{"title":"Lenses \u003e Cinema Lenses","description":"","products":[{"product_id":"7artisans-photoelectric-10mm-t2-1-hope-s35-cine-lens-sony-e-titanium-gray","title":"7artisans Photoelectric 10mm T2.1 Hope S35 Cine Lens (Sony E, Titanium Gray)","description":"\u003ch2\u003e7artisans Photoelectric Hope Prime 10mm T2.1 Overview\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eKey Features\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eCovers S35 Sensor | T2.1 to T22 Aperture\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eMinimal Breathing and Aberration\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eCinema-Standard 0.8 MOD Gearing\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eEasy Calibration with DJI Focus Pro\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e83mm Front Diameter, M77 Filter Thread\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eAnti-Glare Coating, Lightweight Design\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e10-Blade Iris, 90.4° Angle of View\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e11.8\" Minimum Focus Distance\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e260° Focus Rotation\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe titanium gray Sony E-mount \u003cstrong\u003eHope 10mm T2.1 S35 Cine Lens\u003c\/strong\u003e from \u003cstrong\u003e7artisans Photoelectric\u003c\/strong\u003e is a compact, lightweight lens that covers cameras with Super35 sensors. Each lens in the Hope series shares a standardized design with consistent lens gear positions that reduce the time spent adjusting lens accessories during lens changes. The Hope 10mm lens features a T2.1 maximum aperture for lower light capture and a shallow depth of field look, minimal lens breathing and aberrations, and a multilayer nano coating that reduces glare.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e \u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eT2.1 Maximum Aperture\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe T2.1 maximum aperture enables users to capture scenes with lower light levels and create shallow depth of field looks.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eMinimal Breathing\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eFocus breathing and out-of-focus aberrations are minimal, keeping your viewers' attention on your content.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eLightweight, Compact Design\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThis Hope series lens features a compact, lightweight design that is ideal for solo operators and gimbal\/handheld use.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eDJI Focus Pro Compatibility\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cimg class=\"img img-responsive\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2292917.jpg\"\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eCompatibility with the DJI Focus Pro system enables you to select each Hope series lens for quick calibration and autofocus.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eA wide barrel rotation of 260° enables users to precisely adjust focus.\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eUnified Series Design\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eEach lens in the Hope cine series has unified focus and aperture gearing, eliminating the need for time-consuming lens control system and matte box adjustments when switching lenses.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eDual Focus Marks\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eFocus distances are marked in both feet and meters for easy use by international crews.\u003c\/p\u003e","brand":"7Artisans","offers":[{"title":"Default Title","offer_id":46494088036582,"sku":"112947","price":7490000.0,"currency_code":"IDR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/3088\/0230\/files\/cafc429b_h7rvfddehzruuvei.webp?v=1780986110"},{"product_id":"7artisans-photoelectric-spectrum-14mm-t2-9-prime-cine-lens-for-sony-e","title":"7artisans Photoelectric Spectrum 14mm T2.9 Prime Cine Lens for Sony E","description":"\u003ch2\u003e7artisans Photoelectric 14mm T2.9 Spectrum Pr... Overview\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eKey Features\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eCovers Full-Frame Sensors | T2.9-T16\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eConsistent Look, Minimal Breathing\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eCine-Style 0.8 MOD Focus and Iris Gears\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e10 Iris Blades, 82mm Filter Thread\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e15.7\" Minimum Focus Distance\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e114° Angle of View\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e270° Focus Barrel Rotation\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eLens Markings in Meters and Feet\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eUse this ultrawide \u003cstrong\u003e14mm T2.9 Spectrum Prime Cine Lens\u003c\/strong\u003e from \u003cstrong\u003e7artisans Photoelectric\u003c\/strong\u003e on your full-frame, Sony E-mount camera to achieve sharp, high-quality images. A maximum aperture of T2.9 and a lens construction of 13 elements in 9 groups with 10 iris blades create a smooth, circular bokeh with minimal focus breathing. The Spectrum cine lenses maintain a consistent look and gear positions across the series, smoothing lens changes.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe 14mm prime has a 114° angle of view and 0.8 MOD cinema-style gears on the focus and iris for use with lens control systems. Focus distance and iris marks are positioned on both sides of the lens in meters and feet. An 82mm filter thread enables you to attach filters of your choosing to further customize the light quality and effects of the lens.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eFull-Frame Coverage\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThis cine-style lens covers both full-frame and S35 camera sensors.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eUltrawide Viewing Angle\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe ultrawide 14mm T2.9 Spectrum prime creates a 114° field of view that captures a broader perspective and a sense of space within your image.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eMinimal Breathing\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eMinimal breathing enables the viewer to be immersed in the story itself.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eConsistent Image Quality\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe Spectrum lenses maintain a consistent image quality across the series with a balanced and unified color palette.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eFast T2.9 Aperture\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eA fast T2.9 maximum aperture enables you to shoot in darker environments while maintaining glare resistance and overall performance.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eWide Barrel Rotation\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe 270° of barrel rotation enables smooth, precise focus pulls.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eUnified Design\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eGear positions and front diameters are unified across the Spectrum series, helping to save time when changing lenses on your camera rig.\u003c\/p\u003e","brand":"7Artisans","offers":[{"title":"Default Title","offer_id":46494088102118,"sku":"112946","price":6400000.0,"currency_code":"IDR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/3088\/0230\/files\/00fd25d9_6t78u2yj7ruoi3oc.webp?v=1780986247"},{"product_id":"7artisans-photoelectric-50mm-t2-0-spectrum-prime-cine-lens-for-sony-e-mount","title":"7artisans Photoelectric 50mm T2.0 Spectrum Prime Cine Lens for Sony E Mount","description":"\u003ch2\u003e7artisans Photoelectric 50mm T2.0 Spectrum Pr... Overview\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eKey Features\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eCovers Full-Frame Sensor\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eT2.0 Maximum Aperture\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e82mm Filter Thread\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e12 Iris Blades\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eLens Markings in Meters and Feet\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eCine-Style 0.8 MOD Focus and Iris Gears\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e18.9\" Minimum Focus Distance\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e46° Angle of View\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eUse this \u003cstrong\u003e50mm T2.0 Spectrum Prime Cine Lens\u003c\/strong\u003e from \u003cstrong\u003e7artisans Photoelectric\u003c\/strong\u003e on your full-frame, E mount camera to achieve sharp, high-quality images. A maximum aperture of T2.0 and a lens construction of 6 elements in 5 groups with 12 iris blades create a smooth, circular bokeh with minimal focus breathing.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe lens has a 46° angle of view and 0.8 MOD cinema-standard gears on the focus and iris for intuitive manual controls. Focus distance and iris marks are positioned on both sides of the lens in meters and feet. A minimum focus distance of 18.9\" makes the lens compatible with many matte boxes and adapters. An 82mm filter thread allows you to attach filters of your choosing to further customize the light quality and effects of the lens.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eFeatures at a Glance\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eMaximum T2 aperture for low-light advantage, deeper depth of field, and increased area of focus\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eCinema industry-standard 0.8 MOD focus and iris gears compatible with follow focus and iris controls\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eLens construction of 6 elements in 5 groups for smooth, circular bokeh\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eManually focus on objects as close as 18.9\" away\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eMarkings in meters and feet\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e46° angle of view\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e","brand":"7Artisans","offers":[{"title":"Default Title","offer_id":46494088167654,"sku":"112945","price":5490000.0,"currency_code":"IDR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/3088\/0230\/files\/01efffc4_jxmjnwy7q8thtdjz.webp?v=1780986146"},{"product_id":"7artisans-photoelectric-35mm-t1-05-vision-cine-lens-for-sony-e-mount-feet-meters","title":"7artisans Photoelectric 35mm T1.05 Vision Cine Lens for Sony E Mount, Feet\/Meters","description":"\u003ch2\u003e7artisans Photoelectric Vision Cinema 35mm T1... Overview\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eKey Features\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eFor APS-C Sensors, Mirrorless Only\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eT1.05 to T16\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e90mm Front Diameter\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e12 Iris Blades\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e82mm Front Filter Threads\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e270° Focus Rotation\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eFocus Scales in Feet and Meters\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eSharp, small, robust, and incredibly fast, this \u003cstrong\u003e35mm T1.05 Vision Cine Lens\u003c\/strong\u003e from \u003cstrong\u003e7artisans\u003c\/strong\u003e is built for the cinema industry and works with standard cine lens accessories, so it will easily fit into your workflow. This version of the lens comes in a Sony E mount, and it features focus scales marked in feet and meters. The maximum T1.05 aperture allows you to film a gentle soft bokeh with soft natural-looking out-of-focus highlights, while the T16 minimum aperture helps reduce artifacts that can appear when the aperture opening is too small.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe 270° focus throw allows you to make extremely accurate focus pulls, and the lens features cine-standard 0.8 MOD lens gears for focus and iris. As part of the vision series, this 35mm lens shares the same focus and iris gear positions as the Vision 25 and 50mm lenses, making swapping lenses fast, as you don't have to reposition the follow focus unit or lens motor you may be using. A 90mm front diameter allows you to use a variety of industry-standard matte boxes, and the 82mm front filter thread allows you to mount optional filters directly on the front of the lens.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eNote:\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003ePlease note that this lens is designed only for use with mirrorless cameras and should not be used with SLRs or DSLRs.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe Vision series of lenses is highly versatile and available in Canon RF, Sony E, FUJIFILM X, Leica L, and MFT mounts.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eED glass and an all-metal shell provide a pleasing image and a durable lens.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eLenses in the 7artisans Vision cine lens series share common focus and iris gear ring positions, which speeds up lens changes as accessories such as follow focus units or iris motors don't have to be repositioned.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eFocus markings and measurements are in feet and meters.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe iris ring has no click stops, allowing you to make smooth iris pulls.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eA minimum focusing distance of about 14\" allows you to get up close to your subject.\u003c\/p\u003e","brand":"7Artisans","offers":[{"title":"Default Title","offer_id":46494088233190,"sku":"112944","price":7350000.0,"currency_code":"IDR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/3088\/0230\/files\/ezrl7dyl_txlirxugfjdibir7.webp?v=1777017470"},{"product_id":"7artisans-25mm-t1-05-vision-cine-lens-sony-e","title":"7artisans 25mm T1.05 Vision Cine Lens - Sony E","description":"\u003ch2\u003e7artisans Photoelectric Vision Cinema 25mm T1... Overview\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cstrong\u003eKey Features\u003c\/strong\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eFor APS-C Sensors, Mirrorless Only\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eT1.05 to T16\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e90mm Front Diameter\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e13 Iris Blades\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e82mm Front Filter Threads\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e270° Focus Rotation\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eFocus Scales in Feet and Meters\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eSharp, small, robust, and incredibly fast, this \u003cstrong\u003e25mm T1.05 Vision Cine Lens\u003c\/strong\u003e from \u003cstrong\u003e7artisans\u003c\/strong\u003e is built for the cinema industry and works with standard cine lens accessories, so it will easily fit into your workflow. This version of the lens comes in a Sony E mount, and it features focus scales marked in feet and meters. The maximum T1.05 aperture allows you to film a gentle soft bokeh with soft natural-looking out-of-focus highlights, while the T16 minimum aperture helps reduce artifacts that can appear when the aperture opening is too small.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe 270° focus throw allows you to make extremely accurate focus pulls, and the lens features cine-standard 0.8 MOD lens gears for focus and iris. As part of the vision series, this 25mm lens shares the same focus and iris gear positions as the Vision 35 and 50mm lenses, making swapping lenses fast, as you don't have to reposition the follow focus unit or lens motor you may be using. A 90mm front diameter allows you to use a variety of industry-standard matte boxes, and the 82mm front filter thread allows you to mount optional filters directly on the front of the lens.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eNote:\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003ePlease note that this lens is designed only for use with mirrorless cameras and should not be used with SLRs or DSLRs.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe Vision series of lenses is highly versatile and available in Canon RF, Sony E, FUJIFILM X, Leica L, and MFT mounts.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eED glass and an all-metal shell provide a pleasing image and a durable lens.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eLenses in the 7artisans Vision cine lens series share common focus and iris gear ring positions, which speeds up lens changes as accessories such as follow focus units or iris motors don't have to be repositioned.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eFocus markings and measurements are in feet and meters.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe iris ring has no click stops, allowing you to make smooth iris pulls.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eA minimum focusing distance of about 9.1\" allows you to get up close to your subject.