on the biggest scale and in astounding detail.

• Continuous shooting speeds of up to 30 fps full-frame raw with reduced shutter distortion, with up to 12 fps when using the mechanical shutter
• Supports always-on blackout-free display when using the electronic shutter
• For indoor sports shooters, the camera effectively suppresses flicker in LED lighting environments by detecting refresh frequencies
• Flash sync speeds of up to 1/250s possible when using electronic front-curtain shutter

Pre-Continuous Shooting

Newly available in the EOS R5 Mark II is the ability to bank up to 15 shots of pre-continuous shooting by half-depressing the shutter button before firing. When the shutter button is fully pressed, the previous half-second of images are written to the memory card, allowing users to "go back in time" to recover a decisive moment they might have missed.

Noise Reduction and In-Camera Upscaling

First and foremost, the R5 Mark II is a camera built for image-makers looking to maximize quality and flexibility. As such, the broad native ISO 100-51200 range suits working in a variety of lighting conditions and the DIGIC Accelerator enables the use of Neural Network Noise Reduction for cleaner images, especially at higher sensitivities.

This same processing power also enables the creation of even higher resolution stills-up to 179MP-via In-Camera Upscaling. This deep learning-based tool doubles the number of pixels horizontally and vertically to produce a larger, more detailed image with maintained sharpness and clarity.

Coordinated Control Image Stabilization

A lightweight, compact build encourages users to hand-wield the camera, and here as elsewhere the R5 Mark II's new innards yield performance gains. Coordinated control helps achieve the optimum hand-shake correction effects, benefitting handheld shooting in low-light conditions and reducing shake when recording videos. The five-axis in-body image stabilizer (IBIS) corrects up to 8.5 stops of unwanted camera shake in the center of the frame and 7.5 at the edges when used in conjunction with compatible. Additionally, Movie Digital IS uses the optical and sensor-shift stabilization methods along with digital IS to help acquire steadier footage while moving.

A Cinema EOS-Integrated 8K Powerhouse

The R5 Mark II inherits many of innovations that made its other relative, the R5 C, a favorite among combination video-stills shooters, and carries over much of its Cinema EOS cousin's features and workflow. Like its predecessors, the 45MP full-frame sensor enables impressively high-resolution DCI 8K raw video recording internally, now up to 60 fps, along with 4K SRAW also at the full sensor width.

• Reads out signals for all effective pixels from its full-frame 8K sensor, enabling 4:2:2 10-bit high-definition recording through oversampling during 4K and 2K video recording
• Record High Frame Rate (HFR) movies with sound at up to 120p at DCI/UHD 4K resolutions (4096 x 2160/3840 x 2160) in 4:2:2 10-bit without cropping the sensor
• Supports MXF-based XF-AVC, which offers 10-bit 4:2:2 files, as well as the highly versatile MP4 for lightweight proxy files in various professional workflows
• External raw recording is supported for compatible recorders with a full size, HDMI Type-A port
• Split saving is possible with raw and proxy video saved to separate memory cards
• Supports Canon Log3, a gamma designed for simple grading, such as tightening dark areas and adjusting tones, as well as integration with other Cinema EOS system footage
• The following time code settings are supported: start time setting, movie recording count, movie play count, HDMI time code on/off, HDMI rec. command on/off, drop frame enable/disable)

• Canon Log2, PQ, and HLG in-camera custom picture profiles also supported
• High-quality audio supported with 4-Channel, 24-bit LPCM
• Recording times up to 120 minutes are possible at 4K 60 settings and below or, if paired with an optional grip, larger recording formats or longer recording times are possible
• Integrated waveform monitor, false color & zebra display, tally lamp
• Compatible with Canon VR and RF 5.2mm f/2.8 L Dual Fisheye lens

Body and Connectivity

• A 5.76m-dot, 0.76x-magnification OLED electronic viewfinder is featured for clear, high-resolution eye-level viewing at a 120 fps refresh rate with support for blackout-free viewing
• 3.2" vari-angle LCD benefits working high, low, and front-facing angles and features a 4.15m-dot resolution with a touchscreen interface for vivid playback, live-view monitoring, and more
• Dual memory card slots are featured, a CFexpress Type B slot for raw video recording and fast continuous shooting and a UHS-II SD card for backups or less speed-critical shooting

