{"title":"Camera \u003e Cinema Cameras","description":"","products":[{"product_id":"sony-fx3-full-frame-cinema-camera","title":"Sony FX3 Full-Frame Cinema Camera","description":"\u003ch2\u003e\u003cstrong\u003eSony FX3 Overview\u003c\/strong\u003e\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cstrong\u003eKey Features\u003c\/strong\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003e12.1MP Full-Frame CMOS Exmor R Sensor\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eUHD 4K up to 120 | 1080p up to 240\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eCompact form for Cage-Free Operation\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e10-Bit 4:2:2 XAVC S-I,16-Bit Raw Output\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eS-Cinetone\/S-Log3\/HLG, 15+ Stops DR\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eDetachable 2 x XLR\/TRS Adapter Handle\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003ePhase Detection AF\/Face Tracking\/Eye AF\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e80 to 409,600 Expanded ISO Range\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eDual CFexpress Type A\/SDXC Card Slots\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003ewith a compact design for solo shooters, travel applications, and to serve as an ideal B cam, the \u003cstrong\u003eSony FX3\u003c\/strong\u003e borrows from both the Cinema Line and Alpha series of cameras to create an optimized portable cinema camera. The FX3 features all of the imaging attributes you'd expect from this class but sports a newly designed body that's hand-holdable, with a streamlined and minimal profile, and has a \"cage-free\" design, indicating the ability to secure various accessories directly to the camera body.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eIts 12.1MP Exmor R BSI CMOS sensor (10.2MP effective in video mode) pairs with a BIONZ XR processor to achieve UHD 4K video capture with internal 10-bit 4:2:2 sampling or 16-bit raw output. The sensor's BSI design heightens clarity and sensitivity, with an expandable ISO 80-409600 Range and greater-than 15-stop dynamic Range for working in mixed lighting conditions. Benefitting color and tonal control, an S-Cinetone mode can be used for matching to VENICE, FX9, or FX6 sources and there is also S-Log3\/2 gamut support and 10-bit HLG for simple HDR productions. The sensor and processor also work together to greatly reduce rolling shutter and the sensor's design incorporates a Fast Hybrid AF system for intelligent and quick focusing performance and subject tracking.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eBeyond the physical design just being compact, it's also built to maximize efficiency and operability through the inclusion of an articulating 3.0\" touchscreen LCD, a removable shoe-mounted top handle with dual XLR mic inputs, and 5-axis mechanical image stabilization for smoother handheld recording.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eNote:\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe Sony ECM-XM1 Microphone is not included.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch3\u003e\u003cstrong\u003eMost Compact Member of the Cinema Line Family\u003c\/strong\u003e\u003c\/h3\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThis compact addition to Sony's Cinema Line blends the full-frame, S-Cinetone capture of the FX6 with the UHD 4K capture, autofocus options, and body size of the a7S III camera. The video-forward design of the FX3 also shares several handling and audio features with the FX6 and the ISO Range and battery of the a7S III.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch3\u003e\u003cstrong\u003eCommon FX3\/FX6\/a7S III Features\u003c\/strong\u003e\u003c\/h3\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eFull-frame, back-illuminated 12.1MP Exmor R CMOS sensor and BIONZ XR processor\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eHigh-speed rates of 120p in 4K and 240p in HD\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eDynamic Range of 15+ stops\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003ch3\u003e\u003cstrong\u003eShared FX3\/FX6 Attributes\u003c\/strong\u003e\u003c\/h3\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eS-Cinetone, S-Log3, HLG, and Rec. 709 gamma options\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eTally lamps on the front, side, and rear\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eInternal fan to prevent overheating\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eZoom lever\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003ch3\u003e\u003cstrong\u003eShared FX3\/a7S III Attributes\u003c\/strong\u003e\u003c\/h3\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003e5-axis in-body image stabilization\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e16-bit raw output via HDMI\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eS-Log2 gamma choice\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e80 to 409,6000 ISO Range (expanded)\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003ch3\u003e\u003cstrong\u003eImproved FX3 Features\u003c\/strong\u003e\u003c\/h3\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eComfortable, cage-free, handheld operation\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eGreater than 1.6x battery runtime compared to a7S II\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eUSB-PD power option for extended shooting times\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003ch3\u003e\u003cstrong\u003e4K Full-Frame CMOS Exmor R Sensor\u003c\/strong\u003e\u003c\/h3\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe 12.1MP Exmor R sensor and BIONZ XR processor offer true cinematic expression with 10.2MP effective video and 12.1MP stills capture. The full-frame sensor provides shallow depth of field looks, impressive bokeh, and reduced rolling shutter artifacts.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch3\u003e\u003cstrong\u003eS-Cinetone Color\u003c\/strong\u003e\u003c\/h3\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eDefault S-Cinetone color setting provides a softer-toned look with beautiful skin tOne Reproduction\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eComplements your VENICE, FX9, or FX6 footage\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eS-Log-3, S-Gamut3, S-Gamut3.Cine, and 10-bit 4:2:2: support help to maintain rich gradation and color compatible with the Range of Sony Cinema Line cameras\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003ch3\u003e\u003cstrong\u003eCinematic Recording \/ Frame Rate Options\u003c\/strong\u003e\u003c\/h3\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eUp to 600 Mb\/s XAVC S-I ALL-I H.264 codec recording\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eXAVC HS codec recording with H.265 encoding for lower bit rates in Long GOP\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eInternal 10-bit 4:2:2 recording to CFexpress Type A or SD memory cards\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eExternal, 16-bit raw,10-bit 4:2:2 output via HDMI type-A port\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e8-bit XAVC S or 10-bit XAVC HS proxy capture\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e10-bit, 4:2:2 color available in all formats including HLG\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eFull-frame UHD 4K high-speeds up to 120p\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eS35 HD high-speed rates up to 240p\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eUp to 5x slow-motion rates\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003ch3\u003e\u003cstrong\u003eCompact Design \/ Ergonomic Operation\u003c\/strong\u003e\u003c\/h3\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eFlexible, streamlined, 5 x 3 x 3\" form\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e3\" LCD with 1,440,000-dot resolution tilts for optimal viewing\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eCan be used with or without a cage\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eRight-handed controls feature placement consistent with the rest of the Cinema Line\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eFive 1\/4\"-20 accessory threads on the FX3 body plus two on the top handle\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eIntuitive touchscreen menu\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eCustomizable buttons for assigning 15 controls and up to 140 menu items\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eTally (record) lights are easily viewable on the top, front, and rear of the camera\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eDual CFexpress Type A\/SD slots\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eRelay, simultaneous, and backup recording\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eCustomizable zoom setting plus Clear Image Zoom\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003ch3\u003e\u003cstrong\u003eDetachable XLR Adapter Handle\u003c\/strong\u003e\u003c\/h3\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eTop handle with two XLR-1\/4\" TRS combo audio inputs\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eMicrophone holder and 3.5mm mic input\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eDigital audio with up to 4-channel, 24-bit recording\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eContoured for comfortable low-angle shooting\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003ch3\u003e\u003cstrong\u003eFast Hybrid \/ Phase Detection Autofocus\u003c\/strong\u003e\u003c\/h3\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eMultiple autofocusing modes are designed for solo shooting\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eFast Hybrid AF uses 627 points to cover approximately 89% of the image frame\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eReal-Time Eye AF, Eye and Face Detection, and subject Touch Tracking\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003ch3\u003e\u003cstrong\u003eDurable Build \/ Enhanced Operating\u003c\/strong\u003e\u003c\/h3\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eAn integrated cooling fan and a heat-dissipating design enable uninterrupted recording up to 4K60\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eMagnesium-alloy chassis and shell\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eSealed against inclement weather and dust\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003ch3\u003e\u003cstrong\u003eWireless Connectivity\u003c\/strong\u003e\u003c\/h3\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eDual-band 2.4\/5 GHz wireless connectivity\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eWired LAN link using the USB Type-C port and a separate adapter\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003ch3\u003e\u003cstrong\u003ePost-Production Stabilization with E-Mount Lenses\u003c\/strong\u003e\u003c\/h3\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eSony's Catalyst Prepare\/Browse software uses shake metadata to stabilize your image\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eAdjustable balance between shake compensation and image area trimming\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\u003cbr\u003e\u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":46494075158758,"sku":"15234","price":55999000.0,"currency_code":"IDR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/3088\/0230\/files\/u6mslim3_rxlfe0hp9ztrwvh0.jpg?v=1780986336"},{"product_id":"sony-fx6-full-frame-cinema-camera-body-only","title":"Sony FX6 Full-Frame Cinema Camera (Body Only)","description":"\u003ch2\u003eSony FX6 E Mount Overview\u003c\/h2\u003e\u003cp\u003eKey Features\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e4K Full-Frame 10.2MP CMOS Exmor R Sensor\u003c\/li\u003e\n\u003cli\u003eDCI 4K60p | UHD 4K120 | 1080p240\u003c\/li\u003e\n\u003cli\u003e15+ Stops of Dynamic Range in S-Log 3 EI\u003c\/li\u003e\n\u003cli\u003e1.3x and 2.0x Anamorphic De-Squeeze\u003c\/li\u003e\n\u003cli\u003eCompact Form Weighs Less than 2 lb\u003c\/li\u003e\n\u003cli\u003ePhase Detection AF\/Face Tracking\/Eye AF\u003c\/li\u003e\n\u003cli\u003eBase 800-12,800 ISO \/ 320-409,600 Max\u003c\/li\u003e\n\u003cli\u003eS-Cinetone, S-Log3, HLG Modes\u003c\/li\u003e\n\u003cli\u003e10-Bit 4:2:2 XAVC-I\/16-Bit Raw Output\u003c\/li\u003e\n\u003cli\u003eDual CFexpress Type A\/SDXC Card Slots\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eThe \u003cstrong\u003eFX6 Full-Frame Camera\u003c\/strong\u003e from \u003cstrong\u003eSony\u003c\/strong\u003e was developed to offer versatile, cine-style imaging in a truly compact form. With the ability to capture up to 15+ stops of dynamic range, Sony's S-Cinetone gamma for filmlike skin tones, and up to 10-bit, 4:2:2 XAVC-I recording, the FX6 is poised to both supplement your FX9 or VENICE capture and to nimbly take on documentary, gimbal, and drone shoots on its own.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e4K Full-Frame Exmor R Sensor\u003c\/p\u003e\u003cp\u003eThe FX6 camera combines a 4K full-frame Exmor R sensor with a BIONX XR engine for extremely sensitive capture in a range of settings, using a base ISO of 800 as well as an ISO 12800 high-sensitivity mode for nuanced low-light scenes. This 10.2 MP image sensor features back-side illumination for excellent low-light performance, 627 focal plane points for speedy phase-detection autofocus, and full-frame lens compatibility that produces a rich, immersive look. The sensor's fast scan speed minimizes rolling shutter artifacts and supports high frame rates and quick autofocus responses.\u003c\/p\u003e\u003cp\u003eCompact, Single-Operator Design\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1446794.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eWeighing just under 2 lb, the FX6 body is a full 2 lb lighter than the FX9 and measuring 6 x 4.6\", it packs a full-frame sensor into a body comparable to the S35-sensor Sony FS5. While the FX6 fits seamlessly into a pro-cine on-set workflow, it also offers several features that are a boon for a single-operator user. These include fast and accurate phase-detection autofocus with both Face Detection and real-time Eye autofocus, both auto and manual ND filter settings for quick exposure compensation, and a 3.5\" LCD monitor that boasts time-saving touchscreen access to key menu settings and versatile positioning for comfortable operating. In addition to improving the camera's overall stability, firmware update v1.10 adds 100p and 120p options to the Slow and Quick Motion frame rate menu when the codec is set to RAW or RAW and XAVC-I.\u003c\/p\u003e\u003cp\u003eVersatile Addition to Sony Cinema Line\u003c\/p\u003e\u003cp\u003eAs part of Sony's Cinema Line, the FX6 shares key imaging features with established cameras like the VENICE and FX9. Common core attributes include a full-frame sensor, filmlike color science, a compact, lightweight form, professional connector interfaces, and advanced autofocus choices.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eCompared to the FX9, the FX6 differs in several specs; but many FX6 specs tick the same boxes and several improve upon the FX9:It matches the FX9's video capture up to DCI 4K60\u003c\/li\u003e\n\u003cli\u003eHas the same S-Cinetone, S-Log3, and HLG gamma choices \u003c\/li\u003e\n\u003cli\u003eOutputs 16-bit raw like the FX9\u003c\/li\u003e\n\u003cli\u003eSony E lens mount\u003c\/li\u003e\n\u003cli\u003eOffers the same 1\/4 to 1\/128 ND options\u003c\/li\u003e\n\u003cli\u003eAlso provides 2-channel XLR audio inputs\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eFX6 differences from the FX9:\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e4K capture vs 6K\u003c\/li\u003e\n\u003cli\u003eHas a single 12G\/6G\/3G-SDI BNC port, trimming the FX9's additional 3G-SDI port\u003c\/li\u003e\n\u003cli\u003eIncorporates a timecode port but lacks the FX9's genlock connector\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eImproved FX6 specs include:\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eAn ISO range of 320 to 409,600 vs the FX9's 320 to 102,400 range\u003c\/li\u003e\n\u003cli\u003eTop frame rates of 120p in 4K and up to 240p in HD vs the FX9's top 1080p in HD\u003c\/li\u003e\n\u003cli\u003eDual card slots compatible with both durable, highly efficient CFexpress Type A or widely available SDXC cards, compared to the FX9's reliance on proprietary XQD cards and a single SD card option\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eFirmware Update v4.0\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eUpdate your Sony FX6 with v4.0 firmware to access new features that were designed with feedback from the pro cine community.\u003c\/li\u003e\n\u003cli\u003eAnamorphic de-squeeze is now available in both 1.3x and 2.0x ratios for viewing in the viewfinder and through the HDMI output.\u003c\/li\u003e\n\u003cli\u003eCine EI Quick support enables you to select the same workflow as Cinema Line cameras like the FX3 and FX30, streamlining your multi-camera process.\u003c\/li\u003e\n\u003cli\u003eClip naming now uses the same process as the CineAlta cameras, ensuring an easier multi-camera workflow.\u003c\/li\u003e\n\u003cli\u003eAutofocus is available when using frame rates of 7 fps or higher in S\u0026amp;Q (Slow \u0026amp; Quick) mode.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e15+ Stops of Dynamic Range\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1446798.jpg\"\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eCaptures a whopping 15+ stops of dynamic range\u003c\/li\u003e\n\u003cli\u003eCreates nuanced, high-resolution images\u003c\/li\u003e\n\u003cli\u003eSelect the Cine EI mode with S-Log3 for the maximum dynamic range\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eWide ISO Range\u003c\/p\u003e\u003cp\u003eChoose from a base ISO of 800, a high-sensitivity 12,800 ISO for lower-light capture, and a 409,600 maximum ISO for true low-light settings.\u003c\/p\u003e\u003cp\u003eElectronically Variable ND Filters\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1901057.jpg\" alt=\"Shown with Optional Equipment\"\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eSet the FX6's integrated neutral density (ND) filter system to auto for correctly exposed shots, even in changing light conditions\u003c\/li\u003e\n\u003cli\u003eSmoothly adjust the ND filter density manually in increments from 1\/4 to 1\/128 as you shoot\u003c\/li\u003e\n\u003cli\u003eBoth options will produce properly exposed images without affecting your chosen depth of field\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eAdvanced XAVC Codec Options\u003c\/p\u003e\u003cp\u003eThe FX6 is the first compact, full-frame camera to offer UHD 4K 4:2:2 capture in the high-quality yet efficient XAVC-I codec. It also enables you to choose from a range of professional XAVC Intra and XAVC Long codecs at bit rates ranging from 35 to 600 Mb\/s.\u003c\/p\u003e\u003cp\u003eHigh Frame Rate Selections\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFor slow-motion and fast action looks, choose from full-frame rates ranging from:1-60 fps in HD to DCI 4K resolutions\u003c\/li\u003e\n\u003cli\u003e100 or 120 fps in HD through UHD 4K \u003c\/li\u003e\n\u003cli\u003e150, 180, 200, or 240 fps in Full HD \u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eSuper35 choices include:\u003c\/p\u003e\u003cul\u003e\u003cli\u003e1-60, 100, and 120 fps in Full HD\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003eExpressive Cinematic Look\u003c\/p\u003e\u003cp\u003eSony's S-Cinetone gamma curve offers a cinematic look with filmlike color, softer tones, and pleasing skin tone reproduction. Not only is this cinematic look available for in-camera viewing, but it can also be captured and output with minimal or no grading at all for a time-saving post process. The S-Cinetone, S-Log3, S-Gamut3, and S-Gamut3.Cine choices also streamline the process of matching FX6 footage with your VENICE or FX9 video and offer broad color-grading options.\u003c\/p\u003e\u003cp\u003eFast Hybrid\/Phase Detection Autofocus\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1446788.jpg\" alt=\"Shown with Optional Equipment\"\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eThe FX6 is compatible with 50+ native Sony E-mount lenses\u003c\/li\u003e\n\u003cli\u003eImproved autofocus choices include Face Detection and Eye Autofocus modes\u003c\/li\u003e\n\u003cli\u003eEnables rapid focusing with extremely sharp accuracy, even in lower-light settings\u003c\/li\u003e\n\u003cli\u003eThe phase detection autofocus uses seven transition-speed steps and five subject-sensitivity\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eImage Stabilization and More with Catalyst and Metadata\u003c\/p\u003e\u003cp\u003ePair the FX6 with Sony's Catalyst Prepare\/Browse software to use metadata to stabilize your image, automatically rotate gimbal footage, and add flags for easier clip filtering in postproduction.\u003c\/p\u003e\u003cp\u003eTouchscreen 3.5\" LCD Control\u003c\/p\u003e\u003cp\u003eThe FX6's 3.5\" LCD monitor offers both high-resolution viewing and the ease of touchscreen camera control. The LCD quick menu controls include key settings like Codec, Imager Scan Mode, Picture Size and Frequency, Base ISO\/Sensitivity, Shooting Mode, and Audio Levels.\u003c\/p\u003e\u003cp\u003eReliable Design and Construction\u003c\/p\u003e\u003cp\u003eConstructed with a lightweight yet durable magnesium alloy chassis, the FX6 body offers maximum reliability and efficiently disperses heat to enable extended recording times. Exterior seams, buttons, and interfaces have been treated with updated sealing that improves the camera's dust and moisture resistance as well.\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e4-Channel Audio Recording\u003c\/p\u003e\u003cp\u003eThe FX6 offers up to 4-channel audio recording by combining sources from the dual XLR inputs, the 2-channel multi-interface shoe input, and the stereo mic built into the camera's top handle. This enables the simultaneous use of an external microphone for recording your main audio source and the built-in microphone for ambient sound and\/or voice memos by the operator.\u003c\/p\u003e\u003cp\u003eProfessional Input\/Output Interface\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1446791.jpg\" alt=\"Shown with Optional Equipment\"\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFX6 input and output ports include a selectable 12G\/6G\/3G-SDI output for flexible monitoring\u003c\/li\u003e\n\u003cli\u003eProvides an HDMI output and 12-bit raw output via SDI\u003c\/li\u003e\n\u003cli\u003eHas a timecode input and output for syncing multiple cameras\u003c\/li\u003e\n\u003cli\u003eIncorporates a built-in Wi-Fi module\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eCFexpress Media Slots and Multiple Recording Modes\u003c\/p\u003e\u003cp\u003eThe FX6's dual media slots accept both rugged, high-performance, high-capacity CFexpress Type A cards and widely available UHS-II\/UHS-1 SDXC cards. Note that the CFexpress Type A cards are required for 100\/120 fps UHD 4K capture and 150\/180\/200\/240 fps HD high-speed capture.\u003c\/p\u003e\u003cp\u003eModular, Grab-and-Go Design\u003c\/p\u003e\u003cp\u003eThe modular design of the FX6 enables you to pare down to its compact body for gimbal or drone use, or it can be used with separately available accessories, such as a smart grip and smart handle for fingertip control when shooting handheld. A 3.5\" LCD screen can be quickly positioned on the camera at multiple locations to provide comfortable, ergonomic viewing.\u003c\/p\u003e\u003cp\u003eContent Browser Mobile Compatibility\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1446795.jpg\"\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eUse the separately available Content Browser Mobile app with a compatible smartphone or remote control\u003c\/li\u003e\n\u003cli\u003eThe FX6's Wi-Fi function enables remote monitoring and focus\/iris\/zoom control\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":46494075322598,"sku":"14627","price":93999000.0,"currency_code":"IDR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/3088\/0230\/files\/sonyfx6_b7olxlurb194esws.webp?v=1780986129"},{"product_id":"sony-fx30-digital-cinema-camera-body-only","title":"Sony FX30 Digital Cinema Camera (Body Only)","description":"\u003cp\u003eSony FX30 E-Mount OverviewKey Feature\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eGaransi Resmi 1 Tahun Sony Indonesia\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e• 26.1MP APS-C BSI CMOS Sensor\u003c\/p\u003e\u003cp\u003e• UHD 4K up to 120p\u003c\/p\u003e\u003cp\u003e• Compact Form Designed for Cage-Free Use\u003c\/p\u003e\u003cp\u003e• 10-Bit 4:2:2 XAVC S-I,16-Bit Raw Output\u003c\/p\u003e\u003cp\u003e• S-Cinetone\/S-Log3\/HLG, 14+ Stops DR\u003c\/p\u003e\u003cp\u003e• Phase Detection AF\/Face Tracking\/Eye AF\u003c\/p\u003e\u003cp\u003e• Standard ISO 100-32000 | Dual Base ISO\u003c\/p\u003e\u003cp\u003e• Dual CFexpress Type A\/SDXC Card Slots\u003c\/p\u003e\u003cp\u003e• User LUTs \u0026amp; Timecode Sync Support\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eLeveraging the power of a newly-developed APS-C sensor, the Sony FX30 provides everyday content creators and aspiring filmmakers with a powerful, yet accessible cinema camera with which to push their cinematic journey to new heights. It blends an imaging pipeline designed for cinematic capture with a comprehensive feature set and intuitive operation to create a complete system for all levels of filmmaking.Cinematic Expression26MP APS-C\/Super 35mm Exmor R BSI CMOS SensorThe FX30's advanced imaging system is on par with other options in Sony's Cinema Line-capturing detailed 10-bit UHD 4K imagery at up to 120 fps-giving it specs fitting a true cinema camera. The newly-developed 26MP APS-C Exmor R CMOS sensor and BIONZ XR processor are able to create high-quality 4K images with the Super 35mm (16:9) area. This system is capable of capturing 14+ stops of dynamic range and benefits from Dual Base ISO architecture to improve low-light performance.\u003c\/p\u003e\u003cp\u003eProfessional Picture Control\u003c\/p\u003e\u003cp\u003eFilmmakers will be able to capture images that are immediately ready to publish for projects with fast turnarounds or opt for maximum quality and flexibility in post thanks to a wide array of picture control options:\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eS-Cinetone uses the same color science as Sony's advanced cinema cameras, including the VENICE line, with natural mid-tones, soft colors, and smooth highlight roll-off.\u003c\/li\u003e\n\u003cli\u003ePicture Profiles, such as S-Log3 and HLG, will capture images with expanded dynamic range and flexibility for editors.\u003c\/li\u003e\n\u003cli\u003eCreative Looks can be baked into the recorded footage to create a specific mood during recording and minimize the need for editing.\u003c\/li\u003e\n\u003cli\u003eUp to 16 user-created LUTs and three presets can be set for accurately monitoring footage or previewing a specific look during shooting. These can be applied to the camera's monitor or EVF as well as the HDMI output.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eOperation for All Levels\u003c\/p\u003e\u003cp\u003eProfessional features will help ensure beginners to professionals can make the most of the FX30. This includes three log shooting modes:\u003c\/p\u003e\u003cul\u003e\u003cli\u003eFlexible ISO uses standard ISO settings for simple operation and the greatest flexibility.\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e \u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eCine EI ensures maximum dynamic range capture by recording at a manually selected base ISO setting and applying adjustments to metadata for monitoring and post-production.\u003c\/li\u003e\n\u003cli\u003eCine EI quick will automatically switch between the two base ISO settings for easier operation and great quality.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eIntuitive Operation and Controls\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2038698.jpg\"\u003e\u003c\/p\u003e\u003cp\u003e5-Axis In-Body Image Stabilization\u003c\/p\u003e\u003cp\u003eSony has equipped the FX30 with a 5-axis in-body image stabilization system that will help create smooth imagery even when working handheld. An Active Mode is available that blends optical systems with digital optimizations to capture ultra-smooth footage. The FX30 can also record gyro movement when the optical stabilizers are turned off, which can be used in post to create a stable shot.\u003c\/p\u003e\u003cp\u003eFast Hybrid AF\u003c\/p\u003e\u003cp\u003eEnjoy high-speed and highly accurate autofocus performance in every mode, including 4K up to 120 fps, using an advanced Fast Hybrid AF system that uses 495 points spread across 90% of the image sensor.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eReal-time Eye AF and Real-time Tracking will track the eyes of humans and animals.\u003c\/li\u003e\n\u003cli\u003eAF Assist function will automatically switch to manual focus with a turn of the lens' focus ring.\u003c\/li\u003e\n\u003cli\u003eFocus Map makes it easier to visualize the region of focus in your scene\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eComprehensive Feature Set\u003c\/p\u003e\u003cp\u003ePlenty of Sony's cinema features have found their way into the FX30:\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eBreathing compensation works with select lenses in 4K up to 60p in camera or up to 120p using Catalyst software after recording.\u003c\/li\u003e\n\u003cli\u003eTimecode sync input with optional VMC-BNCM1 Timecode Adapter Cable\u003c\/li\u003e\n\u003cli\u003eTally lights for an easy indication that the camera is recording.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2038695.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eMedia Options\u003c\/p\u003e\u003cp\u003eFor recording high-bitrate footage at high frame rates the FX30 uses an advanced, versatile set of media slots. The camera features dual CFexpress Type A\/SD card slots, allowing users to select between different media types for different situations. CFexpress Type A has ultra-fast speeds that can be used for the FX30's most advanced recording functions while SD cards are often more common and still have great speed and high capacities.\u003c\/p\u003e\u003cp\u003eCatalyst Browse and Prepare Integration\u003c\/p\u003e\u003cp\u003eThe FX30 records a comprehensive array of metadata that can be read and used for advanced post-production work using Sony's Catalyst Browse and Prepare software.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eMetadata recorded includes:\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eEmbedded LUT and Exposure Index (EI) data.\u003c\/li\u003e\n\u003cli\u003eGyro and lens stabilization metadata to further reduce camera shake.\u003c\/li\u003e\n\u003cli\u003eBreathing compensation can be manually controlled and adjusted.\u003c\/li\u003e\n\u003cli\u003eCamera rotation metadata will ensure the footage is displayed as intended.\u003c\/li\u003e\n\u003cli\u003eShot marks can be added to clips during or after recording for reference\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2038697.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eErgonomic Form for Solo Operation\u003c\/p\u003e\u003cp\u003eLightweight and compact, the FX30 (in a design that matches the FX3) offers users the ability to shoot without needing a cage. Users can also enjoy smooth handheld footage thanks to a 5-axis in-body image stabilization system.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eThe body features multiple threaded mounting points that are ideal for accessories and a Multi Interface Shoe that supports advanced accessories. Additionally, an integrated fan ensures reliable performance during extended takes.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eLightweight body weighs just 1.2 lb.\u003c\/li\u003e\n\u003cli\u003eDedicated zoom rocker.\u003c\/li\u003e\n\u003cli\u003eFully customizable button layout.\u003c\/li\u003e\n\u003cli\u003eFive 1\/4\"-20 threaded mounting points for accessories.\u003c\/li\u003e\n\u003cli\u003eMulti Interface Shoe supports advanced accessories.\u003c\/li\u003e\n\u003cli\u003eActive cooling fan permits uninterrupted shooting during extended takes.\u003c\/li\u003e\n\u003cli\u003eSporting a matching design to the FX3, the FX30 can use many of the same accessories, such as cages, without any modifications required.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":46494081351910,"sku":"17470","price":24799000.0,"currency_code":"IDR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/3088\/0230\/files\/1779762720.jpg?v=1780986486"},{"product_id":"sony-fx30-digital-cinema-camera-with-xlr-handle-unit","title":"Sony FX30 Digital Cinema Camera with XLR Handle Unit","description":"\u003ch2\u003eSony FX30 E Mount Overview\u003c\/h2\u003e\u003cp\u003eKey Features\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e26.1MP APS-C BSI CMOS Sensor\u003c\/li\u003e\n\u003cli\u003eUHD 4K up to 120p\u003c\/li\u003e\n\u003cli\u003eCompact Form Designed for Cage-Free Use\u003c\/li\u003e\n\u003cli\u003e10-Bit 4:2:2 XAVC S-I,16-Bit Raw Output\u003c\/li\u003e\n\u003cli\u003eS-Cinetone\/S-Log3\/HLG, 14+ Stops DR\u003c\/li\u003e\n\u003cli\u003ePhase Detection AF\/Face Tracking\/Eye AF\u003c\/li\u003e\n\u003cli\u003eStandard ISO 100-32000 | Dual Base ISO\u003c\/li\u003e\n\u003cli\u003eDual CFexpress Type A\/SDXC Card Slots\u003c\/li\u003e\n\u003cli\u003eUser LUTs \u0026amp; Timecode Sync Support\u003c\/li\u003e\n\u003cli\u003eDetachable XLR Handle Unit with 2 Inputs\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eLeveraging the power of a newly-developed APS-C sensor, the \u003cstrong\u003eSony FX30\u003c\/strong\u003e provides everyday content creators and aspiring filmmakers with a powerful, yet accessible cinema camera with which to push their cinematic journey to new heights. It blends an imaging pipeline designed for cinematic capture with a comprehensive feature set and intuitive operation to create a complete system for all levels of filmmaking.\u003c\/p\u003e\u003cp\u003eCinematic Expression\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e26MP APS-C\/Super 35mm Exmor R BSI CMOS Sensor\u003c\/p\u003e\u003cp\u003eThe FX30's advanced imaging system is on par with other options in Sony's Cinema Line—capturing detailed 10-bit UHD 4K imagery at up to 120 fps—giving it specs fitting a true cinema camera. The newly-developed 26MP APS-C Exmor R CMOS sensor and BIONZ XR processor are able to create high-quality 4K images with the Super 35mm (16:9) area. This system is capable of capturing 14+ stops of dynamic range and benefits from Dual Base ISO architecture to improve low-light performance.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eHigh-sensitivity recording at up to ISO 32000 and Dual Base ISO (800\/2500).\u003c\/li\u003e\n\u003cli\u003eWhen using S-Log3, the FX30 can capture 14+ stops of dynamic range.\u003c\/li\u003e\n\u003cli\u003eRecord in 10-bit 4:2:2 using advanced XAVC HS and XAVC S-I formats.\u003c\/li\u003e\n\u003cli\u003eFull pixel readout from the 6K sensor creates high-quality UHD 4K video at up to 60 fps.\u003c\/li\u003e\n\u003cli\u003eHigh-speed shooting is possible in 4K at up to 120 fps with a 1.6x crop and in Full HD up to 240 fps.\u003c\/li\u003e\n\u003cli\u003eThe HDMI output supports 16-bit raw video to select, separately available recorders.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eProfessional Picture Control\u003c\/p\u003e\u003cp\u003eFilmmakers will be able to capture images that are immediately ready to publish for projects with fast turnarounds or opt for maximum quality and flexibility in post thanks to a wide array of picture control options:\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eS-Cinetone uses the same color science as Sony's advanced cinema cameras, including the VENICE line, with natural midtones, soft colors, and smooth highlight roll-off.\u003c\/li\u003e\n\u003cli\u003ePicture Profiles, such as S-Log3 and HLG, will capture images with expanded dynamic range and flexibility for editors.\u003c\/li\u003e\n\u003cli\u003eCreative Looks can be baked into the recorded footage to create a specific mood during recording and minimize the need for editing.\u003c\/li\u003e\n\u003cli\u003eUp to 16 user-created LUTs and three presets can be set for accurately monitoring footage or previewing a specific look during shooting. These can be applied to the camera's monitor or EVF as well as the HDMI output.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eOperation for All Levels\u003c\/p\u003e\u003cp\u003eProfessional features will help ensure beginners to professionals can make the most of the FX30. This includes three log shooting modes:\u003c\/p\u003e\u003cul\u003e\u003cli\u003eFlexible ISO uses standard ISO settings for simple operation and the greatest flexibility.\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003eCine EI ensures maximum dynamic range capture by recording at a manually selected base ISO setting and applying adjustments to metadata for monitoring and post-production.\u003c\/p\u003e\u003cp\u003eCine EI quick will automatically switch between the two base ISO settings for easier operation and great quality.\u003c\/p\u003e\u003cp\u003eIntuitive Operation and Controls\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1664459111_IMG_1850017.jpg\" alt=\"Sony FX30 Touch AF\"\u003e\u003c\/p\u003e\u003cp\u003eFast Hybrid AF\u003c\/p\u003e\u003cp\u003eEnjoy high-speed and highly accurate autofocus performance in every mode, including 4K up to 120 fps, using an advanced Fast Hybrid AF system that uses 495 points (759 points in Photo mode) spread across 90% of the image sensor.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eReal-time Eye AF and Real-time Tracking will track the eyes of humans and animals.\u003c\/li\u003e\n\u003cli\u003eAF Assist function will automatically switch to manual focus with a turn of the lens' focus ring.\u003c\/li\u003e\n\u003cli\u003eFocus Map makes it easier to visualize the region of focus in your scene\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e5-Axis In-Body Image Stabilization\u003c\/p\u003e\u003cp\u003eSony has equipped the FX30 with a 5-axis in-body image stabilization system that will help create smooth imagery even when working handheld. An Active Mode is available that blends optical systems with digital optimizations to capture ultra-smooth footage. The FX30 can also record gyro movement when the optical stabilizers are turned off, which can be used in post to create a stable shot.\u003c\/p\u003e\u003cp\u003eComprehensive Feature Set\u003c\/p\u003e\u003cp\u003ePlenty of Sony's cinema features have found their way into the FX30:\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eBreathing compensation works with select lenses in 4K up to 60p in camera or up to 120p using Catalyst software after recording.\u003c\/li\u003e\n\u003cli\u003eTimecode sync input with optional VMC-BNCM1 Timecode Adapter Cable\u003c\/li\u003e\n\u003cli\u003eTally lights for an easy indication that the camera is recording.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eCatalyst Browse and Prepare Integration\u003c\/p\u003e\u003cp\u003eThe FX30 records a comprehensive array of metadata that can be read and used for advanced post-production work using Sony's Catalyst Browse and Prepare software.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eMetadata recorded includes:\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eEmbedded LUT and Exposure Index (EI) data.\u003c\/li\u003e\n\u003cli\u003eGyro and lens stabilization metadata to further reduce camera shake.\u003c\/li\u003e\n\u003cli\u003eBreathing compensation can be manually controlled and adjusted.\u003c\/li\u003e\n\u003cli\u003eCamera rotation metadata will ensure the footage is displayed as intended.\u003c\/li\u003e\n\u003cli\u003eShot marks can be added to clips during or after recording for reference\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eErgonomic Form for Solo Operation\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1664459111_IMG_1850018.jpg\" alt=\"Sony FX30 In Use with XLR Handle Unit\"\u003e\u003c\/p\u003e\u003cp\u003eLightweight and compact, the FX30 (in a design that matches the FX3) offers users the ability to shoot without needing a cage. Users can also enjoy smooth handheld footage thanks to a 5-axis in-body image stabilization system.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eThe body features multiple threaded mounting points that are ideal for accessories and a Multi Interface Shoe that supports advanced accessories. Additionally, an integrated fan ensures reliable performance during extended takes.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eLightweight body weighs just 1.2 lb.\u003c\/li\u003e\n\u003cli\u003eDedicated zoom rocker.\u003c\/li\u003e\n\u003cli\u003eFully customizable button layout.\u003c\/li\u003e\n\u003cli\u003eFive 1\/4\"-20 threaded mounting points for accessories.\u003c\/li\u003e\n\u003cli\u003eMulti Interface Shoe supports advanced accessories.\u003c\/li\u003e\n\u003cli\u003eActive cooling fan permits uninterrupted shooting during extended takes.\u003c\/li\u003e\n\u003cli\u003eSporting a matching design to the FX3, the FX30 can use many of the same accessories, such as cages, without any modifications required.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eA Plethora of Connectivity Options\u003c\/p\u003e\u003cp\u003eThe FX30 is equipped with a wide array of connections to ensure maximum customization and flexibility on set:\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFull-size HDMI output features clean output up to 4K 60p as well as 16-bit raw video.\u003c\/li\u003e\n\u003cli\u003eAudio is supported on the body with a 3.5mm headphone output and a 3.5mm microphone input.\u003c\/li\u003e\n\u003cli\u003eUSB-C connection can be used for high-speed data transfer or for powering the camera.\u003c\/li\u003e\n\u003cli\u003eMulti-Terminal (Micro-USB) supports various accessories, such as remotes, for expanded functionality.\u003c\/li\u003e\n\u003cli\u003eTimecode sync is available through the use of the separately available VMC-BNCM1 Timecode Adapter Cable.\u003c\/li\u003e\n\u003cli\u003eMulti Interface Shoe supports advanced accessories, including the included XLR Handle Unit.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp class=\"ql-align-center\"\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1664459111_IMG_1850016.jpg\" alt=\"Sony FX30 Memory Card Slots\"\u003e\u003c\/p\u003e\u003cp\u003eMedia Options\u003c\/p\u003e\u003cp\u003eFor recording high-bitrate footage at high frame rates the FX30 uses an advanced, versatile set of media slots. The camera features dual CFexpress Type A\/SD card slots, allowing users to select between different media types for different situations. CFexpress Type A has ultra-fast speeds that can be used for the FX30's most advanced recording functions while SD cards are often more common and still have great speed and high capacities.\u003c\/p\u003e\u003cp\u003eAdvanced Audio Recording\u003c\/p\u003e\u003cp\u003eThis version comes with a detachable XLR Handle Unit that offers two XLR\/TRS combo inputs for using professional audio equipment. The handle features a microphone mount, physical audio controls, and three 1\/4\"-20 threads for attaching accessories. It also securely mounts to the FX30 via the Multi Interface Shoe and a pair of screws.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eErgonomic handheld operation of the camera.\u003c\/li\u003e\n\u003cli\u003eTwo XLR\/TRS combo inputs and one 3.5mm stereo input.\u003c\/li\u003e\n\u003cli\u003eUp to four channels of audio can be recorded.\u003c\/li\u003e\n\u003cli\u003eThree 1\/4\"-20 accessory mounting threads.\u003c\/li\u003e\n\u003cli\u003ePhysical dials and switches for adjusting gain and other audio settings.\u003c\/li\u003e\n\u003cli\u003eClamping microphone mount is ideal for optional camera-mounted shotgun mics.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eUpdated Menu System\u003c\/p\u003e\u003cp\u003eThe FX30 benefits from a tweaked control menu that makes it more intuitive to operate:\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eThe main menu provides a quick view of all your most important video settings, including Picture Profile, recording format, white balance, aperture, ISO, and more.\u003c\/li\u003e\n\u003cli\u003eThe shooting screen relocates the information on settings and status icons to the edges of the screen so that the image remains clear.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":46494081384678,"sku":"17471","price":29999000.0,"currency_code":"IDR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/3088\/0230\/files\/1780025003.jpg?v=1780986390"},{"product_id":"blackmagic-design-pocket-cinema-camera-4k","title":"Blackmagic Design Pocket Cinema Camera 4K","description":"\u003ch2\u003eBlackmagic Design Pocket Cinema Camera 4K MFT... Overview\u003c\/h2\u003e\u003cp\u003eKey Features\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e4\/3\"-Sized HDR Sensor\u003c\/li\u003e\n\u003cli\u003eDCI 4K60, 2.8K80 Raw in 4:3 Anamorphic\u003c\/li\u003e\n\u003cli\u003eDual Native 400\/3200 ISO \/ up to 25,600\u003c\/li\u003e\n\u003cli\u003eBlackmagic RAW and ProRes RAW\/RAW HQ\u003c\/li\u003e\n\u003cli\u003e5\" Touchscreen Display\u003c\/li\u003e\n\u003cli\u003eActive Micro Four Thirds Lens Mount\u003c\/li\u003e\n\u003cli\u003eCFast 2.0 and SD\/UHS-II Card Slots\u003c\/li\u003e\n\u003cli\u003eExternal Recording via USB-C\u003c\/li\u003e\n\u003cli\u003e13-Stop Dynamic Range, 3D LUT Support\u003c\/li\u003e\n\u003cli\u003eIncludes DaVinci Resolve Studio License\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003e\u003cbr\u003e\u003c\/h2\u003e\u003cp\u003e\u003cem\u003eThe \u003c\/em\u003e\u003cstrong\u003e\u003cem\u003eBlackmagic Design Pocket Cinema Camera 4K\u003c\/em\u003e\u003c\/strong\u003e\u003cem\u003e features a 4\/3\" sensor for capturing up to 4096 x 2160 DCI 4K images at rates up to 75 fps in a variety of codecs, including Blackmagic RAW at several bit rates, Apple ProRes RAW, ProRes RAW HQ, and various ProRes 422 options. With the 6.6 update, the BMPCC 4K now offers up to 80 fps in a 2.8K raw mode for 4:3 anamorphic and up to 75 fps in a 4K raw mode in 2.4:1 widescreen. A 2x de-squeeze preview is available for 4:3 recording as well as a 1.33x de-squeeze option. Slow-motion rates up to 120 fps are available in 2.6K raw for Super16 lenses and in cropped Full HD. The 6.6 update makes operating easier with support for the Pocket Battery Grip and a built-in horizon level function. Further 6.6 update features include support for additional languages, USB PTP control, customizable frame guides, an up to 8x pinch-to-zoom function, the ability to embed custom LUTs as metadata in Blackmagic RAW, and more.\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003eThe Micro Four Thirds lens mount accommodates the original, lightweight Pocket Cinema Camera lenses and can be used with PL, C, EF, and other lenses with the use of separately available adapters. A dual-native ISO up to 25,600 is featured for low-light capture, and 13 stops of dynamic range provide rich HDR images.\u003c\/p\u003e\u003cp\u003eRecord using the internal CFast 2.0 and SD\/UHS-II card slots or employ the USB-C output for capturing longer clips to an external drive. The Pocket Cinema Camera 4K's 5\" touchscreen LCD reduces the need for an external, onboard monitor, while a full-sized HDMI port enables you to output a signal to a larger display. The menu and interface are the same as the ones found on the URSA Mini camera, and 3D LUTs can be applied for monitoring or baking in your look when you're ready to commit.\u003c\/p\u003e\u003cp\u003eAudio features include a mini-XLR input with phantom power for pro-style mics, a 3.5mm jack, and an internal stereo mic. Additional features include the same Blackmagic OS as the URSA Mini and Bluetooth remote control. A license key for DaVinci Resolve Studio is included for versatile post-production control. The Pocket Cinema Camera 4K's carbon fiber composite build provides lightweight strength and durability, and power options include running off the included Canon LP-E6 type battery or the included power supply.\u003c\/p\u003e\u003cp\u003e4\/3\" Image Sensor \/ Dual Native ISO\u003c\/p\u003e\u003cp\u003eThe Pocket Cinema Camera 4K uses a 4\/3\" sensor, 13 stops of dynamic range, and a dual native ISO up to 25,600 to capture rich images at resolutions up to DCI 4K.\u003c\/p\u003e\u003cp\u003eActive Micro Four Thirds Lens Mount\u003c\/p\u003e\u003cp\u003eUse lightweight, electronically controlled MFT lenses, or use separately available adapters to expand your lens choices to include PL, C, or EF-mount lenses.\u003c\/p\u003e\u003cp\u003eAnamorphic Capture\u003c\/p\u003e\u003cp\u003eBlackmagic RAW 4:3 2880 x 2160 (2.8K) anamorphic options with 2x and 1.33x de-squeeze preview functions.\u003c\/p\u003e\u003cp\u003eShooting Resolutions\u003c\/p\u003e\u003cp\u003e4096 x 2160 (DCI 4K), 2.4:1 4096 x 1712 (4K), 3840 x 2160 (Ultra HD 4K), Super16 2688 x 1512 (2.6K), 1920 x 1080 (HD).\u003c\/p\u003e\u003cp\u003eAspect Ratio Options\u003c\/p\u003e\u003cp\u003eCreate customized aspect ratios or choose preset guidelines, including 1:1 and 4:5.\u003c\/p\u003e\u003cp\u003eBlackmagic RAW, ProRes RAW, and ProRes Options\u003c\/p\u003e\u003cp\u003eChoose from Blackmagic RAW, Apple ProRes RAW, ProRes RAW HQ, and ProRes 422 file options, depending on your project's needs.\u003c\/p\u003e\u003cp\u003e5\" Touchscreen Display\u003c\/p\u003e\u003cp\u003eA large 5\" touchscreen display reduces the need for an external onboard monitor, while a full-sized HDMI port enables you to output a signal to a larger display on your video village.\u003c\/p\u003e\u003cp\u003eCFast 2.0, SD\/UHS-II, and USB-C Capture\u003c\/p\u003e\u003cp\u003eInternally record to CFast 2.0 or SD\/UHS-II card slots, or capture longer clips using the USB-C output to an external drive.\u003c\/p\u003e\u003cp\u003eFlexible Power Options\u003c\/p\u003e\u003cp\u003eThe Pocket Cinema Camera 4K can be powered using a rechargeable Canon LP-E6 type battery, the separately available Pocket Battery Grip, or the included power supply.\u003c\/p\u003e\u003cp\u003eDaVinci Resolve Studio\u003c\/p\u003e\u003cp\u003eAn activation key for DaVinci Resolve Studio is included with the camera.\u003c\/p\u003e","brand":"Blackmagic","offers":[{"title":"Default Title","offer_id":46494160879846,"sku":"11789","price":24780000.0,"currency_code":"IDR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/3088\/0230\/files\/1762934143.jpg?v=1781087272"},{"product_id":"blackmagic-design-pocket-cinema-camera-4k-dc-cable-pack","title":"Blackmagic Design Pocket Cinema Camera 4K DC Cable Pack","description":"\u003ch2\u003eBlackmagic Design CABLE-CCPOC4K\/DC Overview\u003c\/h2\u003e\u003cp\u003eKey Features\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003ePower Your Pocket Cinema Camera 4K\u003c\/li\u003e\n\u003cli\u003eThree DC Power Cables\u003c\/li\u003e\n\u003cli\u003e2-Pin Power to D-Tap Cable\u003c\/li\u003e\n\u003cli\u003e2-Pin Power to 2.5mm Barrel Cable\u003c\/li\u003e\n\u003cli\u003e2-Pin Power to Flying Leads Cable\u003c\/li\u003e\n\u003cli\u003eEach Cable is 25.6\" Long\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cem\u003eThis \u003c\/em\u003e\u003cstrong\u003e\u003cem\u003eBlackmagic Design Pocket Cinema Camera 4K DC Cable Pack\u003c\/em\u003e\u003c\/strong\u003e\u003cem\u003e contains three different cables to power your Pocket Cinema Camera 4K. You can choose to power your camera via its 2-pin power port through D-Tap, 2.5mm barrel, or add your own connector on the cable with flying leads. Each cable measures 25.6\" long.\u003c\/em\u003e\u003c\/p\u003e\u003ch2\u003e\u003cbr\u003e\u003c\/h2\u003e","brand":"Blackmagic","offers":[{"title":"Default Title","offer_id":46494160945382,"sku":"11788","price":6050000.0,"currency_code":"IDR","in_stock":true}]},{"product_id":"blackmagic-pyxis-6k","title":"Blackmagic PYXIS 6K","description":"\u003ch2\u003eBlackmagic Design PYXIS 6K Overview\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cstrong\u003eKey Features\u003c\/strong\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eFull Frame 6K Sensor\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eUp to 6K36 fps Open Gate \/ 6K Anamorphic\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e13-Stop Dynamic Range, Dual-Native ISO\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eLeica L Lens Mount\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e4\" HDR LCD Touchscreen\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eRecords Blackmagic RAW and H.264 Proxies\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eBuilt-In Streaming via Ethernet or 4G\/5G\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eSwitchable Side Plates, Mounting Threads\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eTwo CFexpress Card Slots, USB-C Port\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eEthernet and 12G-SDI Ports\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe \u003cstrong\u003eBlackmagic Design PYXIS 6K Cinema Box Camera\u003c\/strong\u003e takes the digital film innovations of the Blackmagic Design Cinema Camera 6K and turns it into a box-style cinema camera with a native Leica L lens mount with customizable side plates. A full-frame 6K sensor captures rich colors, accurate skin tones, and a wide 13-stop dynamic range with its expanded 36 x 24mm sensor. Record both Blackmagic RAW and H.265 proxy files to the cloud or even stream directly to your social media platform of choice via Ethernet or mobile 4G\/5G technology. The PYXIS can film up to 6K Open Gate 3:2 video at 36 fps or 6K Anamorphic 6:5 video at 60 fps, among other selectable resolutions.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cimg class=\"img img-responsive\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232261.jpg\" style=\"height:422px; width:750px\"\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cimg class=\"img img-responsive\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232265.jpg\" style=\"height:422px; width:750px\"\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eLarge-Format Digital Film Sensor\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe PYXIS is equipped with a massive 24 x 36mm full-frame sensor with native 6048 x 4032 resolution, making it 3x larger than a Super35 sensor. This allows you to shoot with a shallow depth of field or use anamorphic lenses without cropping for a true cinematic look. A 13-stop dynamic range with dual-native ISO up to 25,600 ensures low-noise imagery in all lighting conditions. Shoot up to 36 fps at full sensor resolution or 120 fps windowed.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cimg class=\"img img-responsive\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232263.jpg\" style=\"height:500px; width:750px\"\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eFlexible Film Formats\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eWork in a variety of film formats and aspect ratios without sacrificing quality, thanks to the large sensor. At its full area, the sensor provides you with Open Gate 3:2 images for easier framing in post-production. You can also work in true 6:5 anamorphic without needing to crop for widescreen cinematics. Use a Super35-sized window to create a close-up version of your shot.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eMultiple Resolutions and Frame Rates\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eShoot in standard video resolutions and frame rates from HD to 6K or still images at 24.6 MP using the PYXIS. For higher frame rates, you can window the center and shoot up to 100 fps at 212 x 1184 Super 16. Other options include 6K Open Gate 3:2 at 36 fps, 4832 x 4032 anamorphic at 24 fps, and 1920 x 1080 at 120 fps, among other resolutions.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cimg class=\"img img-responsive\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232258.jpg\"\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eHDR Imagery and Dual-Native ISO\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eA wide 13-stop dynamic range preserves more detail in both the lightest and darkest areas of your image. Set the exposure for an indoor scene while still retaining details in the bright outdoor light coming through a window. An expanded color range and included DaVinci Resolve Studio code give you creative freedom over the look of your footage. Dual-native ISO up to 25,600 minimizes grain and noise in your images while maintaining the full dynamic range of the sensor. ISO 400 is ideal for on-set lighting configurations, while ISO 3200 is perfect for dimly lit environments. The gain is automatically set as you adjust your ISO for intuitive control.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cimg class=\"img img-responsive\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232262.jpg\" style=\"height:422px; width:750px\"\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eCustomize Your Gear\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eMounting threads on the side of the PYXIS allow you to secure additional mounting plates and customize your gear configuration. The standard plate included with the PYXIS secures via M4 threads and adds two 1\/4\"-20 threads and one 3\/8\"-16 thread to the camera for microphones, articulating arms, or other accessories. An SSD plate offers two hook-and-loop straps for attaching a USB-C drive or mobile device, allowing you to directly record or live stream on the go. A separately available Rosette plate can be purchased for further expansion.