\u003c\/p\u003e","brand":"7Artisans","offers":[{"title":"Default Title","offer_id":46494095311078,"sku":"110001","price":7840000.0,"currency_code":"IDR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/3088\/0230\/files\/gks5km0d_bdzqk7kxrflhbssm.webp?v=1780986299"},{"product_id":"7artisans-35mm-t1-05-vision-cine-lens-for-panasonic-leica-sigma-l-mount","title":"7artisans 35mm T1.05 Vision Cine Lens for Panasonic Leica Sigma L Mount","description":"\u003ch2\u003e7artisans Photoelectric Vision Cinema 35mm T1... Overview\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cstrong\u003eKey Features\u003c\/strong\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eFor APS-C Sensors, Mirrorless Only\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eT1.05 to T16\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e90mm Front Diameter\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e12 Iris Blades\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e82mm Front Filter Threads\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e270° Focus Rotation\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eFocus Scales in Feet and Meters\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eSharp, small, robust, and incredibly fast, this \u003cstrong\u003e35mm T1.05 Vision Cine Lens\u003c\/strong\u003e from \u003cstrong\u003e7artisans\u003c\/strong\u003e is built for the cinema industry and works with standard cine lens accessories, so it will easily fit into your workflow. This version of the lens comes in a Leica L mount, and it features focus scales marked in feet and meters. The maximum T1.05 aperture allows you to film a gentle soft bokeh with soft natural-looking out-of-focus highlights, while the T16 minimum aperture helps reduce artifacts that can appear when the aperture opening is too small.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe 270° focus throw allows you to make extremely accurate focus pulls, and the lens features cine-standard 0.8 MOD lens gears for focus and iris. As part of the vision series, this 35mm lens shares the same focus and iris gear positions as the Vision 25 and 50mm lenses, making swapping lenses fast, as you don't have to reposition the follow focus unit or lens motor you may be using. 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It features a PL mount and has focus scales marked in feet. The Sumire lens series is designed with the goal of creating pleasing facial close-ups across all ages, genders, and ethnicities. This effect is increased as the lens approaches its widest aperture. The 135mm offers a maximum T-stop of 2.2 and has an 11-blade iris that provides round natural-looking, out-of-focus highlights for a pleasing bokeh. 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The maximum aperture is T2.2, and the 11 blade iris ensures beautiful, rounded bokeh. The lens features markings on both sides of the barrel, making it easy to read settings from behind or on either side of the camera. 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Optically identical To its EF-mount counterpart, it an optical and mechanical tour-de-force, targeting the most critical working DPs and camera operators. Optics are superb, truly ready for 4K shooting (exceeding the requirements of any current HD system), with virtually no problems such as \"breathing\" or focus changes during zooming. Mechanically, it totally first-rate, from its smooth focus, zoom and iris rotations, To its resistance To expansion from solar heat.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eTo reduce chromatic aberration the CN-E14.5-60mm T2.6L S\/ L SP zoom lenses employ anomalous dispersion (AD) glass. When light passes through a lens, it refracts (bends). It also breaks up into its constituent colors, just like light passing through a prism. The lower the refractive index of the lens material, the less it bends and the sharper it can be focused. Similarly, the lower the dispersion ratio, the less the light is broken up, which makes it easier To correct chromatic aberration. AD glass is similar To fluorite in that it features a low refractive index and low dispersion. Using AD glass Canon has been able To manufacture lenses with superior performance at a lower cost.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eUsing the latest advances from new ghosting simulation (optical simulation), that been refined through Canon broadcast HD zoom lens development, an anti-reflective lens coating offers reduced ghosting and flare.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003ewithin the optical construction of the zoom lenses large aspherical lenses are deployed To reduce distortion and deliver unrivalled optical performance. 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Sharing the same gear position, diameter and rotation angle, and front diameter the lenses' compatibility with third-party accessories allows crews To easily change lenses without making adjustments To the rig setup.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eAdditional lenses are already under development, reflecting Canon commitment To offer a broad Range of professional cinema lenses To meet your needs, now and in the future.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eCanon CN Cinema Features\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003e4K optical performance\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eWidest angle of view among 35mm digital cinema lenses\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eNewly designed 11-blade aperture diaphragm for soft, attractive blur\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eEngraved zoom, focus and iris markings\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eMetric\/non-metric unit for focus marking available\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eSturdy but user-friendly build quality for demanding productions\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eAnti-reflective coating\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eAnomalous dispersion glass To reduce chromatic aberration\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":46494187487462,"sku":"14121","price":665790000.0,"currency_code":"IDR","in_stock":false}]},{"product_id":"canon-cn-e-14mm-sumire-prime-t3-1-pl-mount","title":"Canon CN-E 14mm Sumire Prime T3.1 PL Mount","description":"\u003ch2\u003eCanon Sumire Prime CN-E 14mm T3.1 Overview\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe \u003cstrong\u003eCanon 14mm Sumire Prime T3.1\u003c\/strong\u003e is an ultra wide-angle, manual focus prime lens that covers full frame and Super 35 sensor formats providing center-to-edge resolution that supports 4K production. It features a PL mount and has focus scales marked in feet. The Sumire lens series is designed with the goal of creating pleasing facial close-ups across all ages, genders, and ethnicities. This effect is increased as the lens approaches its widest aperture. The 14mm offers a maximum T-stop of 3.1 and has an 11-blade iris that provides round natural-looking, out-of-focus highlights for a pleasing bokeh. The lens barrel features 300Â° smooth rotation from close focus to infinity, giving you a high degree of precision and consistent focus.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eThe lens is designed to minimize focus breathing. It offers focus distance markings on both sides of the barrel with the rear markings on an angled surface, making it readable from either side of the camera. Some of the markings are done in phosphorescent paint, making them easier to see them in dim conditions. 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The lens barrel features 300Â° of stepless, smooth rotation from close focus to infinity, giving you a high degree of precision and consistent focus.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eThe lens is designed to minimize focus breathing and also has innovative glass construction that counteracts barrel expansion and contraction to avoid temperature-induced marking discrepancies. It has focus distance markings on both sides of the barrel, with the rear markings on an angled surface, making it readable from either side of the camera. 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Designed To work with 4K-resolution (4096 x 2160 pixels) cameras this EF mount lens surpasses the performance requirements of any HD imaging system. The CN-E 15.5-47mm T2.8 L SP Wide-Angle Cinema Zoom Lens with PL Mount also offers compatibility with industry-standard Super 35mm-equivalent image format as well as APS-C-size sensors. Plus the versatility of the PL mount version provides great flexibility for a production, because it allows it To choose from several different motion picture cameras instead of being relegated To just one camera, options are always better.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe CN-E 15.5-47mm T2.8 L SP Wide-Angle Cinema Zoom Lens with PL Mount offers a bright f2.8 maximum aperture allowing for use in even very low lit scenes. And with no changes in brightness during zooming, these lenses enable attractive bokeh (the way the lens renders out-of-focus points of light) when employing a shallow depth of field. And with a very low M.O.D. (minimum object distance) of 19.68\" (0.5 m) this lens makes it possible for you To shoot tighter close-ups and assist in shooting in limited space environments. This makes this lens an attractive option for a production that will be shooting in various locations both in the field and on stage.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eAdditionally the CN-E 15.5-47mm T2.8 L SP Wide-Angle Cinema Zoom Lens with PL Mount features fluorite and large aspherical lens elements To achieve sharp, consistent images throughout its zoom Range. This is beneficial because it offers peace of mind To the user that the image will stay consistent and sharp throughout, eliminating the need To as they say in the business, \"we'll have To fix it in post\". The lens also is equipped with control rings designed To maintain the proper amount of resistance with consistent operating torque, and a covered flange-back adjustment mechanism To meet numerous production application needs. The 11-blade aperture diaphragm also ensures smooth out-of-focus areas (attractive bokeh), while innovative glass construction counteracts barrel expansion and contraction To avoid temperature-induced marking discrepancies. This feature will be very beneficial To all those productions that shoot on stage under bright hot production lights. 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Designed for use with EF-mount cameras featuring Super 35 or APS-C sized sensors, the lens covers an incredibly useful 18 to 80mm focal range while maintaining a constant T-stop of T4.4 (f\/4) throughout. Measuring 7.2\" long and weighing only 2.65 lb, the lens presents itself as a compact, lightweight option suitable for a variety of productions, from narrative work to run-and-gun documentaries. Notably, the lens is Canon's first cine-style option to incorporate image stabilization and auto focus functionality when paired with Cinema EOS cameras.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eFurther enhancing the versatility of this lens, Canon has equipped it with a servo drive unit compatible with industry-standard lens controllers, including Canon's broadcast ZSD-300D and FPD-400D, for full zoom, focus, and iris control. Alternatively, you can outfit the lens with the optional ZSG-C10 Control Grip for ENG-style lens control and operation. 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It has a large-diameter aspheric lens, while the lens barrel features a smooth 300 rotation for more consistent and precise focusing. This 20mm features a PL mount and a maximum T-stop of 1.5, while also having an 11-blade iris which enables pleasing and natural-looking bokeh. The lens markings and indicators are displayed on both sides of the lens, with some markings being made out of phosphorescent paint To improve their visibility under dim light conditions. All of the Sumire lenses from Canon share the same 114mm front barrel diameter, focus and iris gear positioning, as well as focus rotation, making lens swaps easier and less time-consuming for on-the-go professionals. Let your creativity shine through with detailed close-ups and lovely bokeh and detail using the Sumire Prime CN-E20mm lens from Canon.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eSUMIRE PRIME CN-E20mm T1.5 FP X\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eIntended for the working professional, Sumire Prime CN-E20mm T1.5 FP X lens has markings on angled surfaces on both sides of the barrel, making it easy To read focus and aperture settings from behind or from either side of the camera. Focus markings can even be switched from standard labeling To metric. The control rings are engineered To maintain the proper amount of resistance with consistent operating torque.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eArtistically Pleasing Image Rendering\u003c\/h3\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe CN-E20mm T1.5 FP X Sumire Prime Lens introduces a unique optical design with a nuanced look as the lens aperture approaches its maximum setting subtly modifying the textural renderings of the human facial close-up. It also smooths the transition To the fall-off portions of the scene resulting in pleasing bokeh.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e \u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eOutstanding Optical Performance To Support 4K Cameras\u003c\/h3\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe lens features a large diameter aspheric lens and anomalous dispersion glass, working To deliver high resolution imaging from the center of the image To the outer edges. 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The lens offers a maximum aperture of T1.5, useful when shooting in low light situations or when you want to capture that exceedingly shallow depth of field look. It has an 11-blade iris that provides round, out-of-focus highlights for a natural looking bokeh. The lens barrel features 300Â° of stepless, smooth rotation from close focus to infinity, giving you a high degree of precision and consistent focus.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe lens features standard cine lens gears and is designed to minimize focus breathing and also has innovative glass construction that counteracts barrel expansion and contraction to avoid temperature-induced marking discrepancies. It's dual focus, with markings on both sides of the barrel. The rear markings are on an angled surface, making it readable form either side of the camera. It also has a dust- and water-resistant housing to minimize maintenance during normal use.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eKey Features\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eCovers Full Frame and Super 35 sensors\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e11-blade iris\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eFocus breathing minimized to virtually zero\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eMarkings on both sides of the barrel\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eRear markings on an angled surface\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eSmooth, stepless 300Â° focus ring\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eGeared manual iris ring\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eShares 114mm front barrel diameter, focus rotation, 36Â° iris rotation, and focus and iris gear positions with the rest of the CN-E line-up\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eGlass construction counteracts temperature induced marking discrepancies\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eDust and water-resistant housing\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eFocus markings can be switched to metric labeling if you send the lens to Canon for modification\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":46494187913446,"sku":"14112","price":72000000.0,"currency_code":"IDR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/3088\/0230\/files\/canon20_7lzafnnmdbi1jvqi.webp?v=1780986588"},{"product_id":"canon-cn-e-24mm-sumire-prime-t1-5-pl-mount","title":"Canon CN-E 24mm Sumire Prime T1.5 PL Mount","description":"\u003ch2\u003eCanon Sumire Prime CN-E 24mm T1.5 Overview\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe Canon 24mm Sumire Prime T1.5 is a manual focus prime lens that covers full frame and Super 35 sensor formats providing center-to-edge resolution that supports 4K production. It features a PL mount and has focus scales marked in feet. The Sumire lens series is designed with the goal of creating pleasing facial close-ups across all ages, genders, and ethnicities. This effect is increased as the lens approaches its widest aperture. The 24mm offers a maximum T-stop of 1.5 and has an 11-blade iris that provides round natural-looking, out-of-focus highlights for a pleasing bokeh. The lens barrel features 300Â‚° smooth rotation from close focus To infinity, giving you a high degree of precision and consistent focus.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eThe lens is designed To minimize focus breathing. It offers focus distance markings on both sides of the barrel, with the rear markings on an angled surface, making it readable from either side of the camera. Some of the markings are done in phosphorescent paint, making them easier To see them in dim conditions. 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It has an 11-blade iris that provides round out of focus highlights for a natural looking bokeh. The lens barrel features 300Â° of stepless, smooth rotation from close focus to infinity, giving you a high degree of precision and consistent focus.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eThe lens is designed to minimize focus breathing and also has innovative glass construction that counteracts barrel expansion and contraction to avoid temperature-induced marking discrepancies. It's dual focus with markings on both sides of the barrel, with the rear markings on an angled surface, making it readable form either side of the camera. It also has a dust and water resistant housing to minimize maintenance during normal use.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eThe CN-E 14mm and the other five CN-E lenses share the same 114m front barrel diameter, focus rotation, 36Â° iris rotation, and focus and iris gear positions, allowing for easier swaps.