• First EOS camera with Wi-Fi 6E/Wi-Fi 6 wireless support for even faster communication across wider frequency bands
• New, higher-capacity LP-E6P lithium-ion battery necessary for 8K video, top drive speeds, and other high-end capabilities; the camera will accept LP-E6N and LP-E6NH at limited capabilities and life durations
• Three optional battery grips are available, including two featuring a 2.5G BASE-T Ethernet interface and RJ-45 port for a fast and secure hardwired connection and one with a cooling fan for extended video runtimes
• Lightweight and compact with a dust- and moisture-sealed construction suitable for working in inclement conditions

Canon RF 24-105mm f/4 L IS USM Lens

Prized for its versatility, the RF 24-105mm f/4 L IS USM from Canon is a wide-angle to short telephoto zoom characterized by its constant f/4 maximum aperture. Ideal for use in nearly any shooting scenario, this zoom is benefitted by a five-stop-effective Image Stabilizer to minimize the appearance of camera shake for sharper handheld imagery. Also complementing handling is a unique customizable Control Ring, which can be configured to adjust a variety of exposure settings settings, including aperture, ISO, and exposure compensation. Benefitting image quality, the advanced optical design features a Super Spectra Coating, which helps to suppress ghosting and flare in order to improve contrast and color accuracy when working in bright and backlit conditions. Ideal for both photo and video applications, this lens also incorporates a Nano USM autofocus motor, which delivers quick, quiet, and precise focusing performance.

Standard wide-angle to telephoto zoom lens is designed for use with full-frame Canon RF-mount mirrorless cameras.

Constant f/4 maximum aperture maintains consistent illumination throughout the zoom range.

Super Spectra coating has been applied to individual elements to minimize ghosting and flare for greater contrast and color neutrality when working in strong lighting conditions.

An Optical Image Stabilizer helps to minimize the appearance of camera shake by five stops to better enable working in low-light conditions and with slower shutter speeds.

Nano USM system utilizes both a ring type USM and an STM mechanism to realize quick and accurate focusing that is also smooth and near-silent to suit both photography and video applications. This focusing system also affords full-time manual focus control when working in the one-shot AF mode.

Configurable Control Ring can be used to adjust a variety of exposure settings, including aperture, ISO, and exposure compensation.

As a member of the esteemed L-series, this lens has a weather-resistant design that protects against dust and moisture to enable its use in inclement conditions.

Rounded nine-blade diaphragm contributes to a pleasing bokeh quality.

Canon R1 Overview

Key Features

• 24MP Full-Frame Stacked BSI CMOS Sensor
• DIGIC Accelerator + DIGIC X Processing
• Dual Pixel AF with Action Priority
• Improved Eye Control AF
• 6K 60 Raw & 4K 120 10-Bit Internal Video
• Up to 40 fps, Pre-Continuous Shoot Mode
• 9.44m-Dot 0.9x EVF, OVF Sim. View Assist
• 3.0" 2.1m-Dot Vari-Angle Touchscreen LCD
• Vertical Grip, 2x CFexpress Type B Slots
• Wi-Fi 6E, 2.5G Base-T Wired Ethernet

Speed, precision, and reliability, the Canon EOS R1 is built for photojournalists, sports photographers, wildlife shooters, and other image-makers who can't afford to miss the shot. The flagship of the EOS R line, this mirrorless camera sports a full-frame 24MP BSI stacked sensor, DIGIC Accelerator processing, next-gen Dual Pixel Intelligent AF, and the robust design expected from a professional workhorse.

Stacked Sensor and DIGIC Accelerator

24.2MP Full-Frame Sensor and Continuous Shooting

As a camera built for speed, the R1 sports a newly designed 24.2MP full-frame back-illuminated stacked sensor that offers impressively fast readout speeds and a staggering 40 fps top continuous shooting rate with an electronic shutter, along with blackout-free viewing and greatly reduced rolling shutter distortion. The back-illuminated design and new DIGIC Accelerator processing also help to produce high clarity and sharpness, native sensitivity up to ISO 102400, and utilize Neural Network Noise Reduction for especially clean files when working in low-light conditions.

Continuous and Pre-Continuous Shooting

For continuous shooting applications, the 40 fps shooting rate can be used in conjunction with Pre-Continuous Shooting, which allows the camera to continuously pre-buffer 20 frames over a 0.5-second period while half-pressing the shutter, prior to fully pressing the shutter—helping to ensure you never miss the critical moment of action. The EOS R1 also has a mechanical shutter, which supports a top continuous shooting rate of 12 fps.