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cimg class=\"img img-responsive\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232257.jpg\" style=\"height:422px; width:750px\"\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eLCD Monitor and Onboard Controls\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eUse the built-in 4\" LCD touchscreen to monitor and review your shots on set. Its full HD resolution allows you to frame and focus without requiring an additional external unit. A maximum brightness of 1500 cd\/m² ensures visibility even in bright sunlit conditions. On-screen overlays show status and recording parameters, histograms, levels, frame guides, and 3D LUTS, among other tools.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eOnboard controls allow you to toggle functions like ISO, white balance, and shutter with ease. A scroll wheel makes quick adjustments, and three customizable function buttons can tailor your workflow to your preference. The controls can be locked to avoid accidental pressing during shooting.\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cimg class=\"img img-responsive\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232259.jpg\" style=\"height:500px; width:750px\"\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003ePost-Production File Formats\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe PYXS records in Blackmagic RAW to preserve control of detail, exposure, and color during post-production. It also records H.264 proxy files in real time for easy sharing using the Blackmagic Cloud, Ethernet connection, or by connecting 5G\/4G mobile phones to the USB-C port for mobile connection. Media files work on all operating systems.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cimg class=\"img img-responsive\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232253.jpg\" style=\"height:422px; width:750px\"\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eMultiple Recording Options\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eTwo built-in CFExpress Type-B card slots and a USB-C expansion port allow you to record directly to external flash media disks or SSDs.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cimg class=\"img img-responsive\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232252.jpg\" style=\"height:422px; width:750px\"\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eBuilt-In SRT and RTMP Live Streaming\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eLive stream directly from the PYXIS on set to a secondary location via SRT and RTMP protocols. Compatible platforms like YouTube, Facebook, and X can support signals from the PYXIS for live event production. If you want to share internally, use an ATEM Streaming Bridge for a wireless link back to the studio.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cimg class=\"img img-responsive\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232254.jpg\" style=\"height:500px; width:750px\"\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eExpansive Connectivity\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eThe front of the PYXIS boasts a USB-C port for the Blackmagic URSA Cine EVF and a mini 3-pin XLR analog audio input with +48V Phantom power for microphone integration.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eThe back of the PYXIS has a headphone monitoring jack and an additional 3.5mm microphone input. Use the USB-C port at the back of the camera to connect to recording devices or mobile data. A 12G-SDI output integrates a secondary monitor. A Reference\/Timecode input port syncs your sources while an RJ45 Ethernet connection uploads footage to Blackmagic Cloud or controls the camera.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003ePower the PYXIS using the locking 2-pin DC power connector or the Sony BP-U battery plate.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eDownload the Blackmagic Camera Control app for wireless Bluetooth control from up to 30' away.\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e","brand":"Blackmagic","offers":[{"title":"Default Title","offer_id":46494164222182,"sku":"111164","price":73680000.0,"currency_code":"IDR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/3088\/0230\/files\/blackmag_fyjqbfhbu4czb8p2.webp?v=1781087279"},{"product_id":"blackmagic-pyxis-6k-ef","title":"Blackmagic PYXIS 6K EF","description":"\u003ch2\u003eBlackmagic Design PYXIS 6K Overview\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cstrong\u003eKey Features\u003c\/strong\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eFull Frame 6K Sensor\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eUp to 6K36 fps Open Gate \/ 6K Anamorphic\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e13-Stop Dynamic Range, Dual-Native ISO\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eCanon EF Lens Mount\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e4\" HDR LCD Touchscreen\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eRecords Blackmagic RAW and H.264 Proxies\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eBuilt-In Streaming via Ethernet or 4G\/5G\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eSwitchable Side Plates, Mounting Threads\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eTwo CFexpress Card Slots, USB-C Port\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eEthernet and 12G-SDI Ports\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe \u003cstrong\u003eBlackmagic Design PYXIS 6K Cinema Box Camera\u003c\/strong\u003e takes the digital film innovations of the Blackmagic Design Cinema Camera 6K and turns it into a box-style cinema camera with a lockable Canon EF lens mount and customizable side plates. A full-frame 6K sensor captures rich colors, accurate skin tones, and a wide 13-stop dynamic range with its expanded 36 x 24mm sensor. Record both Blackmagic RAW and H.265 proxy files to the cloud or even stream directly to your social media platform of choice via Ethernet or mobile 4G\/5G technology. The PYXS can film up to 6K Open Gate 3:2 video at 36 fps or 6K Anamorphic 6:5 video at 60 fps, among other selectable resolutions.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cimg class=\"img img-responsive\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232280.jpg\" style=\"height:422px; width:750px\"\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cimg class=\"img img-responsive\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232284.jpg\" style=\"height:422px; width:750px\"\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eLarge-Format Digital Film Sensor\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe PYXIS is equipped with a massive 24 x 36mm full-frame sensor with a native 6048 x 4032 resolution, making it 3x larger than a Super35 sensor. This allows you to shoot with a shallow depth of field or use anamorphic lenses without cropping for a true cinematic look. A 13-stop dynamic range with dual-native ISO up to 25,600 ensures low-noise imagery in all lighting conditions. Shoot up to 36 fps at full sensor resolution or 120 fps windowed.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e \u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eFlexible Film Formats\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eWork in a variety of film formats and aspect ratios without sacrificing quality, thanks to the large sensor. At its full area, the sensor provides you with Open Gate 3:2 images for easier framing in post-production. You can also work in true 6:5 anamorphic without needing to crop for widescreen cinematics. Use a Super35-sized window to create a close-up version of your shot.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eMultiple Resolutions and Frame Rates\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eShoot in standard video resolutions and frame rates from HD to 6K or still images at 24.6 MP using the PYXIS. For higher frame rates, you can window the center and shoot up to 100 fps at 212 x 1184 Super 16. Other options include 6K Open Gate 3:2 at 36 fps, 4832 x 4032 anamorphic at 24 fps, and 1920 x 1080 at 120 fps, among other resolutions.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e \u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eHDR Imagery and Dual-Native ISO\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eA wide 13-stop dynamic range preserves more detail in both the lightest and darkest areas of your image. Set the exposure for an indoor scene while still retaining details in the bright outdoor light coming through a window. An expanded color range and included DaVinci Resolve Studio code give you creative freedom over the look of your footage. Dual-native ISO up to 25,600 minimizes grain and noise in your images while maintaining the full dynamic range of the sensor. ISO 400 is ideal for on-set lighting configurations, while ISO 3200 is perfect for dimly lit environments. The gain is automatically set as you adjust your ISO for intuitive control.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cimg class=\"img img-responsive\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232281.jpg\" style=\"height:422px; width:750px\"\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eCustomize Your Gear\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eMounting threads on the side of the PYXIS allow you to secure additional mounting plates and customize your gear configuration. The standard plate included with the PYXIS secures via M4 threads and adds two 1\/4\"-20 threads and one 3\/8\"-16 thread to the camera for microphones, articulating arms, or other accessories. An SSD plate offers two hook-and-loop straps for attaching a USB-C drive or mobile device, allowing you to directly record or live stream on the go. A separately available Rosette plate can be purchased for further expansion.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cimg class=\"img img-responsive\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232276.jpg\" style=\"height:422px; width:750px\"\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eLCD Monitor and Onboard Controls\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eUse the built-in 4\" LCD touchscreen to monitor and review your shots on set. Its full HD resolution allows you to frame and focus without requiring an additional external unit. A maximum brightness of 1500 cd\/m² ensures visibility even in bright sunlit conditions. On-screen overlays show status and recording parameters, histograms, levels, frame guides, and 3D LUTS, among other tools.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eOnboard controls allow you to toggle functions like ISO, white balance, and shutter with ease. A scroll wheel makes quick adjustments, and three customizable function buttons can tailor your workflow to your preference. The controls can be locked to avoid accidental pressing during shooting.\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cimg class=\"img img-responsive\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232278.jpg\" style=\"height:500px; width:750px\"\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003ePost-Production File Formats\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe PYXS records in Blackmagic RAW to preserve control of detail, exposure, and color during post-production. It also records H.264 proxy files in real time for easy sharing using the Blackmagic Cloud, Ethernet connection, or by connecting 5G\/4G mobile phones to the USB-C port for mobile connection. Media files work on all operating systems.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cimg class=\"img img-responsive\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232272.jpg\" style=\"height:422px; width:750px\"\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eMultiple Recording Options\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eTwo built-in CFExpress Type-B card slots and a USB-C expansion port allow you to record directly to external flash media disks or SSDs.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cimg class=\"img img-responsive\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232271.jpg\" style=\"height:422px; width:750px\"\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eBuilt-In SRT and RTMP Live Streaming\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eLive stream directly from the PYXIS on set to a secondary location via SRT and RTMP protocols. Compatible platforms like YouTube, Facebook, and X can support signals from the PYXIS for live event production. If you want to share internally, use an ATEM Streaming Bridge for a wireless link back to the studio.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cimg class=\"img img-responsive\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232273.jpg\" style=\"height:500px; width:750px\"\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eExpansive Connectivity\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eThe front of the PYXIS boasts a USB-C port for the Blackmagic URSA Cine EVF and a mini 3-pin XLR analog audio input with +48V Phantom power for microphone integration.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eThe back of the PYXIS has a headphone monitoring jack and an additional 3.5mm microphone input. Use the USB-C port at the back of the camera to connect to recording devices or mobile data. A 12G-SDI output integrates a secondary monitor. A Reference\/Timecode input port syncs your sources while an RJ45 Ethernet connection uploads footage to Blackmagic Cloud or controls the camera.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003ePower the PYXIS using the locking 2-pin DC power connector or the Sony BP-U battery plate.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eDownload the Blackmagic Camera Control app for wireless Bluetooth control from up to 30' away.\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e","brand":"Blackmagic","offers":[{"title":"Default Title","offer_id":46494164287718,"sku":"111165","price":73480000.0,"currency_code":"IDR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/3088\/0230\/files\/blackmag_otcj21w2ne9bygoq.webp?v=1781087279"},{"product_id":"blackmagic-design-pocket-cinema-camera-6k-pro","title":"Blackmagic Design Pocket Cinema Camera 6K Pro","description":"\u003ch2\u003eBlackmagic Design Pocket Cinema Camera 6K Pro Overview\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eKey Features\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eBright 1500 cd\/m‚² Tilting HDR LCD\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eSuper35 HDR Sensor, Gen 5 Color Science\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eDual XLR Inputs, Canon Active EF Mount\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eNP-F570 Battery, Built-In ND Filters\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eRecord 6K 6144 x 3456 up To 50 fps\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eDual Native 400 \u0026amp; 3200 ISO To 25,600\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eCFast 2.0 \u0026amp; SD\/UHS-II Card Slots\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eRecord up To 120 fps Windowed HD\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eUSB Type-C Recording, 3D LUT Support\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e13-Stop Dynamic Range, Autofocus Support\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eTo top their previous achievement with the Pocket Cinema Camera 6K, Blackmagic Design adds an even more full-featured, compact Super35 camera To their cine-style line with the Pocket Cinema Camera 6K Pro. The 6K Pro features all the recording features, sensor, dynamic Range, buttons, and ports as its predecessor, and adds a variety of important new features such as a 5\" tilting HDR capacitive touchscreen LCD with 1500 cd\/m‚² brightness, a Pro EVF option, built-in clear\/2\/4\/6-stop ND filters, dual mini-XLR inputs, an accurate timecode clock, an NP-F570 L-series battery slot, and updated Gen 5 color science.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003ewith only a slightly larger form factor than the 6L, the 6K Pro records the same resolutions up To 50 fps 6144 x 3456 video, and it retains the valuable active Canon EF mount, letting users take advantage of the expansive array of EfEF-S mount lenses available. The EF mount supports iris, autofocus, and zoom functions using electronic communication when using compatible lenses.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eThe 6K Pro can turn one frame into two by cropping a second shot from one frame, upscaling To 8K, or simply capturing rich, detailed footage with your favorite EfEF-S-mount lens. The updated Gen 5 internal color processing makes it easy To intercut 6K Pro, 6K, and BMPCC 4K footage. Record using the internal CFast 2.0 and SD\/UHS-II card slots or via the full-size HDMI port To an optional ATEM Mini switcher for live streaming, or output via the USB Type-C port To capture longer clips To an external drive. The 6K Pro includes a DaVinci Resolve Studio license and supports Blackmagic Raw capture from the sensor. Using the Raw format with the sensor metadata simplifies editing To suit any project and makes editing easier with DaVinci Resolve.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eThe compact 6K Pro retains the familiar controls and menu layout of the 6K model, such as ISO support up To 25,600, 13 stops of dynamic Range, and 1920 x 1080 HDR monitor output. Professional audio support now includes two mini XLR inputs with phantom +48V power, a 3.5mm stereo input, a mono speaker, a headphone output, and a built-in stereo mic system.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eAdditional pro features include lens metadata support, 3D LUT application for both monitoring and recording, up To 21.2MP still image capture, and a multifunction grip that enables single-handed operation. Sync multiple cameras for a concert, event, or other multicamera shoots by linking an external timecode generator To the 6K Pro internal timecode generator (accessed via the 3.5mm audio port). Then save valuable time by using Resolve To automatically sync your multicamera shots in post.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eIn addition To the DaVinci Resolve Studio activation key, the 6K Pro comes with a 30W power supply offering simultaneous battery charging, an MP-F570 battery, a lens port cap, and a camera strap. 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The Ethernet connection enables you to set up a SMPTE-style workflow using a more affordable single-cable setup with PoE (power over ethernet) and the 12G-SDI output and program return provides camera control, talkback, and tally functions. This latest 4K Pro model retains features like a 7\" touchscreen monitor, HDMI output, Blackmagic Raw recording, HDR support, XLR audio, and Micro Four Thirds lens mount from its predecessor.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eCompact and Lightweight Design\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe Blackmagic Studio Camera 4K Pro G2 tucks the benefits of a large studio camera into a single compact design. Its lightweight carbon fiber reinforced polycarbonate body provides innovative technology in a miniaturized design. The camera is designed for live production, so it's easy to track and frame shots with its large 7\" viewfinder. Control is provided via your switcher or software or by using the touchscreen menus for camera settings and knobs for brightness, contrast, and focus peaking. The included tripod mount with 15mm LWS rod ports and mounting plate speeds your setup.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003ePowerful Broadcast Connections\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eWith 12G-SDI, 10GbE Ethernet, talkback, and balanced XLR audio inputs, the Blackmagic Studio Camera 4K Pro G2 model is designed for use with robust SDI switchers workflows. Interfaces designed for both broadcast and consumer components include HDMI with tally, camera control, a record trigger, and headphone and mic connections including dual XLR ports, and two USB Type-C expansion ports. The 10G Ethernet allows all video, tally, talkback, and camera power via a single connection, so your setup is fast and more affordable.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eGlobal Live Streaming\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eBuilt-in live streaming means you can use the Blackmagic Studio Camera 4K Pro G2 as a remote camera anywhere in the world and generate an H.264 live stream sent via the internet back to your studio. You can even back up your Ethernet link by connecting your 4G or 5G smartphone to one of the USB-C ports. The live stream is converted back to video in the studio by an ATEM Streaming Bridge, which also supports tally, talkback, and camera control.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eExceptional Low-Light Performance\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe Blackmagic Studio Camera 4K Pro G2 features gain from -12 dB (100 ISO) up to +36 dB (25,600 ISO), so it's optimized to reduce grain and noise in images while maintaining the full dynamic range of the sensor. The primary native ISO is 400, which is ideal for use under studio lighting. The secondary high-base ISO of 3200 is perfect when shooting in dimly lit environments. The gain can be set from the camera or remotely from a switcher using the SDI or Ethernet remote camera control.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eCinematic Images in Live Production\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe amazing 4K sensor combined with Blackmagic generation 5 color science gives you the same imaging technology used in digital film cameras, producing cinematic images for live production. Plus, when combined with the built-in DaVinci Resolve primary color corrector, you get much better images than simple broadcast cameras. The color corrector can even be controlled from the switcher. With 13 stops of dynamic range, the Studio 4K Pro G2 camera has darker blacks and brighter whites, perfect for color correction. The sensor features a resolution of 4096 x 2160, which is great for both HD and Ultra HD work. Plus, all models support from 23.98 up to 60 fps.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eAffordable Photographic Lenses\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eWith the popular MFT lens mount, Studio Camera 4K Pro G2 is compatible with a wide range of affordable photographic lenses. Photographic lenses have incredible quality because they're designed for use in high-resolution photography. Plus, the active lens mount lets you adjust the lens remotely. To eliminate the need to reach around to adjust the lens zoom and focus, the optional focus and zoom demands let you adjust a compatible lens from the tripod handles, just like a large studio camera. This means you avoid camera shake when adjusting the lens, so you can track shots and operate the camera without taking your hands off the tripod. It gives you the same feel as an expensive B4 broadcast lens.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eFrame Shots with Large 7\" Viewfinder\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe large 7\" high-resolution screen will totally transform how you work with the camera because it's big enough to make framing shots much easier. The Pro model features an HDR display with extremely high brightness, perfect outdoors in sunlight. On-screen overlays show status and record parameters, histogram, focus peaking indicators, levels, frame guides, and more. You can even apply 3D LUTs for monitoring shots with the desired color and look. The touchscreen also has menus, and you can load and customize presets for different jobs. The included sunshade can be folded to protect the screen for transport, plus it's compatible with sunshades from the Blackmagic Studio Viewfinder.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003ePhysical and Touchscreen Controls\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eBlackmagic Studio Cameras feature physical buttons and knobs as well as touchscreen controls. Knobs on the right side of the camera allow adjusting of the brightness, contrast, and focus peaking. The focus peaking knob is incredibly useful as it lets you fine-tune the detail highlight, so you can get perfect focus as you zoom. Buttons on the left can have functions like zebra, false color, focus peaking, LUTs, and more assigned to them. You can change the function assigned to each button using the menus. The touchscreen also includes a heads-up display with the most important shooting information as well as menus for all camera settings, LUTs, and custom presets.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eCommunicate with the Director via Talkback\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eUnlike consumer cameras, the Blackmagic Studio Camera 4K Pro model has SDI connections that include talkback, so the switcher operator can communicate with cameras during live events. That means the director can talk to the camera operators to guide shot selection, eliminating the problem where all cameras could have the same shot at the same time. The talkback connector is built into the side of the camera and supports standard 5-pin XLR broadcast headsets. Talkback uses audio channels 15 and 16 in the SDI connection between the camera and the switcher, and in the program return from the switcher to the camera. This means any embedded SDI audio device can work with talkback.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eFour Ways to Connect\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eBlackmagic Studio Cameras can be connected in lots of different ways. All models feature HDMI, so they are perfect for HDMI switchers such as the ATEM Mini. The HDMI supports video, tally, control, and record trigger for a broadcast-style workflow using a single HDMI cable. The Blackmagic Studio Camera 4K Pro G2 has 12G-SDI, so you can connect it to SDI-based switchers such as the ATEM Constellation. There's a 12G-SDI connection for camera output video, and one for program return. The program return also includes tally, talkback, and remote camera control. Or you can use 10G Ethernet to get camera video, program return, tally, talkback, camera control, and even power using a regular Cat 6a Ethernet cable.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eBuilt-In Tally for On-Air Status\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eBlackmagic Studio Cameras feature a very large tally light that illuminates red for on-air, green for preview, and orange for ISO recording. The tally light also includes clip-on transparent camera numbers, so it's easy for talent to see camera numbers from up to 20' away. The Blackmagic Studio cameras support the SDI tally standard used on all ATEM live production switchers and the HDMI tally used on ATEM Mini switchers. This means a director can cut between cameras and the tally information will be sent back to the cameras via the SDI program return feed, lighting up the tally light on the camera whenever it's on air. SDI tally eliminates complex wiring, so job setup is faster.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eLow-Cost SMPTE Fiber Style Workflow\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe Blackmagic Studio Camera 4K Pro G2 model supports connecting cameras via a single Ethernet cable. It's so simple; just plug it in and you're ready. Traditional broadcast studio cameras use SMPTE fiber to communicate and power cameras; however, SMPTE fiber is very expensive. Blackmagic Studio Camera 4K Pro G2 model has 10G Ethernet as an alternative to SMPTE fiber, so it's much lower cost. The Ethernet includes all camera video, program return feeds, tally, talkback, camera control, and power. The Blackmagic Studio Converter handles all video conversions at the switcher end plus adds power to the Ethernet cable. That means you don't need to connect power to the camera.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eUSB Expansion Port for Accessories\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThis camera features a high-speed USB Type-C expansion port that allows you to record to external disks or connect to a wide range of accessories. Plug in an external USB flash disk and the camera can record high-quality 12-bit Blackmagic RAW files for later editing and color correction. That means you can just move the disk to a computer to work, and you don't need to waste time with file copying. You can even plug in optional focus and zoom demands to allow full lens control of compatible lenses. Plus, the USB port will power any phone or disk that's plugged in.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eBlackmagic RAW Quality\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eBlackmagic RAW is a revolutionary new format designed to capture and preserve the quality of the sensor data from your camera. Unlike highly compressed formats such as H.264, Blackmagic RAW eliminates compression problems, so you get stunning images with incredible detail and rich color throughout the whole postproduction pipeline. Blackmagic Raw also saves camera settings as metadata, so you can change ISO, white balance, and exposure later in DaVinci Resolve. Plus, the files are small and fast, so editing responsiveness is incredible.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eIncludes Built-In Microphones\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe Blackmagic Studio Camera 4K Pro G2 incorporates built-in microphones, so you get sound included in the design, making setup much faster. The built-in microphones are shock and wind resistant, so you get great sound, even in tough conditions. With each microphone placed at the edges of the screen, you get the advantage of the studio camera design for better stereo separation than what is possible on a regular video camera. There's also a 3.5mm audio input for connecting video camera microphones as well as a 3.5mm headphone jack. On the Blackmagic Studio Camera 4K Pro G2 model, you get professional XLR audio inputs and a built-in speaker for listening to the program return audio.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eMonitor Program Video\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe Blackmagic Studio Camera 4K Pro G2 lets you view program video from the switcher at the press of a button. Simply press the camera's PGM button, and the viewfinder will switch from the camera display to the program return feed from the switcher and monitor the switcher audio. Program return is a fantastic feature as sometimes on large live shows, camera operators can be left waiting a long time for their camera to be used, so program return lets them watch the show while they wait. This means that even if the camera operator is a large distance away from the switcher, they can still keep up with what's happening and remain alert.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eSupports 3D LUTs for Film Looks\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eWhen Blackmagic Raw files use logarithmic film gamma to preserve the camera dynamic range, 3D LUTs can be used to convert the images on the viewfinder display from looking flat and washed out. The 3D LUTs solve this problem because they convert the image just before it's displayed on the LCD. This allows the film gamma images being recorded to be converted to nicer-looking images on the LCD. The 3D LUTs are also saved into the Blackmagic Raw files, so they can be used in later postproduction, but they are never burned into the Blackmagic RAW image data, so you always have the option to disable them. This means the 3D LUT is transported in the Blackmagic RAW file, but only used when you enable it.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eLocalized in 13 Popular Languages\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe Blackmagic Studio Cameras are designed to be used worldwide, so they support 13 popular languages. When setting up your camera, you can choose to work in English, German, French, Spanish, Polish, Portuguese, Italian, Russian, Turkish, Chinese, Japanese, Korean, and Ukrainian. It's easy to switch to another language simply by going into the menu settings. 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This latest model of the Studio Camera not only boasts a 6K sensor for greater resolution and full RGB color, it also features an active Canon EF mount—providing compatibility with a large array of affordable EF-mount cine-style and still lenses. The Studio Camera 6K Pro now offers live streaming while retaining the talkback, tally, color correction, and raw recording to USB disks of the original 6K version. Built-in, electronically controllable ND filters let you quickly adapt to changing light conditions and a host of both broadcast and consumer interfaces makes it a snap to connect the 6K Pro to your studio setup.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eCinematic 6K Images for Live Production\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe larger 6K sensor combined with Blackmagic generation 5 color science gives you the same imaging technology used in digital film cameras, producing cinematic images for live production. When combined with the built-in DaVinci Resolve primary color corrector, you get much better images than simple broadcast cameras. The color corrector can even be controlled from the switcher. With 13 stops of dynamic range, the Studio 6K Pro camera has darker blacks and brighter whites, perfect for color correction. The sensor features a resolution of 6144 x 3456, which produces truly cinematic images with support for frame rates from 23.98 up to 60 fps.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eCanon EF Lens Mount\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eEquipped with a an active Canon EF lens mount, Studio Camera 6K Pro is compatible with a wide range of affordable cine-style and photographic lenses. Photographic lenses offer incredible quality because they're designed for use in high-resolution photography. Plus, the active lens mount lets you adjust the lens remotely. To eliminate the need to reach around to adjust the lens zoom and focus, the optional focus and zoom demands let you adjust a compatible lens from the tripod handles, just like a large studio camera. This means you avoid camera shake when adjusting the lens, so you can track shots and operate the camera without taking your hands off the tripod. It gives you the same feel as an expensive B4 broadcast lens.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eCompact and Lightweight Design\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe Blackmagic Studio Camera 6K Pro tucks the benefits of a large studio camera into a single compact design. Its lightweight carbon fiber-reinforced polycarbonate body provides innovative technology in a miniaturized design. The camera is designed for live production, so it's easy to track and frame shots with its large 7\" viewfinder. Control is provided via your switcher or software or by using the touchscreen menus for camera settings and knobs for brightness, contrast, and focus peaking. The included tripod mount with 15mm LWS rod ports and mounting plate speeds your setup.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eGlobal Live Streaming\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eBuilt-in live streaming means you can use the Blackmagic Studio Camera 6K Pro as a remote camera anywhere in the world and generate an H.264 live stream sent via the internet back to your studio. You can even back up your Ethernet link by connecting your 4G or 5G smartphone to one of the USB-C ports. The live stream is converted back to video in the studio by an ATEM Streaming Bridge, which also supports tally, talkback, and camera control.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eBuilt-In ND Filters\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eUse the Blackmagic Studio Camera 6K Pro's built-in ND filters to quickly and easily adjust the amount of light entering the camera. Designed to match the color of the camera, the 2, 4, and 6-stop neutral density filters (plus clear) filter both optical and IR wavelengths, eliminating IR contamination. The ND filters can be controlled using the buttons on the camera or remotely.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003ePowerful Broadcast Connections\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eWith 12G-SDI, 10GbE Ethernet, talkback, and balanced XLR audio inputs, the Blackmagic Studio Camera 6K Pro model is designed for use with robust SDI switchers workflows. Interfaces designed for both broadcast and consumer components include HDMI with tally, camera control, a record trigger, and headphone and mic connections including dual XLR ports, and two USB Type-C expansion ports. The 10G Ethernet allows all video, tally, talkback, and camera power via a single connection, so your setup is fast and more affordable.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eExceptional Low-Light Performance\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe Blackmagic Studio Camera 6K Pro features gain from -12 dB (100 ISO) up to +36 dB (25,600 ISO), so it's optimized to reduce grain and noise in images while maintaining the full dynamic range of the sensor. The primary native ISO is 400, which is ideal for use under studio lighting. The secondary high-base ISO of 3200 is perfect when shooting in dimly lit environments. The gain can be set from the camera or remotely from a switcher using the SDI or Ethernet remote camera control.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eFrame Shots with Large 7\" Viewfinder\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe large 7\" high-resolution screen will totally transform how you work with the camera because it's big enough to make framing shots much easier. The Pro model features an HDR display with extremely high brightness, perfect outdoors in sunlight. On-screen overlays show status and record parameters, histogram, focus peaking indicators, levels, frame guides, and more. You can even apply 3D LUTs for monitoring shots with the desired color and look. The touchscreen also has menus, and you can load and customize presets for different jobs. The included sunshade can be folded to protect the screen for transport, plus it's compatible with sunshades from the Blackmagic Studio Viewfinder.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003ePhysical and Touchscreen Controls\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eBlackmagic Studio Cameras feature physical buttons and knobs as well as touchscreen controls. Knobs on the right side of the camera allow adjusting of the brightness, contrast, and focus peaking. The focus peaking knob is incredibly useful as it lets you fine-tune the detail highlight, so you can get perfect focus as you zoom. Buttons on the left can have functions like zebra, false color, focus peaking, LUTs, and more assigned to them. You can change the function assigned to each button using the menus. The touchscreen also includes a heads-up display with the most important shooting information as well as menus for all camera settings, LUTs, and custom presets.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eCommunicate with the Director via Talkback\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eUnlike consumer cameras, the Blackmagic Studio Camera 6K Pro model has SDI connections that include talkback, so the switcher operator can communicate with cameras during live events. That means the director can talk to the camera operators to guide shot selection, eliminating the problem where all cameras could have the same shot at the same time. The talkback connector is built into the side of the camera and supports standard 5-pin XLR broadcast headsets. Talkback uses audio channels 15 and 16 in the SDI connection between the camera and the switcher, and in the program return from the switcher to the camera. This means any embedded SDI audio device can work with talkback.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eFour Ways to Connect\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eBlackmagic Studio Cameras can be connected in lots of different ways. All models feature HDMI, so they are perfect for HDMI switchers such as the ATEM Mini. The HDMI supports video, tally, control, and record trigger for a broadcast-style workflow using a single HDMI cable. The Blackmagic Studio Camera 6K Pro has 12G-SDI, so you can connect it to SDI-based switchers, such as the ATEM Constellation. There's a 12G-SDI connection for camera video and one for program return. The program return also includes tally, talkback, and remote camera control. Or you can use 10G Ethernet to get camera video, program return, tally, talkback, camera control, and even power using a regular Cat 6a Ethernet cable.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eBuilt-In Tally for On-Air Status\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eBlackmagic Studio Cameras feature a very large tally light that illuminates red for on-air, green for preview, and orange for ISO recording. The tally light also includes clip-on transparent camera numbers, so it's easy for talent to see camera numbers from up to 20' away. The Blackmagic Studio cameras support the SDI tally standard used on all ATEM live production switchers and the HDMI tally used on ATEM Mini switchers. This means a director can cut between cameras and the tally information will be sent back to the cameras via the SDI program return feed, lighting up the tally light on the camera whenever it's on air. SDI tally eliminates complex wiring, so job setup is faster.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eLow-Cost SMPTE Fiber Style Workflow\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe Blackmagic Studio Camera 6K Pro model supports connecting cameras via a single Ethernet cable. It's so simple; just plug it in and you're ready. Traditional broadcast studio cameras use SMPTE fiber to communicate and power cameras; however, SMPTE fiber is very expensive. Blackmagic Studio Camera 6K Pro model has 10G Ethernet as an alternative to SMPTE fiber, so it's much lower cost. The Ethernet includes all camera video, program return feeds, tally, talkback, camera control, and power. The Blackmagic Studio Converter handles all video conversions at the switcher end plus adds power to the Ethernet cable. That means you don't need to connect power to the camera.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eUSB Expansion Port for Accessories\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThis camera features a high-speed USB Type-C expansion port that allows you to record to external disks or connect to a wide range of accessories. Plug in an external USB flash disk and the camera can record high-quality, 12-bit Blackmagic Raw files for later editing and color correction. That means you can just move the disk to a computer to work, and you don't need to waste time with file copying. You can even plug in optional focus and zoom demands to allow full lens control of compatible lenses. Plus, the USB port will power any phone or disk that's plugged in.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eBlackmagic Raw Quality\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eBlackmagic Raw is a revolutionary format designed to capture and preserve the quality of the sensor data from your camera. Unlike highly compressed formats, such as H.264, Blackmagic Raw eliminates compression problems, so you get stunning images with incredible detail and rich color throughout the whole postproduction pipeline. Blackmagic Raw also saves camera settings as metadata, so you can change ISO, white balance, and exposure later in DaVinci Resolve. Plus, the files are small and fast, so editing responsiveness is incredible.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eIncludes Built-In Microphones\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe Blackmagic Studio Camera 6K Pro incorporates built-in microphones, so you get sound included in the design, making setup much faster. The built-in microphones are shock and wind resistant, so you get great sound, even in tough conditions. With each microphone placed at the edges of the screen, you get the advantage of the studio camera design for better stereo separation than what is possible on a regular video camera. There's also a 3.5mm audio input for connecting video camera microphones as well as a 3.5mm headphone jack. On the Blackmagic Studio Camera 6K Pro model, you get professional XLR audio inputs and a built-in speaker for listening to the program return audio.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eMonitor Program Video\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe Blackmagic Studio Camera 6K Pro lets you view program video from the switcher at the press of a button. Simply press the camera's PGM button, and the viewfinder will switch from the camera display to the program return feed from the switcher and monitor the switcher audio. Program return is a fantastic feature as sometimes on large live shows, camera operators can be left waiting a long time for their camera to be used, so program return lets them watch the show while they wait. This means that even if the camera operator is a large distance away from the switcher, they can still keep up with what's happening and remain alert.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eSupports 3D LUTs for Film Looks\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eWhen Blackmagic Raw files use logarithmic film gamma to preserve the camera dynamic range, 3D LUTs can be used to convert the images on the viewfinder display from looking flat and washed out. The 3D LUTs solve this problem because they convert the image just before it's displayed on the LCD. This allows the film gamma images being recorded to be converted to nicer-looking images on the LCD. The 3D LUTs are also saved into the Blackmagic Raw files, so they can be used in later postproduction, but they are never burned into the Blackmagic Raw image data, so you always have the option to disable them. This means the 3D LUT is transported in the Blackmagic Raw file, but only used when you enable it.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eLocalized in 13 Popular Languages\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe Blackmagic Studio Cameras are designed to be used worldwide, so they support 13 popular languages. When setting up your camera, you can choose to work in English, German, French, Spanish, Polish, Portuguese, Italian, Russian, Turkish, Chinese, Japanese, Korean, or Ukrainian. It's easy to switch to another language simply by going into the menu settings. When switching between languages, the on-screen overlays, heads-up display, and setup menus will be displayed in the selected language, and you can change languages any time you like.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003ePowers from DC or 10G Ethernet\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eBlackmagic Studio Camera 6K Pro has several power options, including a 12 VDC locking power connector that prevents the cable from being accidentally pulled out. The camera includes a power supply with five different AC socket adapters for different countries. However, if you're using a single Ethernet cable to connect to the Blackmagic Studio Camera 6K Pro model, then the whole camera and its accessories can be powered from the Ethernet connection. The Blackmagic Studio Converter has a large power supply that adds PoE power to the Ethernet cable, so you don't need any power connection to the camera. That's a great solution when there's no power available where the cameras are placed.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eOptional Accessories\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eYou can use the separately available Focus and Zoom demands to remotely control your compatible lens and the Blackmagic Studio Converter for a single Ethernet connection to the camera.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\u003cbr\u003e\u003c\/ul\u003e","brand":"Blackmagic","offers":[{"title":"Default Title","offer_id":46494164648166,"sku":"18496","price":60290000.0,"currency_code":"IDR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/3088\/0230\/files\/blackmag_0revtzw7ctvvh3gz.webp?v=1781087283"},{"product_id":"blackmagic-pyxis-6k-pl","title":"Blackmagic PYXIS 6K PL","description":"\u003ch2\u003eBlackmagic Design PYXIS 6K Overview\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eKey Features\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFull Frame 6K Sensor\u003c\/li\u003e\n\u003cli\u003eUp to 6K36 fps Open Gate \/ 6K Anamorphic\u003c\/li\u003e\n\u003cli\u003e13-Stop Dynamic Range, Dual-Native ISO\u003c\/li\u003e\n\u003cli\u003eCanon EF Lens Mount\u003c\/li\u003e\n\u003cli\u003e4\" HDR LCD Touchscreen\u003c\/li\u003e\n\u003cli\u003eRecords Blackmagic RAW and H.264 Proxies\u003c\/li\u003e\n\u003cli\u003eBuilt-In Streaming via Ethernet or 4G\/5G\u003c\/li\u003e\n\u003cli\u003eSwitchable Side Plates, Mounting Threads\u003c\/li\u003e\n\u003cli\u003eTwo CFexpress Card Slots, USB-C Port\u003c\/li\u003e\n\u003cli\u003eEthernet and 12G-SDI Ports\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eThe \u003cstrong\u003eBlackmagic Design PYXIS 6K Cinema Box Camera\u003c\/strong\u003e takes the digital film innovations of the Blackmagic Design Cinema Camera 6K and turns it into a box-style cinema camera with a lockable Canon EF lens mount and customizable side plates. A full-frame 6K sensor captures rich colors, accurate skin tones, and a wide 13-stop dynamic range with its expanded 36 x 24mm sensor. Record both Blackmagic RAW and H.265 proxy files to the cloud or even stream directly to your social media platform of choice via Ethernet or mobile 4G\/5G technology. The PYXS can film up to 6K Open Gate 3:2 video at 36 fps or 6K Anamorphic 6:5 video at 60 fps, among other selectable resolutions.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232280.jpg\"\u003e\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232284.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eLarge-Format Digital Film Sensor\u003c\/p\u003e\u003cp\u003eThe PYXIS is equipped with a massive 24 x 36mm full-frame sensor with a native 6048 x 4032 resolution, making it 3x larger than a Super35 sensor. This allows you to shoot with a shallow depth of field or use anamorphic lenses without cropping for a true cinematic look. A 13-stop dynamic range with dual-native ISO up to 25,600 ensures low-noise imagery in all lighting conditions. Shoot up to 36 fps at full sensor resolution or 120 fps windowed.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eFlexible Film Formats\u003c\/p\u003e\u003cp\u003eWork in a variety of film formats and aspect ratios without sacrificing quality, thanks to the large sensor. At its full area, the sensor provides you with Open Gate 3:2 images for easier framing in post-production. You can also work in true 6:5 anamorphic without needing to crop for widescreen cinematics. Use a Super35-sized window to create a close-up version of your shot.\u003c\/p\u003e\u003cp\u003eMultiple Resolutions and Frame Rates\u003c\/p\u003e\u003cp\u003eShoot in standard video resolutions and frame rates from HD to 6K or still images at 24.6 MP using the PYXIS. For higher frame rates, you can window the center and shoot up to 100 fps at 212 x 1184 Super 16. Other options include 6K Open Gate 3:2 at 36 fps, 4832 x 4032 anamorphic at 24 fps, and 1920 x 1080 at 120 fps, among other resolutions.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eHDR Imagery and Dual-Native ISO\u003c\/p\u003e\u003cp\u003eA wide 13-stop dynamic range preserves more detail in both the lightest and darkest areas of your image. Set the exposure for an indoor scene while still retaining details in the bright outdoor light coming through a window. An expanded color range and included DaVinci Resolve Studio code give you creative freedom over the look of your footage. Dual-native ISO up to 25,600 minimizes grain and noise in your images while maintaining the full dynamic range of the sensor. ISO 400 is ideal for on-set lighting configurations, while ISO 3200 is perfect for dimly lit environments. The gain is automatically set as you adjust your ISO for intuitive control.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232281.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eCustomize Your Gear\u003c\/p\u003e\u003cp\u003eMounting threads on the side of the PYXIS allow you to secure additional mounting plates and customize your gear configuration. The standard plate included with the PYXIS secures via M4 threads and adds two 1\/4\"-20 threads and one 3\/8\"-16 thread to the camera for microphones, articulating arms, or other accessories. An SSD plate offers two hook-and-loop straps for attaching a USB-C drive or mobile device, allowing you to directly record or live stream on the go. A separately available Rosette plate can be purchased for further expansion.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232276.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eLCD Monitor and Onboard Controls\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eUse the built-in 4\" LCD touchscreen to monitor and review your shots on set. Its full HD resolution allows you to frame and focus without requiring an additional external unit. A maximum brightness of 1500 cd\/m² ensures visibility even in bright sunlit conditions. On-screen overlays show status and recording parameters, histograms, levels, frame guides, and 3D LUTS, among other tools.\u003c\/li\u003e\n\u003cli\u003eOnboard controls allow you to toggle functions like ISO, white balance, and shutter with ease. A scroll wheel makes quick adjustments, and three customizable function buttons can tailor your workflow to your preference. The controls can be locked to avoid accidental pressing during shooting.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232278.jpg\"\u003e\u003c\/p\u003e\u003cp\u003ePost-Production File Formats\u003c\/p\u003e\u003cp\u003eThe PYXS records in Blackmagic RAW to preserve control of detail, exposure, and color during post-production. It also records H.264 proxy files in real time for easy sharing using the Blackmagic Cloud, Ethernet connection, or by connecting 5G\/4G mobile phones to the USB-C port for mobile connection. Media files work on all operating systems.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232272.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eMultiple Recording Options\u003c\/p\u003e\u003cp\u003eTwo built-in CFExpress Type-B card slots and a USB-C expansion port allow you to record directly to external flash media disks or SSDs.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232271.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eBuilt-In SRT and RTMP Live Streaming\u003c\/p\u003e\u003cp\u003eLive stream directly from the PYXIS on set to a secondary location via SRT and RTMP protocols. Compatible platforms like YouTube, Facebook, and X can support signals from the PYXIS for live event production. If you want to share internally, use an ATEM Streaming Bridge for a wireless link back to the studio.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232273.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eExpansive Connectivity\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eThe front of the PYXIS boasts a USB-C port for the Blackmagic URSA Cine EVF and a mini 3-pin XLR analog audio input with +48V Phantom power for microphone integration.\u003c\/li\u003e\n\u003cli\u003eThe back of the PYXIS has a headphone monitoring jack and an additional 3.5mm microphone input. Use the USB-C port at the back of the camera to connect to recording devices or mobile data. A 12G-SDI output integrates a secondary monitor. A Reference\/Timecode input port syncs your sources while an RJ45 Ethernet connection uploads footage to Blackmagic Cloud or controls the camera.\u003c\/li\u003e\n\u003cli\u003ePower the PYXIS using the locking 2-pin DC power connector or the Sony BP-U battery plate.\u003c\/li\u003e\n\u003cli\u003eDownload the Blackmagic Camera Control app for wireless Bluetooth control from up to 30' away.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003e\u003cbr\u003e\u003c\/h2\u003e","brand":"Blackmagic","offers":[{"title":"Default Title","offer_id":46494164713702,"sku":"111166","price":77980000.0,"currency_code":"IDR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/3088\/0230\/files\/blackmag_nz62lgsy05nqsseq.webp?v=1781087283"},{"product_id":"blackmagic-design-pocket-cinema-camera-6k","title":"Blackmagic Design Pocket Cinema Camera 6K","description":"\u003ch2\u003eBlackmagic Design Pocket Cinema Camera 6K Overview\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cstrong\u003eBlackmagic Design\u003c\/strong\u003e ups the ante in compact cine-style capture with their Super 35 sensor \u003cstrong\u003ePocket Cinema Camera 6K\u003c\/strong\u003e. Not only can the BMPCC 6K record up to 50 fps 6144 x 3456 video, but in a boon to lens connoisseurs everywhere, it features an active Canon EF mount, letting users take advantage of the expansive array of EF\/EF-S mount lenses available.