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eKey Features\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eCovers Full Frame and Super 35 sensors\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e11-blade iris\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eFocus breathing minimized to virtually zero\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eMarkings on both sides of the barrel\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eRear markings on an angled surface\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eSmooth, stepless 300Â° focus ring\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eGeared manual iris ring\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eShares 114mm front barrel diameter, focus rotation, 36Â° iris rotation, and focus and iris gear positions with the rest of the CN-E line-up\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eGlass construction counteracts temperature induced marking discrepancies\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eDust and water resistant housing\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eFocus markings can be switched to metric labeling if you send the lens to Canon for modification\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":46494188044518,"sku":"14113","price":72000000.0,"currency_code":"IDR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/3088\/0230\/files\/canon20_03mz56re7mdrcgoz.webp?v=1780986571"},{"product_id":"canon-cn-e-30-105mm-t2-8-l-s-telephoto-cinema-zoom-lens-ef-mount","title":"Canon CN-E 30-105mm T2.8 L S Telephoto Cinema Zoom Lens EF Mount","description":"\u003ch2\u003eCanon Cinema Zoom CN-E 30-105mm T2.8 Overview\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe Canon CN-E 30-105mm T2.8 L S Telephoto Cinema Zoom Lens with EF Mount joins the ranks of other Canon Cinema lenses that are engineered To serve the high-performance demands of the production community. Designed To work with 4K-resolution (4096 x 2160 pixels) cameras this EF mount lens surpasses the performance requirements of any HD imaging system. The CN-E 30-105mm T2.8 L S Telephoto Cinema Zoom Lens with EF Mount also offers compatibility with industry-standard Super 35mm-equivalent image format as well as APS-C-size sensors.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eUtilizing the CN-E 30-105mm T2.8 L S lens with the Canon Cinema EOS camera systems can offer added benefits. The lens, when combined with Canon Cinema EOS System cameras, support lens-camera communication, enabling the recording of zoom and other settings along with video data, making possible the effective management of shooting conditions.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe CN-E 30-105mm T2.8 L S Telephoto Cinema Zoom Lens with EF Mount offers a bright f2.8 maximum aperture allowing for use in even very low lit scenes. And with no changes in brightness during zooming, these lenses enable attractive bokeh (the way the lens renders out-of-focus points of light) when employing a shallow depth of field. And with a very low M.O.D. (minimum object distance) of 23.6\" (0.6 m) this lens makes it possible for you To shoot tighter close-ups and allows you To shoot in limited space environments. This makes this lens an attractive option for a production that will be shooting in various locations both in the field and on stage.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eAdditionally, the CN-E 30-105mm T2.8 L S Telephoto Cinema Zoom Lens with EF Mount features fluorite and large aspherical lens elements To achieve sharp, consistent images throughout its zoom Range. This is beneficial because it offers peace of mind To the user that the image will stay consistent and sharp throughout, eliminating the need To \"fix it in post\". The lens also is equipped with control rings designed To maintain the proper amount of resistance with consistent operating torque, and a covered flange-back adjustment mechanism To meet numerous production application needs. The 11-blade aperture diaphragm also ensures smooth out-of-focus areas (attractive bokeh), while innovative glass construction counteracts barrel expansion and contraction To avoid temperature-induced marking discrepancies. This feature will be very beneficial To those productions that shoot on stage under bright hot production lights. The CN-E 30-105mm T2.8 L S Telephoto Cinema Zoom Lens with EF Mount also incorporates geared inner focusing To minimize focus-induced changes in the angle of view, reducing focus breathing virtually To zero.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eSupports 4K Production Standards\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eHigh optical performance for use with 4K-resolution cameras offers a level of resolution exceeding four times the resolution of Full HD.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eMin. f2.8 Aperture\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThis offers bright performance, and the flexibility To shoot in very low lit environments. And with no changes in brightness during zooming, enables attractive bokeh.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eReduced M.O.D. of 23.6\"\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe lens offers a reduced minimum object distance of 23.6\" (0.6 m) which makes possible tighter close-ups and facilitates shooting in limited-space environments.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eSpecial Glass \u0026amp; Construction\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eInnovative glass construction counteracts barrel expansion and contraction To avoid temperature-induced marking discrepancies.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eBetter Marking Visibility\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eFocus, zoom, and iris markings are printed on angled surfaces, making them easier To read from behind the camera.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eCinematic Blurring\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe lens is equipped with an 11-blade aperture diaphragm for soft, attractive blur characteristics.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eFlange-Back Adjustment Mechanism\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eA covered flange-back mechanism is included for more accurate back-focus.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eInternal Focus Design\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003ewith a focus rotation angle of approximately 300 degrees, the lens facilitates precise focusing performance. 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Featuring advanced optical technology designed by Canon, the lens is suitable for any capturing any size HD image up To and including 4K resolution.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003ewith a focal length Range of 30-300mm, the 10x cinema zoom lens is designed To cover the longer end of the focal lengths typically required by cinematic productions, and its maximum telephoto length of 300mm puts it among the best in its class. (The other zoom lens in the line, the CN-E 14.5-60mm T2.6 L SP, covers the wider end.) Maximum aperture is a relatively fast T2.95 throughout much of its Range, and the 11-blade iris enables a smooth bokeh for out-of-focus areas of the frame.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe lens was designed with working professionals in mind, with easy-to-read focus, zoom, and iris markings engraved into angled surfaces on both sides of the lens, so you can read the setting from either side of a camera Â“ or from behind it. Depending on the production needs, focus markings can be switched from standard To metric. The lens facilitates manual operation that subtle, smooth, precise, and repeatable. Control rings are designed To provide and maintain the proper amount of resistance so you can operate with a consistent torque. 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It features a PL mount and has focus scales marked in feet. The Sumire lens series is designed with the goal of creating pleasing facial close-ups across all ages, genders, and ethnicities. This effect is increased as the lens approaches its widest aperture. The 35mm offers a maximum T-stop of 1.5 and has an 11-blade iris that provides round natural-looking, out-of-focus highlights for a pleasing bokeh. The lens barrel features 300° smooth rotation from close focus to infinity, giving you a high degree of precision and consistent focus.\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cem\u003eThe lens is designed to minimize focus breathing. It offers focus distance markings on both sides of the barrel, with the rear markings on an angled surface, making it readable from either side of the camera. Some of the markings are done in phosphorescent paint, making them easier to see them in dim conditions. All lenses in the Sumire series share the same 114mm front barrel diameter, focus rotation, and focus and iris gear positions, allowing for easier lens swaps.\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003eThe Sumire Prime Lens series features a nuanced look as the lens aperture approaches its maximum setting. This subtly modifies the textural renderings of the human facial close-up and a pleasing bokeh.\u003c\/p\u003e\u003cp\u003eThe lens features a large-diameter aspheric lens and anomalous dispersion glass, for high-resolution image reproduction from image center to image edge. The lens produces warm color tones that help to softly capture facial expressions, and shares a unified color balance with other Canon Cinema lenses.\u003c\/p\u003e\u003cp\u003eThe 11-blade clickless iris produces artistic and beautiful out-of-focus areas, creating a more three-dimensional bokeh. The use of an odd number of blades helps reduce flaring of specular highlights.\u003c\/p\u003e\u003cp\u003eThe Sumire Prime Lens series features a unified front diameter (114mm), rotation angle (300°) and gear position on the focus and iris rings.\u003c\/p\u003e\u003cp\u003eThe focus and iris rings are designed to maintain a consistent amount of resistance and operating torque in order to help provide the camera operator or assistant with predictable lens operation.\u003c\/p\u003e\u003cp\u003eLens markings are displayed on both sides of the lens. 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It has an 11-blade iris that provides round out-of-focus highlights for a natural looking bokeh. The lens barrel features 300Â° of stepless, smooth rotation from close focus to infinity, giving you a high degree of precision and consistent focus.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eThe lens is designed to minimize focus breathing, and has innovative glass construction that counteracts barrel expansion and contraction to avoid temperature-induced marking discrepancies. It has focus markings on both sides of the barrel, with the rear markings on an angled surface, making it readable from either side of the camera. 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The Sumire Prime 50mm lens features an 11-blade iris for more three-dimensional bokeh, a sturdy PL mount, and a maximum T-stop of 1.5. It also covers full frame and Super 35 sensor formats that provide center-to-edge resolution for supporting 4K productions. The CN-E50mm has a large-diameter aspheric lens and a lens barrel with a 300 degree rotation for more dynamic yet consistent and precise focusing. The lens markings and indicators are displayed on both sides of the lens and are made of phosphorescent paint for better visibility when shooting under dimly lit conditions. This new line of lenses from Canon facilitates easier lens swaps since they share identical 114mm front barrel diameters, focus and iris gear positionings, as well as focus rotations. Have a more dynamic shooting experience with your close-ups and out-of-focus highlights with the new Canon Sumire Prime CN-E50mm lens.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eSUMIRE PRIME CN-E50mm T1.5 FP X\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eIntended for the working professional, Sumire Prime CN-E50mm T1.3 FP X lens has markings on angled surfaces on both sides of the barrel, making it easy To read focus and aperture settings from behind or from either side of the camera. Focus markings can even be switched from standard labeling To metric. The control rings are engineered To maintain the proper amount of resistance with consistent operating torque.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eArtistically Pleasing Image Rendering\u003c\/h3\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe CN-E50mm T1.3 FP X Sumire Prime Lens introduces a unique optical design with a nuanced look as the lens aperture approaches its maximum setting Â“ subtly modifying the textural renderings of the human facial close-up. It also smooths the transition To the fall-off portions of the scene resulting in pleasing bokeh.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eOutstanding Optical Performance To Support 4K Cameras\u003c\/h3\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe lens features a large diameter aspheric lens and anomalous dispersion glass, working To deliver high resolution imaging from the center of the image To the outer edges. This helps bring out the high quality of 4K cinema images. The lens produces warm color tones that help To softly capture facial expressions and enable better depiction of textures captured through the lens.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eSupport for Leading Full-frame and Super 35mm Cameras\u003c\/h3\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe Sumire Prime CN-E50mm T1.3 FP X covers full-frame and Super 35mm sensors and works well with todays full-frame cameras from leading manufacturers.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe Sumire Prime CN-E50mm T1.3 FP X features an 11-blade iris. This produces artistic and beautiful out-of-focus areas, creating a more three-dimensional bokeh with a deeper depth of field that a super wide-angle lens can offer, broadening the Range of visual expression. The use of an odd number of blades also helps reduce flaring of specular highlights. Additionally, the iris ring is mechanically controlled with no click stops for smooth exposure adjustments while recording.\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":46494188470502,"sku":"14127","price":159000000.0,"currency_code":"IDR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/3088\/0230\/files\/1_s4wxnwxp81czhz0t.webp?v=1780987130"},{"product_id":"canon-cn-e-50mm-t1-3-l-f-cine-lens-ef-mount","title":"Canon CN-E 50mm T1.3 L F Cine Lens EF Mount","description":"\u003ch2\u003eCanon Cinema Prime CN-E 50mm T1.3 Overview\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe \u003cstrong\u003eCanon CN-E 50mm T1.3 L F Cine Lens\u003c\/strong\u003e is an EF-mount standard-width lens for Canon's C-series cinema cameras, for full-frame EOS DSLRs, and for any video-capable cameras that accept EF-mount lenses.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe aperture is a fast 1.3 and lets you get superior shots in low light. The diaphragm is made up of 11-blades and is as round as can be, and along with the fast aperture it can produce impressive bokeh and beautiful circular highlights. The diaphragm ring is stepless, is super-smooth, and is fully manual, even when used with a DSLR, offering evermore accurate handle.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe CN-E 50 was released with two complementary relatives -- the CN-E 24mm and CN-E 85mm. All three lenses share the same front diameter, form factor, optical design, placement of gear rings, and mechanical construction. Because of the identical characteristics, one lens can be swapped with another easily, even when geared accessories are involved.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eA cinema lens with a precise 300ËÂš barrel rotation and a very rounded 11-blade diaphragm\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003efor Canon's C100, C300 and C500, for full-frame DSLRs, and for any video-capable cameras\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eFeatures sharp optics capable of 4K-quality recording and a fast aperture that does great in low light\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":46494188536038,"sku":"14117","price":67890000.0,"currency_code":"IDR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/3088\/0230\/files\/canon20_dieyebgzrrqgwksf.webp?v=1780986610"},{"product_id":"canon-cn-e-70-200mm-t4-4-compact-servo-cine-zoom-lens-ef-mount","title":"Canon CN-E 70-200mm T4.4 Compact-Servo Cine Zoom Lens EF Mount","description":"\u003ch2\u003eCanon Compact-Servo CN-E 70-200mm T4.4 Overview\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e \u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eField Test: Canon Compact-Servo 70-200mm T4.4 Zoom LensCompactServoCompactServo 70-200 Introduction\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003ePlay Video\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe Canon CN-E 70-200mm T4.4 Compact-Servo Cine Zoom Lens (EF Mount) provides 4K and HDRÂ“compatible imaging for Super 35-sensor digital cinema cameras. This compact, lightweight zoom offers coverage in the commonly used 70-200mm Range. Its Range can be further expanded using the optional Canon EF 1.4x III and 2x extenders (available separately). This parfocal cine lens maintains focus while zooming and has a constant maximum iris of T4.4 across its zoom Range. Its color characteristics match those of existing Canon cinema lenses, making for smooth intercutting. Another cinematic feature of this zoom is its nine-bladed iris which can be used To produce attractive bokeh (out-of-focus highlights) effects.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe 70-200mm Compact-Servo Cine Zoom features a click-less aperture, enabling iris control via a servo unit or wireless fI\/Z system. Even greater control options such as REC start\/stop, handgrip focus and zoom control, lens metadata transfer, chromatic aberration correction, and auto focus functions are available through Select EF-mount cameras.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eAt just over seven Inches in length and weighing under three pounds, the 70-200mm Compact-Servo Cine Zoom offers portability combined with a versatile focal length Range and high optical performance.