In-Camera Upscaling

For instances when 24MP isn't enough, DIGIC Accelerator processing now enables In-Camera Upscaling, which uses deep learning to double the number of pixels both horizontally and vertically in order to produce a separate 96MP image in about 10 seconds. This upscaling can be done after the original image is shot and can also be performed at the time of cropping images in camera, saving time compared to generating a 96MP image and then cropping it afterward.

DIGIC Accelerator and DIGIC X Processing

One of the critical pieces that enables the EOS R1 to do everything is can do is the newly developed DIGIC Accelerator front-engine processor, which complements a proven DIGIC X processor. The DIGIC Accelerator is responsible for many of the continuous shooting, subject detection and tracking, and autofocus capabilities, allowing the DIGIC X to serve fully as an image processor. The combination of these two distinct processors enables the camera to better process huge volumes of data, perform simultaneous tasks at high speeds, and contributes to the quality and accuracy of deep learning features, like In-Camera Upscaling and Neural network Noise Reduction.

• Auto-Exposure and Auto White Balance Modes use Deep Learning
• 6144-zone exposure metering for high accuracy in various lighting conditions
• Coordinated Image Stabilization pairs IBIS with Lens-Based IS
• Supports Anti-Flicker and High-Frequency Anti-Flicker shooting

Sensor-Shift Image Stabilization

Helping keep both photos and video sharp and stable, the EOS R1 uses a well-rounded image stabilization system using three distinct methods: in-body sensor-shift, optical, and an independent Movie Digital IS system purpose-built for video.

• The camera body's 5-axis sensor-shift system is compatible with all lenses and helps to lessen the effects of camera shake in a general sense, for sharper handheld shooting at slower shutter speeds.
• When paired with an RF lens with image stabilization, Coordinated Control IS can deliver even more powerful stabilization, up to 8.5 stops of correction in the center of the frame and 7.5 stops of correction at the periphery.
• For video shooters, Movie Digital IS is an electronic stabilization system that helps suppress blur in peripheral areas to better enable recording video handheld.

Next-Generation Autofocus

Dual Pixel Intelligent AF

Beyond speed, autofocus performance is the main calling card of a flagship camera. The R1's AF capabilities have been optimized to detect, track, and maintain critical focus on moving subjects, even when they are briefly obscured while shooting. This Dual Pixel system has been fine-tuned with numerous tracking features and usability assets to make it the most intelligent and intuitive focusing system in an EOS yet.

• The sensor incorporates cross-type Dual Pixel AF for more responsive and accurate focusing performance, especially in scenes with an abundance of linear details, like with window blinds, brick or wooden plank walls, or other patterned backgrounds.
• Focusing is possible down to -7.5 EV for photo and -5.5 EV for video for working in truly low-light conditions.
• The 4897-point phase-detection system can automatically recognize People, Animals (Dogs, Cats, Birds, and Horses), and Vehicles. This system also has Eye Detection, with the ability to prioritize the left or right eye.

Action Priority + Subject Detection and Tracking

One of the main benefits of the DIGIC Accelerator is a new focusing mode built specifically for photographing sports and action: Action Priority. This intelligent AF mode recognizes specific subjects movements and automatically moves the AF area to the player performing a detected motion, such as taking a shot, making a pass, jumping, and more.

It currently recognizes Soccer, Basketball, and Volleyball activities and can analyze Ball, Joint, Torso, Action, and Head information for tracking. The mode can recognize specific subjects and uses this information in conjunction with recognized movements to determine where to focus in the scene while the action is unfolding.

• Action Priority can be assigned to a custom function button for quick on/off toggling.
• Pre-Registered Person Priority allows you to register up to 10 different people in-camera prior to photographing an event; this information is stored and used to prioritize who to focus on while the game or match is being played.
• Intelligent subject recognition also helps to maintain sharp focus on the intended subject even when it's obscured or crossed by a secondary subject in the frame.
• Can be used in conjunction with Pre-Continuous Shooting mode.