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eTurn to the BMPCC 6K to turn one frame into two by cropping a second shot from one frame, to upscale to 8K, or to simply capture rich, detailed footage with your favorite EF\/EF-S mount lens. The same internal color processing makes it easy to intercut BMPCC 6K with BMPCC 4K footage. Record using the internal CFast 2.0 and SD\/UHS-II card slots or output via the USB-C port to capture longer clips to an external drive. The BMPCC 6K includes a DaVinci Resolve Studio license and supports Blackmagic Raw capture from the sensor. Using the Raw format with the sensor's metadata simplifies editing to suit any project and makes editing easier with DaVinci Resolve.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe compact BMPCC 6K retains the familiar controls and menu layout of the 4K version in a minimally deeper form to accommodate the EF lens mount. Features such as ISO support up to 25,600, 13 stops of dynamic Range, 1920 x 1080 monitor output, and a bright 1920 x 1080 touchscreen 5\" LCD are carried through from the BMPCC 4K as well. Professional audio support includes a mini XLR input with phantom +48V power and four built-in mics. Whether you're shooting an indie film, wildlife, or fashion, the BMPCC 6K's compact form is less intrusive than larger cameras, lending itself to more intimate setups. The BMPCC 6K is fashioned from a carbon fiber polycarbonate composite that is both lightweight and durable.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eAdditional pro features include lens metadata support, 3D LUT application for both monitoring and recording, up to 21.2MP still image capture, and a multifunction grip that enables single-handed operation. Sync multiple cameras for a concert, event, or other multicamera shoots by linking an external timecode generator to the BMPCC 6K's internal timecode generator (accessed via the 3.5mm audio port). Then save valuable time by using Resolve 16.1 to automatically sync your multicamera shots in post.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eIn addition to the DaVinci Resolve Studio activation key, the BMPCC 6K comes with a power supply offering simultaneous battery charging, an LP-E6 battery, a lens port cap, and a camera strap.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eFeatures\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eActive Canon EF Lens Mount\u003c\/h3\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eChoose from a wide array of Canon EF\/EF-S mount lenses and automatically populate lens metadata with compatible lenses\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eSuper 35 Image Sensor \/ Dual Native ISO\u003c\/h3\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe BMPCC 6K camera uses a Super 35-size sensor, 13 stops of dynamic Range, and a dual native ISO up to 25,600 to capture rich images at resolutions up to 6144 x 3456 50 fps\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eBlackmagic Raw and ProRes Options\u003c\/h3\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eCapture in Blackmagic Raw or ProRes 422 options depending on your project's needs\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eUp to 6K Shooting Resolutions\u003c\/h3\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eMultiple resolutions include 6144 x 3456 (6K), 6144 x 2560 (6K 2.4:1), 5744 x 3024 (5.7K 17:9), 4096 x 2160 (4K DCI), 1920 x 1080 (HD), and more\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eVersatile Media Capture Options\u003c\/h3\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eRecord internally to CFast 2.0 or SD\/UHS-II card slots, or capture longer clips using the USB-C output to an external drive\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eDaVinci Resolve Studio License Included\u003c\/h3\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe BMPCC 6K is compatible with DaVinci Resolve 16.1 and includes an activation key for Resolve Studio\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e \u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\u003cbr\u003e\u003c\/ul\u003e","brand":"Blackmagic","offers":[{"title":"Default Title","offer_id":46494164779238,"sku":"13665","price":42128000.0,"currency_code":"IDR","in_stock":false}]},{"product_id":"blackmagic-pocket-cinema-camera-6k-g2-bmpcc6kg2","title":"Blackmagic Pocket Cinema Camera 6K G2 BMPCC6KG2","description":"\u003ch2\u003eBlackmagic Design Pocket Cinema Camera 6K G2 Overview\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eKey Features\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eSuper 35 HDR Sensor, Gen 5 Color Science\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eCanon Active EF Mount, Mini XLR Inputs\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e5\" Tilting LCD Touchscreen\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eDoes Not Have Internal ND Filters\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eRecord 6K 6144 x 3456 up to 50 fps\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eRecord up to 120 fps Windowed 2.8K\/1080p\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eCFast 2.0 \u0026amp; SD\/UHS-II Card Slots\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eDual Native 400 \u0026amp; 3200 ISO\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eSupports Optional Pro EVF\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eSupports Optional Pro Battery Grip\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe \u003cstrong\u003ePocket Cinema Camera 6K G2\u003c\/strong\u003e is the latest compact Super35 camera to join the \u003cstrong\u003eBlackmagic Design\u003c\/strong\u003e series. This cine-style camera features the same 6K S35 sensor, recording features, dynamic range, interface ports, and controls as the 6K Pro but pares a few features to create a more affordable form. Features inherited from the 6K Pro include a 5\" tilting touchscreen LCD, Pro EVF and battery grip options, dual mini-XLR audio inputs, an NP-F570 L-series battery slot, and the updated Gen 5 color science. By eliminating the internal ND filters and reducing the 1500cd\/m² LCD brightness of the 6K Pro, Blackmagic now enables users to choose between two near identical 6K models as best suits their priorities.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe Blackmagic Design 6K G2 camera comes with a DaVinci Resolve Studio activation key plus a 30W power supply, offering simultaneous battery charging, an NP-F570 battery, a lens port cap, and a camera strap.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eFirmware Update 7.9\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eFirmware upgrade 7.9 features include:\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e \u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eA new focus-assist intensity adjustment slider\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eThe ability to select between SD and SSD media on the LCD screen itself\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eFrame guide color adjustment\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eImproved lens control and autofocus features\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eAdds support for focus and zoom demands—no longer just for studio cameras\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eGyro sensor information can be recorded into data and DaVinci Pro can use the gyro data to stabilize the footage\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eSuper35 Image Sensor\/Dual Native ISO\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe Pocket Cinema Camera 6K G2 camera uses a Super35 size sensor, 13 stops of dynamic range, and a dual native 400\/3200 ISO up to 25,600 to capture rich images at resolutions up to 6144 x 3456 up to 60 fps\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eGen 5 Color\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe 6K G2 uses the same advanced Gen 5 color science as the 6K Pro and URSA Mini Pro 12K cameras, making it easy to intercut 6K Pro, 6K, and BMPCC 4K footage.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eTilting 5\" LCD Touchscreen\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe 5\" tilting HDR touchscreen LCD makes it easy to view and adjust your settings, even when shooting in high or low modes.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eActive Canon EF Mount\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eChoose from a wide array of Canon EF\/EF-S-mount lenses\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eElectronic lens communication with iris, autofocus, and zoom control available with compatible lenses\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eMini-XLR Audio Inputs\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eProfessional audio support now includes two mini XLR inputs with phantom +48V power, a 3.5mm stereo input, a mono speaker, a headphone output, and a built-in stereo mic system.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eL-Series Batteries\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eBoth the 6K G2 camera and the optional battery grip use widely available NP-F570 L-series batteries\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eBlackmagic Raw and ProRes Recording\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eCapture in Blackmagic Raw or ProRes 422 options, depending on your project's needs, and record using the internal CFast 2.0 and SD\/UHS-II card slots or via the full-size HDMI port to an optional ATEM Mini switcher for live streaming or output via the USB Type-C port to capture longer clips to an external SSD.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eUp to 6K Shooting Resolutions\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eMultiple resolutions include:\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e \u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003e6144 x 3456 (6K), 6144 x 2560 (6K 2.4:1)\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e5744 x 3024 (5.7K 17:9), 4096 x 2160 (4K DCI)\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e1920 x 1080 (HD)\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eBoth 2868 x 1512 (2.8K 17:9) and 1920 x 1080 (HD) at rates up to 120 fps\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eVersatile Media Capture Options\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eRecord internally to CFast 2.0 or SD\/UHS-II card slots or capture longer clips using the USB Type-C output to an external SSD\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eStudio Camera Features\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eLike the Blackmagic Studio cameras, the BMPCC 6K G2 has a built-in color corrector that works with the ATEM Mini\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eSupports the optional pedestal-style focus and zoom controls\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eDaVinci Resolve Studio License Included\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe 6K G2 is compatible with DaVinci Resolve and includes an activation key for Resolve Studio\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e \u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\u003cbr\u003e\u003c\/ul\u003e","brand":"Blackmagic","offers":[{"title":"Default Title","offer_id":46494164812006,"sku":"16775","price":49380000.0,"currency_code":"IDR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/3088\/0230\/files\/blackmag_spw2oqmrtzb0qgeg.webp?v=1781087283"},{"product_id":"canon-eos-c400-6k-full-frame-digital-cinema-camera","title":"Canon EOS C400 6K Full-Frame Digital Cinema Camera","description":"\u003ch2\u003eCanon C400 Overview\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eKey Features\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003e6K FF Back-Illuminated CMOS Sensor\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eFull Frame, Super35 \u0026amp; Super16 Modes\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e6K60, DCI 4K\/2K, UHD 4K120\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eTriple-Base ISO: 800, 3200, 12,800\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003ePL Mount Adapter Available Separately\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eImproved Dual-Pixel CMOS AF II\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eRecord Internal XF-HEVC S, XF-AVC S\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eRecord Internal Cinema RAW Light, XF-AVC\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eTimecode, Genlock \u0026amp; Return Video Ports\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eCompact Form, Ethernet \u0026amp; Wi-Fi Control\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eCreators looking to capture a rich cine look while accessing versatile imaging tools can now turn to \u003cstrong\u003eCanon\u003c\/strong\u003e's RF-mount \u003cstrong\u003eEOS C400 6K Full-Frame Digital Cinema Camera\u003c\/strong\u003e. Based around a new 6K full-frame, back-illuminated CMOS sensor, the C400 features three ISO bases of 800, 3200, and 12,800, covering a truly wide range of light levels. This digital cinema camera blends high-resolution imagery with both cine-style and broadcast features like an optional Cooke\/i PL mount, return video, and both Super35 and Super16 modes with solo shooter-friendly functions such as Dual-Pixel CMOS AF II, internal ND filters, and a compact, lightweight form.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e \u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e6K Full-Frame Sensor\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eCanon has placed its new 6K CMOS sensor at the heart of the C400 camera, enabling it to offer exceptionally low noise, increased sensitivity efficiency, and better 4K imagery via 6K oversampling. This is all made possible thanks to the improved light capture technology of the back-illuminated, stacked CMOS sensor.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eTriple-Base ISOs\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe same 6K CMOS sensor also provides the choice of a trio of ISO speeds: 800, 3200, and 12,800, so you can capture both the brilliance of settings like Times Square or a full-sun landscape and the nuances of available light scenes like an interior location or a nighttime city skyline.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eMultiple Recording Formats\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eDifferent projects demand specific recording formats, and the C400 has you covered with up to 6K60 Cinema RAW and HQ, ST, and LT Cinema RAW Light 12-bit modes. Oversampled 4K with amazing detail is available in 10-bit 4:2:2 with frame rates up to 120p, all without cropping the image on the sensor. Slow- and fast-motion can be captured at rates up to UHD 4K120 and 2K180.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eCanon has made your editing process easier with two new codecs: XF-AVC S and XF-HEVC S, both featuring an easier naming system and folder structure and metadata preservation, all within the established MP4 format.\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eOptional PL-Mount Adapter\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cimg class=\"img img-responsive\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2260507.jpg\"\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eWiden your lens choices to include a range of beautiful pro cinema \"glass\" using the separately available PL-RF adapter for the C400. This adapter includes side lock plates for a secure fit and transfers Cooke\/i metadata for VF\/X and other post-production uses.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eDual Media Slots\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eFans of proxy recordings will appreciate the CFexpress Type-B and SD card slots on the C400, which enable sub-recording and proxy capture using the SD card slot while simultaneously recording up to raw using a CFexpress card.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eMechanical ND Filters\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eWhether you're shooting a cine-style feature or grabbing run-and-gun footage for a documentary or event coverage, you'll appreciate the ability to quickly dial in up to 10 stops of ND filtration with the C400. This near-instant exposure adjustment enables you to maintain your chosen depth of field since it negates the need to stop down on your lens.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eCompact, Lightweight Body\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cimg class=\"img img-responsive\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2260506.jpg\"\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eCanon's RF lens mount features a short flange back, reducing its lens mount area and overall size, which makes it the ideal camera for gimbal, handheld, or drone capture.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eImproved Autofocus Function\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eFor those moments or whole shoots where you're not assisted by a focus puller, the C400 offers Canon's dual-pixel autofocus function, which has been improved by the wider area of the back-illuminated CMOS sensor, which is available for autofocus. Intelligent tracking lets you follow the eyes, face, head, and body areas of a subject with increased accuracy. For nature documentary shooters, the C400 provides the ability to detect the eyes, face, or body of select animals without being affected by their size or facial orientation.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eProduction and Broadcast Features\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eThe versatile C400 incorporates a variety of interfaces that make it suitable for both film- and broadcast-style productions. These ports include 12G-SDI, 3G-SDI, and HDMI video outputs, dual mini-XLR audio inputs, timecode, genlock, and return video DIN connectors, and a 12-pin lens port.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eAn automatic clear-scan mode for the shutter detects your light source's frequency, helping to reduce or eliminate the flickering sometimes found in LED walls.\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eLCD, Handle, and Grip\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cimg class=\"img img-responsive\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2260504.jpg\"\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eErgonomic improvements featured by the C400 include a new touchscreen LCD, grip, and battery. The LCD mount has both angle and length adjustments for optimal positioning of the LCD whether you're shooting handheld, shoulder-mounted, or on a tripod. The ergonomic, articulated handgrip features a multifunction shoe, three assignable buttons, and captive screws that won't get lost when you're mounting or detaching the grip.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eEthernet\/Wi-Fi Control and IP Streaming\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eUse the C400's Ethernet port and Canon's IP-based XC protocol to add RC-IP1000, RC-IP100, or third-party remote-control shading to your broadcast-style shoot. The Canon RCCA (Remote Control Camera Application) is compatible with the C400, enabling control of camera settings and multicamera control. The C400 also offers IP streaming using the SRT protocol.\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":46494181261542,"sku":"112727","price":139999000.0,"currency_code":"IDR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/3088\/0230\/files\/a82onwsh_b5pna1bw7uiawiyo.jpg?v=1780987298"},{"product_id":"canon-eos-c80-6k-full-frame-cinema-camera","title":"Canon EOS C80 6K Full-Frame Cinema Camera","description":"\u003ch2\u003eCanon C80 Overview\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eKey Features\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003e6K FF Back-Illuminated CMOS Sensor\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e6K30, DCI 4K\/2K, UHD 4K120 S35 Recording\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eFull Frame and Super35 Modes\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e12G-SDI and HDMI Simultaneous Output\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eTriple-Base ISO: 800, 3200, 12,800\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eCinema Raw Light LT, HEVC, AVC Codecs\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e16+ Stops of Total Dynamic Range\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eDual-Pixel CMOS AF II, Built-In NDs\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e1 x BNC Timecode, 2 x Mini-XLR Audio In\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e2 x SD Card Slots, LUT\/Long GOP Support\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eOffering exceptional 6K30 full-frame capture in a compact form, the \u003cstrong\u003eCanon EOS C80 6K Full-Frame Cinema Camera\u003c\/strong\u003e melds the EOS C400's CMOS sensor with a lightweight design similar to the EOS C70. Ideal for fast-paced capture and solo operators, this digital camera features triple ISO bases of 800, 3200, and 12,800 in log\/raw, upgraded Dual Pixel CMOS AF II autofocus, and simultaneous 12G-SDI and HDMI video output. The EOS C80's RF mount provides compatibility with fast, reliable Canon RF lenses, and a motorized ND filter wheel enables on-the-fly exposure tweaking.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e \u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e6K Full-Frame Sensor\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe 6K full-frame CMOS sensor at the heart of the C80 camera enables it to offer exceptionally low noise, increased sensitivity efficiency, and better 4K imagery via 6K oversampling. All this is possible thanks to the improved light capture technology of the back-illuminated, stacked CMOS sensor.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eMultiple Recording Formats\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eThe C80's multiple recording formats include up to full-frame 6K30 Canon Cinema RAW Light LT and cropped S35 up to 4K30 in RAW ST and 4K60 in RAW LT.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eOversampled 4K 120p or 2K 180p with maximized detail is available, all with 4:2:2 10-bit color.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eSlow and fast motion can be captured at rates up to UHD 4K120 in HEVC and AVC codecs.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eMake your editing process easier using XF-AVC S and XF-HEVC S codecs, featuring an easier naming system and folder structure, as well as metadata preservation, all within the established MP4 format.\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eRF Lens Mount\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eA built-in RF lens mount lends the EOS C80 compatibility with Canon's line of fast, reliable RF-mount lenses with advanced coatings and image stabilization.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eWith a short flange distance, the RF mount helps to noticeably reduce the camera body's depth, resulting in a more compact design.\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eOptional PL-RF Adapter\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cimg class=\"img img-responsive\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1876215.jpg\"\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eA new PL-RF lens mount adapter enables you to access a wide variety of ARRI PL-mount cine-style lenses.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eThis adapter features Cooke\/i metadata compatibility and locking plates for a secure fit.\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eMultiple Interfaces Including 12G-SDI\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eVideo outputs include full-size HDMI and 12G-SDI BNC outputs that can be used simultaneously for feeding an onboard monitor, video transmitter, or EVF.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eUse the USB-C port for UVC video output or to connect to a smartphone or the Canon GP-E2 GPS receiver.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eA BNC connector enables users to input and output timecode, making syncing on multicamera shoots easier.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eNote that the BNC port can output either SDI video or timecode but not both simultaneously.\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eDual-Pixel CMOS Autofocus\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cimg class=\"img img-responsive\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2331152.jpg\"\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eImproved Dual-Pixel CMOS AF Technology uses each pixel on approximately 100% of the CMOS sensor for focus detection and image information.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eThe back-illuminated stacked sensor's excellent light capture widens the sensor area, which can be used for AF.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eThe EOS C80 also offers the EOS iTR AF X autofocus function featuring an algorithm developed using deep-learning technology to detect the human form. \u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eMini-XLR Audio Inputs\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eTwo mini-XLR inputs with phantom power and manual control dials provide professional audio recording options.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eThe EOS C80 supports 4-channel audio using dual mini-XLR ports, an internal stereo mic, and a 3.5mm mic input.\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eBuilt-In ND Filters\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cimg class=\"img img-responsive\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2331154.jpg\"\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eDesigned for the EOS C80 RF mount's short flange distance, a thin motorized ND filter unit enables users to quickly select up to 10 stops of neutral density.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eND button controls on the right side of the camera enable operators to quickly adjust exposure while maintaining their shot's depth of field.\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eLog2\/3 and 3D LUT Support\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eFor greater post-production flexibility, the C80 offers Canon's Log 2 and Log 3 gamma modes, which provide an expanded dynamic range with excellent tonal reproduction for highlights and in low-light areas of your images. The EOS C80 also supports 3D LUTs, so you can get the most accurate color reproduction on both the LCD and your external viewing monitors.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eCompact Design with Tilting LCD\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cimg class=\"img img-responsive\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2331151.jpg\"\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eThe compact EOS C80 features a lightweight design with a built-in ergonomic grip and a joystick control.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eIt has a Multi-Accessory hot shoe on top and comes with a detachable handle and a mic holder.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eThe LCD screen features a reinforced hinge and built-in controls like focus peaking, waveforms, and more.\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eDual SD Card Slots \/ Multiple Recording Options\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eDual SD card slots on the EOS C80 offer simultaneous, relay, and proxy video recording. The EOS C80 can also capture JPEG still photos.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eEthernet and Wi-Fi Control\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cimg class=\"img img-responsive\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2331153.jpg\"\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eUse the Ethernet port and built-in Wi-Fi with an optional Canon RC-IP1000 or RC-IP100 unit to access the XC protocol-base remote control.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eCompatibility with the Canon Multicamera Control app for iPhone provides monitoring and start\/stop, focus, iris, zoom, ND filter, ISO, shutter, white balance, custom picture control, and more.\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eBP-AN Series Battery\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eUse the included BP-A30N battery, a BP-A60N battery, or a 24 VDC adapter to power the C80. Older BP-A batteries can also be used but will not power the Multi-Accessory hot shoe.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eSupport your C80 with a third-party cage to add a V-mount or Gold mount battery plate to enable longer runtimes.\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":46494181327078,"sku":"112728","price":94999000.0,"currency_code":"IDR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/3088\/0230\/files\/0rnfyimn_vh2qqd25gf0jh8r0.jpg?v=1780986598"},{"product_id":"dji-ronin-4d-4-axis-cinema-camera-6k-combo-kit","title":"DJI Ronin 4D 4-Axis Cinema Camera 6K Combo Kit","description":"\u003ch2\u003eDJI Ronin 4D 6K Overview\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cstrong\u003eKey Features\u003c\/strong\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eZenmuse X9-6K Camera Gimbal Combo\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eZ-Axis Camera\/3-Axis Gimbal Stabilizing\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eProRes 422 HQ Video up to 6K60\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eRight Focus\/Control, Left Pan\/Tilt Grips\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e5.5\" 1000 cd\/m² Touchscreen Display\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eLiDAR Range Finder\/Focus Module\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eTB50 Intelligent Battery, Mount, Charger\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eCarbon Fiber, Aluminum Magnesium Alloy\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eCables, Tools \u0026amp; Carrying Case\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eDesigned for both solo use by independent creators and dynamic pro video capture, the \u003cstrong\u003eRonin 4D\u003c\/strong\u003e from \u003cstrong\u003eDJI\u003c\/strong\u003e is an innovative all-in-one camera\/gimbal solution. The \"4D\" designation refers to the Z-axis (vertical) stabilization built into the X9-6K camera and the three-axis gimbal stabilization. Constructed from lightweight carbon fiber and an aluminum\/magnesium alloy, this system is ideal for independent content creators, indie filmmakers, and event videographers. The full-frame capture at rates up to 6K60 in Apple ProRes 422 HQ and Ronin's CineCore 3.0 image processing system with ACES workflow support also suits the 4D as a \"B\" or 2nd unit camera for larger cine-style productions.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e \u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eAll-in-One Camera Gimbal System\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eThis combo includes the main Zenmuse X9-6K full-frame video camera and a 3-axis gimbal, plus an array of modular monitor, focusing, and control components.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eKit items include a DL lens mount, a LiDAR range finder, one TB50 battery, a charging hub, and left and right control handgrips.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eThis innovative camera gimbal combines imaging, stabilization, and focusing in one lightweight, carbon fiber and aluminum\/magnesium alloy rig\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eCombination design reduces your setup time at the start of the day and in between setups and locations \u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eIncluded modular components:\u003cbr\u003e\t\u003cul\u003e\n\u003cbr\u003e\t\t\u003cli\u003eLeft and right control handgrips\u003c\/li\u003e\n\u003cbr\u003e\t\t\u003cli\u003eLiDAR range finder\u003c\/li\u003e\n\u003cbr\u003e\t\t\u003cli\u003eTop handle\u003c\/li\u003e\n\u003cbr\u003e\t\t\u003cli\u003eBaseplate\u003c\/li\u003e\n\u003cbr\u003e\t\u003c\/ul\u003e\n\u003cbr\u003e\t\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eSeparately available components:\u003cbr\u003e\t\u003cul\u003e\n\u003cbr\u003e\t\t\u003cli\u003e7\" high-bright, touchscreen monitor\u003c\/li\u003e\n\u003cbr\u003e\t\t\u003cli\u003eWireless video transmitter\u003c\/li\u003e\n\u003cbr\u003e\t\t\u003cli\u003eProSSD 1TB media drive\u003c\/li\u003e\n\u003cbr\u003e\t\t\u003cli\u003eX9 focus motor\u003c\/li\u003e\n\u003cbr\u003e\t\t\u003cli\u003eLeica M lens mount\u003c\/li\u003e\n\u003cbr\u003e\t\t\u003cli\u003e3-channel FIZ lens control unit\u003c\/li\u003e\n\u003cbr\u003e\t\u003c\/ul\u003e\n\u003cbr\u003e\t\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eNote:\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eA wireless video transmitter is not included in this combo kit.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003ev01.04.0200 Firmware Update\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eAdded support for Leica L-mount lenses.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eManual calibration added for zoom lenses.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003ePlayback support for anamorphic de-squeeze on High-Bright monitor.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eSupports applied LUTs for HDMI output in clean output.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eOptimized  the camera start-up time.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eEnhanced fine controls in manual focus mode.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eAdded playback and zoom control support to handgrips.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eFixed E-mount lens focus at infinity and manual iris reading.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eFixed various gimbal settings issues.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eFixed green tinge on video playback.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eFixed LiDAR focus issues when waveform appeared normal.\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eCineCore 3.0 Imaging Processing System\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eThe Zenmuse X9, DJI's full-frame camera, uses a proprietary chip for advanced processing and high-performance computing \u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eThe Ronin 4D uses the CineCore 3.0 system to support internal ProRes 422 HQ and H.264 video\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eIndustry-standard ACES workflow support provides easy compatibility with other cinema cameras\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eAdvanced 4-Axis Stabilization\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e \u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eSelectable Z-axis stabilization reduces unwanted vertical camera movement, especially during dollying moves\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eZ-axis stabilization is built into the camera; 3-axis stabilization in the gimbal\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eTilt stabilization uses dual, symmetrical motors\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003ePan and X (roll) axes with additional stiffness buffering\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eDownward ToF (time of flight) sensor\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eForward and downward-facing dual-vision sensors\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eBuilt-in IMU (inertial measurement unit) and barometer\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eNew and improved stabilization algorithm\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eZenmuse X9-6K Camera with DL Lens Mount\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cimg class=\"img img-responsive\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1986273.jpg\" style=\"height:422px; width:750px\"\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eThe D4's DL lens mount supports DJI's current selection of lightweight, carbon fiber 16, 24, 35, and 50mm lenses\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eFull-frame capture with all but the 16mm DL lens\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eInterchangeable lens mounts available for use with Sony E-mount or Leica M-mount lenses\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eSupports ultra-wide, f\/0.95 large-aperture, electronic zoom, macro, and anamorphic cine lenses  \u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eProRes 422 HQ and H.264 Capture\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e \u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e \u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eCapture up to 6K60 ProRes 422 HQ video in full-frame 2.39:1\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eCapture up to 4K120 ProRes 422 HQ video in Super 35 2.39:1\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eCapture up to 2K120 ProRes 422 HQ or H.264 in 17:9 full frame\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eDual Native ISO\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cimg class=\"img img-responsive\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1986278.jpg\" style=\"height:422px; width:750px\"\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003e800\/5000 dual native ISO\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eEI 200 to 12800\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e14+ stops of dynamic range produce nuanced imaging under a range of lighting conditions\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eIn-Camera ND Filters\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eBuilt-in ND.03 to ND2.7 filters let you easily adjust to quickly changing lighting conditions\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eEspecially handy for outdoor shoots with changing cloud cover\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eMotorized filter system\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eCarry in \"built\" mode for easy company moves\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eLiDAR Focus Control\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cimg class=\"img img-responsive\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1986281.jpg\" style=\"height:422px; width:750px\"\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eLiDAR (light detection and ranging) system uses up to 43,200 ranging points within a 33' range\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eExcellent focusing performance even in low-light environments\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eFocus pulling can be viewed graphically, thanks to a built-in depth meter \u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eIntuitive and highly accurate focusing system\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eModular LiDAR focusing module attached to the front of the D4 rig\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eAutofocus Features\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eMaintains focus, even when motion blur is produced by fast-moving subjects\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eSeparately available focus motor for use with manual lenses\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eContinuous autofocus is compatible with ActiveTrack Pro, a boon for solo operators\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eSingle User or Crew-Assisted Operation\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cimg class=\"img img-responsive\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1986282.jpg\" style=\"height:422px; width:750px\"\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eTop-notch stabilization in a lightweight form\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eIdeal for both solo operators as well as assistant-accompanied shoots\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eDesigned to counter footsteps from inexperienced gimbal shooters\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eWorks equally well with a single grip, dual grips, shoulder supported, or tripod-mounted\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eSport mode is available with the touch of a button, accommodating faster-paced action\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eUse in standard, underslung, jib, and crane setups\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eAutomated Manual Focus\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eThe AMF function (Automated Manual Focus) combines the accuracy of manual focus with the ease of autofocus\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eOperators can grab the focus wheel of the right handgrip at any time to manually focus \u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eHand grip focus wheel uses dynamic damping to provide a physical feel for focus changes\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eActiveTrack Pro\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cimg class=\"img img-responsive\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1986275.jpg\" style=\"height:422px; width:750px\"\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eDJI's ActiveTrack Pro features combine continuous autofocusing with composition adjustment for professional-looking tracking shots out of the gate\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eActiveTrack Pro is based on computer vision, deep learning technology, and the computing power of DJI's CineCore 3.0 imaging system\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eDual Focus, Iris, and Control Grips\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cimg class=\"img img-responsive\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1986279.jpg\" style=\"height:422px; width:750px\"\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eRight-hand grip has a focus wheel that doubles as a control for main camera adjustments (menus, exposure, etc.)\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eLeft-hand grip has a full-range joystick to control pan\/tilt; useful when adjusting headroom and more during follow mode\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eMedia Storage Options\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eRequires a ProSSD 1TB drive (not included) to capture raw footage\u003cbr\u003e\t\u003cul\u003e\n\u003cbr\u003e\t\t\u003cli\u003eUSB Type-C port for external recording, no reader needed to offload footage\u003c\/li\u003e\n\u003cbr\u003e\t\u003c\/ul\u003e\n\u003cbr\u003e\t\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eIntegrated CFexpress Type-B card slot\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eBuilt-In 5.5\" Touchscreen Monitor\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cimg class=\"img img-responsive\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1626442.jpg\"\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003e5.5\" 1920 x 1080 monitor\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e1000 cd\/m² display\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eTouchscreen control\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eRotates for optimal viewing\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eAudio Recording\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eIntegrated stereo microphones capture dual-channel 24-bit audio\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eBuilt-in 3.5mm audio input port and XLR port via expander plate\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003ePower Options\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eUses the same TB50 intelligent batteries as the Ronin 2 and Inspire 2\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eEach battery provides up to 2.5 hours of capture time\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eBatteries charge fully in approximately 1.5 hours\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eSupport auto-heating for cold weather use\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eAC adapter for uninterrupted shooting\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\u003cbr\u003e\u003c\/ul\u003e","brand":"Dji","offers":[{"title":"Default Title","offer_id":46494219763942,"sku":"110131","price":116149000.0,"currency_code":"IDR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/3088\/0230\/files\/9bqsdica_hvl5l96mwxnt9v31_46678763-f22c-4c3a-8e87-0f962ba60688.webp?v=1780987398"},{"product_id":"panasonic-lumix-bgh1-cinema-4k-box-camera","title":"Panasonic Lumix BGH1 Cinema 4K Box Camera","description":"\u003ch3\u003e\u003cstrong\u003ePanasonic Lumix BGH1 Cinema 4K Box Camera\u003c\/strong\u003e\u003c\/h3\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cstrong\u003eKey Features\u003c\/strong\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003e10.2MP M4\/3 MOS Sensor, MFT Lens Mount\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e4K60, 4:2:2, H.264\/H.265\/HEVC Recording\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e13 Stops of Dynamic Range, HLG Imaging\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eDual-Native ISO, VariCam Look \u0026amp; V-Log L\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eVariable Frame Rates from 60 to 240 fps\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eRemote Control via USB Type-C, LAN, LANC\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eEthernet with PoE+, VBR Battery Mount\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eAnamorphic Video \u0026amp; 3D LUT Support\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eDurable Magnesium \u0026amp; Aluminum Body\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eMoving the LUMIX camera Range into fresh new territory, the Panasonic LUMIX BGH1 Cinema 4K Box Camera is a modular, box-style digital cinema camera with a miniature form factor, making it ideal for gimbal and drone work as well as broadcast, live streaming, vlogging, and cinema production. This box-style digital cinema camera features a 10.2MP M4\/3 sensor, an MFT lens mount, and a wide 13-stop dynamic Range To accommodate extreme changes in light. It records video with resolutions up To 4K60 and incorporates VariCam Look workflows such as V-Log L and Cinelike, dual-native ISO using its Venus Engine, anamorphic support, advanced AF (autofocus), numerous remote and power options, and it supports HLG (Hybrid Log-Gamma) color for vivid imagery To aid professional color grading. There are many features packed into this tiny form that make it the go-to production camera in any mobile and multicamera production environment.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eThe BGH1 provides multiple ways To record your footage To high data rate files in the ALL-Intra Long GOP, MOV, and MP4 recording formats with H.264 and H.265\/HEVC codecs. The camera supports unlimited recording time and allows you To record 10-bit 4:2:2 video using the camera dual SD card slots. It can output up To 4K via the HDMI 2.0 output, or you can output up To 1080p resolution via 3G-SDI. The camera allows you To output via HDMI and 3G-SDI simultaneously, so you can use one signal for monitoring and the other for recording. It also supports recording at variable frame rates up To 1080p240 for high-quality slow-motion video. Custom 3D LUTs can be uploaded into the camera using the SD card slots.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eThe BGH1 is also an ideal camera for multicamera environments, not only because it highly mobile, but it includes timecode and genlock BNC ports, so you can sync up with other cameras To make syncing in post-production easy. Its RJ45 Gigabit LAN port allows you To sync with other networked BGH1 cameras, manage the camera settings and functions, and even perform direct IP streaming with a future firmware update. Wi-Fi and Bluetooth functionality are also integrated for monitoring, configuration, and control via a smartphone or tablet using the LUMIX Sync app. Another function integrated into the BGH1 is a USB 3.1 Gen 1 Type-C input To control the camera with the LUMIX Tether app, which allows you To capture still images and control up To 12 BGH1 cameras. There is also a 2.5mm LANC input for an additional camera control option with an optional external controller. Audio features include high-grade 48 kHz\/24-bit LPCM format, an integrated stereo microphone, a 3.5mm mic input, and a 3.5mm headphone output. The optional DMW-XLR1 XLR adapter can be utilized using the camera integrated hot shoe, allowing you To record with professional microphones.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eIts compact form measures less than 4\" square and weighs only 1.2 lb, so it can be used on gimbals or drones for high-quality stabilized footage. Its internal fan keeps the camera cool during long shoots, and its aluminum and magnesium housing provides protection and adds To the cooling factor. It also features four 1\/4\"-20 mounting threads for mounting on a plate, cage, or tripod mount. There are four user-programmable function buttons around the housing, as well as tally lights on the front and rear. You can power the BGH1 using the included power adapter, with a separately available high-capacity VBR-type battery using its integrated mount, or by using PoE+ (Power-over-Ethernet) via the LAN port with compatible PoE equipment. There is also a cable lock included for keeping your camera cables secure, so they don't disconnect.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eM4\/3 10.2MP MOS sensor\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eAnamorphic video support\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eMFT lens mount\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e13 stops of dynamic Range\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eDual native ISO\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eLightweight at 1.2 lb\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eInternal fan To keep camera cool\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eMeasures less than 4\" square for lightweight applications on drones or gimbals\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eHDMI 2.0 and 3G-SDI video outputs\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eRecord up To 4K60 10-bit 4:2:2 To SD cards or HDMI\/3G-SDI outputs simultaneously\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eUnlimited recording time\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eUSB 2.1 Gen 1 Type-C input for control with LUMIX Tether app\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e2.5mm LANC input for camera control\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eGigabit Ethernet via RJ45 for remote control and PoE+ power support\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eDirect IP streaming with a future firmware update\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eWi-Fi and Bluetooth support To control the camera using a smartphone or tablet\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eIntegrated stereo microphone, 3.5mm mic input, and 3.5mm headphone output\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eThe optional DMW-XLR1 XLR adapter can be installed using the camera hot shoe\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eFour programmable Fn buttons\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eTally lights on front and rear\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eGenlock and timecode BNC inputs\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eDual SD card slots\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eIncluded 12 VDC power adapter\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eIntegrated VBR battery mount\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eCable lock\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e","brand":"Lumix","offers":[{"title":"Default Title","offer_id":46494829707494,"sku":"14579","price":34999000.0,"currency_code":"IDR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/3088\/0230\/files\/9yumdwsd_xd4wi4bzqaaym7mt.webp?v=1780988921"},{"product_id":"panasonic-lumix-bs1h-box-cinema-camera","title":"Panasonic Lumix BS1H Box Cinema Camera","description":"\u003ch2\u003ePanasonic DC-BS1H L-Mount Overview\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eKey Features\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003e24.2MP Full-Frame MOS Sensor\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eUp to 5.9K H.264\/H.265\/HEVC Recording\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e14+ Stops of Dynamic Range, HLG Imaging\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eDual-Native ISO, VariCam Look \u0026amp; V-Log L\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eVFR up to 60 in 4K, up to 180 fps in FHD\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eEthernet with PoE+, VBR Battery Mount\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eAnamorphic Video \u0026amp; 3D LUT Support\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eDurable Magnesium \u0026amp; Aluminum Body\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e12 VDC Power Adapter Included\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eCompact and suitable for cine drones, remote setups, and expandable for cine work as well as multi-camera broadcast work, the \u003cstrong\u003ePanasonic Lumix BS1H Box Cinema Camera\u003c\/strong\u003e is a modular digital cinema camera with a small form-factor that bellies its full-frame sensor. It features a 24.2MP sensor, a Leica L lens mount, and a wide 14+-stop dynamic range to accommodate extreme lighting changes when recording in V-Log. It records video with resolutions up to 5.9K as well as C4K (4096 x 2160) and UHD4K, and it incorporates VariCam Look workflows.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eThe camera features dual-native ISO using its Venus Engine, anamorphic support, advanced AF (autofocus), numerous remote and power options, and supports HLG (Hybrid Log-Gamma) color for vivid imagery to aid professional color grading. There are many features packed into this tiny camera that make it the go-to production camera in any mobile and multi-camera production environment.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eThe BS1H provides multiple ways to record your footage to high data rate files in the ALL-Intra, LongGOP, MOV, and MP4 recording formats with H.264 and H.265\/HEVC codecs. The camera supports unlimited recording time and allows you to record 10-bit 4:2:2 video using the camera's dual SD card slots. It can output up to 4K via the HDMI 2.0 output, or you can output up to 1080p resolution via SDI. The camera allows you to output via HDMI and SDI simultaneously, so you can use one signal for monitoring and the other for recording. It also supports recording at variable frame rates for high-quality, slow-motion video. Custom 3D LUTs can be uploaded into the camera, using the SD card slots.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eThe BS1H is also an ideal camera for multi-camera environments, not only because it's highly mobile, but it includes timecode and genlock BNC ports, so you can sync it with other cameras to make syncing in postproduction easy. Its RJ45 Gigabit LAN port allows you to sync with other networked BS1H cameras, manage the camera settings and functions, and even perform direct IP streaming with a future firmware update. Wi-Fi and Bluetooth functionality are also integrated for monitoring, configuration, and control via a smartphone or tablet, using the LUMIX Sync app. Another function integrated into the BS1H is a USB 3.1 Gen 1 Type-C input to control the camera with the LUMIX Tether app, which allows you to capture still images and control up to 12 BS1H cameras. Audio features include high-grade 48 kHz\/24-bit LPCM format, an integrated stereo microphone, a 3.5mm mic\/line-level input, and a 3.5mm headphone output. The optional DMW-XLR1 XLR adapter can be utilized, using the camera's integrated hot shoe, allowing you to record with professional microphones.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eIts compact body measures less than 4\" square and weighs only 1.3 lb, so it can be used on gimbals or drones for high-quality, stabilized footage. Its internal fan keeps the camera cool during long shoots, and its aluminum and magnesium housing provides protection and adds to the cooling factor. It also features 9 x accessory mounting threads for mounting onto a plate, cage, or tripod mount. There are four user-programmable function buttons around the housing as well as tally lights on the front and rear. You can power the BS1H using the included power adapter, with a separately available high-capacity VBR-type battery using its integrated mount, or by using PoE+ (Power-over-Ethernet) via the LAN port with compatible PoE equipment.