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eKey Features\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eCovers the Super 35-size image sensor of many digital cinema cameras\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e70-200mm focal length covers a Range commonly used in cine-style shooting\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eHigh optical performance is suitable for 4K and HDR-compatible image capture\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eParfocal design maintains focus while zooming\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eA constant T4.4 maximum aperture is available across the entire zoom Range\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eUse with the optional Canon EF 1.4x III and EF 2x extenders To expand the focal Range\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eColor characteristics match existing Canon cine lenses\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eClick-less, continuous iris can be controlled with an optional servo unit (available separately) or third-party fI\/Z system\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eAdditional features such as REC start\/stop, lens data transfer, and auto-focus are available when using the zoom with Select EF-mount cine cameras such as the Canon EOS series\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e9-blade iris for cinematic blurring of out-of-focus areas (bokeh)\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":46494188667110,"sku":"14118","price":85650000.0,"currency_code":"IDR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/3088\/0230\/files\/canon20_qds2roizo8chpypc.webp?v=1780986651"},{"product_id":"canon-cn-e-85mm-sumire-prime-t1-5-pl-mount","title":"Canon CN-E 85mm Sumire Prime T1.5 PL Mount","description":"\u003ch2\u003eCanon Sumire Prime CN-E 85mm T1.3 Overview\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe Canon 85mm Sumire Prime T1.3 is a manual focus prime lens that covers full frame and Super 35 sensor formats providing center-to-edge resolution that supports 4K production. It features a PL mount and has focus scales marked in feet. The Sumire lens series is designed with the goal of creating pleasing facial close-ups across all ages, genders, and ethnicities. This effect is increased as the lens approaches its widest aperture. The 85mm offers a maximum T-stop of 1.3 and has an 11-blade iris that provides round natural-looking, out-of-focus highlights for a pleasing bokeh. The lens barrel features 300Â‚° smooth rotation from close focus To infinity, giving you a high degree of precision and consistent focus.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eThe lens is designed To minimize focus breathing. It offers focus distance markings on both sides of the barrel, with the rear markings on an angled surface, making it readable from either side of the camera. Some of the markings are done in phosphorescent paint, making them easier To see them in dim conditions. All lenses in the Sumire series share the same 114mm front barrel diameter, focus rotation, and focus and iris gear positions, allowing for easier lens swaps.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe Sumire Prime Lens series features a nuanced look as the lens aperture approaches its maximum setting. This subtly modifies the textural renderings of the human facial close-up and a pleasing bokeh.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe lens features a large-diameter aspheric lens and anomalous dispersion glass, for high-resolution image reproduction from image center To image edge. The lens produces warm color tones that help To softly capture facial expressions, and shares a unified color balance with other Canon Cinema lenses.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe 11-blade clickless iris produces artistic and beautiful out-of-focus areas, creating a more three-dimensional bokeh. The use of an odd number of blades helps reduce flaring of specular highlights.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe Sumire Prime Lens series features a unified front diameter (114mm), rotation angle (300Â‚°) and gear position on the focus and iris rings.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe focus and iris rings are designed To maintain a consistent amount of resistance and operating torque in order To help provide the camera operator or assistant with predictable lens operation.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eLens markings are displayed on both sides of the lens. To improve visibility in dim light conditions, indicator markings with phosphorescent paint have been adopted for the front barrel for right-side viewing.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eAll lenses in the series except the 14mm accept a 105mm diameter threaded filter in the front of the lens.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e \u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":46494188732646,"sku":"14128","price":177711000.0,"currency_code":"IDR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/3088\/0230\/files\/1201_acbjbl2cx2p667ey.webp?v=1780986771"},{"product_id":"canon-cn-e-85mm-t1-3-l-f-cine-lens-ef-mount","title":"Canon CN-E 85mm T1.3 L F Cine Lens EF Mount","description":"\u003ch2\u003eCanon Cinema Prime CN-E 85mm T1.3 Overview\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e \u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe Canon CN-E 85mm T1.3 L F Cine Lens is an EF-mount long lens for Canon C-series cinema cameras, for full-frame EOS DSLRs, and for any video-capable cameras that accept EF-mount lenses.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe aperture is a fast 1.3 and lets you get superior shots in low light. The diaphragm is made up of 11-blades and is as round as can be, and along with the fast aperture it can produce impressive bokeh and beautiful circular highlights. The diaphragm ring is stepless, is super-smooth, and is fully manual, even when used with a DSLR, offering evermore accurate handle.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe CN-E 85 was released with two complementary relatives -- the CN-E 24mm and CN-E 50mm. All three lenses share the same front diameter, form factor, optical design, placement of gear rings, and mechanical construction. Because of the identical characteristics, one lens can be swapped with another easily, even when geared accessories are involved.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eA cinema lens with a precise 300Â‹Âš barrel rotation and a very rounded 11-blade diaphragm\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003efor Canon C100, C300 and C500, for full-frame DSLRs, and for any video-capable cameras\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eFeatures sharp optics capable of 4K-quality recording and a fast aperture that does great in low light\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":46494188830950,"sku":"14119","price":67890000.0,"currency_code":"IDR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/3088\/0230\/files\/canon20_eb11i0ydqwesh89s.webp?v=1780987084"},{"product_id":"canon-cine-servo-50-1000mm-t5-0-8-9-with-pl-mount","title":"Canon Cine-Servo 50-1000mm T5.0-8.9 with PL Mount","description":"\u003ch2\u003eCanon Cine-Servo 50-1000mm T5.0 Overview\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe CINE-SERVO 50-1000mm T5.0-8.9 with PL mount from Canon is designed To combine the functionality and form factor of a broadcast, ENG-style-servo zoom lens with the optical precision of a cinema zoom. The lens is designed for use on cinema cameras with Super 35 sized sensors and is suitable for 4K acquisition. with a detachable drive mechanism and support for rod attachment, it is designed To be equally at home whether being used by a solo camera operator or a full production team. The lens features a 20x optical zoom and a focal length Range of 50 To 1000mm with a maximum T stop of 5.0 at the wide end. The lens features a built-in 1.5x extender providing a 75 To 1500mm zoom Range, capable of supporting 4K resolution.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe lens features 180Â‚° of focus rotation for precise focus pulls and is marked in both feet and meters. The detachable drive unit, can be removed and reattached with the zoom in nay position, requiring no re-calibration. It also supports motorized zoom speeds ranging from 1.5 seconds To 180 seconds To zoom throughout the entire Range. The zoom control includes a mini-LCD that displays zoom, focus, and iris setting. The lens mount supports electronic signal pass through, supporting EOS lens data management functions. The built-in, 12-pin connector allows you To interface this lens with standard broadcast connectors. The 11-blade iris creates circular out of focus highlights and a natural looking Bokeh.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003e20x Zoom Range\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe lens features a 20x zoom Range of 50 To 1000mm, which is very long for a lens that supports the Super35 format. A built-in 1.5x extender allows you To increase the zoom Range To 75 To 1500mm while still supporting 4K resolution.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eSuitable for Shoulder Mounted Camera Operation\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe lens features the form factor and control layout of typical ENG lenses and is designed To be friendly for a single camera operator To control while using the camera shoulder mounted. The zoom servo is controlled by rocker with the right hand and focus and iris can be operated manually with the left hand\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eVariable Speed Servo\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eHigh speed servo-driven zoom and iris is available for critical situations such as while filming sports or fast action. Meanwhile, slower speed settings are available for more expressive work. with this variability, the zoom duration can be set To last anywhere from 1.5 To 180 seconds\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eImmediate System Startup\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe drive unit features a high-performance encoder so that the lens requires no initialization. This means the system can be used immediately without any delay waiting for it To boot up\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eSupports Virtual Image Data Output\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eVia three 20-pin connectors below the servo, it is possible To connect an external system To collect 16-bit virtual image data\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eStandard Broadcast 12-Pin Camera Interface Cable\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe lens features the same 12-pin camera interface for power and serial data as found on regular Canon broadcast lenses\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eBroadcast Lens-Style Focus Ring\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eIn addition To servo zoom, focus, and iris, another ENG-derived feature is the knurled focus ring, which is limited To a 180Â‚° rotation\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eFlange-Back Adjustment\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe flange back may be adjusted in the same manner as on broadcast lenses To simplify the transition between different camera systems with different flange focal distances\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eFully Closing Iris\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe iris may be closed fully for setting camera black balance or other calibration procedures\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eDetachable Drive Unit\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe motor unit housing the servo motors and zoom rocker may be removed for cinema style shooting where full manual control is preferred\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eSupports Super 35mm Image Sensors\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe lens provides a sufficiently large image circle To cover a Super 35mm sensor\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eSupport for Cinema Lens Accessories\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe lens is compatible with a wide array of accessories common in the cine industry, including matte boxes, follow focuses, and electronic and wireless controllers. The focus ring features both a 0.8mm MOD cine standard gear ring as well as a 0.5 Canon MOD ring, the zoom features a 0.5 Canon MOD, and there is also a 0.5 MOD iris gear\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eCompatible with Lens Support\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eBecause of the weight of the lens, it is often deemed helpful or necessary To support the lens using a 19mm rod system. This lens makes that possible by allowing you To attach a lens support\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eLens-to-Camera Metadata Transmission\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe lens supports the Cooke\/i Lens Camera Data protocols through contacts built into the PL-mount. This allows lens metadata such as zoom setting and iris To be recorded in the camera. Note that a firmware update may be required for proper communications between the lens and the camera.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eServiceable Lens Mounts\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe lens mount can be swapped between PL and Canon EF only by an authorized Canon service Facility.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003e11-Blade Aperture Design\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe lens features 11 aperture blades To make lens flares and orbs caused by the bokeh effect as close To round as possible. with fewer blades, it is often possible To see the geometric shape of the aperture. 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In addition, it means less elements are required in the lens design helping make it not only sharper but reducing the size and weight as well\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eCanon Fluorite Coating\u003c\/h3\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eBecause glass lenses can never be totally free from chromatic aberration Canon applies a special coating, fluorite, which has an anomalous dispersion characteristic effectively reducing the aberration below what is possible with optical glass alone\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":46494198890726,"sku":"14107","price":1185000000.0,"currency_code":"IDR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/3088\/0230\/files\/430864_vdwsdjktzsnf1s30.webp?v=1780986703"},{"product_id":"canon-cn7x17-kas-s-cine-servo-17-120mm-t2-95-ef-mount","title":"Canon CN7x17 KAS S Cine-Servo 17-120mm T2.95 EF Mount","description":"\u003ch2\u003eCanon Cine-Servo 17-120mm T2.95 Overview\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eCANON Cine-Servo 17-120 T2.95 Demo\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003ePlay Video\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe \u003cstrong\u003eCine-Servo 17-120mm T2.95\u003c\/strong\u003e with EF mount from \u003cstrong\u003eCanon\u003c\/strong\u003e is designed to combine the functionality and form factor of a broadcast, ENG-style motorized zoom lens with the optical precision of a cinema zoom. The lens is designed for use on cinema cameras with sensors up to Super 35mm (26.2 x 13.8mm) in size and is suitable for 4K acquisition. with a detachable drive mechanism and support for rod attachment, it is designed to be equally at home whether being used by a solo camera operator or a full production team.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003ewith a 17 to 120mm focal length, the lens features 7x zoom and has a maximum aperture of T 2.95 when set to 91mm or wider. Additionally, it features an 11 blade iris to create circular bokeh patterns as well as to reduce refraction. for ENG-style shooters the lens drive features servo motors powering zoom, focus, and iris. The lens can be connected to the camera either using a standard 12-pin connector or will communicate directly through the lens mount when attached to compatible cameras. Three 20-pin connectors below the servo housing allow many Canon and third-party zoom, focus, and iris controllers to be connected.