Eye Control AF

Taken from the EOS R3, the R1 also inherits the unique Eye Control AF method, which allows you to simply look where you want to focus and then have the AF Area automatically move there when you press the AF activation button. The R1 improves upon this tool, though, with 2x faster detection and a revised line-of-sight detection algorithm, as well as greater tolerances for different eyelid thicknesses, eyelash length, how the camera is held, and even if you wear eyeglasses.

Professional Reliability and Design

9.44m-Dot OLED EVF and Rear LCD

Deemed the best viewfinder yet in an EOS R-series camera, the R1 sports an impressive 9.44m-dot OLED EVF with a massive 0.9x magnification for comfortable, clear, and bright eye-level viewing. The resolution and magnification suit a wide array of viewing conditions, and are ideal for glasses-wearing users, and the finder's optical design has also been upgraded for improved clarity. Additionally, some of the EVF optics are sealed within an airtight structure, helping to prevent fog in case of working in extreme temperature or humidity conditions.

• EVF features a 9.44m-dot OLED panel that is 3x brighter than the EVF of the EOS R3
• OVF Simulation View Assist function mimics the rendering and brightness of an optical finder, helping to better asses scene brightness in mixed lighting conditions.
• In addition to the viewfinder, there is also a rear 3.0" 2.1m-dot touchscreen LCD that features a vari-angle design to better support working from high and low angles.

Built for the Professional Image-Maker

• Magnesium alloy exterior is dust- and water-resistant with full protective sealing at all seams and behind each button.
• Measures 0.7" shorter than the EOS-1D X Mark III and weighs 2.1 lb—more than half a pound less than its SLR predecessor.
• Integrated vertical grip improves the ergonomics and makes the EOS R1 easier to hold throughout a full day of shooting. The grip also includes updated rubber that is more comfortable and provides greater traction while holding.

• Like the EOS R3 and EOS-1D X Mark III, the EOS R1 accepts the high-capacity LP-E19 lithium-ion battery as a reliable, long-running power source.
• Dual CFexpress Type B memory card slots support high-speed, high bit-rate recording modes as well as proxy recording and file type separation for an easier post-production workflow.
• Dual Shooting (still & movie) setting allows simultaneous capture of 17MP JPEG still images to one card while recording FHD 30p video to the other card with no interruption to the video.

Versatile Connectivity

As a professional workhorse, the R1 can easily be integrated into an existing workflow: connect to optional recorders, tether via ethernet, attach an external strobe, or offload files for FTP.

• Full-size HDMI port for outputting video to an external recorder or monitor
• USB 3.2 Gen 2 Type-C port supports tethering, data transfer, and in-camera battery charging
• Ethernet port supports 2.5GBASE-T wired LAN connection for transferring files over FTP
• Multi-Function Shoe, which features a row of pins at the front for greater accessory functionality and provides power to select accessory types that traditionally rely on separate batteries
• Supports Wi-Fi 6E/Wi-Fi 6 and Bluetooth Low Energy for wireless transferring and control as well as image.canon and Frame.io support

Video Capabilities and Cinema EOS Integration

6K Raw and 4K Video

Despite its prowess as a camera for stills, the EOS R1 touts strong video capabilities and supports an integrated workflow with Cinema EOS shooters. The R1 supports up to 6K 60p raw recording or 4K 60p MP4 recording using a 6K oversampling area with 10-bit 4:2:2 sampling. Proxy recording is also possible and helps expedite post-production by splitting two separate recording formats across the two separate memory cards; for example, record a 6K 60p raw version to one card and a DCI 2K 60p MP4 version to another so you can edit and grade the lower bit-rate footage and then apply your edits to the higher bit-rate version when finishing.

• 6K 60p raw internal recording using full sensor width
• 4K 60p normal LGOP recording for approximately 120 minutes
• 4K 120p and FHD 240p high-speed recording options
• Raw and XF-HEVC S/XF-AVC S formats
• In-camera custom picture profiles include Canon Log2, 3, PQ, and HLG
• Full-size HDMI Type-A for external recording
• False color, zebra display, and tally lamp functions
• LPCM 24-bit/4-channel audio

Canon XA75 Overview

Key Features

• 1" CMOS Sensor, DIG!C DV 6 Processor
• Up to UHD 4K30 Video Recording
• Mini-HDMI and 3G-SDI Outputs
• Integrated 15x Optical Zoom Lens
• Dual XLR and Mic/Line Audio Input
• USB Type-C Output with UVC Support
• 5-Axis Optical Image Stabilization
• Dual-Pixel CMOS Autofocus Feature
• Dual SD Relay and Simultaneous Recording
• 3.5" Touchscreen LCD, Tiltable OLED EVF