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eSensor and Processing Engine\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003e24.2 MP sensor with low-pass filter\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eDual native ISO 100-51200 and 50 to 204,800\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e10-bit C4K\/4K 59.94\/50 video (35mm)\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e4:2:2 10-bit internal recording\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eVFR C4K\/4K, 2 to 60 fps, FHD 2-180 fps\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eV-Log\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003e14+ stops of dynamic range with V-Log and V-Gamut\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eCompatible with the \"Cinema VariCam Look\"\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eSupports LUT files\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eLUT-applied images viewable on SDI and HDMI outputs\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eResolution\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eSupports 6K, 5.9K, 5.4K, C4K, and 4K in full-frame mode\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eSupports C4K, 4K, Anamorphic 4K (4:3 aspect ratio), and FHD in S35mm mode\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eRecording and Output\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eThe camera records internally at 4:2:2 10-Bit\/8-bit as well as 4:2:0 10-bit\/8-bit to dual UHS II SD card slots that support cards with speed ratings up to V90\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eThe camera outputs Blackmagic RAW or ProRes RAW via the HDMI port for external monitoring and\/or recording\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eYou can simultaneously output RAW over HDMI and video over SDI\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eYou can record internally, while simultaneously output FHD over SDI and up to 4K over HDMI\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eUsing the LUMIX Tether app version 1.1 or higher or LUMIX sync, you can record internally, output over both HDMI and SDI, and output via wired LAN or Wi-Fi\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eEthernet Compatible\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe camera features an Ethernet port that allows you to remotely control up to 12 x BS1H cameras. You can power the camera via PoE+ protocol over a network that supports PoE+, and you can also stream directly from the camera using the RTP\/TRSP protocols. The camera supports streaming UHD 4K and FHD as well as 1280 x 720p.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eSupports Genlock and Timecode\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe BS1H supports Genlock as well as Timecode in\/out, providing synchronization of cameras for live sports or later postproduction.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eBluetooth and Wi-Fi\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe camera supports both Bluetooth and Wi-Fi.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eFunctions\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eFrame Indicator (red outline surrounds frame indicating the camera is recording)\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eFrame Marker\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eVertical Position Information\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eStreaming Blue Frame Indicator\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eAspect Ratio masks\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eFace\/Eye recognition for focus tracking\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eLow Light AF supports images with exposure levels down to -6EV\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\u003cbr\u003e\u003c\/ul\u003e","brand":"Lumix","offers":[{"title":"Default Title","offer_id":46494836981990,"sku":"17483","price":56899000.0,"currency_code":"IDR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/3088\/0230\/files\/2hfl52jn_u3dj5fl6hychg05d.webp?v=1780988716"},{"product_id":"red-komodo-custom-12g-sdi-thin-cable-str-to-str-50cm-av8shr12g","title":"Red Komodo Custom 12G SDI Thin Cable Str to Str (50cm) AV8Shr12G","description":"\u003ch2\u003eDigitalFoto Solution Limited AR12 Overview\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cstrong\u003eKey Features\u003c\/strong\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003e12G-SDI BNC Connector at Each End\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eCable Length: 7.8\"\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eConnect a monitor or wireless transmission system to your camera with this \u003cstrong\u003eCanare LV-61S 12G-SDI Right-Angle Video Cable\u003c\/strong\u003e from \u003cstrong\u003eDigitalFoto Solution Limited\u003c\/strong\u003e. The 7.8\" long cable features right-angle BNC connectors at both ends, which are capable of handling video signals up to 12G-SDI.\u003c\/p\u003e","brand":"Red Komodo","offers":[{"title":"Default Title","offer_id":46495008358630,"sku":"19202","price":759000.0,"currency_code":"IDR","in_stock":false}]},{"product_id":"red-digital-cinema-komodo-6k-digital-cinema-camera","title":"Red Digital Cinema Komodo 6K Digital Cinema Camera","description":"\u003ch2\u003eRed Digital Cinema Komodo 6K Digital Cinema Camera Overview\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cstrong\u003eKey Features\u003c\/strong\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003e19.9MP Super35 Global Shutter CMOS\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eCompact, 2.1 lb All-in-One Design\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eCanon RF Lens \u0026amp; ARRI CFast 2.0 Support\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e16+ Stops Dynamic Range\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eUp to 6K40, 5K48, 4K60 \u0026amp; 2K120 Recording\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eREDCODE RAW HQ\/MQ\/LQ \u0026amp; Apple ProRes\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eIntegrated 2.9\" 1440 x 1440 Touchscreen\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eWireless Control \u0026amp; Preview via Wi-Fi\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eCFast 2.0 Card Slot; RED IPP2 Support\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eEF-to-RF Mechanical Adapter Included\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cstrong\u003eRED\u003c\/strong\u003e has taken fresh steps with the release of the \u003cstrong\u003eKOMODO 6K Digital Cinema Camera\u003c\/strong\u003e by bringing their legendary image quality and color science into an ultra-compact, all-in-one design that weighs just 2.1 lb measures about 4 x 4 x 4\". Key to achieving this goal was the use of the Canon RF lens mount and the KOMODO 19.9MP Super35 CMOS sensor which boasts Global Shutter technology. This sensor can create images with 16+ stops dynamic Range and eliminates rolling shutter artifacts. Users can also be certain they are getting RED quality thanks to the ability to record up to 6K at 40 fps, 5K at 48 fps, 4K at 60 fps, and 2K at 120 fps in REDCODE RAW for incredible flexibility in post-production. The KOMODO firmware update Beta v.1.5.0 adds support for 6K anamorphic, 4-channel audio, FTPS for remote offloading, Canon RF lens-control ring support, and more. It also adds ExAscend CFast 512GB and 1TB cards to the approved media list.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eRevolutionary for RED is the creation of an extremely compact all-in-one design with the KOMODO. This means you can simply pop in a CFast 2.0 card into its media slot and you are ready to roll with data rates up to 280 MB\/s. A top 2.9\" 1440 x 1440 touchscreen makes it easy to configure and monitor your footage or you can use the RED Control system for using an iOS or Android device for preview and settings. This is possible through integrated 2.4\/5 GHz Wi-Fi. Wired control is also possible via the USB Type-C port and optional adapters.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eThe use of the Canon RF lens mount allows the KOMODO to be extremely compact while still enabling compatibility with a vast Range of lenses through the use of optional adapters. The mount will natively support mechanical RF lenses and mechanical EF lenses via the included adapter. Using optional electronic EF-to-RF mount adapters, the KOMODO will even support electronic Canon EF-mount lenses and unlock additional functionality, such as autofocus.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eA first for RED is the ability to use Phase-Detect Autofocus (PDAF) with compatible lenses. This includes adapted Canon EF-mount lenses used with a separately available EF-to-RF adapter with electronic communication. Phase-detect systems are known for their speed by measuring and comparing distance and should provide a reliable, accurate system for video production. Additionally, the touchscreen can be used for quickly changing focus and Selecting subjects.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eGetting back to image quality, the KOMODO promises to be among RED's finest with the ability to capture up to 6K at 40 fps using the powerful 16-bit REDCODE RAW format. RED has simplified compression options, giving users a choice between HQ, MQ, and LQ, each varying compression from low to high, respectively. Having these choices allows users to choose the best option for each shoot and whether to prioritize data rate or image quality. REDCODE RAW is supported for 5K up to 48 fps, 4K up to 60 fps, and 2K up to 120 fps and will deliver the greatest possible flexibility in post-production. Those looking to use a more conventional format can record natively in Apple ProRes 422 HQ and standard 422 with DCI 4K up to 60 fps or DCI 2K up to 120 fps.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eBeing a complete all-in-one camera solution, the KOMODO features an array of necessary ports and connections. This includes integrated stereo microphones and a 3.5mm input for audio, genlock\/timecode\/GPIO\/RS232 support via a 9-pin EXT port, and a DC power input. A 12G-SDI port will support up to DCI 4K at 60 fps in 10-bit 4:2:2 quality for dedicated monitoring solutions. The rear of the camera also sports dual Canon BP-9xx series battery slots which can be hot-swapped for practically unlimited recording in the field.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eThe RED KOMODO 6K offers an exceptionally compact form factor that sacrifices nothing in terms of image quality. This base model includes the KOMODO 6K, a 45W AC power adapter, Mini World Travel Adapter Kit, and a Canon RF-to-EF mechanical adapter.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eFirmware Update Beta v1.5.0\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eBeta v1.5.0 Anamorphic Support\u003c\/h3\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eAdded 6K 2:1 format\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eAdded 6K anamorphic R3D file support (requires REDCINE-X PRO v52.3 or later)\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eBeta v1.5.0 Audio Support\u003c\/h3\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003e4-channel audio support\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eBWAV support for off-speed audio\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eBeta v1.5.0 Additional Features\u003c\/h3\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eLive stream tools and magnify support\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eFTPS (File Transfer Protocol Secure) support for remote offloading\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eWi-Fi scan support\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003ePrism viewfinder mode\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eCanon RF lens control ring support\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eCross-sync support for genlock 30p, SDI 60p, etc.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eStatic IP support was added to Infrastructure mode\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eExAscend CFast 512GB and 1TB cards added to approved media list\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eFixed intermittent \"Error loading clip\" message in playback\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eBeta v1.5.0 Notes\u003c\/h3\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eMagnify over live stream and LCD in 2\/4\/5K will cause the live stream to freeze; restart the camera to re-enable\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eDoes not currently support RF lens focus Range switch\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eWarning message occurs with unapproved media and batteries\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003e6K S35 Sensor\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e6K Super35 19.9MP CMOS sensor with a dynamic Range of 16+ stops and a resolution of 6144 x 3160\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eGlobal Shutter\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe KOMODO 6K's global shutter produces crisp images while reducing motion artifacts\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eCompact form, Versatile Power\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eWeighing just over 2 lb, the KOMODO 6K's power options include using two lightweight Canon BP-9 batteries, a larger battery, or an AC power supply\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eCFast Recording\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eCapture at rates up to 280 MB\/s on RED PRO or qualified third-party CFast 2.0 cards\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eREDCODE RAW\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe robust REDCODE RAW file format offers versatility without burdensome storage requirements and editing on many NLE systems without transcoding to save time\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eREDCODE Options\u003c\/h3\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eHQ is perfect for VFX, extremely detailed scenes, and capturing stills from motion\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eMQ is great for cinema and high-end TV projects\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eLQ is ideal for TV, online content, documentaries, interviews, and long takes\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eApple ProRes formats\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003efor proxy files or quicker turnaround times than raw files, Apple ProRes can be recorded at 4K and 2K resolutions at rates up to 120 fps (2K)\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eColor Management\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eSupports 3D LUTs and RED color science\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eTouchscreen Display\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eIntegrated 2.9\" touchscreen LCD screen for video preview and camera control\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\u003cbr\u003e\u003c\/ul\u003e","brand":"Red Komodo","offers":[{"title":"Default Title","offer_id":46495009145062,"sku":"15813","price":104999000.0,"currency_code":"IDR","in_stock":false}]},{"product_id":"sony-burano-8k-digital-motion-picture-camera","title":"Sony BURANO 8K Digital Motion Picture Camera","description":"\u003ch2\u003eSony BURANO CineAlta Digital Cinema Camera Overview\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003ch3\u003e\u003cstrong\u003eKey Features\u003c\/strong\u003e\u003c\/h3\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eCompact, Highly Mobile Design\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eFull-Frame CMOS 8.6K Sensor\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e16 Stops of Dynamic Range\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eIn-Body Image Stabilization|E \u0026amp; PL Mount\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eDual-Base 800\/3200 ISO Range\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eElectronically Variable 0.6-21ND Filter\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003ePhase Detection AF | Face\/Eye Tracking\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eFull-Frame \u0026amp; Super35 Sensor Modes\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eSupports Multiple Frame Rates \u0026amp; Codecs\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eDual CFExpress Type B Card Slots\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eDesigned for highly mobile, solo cine-style shooting, the \u003cstrong\u003eSony BURANO 8K Digital Cinema Camera\u003c\/strong\u003e offers up to 8.6K video capture in a compact, full-frame form. Unique in-camera stabilization for both E- and PL-mount lenses, Fast Hybrid Autofocus, and an easily adjustable ND filter enhance single-user capture and seamless image matching, making the CineAlta BURANO camera ideal for use as your VENICE B or C camera.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e \u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eFull-Frame 8.6K CMOS Sensor\u003c\/h3\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cimg class=\"img img-responsive\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2080201.jpg\"\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eThe BURANO camera's 8.6K CMOS sensor not only matches the VENICE 8K's exceptional imagery, but it also incorporates Sony's renowned autofocus technology—a huge boon for single operators when facing fast-paced environments with challenging focus.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eThe sensor also offers both full-frame and Super35 modes, enabling you to select from a vast array of lenses to suit a variety of project types.\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eARRI PL and Sony E Mounts\u003c\/h3\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cimg class=\"img img-responsive\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2080185.jpg\"\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eThe BURANO is equipped with the same rugged, reliable PL- and E-mount system as the VENICE series, enabling you to select your glass from a huge selection of lenses.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eThe PL mount is compatible with all Super35 and full-frame PL lenses in both spherical and anamorphic versions. It also supports Cooke\/I technology for frame-by-frame metadata and ZEISS eXtended Data.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eThe E-mount supports metadata when using Sony E-mount lenses.\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eAutofocus\u003c\/h3\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cimg alt=\"Shown with Optional Equipment (Not Included)\" class=\"img img-responsive\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2080196.jpg\"\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eAvailable with Sony E-mount lenses, the BURANO camera's autofocus options include Fast Hybrid AF (phase-detection AF\/contrast-detection AF) and Human Eye AF for accurately capturing fast-moving subjects even when you're operating alone.\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eImage Stabilization\u003c\/h3\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cimg alt=\"Shown in Use\" class=\"img img-responsive\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2080205.jpg\"\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eA feature unique to the BURANO is its in-camera image stabilization for both Sony E- and ARRI PL-mount lenses, a first in digital cine-style capture.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eThis new PL-mount lens feature provides 3-axis pitch, yaw, and roll stabilization with high, low, and off options. E-mount lenses benefit from 5-axis pitch, yaw, roll, x, and y stabilization with active, standard, and off settings.\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eVariable ND Filter\u003c\/h3\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cimg alt=\"Shown with Optional Equipment (Not Included)\" class=\"img img-responsive\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2080186.jpg\"\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eA built-in, electronically variable ND filter enables solo operators to quickly and easily adjust their exposure when faced with changing light levels.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eThis dial-type filter ranges from 0.6 to 2.1 ND for a total of seven stops.\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eExceptional Latitude\u003c\/h3\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cimg alt=\"Shown in Use\" class=\"img img-responsive\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2080203.jpg\"\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eThe BURANO's 8.6K sensor provides a massive 16 stops of dynamic range, producing phenomenal images with very low noise in conditions ranging from almost no light to blazing sunlight.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eIt also offers excellent HDR imaging (high dynamic range) with unprecedented freedom when color grading in post-production.\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eDual-Base ISO\u003c\/h3\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eDual-base 800\/3200 ISOs enable the BURANO to excel at low-light HDR capture.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eIts wide exposure latitude ranges from 6 stops over to 10 stops under 18% middle gray, for a total of 16 stops.\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eVersatile Frame Rates\u003c\/h3\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cimg alt=\"Shown in Use\" class=\"img img-responsive\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2080206.jpg\"\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eThe BURANO supports multiple resolutions and frame rates, including full-frame 8.6K at 30 fps, full-frame cropped 6K at 60 fps, Super35 5.8K, and Super35 cropped 4K at 120 fps.\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eUp to 8K Recording with Multiple Codec Support\u003c\/h3\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eSupport for resolutions ranging from HD to 8.6K enables the BURANO to obtain the highest quality images for all your productions.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eSupported internal recording formats include the new XAVC H, which uses the highly efficient H.265 codec to record 8K files, X-OCN LT for stunning raw images with efficient storage, and both XAVC-I and XAVC-L for UHD 4K and HD.\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eX-OCN 16-Bit Original Camera Negative\u003c\/h3\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eIdeal for even the most advanced workflows, X-OCN (extended tonal range Original Camera Negative) codecs combine 16-bit precision with moderate bit rates to produce amazing color reproduction using manageable file sizes.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eX-OCN is supported for multiple resolutions and frame rates up to 8.6K 16:9 30 fps.\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eViewfinder\/LCD\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cimg alt=\"Shown with Optional Equipment (Not Included)\" class=\"img img-responsive\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2080190.jpg\"\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eThe detachable VF\/LCD combo functions as both a viewfinder and touchscreen controller for the MURANO.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eA handy Home button replicates the \"big six\" (FPS, EI, Shutter, ND, Look, and WB) functions that will be familiar to VENICE users.\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eMedia Type\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eDual media slots on the BURANO enable it to record to CFExpress Type B cards; it also incorporates an SD card slot for utility functions only.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eSony CFexpress Type B TOUGH Series Memory Cards are now available in 960 and 1920RGB versions.\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eInterface, Optional Grip\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cimg class=\"img img-responsive\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2080202.jpg\"\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eThe BURANO's advanced interface includes 12G\/6G\/3G-SDI, 3G-SDI, and HDMI outputs, 3-pin XLR audio Inputs, timecode, genlock, and reference input\/outputs, a 1000BASE-T LANC terminal, and built-in, dual-band Wi-Fi.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eThe interface also includes a port for linking to the new, separately available GP-VR100 Remote Control Grip.\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eLightweight, Compact Form\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cimg alt=\"Shown with Optional Equipment (Not Included)\" class=\"img img-responsive\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2080198.jpg\"\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eBased around a chassis and body made of a magnesium alloy, the impressively robust yet lightweight and compact BURANO is made to withstand the harshest conditions.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eIts ventilation system is completely isolated from the electronics, preventing the ingress of dust, sand, and splashes of water.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eThe fan runs silently and can be easily swapped out for a new unit.\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\u003cbr\u003e\u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":46495148048614,"sku":"110117","price":427582000.0,"currency_code":"IDR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/3088\/0230\/files\/sonybur_aqqlzwrde8rk9mq0.webp?v=1779245883"},{"product_id":"zcam-e2-professional-4k-cinema-camera","title":"ZCAM E2 Professional 4K Cinema Camera","description":"\u003cp\u003eZ Cam E2 Professional 4K Cinema Camera\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eKey Features\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eDCI and UHD 4K up To 160 fps\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e13-Stop Dynamic Range (16 WDR Enabled)\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e10-Bit Color Recording, Supports ProRes\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e4\/3\" WDR CMOS Sensor\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eZ Cam E2 MFT Mount Overview\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe Z Cam E2 Professional 4K Cinema Camera shoots DCI and UHD 4K at up To 160 fps, as well as HD up To 240 fps, and records To a CFast 2.0 card (not included). An optional cable enables syncing two E2 cameras together, and the system supports syncing up To 100 cameras. The camera features a 4\/3\" sensor with 10-bit color support and nominal 13 stops of dynamic Range with 16 stops when set To WDR. The camera supports recording in ProRes 422 in 10-bit, as well as H.265 and H.264 codecs for efficient compressing of your image.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eAn included Gigabit connector provides data transfer and control of the camera, and you can also use an available iOS app To control the camera and To view a live image preview. You can also control it locally by the buttons along the front edge of the camera. The camera powers from an L-series battery (not included) or via the included AC adapter.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eFirmware 0.88 Update\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eFirmware 0.88 brings a few improvements including ZRAW recording and DCI\/UHD 4K capture at up To 160 fps.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e4K Capture and Recording\u003cbr\u003e\u003cbr\u003eYou can record DCI\/UHD 4K at up To 160 fps or 1080p at up To 240 fps, for up To the limit of your recording media capacity\u003cbr\u003e\u003cbr\u003eTriple native ISO 80 \/ 160 \/ 800\u003cbr\u003e\u003cbr\u003e13 stops of dynamic Range using ZLog, and 16 stops of dynamic Range in WDR mode\u003cbr\u003e\u003cbr\u003eBuilt-in multi-frame noise reduction technology To produce clean footage\u003cbr\u003e\u003cbr\u003eH.265 (10-bit color) internal recording on CFast 2.0 card\u003cbr\u003e\u003cbr\u003e10-bit ProRes recording in 422 HQ, 422, 422 LT, and 422 Proxy is supported\u003cbr\u003e\u003cbr\u003eVideo output through HDMI 2.0 is supported (up To DCI 4K @ 60 fps, 10-bit color, YUV 422)\u003cbr\u003e\u003cbr\u003eFull metal housing for efficient heat dissipation\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eInterfaces and Expandability\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eUSB Type-C port for live view and control via iOS device with Z Camera app installed\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eThe USB Type-C port can also be used for external SSD recording\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eEthernet port for live view, control, and file transfer To browser or computer running Z Cam software\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eHTTP API and SDK are also available\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eCOM (RS232) port supports UART protocol\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eLANC port for remote control including power on\/off\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003ePixel-level multicamera sync can be achieved for up To 100 devices”requires optional cable(s)\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eiOS App\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eZ Camera is a mobile application for camera live preview and control through Wi-Fi\/USB cable connection. It allows you To start\/stop recording and adjust the camera settings remotely, and also has advanced features on camera live preview. It can be downloaded from the Apple App Store.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eCamera Body\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eMade from aluminum for strength and heat dissipation\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eNine threaded mounting holes around the outside chassis\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eSensor plane marking for accurate distance measurements\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003ePowers from included AC\/DC adapter or optional L-series batteries\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eActive MFT mount\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e \u003c\/p\u003e","brand":"Zcam","offers":[{"title":"Default Title","offer_id":46495220596966,"sku":"13258","price":32999000.0,"currency_code":"IDR","in_stock":false}]},{"product_id":"zcam-e2c-professional-4k-cinema-camera","title":"ZCam E2C Professional 4K Cinema Camera","description":"\u003ch2\u003eZ Cam E2C MFT Mount Overview\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe \u003cstrong\u003eZ Cam E2C Professional 4K Cinema Camera\u003c\/strong\u003e shoots UHD 4K at up to 29.97 fps, as well as HD up to 59.94 fps, and records to an SDXC Class 10 card (not included). The camera features a 4\/3\" sensor with 10-bit color support and nominal 11.5 stops of dynamic Range. The camera supports recording video in MOV\/MP4 using H.265 for 10-bit recording, while H.264 supports 8-bit recording, and a recent firmware update allows the camera to record in the ZRAW format. Audio is recorded in 24-bit 48 kHz using AAC or PCM (PCM for MOV format only).\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eYou can use an available iOS app to control the camera via Wi-Fi and to view a live image preview. You can also control it locally by the buttons along the front edge of the camera. The camera powers via PoE, an LP-E6-series battery (not included), or via a DC input port. An included LEMO to D-Tap power cable allows you to power the camera from a D-Tap source. An optional AC to DC power adapter can also power the camera.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eFirmware 0.88 Update\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eFirmware 0.88 brings ZRAW recording to the camera.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003e4K Capture and Recording\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eUnburdened by a recording time limit, you can record UHD 4K at up to 29.97 fps or 1080p at up to 59.94 fps, for up to the limit of your recording media's capacity\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eCMOSW sensor with 11.5 stops of dynamic Range (Z-Log2)\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eThe camera supports REC.709, Z-Log2, FLAT, and HLG\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eH.265 (10-bit color) internal recording on SDXC Class 10 cards, UHS-1 Speed Class 3 recommended\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eVideo output through HDMI 2.0 is supported\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eFull metal housing for efficient heat dissipation\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eInterfaces and Expandability\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eUSB 3.0 Type-C for camera control and data transformation only\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eEthernet port for live view, control, and file transfer to browser or a computer running Z Cam software\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eLANC port for remote control including power on\/off\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eiOS App\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eZ Camera is a mobile application for camera live preview and control through Wi-Fi. It allows you to start\/stop recording and adjust the camera settings remotely, and also has advanced features on camera live preview.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eCamera Settings\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eWhite balance: Auto, preset, manual (2300 to 7500K)\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eFocus modes: MF, AF, CAF\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eImage: Brightness, contrast, saturation, sharpness\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eLUT: REC. 709, Z-Log2, FLAT, HLG\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eTimecode: Current time, manual input\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eCamera Body\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eMade from aluminum for strength and heat dissipation\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eThere are nine threaded mounting holes around the outside chassis\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eSensor plane marking for accurate distance measurements\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003ePowers from optional AC\/DC adapter or optional LP-E6-series batteries\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eActive MFT mount\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e","brand":"Zcam","offers":[{"title":"Default Title","offer_id":46495220662502,"sku":"13784","price":14999000.0,"currency_code":"IDR","in_stock":false}]},{"product_id":"z-cam-e2-f6-full-frame-6k-cinema-camera-ef-mount","title":"Z CAM E2-F6 Full-Frame 6K Cinema Camera (EF Mount)","description":"\u003cp\u003eZ Cam E2-F6 Full-Frame 6K Cinema Camera (EF Mount)\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eKey Features\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eRecord up To 6K60 Video\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e12-Bit ZRAW Recording\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e15 Stops of Dynamic Range\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eFull-Frame CMOS Sensor\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eZ Cam E2-F6 EF-Mount Overview\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eShoot professional high-definition cinema footage with the Z Cam E2-F6 Full-Frame 6K Cinema Camera with a Canon EF lens mount. The camera features a full-frame sensor with 10-bit 4:2:2 color support and nominal 15 stops of dynamic Range, supports timecode, shoots up To 6K at up To 60 fps, and records data up To 300 Mb\/s onto CFast 2.0 media.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eSupported recording formats include ZRAW format, which supports 12-bit, MOV and MP4 using H.265 for 10-bit recording, and H.264 which supports 8-bit recording. Its HDMI 2.0 port supports 4K60, 10-bit 4:2:2 video output. Audio is recorded in 24-bit 48 kHz using AAC or PCM (PCM for MOV format only) through its 3.5mm stereo jack or via a separately available XLR connector using its 5-pin LEMO port.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe E2-F6 can be controlled via serial ports, a 2.5mm LANC connector, a USB Type-C port, Ethernet port, or by the Z Camera iOS app To control the camera via Wi-Fi and To view a live image preview and To configure settings. The camera can record time-lapse, slow motion, and can even live stream via its Gigabit Ethernet port. You can also control it locally by the buttons along the side of the camera.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe E2-F6 can be powered by a separately available battery using the built-in L-series battery mount, or you can power the camera using a separately available power adapter using its 2-pin LEMO port. The camera also features a 12 VDC 2-pin LEMO power output To provide power To separately available accessories.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eFirmware 0.88\u003cbr\u003e\u003cbr\u003eFirmware 0.88 enables ZRAW recording To the camera.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e6K Capture and Recording\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eUnburdened by a recording time limit, you can record 6K at up To 60 fps for up To the limit of your recording media capacity\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eCMOS sensor with 14 stops of dynamic Range\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eThe camera supports ZRAW, REC. 709, Z-Log2, FLAT, and HLG\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eZRAW supports 12-bit recording\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eH.265 (10-bit color) internal recording on CFast 2.0 cards\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e4K60, 10-bit 4:2:2 video output through HDMI 2.0 is supported\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eFull metal housing for efficient heat dissipation\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eInterfaces and Expandability\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eUSB 3.0 Type-C for camera control and data transformation only\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eTwo serial ports for camera control\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eEthernet port for live view, control, and file transfer To browser or a computer running Z Cam software\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eLANC port for remote control including power on\/off\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eiOS App\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eZ Camera is a mobile application for camera live preview and control through 5G or 802.11n Wi-Fi. It allows you To start\/stop recording and adjust the camera settings remotely, and also has advanced features on camera live preview.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eCamera Settings\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eWhite balance: Auto, preset, manual (2300 To 7500K)\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eFocus modes: MF, AF, CAF\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eImage: Brightness, contrast, saturation, sharpness\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eLUT: REC. 709, Z-Log2, FLAT, HLG\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eTimecode: Current time, manual input\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eCamera Body\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eMade from aluminum for strength and heat dissipation\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e2-pin LEMO 12 VDC power output\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003ePowers from separately available power adapter or optional L-series batteries\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e","brand":"Zcam","offers":[{"title":"Default Title","offer_id":46495220728038,"sku":"14661","price":74999000.0,"currency_code":"IDR","in_stock":false}]},{"product_id":"z-cam-e2-s6-super-35-6k-cinema-camera-ef-mount","title":"Z CAM E2-S6 Super 35 6K Cinema Camera (EF Mount)","description":"\u003ch2\u003eZ Cam E2-S6 EF-Mount Overview\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eShoot professional high-definition cinema footage with the \u003cstrong\u003eZ Cam E2-S6 Super 35 6K Cinema Camera\u003c\/strong\u003e with a Canon EF lens mount. The camera features a Super 35 sensor with 10-bit 4:2:2 color support and nominal 14 stops of dynamic Range, supports timecode, shoots up to 6K at up to 60 fps, DCI 4K up to 75 fps, 1080p up to 120 fps, and records data up to 300 Mb\/s onto CFast 2.0 media.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eSupported recording formats MOV and MP4 using H.265 for 10-bit recording (H.264 supports 8-bit recording), and firmware 0.88 that allows the camera to record in the ZRAW format. The HDMI 2.0 port supports 4K60, 10-bit 4:2:2 video output. Audio is recorded in 24-bit 48 kHz using AAC or PCM (PCM for MOV format only) through its 3.5mm stereo jack or via a separately available XLR connector using its 5-pin LEMO port.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe E2-S6 can be controlled via serial ports, a 2.5mm LANC connector, a USB Type-C port, an Ethernet port, or by the Z Camera iOS app to control the camera via Wi-Fi and to view a live image preview and to configure settings. The camera can record time-lapse, slow motion, and can even live stream via its Gigabit Ethernet port. You can also control it locally by the buttons along the side of the camera.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe E2-S6 can be powered by a separately available battery using the built-in L-series battery mount, or you can power the camera using a separately available power adapter using its 2-pin LEMO port. The camera also features a 12 VDC 2-pin LEMO power output to provide power to separately available accessories.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eFirmware 0.88\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eFirmware 0.88 enables ZRAW recording to the camera.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003e4K Capture and Recording\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eUnburdened by a recording time limit, you can record 6K at up to 60 fps for up to the limit of your recording media's capacity\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eCMOS sensor with 14 stops of dynamic Range\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eThe camera supports ZRAW, REC. 709, Z-Log2, FLAT, and HLG\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eH.265 (10-bit color) internal recording on CFast 2.0 cards\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e4K60, 10-bit 4:2:2 video output through HDMI 2.0 is supported\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eFull-metal housing for efficient heat dissipation\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eInterfaces and Expandability\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eUSB 3.0 Type-C for camera control and data transformation only\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eTwo serial ports for camera control\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eEthernet port for live view, control, and file transfer to a browser or a computer running Z Cam software\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eLANC port for remote control including power on\/off\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eiOS App\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eZ Camera is a mobile application for camera live preview and control through 5G or 802.11n Wi-Fi. It allows you to start\/stop recording and adjust the camera settings remotely, and also has advanced features on camera live preview.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eCamera Settings\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eWhite balance: Auto, preset, manual (2300 to 7500K)\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eFocus modes: MF, AF, CAF\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eImage: Brightness, contrast, saturation, sharpness\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eLUT: REC. 709, Z-Log2, FLAT, HLG\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eTimecode: Current time, manual input\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eCamera Body\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eMade from aluminum for strength and heat dissipation\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e2-pin LEMO 12 VDC power output\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003ePowers from optional 2-pin LEMO 12 VDC adapter or optional L-series batteries\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e","brand":"Zcam","offers":[{"title":"Default Title","offer_id":46495220760806,"sku":"14746","price":49999000.0,"currency_code":"IDR","in_stock":false}]},{"product_id":"red-digital-cinema-komodo-x-6k-digital-cinema-camera-starter-pack","title":"RED DIGITAL CINEMA KOMODO-X 6K Digital Cinema Camera Starter Pack","description":"\u003ch2\u003eRED DIGITAL CINEMA Komodo X Overview\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cstrong\u003eKey Features\u003c\/strong\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003e19.9MP Super35 Global Shutter CMOS\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eCompact KOMODO Line Design\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eLocking Canon RF Lens Mount\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eUp to 6K80p \u0026amp; 4K120p Video\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e12G-SDI, USB-C, 5-Pin Audio Ports\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e6K Streaming via RED Connect License\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eWireless Control, File Offload via Wi-Fi\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eIntegrated 2.9\" Touchscreen\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cstrong\u003eRED\u003c\/strong\u003e further advances its KOMODO line with the release of the black \u003cstrong\u003eKOMODO-X 6K\u003c\/strong\u003e, a digital cinema camera featuring faster frame rates, a redesigned S35 sensor, and an updated form including advanced video and audio interfaces. With built-in Wi-Fi and a USB-C connector, the KOMODO-X provides a powerful platform for smooth professional capture, multicamera setups, and IP-based workflows, including live streaming. The KOMODO-X will be complemented by pre-bundled packs and additional accessories such as RED Pro I\/O V-Mount and Gold Mount Modules.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e \u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eNext-Gen KOMODO Sensor\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eWhile sized the same as the original 6K S35 global-shutter KOMODO sensor, the KOMODO-X sensor has been redesigned from the ground up, offering key architectural improvements while producing excellent image quality and color science. Features include enhanced shadow detail and color and frame rates up to 80 fps in 6K and up to 120p in 4K.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eCompact KOMODO Form\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cimg class=\"img img-responsive\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2008701.jpg\"\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe KOMODO-X 6K camera melds select DSMC3 features with the notably ultracompact KOMODO form. The KOMODO-X is compatible with the upcoming PRO I\/O Module for auxiliary power and full-size Gold and V-mount battery use and it has a built-in micro plate that enables the direct mounting use of Micro V-mount batteries without the need for an adapter. It also incorporates a full-size, 6-pin 11-17VDC power input.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eCanon RF Mount\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cimg class=\"img img-responsive\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2008704.jpg\"\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eThe KOMODO-X comes with a reinforced, locking Canon RF lens mount, offering RED's toolless lens-mount feature for compatibility with a wide range of lenses.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eTo use ARRI PL-mount lenses, use the KOMODO-X with the RED RF to PL adapter with electronic ND filter.\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eIntegrated LCD\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eWhen working in close quarters or in compact setups, users can preview their images and apply simplified controls via the integrated 2.9\" LCD. Pair the KOMODO-X with the daylight-viewable, high-resolution DSMC3 7\" Touch LCD offers more precise monitoring and full control in a cable-free, decluttered form.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eLive Streaming and Expanded In\/Out\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cimg class=\"img img-responsive\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2008703.jpg\"\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe KOMODO-X's expanded interface includes:\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e \u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003e12G-SDI video output up to 4K60p.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eA USB-C port with Ethernet offload capabilities.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eBuilt-in Wi-Fi for 1080p IP live streaming for web applications and in-app monitoring.\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eCFexpress Type B\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cimg class=\"img img-responsive\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2008876.jpg\" style=\"height:422px; width:750px\"\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eThe KOMODO-X has a single media slot for use with a high-capacity, fast CFexpress type B card.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eRecord up to 17 hours using a 4TB CFexpress type B card.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eOffload data up to 3x faster than CFast media.\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eAdvanced Connectivity\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cimg class=\"img img-responsive\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2008875.jpg\"\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eWith a USB-C interface and an integrated Wi-Fi function, the KOMODO-X shines at streamlined IP workflows like Virtual Production and live broadcasting. Use it with the RED Control or Control Pro apps to avail yourself of not only remote camera control but FTP media off-loading and in-camera Cloud uploading.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eAdd a RED Connect license to broadcast up to 6K live images over IP directly from the camera.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eMulticamera and LED volume shooters will appreciate the KOMODO-X's frame-accurate PTP or trilevel genlock syncing with on-the-fly offset ability.\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eAudio Interface\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cimg class=\"img img-responsive\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2008705.jpg\"\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eImproved audio options include a locking, phantom-powered 5-pin connector that can be used with a 3.5mm adapter and KOMODO microphones or with a dual XLR adapter and a wide array of microphones.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\u003cbr\u003e\u003c\/ul\u003e","brand":"RED","offers":[{"title":"Default Title","offer_id":46495427887334,"sku":"71616","price":151999000.0,"currency_code":"IDR","in_stock":false}]},{"product_id":"paket-sony-fx3-full-frame-cinema-camera-with-sony-fe-35mm-f1-4-gm-lens","title":"Paket Sony FX3 Full-Frame Cinema Camera with Sony FE 35mm f1.4 GM Lens","description":"\u003ch2\u003e\u003cstrong\u003eSony FX3 Overview\u003c\/strong\u003e\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cstrong\u003eKey Features\u003c\/strong\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003e12.1MP Full-Frame CMOS Exmor R Sensor\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eUHD 4K up to 120 | 1080p up to 240\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eCompact form for Cage-Free Operation\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e10-Bit 4:2:2 XAVC S-I,16-Bit Raw Output\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eS-Cinetone\/S-Log3\/HLG, 15+ Stops DR\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eDetachable 2 x XLR\/TRS Adapter Handle\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003ePhase Detection AF\/Face Tracking\/Eye AF\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e80 to 409,600 Expanded ISO Range\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eDual CFexpress Type A\/SDXC Card Slots\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003ewith a compact design for solo shooters, travel applications, and to serve as an ideal B cam, the \u003cstrong\u003eSony FX3\u003c\/strong\u003e borrows from both the Cinema Line and Alpha series of cameras to create an optimized portable cinema camera. The FX3 features all of the imaging attributes you'd expect from this class but sports a newly designed body that's hand-holdable, with a streamlined and minimal profile, and has a \"cage-free\" design, indicating the ability to secure various accessories directly to the camera body.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eIts 12.1MP Exmor R BSI CMOS sensor (10.2MP effective in video mode) pairs with a BIONZ XR processor to achieve UHD 4K video capture with internal 10-bit 4:2:2 sampling or 16-bit raw output. The sensor's BSI design heightens clarity and sensitivity, with an expandable ISO 80-409600 Range and greater-than 15-stop dynamic Range for working in mixed lighting conditions. Benefitting color and tonal control, an S-Cinetone mode can be used for matching to VENICE, FX9, or FX6 sources and there is also S-Log3\/2 gamut support and 10-bit HLG for simple HDR productions. The sensor and processor also work together to greatly reduce rolling shutter and the sensor's design incorporates a Fast Hybrid AF system for intelligent and quick focusing performance and subject tracking.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eBeyond the physical design just being compact, it's also built to maximize efficiency and operability through the inclusion of an articulating 3.0\" touchscreen LCD, a removable shoe-mounted top handle with dual XLR mic inputs, and 5-axis mechanical image stabilization for smoother handheld recording.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eNote:\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe Sony ECM-XM1 Microphone is not included.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch3\u003e\u003cstrong\u003eMost Compact Member of the Cinema Line Family\u003c\/strong\u003e\u003c\/h3\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThis compact addition to Sony's Cinema Line blends the full-frame, S-Cinetone capture of the FX6 with the UHD 4K capture, autofocus options, and body size of the a7S III camera. The video-forward design of the FX3 also shares several handling and audio features with the FX6 and the ISO Range and battery of the a7S III.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch3\u003e\u003cstrong\u003eCommon FX3\/FX6\/a7S III Features\u003c\/strong\u003e\u003c\/h3\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eFull-frame, back-illuminated 12.1MP Exmor R CMOS sensor and BIONZ XR processor\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eHigh-speed rates of 120p in 4K and 240p in HD\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eDynamic Range of 15+ stops\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003ch3\u003e\u003cstrong\u003eShared FX3\/FX6 Attributes\u003c\/strong\u003e\u003c\/h3\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eS-Cinetone, S-Log3, HLG, and Rec. 709 gamma options\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eTally lamps on the front, side, and rear\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eInternal fan to prevent overheating\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eZoom lever\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003ch3\u003e\u003cstrong\u003eShared FX3\/a7S III Attributes\u003c\/strong\u003e\u003c\/h3\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003e5-axis in-body image stabilization\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e16-bit raw output via HDMI\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eS-Log2 gamma choice\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e80 to 409,6000 ISO Range (expanded)\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003ch3\u003e\u003cstrong\u003eImproved FX3 Features\u003c\/strong\u003e\u003c\/h3\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eComfortable, cage-free, handheld operation\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eGreater than 1.6x battery runtime compared to a7S II\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eUSB-PD power option for extended shooting times\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003ch3\u003e\u003cstrong\u003e4K Full-Frame CMOS Exmor R Sensor\u003c\/strong\u003e\u003c\/h3\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe 12.1MP Exmor R sensor and BIONZ XR processor offer true cinematic expression with 10.2MP effective video and 12.1MP stills capture. The full-frame sensor provides shallow depth of field looks, impressive bokeh, and reduced rolling shutter artifacts.