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eBroadcast-Style Shooting\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eSuitable for Shoulder Mounted Camera Operation\u003c\/h3\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe CN7x17KAS S features the form factor and control layout of typical ENG lenses, and is designed to be friendly for a single camera operator to control while using the camera shoulder mounted. The zoom servo is controlled by rocker with the right hand and focus and iris can be operated manually with the left hand\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eSupport for Standard Broadcast Lens Controllers\u003c\/h3\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe lens is compatible with many 20-pin zoom and focus controllers, allowing the lens to be operated comfortably in a studio tripod or pedestal configuration or remotely, say while mounted on a jib or crane. Compatible controllers include the Canon FPD-400D focus control and the Canon ZSD-300D zoom control\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eVariable Speed Servo\u003c\/h3\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eHigh speed servo-driven zoom and iris is available for critical situations such as while filming sports or fast action. Meanwhile, slower speed settings are available for more expressive work. with this variability, the zoom duration can be set to last anywhere from 0.5 to 300 seconds\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eImmediate System Startup\u003c\/h3\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe drive unit features a high-performance encoder so that the lens requires no initialization. This means the system can be used immediately without any delay waiting for it to boot up\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eSupports Virtual Image Data Output\u003c\/h3\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eVia three 20-pin connectors below the servo it is possible to connect an external system to collect 16-bit virtual image data\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eStandard Broadcast 12-Pin Camera Interface Cable\u003c\/h3\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe lens features the same 12-pin camera interface for power and serial data as found on regular Canon broadcast lenses\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eBroadcast Lens-Style Focus Ring\u003c\/h3\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eIn addition to servo zoom, focus, and iris another ENG-derived feature is the knurled focus ring, which is limited to a 180';° rotation\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eAngle of View Shift Suppression\u003c\/h3\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe lens features a three-group inner focus system that is designed to minimize angle of view shift (breathing) that occurs when focusing the lens to ensure stable framing even during rack focus\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eFlange-Back Adjustment\u003c\/h3\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe flange back may be adjusted in the same manner as on broadcast lenses to simplify the transition between different camera systems with different flange focal distances\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eMacro Function\u003c\/h3\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe zoom ring features a broadcast lens-style release allowing the lens to quickly set to macro or back again\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eFully Closing Iris\u003c\/h3\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe iris may be closed fully for setting camera black balance or other calibration procedures\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eCinema-Style Shooting\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eDetachable Drive Unit\u003c\/h3\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe motor unit housing the servo motors and zoom rocker may be removed for cinema style shooting where full manual control is preferred\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eSupports Super 35mm Image Sensors\u003c\/h3\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe CN7x17KAS S provides a sufficiently large image circle to cover a Super 35mm sensor\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eEasier-to-Read Ring Markings\u003c\/h3\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe lens incorporates the following features designed to make the markings easier to read:\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eThe focus ring markings are placed on an angled surface so that they can be seen even by an operator sitting behind the camera\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eEach ring marking is printed on both sides of a lens allowing focus-pullers or camera assistants to operate the lens from various positions. Additionally, the markings on one side of the lens have a luminous coating so that they can be read even in the dark\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eThe focus ring features both metric and imperial scales (meters and feet) so that you do not have to replace the lens ring to suit users accustomed to different units of measure\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eSupport for Cinema Lens Accessories\u003c\/h3\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe lens is compatible with a wide array of accessories common in the cine industry, including matte boxes, follow focuses, and electronic and wireless controllers. The focus ring features both a 0.8mm pitch cine standard gear ring as well as a 0.5mm Canon pitch ring, the zoom feature a 0.5mm Canon pitch, and there is also a 0.4mm pitch iris gear\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eCompatible with Lens Support\u003c\/h3\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eBecause of the weight of the lens it is often deemed helpful or necessary to support the lens using a 15mm or 19mm rod system. This lens makes that possible by allowing you to attach a lens support\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eLens-to-Camera Metadata Transmission\u003c\/h3\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe lens communicates directly with Cinema EOS camera through the lens interface. This allows lens metadata such as zoom setting and iris to recorded in the camera. 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Thanks to the optics' high sharpness and chromatic aberration, the resulting 8K content will receive richer detail and lifelike color. 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It features a mechanical design with three independent lens control rings: focus, iris, and zoom. Each ring incorporates a cine-style gear with a 0.8 MOD for interfacing with standard cine -style lens accessories. The focus ring features approximately 200° of rotation, which provides room or precise focus pulls, and the iris is clickless, enabling smooth iris pulls. The lens also incorporates a macro mode for close focusing capabilities.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eThe lens is color matched to other Fujinon lenses such as the HK, ZK, and XK series, which enables smooth intercutting between lenses. The 85mm front enables use with many cine-style matte boxes via use of optional step up rings (rings not included). The lens weighs only 2.16 pounds, which is fairly light for a cinema zoom that holds focus and aperture throughout the focal length range. It is designed for camera's with a Sony E mount, so it has a short flange focal distance, but the lens allows for flange focal distance adjustment so you can fine tune it to the camera you are using the lens on.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eT2.9 to T22 aperture with 9 iris blades for attractive bokeh\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eThe 28.5mm diameter image circle covers the 3-perf super 35 format with a 16:9 aspect ratio\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eIndustry standard 0.8 film pitch gears for focus, zoom, and iris control\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eThe gear rings positions for focus, zoom, and iris are located at the same position on both lenses in the MK series, making switching between the two zooms quick as you don't have to adjust the position of lens accessories\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eBoth lenses in the MK series have the same weight and length so here is no need to rebalance your camera when you change from one lens to the other\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e200° focus barrel rotation\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eNo shims are required to adjust the flange focal distance as this lens has a built-in adjustment mechanism\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eMacro focus function available\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e","brand":"Fujifilm","offers":[{"title":"Default Title","offer_id":46494364139750,"sku":"10559","price":59999000.0,"currency_code":"IDR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/3088\/0230\/files\/0dbhjt4w_tkvmnhaamedidpvf.webp?v=1777225154"},{"product_id":"fujifilm-mk50-135mm-t2-9-sony-e-mount","title":"Fujifilm MK50-135mm T2.9 (Sony E-Mount)","description":"\u003ch3\u003eFujifilm MK50-135mm T2.9 (Sony E-Mount)\u003c\/h3\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eKey Features\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eCovers Super 35 format\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eSony E Mount\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eConsistent T2.9 Aperture over Zoom Range\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e3 x Standard 0.8 MOD Gears\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eFujinon MK50-135mm T2.9 Overview\u003c\/h3\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe \u003cstrong\u003eFujinon MK50-135mm T2.9 Lens in E Mount\u003c\/strong\u003e is a lightweight cine-style zoom lens for E mount cameras with a Super 35mm-sized sensor. It features a mechanical design with three independent lens control rings: focus, iris, and zoom. Each ring incorporates a cine-style gear with a 0.8 MOD for interfacing with standard cine -style lens accessories. The focus ring features approximately 200Â° of rotation, which provides room or precise focus pulls, and the iris is clickless, enabling smooth iris pulls. The lens also incorporates a macro mode for close focusing capabilities.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eThe lens is color matched to other Fujinon lenses such as the HK, ZK, and XK series, which enables smooth intercutting between lenses. The 85mm front enables use with many cine-style matte boxes via use of optional step up rings (rings not included). The lens weighs only 2.16 pounds, which is fairly light for a cinema zoom that holds focus and aperture throughout the focal length Range. It is designed for camera's with a Sony E mount, so it has a short flange focal distance, but the lens allows flange focal distance adjustment so you can fine tune it to the camera you are using the lens on.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eT2.9 to T22 aperture with 9 iris blades for attractive bokeh\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eThe 28.5mm diameter image circle covers the 3-perf super 35 format with a 16:9 aspect ratio\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eIndustry standard 0.8 film pitch gears for focus, zoom, and iris control\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eThe gear rings positions for focus, zoom, and iris are located at the same position on both lenses in the MK series, making switching between the two zooms quick as you don't have to adjust the position of lens accessories\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eBoth lenses in the MK series have the same weight and length so there is no need to rebalance your camera when you change from one lens to the other\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e200Â° focus barrel rotation\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eNo shims are required to adjust the flange focal distance as this lens has a built-in adjustment mechanism\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eMacro focus function available\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e","brand":"Fujifilm","offers":[{"title":"Default Title","offer_id":46494364303590,"sku":"10560","price":63999000.0,"currency_code":"IDR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/3088\/0230\/files\/zgsbmsjg_nxqpyykzffoommut.webp?v=1777225210"},{"product_id":"fujifilm-mkx18-55mm-t2-9-fuji-x-mount","title":"Fujifilm MKX18-55mm T2.9 (Fuji X-Mount)","description":"\u003ch3\u003eFujifilm MKX18-55mm T2.9 (Fuji X-Mount)\u003c\/h3\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eKey Features\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eCovers Super 35 format\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eFuji X-Mount with Electrical Contacts\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eConsistent T2.9 Aperture Over Zoom Range\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e3 x Standard 0.8 MOD Gears\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eFujifilm MK18-55mm T2.9 Overview\u003c\/h3\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe \u003cstrong\u003eFujinon MKX18-55mm T2.9 Lens in X-Mount\u003c\/strong\u003e is a lightweight cine-style zoom lens for X-mount cameras with a Super 35mm-sized sensor. The electrical contacts within the lens mounts allows communication with X-series cameras. It features a mechanical design with three independent lens control rings: focus, iris, and zoom. Each ring incorporates a cine-style gear with a 0.8 MOD for interfacing with standard cine -style lens accessories. The focus ring features approximately 200Â° of rotation, which provides room for precise focus pulls, and the iris is clickless, enabling smooth iris pulls. The lens also incorporates a macro mode for close focusing capabilities.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe lens is color matched to other Fujinon lenses such as the HK, ZK, and XK series, which enables smooth intercutting between lenses. The 85mm front enables use with many cine-style matte boxes via use of optional step-up rings (rings not included). The lens weighs only 2.16 pounds, which is fairly light for a cinema zoom that holds focus and aperture throughout the focal length Range. It is designed for cameras with a Fuji X-mount, so it has a short flange focal distance, but the lens allows for flange focal distance adjustment so you can fine-tune it to the camera you are using the lens on.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe electical contacts within the lens mount enables communication with X-series cameras, which allows for correction of distortion and color\/brightness shading to prevent vignetting. This communication also enables you to achieve a variety of color expressions when using Film Simulation modes.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eT2.9 to T22 aperture with 9 iris blades for attractive bokeh\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eThe 28.5mm diameter image circle covers the 3-perf super 35 format with a 16:9 aspect ratio\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eIndustry standard 0.8 film pitch gears for focus, zoom, and iris control\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eThe gear rings positions for focus, zoom, and iris are located at the same position on both lenses in the MKX series, making switching between the two zooms quick as you don't have to adjust the position of lens accessories\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eBoth lenses in the MKX series have the same weight and length so there is no need to rebalance your camera when you change from one lens to the other\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e200Â° focus barrel rotation\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eNo shims are required to adjust the flange focal distance as this lens has a built-in adjustment mechanism\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eMacro focus function available\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e","brand":"Fujifilm","offers":[{"title":"Default Title","offer_id":46494364369126,"sku":"10561","price":59999000.0,"currency_code":"IDR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/3088\/0230\/files\/fujifilm_uxdgzl1ny11ubtdz.webp?v=1777225166"},{"product_id":"fujifilm-mkx50-135mm-t2-9-fuji-x-mount","title":"Fujifilm MKX50-135mm T2.9 (Fuji X-Mount)","description":"\u003ch3\u003eFUJIFILM MKX50-135mm T2.9 (Fuji X-Mount)\u003c\/h3\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eKey Features\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eCovers Super 35 Format\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eFuji X-Mount with Electrical Contacts\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eConsistent T2.9 Aperture Over Zoom Range\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e3 x Standard 0.8 MOD Gears\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eFUJIFILM MK50-135mm T2.9 Overview\u003c\/h3\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe \u003cstrong\u003eFujinon MKX50-135mm T2.9 Lens in X-Mount\u003c\/strong\u003e is a lightweight cine-style zoom lens for X-mount cameras with a Super 35mm-sized sensor. The electrical contacts within the lens mounts allows communication with X-series cameras. It features a mechanical design with three independent lens control rings: focus, iris, and zoom. Each ring incorporates a cine-style gear with a 0.8 MOD for interfacing with standard cine-style lens accessories. The focus ring features approximately 200° of rotation, which provides room or precise focus pulls, and the iris is clickless, enabling smooth iris pulls. The lens also incorporates a macro mode for close focusing capabilities.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe lens is color matched to other Fujinon lenses such as the HK, ZK, and XK series, which enables smooth intercutting between lenses. The 85mm front enables use with many cine-style matte boxes via use of optional step-up rings (rings not included). The lens weighs only 2.16 pounds, which is fairly light for a cinema zoom that holds focus and aperture throughout the focal length range. It is designed for cameras with a Fuji X-mount, so it has a short flange focal distance, but the lens allows flange focal distance adjustment so you can fine-tune it to the camera you are using the lens on.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe electical contacts within the lens mount enables communication with X-series cameras, which allows for correction of distortion and color\/brightness shading to prevent vignetting. 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The parfocal design of the lens features 11 aperture blades in a 14-element and 14-group construction. It has an aperture range of T2.9 to T22 and an 80mm front diameter with minimal focus breathing. Capture everything from portraits to long-distance wildlife shots with the Laowa Ranger.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eControl of focus, aperture, and zoom is intuitive thanks to the throw of each 0.8 MOD gear. Markings on the lens are available in both feet and meters. The lens has a 32.2° field of view at the wide end and a 13.7° field of view at the tele end with a 43.2mm image circle. An included EF bayonet adapts the native PL mount for compatibility with a wider range of cameras, while a 77mm front filter thread allows you to attach compatible lens filters. 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Distinguished by its long and slender lens barrel, this macro lens provides a 2:1 maximum magnification with a 1.5' minimum focusing distance and a close 0.8\" minimum working distance. Even with such a close working distance the lens measures 1.3' long, placing you at a comfortable distance to photograph nearby subjects. Also, as a wide-angle lens, greater depth of field is afforded when compared to traditional telephoto macro lenses, allowing for greater detail in the background with less subject isolation.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe optical design includes both extra-low dispersion and extra-refractive index elements, which help to suppress chromatic and spherical aberrations for a high degree of clarity, color accuracy, and sharpness. Manual focus control permits focusing from 1.5' to infinity, and the front of the lens has a built-in LED ring light to aid in focusing at close distances. The slim 0.2\" diameter of the front of the lens barrel also offers greater opportunities for lighting subjects from the front. 