The Canon XA75 Professional UHD 4K Camcorder is a compact, lightweight camera featuring UHD 4K capture, a 1" CMOS sensor, two XLR audio inputs, and one each mini-HDMI and BNC 3G-SDI output, which fits right into the ENG category for documentary or journalism-style productions. Updated from its XA55 predecessor, this model features a larger 3.5mm LCD capacitive touchscreen display, a higher resolution tiltable 0.36" OLED EVF, OSD metadata recording, and fast USB Type-C video-only output with UVC support for livestreaming to a computer.

The lens optics include an integrated 15x HD optical zoom, a nine-bladed circular iris for more natural highlights, and wide DR gamma support for low-light recording. The camera's pro-style features include Dual-Pixel and Contrast autofocus, fast- and slow-motion recording, full manual control, optical and electronic image stabilization, a 3.5" touchscreen LCD, user-assignable buttons, infrared mode, and a DIG!C DV 6 image processor with high sensitivity and low noise. The XA75 also has display monitoring features such as zebra, color bars, and test tone, plus a built-in neutral density filter mechanism.

The camera records UHD 4K30 and Full HD 1080p60 captured to dual SD card slots in XF-AVC and MP4 formats, and it outputs to mini-HDMI and 3G-SDI ports. The dual SD card slots allow for automatic switching from one card to another, as well as simultaneous recording to both. The camera can output up to 1920 x 1080p 10-bit 4:2:2 video at 59.94 fps via its mini-HDMI and 3G-SDI outputs. On the audio side, the XA75 features up to four channels of LPCM audio with manual/automatic recording levels, two XLR inputs with phantom power, and a 3.5mm stereo mini input. It features a built-in stereo microphone as well as a headphone jack.

Compact Professional UHD 4K Camcorder

The XA75 captures sharp UHD images thanks to a 1" CMOS 4K sensor and DIGIC DV6 image processor. Oversampled HD delivers Full HD images from the 4K sensor.

On-Screen Display (OSD) "Time Stamp" Recording

OSD recording embeds date, time, timecode, and other data into your original camera files, effectively "time stamping" the information into each frame of video, a requirement for legal and law enforcement videographers.

UVC Livestreaming

Stream HD video directly from the camera via UVC1 to a Windows or macOS computer. Audio output through USB is not supported.

4K 15x Optical Zoom Lens

Adjustable focusing speeds and advanced Dual Pixel CMOS AF give fast and precise focusing. Use the ultrabright 3.5" LCD to set focus by touching the AF point required. Face Detection AF and Face Tracking are available, while Manual Focus is set via the focus/zoom ring.

XF-AVC and MP4 for Flexible Recording

Choose from XF-AVC or MP4 recording formats. Record XF-AVC UHD 4K 160 Mb/s at 30P and Full HD 45 Mb/s at 60p/60i and 30/24p. For smaller files, record MP4 in 4K 150 Mb/s at 30/24p and Full HD 35 Mb/s or 17 Mb/s at 60/30/24p.

Professional Input and Output

Output options include HDMI, 3G-SDI, simultaneous backup and relay recording via dual SD cards, and Infrared mode. Record 5x slow motion in Full HD or fast motion in 4K/Full HD up to 1200x. Color match with other Canon cameras using the custom picture menu.

Professional Audio Options

Two XLR terminals on a detachable handle plus 4-channel linear PCM bring pro audio options.

Canon HG-100TBR Overview

Key Features

• For Select EOS M and PowerShot G Cameras
• Hybrid Grip and Fold-Out Mini Tripod
• Includes BR-E1 Wireless Remote Control
• Tilting Head Design
• Attaches via 1/4"-20 Mount

Useful for stabilizing your shots, the HG-100TBR Tripod Grip is compatible with select Canon EOS M and PowerShot G cameras. Serving double duty, the HG-100TBR can be used either as a camera grip for handheld shooting or can fold out to a sleek tabletop tripod. The head has a tilting design for working at different angles and it attaches to cameras via a 1/4"-20 mount. A BR-E1 Wireless Remote Control is also included, and fits into the grip's design, for wireless shooting and seamless camera control.