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch3\u003e\u003cstrong\u003eS-Cinetone Color\u003c\/strong\u003e\u003c\/h3\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eDefault S-Cinetone color setting provides a softer-toned look with beautiful skin tOne Reproduction\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eComplements your VENICE, FX9, or FX6 footage\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eS-Log-3, S-Gamut3, S-Gamut3.Cine, and 10-bit 4:2:2: support help to maintain rich gradation and color compatible with the Range of Sony Cinema Line cameras\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003ch3\u003e\u003cstrong\u003eCinematic Recording \/ Frame Rate Options\u003c\/strong\u003e\u003c\/h3\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eUp to 600 Mb\/s XAVC S-I ALL-I H.264 codec recording\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eXAVC HS codec recording with H.265 encoding for lower bit rates in Long GOP\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eInternal 10-bit 4:2:2 recording to CFexpress Type A or SD memory cards\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eExternal, 16-bit raw,10-bit 4:2:2 output via HDMI type-A port\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e8-bit XAVC S or 10-bit XAVC HS proxy capture\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e10-bit, 4:2:2 color available in all formats including HLG\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eFull-frame UHD 4K high-speeds up to 120p\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eS35 HD high-speed rates up to 240p\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eUp to 5x slow-motion rates\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003ch3\u003e\u003cstrong\u003eCompact Design \/ Ergonomic Operation\u003c\/strong\u003e\u003c\/h3\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eFlexible, streamlined, 5 x 3 x 3\" form\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e3\" LCD with 1,440,000-dot resolution tilts for optimal viewing\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eCan be used with or without a cage\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eRight-handed controls feature placement consistent with the rest of the Cinema Line\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eFive 1\/4\"-20 accessory threads on the FX3 body plus two on the top handle\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eIntuitive touchscreen menu\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eCustomizable buttons for assigning 15 controls and up to 140 menu items\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eTally (record) lights are easily viewable on the top, front, and rear of the camera\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eDual CFexpress Type A\/SD slots\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eRelay, simultaneous, and backup recording\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eCustomizable zoom setting plus Clear Image Zoom\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003ch3\u003e\u003cstrong\u003eDetachable XLR Adapter Handle\u003c\/strong\u003e\u003c\/h3\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eTop handle with two XLR-1\/4\" TRS combo audio inputs\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eMicrophone holder and 3.5mm mic input\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eDigital audio with up to 4-channel, 24-bit recording\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eContoured for comfortable low-angle shooting\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003ch3\u003e\u003cstrong\u003eFast Hybrid \/ Phase Detection Autofocus\u003c\/strong\u003e\u003c\/h3\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eMultiple autofocusing modes are designed for solo shooting\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eFast Hybrid AF uses 627 points to cover approximately 89% of the image frame\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eReal-Time Eye AF, Eye and Face Detection, and subject Touch Tracking\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003ch3\u003e\u003cstrong\u003eDurable Build \/ Enhanced Operating\u003c\/strong\u003e\u003c\/h3\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eAn integrated cooling fan and a heat-dissipating design enable uninterrupted recording up to 4K60\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eMagnesium-alloy chassis and shell\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eSealed against inclement weather and dust\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003ch3\u003e\u003cstrong\u003eWireless Connectivity\u003c\/strong\u003e\u003c\/h3\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eDual-band 2.4\/5 GHz wireless connectivity\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eWired LAN link using the USB Type-C port and a separate adapter\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003ch3\u003e\u003cstrong\u003ePost-Production Stabilization with E-Mount Lenses\u003c\/strong\u003e\u003c\/h3\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eSony's Catalyst Prepare\/Browse software uses shake metadata to stabilize your image\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eAdjustable balance between shake compensation and image area trimming\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e \u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eSony FE 35mm f\/1.4 GM Overview\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cstrong\u003eKey Features\u003c\/strong\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eE-Mount Lens\/Full-Frame Format\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eAperture Range: f\/1.4 to f\/16\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eTwo XA Elements, One ED Element\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eNano AR II and Fluorine Coatings\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eDual XD Linear AF Motors, Internal Focus\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eFocus Hold Button, AF\/MF Switch\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003ePhysical Aperture Ring; De-Click Switch\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eDust and Moisture-Resistant Construction\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eRounded 11-Blade Diaphragm\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eImpressively Bright, Surprisingly Compact\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eA classic wide-angle prime with an updated, sleek form factor, the \u003cstrong\u003eSony FE 35mm f\/1.4 GM\u003c\/strong\u003e is further characterized by its speed and advanced optical design. The versatile focal length suits everything from street shooting to landscape and documentary subjects, and the fast maximum aperture excels in low light and for controlling depth of field.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\u003cbr\u003e\u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":46495428772070,"sku":"71726","price":83898000.0,"currency_code":"IDR","in_stock":false}]},{"product_id":"sony-fx3-full-frame-cinema-camera-with-sony-fe-24-70mm-f2-8-gm-ii-lens","title":"Sony FX3 Full-Frame Cinema Camera with Sony FE 24-70mm f2.8 GM II Lens","description":"\u003ch2\u003eSony FX3 E Mount Overview\u003c\/h2\u003e\u003cp\u003eKey Features\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e12.1MP Full-Frame CMOS Exmor R Sensor\u003c\/li\u003e\n\u003cli\u003eUHD 4K up to 120 | 1080p up to 240\u003c\/li\u003e\n\u003cli\u003eCompact Form for Cage-Free Operation\u003c\/li\u003e\n\u003cli\u003e10-Bit 4:2:2 XAVC S-I,16-Bit Raw Output\u003c\/li\u003e\n\u003cli\u003eS-Cinetone\/S-Log3\/HLG, 15+ Stops DR\u003c\/li\u003e\n\u003cli\u003eDetachable 2 x XLR\/TRS Adapter Handle\u003c\/li\u003e\n\u003cli\u003ePhase Detection AF\/Face Tracking\/Eye AF\u003c\/li\u003e\n\u003cli\u003e80 to 409,600 Expanded ISO Range\u003c\/li\u003e\n\u003cli\u003eDual CFexpress Type A\/SDXC Card Slots\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eWith a compact design for solo shooters, for travel applications, and to serve as an ideal B cam, the Sony FX3 borrows from both the Cinema Line and Alpha series of cameras to create an optimized portable cinema camera. The FX3 features all the imaging attributes you'd expect from this class but sports a new lightweight, handheld form with a streamlined profile and a \"cage-free\" design offering the ability to secure various accessories directly to the camera body.\u003c\/p\u003e\u003cp\u003eFirmware Update v.2.0\u003c\/p\u003e\u003cp\u003eWith firmware update 2.0, Sony aligns the FX3 more closely with its Cinema Line workflow. Updates include advanced log shooting choices, including Cine EI options, the ability to import user LUTs, timecode syncing via an optional cable, and an easier-to-operate camera interface.When updating from v.1.01 or earlier:\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eNote your chosen settings before updating since the process will initialize the camera and will be unable to read saved settings from v.1.01\u003c\/li\u003e\n\u003cli\u003eS-Log2 will no longer be included; you must use S-Log3\u003c\/li\u003e\n\u003cli\u003eConnecting to the Imaging Edge Mobile app has been made easier (see Smartphone Registration in the Help Guide); this requires updating the Mobile app to v. 7.7 or later and registering the camera as new.\u003c\/li\u003e\n\u003cli\u003eNote that the NFC one-touch connection function will no longer be available\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eExpressive UHD 4K Video Capture\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1670924110_IMG_1746573.jpg\" alt=\"Cinematic Expression_RC\"\u003e\u003c\/p\u003e\u003cp\u003eThe FX3's 12.1MP Exmor R BSI CMOS sensor (10.2MP effective in video mode) is paired with a BIONZ XR processor to achieve UHD 4K video capture with internal 10-bit 4:2:2 sampling or 16-bit raw output. The sensor's BSI design heightens clarity and sensitivity, with an expandable ISO 80-409,600 range and greater-than 15-stop dynamic range for working in mixed lighting conditions. Benefitting color and tonal control, the S-Cinetone mode can be used for matching to VENICE, FX9, or FX6 sources, and there is also S-Log3\/2 gamut support and 10-bit HLG for simple HDR productions. The sensor and processor also work together to greatly reduce rolling shutter, and the sensor's design incorporates a Fast Hybrid AF system for intelligent and quick focusing performance and subject tracking.\u003c\/p\u003e\u003cp\u003e4K Full-Frame CMOS Exmor R Sensor\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1670924110_IMG_1746583.jpg\" alt=\"Stunning Bokeh_RC\"\u003e\u003c\/p\u003e\u003cp\u003eA 12.1MP Exmor R sensor and BIONZ XR processor offer the FX3 true cinematic expression with 10.2MP effective video and 12.1MP stills capture. The full-frame sensor provides shallow depth of field looks, impressive bokeh, and reduced rolling shutter artifacts. A base sensitivity of 80-102,400 expands to a lofty 409,600 for impressive low-light capture, and 15+ stops of dynamic range reproduce the nuances of both spectacular exteriors and carefully lit interior scenes with plenty of allowance for color grading.\u003c\/p\u003e\u003cp\u003eS-Cinetone Color\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eBeautiful skin tone reproduction and a softer-toned look that complements your VENICE, FX9, or FX6 footage are created using the FX3's default S-Cinetone color setting. S-Log-3, S-Gamut3, S-Gamut3.Cine, and 10-bit 4:2:2 support help maintain rich gradation and color matching with the range of Sony Cinema Line cameras, while HLG HDR provides the option of direct HLG playback without the need for grading.\u003c\/p\u003e\u003cp\u003eVideo Recording\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eCapture sharp, detailed images at rates up to 4K 120p with up to 5x slow motion at 24p output. Recording options include the ability to output DCI 4K+ in 16-bit raw over HDMI to compatible recorders while simultaneously recording XAVC 4K and proxies in-camera. Internal 4K recording options include 4:2:2 10-bit color with All-Intra and Long GOP codecs.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eCooling features like a silent fan and a heatsink dissipate warmth to enable uninterrupted recording up to 4K60\u003c\/li\u003e\n\u003cli\u003eDual SD card slots accept both CFexpress Type A and SDXC cards for easy relay or backup recording\u003c\/li\u003e\n\u003cli\u003eSuper35 1080p capture at rates up to 240p\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eSteady Focus\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1670924110_IMG_1746581.jpg\" alt=\"Solo Shooting_RC\"\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eNow even solo shooters can keep the action in focus thanks to real-time Tracking and Eye autofocus functions made possible by AI-based algorithms plus a simple touchscreen focus function.\u003c\/li\u003e\n\u003cli\u003eSeven choices of AF Transition Speed let you rack focus, and five AF Subject Shift settings enable you to adjust the speed when shifting from a locked-on subject.\u003c\/li\u003e\n\u003cli\u003eFast Hybrid AF uses 627 points to cover approximately 89% of the image frame\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eErgonomic Form for Solo Operation\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1670924110_IMG_1746575.jpg\" alt=\"Essential Controls_RC\"\u003e\u003c\/p\u003e\u003cp\u003eThe FX3's cage-free design enables you to mount ¼\"-20 compatible accessories directly on the camera or on the detachable handle, saving you the weight and setup\/breakdown time of a camera cage. The clustered record button, focus and menu controls, and six assignable buttons all help to enable single-handed control, leaving your left hand free for balancing or controlling your lens.\u003c\/p\u003e\u003cp\u003eEasily Viewable Tally Lights\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1670924110_IMG_1746576.jpg\" alt=\"Expandability_RC\"\u003e\u003c\/p\u003e\u003cp\u003eTop, front, and rear tally indicators let the operator, talent, and sound person know precisely when the camera is recording, enabling accurately timed movements and dialogue delivery.\u003c\/p\u003e\u003cp\u003eQuality Audio Options\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1670924110_IMG_1492872.jpg\"\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003ePro audio recording options include:A detachable XLR adapter handle with two XLR-1\/4\" TRS combo audio inputs\u003c\/li\u003e\n\u003cli\u003eA mic holder and a 3.5mm input for adding a microphone\u003c\/li\u003e\n\u003cli\u003eUp to 4-channel, 24-bit audio recording\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eRemote Control, Streaming, and Transfers\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1670924110_IMG_1746579.jpg\" alt=\"Remote Control_RC\"\u003e\u003c\/p\u003e\u003cp\u003eControl your FX3 remotely using the Imaging Edge Mobile or Imaging Edge Desktop apps, and transfer files using Wi-Fi or via a wired USB Type-C connector to let your editor get a jump on post-production. You can also stream your content using your computer and the Imaging Edge Webcam app.\u003c\/p\u003e\u003cp\u003ePost-Production Stabilization with E-Mount Lenses\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eSony's Catalyst Prepare\/Browse software uses shake metadata to stabilize your image\u003c\/li\u003e\n\u003cli\u003eAn adjustable balance between shake compensation and image area trimming lets you fine-tune the image\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eImproved FX3 Features\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1670924110_IMG_1746577.jpg\" alt=\"LCD Touch Panel_RC\"\u003e\u003c\/p\u003e\u003cp\u003eThe FX3 updates the Cinema Line with improvements like comfortable, cage-free handheld operation, a battery runtime 1.6x longer than that of the a7S II, and a USB-PD power option for extended shooting times.\u003c\/p\u003e\u003cp\u003eCommon FX3\/FX6\/a7S III Features\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1670924110_IMG_1746597.jpg\"\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eLike the FX6 and the a7S III, the FX3 features:Full-frame, back-illuminated 12.1MP Exmor R CMOS sensor and BIONZ XR processor\u003c\/li\u003e\n\u003cli\u003eHigh-speed rates of 120p in 4K and 240p in HD\u003c\/li\u003e\n\u003cli\u003eA dynamic range of 15+ stops\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eShared FX3\/FX6 Attributes\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eAttributes that the FX3 has in common with the larger FX6 camera include:S-Cinetone, S-Log3, HLG, and Rec. 709 gamma options\u003c\/li\u003e\n\u003cli\u003eTally lamps on the front, side, and rear\u003c\/li\u003e\n\u003cli\u003eAn internal fan to prevent overheating\u003c\/li\u003e\n\u003cli\u003eA zoom lever for easy frame adjustments\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eShared FX3\/a7S III Attributes\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1670924110_IMG_1746578.jpg\" alt=\"Mobility_RC\"\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eAttributes that the FX3 shares with the a7S III include:5-axis in-body image stabilization\u003c\/li\u003e\n\u003cli\u003e16-bit raw output via HDMI\u003c\/li\u003e\n\u003cli\u003eS-Log2 gamma choice\u003c\/li\u003e\n\u003cli\u003e80 to 409,600 ISO range (expanded)\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eWireless Connectivity\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eDual-band 2.4\/5 GHz wireless connectivity\u003c\/li\u003e\n\u003cli\u003eWired LAN link using the USB Type-C port and a separate adapter\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":46495428804838,"sku":"71727","price":84998000.0,"currency_code":"IDR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/3088\/0230\/files\/4ff7202f_cbsgdk63g6dwyxvz_b7ceae7c-c277-419c-b952-dde36d31ebf3.webp?v=1780991022"},{"product_id":"sony-burano-8k-with-exclusive-package","title":"Sony BURANO 8K with Exclusive Package","description":"\u003ch2\u003eSony BURANO CineAlta Digital Cinema Camera Overview\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cstrong\u003eKey Features\u003c\/strong\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eCompact, Highly Mobile Design\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eFull-Frame CMOS 8.6K Sensor\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e16 Stops of Dynamic Range\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eIn-Body Image Stabilization|E \u0026amp; PL Mount\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eDual-Base 800\/3200 ISO Range\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eElectronically Variable 0.6-21ND Filter\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003ePhase Detection AF | Face\/Eye Tracking\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eFull-Frame \u0026amp; Super35 Sensor Modes\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eSupports Multiple Frame Rates \u0026amp; Codecs\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eDual CFExpress Type B Card Slots\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eDesigned for highly mobile, solo cine-style shooting, the \u003cstrong\u003eSony BURANO 8K Digital Cinema Camera\u003c\/strong\u003e offers up to 8.6K video capture in a compact, full-frame form. Unique in-camera stabilization for both E- and PL-mount lenses, Fast Hybrid Autofocus, and an easily adjustable ND filter enhance single-user capture and seamless image matching, making the CineAlta BURANO camera ideal for use as your VENICE B or C camera.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e \u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eFull-Frame 8.6K CMOS Sensor\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cimg class=\"img img-responsive\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2080201.jpg\"\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eThe BURANO camera's 8.6K CMOS sensor not only matches the VENICE 8K's exceptional imagery, but it also incorporates Sony's renowned autofocus technology—a huge boon for single operators when facing fast-paced environments with challenging focus.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eThe sensor also offers both full-frame and Super35 modes, enabling you to select from a vast array of lenses to suit a variety of project types.\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eARRI PL and Sony E Mounts\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cimg class=\"img img-responsive\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2080185.jpg\"\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eThe BURANO is equipped with the same rugged, reliable PL- and E-mount system as the VENICE series, enabling you to select your glass from a huge selection of lenses.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eThe PL mount is compatible with all Super35 and full-frame PL lenses in both spherical and anamorphic versions. It also supports Cooke\/I technology for frame-by-frame metadata and ZEISS eXtended Data.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eThe E-mount supports metadata when using Sony E-mount lenses.\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eAutofocus\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cimg alt=\"Shown with Optional Equipment (Not Included)\" class=\"img img-responsive\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2080196.jpg\"\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eAvailable with Sony E-mount lenses, the BURANO camera's autofocus options include Fast Hybrid AF (phase-detection AF\/contrast-detection AF) and Human Eye AF for accurately capturing fast-moving subjects even when you're operating alone.\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eImage Stabilization\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cimg alt=\"Shown in Use\" class=\"img img-responsive\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2080205.jpg\"\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eA feature unique to the BURANO is its in-camera image stabilization for both Sony E- and ARRI PL-mount lenses, a first in digital cine-style capture.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eThis new PL-mount lens feature provides 3-axis pitch, yaw, and roll stabilization with high, low, and off options. E-mount lenses benefit from 5-axis pitch, yaw, roll, x, and y stabilization with active, standard, and off settings.\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eVariable ND Filter\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cimg alt=\"Shown with Optional Equipment (Not Included)\" class=\"img img-responsive\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2080186.jpg\"\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eA built-in, electronically variable ND filter enables solo operators to quickly and easily adjust their exposure when faced with changing light levels.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eThis dial-type filter ranges from 0.6 to 2.1 ND for a total of seven stops.\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eExceptional Latitude\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cimg alt=\"Shown in Use\" class=\"img img-responsive\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2080203.jpg\"\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eThe BURANO's 8.6K sensor provides a massive 16 stops of dynamic range, producing phenomenal images with very low noise in conditions ranging from almost no light to blazing sunlight.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eIt also offers excellent HDR imaging (high dynamic range) with unprecedented freedom when color grading in post-production.\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eDual-Base ISO\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eDual-base 800\/3200 ISOs enable the BURANO to excel at low-light HDR capture.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eIts wide exposure latitude ranges from 6 stops over to 10 stops under 18% middle gray, for a total of 16 stops.\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eVersatile Frame Rates\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cimg alt=\"Shown in Use\" class=\"img img-responsive\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2080206.jpg\"\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eThe BURANO supports multiple resolutions and frame rates, including full-frame 8.6K at 30 fps, full-frame cropped 6K at 60 fps, Super35 5.8K, and Super35 cropped 4K at 120 fps.\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eUp to 8K Recording with Multiple Codec Support\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eSupport for resolutions ranging from HD to 8.6K enables the BURANO to obtain the highest quality images for all your productions.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eSupported internal recording formats include the new XAVC H, which uses the highly efficient H.265 codec to record 8K files, X-OCN LT for stunning raw images with efficient storage, and both XAVC-I and XAVC-L for UHD 4K and HD.\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eX-OCN 16-Bit Original Camera Negative\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eIdeal for even the most advanced workflows, X-OCN (extended tonal range Original Camera Negative) codecs combine 16-bit precision with moderate bit rates to produce amazing color reproduction using manageable file sizes.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eX-OCN is supported for multiple resolutions and frame rates up to 8.6K 16:9 30 fps.\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eViewfinder\/LCD\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cimg alt=\"Shown with Optional Equipment (Not Included)\" class=\"img img-responsive\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2080190.jpg\"\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eThe detachable VF\/LCD combo functions as both a viewfinder and touchscreen controller for the MURANO.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eA handy Home button replicates the \"big six\" (FPS, EI, Shutter, ND, Look, and WB) functions that will be familiar to VENICE users.\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eMedia Type\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eDual media slots on the BURANO enable it to record to CFExpress Type B cards; it also incorporates an SD card slot for utility functions only.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eSony CFexpress Type B TOUGH Series Memory Cards are now available in 960 and 1920RGB versions.\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eInterface, Optional Grip\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cimg class=\"img img-responsive\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2080202.jpg\"\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eThe BURANO's advanced interface includes 12G\/6G\/3G-SDI, 3G-SDI, and HDMI outputs, 3-pin XLR audio Inputs, timecode, genlock, and reference input\/outputs, a 1000BASE-T LANC terminal, and built-in, dual-band Wi-Fi.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eThe interface also includes a port for linking to the new, separately available GP-VR100 Remote Control Grip.\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eLightweight, Compact Form\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cimg alt=\"Shown with Optional Equipment (Not Included)\" class=\"img img-responsive\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2080198.jpg\"\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eBased around a chassis and body made of a magnesium alloy, the impressively robust yet lightweight and compact BURANO is made to withstand the harshest conditions.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eIts ventilation system is completely isolated from the electronics, preventing the ingress of dust, sand, and splashes of water.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eThe fan runs silently and can be easily swapped out for a new unit.\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\u003cbr\u003e\u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":46495429886182,"sku":"71653","price":504598000.0,"currency_code":"IDR","in_stock":false}]},{"product_id":"sony-venice-2-camera-package-with-venice-extension-system-2-oled-evf-3-x-1tb-cards-and-full-frame-anamorphic-licenses-8k","title":"Sony VENICE 2 Camera Package with VENICE Extension System 2, OLED EVF, 3 x 1TB Cards, and Full-Frame + Anamorphic Licenses (8K)","description":"\u003ch2\u003eSony Venice 2 All-in-One Package Overview\u003c\/h2\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cstrong\u003eKey Features\u003c\/strong\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eX-OCN Internal Recording\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e4K ProRes 4444\/422HQ Internal Recording\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eInterchangeable CMOS 8.6K Sensor Block\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e16 Stops of Dynamic Range,\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e800\/3200 Base ISO Range\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eRemovable PL Mount, Cooke \/i Protocol\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eSony E-Mount with Electronic Contacts\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e8 x Integrated ND Filters Plus Clear\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eIntegrated Assistant-Side Info Screen\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e8K Interchangeable Sensor Digital Cinema Camera\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eFeaturing an impressive 16-stop dynamic range, internal recording onto a high-speed ASX card, internal recording formats up to ProRes 4K 4444 and 422, and an interchangeable sensor with updated usability and body design, the 8K \u003cstrong\u003eSony VENICE 2 Digital Motion Picture Camera\u003c\/strong\u003e is a step up for DPs, camera assistants, colorists, VR, and VFX departments thanks to its high-resolution capture and filmlike imagery.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e \u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cimg class=\"img img-responsive\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1893051.jpg\"\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eBeautiful Imagery in Any Light\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eTake advantage of the wide dynamic range of the camera to shoot in the extremes of exposure from candlelight to bright sunshine. The camera, with its dual native ISO ranges, allows you to push the boundaries of your creative lighting choices.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cimg class=\"img img-responsive\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1891527.jpg\"\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eDual ISO\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe VENICE 2 with an 8.6K sensor features a dual-range ISO setting with 800 and 3200 base settings while sharing the same color science as the original 6K sensor. \u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cimg class=\"img img-responsive\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1891529.jpg\"\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eSensor\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe new 8.6K sensor improves on the original sensor, providing more flexibility in the image for post-production work while still intercutting well with the 6K sensor. The 6K sensor block (not included) can be swapped into the VENICE 2 in the field, avoiding a trip to a service facility. This can be useful for capturing higher frame rates than you can with the 8.6K sensor.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003ePlease note that though you can use the 6K sensor from the original VENICE in a VENICE 2, you cannot put the 8.6K VENICE 2 sensor into the original VENICE camera. Swapping sensor blocks is not a permanent change, as you can swap back and forth. No software or firmware changes are required when swapping sensors, as the camera recognizes the different sensor blocks and automatically adjusts. The sensor supports oversampling from 8.6 to 4K, or you can window in the camera to output 4K.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cimg class=\"img img-responsive\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1641923.jpg\"\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eLens Mount\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eThe VENICE 2 comes with the industry-standard PL lens mount. It is compatible with all Super35 and full-frame PL lenses, spherical and anamorphic. The removable lens mount includes contacts that support Cooke \/i Technology. The camera's lens information is recorded as metadata frame by frame.\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eRemoving the PL Mount exposes the camera's E-Mount, which allows compatibility with E-Mount lenses. This E-Mount is designed with a lever lock that eliminates the need to rotate your lens when mounting, and the lever lock secures the lens in the mount, minimizing play. Rotating of the locking collar means that in most cases, lens support rigs don't need to be removed, which saves time during production. A planned firmware update is required to take full advantage of the E-Mount.\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cimg class=\"img img-responsive\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1884746.jpg\"\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eInternal ND Filters\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe servo-controlled 8-step mechanical ND filter mechanism built into the camera chassis offers a massive ND range from Clear (no ND) and 0.3 (1\/2 = 1 stop) to 2.4 (1\/256 = 8 stops).\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cimg class=\"img img-responsive\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1893049.jpg\"\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eServo Control\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe servo control also greatly increases VENICE's flexibility when being controlled remotely on drones, cranes, or in an underwater housing.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e \u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eAlthough the optional Rialto 2 allows you to separate the sensor block from the camera body by up to 39' for placing the sensor and your lens in places too small for the camera body, the camera's smaller size, compared to the original VENICE, makes it easier to rig in drones, where the Rialto 2 would not be appropriate to use.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cimg class=\"img img-responsive\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1891532.jpg\"\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eInternal Recording\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eFree yourself from an external recorder for raw and high-data-rate recording, as the VENICE 2 is capable of recording directly to AXS cards internally. Featuring two AXS card slots, you can capture X-OCN and 4K ProRes (both 17:9 and 16:9) internally and use relay recording for virtually unlimited recording time. Additionally, the VENICE 2 supports cache recording and has twice the cache memory as the original VENICE camera.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cimg class=\"img img-responsive\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1891528.jpg\"\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eSuper35 17:9 and 16:9\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThese popular imager sizes have native support in VENICE 2, and the 8K sensor makes it possible to capture 5.8K footage in 17:9 or 16:9 in Super 35mm mode, which allows you to use Super 35mm PL mount lenses.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cimg class=\"img img-responsive\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1891530.jpg\"\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eColor Gamut\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe VENICE 2 can exceed the BT.2020 color space, with a color range wider than DCI-P3. This means it can beautifully reproduce the true color of the scene in front of your lens. The camera also provides a broad palette in the grading suite, using the established workflow of Sony's S-Log3 and ultra-wide color space, S-Gamut3. Plus, VENICE 2's 6K and 8K sensors match colors almost perfectly, making your grading experience even better.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eNo Jello Effect\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe high-speed readout of the VENICE 2 sensor minimizes the Jello effect typical with CMOS sensors.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e \u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eNew VENICE 2 Functions\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eZoom to Fit Monitoring crops the viewing outputs (VF\/SDI\/HDMI) to the desired aspect ratio while recording the full frame of the sensor for VFX and potential post-production reframing\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eApply LUTs to your 4K or HD (6G\/1.5G-SDI) output\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eLUT\/ART\/CDL file import via Ethernet\/Wi-Fi\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eASC-CDL values control via Ethernet\/Wi-Fi allows you to have LUT and CDL values applied by the camera using either an Ethernet cable or Wi-Fi via a connected computer using a GUI; CDL values are now embedded in clip metadata\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eVENICE 2 supports control from an RM\/RCP panel that can be used with broadcast camcorders and system cameras. When connected, ITU-R Rec. 2020 color space and HLG are selectable, and adjustment of various paint parameters is supported\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eFunctions from VENICE\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\t\u003cli\u003eThe camera features a built-in assistant-side info screen, along with a smaller basic info display screen on the operator side of the camera\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eImager modes: 5.8K 17:9 and 5.4K 16:9 (no license required) \/ 5.8K 6:5 (needs Anamorphic License) \/ 7.6K 16:9, 8.2K 17:9, and 8.6K 3:2 (need Full-Frame License)\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eSupport for the X-OCN XT recording format\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eDe-squeeze ratios: 1.25x, 1.3x, 1.5x, and 1.8x\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eCache rec function\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eAXS Relay rec function\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eSimultaneous format\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eSupport for 6G\/12G output SDI\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eImproved imaging assist function\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eSupport for CBK-WA02 Wireless LAN Adapter\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eImproved VF menu operations and Frame Line setting\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eSupport for CDL files\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e5.7K at 16:9 up to 72 fps\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e4K at 6:5 up to 72 fps\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e3.8K at 16:9 up to 110 fps\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003e3D LUT viewable in the viewfinder\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eART (Advanced Rendering Transform) file imports\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eUpdated switching for SDI 1-4 3G-SDI level A\/B\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eAddition of second user frame line of 9:16 and 1:1 preset\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eRecord beep and alarm volume adjust\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eAbility to maintain CamID+Reel# when loading ALL file\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eDisplaying of Genlock and TC lock status on OSD\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eSetting of de-squeeze on\/off via the USER button\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eUpdated RCP Call function\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eRecord gyro information in metadata\u003c\/li\u003e\n\u003cbr\u003e\t\u003cli\u003eSupport for ZEISS eXtended Data from FUJINON Premista-series lenses\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":46495432736998,"sku":"71551","price":1795997000.0,"currency_code":"IDR","in_stock":false}]},{"product_id":"sony-fx3a-full-frame-cinema-camera","title":"Sony FX3A Full-Frame Cinema Camera","description":"\u003ch2\u003eSony FX3 Overview\u003c\/h2\u003e\u003cp\u003eKey Features\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e12.1MP Full-Frame CMOS Exmor R Sensor\u003c\/li\u003e\n\u003cli\u003eUHD 4K up to 120 | 1080p up to 240\u003c\/li\u003e\n\u003cli\u003eCompact Form for Cage-Free Operation\u003c\/li\u003e\n\u003cli\u003e10-Bit 4:2:2 XAVC S-I,16-Bit Raw Output\u003c\/li\u003e\n\u003cli\u003eS-Cinetone\/S-Log3\/HLG, 15+ Stops DR\u003c\/li\u003e\n\u003cli\u003eDetachable Dual XLR\/TRS Adapter Handle\u003c\/li\u003e\n\u003cli\u003ePhase Detection AF\/Face Tracking\/Eye AF\u003c\/li\u003e\n\u003cli\u003e80 to 409,600 Expanded ISO Range\u003c\/li\u003e\n\u003cli\u003eDual CFexpress Type A\/SDXC Card Slots\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eThe FX3's 12.1MP Exmor R BSI CMOS sensor (10.2MP effective in video mode) is paired with a BIONZ XR processor to achieve UHD 4K video capture with internal 10-bit 4:2:2 sampling or 16-bit raw output. The sensor's BSI design heightens clarity and sensitivity, with an expandable ISO 80-409,600 range and greater-than 15-stop dynamic range for working in mixed lighting conditions. Benefiting color and tonal control, the S-Cinetone mode can be used for matching to VENICE, FX9, or FX6 sources, and there is also S-Log3\/2 gamut support and 10-bit HLG for simple HDR productions. The sensor and processor also work together to greatly reduce rolling shutter, and the sensor's design incorporates a Fast Hybrid AF system for intelligent and quick focusing performance and subject tracking.\u003c\/p\u003e\u003cp\u003e4K Full-Frame CMOS Exmor R Sensor\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1746583.jpg\" alt=\"Stunning Bokeh_RC\"\u003e\u003c\/p\u003e\u003cp\u003eA 12.1MP Exmor R sensor and BIONZ XR processor offer the FX3 true cinematic expression with 10.2MP effective video and 12.1MP stills capture. The full-frame sensor provides shallow depth of field looks, impressive bokeh, and reduced rolling shutter artifacts. A base sensitivity of 80-102,400 expands to a lofty 409,600 for impressive low-light capture, and 15+ stops of dynamic range reproduce the nuances of both spectacular exteriors and carefully lit interior scenes with plenty of allowance for color grading.\u003c\/p\u003e\u003cp\u003eS-Cinetone Color\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eBeautiful skin tone reproduction and a softer-toned look that complements your VENICE, FX9, or FX6 footage are created using the FX3's default S-Cinetone color setting. S-Log-3, S-Gamut3, S-Gamut3.Cine, and 10-bit 4:2:2 support help maintain rich gradation and color matching with the range of Sony Cinema Line cameras, while HLG HDR provides the option of direct HLG playback without the need for grading.\u003c\/p\u003e\u003cp\u003eVideo Recording\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eCapture sharp, detailed images at rates up to 4K 120p with up to 5x slow motion at 24p output. Recording options include the ability to output DCI 4K+ in 16-bit raw over HDMI to compatible recorders while simultaneously recording XAVC 4K and proxies in-camera. Internal 4K recording options include 4:2:2 10-bit color with All-Intra and Long GOP codecs.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eCooling features like a silent fan and a heatsink dissipate warmth to enable uninterrupted recording up to 4K60\u003c\/li\u003e\n\u003cli\u003eDual SD card slots accept both CFexpress Type A and SDXC cards for easy relay or backup recording\u003c\/li\u003e\n\u003cli\u003eSuper 35 1080p capture at rates up to 240p\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eSteady Focus\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1746581.jpg\" alt=\"Solo Shooting_RC\"\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eNow, even solo shooters can keep the action in focus thanks to real-time Tracking and Eye autofocus functions made possible by AI-based algorithms plus a simple touchscreen focus function.\u003c\/li\u003e\n\u003cli\u003eSeven choices of AF Transition Speed let you rack focus, and five AF Subject Shift settings enable you to adjust the speed when shifting from a locked-on subject.\u003c\/li\u003e\n\u003cli\u003eFast Hybrid AF uses 627 points to cover approximately 89% of the image frame.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eErgonomic Form for Solo Operation\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1746575.jpg\" alt=\"Essential Controls_RC\"\u003e\u003c\/p\u003e\u003cp\u003eThe FX3's cage-free design enables you to mount ¼\"-20 compatible accessories directly on the camera or the detachable handle, saving you the weight and setup\/breakdown time of a camera cage. The clustered record button, focus and menu controls, and six assignable buttons all help to enable single-handed control, leaving your left hand free for balancing or controlling your lens.\u003c\/p\u003e\u003cp\u003eTilting Touchscreen LCD\u003c\/p\u003e\u003cp\u003eThe fold-out 3\" touchscreen LCD has crisp 2.35MP resolution and can be variously angled for optimal viewing.\u003c\/p\u003e\u003cp\u003eEasily Viewable Tally Lights\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1746576.jpg\" alt=\"Expandability_RC\"\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eTop, front, and rear tally indicators let the operator, talent, and sound person know precisely when the camera is recording.\u003c\/li\u003e\n\u003cli\u003eThis enables more accurately timed movements and dialogue delivery.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eQuality Audio Options\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1492872.jpg\"\u003e\u003c\/p\u003e\u003cp\u003ePro audio recording options include:\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eA detachable XLR adapter handle with two XLR-1\/4\" TRS combo audio inputs\u003c\/li\u003e\n\u003cli\u003eA mic holder and a 3.5mm input for adding a microphone\u003c\/li\u003e\n\u003cli\u003eUp to 4-channel, 24-bit audio recording\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eRemote Control, Streaming, and Transfers\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1746579.jpg\" alt=\"Remote Control_RC\"\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eControl your FX3 remotely using the Imaging Edge Mobile or Imaging Edge Desktop apps, and transfer files using Wi-Fi or via a wired USB-C connector to let your editor get a jump on post-production.\u003c\/li\u003e\n\u003cli\u003eYou can also stream your content using your computer and the Imaging Edge Webcam app.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003ePost-Production Stabilization with E-Mount Lenses\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eSony's Catalyst Prepare\/Browse software uses shake metadata to stabilize your image\u003c\/li\u003e\n\u003cli\u003eAn adjustable balance between shake compensation and image area trimming lets you fine-tune the image\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eImproved FX3 Features\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1746577.jpg\" alt=\"LCD Touch Panel_RC\"\u003e\u003c\/p\u003e\u003cp\u003eThe FX3 updates the Cinema Line with improvements like comfortable, cage-free handheld operation, a battery runtime 1.6x longer than that of the a7S II, and a USB-PD power option for extended shooting times.\u003c\/p\u003e\u003cp\u003eCommon FX3\/FX6\/a7S III Features\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1746597.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eLike the FX6 and the a7S III, the FX3 features:\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFull-frame, back-illuminated 12.1MP Exmor R CMOS sensor and BIONZ XR processor\u003c\/li\u003e\n\u003cli\u003eHigh-speed rates of 120p in 4K and 240p in HD\u003c\/li\u003e\n\u003cli\u003eA dynamic range of 15+ stops\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eShared FX3\/FX6 Attributes\u003c\/p\u003e\u003cp\u003eAttributes that the FX3 has in common with the larger FX6 camera include:\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eS-Cinetone, S-Log3, HLG, and Rec. 709 gamma options\u003c\/li\u003e\n\u003cli\u003eTally lamps on the front, side, and rear\u003c\/li\u003e\n\u003cli\u003eAn internal fan to prevent overheating\u003c\/li\u003e\n\u003cli\u003eA zoom lever for easy frame adjustments\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eShared FX3\/a7S III Attributes\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1746578.jpg\" alt=\"Mobility_RC\"\u003e\u003c\/p\u003e\u003cp\u003eAttributes that the FX3 shares with the a7S III include:\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e5-axis in-body image stabilization\u003c\/li\u003e\n\u003cli\u003e16-bit raw output via HDMI\u003c\/li\u003e\n\u003cli\u003eS-Log2 gamma choice\u003c\/li\u003e\n\u003cli\u003e80 to 409,600 ISO range (expanded)\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eWireless Connectivity\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eDual-band 2.4\/5 GHz wireless connectivity\u003c\/li\u003e\n\u003cli\u003eWired LAN link using the USB-C port and a separate adapter\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":46495483298022,"sku":"101260","price":55999000.0,"currency_code":"IDR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/3088\/0230\/files\/1749609037_d48a1bf7-7975-4943-8dfe-d5c5e6d36dd2.jpg?v=1781318529"},{"product_id":"sony-fx2-digital-cinema-camera","title":"Sony FX2 Digital Cinema Camera","description":"\u003ch2\u003eSony FX2 Overview\u003c\/h2\u003e\u003cp\u003eKey Features\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e33MP Full-Frame CMOS Exmor R Sensor\u003c\/li\u003e\n\u003cli\u003e4K up to 60 fps | 1080p up to 120 fps\u003c\/li\u003e\n\u003cli\u003e33MP Stills in S-Log3 at 800\/4000 ISO\u003c\/li\u003e\n\u003cli\u003eAI-Powered Auto Focus \u0026amp; Framing\u003c\/li\u003e\n\u003cli\u003eDynamic Active AI-Based Stabilization\u003c\/li\u003e\n\u003cli\u003e10-Bit 4:2:2 XAVC S-I, 16-Bit Raw Output\u003c\/li\u003e\n\u003cli\u003eS-Cinetone\/S-Log3\/HLG, 15+ Stops DR\u003c\/li\u003e\n\u003cli\u003e3.68m-Dot 0.7x OLED EVF with 90° Tilt\u003c\/li\u003e\n\u003cli\u003eCFexpress Type A \u0026amp; SD Card Slots\u003c\/li\u003e\n\u003cli\u003e2.4\/5 GHz Wi-Fi for 4K Live Streaming\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003ePairing its 33MP back-illuminated Exmor R sensor with a BIONZ XR processor, the FX2 captures vivid 4K video with natural gradations, realistic color, and low noise in both full-frame and Super 35 modes, providing wide lens compatibility without sacrificing resolution. In full-frame mode, the FX2 records 4K30 video with 7K oversampling and full pixel readout for exceptional sharpness and realism. Maximum frame rate at 4K resolution increases to 60 fps when shooting in Super 35 mode. Designed to tackle diverse lighting scenarios, the FX2 features a dynamic range greater than 15 stops, an ISO expandable up to 204800, and updated dual-base ISO technology for capturing footage in S-log3 at 800 or 4000 ISO.\u003c\/p\u003e\u003cp\u003eDCI 4K Video Recording\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eDesigned for flexibility, the FX2 shoots DCI 4K footage internally with 10-bit 4:2:2 sampling or outputs 16-bit raw video via an HDMI connection. Capture video in XAVS S, S-I, and HS recording formats in Long GOP, All-Intra, H.264, and H.265 codecs. Color and tone reproduction can be tailored with precision using up to 16 user-imported LUTs or S-Cinematone mode for matching VENICE, FX9, FX6, FX3, and other camera sources. The FX2 features an intuitive Variable FPS setting for creating time-lapses and slow-motion video, and it can de-squeeze 1.3 and 2.0x anamorphic footage, all in-camera.\u003c\/p\u003e\u003cp\u003eHybrid Still Image Capture\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2503763.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eThe FX2 brings the versatility of a hybrid camera to the Cinema Line, improving still-image capture and adding features such as Log shooting and user-LUT application.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eBuilt-in toggle to switch from movie to still mode\u003c\/li\u003e\n\u003cli\u003eShoot 33MP JPG or HEIF images in S-Log3 for streamlined color grading\u003c\/li\u003e\n\u003cli\u003eCapture photos from shot marks during internal video recording or playback\u003c\/li\u003e\n\u003cli\u003eApply previously imported user LUTs to captured still images\u003c\/li\u003e\n\u003cli\u003eFlex or base ISO settings and S-Gamut3 or S-Gamut3.Cine color spaces\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eAI Subject Recognition\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2503779.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eThe FX2's AI processing unit delivers multiple improvements in autofocus, auto framing, and stabilization using deep learning. Analyzing colors, patterns, and depth, the processor maintains sharp focus with real-time subject recognition, identifying people, animals, and vehicles. Human and animal eye recognition is improved by 30% compared to the FX3 and FX30, making the FX2 ideal for fast-paced shooting scenarios, such as capturing wildlife and sporting events. This advanced tracking ability also allows for precise auto framing, adjusting the recorded composition to keep a subject center-frame.\u003c\/p\u003e\u003cp\u003eComprehensive Stabilization\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2503766.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eCombining in-body optical image stabilization with AI processing power and E-mount lens metadata for post-production, the FX2 offers an array of ways to eliminate camera shake during handheld shooting.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e5-axis in-body optical image stabilization\u003c\/li\u003e\n\u003cli\u003eDynamic Active Mode for stable handheld shooting\u003c\/li\u003e\n\u003cli\u003eFraming stabilizer uses advanced AI\u003c\/li\u003e\n\u003cli\u003eShake metadata is embedded into footage for post-production\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eImproved Accessibility\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2503776.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eInheriting the BIG6 home screen from high-end CineAlta cameras such as the VENICE, the FX2 allows easy adjustments to FPS, ISO, shutter angle, aperture, look, and white balance when set in Movie Mode. The 3\" fold-out touchscreen LCD provides intuitive menu navigation and sports a tiltable design and 1.03m-dot resolution. Unique to the FX2 is a built-in 3.68m-dot OLED electronic viewfinder with a 0.7x maximum magnification. Tilting from 0 to 90°, the EVF has a reversible rubber eyecup and 33mm eye point, allowing pinpoint framing in extreme lighting conditions.\u003c\/p\u003e\u003cp\u003eConnectivity \u0026amp; Compatibility\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2503765.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eThe FX2 features expansive connectivity, with multiple options for power input, internal video recording, data output, and both wireless and USB streaming.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eUSB-C port for PD fast charging or LAN link using a gigabit Ethernet adapter\u003c\/li\u003e\n\u003cli\u003eStream at 2.4\/5 GHz over Wi-Fi, or 5 GB\/s via USB-C connection\u003c\/li\u003e\n\u003cli\u003eOne CFexpress Type A\/SDXC card slot, one SD card slot, and one HDMI port\u003c\/li\u003e\n\u003cli\u003eMulti-interface hot shoe, micro-USB port, and 3.5mm mic and headphone jacks\u003c\/li\u003e\n\u003cli\u003eCompatible with XLR-H1 Handle Unit for expanded control and audio options\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eErgonomic Design\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2503778.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eBuilt from lightweight, sturdy Magnesium alloy, the FX2 has an updated heat-dissipating structure and built-in cooling fan, ensuring uninterrupted 4K60 recording. The improved handgrip holds a single 16.4Wh NP-FZ100 battery and sports one of the camera's five 1\/4\"-20 female threads—three for accessories and two for mounting plates. Several functions have dedicated controls, including the power switch, record button, movie\/still switch, zoom lever, playback button, and control dials, while seven other buttons serve user-assignable functions.