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Distinguished by its long and slender lens barrel, this macro lens provides a 2:1 maximum magnification with a 1.5' minimum focusing distance and a close 0.8\" minimum working distance. Even with such a close working distance the lens measures 1.3' long, placing you at a comfortable distance to photograph nearby subjects. Also, as a wide-angle lens, greater depth of field is afforded when compared to traditional telephoto macro lenses, allowing for greater detail in the background with less subject isolation.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe optical design includes both extra-low dispersion and extra-refractive index elements, which help to suppress chromatic and spherical aberrations for a high degree of clarity, color accuracy, and sharpness. Manual focus control permits focusing from 1.5' to infinity, and the front of the lens has a built-in LED ring light to aid in focusing at close distances. 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Its periscope-style lens tube with interchangeable ends features an aperture range of T14 to T40 for a deep or shallow depth of field. Use it underwater or in tight spaces, thanks to its waterproof front barrel and slim profile.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eA lens construction of 28 elements in 19 groups creates a smooth, circular bokeh with minimal focus breathing. The lens can rotate 360° along the axis to unlock the orientation ring and create spinning shots. Both the focus and iris rings have 0.8 MOD cinema-standard gears for intuitive manual controls. A 1\/4\"-20 thread at the end of the 15.7\" lens allows you to mount fill lights or other accessories. Built-in LEDs in the lens tips provide a ring-light effect to your shots.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eFeatures at a Glance\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eMaximum T14 aperture for greater depth of field at close distances\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eCinema industry-standard 0.8 MOD focus and iris gears compatible with follow focus and iris controls\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eManually focus on objects only 0.8\" away at 2x magnification\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eLens construction of 28 elements in 19 groups for smooth, circular bokeh\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eA wide 85° perspective to create a \"bug-eye\" effect\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eLong 15.7\" lens barrel for access to tight spaces, stay a safe distance from subjects\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eWaterproof front barrel for underwater shots without requiring a waterproof housing\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e360° rotation with a clutch mechanism to adjust the orientation ring\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eSwitch between 90° periscope to straight probe\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e1\/4\"-20 thread for mounting of fill lights\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e","brand":"Laowa","offers":[{"title":"Default Title","offer_id":46494738317542,"sku":"16841","price":48430000.0,"currency_code":"IDR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/3088\/0230\/files\/laowa24_xkmaszdr90fknza9.webp?v=1780988795"},{"product_id":"laowananomorph65mmt2-41-5xs35-blue-for-sony-e-mount","title":"LaowaNanomorph65mmT2.41.5XS35 (Blue) for Sony E Mount","description":"\u003ch2\u003eVenus Optics Laowa Nanomorph 65mm T2.4 1.5x S... Overview\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cstrong\u003eKey Features\u003c\/strong\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eCompact Anamorphic Lens for S35 Sensors\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eT2.4 to T16 Aperture Range\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e1.5x Anamorphic Squeeze Ratio\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eBlue Color Anamorphic Lens Flare\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eLightweight Build, Interchangeable Mount\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eTelephoto Compression\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e67mm Front Diameter, 62mm Filter Thread\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e0.8 MOD Gears, Metric\/Imperial Markings\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e13-Blade Iris for Smooth Bokeh\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e27.5\" Close Focus\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe Sony E-mount \u003cstrong\u003eLaowa Nanomorph 65mm T2.4 1.5x S35 Anamorphic Lens\u003c\/strong\u003e from \u003cstrong\u003eVenus Optics\u003c\/strong\u003e is a compact, lightweight anamorphic lens that captures high-quality, organic imagery with 1.5x anamorphic squeeze on cameras with S35 sensors. It features telephoto compression that is ideal for close-ups, an aperture range of T2.4 to T16 for a deep depth of field, and 13 iris blades for soft bokeh.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e \u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eAnamorphic Cinema Lens\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThis prime lens has a short minimum focus distance of 27.5\" and offers anamorphic qualities such as oval bokeh, shallower depth of field, and blue color lens flares. Other features include focus marks in both feet and meters, 0.8 MOD cine gears on focus and aperture rings, and a 62mm front filter thread. The Sony E lens mount is interchangeable and can be swapped out for six other separately available mounts.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eConstant 1.5x Squeeze Ratio\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eA 1.5x squeeze ratio is a perfect balance between the size and anamorphic intensity. With a 1.5x squeeze ratio, you will have a 2.66:1 on a 16:9 sensor after de-squeeze. The larger-than-S35 coverage enables you to use Nanomorph lenses with minimal vignetting on select full-frame cameras.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eOptional 1.33x Adapter\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eUse this Nanomorph prime with the separately available 1.33x front-mounted adapter to obtain a wider 2x squeeze ratio.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eCompact Design\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cimg class=\"img img-responsive\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2119103.jpg\"\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eThis compact and lightweight lens measures just 5.2\" in length and weighs less than 1.6 lb.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eThe smaller design enables you to get an anamorphic look for handheld, slider, and gimbal capture.\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eInterchangeable Sony E Mount\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe included Sony E mount is interchangeable with separately available Canon RF, DJI DL, Fuji X, Leica L, Micro Four Thirds, and Nikon Z mounts.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eArtistic Oval Bokeh\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eA 1.5x squeeze ratio also renders an oval bokeh that gives an artistic touch to the image. It also creates a blurry and creamy background that pops out the subject.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eTelephoto Compression\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThis 65mm telephoto focal length provides enhanced depth of field and impressive bokeh effects, making it ideal for close-up imaging.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eT2.4 Aperture, Close Focus\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe 27.5\" minimum focus distance enables users to create closer shots. The T2.4 maximum aperture renders a shallower depth of field, creating a stronger sense of compression and oval-shaped bokeh.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eBlue Anamorphic Flare\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cimg class=\"img img-responsive\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2119104.jpg\"\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eThe blue flare creates a sci-fi or vintage look that highlights the anamorphic style.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eHorizontal flares are a signature feature of the anamorphic look.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eNote that an alternate flare color may be shown.\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eUnified Gear Position\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe unified gear position allows users to switch lenses quickly and without readjustment on the focus gear.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e62mm Filter Thread\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eA 62mm filter can be attached directly to the lens for a variety of handy setups, including handheld, drone, and gimbal shots.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eDual Focus Scales\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eFocus marks are provided in both feet and meters.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e0.8 MOD Gears\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eIndustry-standard 0.8 MOD gears are installed on both aperture and focus rings.\u003c\/p\u003e","brand":"Laowa","offers":[{"title":"Default Title","offer_id":46494743789798,"sku":"110744","price":22850000.0,"currency_code":"IDR","in_stock":false}]},{"product_id":"laowananomorph80mmt2-41-5xs35-blue-for-sony-e-mount","title":"LaowaNanomorph80mmT2.41.5XS35 (Blue) for Sony E Mount","description":"\u003ch2\u003eVenus Optics Laowa Nanomorph 80mm T2.4 1.5x S... Overview\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cstrong\u003eKey Features\u003c\/strong\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eCompact Anamorphic Lens for S35 Sensors\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eT2.4 to T16 Aperture Range\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e1.5x Anamorphic Squeeze Ratio\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eBlue Color Anamorphic Lens Flare\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eLightweight Build, Interchangeable Mount\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eTelephoto Compression\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e67mm Front Diameter, 62mm Filter Thread\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e0.8 MOD Gears, Metric\/Imperial Markings\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e13-Blade Iris for Smooth Bokeh\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e27.5\" Close Focus\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe Sony E-mount \u003cstrong\u003eLaowa Nanomorph 80mm T2.4 1.5x S35 Anamorphic Lens\u003c\/strong\u003e from \u003cstrong\u003eVenus Optics\u003c\/strong\u003e is a compact, lightweight anamorphic lens that captures high-quality, organic imagery with 1.5x anamorphic squeeze on cameras with S35 sensors. It features telephoto compression ideal for close-ups, an aperture range of T2.4 to T16 for a deep depth of field, and 13 iris blades for soft bokeh.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e \u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eAnamorphic Cinema Lens\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThis prime lens has a short minimum focus distance of 27.5\" and offers anamorphic qualities such as oval bokeh, shallower depth of field, and blue color lens flares. Other features include focus marks in both feet and meters, 0.8 MOD cine gears on focus and aperture rings, and a 62mm front filter thread. The Sony E lens mount is interchangeable and can be swapped out for six other separately available mounts. Use this Nanomorph prime with the separately available 1.33x adapter to obtain a 2x squeeze ratio.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eConstant 1.5x Squeeze Ratio\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eA 1.5x squeeze ratio is a perfect balance between the size and anamorphic intensity. With a 1.5x squeeze ratio, you will have a 2.66:1 on a 16:9 sensor after de-squeeze. The larger-than-S35 coverage enables you to use Nanomorph lenses with minimal vignetting on select full-frame cameras.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eOptional 1.33x Adapter\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eUse this Nanomorph prime with the separately available 1.33x front-mounted adapter to obtain a wider 2x squeeze ratio.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eCompact Design\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cimg class=\"img img-responsive\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2119213.jpg\"\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eThis compact and lightweight lens measures just 5.5\" in length and weighs less than 1.6 lb.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eThe smaller design enables you to get an anamorphic look for handheld, slider, and gimbal capture.\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eInterchangeable Sony E Mount\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe included Sony E mount is interchangeable with separately available Canon RF, DJI DL, Fuji X, Leica L, Micro Four Thirds, and Nikon Z mounts.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eArtistic Oval Bokeh\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eA 1.5x squeeze ratio also renders an oval bokeh that gives an artistic touch to the image. It also creates a blurry and creamy background that pops out the subject.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eTelephoto Compression\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThis 80mm telephoto focal length provides enhanced depth of field and impressive bokeh effects, making it ideal for close-up imaging.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eT2.4 Aperture, Close Focus\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe 27.5\" minimum focus distance enables users to create closer shots. The T2.4 maximum aperture renders a shallower depth of field, creating a stronger sense of compression and oval-shaped bokeh.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eBlue Anamorphic Flare\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cimg class=\"img img-responsive\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2119214.jpg\"\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eThe blue flare creates a sci-fi or vintage look that highlights the anamorphic style.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eHorizontal flares are a signature feature of the anamorphic look.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eNote that an alternate flare color may be shown.\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eUnified Gear Position\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe unified gear position allows users to switch lenses quickly and without readjustment on the focus gear.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e62mm Filter Thread\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eA 62mm filter can be attached directly to the lens for a variety of handy setups. The small diameter is favorable when doing run-and-gun shots or utilizing it with an aerial drone.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eDual Focus Scales\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eFocus marks are provided in both feet and meters.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e0.8 MOD Gears\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eIndustry-standard 0.8 MOD gears are installed on both aperture and focus rings.\u003c\/p\u003e","brand":"Laowa","offers":[{"title":"Default Title","offer_id":46494744084710,"sku":"110747","price":22850000.0,"currency_code":"IDR","in_stock":false}]},{"product_id":"laowananomorph80mmt2-41-5xs35-silver-for-sony-e-mount","title":"LaowaNanomorph80mmT2.41.5XS35 (Silver) for Sony E Mount","description":"\u003ch2\u003eVenus Optics Laowa Nanomorph 80mm T2.4 1.5x S... Overview\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cstrong\u003eKey Features\u003c\/strong\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eCompact Anamorphic Lens for S35 Sensors\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eT2.4 to T16 Aperture Range\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e1.5x Anamorphic Squeeze Ratio\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eAmber Color Anamorphic Lens Flare\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eLightweight Build, Interchangeable Mount\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eTelephoto Compression\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e67mm Front Diameter, 62mm Filter Thread\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e0.8 MOD Gears, Metric\/Imperial Markings\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e13-Blade Iris for Smooth Bokeh\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e27.5\" Close Focus\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe Sony E-mount \u003cstrong\u003eLaowa Nanomorph 80mm T2.4 1.5x S35 Anamorphic Lens\u003c\/strong\u003e from \u003cstrong\u003eVenus Optics\u003c\/strong\u003e is a compact, lightweight anamorphic lens that captures high-quality, organic imagery with 1.5x anamorphic squeeze on cameras with S35 sensors. It features telephoto compression ideal for close-ups, an aperture range of T2.4 to T16 for a deep depth of field, and 13 iris blades for soft bokeh.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e \u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eAnamorphic Cinema Lens\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThis prime lens has a short minimum focus distance of 27.5\" and offers anamorphic qualities such as oval bokeh, shallower depth of field, and blue color lens flares. Other features include focus marks in both feet and meters, 0.8 MOD cine gears on focus and aperture rings, and a 62mm front filter thread. The Sony E lens mount is interchangeable and can be swapped out for six other separately available mounts. Use this Nanomorph prime with the separately available 1.33x adapter to obtain a 2x squeeze ratio.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eConstant 1.5x Squeeze Ratio\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eA 1.5x squeeze ratio is a perfect balance between the size and anamorphic intensity. With a 1.5x squeeze ratio, you will have a 2.66:1 on a 16:9 sensor after de-squeeze. The larger-than-S35 coverage enables you to use Nanomorph lenses with minimal vignetting on select full-frame cameras.