\u003c\/p\u003e\u003cp\u003eImproved FX2 Attributes\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFull-frame, back-illuminated 33MP effective Exmor R CMOS sensor\u003c\/li\u003e\n\u003cli\u003eShoot still images in S-Log3 for flexible color grading in post-production\u003c\/li\u003e\n\u003cli\u003eAI-powered AF, framing, and active dynamic image stabilization\u003c\/li\u003e\n\u003cli\u003e7K oversampling in full-frame mode and 4K resolution in Super 35 mode\u003c\/li\u003e\n\u003cli\u003eDual-base 800\/4000 ISO during S-Log3 shooting\u003c\/li\u003e\n\u003cli\u003eExtract stills during video recording or playback and apply user LUTs\u003c\/li\u003e\n\u003cli\u003e3.68m-dot 0.7x OLED electronic viewfinder with 0 to 90° tilt\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eCommon FX2\/FX3 Attributes\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e10-bit 4:2:2 internal recording or 16-bit raw output via HDMI\u003c\/li\u003e\n\u003cli\u003eS-Cinetone, S-Log3, HLG, and Rec. 709 gamma options\u003c\/li\u003e\n\u003cli\u003eBIONZ XR processing engine\u003c\/li\u003e\n\u003cli\u003eA dynamic range of 15+ stops\u003c\/li\u003e\n\u003cli\u003eCompact design for cage-free operation\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003e\u003cbr\u003e\u003c\/h2\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":46495486640358,"sku":"114291","price":37999000.0,"currency_code":"IDR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/3088\/0230\/files\/1749460764.jpg?v=1780991183"},{"product_id":"sony-fx2-digital-cinema-camera-with-xlr-handle-unit","title":"Sony FX2 Digital Cinema Camera with XLR Handle Unit","description":"\u003ch2\u003eSony FX2 Overview\u003c\/h2\u003e\u003cp\u003eKey Features\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e33MP Full-Frame CMOS Exmor R Sensor\u003c\/li\u003e\n\u003cli\u003e4K up to 60 fps | 1080p up to 120 fps\u003c\/li\u003e\n\u003cli\u003e33MP Stills in S-Log3 at 800\/4000 ISO\u003c\/li\u003e\n\u003cli\u003eAI-Powered Auto Focus \u0026amp; Framing\u003c\/li\u003e\n\u003cli\u003eDynamic Active AI-Based Stabilization\u003c\/li\u003e\n\u003cli\u003e10-Bit 4:2:2 XAVC S-I, 16-Bit Raw Output\u003c\/li\u003e\n\u003cli\u003eS-Cinetone\/S-Log3\/HLG, 15+ Stops DR\u003c\/li\u003e\n\u003cli\u003e3.68m-Dot 0.7x OLED EVF with 90° Tilt\u003c\/li\u003e\n\u003cli\u003eCFexpress Type A \u0026amp; SD Card Slots\u003c\/li\u003e\n\u003cli\u003e2.4\/5 GHz Wi-Fi for 4K Live Streaming\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eCinematic Video Meets Advanced Photo Capture\u003c\/p\u003e\u003cp\u003eEquipped with a 33MP full-frame sensor, the AI-powered \u003cstrong\u003eSony FX2\u003c\/strong\u003e combines the comprehensive video capabilities of the Cinema Line with enhanced still image capturing in a compact, travel-friendly form factor. Ideal for on-the-go filmmakers and content creators, the FX2 features an S-Log3 photo mode with optional LUT application, and it sports a 3.68m-dot OLED viewfinder that tilts from 0 to 90°. Its AI processing unit provides active image stabilization and real-time subject recognition, allowing for maximizing the accuracy of autofocus and framing.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e33MP Exmor R BSI CMOS Sensor\u003c\/p\u003e\u003cp\u003ePairing its 33MP back-illuminated Exmor R sensor with a BIONZ XR processor, the FX2 captures vivid 4K video with natural gradations, realistic color, and low noise in both full-frame and Super 35 modes, providing wide lens compatibility without sacrificing resolution. In full-frame mode, the FX2 records 4K30 video with 7K oversampling and full pixel readout for exceptional sharpness and realism. Maximum frame rate at 4K resolution increases to 60 fps when shooting in Super 35 mode. Designed to tackle diverse lighting scenarios, the FX2 features a dynamic range greater than 15 stops, an ISO expandable up to 204800, and updated dual-base ISO technology for capturing footage in S-log3 at 800 or 4000 ISO.\u003c\/p\u003e\u003cp\u003eDCI 4K Video Recording\u003c\/p\u003e\u003ch2\u003e\u003cbr\u003e\u003c\/h2\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eDesigned for flexibility, the FX2 shoots DCI 4K footage internally with 10-bit 4:2:2 sampling or outputs 16-bit raw video via an HDMI connection. Capture video in XAVS S, S-I, and HS recording formats in Long GOP, All-Intra, H.264, and H.265 codecs. Color and tone reproduction can be tailored with precision using up to 16 user-imported LUTs or S-Cinematone mode for matching VENICE, FX9, FX6, FX3, and other camera sources. The FX2 features an intuitive Variable FPS setting for creating time-lapses and slow-motion video, and it can de-squeeze 1.3 and 2.0x anamorphic footage, all in-camera.\u003c\/p\u003e\u003cp\u003eHybrid Still Image Capture\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2503763.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eThe FX2 brings the versatility of a hybrid camera to the Cinema Line, improving still-image capture and adding features such as Log shooting and user-LUT application.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eBuilt-in toggle to switch from movie to still mode\u003c\/li\u003e\n\u003cli\u003eShoot 33MP JPG or HEIF images in S-Log3 for streamlined color grading\u003c\/li\u003e\n\u003cli\u003eCapture photos from shot marks during internal video recording or playback\u003c\/li\u003e\n\u003cli\u003eApply previously imported user LUTs to captured still images\u003c\/li\u003e\n\u003cli\u003eFlex or base ISO settings and S-Gamut3 or S-Gamut3.Cine color spaces\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eAI Subject Recognition\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2503779.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eThe FX2's AI processing unit delivers multiple improvements in autofocus, auto framing, and stabilization using deep learning. Analyzing colors, patterns, and depth, the processor maintains sharp focus with real-time subject recognition, identifying people, animals, and vehicles. Human and animal eye recognition is improved by 30% compared to the FX3 and FX30, making the FX2 ideal for fast-paced shooting scenarios, such as capturing wildlife and sporting events. This advanced tracking ability also allows for precise auto framing, adjusting the recorded composition to keep a subject center-frame.\u003c\/p\u003e\u003cp\u003eComprehensive Stabilization\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2503766.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eCombining in-body optical image stabilization with AI processing power and E-mount lens metadata for post-production, the FX2 offers an array of ways to eliminate camera shake during handheld shooting.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e5-axis in-body optical image stabilization\u003c\/li\u003e\n\u003cli\u003eDynamic Active Mode for stable handheld shooting\u003c\/li\u003e\n\u003cli\u003eFraming stabilizer uses advanced AI\u003c\/li\u003e\n\u003cli\u003eShake metadata is embedded into footage for post-production\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eImproved Accessibility\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2503776.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eInheriting the BIG6 home screen from high-end CineAlta cameras such as the VENICE, the FX2 allows easy adjustments to FPS, ISO, shutter angle, aperture, look, and white balance when set in Movie Mode. The 3\" fold-out touchscreen LCD provides intuitive menu navigation and sports a tiltable design and 1.03m-dot resolution. Unique to the FX2 is a built-in 3.68m-dot OLED electronic viewfinder with a 0.7x maximum magnification. Tilting from 0 to 90°, the EVF has a reversible rubber eyecup and 33mm eye point, allowing pinpoint framing in extreme lighting conditions.\u003c\/p\u003e\u003cp\u003eConnectivity \u0026amp; Compatibility\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2503765.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eThe FX2 features expansive connectivity, with multiple options for power input, internal video recording, data output, and both wireless and USB streaming.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eUSB-C port for PD fast charging or LAN link using a gigabit Ethernet adapter\u003c\/li\u003e\n\u003cli\u003eStream at 2.4\/5 GHz over Wi-Fi, or 5 GB\/s via USB-C connection\u003c\/li\u003e\n\u003cli\u003eOne CFexpress Type A\/SDXC card slot, one SD card slot, and one HDMI port\u003c\/li\u003e\n\u003cli\u003eMulti-interface hot shoe, micro-USB port, and 3.5mm mic and headphone jacks\u003c\/li\u003e\n\u003cli\u003eCompatible with XLR-H1 Handle Unit for expanded control and audio options\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eErgonomic Design\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2503778.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eBuilt from lightweight, sturdy Magnesium alloy, the FX2 has an updated heat-dissipating structure and built-in cooling fan, ensuring uninterrupted 4K60 recording. The improved handgrip holds a single 16.4Wh NP-FZ100 battery and sports one of the camera's five 1\/4\"-20 female threads—three for accessories and two for mounting plates. Several functions have dedicated controls, including the power switch, record button, movie\/still switch, zoom lever, playback button, and control dials, while seven other buttons serve user-assignable functions.\u003c\/p\u003e\u003cp\u003eImproved FX2 Attributes\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFull-frame, back-illuminated 33MP effective Exmor R CMOS sensor\u003c\/li\u003e\n\u003cli\u003eShoot still images in S-Log3 for flexible color grading in post-production\u003c\/li\u003e\n\u003cli\u003eAI-powered AF, framing, and active dynamic image stabilization\u003c\/li\u003e\n\u003cli\u003e7K oversampling in full-frame mode and 4K resolution in Super 35 mode\u003c\/li\u003e\n\u003cli\u003eDual-base 800\/4000 ISO during S-Log3 shooting\u003c\/li\u003e\n\u003cli\u003eExtract stills during video recording or playback and apply user LUTs\u003c\/li\u003e\n\u003cli\u003e3.68m-dot 0.7x OLED electronic viewfinder with 0 to 90° tilt\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eCommon FX2\/FX3 Attributes\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e10-bit 4:2:2 internal recording or 16-bit raw output via HDMI\u003c\/li\u003e\n\u003cli\u003eS-Cinetone, S-Log3, HLG, and Rec. 709 gamma options\u003c\/li\u003e\n\u003cli\u003eBIONZ XR processing engine\u003c\/li\u003e\n\u003cli\u003eA dynamic range of 15+ stops\u003c\/li\u003e\n\u003cli\u003eCompact design for cage-free operation\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eSony XLR-H1 XLR Handle Unit\u003c\/p\u003e\u003cp\u003eAdd two XLR inputs and enjoy more ergonomic handling of your FX3, FX30, or FX2 with the \u003cstrong\u003eSony XLR-H1 XLR Handle Unit\u003c\/strong\u003e. It has two combo XLR-1\/4\" inputs along with a 3.5mm mic input. For easier operation, the handle has physical controls and dials located on the side with covers to prevent against accidental changes in the middle of a take.\u003c\/p\u003e\u003cp\u003eThere is a microphone holder that can be used to mount a shotgun microphone to your system. It securely mounts to the camera's Multi Interface Shoe with two screws. Additionally, there are three 1\/4\"-20 accessory mounting threads.\u003c\/p\u003e\u003cp\u003eCompatibility\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eSony FX3\u003c\/li\u003e\n\u003cli\u003eSony FX30\u003c\/li\u003e\n\u003cli\u003eSony FX2\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":46495486673126,"sku":"114292","price":41999000.0,"currency_code":"IDR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/3088\/0230\/files\/1749522616_efe453aa-f66c-45ac-86e7-b3fe1bb9f02e.jpg?v=1780991209"},{"product_id":"sony-fx30-digital-cinema-camera-with-xlr-handle-unit-sony-e-10-20mm-f4-pz-g-mirrorless-lens","title":"Sony FX30 Digital Cinema Camera with XLR Handle Unit + Sony E 10-20mm f4 PZ G Mirrorless Lens","description":"\u003ch2\u003eSony FX30 E Mount Overview\u003c\/h2\u003e\u003cp\u003eKey Features\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e26.1MP APS-C BSI CMOS Sensor\u003c\/li\u003e\n\u003cli\u003eUHD 4K up to 120p\u003c\/li\u003e\n\u003cli\u003eCompact Form Designed for Cage-Free Use\u003c\/li\u003e\n\u003cli\u003e10-Bit 4:2:2 XAVC S-I,16-Bit Raw Output\u003c\/li\u003e\n\u003cli\u003eS-Cinetone\/S-Log3\/HLG, 14+ Stops DR\u003c\/li\u003e\n\u003cli\u003ePhase Detection AF\/Face Tracking\/Eye AF\u003c\/li\u003e\n\u003cli\u003eStandard ISO 100-32000 | Dual Base ISO\u003c\/li\u003e\n\u003cli\u003eDual CFexpress Type A\/SDXC Card Slots\u003c\/li\u003e\n\u003cli\u003eUser LUTs \u0026amp; Timecode Sync Support\u003c\/li\u003e\n\u003cli\u003eDetachable XLR Handle Unit with 2 Inputs\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eLeveraging the power of a newly-developed APS-C sensor, the \u003cstrong\u003eSony FX30\u003c\/strong\u003e provides everyday content creators and aspiring filmmakers with a powerful, yet accessible cinema camera with which to push their cinematic journey to new heights. It blends an imaging pipeline designed for cinematic capture with a comprehensive feature set and intuitive operation to create a complete system for all levels of filmmaking.\u003c\/p\u003e\u003cp\u003eCinematic Expression\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e26MP APS-C\/Super 35mm Exmor R BSI CMOS Sensor\u003c\/p\u003e\u003cp\u003eThe FX30's advanced imaging system is on par with other options in Sony's Cinema Line—capturing detailed 10-bit UHD 4K imagery at up to 120 fps—giving it specs fitting a true cinema camera. The newly-developed 26MP APS-C Exmor R CMOS sensor and BIONZ XR processor are able to create high-quality 4K images with the Super 35mm (16:9) area. This system is capable of capturing 14+ stops of dynamic range and benefits from Dual Base ISO architecture to improve low-light performance.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eHigh-sensitivity recording at up to ISO 32000 and Dual Base ISO (800\/2500).\u003c\/li\u003e\n\u003cli\u003eWhen using S-Log3, the FX30 can capture 14+ stops of dynamic range.\u003c\/li\u003e\n\u003cli\u003eRecord in 10-bit 4:2:2 using advanced XAVC HS and XAVC S-I formats.\u003c\/li\u003e\n\u003cli\u003eFull pixel readout from the 6K sensor creates high-quality UHD 4K video at up to 60 fps.\u003c\/li\u003e\n\u003cli\u003eHigh-speed shooting is possible in 4K at up to 120 fps with a 1.6x crop and in Full HD up to 240 fps.\u003c\/li\u003e\n\u003cli\u003eThe HDMI output supports 16-bit raw video to select, separately available recorders.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eProfessional Picture Control\u003c\/p\u003e\u003cp\u003eFilmmakers will be able to capture images that are immediately ready to publish for projects with fast turnarounds or opt for maximum quality and flexibility in post thanks to a wide array of picture control options:\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eS-Cinetone uses the same color science as Sony's advanced cinema cameras, including the VENICE line, with natural midtones, soft colors, and smooth highlight roll-off.\u003c\/li\u003e\n\u003cli\u003ePicture Profiles, such as S-Log3 and HLG, will capture images with expanded dynamic range and flexibility for editors.\u003c\/li\u003e\n\u003cli\u003eCreative Looks can be baked into the recorded footage to create a specific mood during recording and minimize the need for editing.\u003c\/li\u003e\n\u003cli\u003eUp to 16 user-created LUTs and three presets can be set for accurately monitoring footage or previewing a specific look during shooting. These can be applied to the camera's monitor or EVF as well as the HDMI output.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eOperation for All Levels\u003c\/p\u003e\u003cp\u003eProfessional features will help ensure beginners to professionals can make the most of the FX30. This includes three log shooting modes:\u003c\/p\u003e\u003cul\u003e\u003cli\u003eFlexible ISO uses standard ISO settings for simple operation and the greatest flexibility.\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003eCine EI ensures maximum dynamic range capture by recording at a manually selected base ISO setting and applying adjustments to metadata for monitoring and post-production.\u003c\/p\u003e\u003cp\u003eCine EI quick will automatically switch between the two base ISO settings for easier operation and great quality.\u003c\/p\u003e\u003cp\u003eIntuitive Operation and Controls\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1664459111_IMG_1850017.jpg\" alt=\"Sony FX30 Touch AF\"\u003e\u003c\/p\u003e\u003cp\u003eFast Hybrid AF\u003c\/p\u003e\u003cp\u003eEnjoy high-speed and highly accurate autofocus performance in every mode, including 4K up to 120 fps, using an advanced Fast Hybrid AF system that uses 495 points (759 points in Photo mode) spread across 90% of the image sensor.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eReal-time Eye AF and Real-time Tracking will track the eyes of humans and animals.\u003c\/li\u003e\n\u003cli\u003eAF Assist function will automatically switch to manual focus with a turn of the lens' focus ring.\u003c\/li\u003e\n\u003cli\u003eFocus Map makes it easier to visualize the region of focus in your scene\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e5-Axis In-Body Image Stabilization\u003c\/p\u003e\u003cp\u003eSony has equipped the FX30 with a 5-axis in-body image stabilization system that will help create smooth imagery even when working handheld. An Active Mode is available that blends optical systems with digital optimizations to capture ultra-smooth footage. The FX30 can also record gyro movement when the optical stabilizers are turned off, which can be used in post to create a stable shot.\u003c\/p\u003e\u003cp\u003eComprehensive Feature Set\u003c\/p\u003e\u003cp\u003ePlenty of Sony's cinema features have found their way into the FX30:\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eBreathing compensation works with select lenses in 4K up to 60p in camera or up to 120p using Catalyst software after recording.\u003c\/li\u003e\n\u003cli\u003eTimecode sync input with optional VMC-BNCM1 Timecode Adapter Cable\u003c\/li\u003e\n\u003cli\u003eTally lights for an easy indication that the camera is recording.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eCatalyst Browse and Prepare Integration\u003c\/p\u003e\u003cp\u003eThe FX30 records a comprehensive array of metadata that can be read and used for advanced post-production work using Sony's Catalyst Browse and Prepare software.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eMetadata recorded includes:\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eEmbedded LUT and Exposure Index (EI) data.\u003c\/li\u003e\n\u003cli\u003eGyro and lens stabilization metadata to further reduce camera shake.\u003c\/li\u003e\n\u003cli\u003eBreathing compensation can be manually controlled and adjusted.\u003c\/li\u003e\n\u003cli\u003eCamera rotation metadata will ensure the footage is displayed as intended.\u003c\/li\u003e\n\u003cli\u003eShot marks can be added to clips during or after recording for reference\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eErgonomic Form for Solo Operation\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1664459111_IMG_1850018.jpg\" alt=\"Sony FX30 In Use with XLR Handle Unit\"\u003e\u003c\/p\u003e\u003cp\u003eLightweight and compact, the FX30 (in a design that matches the FX3) offers users the ability to shoot without needing a cage. Users can also enjoy smooth handheld footage thanks to a 5-axis in-body image stabilization system.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eThe body features multiple threaded mounting points that are ideal for accessories and a Multi Interface Shoe that supports advanced accessories. Additionally, an integrated fan ensures reliable performance during extended takes.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eLightweight body weighs just 1.2 lb.\u003c\/li\u003e\n\u003cli\u003eDedicated zoom rocker.\u003c\/li\u003e\n\u003cli\u003eFully customizable button layout.\u003c\/li\u003e\n\u003cli\u003eFive 1\/4\"-20 threaded mounting points for accessories.\u003c\/li\u003e\n\u003cli\u003eMulti Interface Shoe supports advanced accessories.\u003c\/li\u003e\n\u003cli\u003eActive cooling fan permits uninterrupted shooting during extended takes.\u003c\/li\u003e\n\u003cli\u003eSporting a matching design to the FX3, the FX30 can use many of the same accessories, such as cages, without any modifications required.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eA Plethora of Connectivity Options\u003c\/p\u003e\u003cp\u003eThe FX30 is equipped with a wide array of connections to ensure maximum customization and flexibility on set:\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFull-size HDMI output features clean output up to 4K 60p as well as 16-bit raw video.\u003c\/li\u003e\n\u003cli\u003eAudio is supported on the body with a 3.5mm headphone output and a 3.5mm microphone input.\u003c\/li\u003e\n\u003cli\u003eUSB-C connection can be used for high-speed data transfer or for powering the camera.\u003c\/li\u003e\n\u003cli\u003eMulti-Terminal (Micro-USB) supports various accessories, such as remotes, for expanded functionality.\u003c\/li\u003e\n\u003cli\u003eTimecode sync is available through the use of the separately available VMC-BNCM1 Timecode Adapter Cable.\u003c\/li\u003e\n\u003cli\u003eMulti Interface Shoe supports advanced accessories, including the included XLR Handle Unit.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp class=\"ql-align-center\"\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1664459111_IMG_1850016.jpg\" alt=\"Sony FX30 Memory Card Slots\"\u003e\u003c\/p\u003e\u003cp\u003eMedia Options\u003c\/p\u003e\u003cp\u003eFor recording high-bitrate footage at high frame rates the FX30 uses an advanced, versatile set of media slots. The camera features dual CFexpress Type A\/SD card slots, allowing users to select between different media types for different situations. CFexpress Type A has ultra-fast speeds that can be used for the FX30's most advanced recording functions while SD cards are often more common and still have great speed and high capacities.\u003c\/p\u003e\u003cp\u003eAdvanced Audio Recording\u003c\/p\u003e\u003cp\u003eThis version comes with a detachable XLR Handle Unit that offers two XLR\/TRS combo inputs for using professional audio equipment. The handle features a microphone mount, physical audio controls, and three 1\/4\"-20 threads for attaching accessories. It also securely mounts to the FX30 via the Multi Interface Shoe and a pair of screws.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eErgonomic handheld operation of the camera.\u003c\/li\u003e\n\u003cli\u003eTwo XLR\/TRS combo inputs and one 3.5mm stereo input.\u003c\/li\u003e\n\u003cli\u003eUp to four channels of audio can be recorded.\u003c\/li\u003e\n\u003cli\u003eThree 1\/4\"-20 accessory mounting threads.\u003c\/li\u003e\n\u003cli\u003ePhysical dials and switches for adjusting gain and other audio settings.\u003c\/li\u003e\n\u003cli\u003eClamping microphone mount is ideal for optional camera-mounted shotgun mics.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eUpdated Menu System\u003c\/p\u003e\u003cp\u003eThe FX30 benefits from a tweaked control menu that makes it more intuitive to operate:\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eThe main menu provides a quick view of all your most important video settings, including Picture Profile, recording format, white balance, aperture, ISO, and more.\u003c\/li\u003e\n\u003cli\u003eThe shooting screen relocates the information on settings and status icons to the edges of the screen so that the image remains clear.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003e\u003cbr\u003e\u003c\/h2\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":46498301706470,"sku":"71414","price":39498000.0,"currency_code":"IDR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/3088\/0230\/files\/sonyfx3_cdtsudjxon1asxgo.webp?v=1780991320"},{"product_id":"sony-fx30-digital-cinema-camera-with-xlr-handle-unit-with-e-11mm-f1-8-mirrorless-lens","title":"Sony FX30 Digital Cinema Camera with XLR Handle Unit with E 11mm f1.8 Mirrorless Lens","description":"\u003ch2\u003eSony FX30 Overview\u003c\/h2\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eKey Features\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e26.1MP APS-C BSI CMOS Sensor\u003c\/li\u003e\n\u003cli\u003eUHD 4K up to 120p\u003c\/li\u003e\n\u003cli\u003eCompact Form Designed for Cage-Free Use\u003c\/li\u003e\n\u003cli\u003e10-Bit 4:2:2 XAVC S-I,16-Bit Raw Output\u003c\/li\u003e\n\u003cli\u003eS-Cinetone\/S-Log3\/HLG, 14+ Stops DR\u003c\/li\u003e\n\u003cli\u003ePhase Detection AF\/Face Tracking\/Eye AF\u003c\/li\u003e\n\u003cli\u003eStandard ISO 100-32000 | Dual Base ISO\u003c\/li\u003e\n\u003cli\u003eDual CFexpress Type A\/SDXC Card Slots\u003c\/li\u003e\n\u003cli\u003eXLR-H1 XLR Handle Unit\u003c\/li\u003e\n\u003cli\u003eE 11mm f\/1.8 Lens\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eLeveraging the power of a newly-developed APS-C sensor, the \u003cstrong\u003eSony FX30\u003c\/strong\u003e provides everyday content creators and aspiring filmmakers with a powerful, yet accessible cinema camera with which to push their cinematic journey to new heights. It blends an imaging pipeline designed for cinematic capture with a comprehensive feature set and intuitive operation to create a complete system for all levels of filmmaking.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eCinematic Expression\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e26MP APS-C\/Super 35mm Exmor R BSI CMOS Sensor\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eThe FX30's advanced imaging system is on par with other options in Sony's Cinema Line—capturing detailed 10-bit UHD 4K imagery at up to 120 fps—giving it specs fitting a true cinema camera. The newly-developed 26MP APS-C Exmor R CMOS sensor and BIONZ XR processor are able to create high-quality 4K images with the Super 35mm (16:9) area. This system is capable of capturing 14+ stops of dynamic range and benefits from Dual Base ISO architecture to improve low-light performance.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003cli\u003eHigh-sensitivity recording at up to ISO 32000 and Dual Base ISO (800\/2500).\u003c\/li\u003e\n\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003cli\u003eWhen using S-Log3, the FX30 can capture 14+ stops of dynamic range.\u003c\/li\u003e\n\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003cli\u003eRecord in 10-bit 4:2:2 using advanced XAVC HS and XAVC S-I formats.\u003c\/li\u003e\n\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003cli\u003eFull pixel readout from the 6K sensor creates high-quality UHD 4K video at up to 60 fps.\u003c\/li\u003e\n\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003cli\u003eHigh-speed shooting is possible in 4K at up to 120 fps with a 1.6x crop and in Full HD up to 240 fps.\u003c\/li\u003e\n\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003cli\u003eThe HDMI output supports 16-bit raw video to select, separately available recorders.\u003c\/li\u003e\n\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eProfessional Picture Control\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eFilmmakers will be able to capture images that are immediately ready to publish for projects with fast turnarounds or opt for maximum quality and flexibility in post thanks to a wide array of picture control options:\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003cli\u003eS-Cinetone uses the same color science as Sony's advanced cinema cameras, including the VENICE line, with natural midtones, soft colors, and smooth highlight roll-off.\u003c\/li\u003e\n\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003cli\u003ePicture Profiles, such as S-Log3 and HLG, will capture images with expanded dynamic range and flexibility for editors.\u003c\/li\u003e\n\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003cli\u003eCreative Looks can be baked into the recorded footage to create a specific mood during recording and minimize the need for editing.\u003c\/li\u003e\n\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003cli\u003eUp to 16 user-created LUTs and three presets can be set for accurately monitoring footage or previewing a specific look during shooting. These can be applied to the camera's monitor or EVF as well as the HDMI output.\u003c\/li\u003e\n\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eOperation for All Levels\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eProfessional features will help ensure beginners to professionals can make the most of the FX30. This includes three log shooting modes:\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003cli\u003eFlexible ISO uses standard ISO settings for simple operation and the greatest flexibility.\u003c\/li\u003e\n\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003cli\u003eCine EI ensures maximum dynamic range capture by recording at a manually selected base ISO setting and applying adjustments to metadata for monitoring and post-production.\u003c\/li\u003e\n\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003cli\u003eCine EI quick will automatically switch between the two base ISO settings for easier operation and great quality.\u003c\/li\u003e\n\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eIntuitive Operation and Controls\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1850017.jpg\" alt=\"Sony FX30 Touch AF\"\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eFast Hybrid AF\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eEnjoy high-speed and highly accurate autofocus performance in every mode, including 4K up to 120 fps, using an advanced Fast Hybrid AF system that uses 495 points (759 points in Photo mode) spread across 90% of the image sensor.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003cli\u003eReal-time Eye AF and Real-time Tracking will track the eyes of humans and animals.\u003c\/li\u003e\n\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003cli\u003eAF Assist function will automatically switch to manual focus with a turn of the lens' focus ring.\u003c\/li\u003e\n\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003cli\u003eFocus Map makes it easier to visualize the region of focus in your scene\u003c\/li\u003e\n\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e5-Axis In-Body Image Stabilization\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eSony has equipped the FX30 with a 5-axis in-body image stabilization system that will help create smooth imagery even when working handheld. An Active Mode is available that blends optical systems with digital optimizations to capture ultra-smooth footage. The FX30 can also record gyro movement when the optical stabilizers are turned off, which can be used in post to create a stable shot.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eComprehensive Feature Set\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003ePlenty of Sony's cinema features have found their way into the FX30:\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003cli\u003eBreathing compensation works with select lenses in 4K up to 60p in camera or up to 120p using Catalyst software after recording.\u003c\/li\u003e\n\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003cli\u003eTimecode sync input with optional VMC-BNCM1 Timecode Adapter Cable\u003c\/li\u003e\n\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003cli\u003eTally lights for an easy indication that the camera is recording.\u003c\/li\u003e\n\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eCatalyst Browse and Prepare Integration\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eThe FX30 records a comprehensive array of metadata that can be read and used for advanced post-production work using Sony's Catalyst Browse and Prepare software.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eMetadata recorded includes:\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003cli\u003eEmbedded LUT and Exposure Index (EI) data.\u003c\/li\u003e\n\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003cli\u003eGyro and lens stabilization metadata to further reduce camera shake.\u003c\/li\u003e\n\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003cli\u003eBreathing compensation can be manually controlled and adjusted.\u003c\/li\u003e\n\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003cli\u003eCamera rotation metadata will ensure the footage is displayed as intended.\u003c\/li\u003e\n\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003cli\u003eShot marks can be added to clips during or after recording for reference\u003c\/li\u003e\n\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eErgonomic Form for Solo Operation\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1850018.jpg\" alt=\"Sony FX30 In Use with XLR Handle Unit\"\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eLightweight and compact, the FX30 (in a design that matches the FX3) offers users the ability to shoot without needing a cage. Users can also enjoy smooth handheld footage thanks to a 5-axis in-body image stabilization system.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eThe body features multiple threaded mounting points that are ideal for accessories and a Multi Interface Shoe that supports advanced accessories. Additionally, an integrated fan ensures reliable performance during extended takes.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003cli\u003eLightweight body weighs just 1.2 lb.\u003c\/li\u003e\n\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003cli\u003eDedicated zoom rocker.\u003c\/li\u003e\n\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003cli\u003eFully customizable button layout.\u003c\/li\u003e\n\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003cli\u003eFive 1\/4\"-20 threaded mounting points for accessories.\u003c\/li\u003e\n\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003cli\u003eMulti Interface Shoe supports advanced accessories.\u003c\/li\u003e\n\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003cli\u003eActive cooling fan permits uninterrupted shooting during extended takes.\u003c\/li\u003e\n\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003cli\u003eSporting a matching design to the FX3, the FX30 can use many of the same accessories, such as cages, without any modifications required.\u003c\/li\u003e\n\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eA Plethora of Connectivity Options\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eThe FX30 is equipped with a wide array of connections to ensure maximum customization and flexibility on set:\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003cli\u003eFull-size HDMI output features clean output up to 4K 60p as well as 16-bit raw video.\u003c\/li\u003e\n\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003cli\u003eAudio is supported on the body with a 3.5mm headphone output and a 3.5mm microphone input.\u003c\/li\u003e\n\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003cli\u003eUSB-C connection can be used for high-speed data transfer or for powering the camera.\u003c\/li\u003e\n\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003cli\u003eMulti-Terminal (Micro-USB) supports various accessories, such as remotes, for expanded functionality.\u003c\/li\u003e\n\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003cli\u003eTimecode sync is available through the use of the separately available VMC-BNCM1 Timecode Adapter Cable.\u003c\/li\u003e\n\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003cli\u003eMulti Interface Shoe supports advanced accessories, including the included XLR Handle Unit.\u003c\/li\u003e\n\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1850016.jpg\" alt=\"Sony FX30 Memory Card Slots\"\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eMedia Options\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eFor recording high-bitrate footage at high frame rates the FX30 uses an advanced, versatile set of media slots. The camera features dual CFexpress Type A\/SD card slots, allowing users to select between different media types for different situations. CFexpress Type A has ultra-fast speeds that can be used for the FX30's most advanced recording functions while SD cards are often more common and still have great speed and high capacities.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eAdvanced Audio Recording\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eThis version comes with a detachable XLR Handle Unit that offers two XLR\/TRS combo inputs for using professional audio equipment. The handle features a microphone mount, physical audio controls, and three 1\/4\"-20 threads for attaching accessories. It also securely mounts to the FX30 via the Multi Interface Shoe and a pair of screws.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003cli\u003eErgonomic handheld operation of the camera.\u003c\/li\u003e\n\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003cli\u003eTwo XLR\/TRS combo inputs and one 3.5mm stereo input.\u003c\/li\u003e\n\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003cli\u003eUp to four channels of audio can be recorded.\u003c\/li\u003e\n\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003cli\u003eThree 1\/4\"-20 accessory mounting threads.\u003c\/li\u003e\n\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003cli\u003ePhysical dials and switches for adjusting gain and other audio settings.\u003c\/li\u003e\n\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003cli\u003eClamping microphone mount is ideal for optional camera-mounted shotgun mics.\u003c\/li\u003e\n\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eUpdated Menu System\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eThe FX30 benefits from a tweaked control menu that makes it more intuitive to operate:\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003cli\u003eThe main menu provides a quick view of all your most important video settings, including Picture Profile, recording format, white balance, aperture, ISO, and more.\u003c\/li\u003e\n\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003cli\u003eThe shooting screen relocates the information on settings and status icons to the edges of the screen so that the image remains clear.\u003c\/li\u003e\n\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eSony E 11mm f\/1.8 Lens\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eSleek and Speedy Super-Wide\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eFeaturing an especially sleek and lightweight design, the \u003cstrong\u003eSony E 11mm f\/1.8\u003c\/strong\u003e is also among the widest APS-C lenses, offering a 16.5mm equivalent focal length along with a bright f\/1.8 design. Perfect for selfie-style vlogging, architectural subjects, and landscape shooting, this lens's lightweight, portable design also makes it a go-to choice for travel and walkaround recording applications.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eOptical Design\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1765935.jpg\"\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003cli\u003eUltra-wide-angle prime offers a 16.5mm equivalent focal length, making it a versatile option for subjects ranging from architecture to landscapes, as well as handheld vlogging needs.\u003c\/li\u003e\n\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003cli\u003eBright f\/1.8 maximum aperture is ideal for shallow depth of field shooting and also excels in low-light conditions.\u003c\/li\u003e\n\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003cli\u003eOptical design offers impressive sharpness across the frame and also contributes to high clarity by reducing color fringing and a variety fo aberrations.\u003c\/li\u003e\n\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003cli\u003eRounded 7-blade diaphragm contributes a smooth and natural bokeh quality.\u003c\/li\u003e\n\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eRefined Focusing Performance\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eLinear Motor system uses two separate motors to provide quick, quiet, and precise autofocus and tracking performance. This design also contributes to more natural, intuitive Linear Response manual focus control and an AF\/MF switch is located on the lens barrel for quick focus mode switching.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003cli\u003eInternal focusing design offers more responsive focusing performance and maintains a consistent overall lens length during operation.\u003c\/li\u003e\n\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003cli\u003eSuitable for close-up shooting, the minimum focusing distance is 4.7\" with a 0.2x maximum magnification when using manual focus, or 5.9\" with a 0.13x magnification when using autofocus.\u003c\/li\u003e\n\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003cli\u003eSmooth Motion Optics (SMO) suppresses focus breathing to help maintain compositional accuracy when changing focus. This lens is also compatible with the Breathing Compensation function in select Alpha cameras.\u003c\/li\u003e\n\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003ePetite Design and Intuitive Handling\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1765928.jpg\"\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003cli\u003eDust- and moisture-resistant design suits working in inclement conditions.\u003c\/li\u003e\n\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003cli\u003eCustomizable focus hold button on the lens barrel for intuitive tactile control and rapid access to select settings.\u003c\/li\u003e\n\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003cli\u003eWhen paired with a camera featuring Active Mode stabilization, the ultra-wide focal length works perfectly to produce stable shots while walking, along with a pleasing balance of subject and background in the frame when used at arm's length.\u003c\/li\u003e\n\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003cli\u003eLens measures 2.3\" long and weighs 6.4 oz, making it a great portable choice that's well-suited to the sleeker size of APS-C bodies.\u003c\/li\u003e\n\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cul\u003e\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cul\u003e\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":46498746826982,"sku":"71770","price":36999000.0,"currency_code":"IDR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/3088\/0230\/files\/9a8fe2f0_h6updsdz7vl5jcgn_9473248f-c52a-4f0e-8a49-5ea8077080fd.webp?v=1780991229"},{"product_id":"sony-fx30-digital-cinema-camera-with-e-11mm-f1-8-mirrorless-lens","title":"Sony FX30 Digital Cinema Camera with E 11mm f1.8 Mirrorless Lens","description":"\u003ch2\u003eSony FX30 E Mount Overview\u003c\/h2\u003e\u003cp\u003eKey Features\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e26.1MP APS-C BSI CMOS Sensor\u003c\/li\u003e\n\u003cli\u003eUHD 4K up to 120p\u003c\/li\u003e\n\u003cli\u003eCompact Form Designed for Cage-Free Use\u003c\/li\u003e\n\u003cli\u003e10-Bit 4:2:2 XAVC S-I,16-Bit Raw Output\u003c\/li\u003e\n\u003cli\u003eS-Cinetone\/S-Log3\/HLG, 14+ Stops DR\u003c\/li\u003e\n\u003cli\u003ePhase Detection AF\/Face Tracking\/Eye AF\u003c\/li\u003e\n\u003cli\u003eStandard ISO 100-32000 | Dual Base ISO\u003c\/li\u003e\n\u003cli\u003eDual CFexpress Type A\/SDXC Card Slots\u003c\/li\u003e\n\u003cli\u003eUser LUTs \u0026amp; Timecode Sync Support\u003c\/li\u003e\n\u003cli\u003eDetachable XLR Handle Unit with 2 Inputs\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eLeveraging the power of a newly-developed APS-C sensor, the \u003cstrong\u003eSony FX30\u003c\/strong\u003e provides everyday content creators and aspiring filmmakers with a powerful, yet accessible cinema camera with which to push their cinematic journey to new heights. It blends an imaging pipeline designed for cinematic capture with a comprehensive feature set and intuitive operation to create a complete system for all levels of filmmaking.\u003c\/p\u003e\u003cp\u003eCinematic Expression\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e26MP APS-C\/Super 35mm Exmor R BSI CMOS Sensor\u003c\/p\u003e\u003cp\u003eThe FX30's advanced imaging system is on par with other options in Sony's Cinema Line—capturing detailed 10-bit UHD 4K imagery at up to 120 fps—giving it specs fitting a true cinema camera. The newly-developed 26MP APS-C Exmor R CMOS sensor and BIONZ XR processor are able to create high-quality 4K images with the Super 35mm (16:9) area. This system is capable of capturing 14+ stops of dynamic range and benefits from Dual Base ISO architecture to improve low-light performance.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eHigh-sensitivity recording at up to ISO 32000 and Dual Base ISO (800\/2500).\u003c\/li\u003e\n\u003cli\u003eWhen using S-Log3, the FX30 can capture 14+ stops of dynamic range.\u003c\/li\u003e\n\u003cli\u003eRecord in 10-bit 4:2:2 using advanced XAVC HS and XAVC S-I formats.\u003c\/li\u003e\n\u003cli\u003eFull pixel readout from the 6K sensor creates high-quality UHD 4K video at up to 60 fps.\u003c\/li\u003e\n\u003cli\u003eHigh-speed shooting is possible in 4K at up to 120 fps with a 1.6x crop and in Full HD up to 240 fps.\u003c\/li\u003e\n\u003cli\u003eThe HDMI output supports 16-bit raw video to select, separately available recorders.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eProfessional Picture Control\u003c\/p\u003e\u003cp\u003eFilmmakers will be able to capture images that are immediately ready to publish for projects with fast turnarounds or opt for maximum quality and flexibility in post thanks to a wide array of picture control options:\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eS-Cinetone uses the same color science as Sony's advanced cinema cameras, including the VENICE line, with natural midtones, soft colors, and smooth highlight roll-off.\u003c\/li\u003e\n\u003cli\u003ePicture Profiles, such as S-Log3 and HLG, will capture images with expanded dynamic range and flexibility for editors.\u003c\/li\u003e\n\u003cli\u003eCreative Looks can be baked into the recorded footage to create a specific mood during recording and minimize the need for editing.\u003c\/li\u003e\n\u003cli\u003eUp to 16 user-created LUTs and three presets can be set for accurately monitoring footage or previewing a specific look during shooting. These can be applied to the camera's monitor or EVF as well as the HDMI output.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eOperation for All Levels\u003c\/p\u003e\u003cp\u003eProfessional features will help ensure beginners to professionals can make the most of the FX30. This includes three log shooting modes:\u003c\/p\u003e\u003cul\u003e\u003cli\u003eFlexible ISO uses standard ISO settings for simple operation and the greatest flexibility.\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003eCine EI ensures maximum dynamic range capture by recording at a manually selected base ISO setting and applying adjustments to metadata for monitoring and post-production.\u003c\/p\u003e\u003cp\u003eCine EI quick will automatically switch between the two base ISO settings for easier operation and great quality.\u003c\/p\u003e\u003cp\u003eIntuitive Operation and Controls\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1664459111_IMG_1850017.jpg\" alt=\"Sony FX30 Touch AF\"\u003e\u003c\/p\u003e\u003cp\u003eFast Hybrid AF\u003c\/p\u003e\u003cp\u003eEnjoy high-speed and highly accurate autofocus performance in every mode, including 4K up to 120 fps, using an advanced Fast Hybrid AF system that uses 495 points (759 points in Photo mode) spread across 90% of the image sensor.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eReal-time Eye AF and Real-time Tracking will track the eyes of humans and animals.\u003c\/li\u003e\n\u003cli\u003eAF Assist function will automatically switch to manual focus with a turn of the lens' focus ring.\u003c\/li\u003e\n\u003cli\u003eFocus Map makes it easier to visualize the region of focus in your scene\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e5-Axis In-Body Image Stabilization\u003c\/p\u003e\u003cp\u003eSony has equipped the FX30 with a 5-axis in-body image stabilization system that will help create smooth imagery even when working handheld. An Active Mode is available that blends optical systems with digital optimizations to capture ultra-smooth footage. The FX30 can also record gyro movement when the optical stabilizers are turned off, which can be used in post to create a stable shot.\u003c\/p\u003e\u003cp\u003eComprehensive Feature Set\u003c\/p\u003e\u003cp\u003ePlenty of Sony's cinema features have found their way into the FX30:\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eBreathing compensation works with select lenses in 4K up to 60p in camera or up to 120p using Catalyst software after recording.\u003c\/li\u003e\n\u003cli\u003eTimecode sync input with optional VMC-BNCM1 Timecode Adapter Cable\u003c\/li\u003e\n\u003cli\u003eTally lights for an easy indication that the camera is recording.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eCatalyst Browse and Prepare Integration\u003c\/p\u003e\u003cp\u003eThe FX30 records a comprehensive array of metadata that can be read and used for advanced post-production work using Sony's Catalyst Browse and Prepare software.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eMetadata recorded includes:\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eEmbedded LUT and Exposure Index (EI) data.\u003c\/li\u003e\n\u003cli\u003eGyro and lens stabilization metadata to further reduce camera shake.\u003c\/li\u003e\n\u003cli\u003eBreathing compensation can be manually controlled and adjusted.\u003c\/li\u003e\n\u003cli\u003eCamera rotation metadata will ensure the footage is displayed as intended.\u003c\/li\u003e\n\u003cli\u003eShot marks can be added to clips during or after recording for reference\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eErgonomic Form for Solo Operation\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1664459111_IMG_1850018.jpg\" alt=\"Sony FX30 In Use with XLR Handle Unit\"\u003e\u003c\/p\u003e\u003cp\u003eLightweight and compact, the FX30 (in a design that matches the FX3) offers users the ability to shoot without needing a cage. Users can also enjoy smooth handheld footage thanks to a 5-axis in-body image stabilization system.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eThe body features multiple threaded mounting points that are ideal for accessories and a Multi Interface Shoe that supports advanced accessories. Additionally, an integrated fan ensures reliable performance during extended takes.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eLightweight body weighs just 1.2 lb.\u003c\/li\u003e\n\u003cli\u003eDedicated zoom rocker.\u003c\/li\u003e\n\u003cli\u003eFully customizable button layout.\u003c\/li\u003e\n\u003cli\u003eFive 1\/4\"-20 threaded mounting points for accessories.\u003c\/li\u003e\n\u003cli\u003eMulti Interface Shoe supports advanced accessories.\u003c\/li\u003e\n\u003cli\u003eActive cooling fan permits uninterrupted shooting during extended takes.\u003c\/li\u003e\n\u003cli\u003eSporting a matching design to the FX3, the FX30 can use many of the same accessories, such as cages, without any modifications required.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eA Plethora of Connectivity Options\u003c\/p\u003e\u003cp\u003eThe FX30 is equipped with a wide array of connections to ensure maximum customization and flexibility on set:\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFull-size HDMI output features clean output up to 4K 60p as well as 16-bit raw video.\u003c\/li\u003e\n\u003cli\u003eAudio is supported on the body with a 3.5mm headphone output and a 3.5mm microphone input.\u003c\/li\u003e\n\u003cli\u003eUSB-C connection can be used for high-speed data transfer or for powering the camera.\u003c\/li\u003e\n\u003cli\u003eMulti-Terminal (Micro-USB) supports various accessories, such as remotes, for expanded functionality.\u003c\/li\u003e\n\u003cli\u003eTimecode sync is available through the use of the separately available VMC-BNCM1 Timecode Adapter Cable.\u003c\/li\u003e\n\u003cli\u003eMulti Interface Shoe supports advanced accessories, including the included XLR Handle Unit.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp class=\"ql-align-center\"\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1664459111_IMG_1850016.jpg\" alt=\"Sony FX30 Memory Card Slots\"\u003e\u003c\/p\u003e\u003cp\u003eMedia Options\u003c\/p\u003e\u003cp\u003eFor recording high-bitrate footage at high frame rates the FX30 uses an advanced, versatile set of media slots. The camera features dual CFexpress Type A\/SD card slots, allowing users to select between different media types for different situations. CFexpress Type A has ultra-fast speeds that can be used for the FX30's most advanced recording functions while SD cards are often more common and still have great speed and high capacities.\u003c\/p\u003e\u003cp\u003eAdvanced Audio Recording\u003c\/p\u003e\u003cp\u003eThis version comes with a detachable XLR Handle Unit that offers two XLR\/TRS combo inputs for using professional audio equipment. The handle features a microphone mount, physical audio controls, and three 1\/4\"-20 threads for attaching accessories. It also securely mounts to the FX30 via the Multi Interface Shoe and a pair of screws.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eErgonomic handheld operation of the camera.\u003c\/li\u003e\n\u003cli\u003eTwo XLR\/TRS combo inputs and one 3.5mm stereo input.\u003c\/li\u003e\n\u003cli\u003eUp to four channels of audio can be recorded.\u003c\/li\u003e\n\u003cli\u003eThree 1\/4\"-20 accessory mounting threads.\u003c\/li\u003e\n\u003cli\u003ePhysical dials and switches for adjusting gain and other audio settings.\u003c\/li\u003e\n\u003cli\u003eClamping microphone mount is ideal for optional camera-mounted shotgun mics.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eUpdated Menu System\u003c\/p\u003e\u003cp\u003eThe FX30 benefits from a tweaked control menu that makes it more intuitive to operate:\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eThe main menu provides a quick view of all your most important video settings, including Picture Profile, recording format, white balance, aperture, ISO, and more.\u003c\/li\u003e\n\u003cli\u003eThe shooting screen relocates the information on settings and status icons to the edges of the screen so that the image remains clear.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003e\u003cbr\u003e\u003c\/h2\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":46498765537510,"sku":"71771","price":31799000.0,"currency_code":"IDR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/3088\/0230\/files\/f1ab4e8e_exzzj7uiecvk9rnj_f336d1f4-9870-4ed0-81e1-561cc73c6502.webp?v=1780991353"},{"product_id":"sony-fx30-digital-cinema-camera-body-only-sony-e-10-20mm-f4-pz-g-mirrorless-lens","title":"Sony FX30 Digital Cinema Camera Body Only + Sony E 10-20mm f4 PZ G Mirrorless Lens","description":"\u003ch2\u003eSony FX30 E Mount Overview\u003c\/h2\u003e\u003cp\u003eKey Features\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e26.1MP APS-C BSI CMOS Sensor\u003c\/li\u003e\n\u003cli\u003eUHD 4K up to 120p\u003c\/li\u003e\n\u003cli\u003eCompact Form Designed for Cage-Free Use\u003c\/li\u003e\n\u003cli\u003e10-Bit 4:2:2 XAVC S-I,16-Bit Raw Output\u003c\/li\u003e\n\u003cli\u003eS-Cinetone\/S-Log3\/HLG, 14+ Stops DR\u003c\/li\u003e\n\u003cli\u003ePhase Detection AF\/Face Tracking\/Eye AF\u003c\/li\u003e\n\u003cli\u003eStandard ISO 100-32000 | Dual Base ISO\u003c\/li\u003e\n\u003cli\u003eDual CFexpress Type A\/SDXC Card Slots\u003c\/li\u003e\n\u003cli\u003eUser LUTs \u0026amp; Timecode Sync Support\u003c\/li\u003e\n\u003cli\u003eDetachable XLR Handle Unit with 2 Inputs\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eLeveraging the power of a newly-developed APS-C sensor, the \u003cstrong\u003eSony FX30\u003c\/strong\u003e provides everyday content creators and aspiring filmmakers with a powerful, yet accessible cinema camera with which to push their cinematic journey to new heights. It blends an imaging pipeline designed for cinematic capture with a comprehensive feature set and intuitive operation to create a complete system for all levels of filmmaking.\u003c\/p\u003e\u003cp\u003eCinematic Expression\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e26MP APS-C\/Super 35mm Exmor R BSI CMOS Sensor\u003c\/p\u003e\u003cp\u003eThe FX30's advanced imaging system is on par with other options in Sony's Cinema Line—capturing detailed 10-bit UHD 4K imagery at up to 120 fps—giving it specs fitting a true cinema camera. The newly-developed 26MP APS-C Exmor R CMOS sensor and BIONZ XR processor are able to create high-quality 4K images with the Super 35mm (16:9) area. This system is capable of capturing 14+ stops of dynamic range and benefits from Dual Base ISO architecture to improve low-light performance.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eHigh-sensitivity recording at up to ISO 32000 and Dual Base ISO (800\/2500).\u003c\/li\u003e\n\u003cli\u003eWhen using S-Log3, the FX30 can capture 14+ stops of dynamic range.\u003c\/li\u003e\n\u003cli\u003eRecord in 10-bit 4:2:2 using advanced XAVC HS and XAVC S-I formats.\u003c\/li\u003e\n\u003cli\u003eFull pixel readout from the 6K sensor creates high-quality UHD 4K video at up to 60 fps.\u003c\/li\u003e\n\u003cli\u003eHigh-speed shooting is possible in 4K at up to 120 fps with a 1.6x crop and in Full HD up to 240 fps.\u003c\/li\u003e\n\u003cli\u003eThe HDMI output supports 16-bit raw video to select, separately available recorders.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eProfessional Picture Control\u003c\/p\u003e\u003cp\u003eFilmmakers will be able to capture images that are immediately ready to publish for projects with fast turnarounds or opt for maximum quality and flexibility in post thanks to a wide array of picture control options:\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eS-Cinetone uses the same color science as Sony's advanced cinema cameras, including the VENICE line, with natural midtones, soft colors, and smooth highlight roll-off.\u003c\/li\u003e\n\u003cli\u003ePicture Profiles, such as S-Log3 and HLG, will capture images with expanded dynamic range and flexibility for editors.\u003c\/li\u003e\n\u003cli\u003eCreative Looks can be baked into the recorded footage to create a specific mood during recording and minimize the need for editing.\u003c\/li\u003e\n\u003cli\u003eUp to 16 user-created LUTs and three presets can be set for accurately monitoring footage or previewing a specific look during shooting. These can be applied to the camera's monitor or EVF as well as the HDMI output.