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eOptional 1.33x Adapter\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eUse this Nanomorph prime with the separately available 1.33x front-mounted adapter to obtain a wider 2x squeeze ratio.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eCompact Design\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cimg class=\"img img-responsive\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2119213.jpg\"\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eThis compact and lightweight lens measures just 5.5\" in length and weighs less than 1.6 lb.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eThe smaller design enables you to get an anamorphic look for handheld, slider, and gimbal capture.\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eInterchangeable Sony E Mount\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe included Sony E mount is interchangeable with separately available Canon RF, DJI DL, Fuji X, Leica L, Micro Four Thirds, and Nikon Z mounts.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eArtistic Oval Bokeh\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eA 1.5x squeeze ratio also renders an oval bokeh that gives an artistic touch to the image. It also creates a blurry and creamy background that pops out the subject.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eTelephoto Compression\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThis 80mm telephoto focal length provides enhanced depth of field and impressive bokeh effects, making it ideal for close-up imaging.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eT2.4 Aperture, Close Focus\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe 27.5\" minimum focus distance enables users to create closer shots. The T2.4 maximum aperture renders a shallower depth of field, creating a stronger sense of compression and oval-shaped bokeh.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eBlue Anamorphic Flare\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cimg class=\"img img-responsive\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2119214.jpg\"\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eThe blue flare creates a sci-fi or vintage look that highlights the anamorphic style.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eHorizontal flares are a signature feature of the anamorphic look.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eNote that an alternate flare color may be shown.\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eUnified Gear Position\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe unified gear position allows users to switch lenses quickly and without readjustment on the focus gear.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e62mm Filter Thread\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eA 62mm filter can be attached directly to the lens for a variety of handy setups. The small diameter is favorable when doing run-and-gun shots or utilizing it with an aerial drone.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eDual Focus Scales\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eFocus marks are provided in both feet and meters.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e0.8 MOD Gears\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eIndustry-standard 0.8 MOD gears are installed on both aperture and focus rings.\u003c\/p\u003e","brand":"Laowa","offers":[{"title":"Default Title","offer_id":46494744215782,"sku":"110749","price":22850000.0,"currency_code":"IDR","in_stock":false}]},{"product_id":"laowa-ranger-28-75mm-t2-9-ff-cine-wide-zoom-lens-for-arri-pl-canon-ef","title":"Laowa Ranger 28-75mm T2.9 FF Cine Wide Zoom Lens for Arri PL\/Canon EF","description":"\u003ch2\u003eVenus Optics Laowa Ranger 28-75mm T2.9 Overview\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cstrong\u003eKey Features\u003c\/strong\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eFull Frame | T2.9 to 22\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e28-75mm Zoom Lens\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e11 Aperture Blades, 2.7x Zoom Ratio\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e0.8 MOD Focus, Aperture, and Zoom Gears\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e270° Focus Rotation, 100° Zoom Rotation\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e77mm Filter Thread, EF Bayonet\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eLens Markings in Feet and Meters\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eA versatile addition to your full frame ARRI PL or Canon EF mount camera loadout, this \u003cstrong\u003eLaowa Ranger 28-75mm T2.9 Cine Zoom Lens\u003c\/strong\u003e from \u003cstrong\u003eVenus Optics\u003c\/strong\u003e allows you to capture high-quality images throughout its 28 to 75mm zoom range. The parfocal design of the lens features 11 aperture blades in a 22-element and 18-group construction. It has an aperture range of T2.9 to T22 and an 80mm front diameter with minimal focus breathing. Capture everything from establishing wide shots to close-ups with background blur with the Laowa Ranger.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eControl of focus, aperture, and zoom is intuitive thanks to the throw of each 0.8 MOD gear. Markings on the lens are available in both feet and meters. The lens has a 75.4° field of view at the wide end and a 32.3° field of view at the tele end with a 43.2mm image circle. An included EF bayonet adapts the native PL mount for compatibility with a wider range of cameras, while a 77mm front filter thread allows you to attach compatible lens filters. Additional back focus adjustment can be achieved with the provided shim set.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eFeatures at a Glance\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eMaximum T2.9 aperture for deep depth of view and increased area focus\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e11 aperture blades for smooth, circular bokeh\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eLens construction of 22 elements in 18 groups\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e270° focus rotation, 42° aperture rotation, 100° zoom rotation\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eLens markings in feet and meters\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e0.23x maximum magnification, 2.7x zoom ratio\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eEF mount bayonet included; built-in lens support foot\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e77mm front filter thread\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e19.3\" minimum focusing distance\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eIndustry-standard 0.8 MOD focus, aperture, and zoom rings for use with follow focus systems\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e","brand":"Laowa","offers":[{"title":"Default Title","offer_id":46494745034982,"sku":"19643","price":72590000.0,"currency_code":"IDR","in_stock":false}]},{"product_id":"laowa-ranger-28-75mm-75-180mm-ff-cine-lens-2-lens-bundle-for-arri-pl-canon-ef","title":"Laowa Ranger (28-75mm, 75-180mm) FF Cine Lens 2-Lens Bundle for Arri PL\/Canon EF","description":"\u003ch2\u003eVenus Optics RAN2875BPLEF Overview\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cstrong\u003eKey Features\u003c\/strong\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003e28-75mm, 75-180mm Lenses\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eFull Frame | T2.9 to T22\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e11 Aperture Blades\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e0.8 MOD Focus, Aperture, and Zoom Gears\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e270° Focus Rotation, 100° Zoom Rotation\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e77mm Filter Threads, EF Bayonets\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eLens Markings in Feet and Meters\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThis \u003cstrong\u003eLaowa Ranger T2.9 Full Frame Cine Zoom 2-Lens Kit \u003c\/strong\u003efrom \u003cstrong\u003eVenus Optics\u003c\/strong\u003e outfits you with two zoom lenses with varying focal lengths suited for full-frame shooting with ARRI PL and Canon EF cameras. Both the 28-75mm and 75-180mm lenses feature a maximum aperture of T2.9, 11 aperture blades, and 77mm filter thread. Mirrored 0.8 MOD gearing for the focus, aperture, and zoom rings on both lenses allows you to use the same follow focus or zoom system without needing to adjust when you switch out your lens.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eVenus Optics Laowa Ranger 28-75mm T2.9 Cine Zoom Lens (PL\/EF)\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eA versatile addition to your full frame ARRI PL or Canon EF mount camera loadout, this \u003cstrong\u003eLaowa Ranger 28-75mm T2.9 Cine Zoom Lens\u003c\/strong\u003e from \u003cstrong\u003eVenus Optics\u003c\/strong\u003e allows you to capture high-quality images throughout its 28 to 75mm zoom range. The parfocal design of the lens features 11 aperture blades in a 22-element and 18-group construction. It has an aperture range of T2.9 to T22 and an 80mm front diameter with minimal focus breathing. Capture everything from establishing wide shots to close-ups with background blur with the Laowa Ranger.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eControl of focus, aperture, and zoom is intuitive thanks to the throw of each 0.8 MOD gear. Markings on the lens are available in both feet and meters. The lens has a 75.4° field of view at the wide end and a 32.3° field of view at the tele end with a 43.2mm image circle. An included EF bayonet adapts the native PL mount for compatibility with a wider range of cameras, while a 77mm front filter thread allows you to attach compatible lens filters. Additional back focus adjustment can be achieved with the provided shim set.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eFeatures at a Glance\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eMaximum T2.9 aperture for deep depth of view and increased area focus\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e11 aperture blades for smooth, circular bokeh\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eLens construction of 22 elements in 18 groups\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e270° focus rotation, 42° aperture rotation, 100° zoom rotation\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eLens markings in feet and meters\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e0.23x maximum magnification, 2.7x zoom ratio\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eEF mount bayonet included; built-in lens support foot\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e77mm front filter thread\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e19.3\" minimum focusing distance\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eIndustry-standard 0.8 MOD focus, aperture, and zoom rings for use with follow focus systems\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eVenus Optics Laowa Ranger 75-180mm T2.9 Cine Zoom Lens (PL\/EF)\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eA versatile addition to your full frame ARRI PL or Canon EF mount camera loadout, this \u003cstrong\u003eLaowa Ranger 75-180mm T2.9 Cine Zoom Lens\u003c\/strong\u003e from \u003cstrong\u003eVenus Optics\u003c\/strong\u003e allows you to capture high-quality images throughout its 75 to 180mm zoom range. The parfocal design of the lens features 11 aperture blades in a 14-element and 14-group construction. It has an aperture range of T2.9 to T22 and an 80mm front diameter with minimal focus breathing. Capture everything from portraits to long-distance wildlife shots with the Laowa Ranger.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eControl of focus, aperture, and zoom is intuitive thanks to the throw of each 0.8 MOD gear. Markings on the lens are available in both feet and meters. The lens has a 32.2° field of view at the wide end and a 13.7° field of view at the tele end with a 43.2mm image circle. An included EF bayonet adapts the native PL mount for compatibility with a wider range of cameras, while a 77mm front filter thread allows you to attach compatible lens filters. Additional back focus adjustment can be achieved with the provided shim set.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eFeatures at a Glance\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eMaximum T2.9 aperture for deep depth of view and increased area focus\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e11 aperture blades for smooth, circular bokeh\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eLens construction of 14 elements in 14 groups\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e270° focus rotation, 42° aperture rotation, 100° zoom rotation\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eLens markings in feet and meters\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e0.217x maximum magnification, 2.4x zoom ratio\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eEF mount bayonet included; built-in lens support foot\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e77mm front filter thread\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e2.9' minimum focusing distance\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eIndustry-standard 0.8 MOD focus, aperture, and zoom rings for use with follow focus systems\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e","brand":"Laowa","offers":[{"title":"Default Title","offer_id":46494745264358,"sku":"19645","price":141050000.0,"currency_code":"IDR","in_stock":false}]},{"product_id":"laowa-pro2be-24mm-t8-2x-probe-lens-set-direct-35-priscope-module-cine-pl","title":"Laowa Pro2be 24mm T8 2X Probe Lens Set (Direct, 35, Priscope Module)-(Cine) PL","description":"\u003ch2\u003eVenus Optics Laowa Pro2be 24mm T\/8.0 2x Probe Overview\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cstrong\u003eKey Features\u003c\/strong\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eDirect View 24mm T8 Probe Lens\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e90° Periscope 24mm T8 Probe Lens\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e35° View 24mm T8 Probe Lens\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eCovers Up to Full-Frame Sensors\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eAdd a wide range of unique macro views to your PL-mount cine camera capture using the \u003cstrong\u003eLAOWA Pro2be 24mm T8 2x Probe 3-Lens Set\u003c\/strong\u003e from \u003cstrong\u003eVenus Optics\u003c\/strong\u003e. This set comprises a direct view straight lens, a 35° view lens, and a 90° periscope lens. Read more below about each of the full-frame lenses in this kit.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eVenus Optics LAOWA Pro2be 24mm T8 2x Probe Lens (90° Periscope, ARRI PL)\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e90° Periscope View Lens\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eCapture unique close-up views with your PL-mount cine camera and the \u003cstrong\u003eLAOWA 24mm T8 Full Frame 2x Pro2be Lens\u003c\/strong\u003e from \u003cstrong\u003eVenus Optics\u003c\/strong\u003e. This 90° periscope-type lens is one in a series that also includes direct-view and 35° versions. It covers up to full-frame camera sensors, is waterproof down to 14.4\", focuses to just 0.2\", and features a relatively fast T8 maximum aperture, a 2x magnification ratio, and 360° rotation.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eInterchangeable Lens Mount\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eThis PL-mount lens has an interchangeable design enabling it to be used with separately available mounts.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eOptions include Canon EF, Canon RF, Leica L, Nikon F, Nikon Z, and Sony E mounts.\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eApplications\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eCapture sharp magnified shots at ground, tabletop, or overhead level while your camera remains in a comfortable operating position.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eCreate dynamic traveling shots through products, models, or natural components.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eUse for creative motion control shots.\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eExtreme 2x Close-Ups\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eA 2x magnification ratio and a minimum focus of just 0.2\" enable you to capture extreme close-ups.\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eImpressive Image Quality\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eThe Pro2be incorporates four HR (high refractive) and nine ED (extra-low dispersion) glass elements that help to produce accurate color rendition and optimal sharpness.\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eT8 to T40 Aperture Range\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eThe maximum aperture is a relatively fast T8, enabling you to shoot in limited light.\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eAdjustable Lens Barrel\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eThis periscope lens is 3.9\" longer than earlier models, increasing the positioning options.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eThe lens rotates 360° at the camera mount, enabling you to adjust the angle and elevation of the view.\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eWaterproof Design\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eThe Pro2be is submersible to 14.4\", providing greater flexibility for underwater capture.\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eVenus Optics LAOWA Pro2be 24mm T8 2x Probe Lens (Direct View, ARRI PL)\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eDirect View Lens\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eCapture unique close-up views with your PL-mount cine camera and the \u003cstrong\u003eLAOWA 24mm T8 Full Frame 2x Pro2be Lens\u003c\/strong\u003e from \u003cstrong\u003eVenus Optics\u003c\/strong\u003e. This straight, direct-view lens is one in a series that also includes 90° periscope and 35° versions. It covers up to full-frame camera sensors, is waterproof down to 14.4\", focuses to just 0.2\", and features a relatively fast T8 maximum aperture and a 2x magnification ratio.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eInterchangeable Lens Mount\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eThis PL-mount lens has an interchangeable design enabling it to be used with separately available mounts.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eOptions include Canon EF, Canon RF, Leica L, Nikon F, Nikon Z, and Sony E mounts.\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eApplications\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eCapture sharp magnified shots at ground, tabletop, or overhead level while your camera remains in a comfortable operating position.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eCreate dynamic traveling shots through products, models, or natural components.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eUse for creative motion control shots.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cbr\u003e\u003cbr\u003e\t\u003cbr\u003e\u003cbr\u003e\t\u003cbr\u003e\u003cbr\u003e\t\u003cbr\u003e\u003cbr\u003e\t \u003cbr\u003e\t\u003cli\u003e \u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e \u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eExtreme 2x Close-Ups\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eA 2x magnification ratio and a minimum focus of just 0.2\" enable you to capture extreme close-ups.\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eImpressive Image Quality\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eThe Pro2be incorporates four HR (high refractive) and nine ED (extra-low dispersion) glass elements that help to produce accurate color rendition and optimal sharpness.\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eT8 to T40 Aperture Range\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eThe maximum aperture is a relatively fast T8, enabling you to shoot in limited light.\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eLonger Lens Barrel\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eThis 20\" probe lens is 3.9\" longer than earlier models, increasing the positioning options.\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eWaterproof Design\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eThe Pro2be is submersible to 14.4\", providing greater flexibility for underwater capture.\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eVenus Optics LAOWA Pro2be 24mm T8 2x Probe Lens (35°, ARRI PL)\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e35° View Lens\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eCapture unique close-up views with your PL-mount cine camera and the \u003cstrong\u003eLAOWA 24mm T8 Full Frame 2x Pro2be Lens\u003c\/strong\u003e from \u003cstrong\u003eVenus Optics\u003c\/strong\u003e. This 35° view lens is one in a series that also includes direct-view and 90° periscope versions. It covers up to full-frame camera sensors, is waterproof down to 14.4\", focuses to just 0.2\", and features a relatively fast T8 maximum aperture, a 2x magnification ratio, and 360° rotation.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eInterchangeable Lens Mount\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eThis PL-mount lens has an interchangeable design enabling it to be used with separately available mounts.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eOptions include Canon EF, Canon RF, Leica L, Nikon F, Nikon Z, and Sony E mounts.\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eApplications\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eCapture sharp magnified shots at ground, tabletop, or overhead level while your camera remains in a comfortable operating position.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eCreate dynamic traveling shots through products, models, or natural components.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eUse for creative motion control shots.\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eExtreme 2x Close-Ups\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eA 2x magnification ratio and a minimum focus of just 0.2\" enable you to capture extreme close-ups.\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eImpressive Image Quality\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eThe Pro2be incorporates four HR (high refractive) and nine ED (extra-low dispersion) glass elements that help to produce accurate color rendition and optimal sharpness.\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eT8 to T40 Aperture Range\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eThe maximum aperture is a relatively fast T8, enabling you to shoot in limited light.\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eAdjustable Lens Barrel\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eThis probe lens is 3.9\" longer than earlier models, increasing the positioning options.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eThe lens rotates 360° at the camera mount, enabling you to adjust the angle and elevation of the view.\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eWaterproof Design\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eThe Pro2be is submersible to 14.4\", providing greater flexibility for underwater capture.\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e","brand":"Laowa","offers":[{"title":"Default Title","offer_id":46494746902758,"sku":"19979","price":182030000.0,"currency_code":"IDR","in_stock":false}]},{"product_id":"venus-optics-laowa-ooom-25-100mm-t2-9-cine-lens-pl-mount-feet","title":"Venus Optics Laowa OOOM 25-100mm T2.9 Cine Lens (PL Mount, Feet)","description":"\u003ch2\u003eVenus Optics Laowa OOOM 25-100mm T2.9 (ft) Overview\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe \u003cstrong\u003eVenus Optics Laowa OOOM 25-100mm T2.9 Cine Lens \u003c\/strong\u003efeatures focus scales marked in feet and has an interchangeable PL lens mount. It is designed to deliver a vintage look in both color rendition and bokeh performance. The lens features a 4x zoom range, and it covers Super35 with a greater than 33mm image circle from 25 to 100mm. This enables the lens to be used with a wide variety of cameras and sensors, including those that define Super35 with a larger image circle such as the RED MONSTRO in 6K, GEMINI in 5K, and HELIUM in 8K. The lens also covers the ARRI ALEXA Mini in 4K. The lens comes with a PL mount attached, which allows the lens to be used with a variety of digital cinema cameras.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eIn addition, the PL mount is interchangeable and can be swapped out with the included E and EF mounts. The 9-blade iris provides for a natural-looking bokeh and helps contribute to the vintage look, which while not overly contrasty, still has snap and sharpness. The lens features a close-focus limit of under 2', which makes it a flexible choice for tighter close-ups and allows you to shoot in limited-space environments. All three lens rings feature cine-standard gearing for ease of use with available lens control accessories such as follow focus units and lens control motors. The lens features a 100mm front and includes a 100 to 114mm step-up ring.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eVintage Look\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe lens has been designed to produce images with color and contrast reminiscent of vintage lenses, as opposed to the cold, clinical look of many modern-day lenses.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe lens covers a 33mm image circle throughout its zoom range, covering larger Super35 sensors and enabling you to use the lens to capture higher-resolution images on cameras with larger Super35 sensors.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe lens is parfocal, allowing the focus to remain constant throughout the zoom range.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eMinimal focus breathing as you adjust the focus.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eCine-standard focus, iris, and zoom lens rings allow you to use industry-standard lens control systems such as follow focus units and lens control systems.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe attached PL mount can be easily swapped out for the included E and EF mounts.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe lens has a 95mm front filter thread and a 100mm front. It includes a 100 to 114mm step-up ring for compatibility with a wider selection of matte boxes.\u003c\/p\u003e","brand":"Laowa","offers":[{"title":"Default Title","offer_id":46494747099366,"sku":"14492","price":65550000.0,"currency_code":"IDR","in_stock":false}]},{"product_id":"venus-optics-laowa-ooom-25-100mm-t2-9-cine-lens-pl-mount-meters","title":"Venus Optics Laowa OOOM 25-100mm T2.9 Cine Lens (PL Mount, Meters)","description":"\u003ch2\u003eVenus Optics Laowa OOOM 25-100mm T2.9 (Meters) Overview\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe \u003cstrong\u003eVenus Optics Laowa OOOM 25-100mm T2.9 Cine Lens \u003c\/strong\u003efeatures focus scales marked in Meters and has an interchangeable PL lens mount. It is designed to deliver a vintage look in both color rendition and bokeh performance. The lens features a 4x zoom range, and it covers Super35 with a greater than 33mm image circle from 25 to 100mm. This enables the lens to be used with a wide variety of cameras and sensors, including those that define Super35 with a larger image circle such as the RED MONSTRO in 6K, GEMINI in 5K, and HELIUM in 8K. The lens also covers the ARRI ALEXA Mini in 4K. The lens comes with a PL mount attached, which allows the lens to be used with a variety of digital cinema cameras.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eIn addition, the PL mount is interchangeable and can be swapped out with the included E and EF mounts. The 9-blade iris provides for a natural-looking bokeh and helps contribute to the vintage look, which while not overly contrasty, still has snap and sharpness. The lens features a close-focus limit of under 2', which makes it a flexible choice for tighter close-ups and allows you to shoot in limited-space environments. All three lens rings feature cine-standard gearing for ease of use with available lens control accessories such as follow focus units and lens control motors. The lens features a 100mm front and includes a 100 to 114mm step-up ring.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eVintage Look\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe lens has been designed to produce images with color and contrast reminiscent of vintage lenses, as opposed to the cold, clinical look of many modern-day lenses.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe lens covers a 33mm image circle throughout its zoom range, covering larger Super35 sensors and enabling you to use the lens to capture higher-resolution images on cameras with larger Super35 sensors.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe lens is parfocal, allowing the focus to remain constant throughout the zoom range.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eMinimal focus breathing as you adjust the focus.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eCine-standard focus, iris, and zoom lens rings allow you to use industry-standard lens control systems such as follow focus units and lens control systems.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe attached PL mount can be easily swapped out for the included E and EF mounts.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe lens has a 95mm front filter thread and a 100mm front. It includes a 100 to 114mm step-up ring for compatibility with a wider selection of matte boxes.\u003c\/p\u003e","brand":"Laowa","offers":[{"title":"Default Title","offer_id":46494747230438,"sku":"14493","price":65550000.0,"currency_code":"IDR","in_stock":false}]},{"product_id":"laowa-nanomorph65mmt2-41-5xs35-amber-for-sony-e-mount","title":"Laowa Nanomorph65mmT2.41.5XS35 (Amber) for Sony E Mount","description":"\u003ch2\u003eVenus Optics Laowa Nanomorph 65mm T2.4 1.5x S... Overview\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cstrong\u003eKey Features\u003c\/strong\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eCompact Anamorphic Lens for S35 Sensors\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eT2.4 to T16 Aperture Range\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e1.5x Anamorphic Squeeze Ratio\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eAmber Color Anamorphic Lens Flare\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eLightweight Build, Interchangeable Mount\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eTelephoto Compression\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e67mm Front Diameter, 62mm Filter Thread\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e0.8 MOD Gears, Metric\/Imperial Markings\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e13-Blade Iris for Smooth Bokeh\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e27.5\" Close Focus\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe Sony E-mount \u003cstrong\u003eLaowa Nanomorph 65mm T2.4 1.5x S35 Anamorphic Lens\u003c\/strong\u003e from \u003cstrong\u003eVenus Optics\u003c\/strong\u003e is a compact, lightweight anamorphic lens that captures high-quality, organic imagery with 1.5x anamorphic squeeze on cameras with S35 sensors. It features telephoto compression that is ideal for close-ups, an aperture range of T2.4 to T16 for a deep depth of field, and 13 iris blades for soft bokeh.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e \u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eAnamorphic Cinema Lens\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThis prime lens has a short minimum focus distance of 27.5\" and offers anamorphic qualities such as oval bokeh, shallower depth of field, and amber color lens flares. Other features include focus marks in both feet and meters, 0.8 MOD cine gears on focus and aperture rings, and a 62mm front filter thread. The Sony E lens mount is interchangeable and can be swapped out for six other separately available mounts.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eConstant 1.5x Squeeze Ratio\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eA 1.5x squeeze ratio is a perfect balance between the size and anamorphic intensity. With a 1.5x squeeze ratio, you will have a 2.66:1 on a 16:9 sensor after de-squeeze. The larger-than-S35 coverage enables you to use Nanomorph lenses with minimal vignetting on select full-frame cameras.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eOptional 1.33x Adapter\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eUse this Nanomorph prime with the separately available 1.33x front-mounted adapter to obtain a wider 2x squeeze ratio.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eCompact Design\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cimg class=\"img img-responsive\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2119103.jpg\"\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eThis compact and lightweight lens measures just 5.2\" in length and weighs less than 1.6 lb.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eThe smaller design enables you to get an anamorphic look for handheld, slider, and gimbal capture.\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eInterchangeable Sony E Mount\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe included Sony E mount is interchangeable with separately available Canon RF, DJI DL, Fuji X, Leica L, Micro Four Thirds, and Nikon Z mounts.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eArtistic Oval Bokeh\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eA 1.5x squeeze ratio also renders an oval bokeh that gives an artistic touch to the image. It also creates a blurry and creamy background that pops out the subject.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eTelephoto Compression\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThis 65mm telephoto focal length provides enhanced depth of field and impressive bokeh effects, making it ideal for close-up imaging.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eT2.4 Aperture, Close Focus\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe 27.5\" minimum focus distance enables users to create closer shots. The T2.4 maximum aperture renders a shallower depth of field, creating a stronger sense of compression and oval-shaped bokeh.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eAmber Anamorphic Flare\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cimg class=\"img img-responsive\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2119104.jpg\"\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eThe amber flare creates a warmer look that highlights the anamorphic style.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eHorizontal flares are a signature feature of the anamorphic look.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eNote that an alternate flare color may be shown.\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eUnified Gear Position\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe unified gear position allows users to switch lenses quickly and without readjustment on the focus gear.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e62mm Filter Thread\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eA 62mm filter can be attached directly to the lens for a variety of handy setups, including handheld, drone, and gimbal shots.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eDual Focus Scales\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eFocus marks are provided in both feet and meters.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e0.8 MOD Gears\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eIndustry-standard 0.8 MOD gears are installed on both aperture and focus rings.\u003c\/p\u003e","brand":"Laowa","offers":[{"title":"Default Title","offer_id":46494749294822,"sku":"110745","price":22850000.0,"currency_code":"IDR","in_stock":false}]}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/3088\/0230\/collections\/Cinema_Lenses.png?v=1773647103","url":"https:\/\/doss.co.id\/collections\/lenses-cinema-lenses.oembed?page=8","provider":"DOSS Camera \u0026 Gadget","version":"1.0","type":"link"}