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eOperation for All Levels\u003c\/p\u003e\u003cp\u003eProfessional features will help ensure beginners to professionals can make the most of the FX30. This includes three log shooting modes:\u003c\/p\u003e\u003cul\u003e\u003cli\u003eFlexible ISO uses standard ISO settings for simple operation and the greatest flexibility.\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003eCine EI ensures maximum dynamic range capture by recording at a manually selected base ISO setting and applying adjustments to metadata for monitoring and post-production.\u003c\/p\u003e\u003cp\u003eCine EI quick will automatically switch between the two base ISO settings for easier operation and great quality.\u003c\/p\u003e\u003cp\u003eIntuitive Operation and Controls\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1664459111_IMG_1850017.jpg\" alt=\"Sony FX30 Touch AF\"\u003e\u003c\/p\u003e\u003cp\u003eFast Hybrid AF\u003c\/p\u003e\u003cp\u003eEnjoy high-speed and highly accurate autofocus performance in every mode, including 4K up to 120 fps, using an advanced Fast Hybrid AF system that uses 495 points (759 points in Photo mode) spread across 90% of the image sensor.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eReal-time Eye AF and Real-time Tracking will track the eyes of humans and animals.\u003c\/li\u003e\n\u003cli\u003eAF Assist function will automatically switch to manual focus with a turn of the lens' focus ring.\u003c\/li\u003e\n\u003cli\u003eFocus Map makes it easier to visualize the region of focus in your scene\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e5-Axis In-Body Image Stabilization\u003c\/p\u003e\u003cp\u003eSony has equipped the FX30 with a 5-axis in-body image stabilization system that will help create smooth imagery even when working handheld. An Active Mode is available that blends optical systems with digital optimizations to capture ultra-smooth footage. The FX30 can also record gyro movement when the optical stabilizers are turned off, which can be used in post to create a stable shot.\u003c\/p\u003e\u003cp\u003eComprehensive Feature Set\u003c\/p\u003e\u003cp\u003ePlenty of Sony's cinema features have found their way into the FX30:\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eBreathing compensation works with select lenses in 4K up to 60p in camera or up to 120p using Catalyst software after recording.\u003c\/li\u003e\n\u003cli\u003eTimecode sync input with optional VMC-BNCM1 Timecode Adapter Cable\u003c\/li\u003e\n\u003cli\u003eTally lights for an easy indication that the camera is recording.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eCatalyst Browse and Prepare Integration\u003c\/p\u003e\u003cp\u003eThe FX30 records a comprehensive array of metadata that can be read and used for advanced post-production work using Sony's Catalyst Browse and Prepare software.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eMetadata recorded includes:\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eEmbedded LUT and Exposure Index (EI) data.\u003c\/li\u003e\n\u003cli\u003eGyro and lens stabilization metadata to further reduce camera shake.\u003c\/li\u003e\n\u003cli\u003eBreathing compensation can be manually controlled and adjusted.\u003c\/li\u003e\n\u003cli\u003eCamera rotation metadata will ensure the footage is displayed as intended.\u003c\/li\u003e\n\u003cli\u003eShot marks can be added to clips during or after recording for reference\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eErgonomic Form for Solo Operation\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1664459111_IMG_1850018.jpg\" alt=\"Sony FX30 In Use with XLR Handle Unit\"\u003e\u003c\/p\u003e\u003cp\u003eLightweight and compact, the FX30 (in a design that matches the FX3) offers users the ability to shoot without needing a cage. Users can also enjoy smooth handheld footage thanks to a 5-axis in-body image stabilization system.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eThe body features multiple threaded mounting points that are ideal for accessories and a Multi Interface Shoe that supports advanced accessories. Additionally, an integrated fan ensures reliable performance during extended takes.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eLightweight body weighs just 1.2 lb.\u003c\/li\u003e\n\u003cli\u003eDedicated zoom rocker.\u003c\/li\u003e\n\u003cli\u003eFully customizable button layout.\u003c\/li\u003e\n\u003cli\u003eFive 1\/4\"-20 threaded mounting points for accessories.\u003c\/li\u003e\n\u003cli\u003eMulti Interface Shoe supports advanced accessories.\u003c\/li\u003e\n\u003cli\u003eActive cooling fan permits uninterrupted shooting during extended takes.\u003c\/li\u003e\n\u003cli\u003eSporting a matching design to the FX3, the FX30 can use many of the same accessories, such as cages, without any modifications required.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eA Plethora of Connectivity Options\u003c\/p\u003e\u003cp\u003eThe FX30 is equipped with a wide array of connections to ensure maximum customization and flexibility on set:\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFull-size HDMI output features clean output up to 4K 60p as well as 16-bit raw video.\u003c\/li\u003e\n\u003cli\u003eAudio is supported on the body with a 3.5mm headphone output and a 3.5mm microphone input.\u003c\/li\u003e\n\u003cli\u003eUSB-C connection can be used for high-speed data transfer or for powering the camera.\u003c\/li\u003e\n\u003cli\u003eMulti-Terminal (Micro-USB) supports various accessories, such as remotes, for expanded functionality.\u003c\/li\u003e\n\u003cli\u003eTimecode sync is available through the use of the separately available VMC-BNCM1 Timecode Adapter Cable.\u003c\/li\u003e\n\u003cli\u003eMulti Interface Shoe supports advanced accessories, including the included XLR Handle Unit.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp class=\"ql-align-center\"\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1664459111_IMG_1850016.jpg\" alt=\"Sony FX30 Memory Card Slots\"\u003e\u003c\/p\u003e\u003cp\u003eMedia Options\u003c\/p\u003e\u003cp\u003eFor recording high-bitrate footage at high frame rates the FX30 uses an advanced, versatile set of media slots. The camera features dual CFexpress Type A\/SD card slots, allowing users to select between different media types for different situations. CFexpress Type A has ultra-fast speeds that can be used for the FX30's most advanced recording functions while SD cards are often more common and still have great speed and high capacities.\u003c\/p\u003e\u003cp\u003eAdvanced Audio Recording\u003c\/p\u003e\u003cp\u003eThis version comes with a detachable XLR Handle Unit that offers two XLR\/TRS combo inputs for using professional audio equipment. The handle features a microphone mount, physical audio controls, and three 1\/4\"-20 threads for attaching accessories. It also securely mounts to the FX30 via the Multi Interface Shoe and a pair of screws.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eErgonomic handheld operation of the camera.\u003c\/li\u003e\n\u003cli\u003eTwo XLR\/TRS combo inputs and one 3.5mm stereo input.\u003c\/li\u003e\n\u003cli\u003eUp to four channels of audio can be recorded.\u003c\/li\u003e\n\u003cli\u003eThree 1\/4\"-20 accessory mounting threads.\u003c\/li\u003e\n\u003cli\u003ePhysical dials and switches for adjusting gain and other audio settings.\u003c\/li\u003e\n\u003cli\u003eClamping microphone mount is ideal for optional camera-mounted shotgun mics.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eUpdated Menu System\u003c\/p\u003e\u003cp\u003eThe FX30 benefits from a tweaked control menu that makes it more intuitive to operate:\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eThe main menu provides a quick view of all your most important video settings, including Picture Profile, recording format, white balance, aperture, ISO, and more.\u003c\/li\u003e\n\u003cli\u003eThe shooting screen relocates the information on settings and status icons to the edges of the screen so that the image remains clear.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003e\u003cbr\u003e\u003c\/h2\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":46498818916582,"sku":"71415","price":34298000.0,"currency_code":"IDR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/3088\/0230\/files\/sonyfx3_rxawjwkmxur9xbfs_53faa00e-5d81-49f1-900a-2ad662e3d86d.webp?v=1780991287"},{"product_id":"sony-fx30-digital-cinema-camera-with-xlr-handle-unit-sony-e-pz-18-105mm-f4-g-oss-lens","title":"Sony FX30 Digital Cinema Camera with XLR Handle Unit + Sony E PZ 18-105mm f4 G OSS Lens","description":"\u003ch2\u003eSony FX30 E Mount Overview\u003c\/h2\u003e\u003cp\u003eKey Features\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e26.1MP APS-C BSI CMOS Sensor\u003c\/li\u003e\n\u003cli\u003eUHD 4K up to 120p\u003c\/li\u003e\n\u003cli\u003eCompact Form Designed for Cage-Free Use\u003c\/li\u003e\n\u003cli\u003e10-Bit 4:2:2 XAVC S-I,16-Bit Raw Output\u003c\/li\u003e\n\u003cli\u003eS-Cinetone\/S-Log3\/HLG, 14+ Stops DR\u003c\/li\u003e\n\u003cli\u003ePhase Detection AF\/Face Tracking\/Eye AF\u003c\/li\u003e\n\u003cli\u003eStandard ISO 100-32000 | Dual Base ISO\u003c\/li\u003e\n\u003cli\u003eDual CFexpress Type A\/SDXC Card Slots\u003c\/li\u003e\n\u003cli\u003eUser LUTs \u0026amp; Timecode Sync Support\u003c\/li\u003e\n\u003cli\u003eDetachable XLR Handle Unit with 2 Inputs\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eLeveraging the power of a newly-developed APS-C sensor, the \u003cstrong\u003eSony FX30\u003c\/strong\u003e provides everyday content creators and aspiring filmmakers with a powerful, yet accessible cinema camera with which to push their cinematic journey to new heights. It blends an imaging pipeline designed for cinematic capture with a comprehensive feature set and intuitive operation to create a complete system for all levels of filmmaking.\u003c\/p\u003e\u003cp\u003eCinematic Expression\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e26MP APS-C\/Super 35mm Exmor R BSI CMOS Sensor\u003c\/p\u003e\u003cp\u003eThe FX30's advanced imaging system is on par with other options in Sony's Cinema Line—capturing detailed 10-bit UHD 4K imagery at up to 120 fps—giving it specs fitting a true cinema camera. The newly-developed 26MP APS-C Exmor R CMOS sensor and BIONZ XR processor are able to create high-quality 4K images with the Super 35mm (16:9) area. This system is capable of capturing 14+ stops of dynamic range and benefits from Dual Base ISO architecture to improve low-light performance.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eHigh-sensitivity recording at up to ISO 32000 and Dual Base ISO (800\/2500).\u003c\/li\u003e\n\u003cli\u003eWhen using S-Log3, the FX30 can capture 14+ stops of dynamic range.\u003c\/li\u003e\n\u003cli\u003eRecord in 10-bit 4:2:2 using advanced XAVC HS and XAVC S-I formats.\u003c\/li\u003e\n\u003cli\u003eFull pixel readout from the 6K sensor creates high-quality UHD 4K video at up to 60 fps.\u003c\/li\u003e\n\u003cli\u003eHigh-speed shooting is possible in 4K at up to 120 fps with a 1.6x crop and in Full HD up to 240 fps.\u003c\/li\u003e\n\u003cli\u003eThe HDMI output supports 16-bit raw video to select, separately available recorders.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eProfessional Picture Control\u003c\/p\u003e\u003cp\u003eFilmmakers will be able to capture images that are immediately ready to publish for projects with fast turnarounds or opt for maximum quality and flexibility in post thanks to a wide array of picture control options:\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eS-Cinetone uses the same color science as Sony's advanced cinema cameras, including the VENICE line, with natural midtones, soft colors, and smooth highlight roll-off.\u003c\/li\u003e\n\u003cli\u003ePicture Profiles, such as S-Log3 and HLG, will capture images with expanded dynamic range and flexibility for editors.\u003c\/li\u003e\n\u003cli\u003eCreative Looks can be baked into the recorded footage to create a specific mood during recording and minimize the need for editing.\u003c\/li\u003e\n\u003cli\u003eUp to 16 user-created LUTs and three presets can be set for accurately monitoring footage or previewing a specific look during shooting. These can be applied to the camera's monitor or EVF as well as the HDMI output.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eOperation for All Levels\u003c\/p\u003e\u003cp\u003eProfessional features will help ensure beginners to professionals can make the most of the FX30. This includes three log shooting modes:\u003c\/p\u003e\u003cul\u003e\u003cli\u003eFlexible ISO uses standard ISO settings for simple operation and the greatest flexibility.\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003eCine EI ensures maximum dynamic range capture by recording at a manually selected base ISO setting and applying adjustments to metadata for monitoring and post-production.\u003c\/p\u003e\u003cp\u003eCine EI quick will automatically switch between the two base ISO settings for easier operation and great quality.\u003c\/p\u003e\u003cp\u003eIntuitive Operation and Controls\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1664459111_IMG_1850017.jpg\" alt=\"Sony FX30 Touch AF\"\u003e\u003c\/p\u003e\u003cp\u003eFast Hybrid AF\u003c\/p\u003e\u003cp\u003eEnjoy high-speed and highly accurate autofocus performance in every mode, including 4K up to 120 fps, using an advanced Fast Hybrid AF system that uses 495 points (759 points in Photo mode) spread across 90% of the image sensor.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eReal-time Eye AF and Real-time Tracking will track the eyes of humans and animals.\u003c\/li\u003e\n\u003cli\u003eAF Assist function will automatically switch to manual focus with a turn of the lens' focus ring.\u003c\/li\u003e\n\u003cli\u003eFocus Map makes it easier to visualize the region of focus in your scene\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e5-Axis In-Body Image Stabilization\u003c\/p\u003e\u003cp\u003eSony has equipped the FX30 with a 5-axis in-body image stabilization system that will help create smooth imagery even when working handheld. An Active Mode is available that blends optical systems with digital optimizations to capture ultra-smooth footage. The FX30 can also record gyro movement when the optical stabilizers are turned off, which can be used in post to create a stable shot.\u003c\/p\u003e\u003cp\u003eComprehensive Feature Set\u003c\/p\u003e\u003cp\u003ePlenty of Sony's cinema features have found their way into the FX30:\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eBreathing compensation works with select lenses in 4K up to 60p in camera or up to 120p using Catalyst software after recording.\u003c\/li\u003e\n\u003cli\u003eTimecode sync input with optional VMC-BNCM1 Timecode Adapter Cable\u003c\/li\u003e\n\u003cli\u003eTally lights for an easy indication that the camera is recording.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eCatalyst Browse and Prepare Integration\u003c\/p\u003e\u003cp\u003eThe FX30 records a comprehensive array of metadata that can be read and used for advanced post-production work using Sony's Catalyst Browse and Prepare software.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eMetadata recorded includes:\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eEmbedded LUT and Exposure Index (EI) data.\u003c\/li\u003e\n\u003cli\u003eGyro and lens stabilization metadata to further reduce camera shake.\u003c\/li\u003e\n\u003cli\u003eBreathing compensation can be manually controlled and adjusted.\u003c\/li\u003e\n\u003cli\u003eCamera rotation metadata will ensure the footage is displayed as intended.\u003c\/li\u003e\n\u003cli\u003eShot marks can be added to clips during or after recording for reference\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eErgonomic Form for Solo Operation\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1664459111_IMG_1850018.jpg\" alt=\"Sony FX30 In Use with XLR Handle Unit\"\u003e\u003c\/p\u003e\u003cp\u003eLightweight and compact, the FX30 (in a design that matches the FX3) offers users the ability to shoot without needing a cage. Users can also enjoy smooth handheld footage thanks to a 5-axis in-body image stabilization system.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eThe body features multiple threaded mounting points that are ideal for accessories and a Multi Interface Shoe that supports advanced accessories. Additionally, an integrated fan ensures reliable performance during extended takes.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eLightweight body weighs just 1.2 lb.\u003c\/li\u003e\n\u003cli\u003eDedicated zoom rocker.\u003c\/li\u003e\n\u003cli\u003eFully customizable button layout.\u003c\/li\u003e\n\u003cli\u003eFive 1\/4\"-20 threaded mounting points for accessories.\u003c\/li\u003e\n\u003cli\u003eMulti Interface Shoe supports advanced accessories.\u003c\/li\u003e\n\u003cli\u003eActive cooling fan permits uninterrupted shooting during extended takes.\u003c\/li\u003e\n\u003cli\u003eSporting a matching design to the FX3, the FX30 can use many of the same accessories, such as cages, without any modifications required.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eA Plethora of Connectivity Options\u003c\/p\u003e\u003cp\u003eThe FX30 is equipped with a wide array of connections to ensure maximum customization and flexibility on set:\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFull-size HDMI output features clean output up to 4K 60p as well as 16-bit raw video.\u003c\/li\u003e\n\u003cli\u003eAudio is supported on the body with a 3.5mm headphone output and a 3.5mm microphone input.\u003c\/li\u003e\n\u003cli\u003eUSB-C connection can be used for high-speed data transfer or for powering the camera.\u003c\/li\u003e\n\u003cli\u003eMulti-Terminal (Micro-USB) supports various accessories, such as remotes, for expanded functionality.\u003c\/li\u003e\n\u003cli\u003eTimecode sync is available through the use of the separately available VMC-BNCM1 Timecode Adapter Cable.\u003c\/li\u003e\n\u003cli\u003eMulti Interface Shoe supports advanced accessories, including the included XLR Handle Unit.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp class=\"ql-align-center\"\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1664459111_IMG_1850016.jpg\" alt=\"Sony FX30 Memory Card Slots\"\u003e\u003c\/p\u003e\u003cp\u003eMedia Options\u003c\/p\u003e\u003cp\u003eFor recording high-bitrate footage at high frame rates the FX30 uses an advanced, versatile set of media slots. The camera features dual CFexpress Type A\/SD card slots, allowing users to select between different media types for different situations. CFexpress Type A has ultra-fast speeds that can be used for the FX30's most advanced recording functions while SD cards are often more common and still have great speed and high capacities.\u003c\/p\u003e\u003cp\u003eAdvanced Audio Recording\u003c\/p\u003e\u003cp\u003eThis version comes with a detachable XLR Handle Unit that offers two XLR\/TRS combo inputs for using professional audio equipment. The handle features a microphone mount, physical audio controls, and three 1\/4\"-20 threads for attaching accessories. It also securely mounts to the FX30 via the Multi Interface Shoe and a pair of screws.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eErgonomic handheld operation of the camera.\u003c\/li\u003e\n\u003cli\u003eTwo XLR\/TRS combo inputs and one 3.5mm stereo input.\u003c\/li\u003e\n\u003cli\u003eUp to four channels of audio can be recorded.\u003c\/li\u003e\n\u003cli\u003eThree 1\/4\"-20 accessory mounting threads.\u003c\/li\u003e\n\u003cli\u003ePhysical dials and switches for adjusting gain and other audio settings.\u003c\/li\u003e\n\u003cli\u003eClamping microphone mount is ideal for optional camera-mounted shotgun mics.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eUpdated Menu System\u003c\/p\u003e\u003cp\u003eThe FX30 benefits from a tweaked control menu that makes it more intuitive to operate:\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eThe main menu provides a quick view of all your most important video settings, including Picture Profile, recording format, white balance, aperture, ISO, and more.\u003c\/li\u003e\n\u003cli\u003eThe shooting screen relocates the information on settings and status icons to the edges of the screen so that the image remains clear.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003e\u003cbr\u003e\u003c\/h2\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":46498835693798,"sku":"71570","price":36498000.0,"currency_code":"IDR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/3088\/0230\/files\/sonyfx3_mju7pcdx4g4wpvw3_16c9d447-5669-4505-97b4-bab22d50df53.webp?v=1780991399"},{"product_id":"sony-fx30b-digital-cinema-camera-body-only-sony-e-pz-18-105mm-f4-g-oss-lens","title":"Sony FX30B Digital Cinema Camera Body Only + Sony E PZ 18-105mm f4 G OSS Lens","description":"\u003ch2\u003eSony FX30 Overview\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eKey Features\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e26.1MP APS-C BSI CMOS Sensor\u003c\/li\u003e\n\u003cli\u003eUHD 4K up to 120p\u003c\/li\u003e\n\u003cli\u003eCompact Form Designed for Cage-Free Use\u003c\/li\u003e\n\u003cli\u003e10-Bit 4:2:2 XAVC S-I,16-Bit Raw Output\u003c\/li\u003e\n\u003cli\u003eS-Cinetone\/S-Log3\/HLG, 14+ Stops DR\u003c\/li\u003e\n\u003cli\u003ePhase Detection AF\/Face Tracking\/Eye AF\u003c\/li\u003e\n\u003cli\u003eStandard ISO 100-32000 | Dual Base ISO\u003c\/li\u003e\n\u003cli\u003eDual CFexpress Type A\/SDXC Card Slots\u003c\/li\u003e\n\u003cli\u003eUser LUTs \u0026amp; Timecode Sync Support\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eLeveraging the power of a newly developed APS-C sensor, the \u003cstrong\u003eSony FX30\u003c\/strong\u003e provides everyday content creators and aspiring filmmakers with a powerful, yet accessible cinema camera with which to push their cinematic journey to new heights. It blends an imaging pipeline designed for cinematic capture with a comprehensive feature set and intuitive operation to create a complete system for all levels of filmmaking.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eCinematic Expression\u003c\/p\u003e\u003cp\u003e26MP APS-C\/Super35 Exmor R BSI CMOS Sensor\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eThe FX30's advanced imaging system is on par with other options in Sony's Cinema Line—capturing detailed 10-bit UHD 4K imagery at up to 120 fps—giving it specs fitting a true cinema camera. The newly developed 26MP APS-C Exmor R CMOS sensor and BIONZ XR processor are able to create high-quality 4K images with the Super35 (16:9) area. This system is capable of capturing 14+ stops of dynamic range and benefits from Dual Base ISO architecture to improve low-light performance.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eAdvanced Capture Options\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eHigh-sensitivity recording up to ISO 32000 and Dual Base ISO (800\/2500).\u003c\/li\u003e\n\u003cli\u003eWhen using S-Log3, the FX30 can capture 14+ stops of dynamic range.\u003c\/li\u003e\n\u003cli\u003eRecord in 10-bit 4:2:2 using advanced XAVC HS and XAVC S-I formats.\u003c\/li\u003e\n\u003cli\u003eFull pixel readout from the 6K sensor creates high-quality UHD 4K video at up to 60 fps.\u003c\/li\u003e\n\u003cli\u003eHigh-speed shooting is possible in 4K at up to 120 fps with a 1.6x crop and in Full HD at up to 240 fps.\u003c\/li\u003e\n\u003cli\u003eThe HDMI output supports 16-bit raw video to select, separately available recorders.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eProfessional Picture Control\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eFilmmakers will be able to capture images that are immediately ready to publish for projects with fast turnarounds or opt for maximum quality and flexibility in post thanks to a wide array of picture control options:\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eS-Cinetone uses the same color science as Sony's advanced cinema cameras, including the VENICE line, with natural mid-tones, soft colors, and smooth highlight roll-off.\u003c\/li\u003e\n\u003cli\u003ePicture Profiles, such as S-Log3 and HLG, will capture images with expanded dynamic range and flexibility for editors.\u003c\/li\u003e\n\u003cli\u003eCreative Looks can be baked into the recorded footage to create a specific mood during recording and minimize the need for editing.\u003c\/li\u003e\n\u003cli\u003eUp to 16 user-created LUTs and three presets can be set for accurately monitoring footage or previewing a specific look during shooting. These can be applied to the camera's monitor or EVF as well as the HDMI output.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eOperation for All Levels\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eProfessional features will help ensure beginners to professionals can make the most of the FX30. This includes three log shooting modes:\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cul\u003e\u003cli\u003eFlexible ISO uses standard ISO settings for simple operation and the greatest flexibility.\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eCine EI ensures maximum dynamic range capture by recording at a manually selected base ISO setting and applying adjustments to metadata for monitoring and post-production.\u003c\/li\u003e\n\u003cli\u003eCine EI quick will automatically switch between the two base ISO settings for easier operation and great quality.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eIntuitive Operation and Controls\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2038698.jpg\"\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e5-Axis In-Body Image Stabilization\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eSony has equipped the FX30 with a 5-axis in-body image stabilization system that will help create smooth imagery even when working handheld. An Active Mode is available that blends optical systems with digital optimizations to capture ultra-smooth footage. The FX30 can also record gyro movement when the optical stabilizers are turned off, which can be used in post to create a stable shot.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eFast Hybrid AF\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eEnjoy high-speed and highly accurate autofocus performance in every mode, including 4K up to 120 fps, using an advanced Fast Hybrid AF system that uses 495 points spread across 90% of the image sensor.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eReal-time Eye AF and Real-time Tracking will track the eyes of humans and animals.\u003c\/li\u003e\n\u003cli\u003eAF Assist function will automatically switch to manual focus with a turn of the lens' focus ring.\u003c\/li\u003e\n\u003cli\u003eFocus Map makes it easier to visualize the region of focus in your scene\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eComprehensive Feature Set\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003ePlenty of Sony's cinema features have found their way into the FX30:\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eBreathing compensation works with select lenses in 4K up to 60p in camera or up to 120p using Catalyst software after recording.\u003c\/li\u003e\n\u003cli\u003eTimecode sync input with optional VMC-BNCM1 Timecode Adapter Cable\u003c\/li\u003e\n\u003cli\u003eTally lights for an easy indication that the camera is recording.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2038695.jpg\"\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eMedia Options\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eFor recording high-bitrate footage at high frame rates the FX30 uses an advanced, versatile set of media slots. The camera features dual CFexpress Type A\/SD card slots, allowing users to select between different media types for different situations. CFexpress Type A has ultra-fast speeds that can be used for the FX30's most advanced recording functions while SD cards are often more common and still have great speed and high capacities.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eCatalyst Browse and Prepare Integration\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eThe FX30 records a comprehensive array of metadata that can be read and used for advanced post-production work using Sony's Catalyst Browse and Prepare software.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eMetadata recorded includes:\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eEmbedded LUT and Exposure Index (EI) data.\u003c\/li\u003e\n\u003cli\u003eGyro and lens stabilization metadata to further reduce camera shake.\u003c\/li\u003e\n\u003cli\u003eBreathing compensation can be manually controlled and adjusted.\u003c\/li\u003e\n\u003cli\u003eCamera rotation metadata will ensure the footage is displayed as intended.\u003c\/li\u003e\n\u003cli\u003eShot marks can be added to clips during or after recording for reference\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2038697.jpg\"\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eErgonomic Form for Solo Operation\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eLightweight and compact, the FX30 (in a design that matches the FX3) offers users the ability to shoot without needing a cage. Users can also enjoy smooth handheld footage thanks to a 5-axis in-body image stabilization system.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eThe body features multiple threaded mounting points that are ideal for accessories and a Multi Interface Shoe that supports advanced accessories. Additionally, an integrated fan ensures reliable performance during extended takes.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eLightweight body weighs just 1.2 lb.\u003c\/li\u003e\n\u003cli\u003eDedicated zoom rocker.\u003c\/li\u003e\n\u003cli\u003eFully customzable button layout.\u003c\/li\u003e\n\u003cli\u003eFive 1\/4\"-20 threaded mounting points for accessories.\u003c\/li\u003e\n\u003cli\u003eMulti Interface Shoe supports advanced accessories.\u003c\/li\u003e\n\u003cli\u003eActive cooling fan permits uninterrupted shooting during extended takes.\u003c\/li\u003e\n\u003cli\u003eSporting a matching design to the FX3, the FX30 can use many of the same accessories, such as cages, without any modifications required.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eUpdated Menu System\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eThe FX30 benefits from a tweaked control menu that makes it more intuitive to operate:\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003cli\u003eThe main menu provides a quick view of all your most important video settings, including Picture Profile, recording format, white balance, aperture, ISO, and more.\u003c\/li\u003e\n\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003cli\u003eThe shooting screen relocates the information on settings and status icons to the edges of the screen so that the image remains clear.\u003c\/li\u003e\n\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2038700.jpg\"\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eA Plethora of Connectivity Options\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eThe FX30 is equipped with a wide array of connections to ensure maximum customization and flexibility on set:\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003cli\u003eFull-size HDMI output features clean output up to 4K 60p as well as 16-bit raw video.\u003c\/li\u003e\n\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003cli\u003eAudio is supported on the body with a 3.5mm headphone output and a 3.5mm microphone input.\u003c\/li\u003e\n\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003cli\u003eUSB-C connection can be used for high-speed data transfer or for powering the camera.\u003c\/li\u003e\n\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003cli\u003eMulti-Terminal (Micro-USB) supports various accessories, such as remotes, for expanded functionality.\u003c\/li\u003e\n\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003cli\u003eTimecode sync is available through the use of the separately available VMC-BNCM1 Timecode Adapter Cable.\u003c\/li\u003e\n\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003cli\u003eMulti Interface Shoe supports advanced accessories, including the optional XLR Handle Unit.\u003c\/li\u003e\n\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003ch2\u003e \u003c\/h2\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003ch2\u003eSony E PZ 18-105mm f\/4 G OSS Overview\u003c\/h2\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eHave all the essential focal lengths covered with this \u003cstrong\u003eE PZ 18-105mm f\/4 G OSS Lens\u003c\/strong\u003e from \u003cstrong\u003eSony\u003c\/strong\u003e. Designed for APS-C-format E-mount cameras, this lens offers an extremely versatile 27-157.5mm zoom range and has a constant f\/4 aperture for consistency through all focal lengths. Making this lens a great choice for both stills and video is the implementation of a power zoom mechanism and Handycam technology that provides smooth, quiet zooming and focusing. Also, it uses two extra-low dispersion elements and three aspherical elements to combat aberrations for crisp, clean images.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eOn top of these features, the lens is equipped with Optical SteadyShot image stabilization to help reduce the effects of camera shake, especially at longer focal lengths. The lens benefits from an internal focus design that ensures that the overall length of the lens does not change during focusing. Additionally, it offers a minimum focus distance of 1.5' and uses a seven-blade circular diaphragm for smooth bokeh.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cul\u003e\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":46498843590886,"sku":"71571","price":31298000.0,"currency_code":"IDR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/3088\/0230\/files\/sonyfx3_sdvzhykdto0ogdus_4b8ebc6a-6adb-4ada-aa97-7b70dd7262d7.webp?v=1780991261"},{"product_id":"red-digital-cinema-komodo-x-z-mount-6k-digital-cinema-camera-nikon-z-creator-lite-package","title":"RED DIGITAL CINEMA KOMODO-X Z Mount 6K Digital Cinema Camera (Nikon Z) creator lite package","description":"RED DIGITAL CINEMA KOMODO-X Z Mount 6K Digital Cinema Camera (Nikon Z) creator lite package\n\n\nKey Features\n\n19.9MP Super 35 Global Shutter CMOS\nReinforced, Locking Nikon Z Lens Mount\nAdjustable AF, Smooth Iris Control\nCompact KOMODO Line Design\nUp to 6K80 \u0026amp; 4K120 Video\n12G-SDI, USB-C, 5-Pin Audio Ports\n6K Streaming via RED Connect License\nWireless Control, File Offload via Wi-Fi\nIntegrated 2.9\" Touchscreen\nIncludes AC Adapter\n\nWhile sized the same as the original 6K S35 global-shutter KOMODO sensor, the KOMODO-X Z Mount sensor has been redesigned from the ground up, offering key architectural improvements while producing excellent image quality and color science. Features include enhanced shadow detail and color and frame rates up to 80 fps in 6K and up to 120p in 4K.\n\nCompact KOMODO Form\n\nThe KOMODO-X Z Mount camera melds select DSMC3 features with the notably ultracompact KOMODO form. The KOMODO-X Z Mount has a built-in plate that enables the direct use of Micro V-mount batteries and is compatible with the PRO I\/O Module for auxiliary power and full-size Gold and V-mount battery use. It also incorporates a full-size, 4-pin 11-17 VDC power input.\n\nIntegrated LCD\n\nUsers can preview their images and apply simplified controls via the integrated 2.9\" LCD, an especially handy feature in tight setups. Pair the KOMODO-X Z Mount with the daylight-viewable, high-resolution DSMC3 7\" Touch LCD for more precise monitoring and full control in a cable-free, decluttered form.\n\nIn the box : \nRED DIGITAL CINEMA KOMODO-X Z Mount 6K Digital Cinema Camera (Nikon Z)\nRED DIGITAL CINEMA DSMC AC Power Adapter Pack\nFxlion Nano THREE Ultracompact V-Mount Battery (150Wh)\nNextorage NXB2PRO CFExpress Type B 660GB 3700MB\/s Read, 3600MB\/s Write, 3400Mb\/s Min Sustain Speed","brand":"RED","offers":[{"title":"Default Title","offer_id":46499095806182,"sku":"71798","price":135297000.0,"currency_code":"IDR","in_stock":false}]},{"product_id":"blackmagic-micro-studio-camera-4k-g2","title":"Blackmagic Micro Studio Camera 4K G2","description":"\u003ch2\u003eBlackmagic Design Micro Studio Camera 4K G2 Overview\u003c\/h2\u003e\u003cp\u003eKey Features\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eActive Micro Four Thirds Lens Mount\u003c\/li\u003e\n\u003cli\u003eUHD 4K Resolutions up to 3840 x 2160p60\u003c\/li\u003e\n\u003cli\u003e12G-SDI Video Input\/Output, HDMI Output\u003c\/li\u003e\n\u003cli\u003e13-Stop Dynamic Range, Compact Design\u003c\/li\u003e\n\u003cli\u003eCamera Control via SDI, HDMI, or USB\u003c\/li\u003e\n\u003cli\u003eProgram and Talkback over SDI, Tally\u003c\/li\u003e\n\u003cli\u003eUSB-C Expansion Port, 3.5mm Audio In\u003c\/li\u003e\n\u003cli\u003eBuilt-In Color Corrector\u003c\/li\u003e\n\u003cli\u003eCanon LP-E6 Battery Slot\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eInstall a camera anywhere in your studio or on location with the ultracompact \u003cstrong\u003eBlackmagic Design Micro Studio Camera 4K G2\u003c\/strong\u003e. This tiny UHD 4K studio camera is designed for live productions and has been updated to feature the same image sensor found in Blackmagic's Studio Camera 4K Plus G2, which supports 3840 x 2160p60. The camera is equipped with an active MFT mount that can accept native MFT lenses or be adapted to a wide range of other modern and vintage lenses. It outputs 10-bit 4:2:2 video via 12G-SDI and can be remotely controlled from an ATEM switcher using SDI control protocol. The camera packs many professional studio features into a compact form factor, including a built-in color corrector, program return, talkback, and tally indicator.\u003c\/p\u003e\u003cp\u003eCompact Size for Live Productions\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2083653.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eBlackmagic Micro Studio Camera 4K G2 is the perfect solution for placing cameras on the set when you don't have space for regular-sized cameras. It includes the popular MFT lens mount, a very low-light 4K image sensor, and cinematic color science. So it's small, but has the features of a full-sized studio camera! You also get 12G-SDI for HD and UHD 4K operation up to 2160p60. It's also possible to control the built in color corrector and lens using the SDI and HDMI connections. It can even record Blackmagic RAW to USB disks. Plus Blackmagic Micro Studio Camera 4K G2 goes well beyond broadcast quality with log gamma, allowing you to create cinematic color-corrected looks, all in camera.\u003c\/p\u003e\u003cp\u003eDesigned for Live Production\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2083659.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eThe small size of the Micro Studio Camera makes it virtually invisible, so you can place it just about anywhere on the set. You can have more camera angles than ever before for your live production to create a more interesting program. Its professional broadcast connections make it perfect for any kind of work such as television production, broadcast news, sports, education, conference centers, and churches. It's now easy to hide lots of cameras on stage for the most incredible shorts. While Blackmagic Micro Studio Camera is designed for live production, it can also be used with editing software because it can record Blackmagic RAW to USB disks for later editing and color correction.\u003c\/p\u003e\u003cp\u003eLow-Light Performance\u003c\/p\u003e\u003cp\u003eIn advanced cameras, ISO is a measurement of the image sensor's sensitivity to light. This means the higher the ISO the more gain can be added so it's possible to shoot in natural light, or even at night. The Blackmagic Micro Studio Camera features gain from -12dB (100 ISO) up to +36dB (25,600 ISO) so it's optimized to reduce grain and noise in images, while maintaining the full dynamic range of the sensor. The primary native ISO is 400, which is ideal for use under studio lighting. Then the secondary high base ISO of 3200 is perfect when shooting in dimly lit environments. The gain can be set from the camera HDMI menu, or remotely from a switcher using the SDI\/HDMI remote camera control.\u003c\/p\u003e\u003cp\u003eCinematic Images in Live Production\u003c\/p\u003e\u003cp\u003eThe amazing 4K sensor combined with Blackmagic generation 5 color science gives you the same imaging technology used in digital film cameras. That means you can now use cinematic images for live production. Plus, when combined with the built-in DaVinci Resolve primary color corrector you get much better images than simple broadcast cameras. The color corrector can even be controlled from the switcher. With 13 stops of dynamic range, the camera has darker blacks and brighter whites, perfect for color correction. The sensor features a resolution of 4096 x 2160 which is great for both HD and Ultra HD work. Plus, Blackmagic Micro Studio Camera 4K G2 supports from 23.98 fps up to 60 fps.\u003c\/p\u003e\u003cp\u003eAffordable Photographic Lenses\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2083657.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eWith the popular MFT lens mount, Blackmagic Micro Studio Camera is compatible with a wide range of affordable photographic lenses from Olympus, Panasonic, Sigma, and more. Photographic lenses offer incredible quality because they're designed for use in high-resolution photography. Plus, the active lens mount lets you adjust the lens remotely. It lets you adjust cameras mounted high up in hard-to-reach areas without needing to physically access them. Plus, the optional focus and zoom demands let you adjust the lens just like a large studio camera. This means you can set important lens settings such as focus, zoom, and iris just like you can with an expensive B4 broadcast lens.\u003c\/p\u003e\u003cp\u003eBuilt-In Tally\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2083662.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eBlackmagic Micro Studio Camera 4K features a tally light that illuminates red for on-air, green for preview, and orange for ISO recording. This makes it easy for talent to present with confidence as they know at a glance which camera is on air. You get full support for the SDI and HDMI tally protocol from switchers such as ATEM Television Studio, ATEM Constellation, and ATEM Mini. This means that a director can cut between cameras and the tally information will be sent back to the cameras, lighting up the tally light on the camera whenever is live on the air. Because the tally is sent via the SDI and HDMI connections to the camera, complex cabling is eliminated.\u003c\/p\u003e\u003cp\u003eBroadcast Connections\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2083663.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eBlackmagic Micro Studio Camera 4K G2 has 12G-SDI that supports video, tally, and camera return which makes setup fast. It includes a full-size HDMI connector for local video monitoring so you can attach a monitor such as a Blackmagic Video Assist to change settings through the menu overlay or check the position of a remote camera. You also get a USB-C expansion port for recording to external disks or controlling the camera via zoom and focus demands. You can even connect a USB-C to Ethernet adapter to control the camera over a network via REST APIs. Plus, there's a 3.5mm port for connecting a microphone.\u003c\/p\u003e\u003cp\u003eTwo Ways to Connect\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2083661.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eBlackmagic Micro Studio Cameras feature HDMI output so are perfect for HDMI switchers such as ATEM Mini. The HDMI supports video, tally, control, and record trigger for a broadcast-style workflow using a single HDMI cable. They also have 12G-SDI so you can connect to SDI-based switchers such as the ATEM Constellation. There's a 12G-SDI connection for camera video and one for program return. The program return also includes tally, talkback, and remote camera control.\u003c\/p\u003e\u003cp\u003eBuilt-In Microphones\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2083660.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eBlackmagic Micro Studio Camera includes built-in microphones so you get sound included in the design making setup much faster. Each microphone is placed at the optimal position meaning you get better stereo separation than what is possible on a regular video camera. There's also a 3.5mm audio input so you can connect to video microphones when you need to add larger more directional microphones with wind protection. Whether you're using the built-in microphones or attaching an external mic, the audio is embedded into the SDI and HDMI video outputs so you get perfect audio and video sync.\u003c\/p\u003e\u003cp\u003eUSB-C for External Disks and Ethernet Control\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2083656.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eBlackmagic Micro Studio Camera 4K features a high-speed USB-C expansion port that lets you record to external disks, control the camera via a network, or connect a wide range of accessories. Plug in an external USB disk and the camera can record high-quality 12-bit Blackmagic RAW files for later editing and color correction. That means you can just move the disk to a computer to work and you don't need to waste time copying files. Or add a USB-C to Ethernet adapter to control your camera over a network via easy-to-use REST APIs. Plus plug in optional focus and zoom demands to allow full lens control, just like a large studio camera.\u003c\/p\u003e\u003cp\u003eBlackmagic RAW Quality\u003c\/p\u003e\u003cp\u003eBlackmagic RAW is a revolutionary new format designed to capture and preserve the quality of the sensor data from your camera. Some file formats such as H.264 are highly compressed, adding noise and artifacts, causing sensor detail to be lost forever. Blackmagic RAW eliminates this problem so you get stunning images with incredible detail and rich color throughout the whole post-production pipeline. Blackmagic RAW also saves camera settings as metadata so you can change ISO, white balance, and exposure later in DaVinci Resolve. Plus the files are small and fast, so editing responsiveness is incredible. Only Blackmagic RAW gives you the highest quality, smallest files, and fastest performance.\u003c\/p\u003e\u003cp\u003eBlackmagic OS\u003c\/p\u003e\u003cp\u003eBlackmagic OS is a true modern operating system where all camera features run independently for smoother control, plus the camera powers on virtually instantly. The menus are overlaid on the HDMI video output. The interface uses the row of buttons on the front of the camera to access menus and adjust settings so it's always accessible, even when rigged into tight locations. You also get full control over advanced camera features such as on-screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings, and more.\u003c\/p\u003e\u003cp\u003eBattery Backup Power\u003c\/p\u003e\u003cp\u003eThe Blackmagic Micro Studio Camera G2 has lots of different power options. It includes a common 12 VDC locking power connector so the cable won't be accidentally pulled out. Plus, the camera includes a power supply with five different AC socket adapters for different countries. The camera also supports a standard LP-E6 compatible battery so you can add a battery for local power backup during critical live broadcasts. These batteries are readily available around the world and will be kept charged by the camera. You can even use an adapter to connect the camera to V-mount batteries for true all-day power.\u003c\/p\u003e\u003cp\u003eLocalized in 13 Popular Languages\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2083658.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eBlackmagic Micro Studio Camera 4K is designed to be used worldwide, so it supports 13 popular languages. When setting up your camera, you can choose to work in English, German, French, Spanish, Polish, Portuguese, Italian, Russian, Turkish, Ukrainian, Chinese, Japanese, or Korean. It's easy to switch to another language simply by going into the menu settings. When switching between languages, all the on-screen overlays, heads-up displays, and setup menus will be displayed in the selected language, and you can change languages any time you like.\u003c\/p\u003e","brand":"Blackmagic","offers":[{"title":"Default Title","offer_id":46652096577766,"sku":"114669","price":25680000.0,"currency_code":"IDR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/3088\/0230\/files\/1758007741.jpg?v=1781087274"},{"product_id":"red-digital-cinema-komodo-x-6k-digital-cinema-camera","title":"RED DIGITAL CINEMA KOMODO-X 6K Digital Cinema Camera","description":"\u003ch2\u003eRED DIGITAL CINEMA KOMODO EF\/RF Mount Overview\u003c\/h2\u003e\u003cp\u003eKey Features\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e19.9MP Super35 Global Shutter CMOS\u003c\/li\u003e\n\u003cli\u003eCompact, 2.1 lb All-in-One Design\u003c\/li\u003e\n\u003cli\u003eCanon RF Lens \u0026amp; CFast 2.0 Support\u003c\/li\u003e\n\u003cli\u003e16+ Stops Dynamic Range\u003c\/li\u003e\n\u003cli\u003eUp to 6K40, 5K48, 4K60 \u0026amp; 2K120 Recording\u003c\/li\u003e\n\u003cli\u003eREDCODE RAW HQ\/MQ\/LQ \u0026amp; Apple ProRes\u003c\/li\u003e\n\u003cli\u003eIntegrated 2.9\" 1440 x 1440 Touchscreen\u003c\/li\u003e\n\u003cli\u003eWireless Control \u0026amp; Preview via Wi-Fi\u003c\/li\u003e\n\u003cli\u003eCFast 2.0 Card Slot; RED IPP2 Support\u003c\/li\u003e\n\u003cli\u003eEF-to-RF Mechanical Adapter Included\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eKOMODO 6K: Ultracompact RED\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRED\u003c\/strong\u003e has taken fresh steps with the release of the \u003cstrong\u003eKOMODO 6K Digital Cinema Camera \u003c\/strong\u003eby bringing their legendary image quality and color science into an ultracompact, all-in-one design that weighs just 2.1 lb and measures about 4 x 4 x 4\". Key to achieving this goal was the use of the Canon RF lens mount and the KOMODO 19.9MP Super35 CMOS sensor which boasts Global Shutter technology. This sensor can create images with 16+ stops dynamic range and eliminates rolling shutter artifacts. Users can also be certain they are getting RED quality thanks to the ability to record up to 6K at 40 fps, 5K at 48 fps, 4K at 60 fps, and 2K at 120 fps in REDCODE RAW for incredible flexibility in post-production.\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cimg src=\"https:\/\/img.youtube.com\/vi\/2Hq3w6jdons\/mqdefault.jpg\"\u003e\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003eRED KOMODO 6K Digital Cinema Camera | Hands-on Review\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cimg src=\"https:\/\/img.youtube.com\/vi\/L3V2cRGGU3Q\/mqdefault.jpg\"\u003e\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003eRed Digital Cinema - Stabilization\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cimg src=\"https:\/\/img.youtube.com\/vi\/_rJkDUW4Zuk\/mqdefault.jpg\"\u003e\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003eRED TECH | KOMODO | Lens Mount\/ AF | 4K\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cimg src=\"https:\/\/img.youtube.com\/vi\/1O5yWoLhnmU\/mqdefault.jpg\"\u003e\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003eRED TECH | KOMODO | LINK ADAPTOR | 4K\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eAll-in-One Design\u003c\/p\u003e\u003cp\u003eRevolutionary for RED is the creation of an extremely compact all-in-one design with the KOMODO. This means you can simply pop in a CFast 2.0 card into its media slot and you are ready to roll with data rates up to 280 MB\/s. A top 2.9\" 1440 x 1440 touchscreen makes it easy to configure and monitor your footage or you can use the RED Control system for using an iOS or Android device for preview and settings. This is possible through integrated 2.4\/5 GHz Wi-Fi. Wired control is also possible via the USB Type-C port and optional adapters. The RED KOMODO 6K offers an exceptionally compact form factor that sacrifices nothing in terms of image quality. This base model includes the KOMODO 6K, an AC power adapter, a Mini World Travel Adapter Kit, and a Canon RF-to-EF mechanical adapter.\u003c\/p\u003e\u003cp\u003eFirmware Update v.1.5.5\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFixed playback stuttering at high frame rates; German SLA causing a camera shutdown \u003c\/li\u003e\n\u003cli\u003eImproved LCD sync issues in playback with anamorphic formats\u003c\/li\u003e\n\u003cli\u003eImproved general stability\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp class=\"ql-align-center\"\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1925142.jpg\"\u003e\u003c\/p\u003e\u003cp\u003e6K S35 Sensor\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cbr\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eThe KOMODO 6K features a 6K Super35 19.9MP CMOS sensor with a dynamic range of 16+ stops and a resolution of 6144 x 3160\u003c\/li\u003e\n\u003cli\u003eTake advantage of the 6K resolution to capture in 6K or do a 4K or HD crop\u003c\/li\u003e\n\u003cli\u003eUse the higher resolution to stabilize your shot in post-production\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eGlobal Shutter\u003c\/p\u003e\u003cp\u003eThe KOMODO 6K's global shutter produces crisp images while reducing motion artifacts. Records fast-moving action the way it should be without blurred or curved lines. Captures every moment, burst, and flash without losing any dynamic range or image quality.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eCanon RF Mount\u003c\/p\u003e\u003cp\u003eThe use of the Canon RF lens mount allows the KOMODO to be extremely compact while still enabling compatibility with a vast range of lenses through the use of optional adapters. The mount will natively support mechanical RF lenses and mechanical EF lenses via the included adapter. Using optional electronic EF-to-RF mount adapters, the KOMODO will even support electronic Canon EF-mount lenses and unlock additional functionality, such as autofocus.\u003c\/p\u003e\u003cp\u003ePhase-Detect Autofocus\u003c\/p\u003e\u003cp\u003eA first for RED is the ability to use Phase-Detect Autofocus (PDAF) with compatible lenses. This includes adapted Canon EF-mount lenses used with a separately available EF-to-RF adapter with electronic communication. Phase-detect systems are known for their speed by measuring and comparing distance and should provide a reliable, accurate system for video production. Additionally, the touchscreen can be used for quickly changing focus and selecting subjects.\u003c\/p\u003e\u003cp\u003eREDCODE RAW\u003c\/p\u003e\u003cp\u003eThe robust REDCODE RAW file format offers versatility without burdensome storage requirements and editing on many NLE systems without transcoding to save time. The KOMODO promises to be among RED's finest with the ability to capture up to 6K at 40 fps using the powerful 16-bit REDCODE RAW format. RED has simplified compression options, giving users a choice between HQ, MQ, and LQ, each varying compression from low to high, respectively. Having these choices allows users to choose the best option for each shoot and whether to prioritize data rate or image quality. REDCODE RAW is supported for 5K up to 48 fps, 4K up to 60 fps, and 2K up to 120 fps and will deliver the greatest possible flexibility in post-production. Those looking to use a more conventional format can record natively in Apple ProRes 422 HQ and standard 422 with DCI 4K up to 60 fps or DCI 2K up to 120 fps.\u003c\/p\u003e\u003cp\u003eCFast Recording\u003c\/p\u003e\u003cp\u003eCapture at rates up to 280 MB\/s on RED PRO or qualified third-party CFast 2.0 cards.\u003c\/p\u003e\u003cp\u003eREDCODE Options\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eHQ is perfect for VFX, extremely detailed scenes, and capturing stills from motion\u003c\/li\u003e\n\u003cli\u003eMQ is great for cinema and high-end TV projects\u003c\/li\u003e\n\u003cli\u003eLQ is ideal for TV, online content, documentaries, interviews, and long takes\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eApple ProRes Formats\u003c\/p\u003e\u003cp\u003eFor proxy files or quicker turnaround times than raw files, Apple ProRes can be recorded at 4K and 2K resolutions at rates up to 120 fps (2K).\u003c\/p\u003e\u003cp\u003eColor Management\u003c\/p\u003e\u003cp\u003eSupports 3D LUTs and RED color science.\u003c\/p\u003e\u003cp\u003eTouchscreen Display\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1925147.jpg\"\u003e\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eIntegrated 2.9\" touchscreen LCD screen for video preview and camera control.\u003c\/p\u003e\u003cp\u003eVersatile Power Options\u003c\/p\u003e\u003cp\u003eThe KOMODO 6K's power options include using two lightweight Canon BP-9 batteries, a larger battery, or an AC power supply.\u003c\/p\u003e","brand":"Red Komodo","offers":[{"title":"Default Title","offer_id":46655424332006,"sku":"41042","price":151999000.0,"currency_code":"IDR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/3088\/0230\/files\/1758080535_412100a4-e31b-40f0-b605-4915988b96c2.jpg?v=1777053045"},{"product_id":"red-digital-cinema-komodo-x-z-mount-6k-digital-cinema-camera-nikon-z","title":"RED DIGITAL CINEMA KOMODO-X Z Mount 6K Digital Cinema Camera (Nikon Z)","description":"\u003ch2\u003eRED DIGITAL CINEMA KOMODO-X Z Mount Overview\u003c\/h2\u003e\u003cp\u003eKey Features\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e19.9MP Super 35 Global Shutter CMOS\u003c\/li\u003e\n\u003cli\u003eReinforced, Locking Nikon Z Lens Mount\u003c\/li\u003e\n\u003cli\u003eAdjustable AF, Smooth Iris Control\u003c\/li\u003e\n\u003cli\u003eCompact KOMODO Line Design\u003c\/li\u003e\n\u003cli\u003eUp to 6K80 \u0026amp; 4K120 Video\u003c\/li\u003e\n\u003cli\u003e12G-SDI, USB-C, 5-Pin Audio Ports\u003c\/li\u003e\n\u003cli\u003e6K Streaming via RED Connect License\u003c\/li\u003e\n\u003cli\u003eWireless Control, File Offload via Wi-Fi\u003c\/li\u003e\n\u003cli\u003eIntegrated 2.9\" Touchscreen\u003c\/li\u003e\n\u003cli\u003eIncludes AC Adapter\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRED\u003c\/strong\u003e continues to expand its line of digital cinema cameras with the \u003cstrong\u003eKOMODO-X Z Mount\u003c\/strong\u003e featuring a native Nikon Z mount offering adjustable AF speeds, fluid iris control, and customizable lens responses. It shares the global shutter 6K S35 sensor, powerful IP workflow, and advanced interfaces of the RF-mount KOMODO-X.\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cimg src=\"https:\/\/img.youtube.com\/vi\/BDv2W1cpaN4\/mqdefault.jpg\"\u003e\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003eV-RAPTOR [X] Z MOUNT + KOMODO-X Z MOUNT | Official Introduction | #ShotonRED\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cimg src=\"https:\/\/img.youtube.com\/vi\/LJKojNikkME\/mqdefault.jpg\"\u003e\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003eRED TECH | Z Mount Overview | Expanding Lens Options\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e6K Super 35 Global Shutter Sensor\u003c\/p\u003e\u003cp\u003eWhile sized the same as the original 6K S35 global-shutter KOMODO sensor, the KOMODO-X Z Mount sensor has been redesigned from the ground up, offering key architectural improvements while producing excellent image quality and color science. Features include enhanced shadow detail and color and frame rates up to 80 fps in 6K and up to 120p in 4K.\u003c\/p\u003e\u003cp\u003eCompact KOMODO Form\u003c\/p\u003e\u003cp\u003eThe KOMODO-X Z Mount camera melds select DSMC3 features with the notably ultracompact KOMODO form. The KOMODO-X Z Mount has a built-in plate that enables the direct use of Micro V-mount batteries and is compatible with the PRO I\/O Module for auxiliary power and full-size Gold and V-mount battery use. It also incorporates a full-size, 4-pin 11-17 VDC power input.\u003c\/p\u003e\u003cp\u003eIntegrated LCD\u003c\/p\u003e\u003cp\u003eUsers can preview their images and apply simplified controls via the integrated 2.9\" LCD, an especially handy feature in tight setups. Pair the KOMODO-X Z Mount with the daylight-viewable, high-resolution DSMC3 7\" Touch LCD for more precise monitoring and full control in a cable-free, decluttered form.\u003c\/p\u003e\u003cp\u003eNikon Z Lens Mount\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eThe KOMODO-X Z Mount has a reinforced, locking Nikon Z lens mount with advanced iris, auto-focus, and lens response capabilities.\u003c\/li\u003e\n\u003cli\u003ePair the camera with a Nikon FTZ II mount adapter to use older Nikon F-mount lenses.\u003c\/li\u003e\n\u003cli\u003eIt offers toolless switching to additional RED mounts and compatibility with third-party adapters for use with a wide range of lenses.\u003c\/li\u003e\n\u003cli\u003eUse the KOMODO-X Z Mount with the RED Z to PL adapter for compatibility with upcoming \/i PL lenses.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eLive Streaming and Expanded In\/Out\u003c\/p\u003e\u003cp\u003eThe KOMODO-X Z Mount's expanded interface includes:\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e12G-SDI video output up to 4K60p.\u003c\/li\u003e\n\u003cli\u003eA USB-C port with Ethernet offload capabilities.\u003c\/li\u003e\n\u003cli\u003eBuilt-in Wi-Fi for IP live streaming for web applications and in-app monitoring.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eAdvanced Connectivity\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eWith a USB-C interface and an integrated Wi-Fi function, the KOMODO-X Z Mount shines at streamlined IP workflows like Virtual Production and live broadcasting. Use it with the RED Control or Control Pro apps to avail yourself of not only remote camera control but FTP media off-loading and in-camera Cloud uploading.\u003c\/li\u003e\n\u003cli\u003eAdd a RED Connect license to broadcast up to 6K live images over IP directly from the camera.\u003c\/li\u003e\n\u003cli\u003eMulticamera and LED volume shooters will appreciate the KOMODO-X Z Mount's frame-accurate PTP or trilevel genlock syncing with on-the-fly offset ability.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eCFexpress Type B\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eThe KOMODO-X Z Mount has a single media slot for use with a high-capacity, fast CFexpress type B card.\u003c\/li\u003e\n\u003cli\u003eRecord up to 17 hours using a 4TB CFexpress type B card.\u003c\/li\u003e\n\u003cli\u003eOffload data up to 3x faster than CFast media.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eAudio Interface\u003c\/p\u003e\u003cp\u003eImproved audio options include a locking, phantom-powered 5-pin connector that can be used with a 3.5mm adapter and KOMODO microphones or with a dual XLR adapter and a wide array of microphones.\u003c\/p\u003e","brand":"Red Komodo","offers":[{"title":"Default Title","offer_id":46655433277670,"sku":"41026","price":119999000.0,"currency_code":"IDR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/3088\/0230\/files\/1758081306_1_d7200b51-6ee3-4bc8-a7d4-c7bdd42ab396.jpg?v=1777053026"},{"product_id":"nikon-zr-6k-cinema-camera","title":"Nikon ZR 6K Cinema Camera","description":"\u003ch2\u003eNikon ZR Z Mount Overview\u003c\/h2\u003e\u003cp\u003eKey Features\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFusion of RED + Nikon Cinema Technology\u003c\/li\u003e\n\u003cli\u003e6K Full-Frame Z-Mount Cinema Camera\u003c\/li\u003e\n\u003cli\u003eREDCODE RAW R3D + N-RAW Recording\u003c\/li\u003e\n\u003cli\u003eProRes RAW\/HQ, H.265\/H.264 Codecs\u003c\/li\u003e\n\u003cli\u003e32-Bit Float Audio, Dual-Base ISO\u003c\/li\u003e\n\u003cli\u003eBright, Folding 4\" DCI-P3 Display\u003c\/li\u003e\n\u003cli\u003eBuilt-In 3D LUTs, Digital Accessory Shoe\u003c\/li\u003e\n\u003cli\u003eDual Built-In Microphones\u003c\/li\u003e\n\u003cli\u003e15+ Stops Advertised Dynamic Range\u003c\/li\u003e\n\u003cli\u003eFrame.io Cloud Integration\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003eBy combining RED color science and Nikon engineering, the \u003c\/span\u003e\u003cstrong style=\"color: rgb(0, 0, 0);\"\u003eNikon ZR 6K Cinema Camera\u003c\/strong\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003e is a first-of-its-kind powerhouse designed to capture stunning cinematic images in one compact body. This tiny Z-mount cinema camera allows you to use a variety of lenses, and internal stabilization provides a smooth, steady image with 15+ stops of dynamic range. Features include 32-bit float audio, advanced autofocus, dual-base ISO, and up to 6K60 video capture in REDCODE, N-RAW, or ProRes RAW.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eNikon + RED Color Science\u003c\/p\u003e\u003cp\u003eThe partnership of Nikon and RED provides a wide range of compatibility with production workflows, offering REDCODE RAW R3D NE recording format along with Nikon's N-RAW, ProRes RAW HQ\/422 HQ, and the high-quality compressed H.264 and H.265 codecs. REDCODE RAW (R3D NE) unlocks the same color space (REDWideGamutRGB) and Log curve (Log3G10) as RED cameras.The camera captures resolutions up to 6K60, 4K120, and even 1080p240 for high frame rate, slow-motion recording.\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2570476.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eAudio Capture\u003c\/p\u003e\u003cp\u003eThe ZR captures high-quality audio using dynamic 32-bit float and 24-bit recording, and it supports standard 48 kHz linear PCM for full video compatibility.It features built-in configurable mics with five directional patterns (front\/narrow, front, rear, omnidirectional, and binaural). There's also a line input that provides the ability to record with an external microphone, and the camera's digital accessory shoe that can utilize mics such as the ME-D10 shotgun mic. A headphone jack allows you to monitor the audio.\u003c\/p\u003e\u003cp\u003eRecording and Output\u003c\/p\u003e\u003cp\u003eThe camera records to a CFexpress Type B card slot that is accessed through the battery door to keep the camera compact and mobile, while a microSD card slot is available for proxy recording. There is also a micro-HDMI output that allows you to output to a display or recording device.\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2570480.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eAdvanced Autofocus\u003c\/p\u003e\u003cp\u003eNikon's advanced autofocus feature is powered by deep learning, providing up to 9-subject detection autofocus with automatic tracking of people, animals, and vehicles.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eNikon Z Mount and Accessory Ecosystem\u003c\/p\u003e\u003cp\u003eThe Nikon Z mount is a wide, shallow full-frame mirrorless lens mount, which means it's also extremely adaptable, capable of supporting countless NIKKOR and third-party lenses.There's an extended ecosystem of accessories for the ZR, such as camera cages, microphones, handheld accessories, and rigs, from Nikon and third-party brands such as SmallRig.\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2570479.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eLarge, Bright Display\u003c\/p\u003e\u003cp\u003eThe built-in 4\" variable-angle touchscreen display features a DCI-P3 color gamut, 1000 cd\/m² brightness, and a 3.07 million dot resolution for viewing your controls and footage with ease.The display can automatically flip when you change from horizontal to vertical mode.\u003c\/p\u003e","brand":"Nikon","offers":[{"title":"Default Title","offer_id":46777512952038,"sku":"114942","price":39999000.0,"currency_code":"IDR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/3088\/0230\/files\/1761214571_58939a57-478f-4a6a-84ac-da9a97980a79.jpg?v=1780991617"},{"product_id":"sony-fx3a-full-frame-cinema-camera-with-sony-fe-24-70mm-f2-8-gm-ii-lens","title":"Sony FX3A Full-Frame Cinema Camera with Sony FE 24-70mm f2.8 GM II Lens","description":"\u003ch2\u003eSony FX3 E Mount Overview\u003c\/h2\u003e\u003cp\u003eKey Features\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e12.1MP Full-Frame CMOS Exmor R Sensor\u003c\/li\u003e\n\u003cli\u003eUHD 4K up to 120 | 1080p up to 240\u003c\/li\u003e\n\u003cli\u003eCompact Form for Cage-Free Operation\u003c\/li\u003e\n\u003cli\u003e10-Bit 4:2:2 XAVC S-I,16-Bit Raw Output\u003c\/li\u003e\n\u003cli\u003eS-Cinetone\/S-Log3\/HLG, 15+ Stops DR\u003c\/li\u003e\n\u003cli\u003eDetachable Dual XLR\/TRS Adapter Handle\u003c\/li\u003e\n\u003cli\u003ePhase Detection AF\/Face Tracking\/Eye AF\u003c\/li\u003e\n\u003cli\u003e80 to 409,600 Expanded ISO Range\u003c\/li\u003e\n\u003cli\u003eDual CFexpress Type A\/SDXC Card Slots\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eCinematic Capture in a Compact, Streamlined Form\u003c\/p\u003e\u003cp\u003eWith a compact design for solo shooters, travel applications, or as an ideal B camera, the \u003cstrong\u003eSony FX3A\u003c\/strong\u003e borrows from both the Cinema Line and Alpha series of cameras to create an optimized portable cinema camera. The FX3A features all the imaging attributes you'd expect from this class but sports a new lightweight, handheld form with a streamlined profile and a \"cage-free\" design, offering the ability to secure various accessories directly to the camera body.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eFirmware Update v2.00\u003c\/p\u003e\u003cp\u003eFirmware update v2.00 provides multiple features, including the BIG6 home screen, where you can easily review shooting settings and equipment configurations, 1.5x and 1.6x magnifications in the De-Squeeze Display, support for the Focus Magnifier and Auto Magnifier in MF settings while using the Bright Monitoring feature, and raw video output via HDMI that enables external recording of Blackmagic Raw. This update also enables the camera to automatically recognize a separate USB-LAN conversion adapter, filter camera images for smartphone and FTP transfers, and record in the metadata the optical density of pre-registered ND filters. To learn more and download v2.00, please visit the \u003ca href=\"https:\/\/www.sony.com\/electronics\/support\/interchangeable-lens-camcorders-ilme-series\/ilme-fx3a\/software\/00364947\" rel=\"noopener noreferrer\" target=\"_blank\"\u003eSony FX3A firmware support page\u003c\/a\u003e.\u003c\/p\u003e\u003cp\u003eExpressive UHD 4K Video Capture\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1746573.jpg\" alt=\"Cinematic Expression_RC\"\u003e\u003c\/p\u003e\u003cp\u003eThe FX3A's 12.1MP Exmor R BSI CMOS sensor (10.2MP effective in video mode) is paired with a BIONZ XR processor to achieve UHD 4K video capture with internal 10-bit 4:2:2 sampling or 16-bit raw output. The sensor's BSI design heightens clarity and sensitivity, with an expandable ISO 80-409,600 range and a greater-than-15-stop dynamic range for working in mixed lighting conditions. Benefiting color and tonal control, the S-Cinetone mode can be used for matching to VENICE, FX9, or FX6 sources, and there is also S-Log3\/2 gamut support and 10-bit HLG for simple HDR productions. The sensor and processor also work together to greatly reduce rolling shutter, and the sensor's design incorporates a Fast Hybrid AF system for intelligent and quick focusing performance and subject tracking.\u003c\/p\u003e\u003cp\u003e4K Full-Frame CMOS Exmor R Sensor\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1746583.jpg\" alt=\"Stunning Bokeh_RC\"\u003e\u003c\/p\u003e\u003cp\u003eA 12.1MP Exmor R sensor and BIONZ XR processor offer the FX3A true cinematic expression with 10.2MP effective video and 12.1MP still capture. The full-frame sensor provides shallow depth of field looks, impressive bokeh, and reduced rolling shutter artifacts. A base sensitivity of 80-102,400 expands to a lofty 409,600 for impressive low-light capture, and 15+ stops of dynamic range reproduce the nuances of both spectacular exteriors and carefully lit interior scenes with plenty of allowance for color grading.\u003c\/p\u003e\u003cp\u003eS-Cinetone Color\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eBeautiful skin tone reproduction and a softer-toned look that complements your VENICE, FX9, or FX6 footage are created using the FX3A's default S-Cinetone color setting. S-Log-3, S-Gamut3, S-Gamut3.Cine, and 10-bit 4:2:2 support help maintain rich gradation and color matching with the range of Sony Cinema Line cameras, while HLG HDR provides the option of direct HLG playback without the need for grading.\u003c\/p\u003e\u003cp\u003eVideo Recording\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eCapture sharp, detailed images at rates up to 4K 120p with up to 5x slow motion at 24p output. Recording options include the ability to output DCI 4K+ in 16-bit raw over HDMI to compatible recorders while simultaneously recording XAVC 4K and proxies in-camera. Internal 4K recording options include 4:2:2 10-bit color with All-Intra and Long GOP codecs.Cooling features like a silent fan and a heatsink dissipate warmth to enable uninterrupted recording up to 4K60\u003c\/li\u003e\n\u003cli\u003eDual SD card slots accept both CFexpress Type A and SDXC cards for easy relay or backup recording\u003c\/li\u003e\n\u003cli\u003eSuper 35 1080p capture at rates up to 240p\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eSteady Focus\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1746581.jpg\" alt=\"Solo Shooting_RC\"\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eNow, even solo shooters can keep the action in focus thanks to real-time Tracking and Eye autofocus functions made possible by AI-based algorithms, plus a simple touchscreen focus function.\u003c\/li\u003e\n\u003cli\u003eSeven choices of AF Transition Speed let you rack focus, and five AF Subject Shift settings enable you to adjust the speed when shifting from a locked-on subject.\u003c\/li\u003e\n\u003cli\u003eFast Hybrid AF uses 627 points to cover approximately 89% of the image frame.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eErgonomic Form for Solo Operation\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1746575.jpg\" alt=\"Essential Controls_RC\"\u003e\u003c\/p\u003e\u003cp\u003eThe FX3A's cage-free design enables you to mount ¼\"-20 compatible accessories directly on the camera or the detachable handle, saving you the weight and setup\/breakdown time of a camera cage. The clustered record button, focus and menu controls, and six assignable buttons all help to enable single-handed control, leaving your left hand free for balancing or controlling your lens.\u003c\/p\u003e\u003cp\u003eTilting Touchscreen LCD\u003c\/p\u003e\u003cp\u003eThe fold-out 3\" touchscreen LCD has a crisp 2.35MP resolution and can be variously angled for optimal viewing.\u003c\/p\u003e\u003cp\u003eEasily Viewable Tally Lights\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1746576.jpg\" alt=\"Expandability_RC\"\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eTop, front, and rear tally indicators let the operator, talent, and sound person know precisely when the camera is recording.\u003c\/li\u003e\n\u003cli\u003eThis enables more accurately timed movements and dialogue delivery.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eQuality Audio Options\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1492872.jpg\"\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003ePro audio recording options include:A detachable XLR adapter handle with two XLR-1\/4\" TRS combo audio inputs\u003c\/li\u003e\n\u003cli\u003eA mic holder and a 3.5mm input for adding a microphone\u003c\/li\u003e\n\u003cli\u003eUp to 4-channel, 24-bit audio recording\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eRemote Control, Streaming, and Transfers\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1746579.jpg\" alt=\"Remote Control_RC\"\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eControl your FX3A remotely using the Imaging Edge Mobile or Imaging Edge Desktop apps, and transfer files using Wi-Fi or via a wired USB-C connector to let your editor get a jump on post-production.\u003c\/li\u003e\n\u003cli\u003eYou can also stream your content using your computer and the Imaging Edge Webcam app.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003ePost-Production Stabilization with E-Mount Lenses\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eSony's Catalyst Prepare\/Browse software uses shake metadata to stabilize your image\u003c\/li\u003e\n\u003cli\u003eAn adjustable balance between shake compensation and image area trimming lets you fine-tune the image\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eImproved FX3A Features\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1746577.jpg\" alt=\"LCD Touch Panel_RC\"\u003e\u003c\/p\u003e\u003cp\u003eThe FX3A updates the Cinema Line with improvements like comfortable, cage-free handheld operation, a battery runtime 1.6x longer than that of the a7S II, and a USB-PD power option for extended shooting times.\u003c\/p\u003e\u003cp\u003eCommon FX3A\/FX6\/a7S III Features\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1746597.jpg\"\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eLike the FX6 and the a7S III, the FX3A features:Full-frame, back-illuminated 12.1MP Exmor R CMOS sensor and BIONZ XR processor\u003c\/li\u003e\n\u003cli\u003eHigh-speed rates of 120p in 4K and 240p in HD\u003c\/li\u003e\n\u003cli\u003eA dynamic range of 15+ stops\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eShared FX3A\/FX6 Attributes\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eAttributes that the FX3A has in common with the larger FX6 camera include:S-Cinetone, S-Log3, HLG, and Rec. 709 gamma options\u003c\/li\u003e\n\u003cli\u003eTally lamps on the front, side, and rear\u003c\/li\u003e\n\u003cli\u003eAn internal fan to prevent overheating\u003c\/li\u003e\n\u003cli\u003eA zoom lever for easy frame adjustments\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eShared FX3A\/a7S III Attributes\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1746578.jpg\" alt=\"Mobility_RC\"\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eAttributes that the FX3A shares with the a7S III include:5-axis in-body image stabilization\u003c\/li\u003e\n\u003cli\u003e16-bit raw output via HDMI\u003c\/li\u003e\n\u003cli\u003eS-Log2 gamma choice\u003c\/li\u003e\n\u003cli\u003e80 to 409,600 ISO range (expanded)\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eWireless Connectivity\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eDual-band 2.4\/5 GHz wireless connectivity\u003c\/li\u003e\n\u003cli\u003eWired LAN link using the USB-C port and a separate adapter\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":46818215330022,"sku":"71850","price":84998000.0,"currency_code":"IDR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/3088\/0230\/files\/1762228380_1c655e99-3298-4e37-9983-a47eb4ed1e7b.jpg?v=1780991934"},{"product_id":"canon-eos-c50-body-only","title":"Canon EOS C50 Body Only","description":"\u003ch2\u003eCanon C50 Overview\u003c\/h2\u003e\u003cp\u003eKey Features\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e7K Full-Frame CMOS Sensor\u003c\/li\u003e\n\u003cli\u003e7K 3:2 Open Gate, UHD 4K120, 2K180\u003c\/li\u003e\n\u003cli\u003eDual-Base ISO: 800 and 6400\u003c\/li\u003e\n\u003cli\u003eFull-Size HDMI Output, DIN Timecode Port\u003c\/li\u003e\n\u003cli\u003eDual-Pixel CMOS AF II\u003c\/li\u003e\n\u003cli\u003eTop Handle with XLR Audio Inputs\u003c\/li\u003e\n\u003cli\u003eAdjustable-Speed Zoom Rocker\u003c\/li\u003e\n\u003cli\u003eSimultaneous Crop Recording\u003c\/li\u003e\n\u003cli\u003eFrame.io Camera-to-Cloud Integration\u003c\/li\u003e\n\u003cli\u003eCFexpress Type-B and SD Card Slots\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eFeaturing a newly developed 7K full-frame CMOS sensor, the \u003cstrong\u003eCanon EOS C50 Cinema Camera\u003c\/strong\u003e is a compact powerhouse for your video and photo needs. The EOS C50 is capable of recording 3:2 Open Gate video at 4K120 and raw video up to 7K60, as well as 32MP stills in photo mode. Simply select between dedicated photo and video modes for an intuitive hybrid shooting experience. Additional advanced features of the C50 include Dual-Pixel CMOS AF II, simultaneous 2K crop recording, built-in Frame.io Camera-to-Cloud integration, and XC protocol support for remote control. An included detachable top handle equips you with two 3-pin XLR inputs as well as onboard controls for easy-to-reach adjustments.\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e7K Full-Frame CMOS Sensor\u003c\/p\u003e\u003cp\u003eThe C50 is equipped with a 7K full-frame CMOS sensor that creates images with low noise for improved performance in a wide variety of lighting environments. This maximizes the camera's full 15+ stop dynamic range in full-frame sensor mode. Using 7K resolution provides greater flexibility in post, such as oversampled 4K60 footage.\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e3:2 Open Gate Sensor Mode\u003c\/p\u003e\u003cp\u003eThe first of the cinema EOS line to do so, the C50 offers Open Gate recording options for the use of the full dimensions of the sensor. Select Full Frame 3:2 from the Sensor mode section of the main menu to shoot using the full area of the sensor. Then you can use that information in post to crop or reframe your footage to aspect ratios of your choice. This proves useful when shooting with anamorphic lenses.\u003c\/p\u003e\u003cp\u003eInternal Raw and High Frame Rate Recording\u003c\/p\u003e\u003cp\u003eAdditional recording options of the C50 include 7K60 Cinema RAW Light with three 12-bit recording modes in HQ, ST, and LT. Standard XF-AVC codec is available in 10-bit 4:2:2 for rich detail and smooth images at frame rates up to 120 fps without cropping. You can also record in fast or slow motion up to 4K120 and 2K180. Other recording codecs include XF-AVC S and XF-HEVC S for easy-to-manage naming systems and folder structures while preserving metadata.\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2569509.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eAnamorphic De-Squeeze\u003c\/p\u003e\u003cp\u003eThe C50 features internal support for anamorphic de-squeeze. Preview your footage more accurately when shooting in different magnification ratios by toggling the de-squeeze options in the camera menu: 2x, 1.8x, 1.5x, 1.3x.\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2569511.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eDual-Base ISO\u003c\/p\u003e\u003cp\u003eBase ISOs of 800 and 6400 in Canon Log 2 gamma recording mode maximize the full dynamic range of the C50's sensor. The camera also features Auto Selection to automatically toggle between one of the two base ISO levels and another level while maintaining the dynamic range.\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2569517.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eDual-Pixel CMOS AF II\u003c\/p\u003e\u003cp\u003eKeep your subject in focus, whether you're shooting in slow or fast motion. The Dual-Pixel CMOS AF II can accommodate speeds up to 4K120 and 2K150, ensuring that even when using high frame rates, your subject remains in focus. The C50's sensor has improved light-capturing efficiency, which widens the area of the sensor that can be used for autofocus. An internal subject detection algorithm with deep learning technology allows you to set face\/eye detection to left or right eye priority in both humans and animals. Animal detection also now includes birds.\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2570596.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eSimultaneous Crop Recording\u003c\/p\u003e\u003cp\u003eChoose between three format options—9:17, 9:16, or 1:1—to automatically crop your image down when shooting in DCI or UHD 4K resolutions. The cropped portion of the frame will be saved in your selected aspect ratio and will be in 2K resolution. All of this reduces turnaround time when formatting videos for social media deliverables.\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2569514.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eDual Card Slots\u003c\/p\u003e\u003cp\u003eThe C50 includes two different card slots—one CFexpress Type-B and one SD card. Both slots support simultaneous recording even when shooting in raw codecs. All recording options are stored to your inserted CFexpress card, while sub-recording and proxy options record to your inserted SD card.\u003c\/p\u003e\u003cp\u003eNative Vertical Shooting UI\u003c\/p\u003e\u003cp\u003eVertical shooting is even more intuitive now thanks to the C50's vertical shooting UI. Simply switch to native Vertical Shooting to flip your display accordingly. It also supports touch controls for start\/stop recording from vertical screen mode. All of the shooting UI, menu settings, and LCD brightness adjustments are reoriented for an optimized filming experience.\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2569519.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eDetachable Handle Unit\u003c\/p\u003e\u003cp\u003eThe included, detachable handle unit provides additional connectivity for your C50 handheld configuration. Two full-sized 3-pin XLR inputs with 48V phantom power allow you to integrate shotgun microphones. A built-in start\/stop recording button and a zoom rocker offer easy-to-reach controls when filming low-angle shots.\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2569520.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eComprehensive Connectivity\u003c\/p\u003e\u003cp\u003eThe camera body of the C50 provides you with a wide variety of ports to create a camera rig best suited to your production needs. Connections include an HDMI output, a headphone output, a timecode port, a 3.5mm microphone input, a 2.5mm remote port, and a multipurpose USB-C port for a smartphone or Ethernet adapter. The camera also features an intelligent hot shoe for wireless audio communication.\u003c\/p\u003e\u003cp\u003eXC Protocol\u003c\/p\u003e\u003cp\u003eBuilt-in Wi-Fi facilitates XC Protocol for the C50, Canon's IP-based remote control system. XC Protocol allows the camera to be operated by IP-based Canon control units like the RC-IP1000 or RC-IP100, while third-party remote control panels can shade the camera. Use a USB-C to Ethernet adapter for additional connectivity options. Canon's Remote Control Camera application and Multi-Camera Control app can toggle camera settings as well as control multiple cameras. The C50 supports SRT protocols for direct IP streaming of audio and video to compatible sources.\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2569521.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eFrame.io Camera-to-Cloud Integration\u003c\/p\u003e\u003cp\u003eThe C50 has native compatibility with Frame.io's Camera-to-Cloud technology. Send proxy files immediately after internal recording for efficient post-production workflows. The proxy files don't require additional processing or conversion and can be viewed, shared, and edited remotely.\u003c\/p\u003e\u003cp\u003eVirtual Production Support\u003c\/p\u003e\u003cp\u003eThe C50 can output CV Protocol to multiple devices, easily slotting into virtual production workflows. Lens metadata is extracted using the CV Metadata Extraction plugin on compatible computers.\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2570553.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eMirrorless Photo Mode\u003c\/p\u003e\u003cp\u003eTransform the C50 from a cinema camera into a full-featured mirrorless camera with the flip of a switch. The C50 borrows from the familiar EOS R series menu system for intuitive control. Hybrid shooters no longer need to carry two cameras at once for a streamlined workflow. The Full-Frame sensor offers a shallow depth of field with a pleasant bokeh, using a standard ISO of up to 64,000. Still photo resolutions can reach 32MP, and you can reach a maximum of 40 shots per second during high-speed continuous shooting. Dual-Pixel CMOS AF II is still supported in this mode.\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":46858457481446,"sku":"115060","price":49999000.0,"currency_code":"IDR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/3088\/0230\/files\/17629145_72sooybxmcdhfl95_320cd33c-fc5f-4378-abb8-e91a15ce01c3.jpg?v=1780991906"},{"product_id":"fujifilm-gfx-eterna-55-cinema-camera","title":"FUJIFILM GFX ETERNA 55 Cinema Camera","description":"\u003ch2\u003eFUJIFILM GFX ETERNA 55 G\/PL Mount Overview\u003c\/h2\u003e\u003cp\u003eKey Features\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eLarge-Format Sensor, Variable ND\u003c\/li\u003e\n\u003cli\u003e4K48 4:3 Open Gate, 6.3K24 Super 35\u003c\/li\u003e\n\u003cli\u003e14.5-Stop Dynamic Range, Dual-Native ISO\u003c\/li\u003e\n\u003cli\u003eInternal ProRes 422 HQ, H.265, Proxies\u003c\/li\u003e\n\u003cli\u003eExt HDMI 10-Bit Uncompressed, 12-Bit Raw\u003c\/li\u003e\n\u003cli\u003e5\" 16:9, 3\" 3:2 Touchscreen LCD Screens\u003c\/li\u003e\n\u003cli\u003e20 Film Simulations, F-Log2\/C 3D LUTs\u003c\/li\u003e\n\u003cli\u003eFUJIFILM G and ARRI PL Lens Mounts\u003c\/li\u003e\n\u003cli\u003eEthernet, BLE with TG-BT1\/ATOMOS AirGlu\u003c\/li\u003e\n\u003cli\u003eCFexpress and SD Card Slots, USB-C Port\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eAdvanced Large-Format Video Capture\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFUJIFILM\u003c\/strong\u003e brings its vaunted photographic history to a video-centric form with the \u003cstrong\u003eGFX ETERNA 55 Cinema Camera\u003c\/strong\u003e. Built around a new large-format sensor that covers Open Gate and a range of additional formats, the GFX ETERNA 55's array of features is designed for exceptional video capture and seamless integration with FUJIFILM G lenses.\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eNative 4:3 Aspect Ratio\u003c\/p\u003e\u003cp\u003eDubbed the GFX ETERNA \"55\" in a nod to its diagonal sensor size, this camera incorporates one of the tallest sensors currently on the market. Its native 4:3 aspect ratio provides creators with a canvas that is 1.75x greater than 4-perf Super 35.\u003c\/p\u003e\u003cp\u003eFive Main Formats\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eThe GFX ETERNA 55 offers five main formats that are paired to specific lens categories:GF and Premista, for use with FUJIFILM lenses.\u003c\/li\u003e\n\u003cli\u003e35mm, anamorphic (35mm), and Super 35, for use with a range of lenses from multiple brands.\u003c\/li\u003e\n\u003cli\u003eEach of these five formats has multiple resolution selections, further expanding your capture options.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp class=\"ql-align-center\"\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2370325.jpg\" alt=\"GFX Video Crops\"\u003e\u003c\/p\u003e\u003cp\u003eVideo Formats\/Resolutions\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eThe GFX ETERNA 55 expands the GFX100 II's video recording choices with new Open Gate, Super 35, and 2.39:1 anamorphic options using a large 43.8 x 32.9mm sensor.Open Gate is available in 3.8K 4:3 at rates up to 48 fps.\u003c\/li\u003e\n\u003cli\u003eSuper 35 options include 6.3K24 in 16:9, DCI 4K30\/UHD 4K30 in 17:9 and 16:9, and up to 1080p60 in 17:9 and 16:9.\u003c\/li\u003e\n\u003cli\u003eAnamorphic 2.39:1 is available in Cine 5.8K up to 30 fps, Super 35 8K24 in 2.39:1, and Super 35 4K24 in 1.2:1.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eAnamorphic Ready\u003c\/p\u003e\u003cp\u003eThe GFX ETERNA's large 4:3 sensor is ready for you to combine with anamorphic lenses, and the camera provides real-time anamorphic de-squeezing for on-set monitoring.\u003c\/p\u003e\u003cp\u003eRecording Codecs\u003c\/p\u003e\u003cp\u003eTake full advantage of the GFX ETERNA 55's large sensor and internally record video in Apple ProRes 422\/HQ\/LT, 4:2:2, 10-bit HEVC\/H.265, or H.264 or ProRes proxies. Use the HDMI output for external 4:2:2 10-bit uncompressed or 12-bit raw recording.\u003c\/p\u003e\u003cp\u003eCustom Frame Guides\u003c\/p\u003e\u003cp\u003eUsers can create custom frame guides right from the viewfinder with up to three saved for quick access. Aspect ratios range include 1:1, 3:2, 4:3, 5:4, 16:9, 17:9, 2.39:1, and custom. Customizable functions include 1-100% scaling, four line widths, and five color options.\u003c\/p\u003e\u003cp\u003eFUJIFILM G and ARRI PL Mounts\u003c\/p\u003e\u003cp\u003eThe native FUJIFILM G-mount ETERNA 55 camera is compatible with existing G-mount lenses and the new power-zoom G 32-90mm lens, which is optimized for this camera and features autofocus and auto iris functions, as well as geared focus, iris, and zoom rings. The included ARRI PL-mount adapter provides compatibility with an array of cine-style lenses and Cooke \/i lens data where available.\u003c\/p\u003e\u003cp\u003eVariable ND Filter\u003c\/p\u003e\u003cp\u003eThe built-in variable electronic ND filter lets you adjust your exposure without stopping down or opening up on your lens, ideal for bright exteriors, slow shutter effects, and shallow depth-of-field looks. This dial-control filter varies from ND 0.6 to ND 2.1, providing a range of two to seven stops in visually stepless .015 increments.\u003c\/p\u003e\u003cp\u003eLow-Pass Filter\u003c\/p\u003e\u003cp\u003eNew to the GFX line, the included OLPF (optical low-pass filter) helps to reduce color anomalies and moiré effects, especially helpful when shooting with LED wall backgrounds.\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e20 Film Simulations\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eGFX ETERNA 55 users have access to 20 FUJIFILM film stock simulations, letting you recreate your favorite cinema looks.PROVIA\/Standard, Velvia\/Vivid, ASTIA\/Soft, Classic Chrome, REALA ACE\u003c\/li\u003e\n\u003cli\u003ePRO Neg. Hi and Std., Classic Neg., Nostalgic Neg., ETERNA\/Cinema\u003c\/li\u003e\n\u003cli\u003eETERNA BLEACH BYPASS, ACROS, ACROS + Ye Filter, + R Filter, + G Filter\u003c\/li\u003e\n\u003cli\u003eBlack \u0026amp; White, Black \u0026amp; White + Ye Filter, + R Filter, + G Filter, Sepia\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eCinematic Visuals\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eIn addition to the 20 film looks, the GFX ETERNA 55 lets users create 3D LUTs for select film simulations for use with the expansive colors and dynamic range of F-Log2 C.ETERNA, ETERNA BLEACH BYPASS, PROVIA\/Standard\u003c\/li\u003e\n\u003cli\u003eVelvia\/Vivid, ASTIA\/Soft, REALA ACE\u003c\/li\u003e\n\u003cli\u003eClassic Chrome, Classic Neg., ACROS\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eHot Swapping\u003c\/p\u003e\u003cp\u003eAn internal NP-W235 battery enables external battery hot swapping or switching to DC power input. This battery is automatically charged when the camera is attached to an external power source.\u003c\/p\u003e\u003cp\u003e5\" Monitor and Dual 3\" Displays\u003c\/p\u003e\u003cp\u003eThe GFX ETERNA 55 features dual built-in 3\" touchscreens with 4:3 aspect ratios and 700 cd\/m² brightness. Located on both sides of the camera, these displays provide easy control access for both the operator and the A.C. The GFX ETERNA 55's external 5\" touchscreen color LCD monitor provides a 16:9 aspect ratio and 2000 cd\/m² brightness for daylight visibility.\u003c\/p\u003e\u003cp\u003eDedicated Top Handle\u003c\/p\u003e\u003cp\u003eThe included top handle features a multifunctional left-side dial that can be assigned to ND filter control or to focus, iris, or zoom control when paired with an electronically controlled lens. This handle has a sliding rail base, letting you quickly adjust your camera balance for hand-holding after a lens change, battery addition, etc.\u003c\/p\u003e\u003cp\u003eConnectivity\u003c\/p\u003e\u003cp\u003eBuilt-in Wi-Fi and Ethernet enable a range of features, including Frame.io compatibility, browser-based remote control for focus, iris, zoom, and more. BLE (Bluetooth Low Energy) will be supported using the FUJIFILM TG-BT1 tripod grip or an Atomos AirGlu Ambient device.\u003c\/p\u003e\u003cp\u003eExpanded Audio Input\u003c\/p\u003e\u003cp\u003eCompatibility with the TASCAM XLR microphone adapter handle lets you expand the GFX ETERNA 55's audio input options.\u003c\/p\u003e\u003cp\u003eAdditional Details\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eGrab button for capturing still photos\u003c\/li\u003e\n\u003cli\u003e2-pin LEMO output for powering accessories\u003c\/li\u003e\n\u003cli\u003eSDI, HDMI, genlock, USB-C, Ethernet, and remote connectors\u003c\/li\u003e\n\u003cli\u003eAll connectors have durable caps to protect against dust and debris\u003c\/li\u003e\n\u003cli\u003eMicrophone input and headphone output\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Fujifilm","offers":[{"title":"Default Title","offer_id":47054222622950,"sku":"115304","price":299888000.0,"currency_code":"IDR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/3088\/0230\/files\/1766474210_1.jpg?v=1777254138"},{"product_id":"fujifilm-gfx-eterna-55-camera-with-32-90mm-g-mnt-lens","title":"FUJIFILM GFX ETERNA 55 Camera with 32-90mm G-MNT LENS","description":"\u003ch2\u003eFUJIFILM GFX ETERNA 55 Cinema Camera (FUJIFILM G, ARRI PL)\u003c\/h2\u003e\u003cp\u003eKey Features\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eLarge-Format ETERNA 55, Variable ND\u003c\/li\u003e\n\u003cli\u003e4K48 4:3 Open Gate, 6.3K24 Super 35\u003c\/li\u003e\n\u003cli\u003eFUJIFILM GF 32-90mm T3.5 PZ OIS WR Lens\u003c\/li\u003e\n\u003cli\u003e25-71mm in 35mm, Internal FIZ Motors\u003c\/li\u003e\n\u003cli\u003e14.5-Stop Dynamic Range, Dual-Native ISO\u003c\/li\u003e\n\u003cli\u003eInternal ProRes 422 HQ, H.265, Proxies\u003c\/li\u003e\n\u003cli\u003eExt HDMI 10-Bit Uncompressed, 12-Bit Raw\u003c\/li\u003e\n\u003cli\u003e5\" 16:9, 3\" 3:2 Touchscreen LCD Screens\u003c\/li\u003e\n\u003cli\u003e20 Film Simulations, F-Log2\/C 3D LUTs\u003c\/li\u003e\n\u003cli\u003eFUJIFILM G and ARRI PL Lens Mounts\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eAdvanced Large-Format Video Capture\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFUJIFILM\u003c\/strong\u003e brings its vaunted photographic history to a video-centric form with the \u003cstrong\u003eGFX ETERNA 55 Cinema Camera\u003c\/strong\u003e. Built around a new large-format sensor that covers Open Gate and a range of additional formats, the GFX ETERNA 55's array of features is designed for exceptional video capture and seamless integration with FUJIFILM G lenses.\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eNative 4:3 Aspect Ratio\u003c\/p\u003e\u003cp\u003eDubbed the GFX ETERNA \"55\" in a nod to its diagonal sensor size, this camera incorporates one of the tallest sensors currently on the market. Its native 4:3 aspect ratio provides creators with a canvas that is 1.75x greater than 4-perf Super 35.\u003c\/p\u003e\u003cp\u003eFive Main Formats\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eThe GFX ETERNA 55 offers five main formats that are paired to specific lens categories:GF and Premista, for use with FUJIFILM lenses.\u003c\/li\u003e\n\u003cli\u003e35mm, anamorphic (35mm), and Super 35, for use with a range of lenses from multiple brands.\u003c\/li\u003e\n\u003cli\u003eEach of these five formats has multiple resolution selections, further expanding your capture options.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp class=\"ql-align-center\"\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2370325.jpg\" alt=\"GFX Video Crops\"\u003e\u003c\/p\u003e\u003cp\u003eVideo Formats\/Resolutions\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eThe GFX ETERNA 55 expands the GFX100 II's video recording choices with new Open Gate, Super 35, and 2.39:1 anamorphic options using a large 43.8 x 32.9mm sensor.Open Gate is available in 3.8K 4:3 at rates up to 48 fps.\u003c\/li\u003e\n\u003cli\u003eSuper 35 options include 6.3K24 in 16:9, DCI 4K30\/UHD 4K30 in 17:9 and 16:9, and up to 1080p60 in 17:9 and 16:9.\u003c\/li\u003e\n\u003cli\u003eAnamorphic 2.39:1 is available in Cine 5.8K up to 30 fps, Super 35 8K24 in 2.39:1, and Super 35 4K24 in 1.2:1.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eAnamorphic Ready\u003c\/p\u003e\u003cp\u003eThe GFX ETERNA's large 4:3 sensor is ready for you to combine with anamorphic lenses, and the camera provides real-time anamorphic de-squeezing for on-set monitoring.\u003c\/p\u003e\u003cp\u003eRecording Codecs\u003c\/p\u003e\u003cp\u003eTake full advantage of the GFX ETERNA 55's large sensor and internally record video in Apple ProRes 422\/HQ\/LT, 4:2:2, 10-bit HEVC\/H.265, or H.264 or ProRes proxies. Use the HDMI output for external 4:2:2 10-bit uncompressed or 12-bit raw recording.\u003c\/p\u003e\u003cp\u003eCustom Frame Guides\u003c\/p\u003e\u003cp\u003eUsers can create custom frame guides right from the viewfinder with up to three saved for quick access. Aspect ratios range include 1:1, 3:2, 4:3, 5:4, 16:9, 17:9, 2.39:1, and custom. Customizable functions include 1-100% scaling, four line widths, and five color options.\u003c\/p\u003e\u003cp\u003eFUJIFILM G and ARRI PL Mounts\u003c\/p\u003e\u003cp\u003eThe native FUJIFILM G-mount ETERNA 55 camera is compatible with existing G-mount lenses and the new power-zoom G 32-90mm lens, which is optimized for this camera and features autofocus and auto iris functions, as well as geared focus, iris, and zoom rings. The included ARRI PL-mount adapter provides compatibility with an array of cine-style lenses and Cooke \/i lens data where available.\u003c\/p\u003e\u003cp\u003eVariable ND Filter\u003c\/p\u003e\u003cp\u003eThe built-in variable electronic ND filter lets you adjust your exposure without stopping down or opening up on your lens, ideal for bright exteriors, slow shutter effects, and shallow depth-of-field looks. This dial-control filter varies from ND 0.6 to ND 2.1, providing a range of two to seven stops in visually stepless .015 increments.\u003c\/p\u003e\u003cp\u003eLow-Pass Filter\u003c\/p\u003e\u003cp\u003eNew to the GFX line, the included OLPF (optical low-pass filter) helps to reduce color anomalies and moiré effects, especially helpful when shooting with LED wall backgrounds.\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e20 Film Simulations\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eGFX ETERNA 55 users have access to 20 FUJIFILM film stock simulations, letting you recreate your favorite cinema looks.PROVIA\/Standard, Velvia\/Vivid, ASTIA\/Soft, Classic Chrome, REALA ACE\u003c\/li\u003e\n\u003cli\u003ePRO Neg. Hi and Std., Classic Neg., Nostalgic Neg., ETERNA\/Cinema\u003c\/li\u003e\n\u003cli\u003eETERNA BLEACH BYPASS, ACROS, ACROS + Ye Filter, + R Filter, + G Filter\u003c\/li\u003e\n\u003cli\u003eBlack \u0026amp; White, Black \u0026amp; White + Ye Filter, + R Filter, + G Filter, Sepia\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eCinematic Visuals\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eIn addition to the 20 film looks, the GFX ETERNA 55 lets users create 3D LUTs for select film simulations for use with the expansive colors and dynamic range of F-Log2 C.ETERNA, ETERNA BLEACH BYPASS, PROVIA\/Standard\u003c\/li\u003e\n\u003cli\u003eVelvia\/Vivid, ASTIA\/Soft, REALA ACE\u003c\/li\u003e\n\u003cli\u003eClassic Chrome, Classic Neg., ACROS\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eHot Swapping\u003c\/p\u003e\u003cp\u003eAn internal NP-W235 battery enables external battery hot swapping or switching to DC power input. This battery is automatically charged when the camera is attached to an external power source.\u003c\/p\u003e\u003cp\u003e5\" Monitor and Dual 3\" Displays\u003c\/p\u003e\u003cp\u003eThe GFX ETERNA 55 features dual built-in 3\" touchscreens with 4:3 aspect ratios and 700 cd\/m² brightness. Located on both sides of the camera, these displays provide easy control access for both the operator and the A.C. The GFX ETERNA 55's external 5\" touchscreen color LCD monitor provides a 16:9 aspect ratio and 2000 cd\/m² brightness for daylight visibility.\u003c\/p\u003e\u003cp\u003eDedicated Top Handle\u003c\/p\u003e\u003cp\u003eThe included top handle features a multifunctional left-side dial that can be assigned to ND filter control or to focus, iris, or zoom control when paired with an electronically controlled lens. This handle has a sliding rail base, letting you quickly adjust your camera balance for hand-holding after a lens change, battery addition, etc.\u003c\/p\u003e\u003cp\u003eConnectivity\u003c\/p\u003e\u003cp\u003eBuilt-in Wi-Fi and Ethernet enable a range of features, including Frame.io compatibility, browser-based remote control for focus, iris, zoom, and more. BLE (Bluetooth Low Energy) will be supported using the FUJIFILM TG-BT1 tripod grip or an Atomos AirGlu Ambient device.\u003c\/p\u003e\u003cp\u003eExpanded Audio Input\u003c\/p\u003e\u003cp\u003eCompatibility with the TASCAM XLR microphone adapter handle lets you expand the GFX ETERNA 55's audio input options.\u003c\/p\u003e\u003cp\u003eAdditional Details\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eGrab button for capturing still photos\u003c\/li\u003e\n\u003cli\u003e2-pin LEMO output for powering accessories\u003c\/li\u003e\n\u003cli\u003eSDI, HDMI, genlock, USB-C, Ethernet, and remote connectors\u003c\/li\u003e\n\u003cli\u003eAll connectors have durable caps to protect against dust and debris\u003c\/li\u003e\n\u003cli\u003eMicrophone input and headphone output\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp class=\"ql-align-center\"\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp class=\"ql-align-center\"\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eFUJIFILM GF 32-90mm T3.5 PZ OIS WR Lens (FUJIFILM G)\u003c\/p\u003e\u003cp\u003eLarge-Format Power Zoom\u003c\/p\u003e\u003cp\u003eThe \u003cstrong\u003eGF 32-90mm T3.5 PZ OIS WR Lens\u003c\/strong\u003e from \u003cstrong\u003eFUJIFILM\u003c\/strong\u003e melds a cine-style form with several functions handy for single-operator capture, like optical image stabilization, autofocus, auto iris, and servo and manual zoom. Designed for large-format sensors, this FUJIFILM G-mount lens provides a 35mm equivalent of 25-71mm.\u003c\/p\u003e\u003cp\u003eCine-Style and Run-and-Gun Features\u003c\/p\u003e\u003cp\u003eThis zoom lens melds cine-style features like 0.8 MOD gearing for compatibility with lens control systems with selectable run-and-gun functions like OIS (optical image stabilization), autofocus, auto iris, and servo and manual zoom control. The focus, iris, and zoom motors are built in, maintaining a sleek form.\u003c\/p\u003e\u003cp\u003eAspherical and ED Elements\u003c\/p\u003e\u003cp\u003eThis GF32-90mm lens incorporates three aspherical and three ED (extra-low dispersion) elements, which reduce chromatic aberrations and color fringing for increased clarity and color accuracy.\u003c\/p\u003e\u003cp\u003eConstant T3.5 Aperture\u003c\/p\u003e\u003cp\u003eThe T3.5 maximum aperture remains constant across the 32 to 90mm focal length range.\u003c\/p\u003e\u003cp\u003e13-Blade Aperture\u003c\/p\u003e\u003cp\u003eThe rounded 13-blade aperture contributes to a pleasing bokeh quality when working with selective focus techniques.\u003c\/p\u003e\u003cp\u003eWeather Resistant\u003c\/p\u003e\u003cp\u003eA weather-resistant design protects the lens against moisture, dust, and select temperatures.\u003c\/p\u003e\u003cp\u003eFocus Marks\u003c\/p\u003e\u003cp\u003eFocus marks are provided in both feet and meters for worldwide use.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eAngelbird 512GB AV PRO SE CFexpress v4 Type B Memory Card\u003c\/p\u003e\u003cp\u003e\u003cem\u003eDesigned for photographers and videographers looking to capture 12K+ raw footage and extended shutter bursts, the \u003c\/em\u003e\u003cstrong\u003e\u003cem\u003e512GB AV PRO SE CFexpress v4 Type B Memory Card\u003c\/em\u003e\u003c\/strong\u003e\u003cem\u003e from \u003c\/em\u003e\u003cstrong\u003e\u003cem\u003eAngelbird\u003c\/em\u003e\u003c\/strong\u003e\u003cem\u003e provides maximum read speeds of 3700 MB\/s and maximum write speeds of 1100 MB\/s, plus sustained read speeds of 3500 MB\/s and sustained write speeds of 1050 MB\/s. Stable Stream technology provides consistent read and write performance throughout recording, while advanced thermal management helps prevent overheating.\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003eBuilt for extreme conditions, this card is protected against shock, vibration, and temperatures ranging from 10 to 162°F. while TRIM and SMART support is OS dependent. In the event that you experience data loss, in-house data recovery is available through Angelbird.\u003c\/p\u003e\u003cp\u003eTo receive the full limited 3-year warranty, the product needs to be registered on the Angelbird Personal Service Portal within 30 days after purchase.\u003c\/p\u003e\u003cp\u003eFeatures\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eUltra high-speed media with futureproof v4 technology\u003c\/li\u003e\n\u003cli\u003eStable Stream technology for consistent read and write performance throughout the card's entire capacity\u003c\/li\u003e\n\u003cli\u003eRock-solid build\u003c\/li\u003e\n\u003cli\u003eAdvanced Thermal Management protects the card from overheating\u003c\/li\u003e\n\u003cli\u003eMinimal power draw to keep your camera's battery alive as long as possible\u003c\/li\u003e\n\u003cli\u003eHost power loss protection\u003c\/li\u003e\n\u003cli\u003eIn-house data recovery service on the hardware and software levels\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eXcellon CFexpress Type B and UHS-II SD Card Reader\u003c\/p\u003e\u003cp\u003e\u003cem\u003eQuickly transfer 4K video and other large files to your computer using the \u003c\/em\u003e\u003cstrong\u003e\u003cem\u003eCFexpress Type B and UHS-II SD Card Reader\u003c\/em\u003e\u003c\/strong\u003e\u003cem\u003e from \u003c\/em\u003e\u003cstrong\u003e\u003cem\u003eXcellon\u003c\/em\u003e\u003c\/strong\u003e\u003cem\u003e. This card reader features a CFexpress Type B card slot, a UHS-II SD card slot, and operates using the 10 Gb\/s USB 3.2 Gen 2 standard. Connectivity to the host system is established using the USB-C interface, as well as included USB-C to USB-C and USB-C to USB-A cables. Plug-and-play connectivity means that no additional drivers are required. Power is provided via the host system's USB port. An aluminum enclosure helps dissipate heat and keep things cool, and a nonslip rubber base helps keep the card reader in place on your desk. Thanks to push-lock security, cards are secured in their individual slots and LED indicators provide visual cues for power and data processing.\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003eExpress Transfer\u003c\/p\u003e\u003cp\u003eQuickly transfer 4K video and other big files onto your computer for post processing. Using CFexpress Type B and UHS-II SD cards deliver fast transfer rates minimizing the work time of offloading large videos and photos.\u003c\/p\u003e\u003cp\u003eUSB-C Connection\u003c\/p\u003e\u003cp\u003eEnjoy USB 3.2 Gen 2 speeds up to 10 Gb\/s to quickly transfer all your large files. Easily plug into either USB-C or USB-A ports using the included cables.\u003c\/p\u003e\u003cp\u003ePlug and Ready\u003c\/p\u003e\u003cp\u003eNo software or drivers are needed to set up this card reader into your workflow, simply plug it into your device and start working.\u003c\/p\u003e\u003cp\u003eAluminum Enclosure\u003c\/p\u003e\u003cp\u003eThe stylish aluminum enclosure helps dissipate heat, improving the available speeds. This means lots of large files can be transferred while the reader stays cool.\u003c\/p\u003e\u003cp\u003eNonslip Base\u003c\/p\u003e\u003cp\u003eThe rubber base provides a nonslip surface which prevents the reader from sliding on your desk. This ensures you can connect a card into the reader with just one hand.\u003c\/p\u003e\u003cp\u003ePush-Lock\u003c\/p\u003e\u003cp\u003eInsert your memory cards and lock them in place. The push-lock mechanism ensures security when inserting and removing memory card from the reader\u003c\/p\u003e\u003cp\u003eLED Indicators\u003c\/p\u003e\u003cp\u003eThe LED indicators provide a visual cue for power and the processing of data. It's nice to know when it's safe to disconnect your memory card.\u003c\/p\u003e","brand":"Fujifilm","offers":[{"title":"Default Title","offer_id":47253779546342,"sku":"115305","price":349888000.0,"currency_code":"IDR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/3088\/0230\/files\/1767842280_1.jpg?v=1777254295"},{"product_id":"blackmagic-design-ursa-broadcast-g2-camera","title":"Blackmagic Design URSA Broadcast G2 Camera","description":"\u003ch2\u003eBlackmagic Design URSA Broadcast G2 Overview\u003c\/h2\u003e\u003cp\u003eKey Features\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e6K CMOS Sensor, Dual Native ISO\u003c\/li\u003e\n\u003cli\u003e2\/3\" B4 Lens Mount \u0026amp; Active EF Mount\u003c\/li\u003e\n\u003cli\u003e6K Blackmagic RAW Recording\u003c\/li\u003e\n\u003cli\u003eRecords to ProRes, H.265\/264\u003c\/li\u003e\n\u003cli\u003e12G-SDI Input \u0026amp; Output, Genlock\/Timecode\u003c\/li\u003e\n\u003cli\u003e13 x Stops of Dynamic Range\u003c\/li\u003e\n\u003cli\u003e2 x UHS-II SD, 2 x CFast 2.0 Slots\u003c\/li\u003e\n\u003cli\u003eBuilt-In 2\/4\/6-Stop ND Filters\u003c\/li\u003e\n\u003cli\u003eXLR Inputs, 3.5mm Audio Output\u003c\/li\u003e\n\u003cli\u003eProRes Recording up to 1080p120\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cem\u003eUpdate your broadcast studio or internet broadcast camera with a versatile 3-in-1 powerhouse using the \u003c\/em\u003e\u003cstrong\u003e\u003cem\u003eBlackmagic Design URSA G2 Broadcast Camera\u003c\/em\u003e\u003c\/strong\u003e\u003cem\u003e. This updated G2 model features generation 5 color science and not only supports up to UHD 4K as its predecessor for production and studio work but can now be used as a 6K digital film camera that records in Blackmagic RAW format. The lens mount is compatible with 2\/3\" B4 lenses, but it also includes an active EF mount adapter, allowing you to access a long line of professional cinema lenses. It allows you to apply 3D LUTs for cinema-like looks, has built-in optical ND filters, features 12G-SDI input and output, captures audio via two XLR inputs, and can record using Prores 422 and Blackmagic RAW onto CFast 2.0 or SD UHS-II cards.\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cem\u003eThe camera body is constructed with durable and lightweight magnesium, so it will hold steady in any environment. To power the camera, you can use the included 12 VDC power adapter or the preinstalled V-mount plate to utilize professional, high-capacity V-mount batteries. Also included with the camera are the URSA Mini shoulder pad, the URSA Mini top handle, a viewfinder mounting plate, and all the installation hardware and lens caps. A downloadable copy of DaVinci Resolve Studio is included, along with access to future camera software updates.\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003eBlackmagic Camera 10.0 Update Features\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eIn the latest Blackmagic Camera 10.0 update, the following features have been updated:Adds pre-record feature\u003c\/li\u003e\n\u003cli\u003eAdds support for 4-channel audio recording\u003c\/li\u003e\n\u003cli\u003eAdds support for mono headphone monitoring\u003c\/li\u003e\n\u003cli\u003eAdds 0% option for frame guide opacity settings\u003c\/li\u003e\n\u003cli\u003eAdds new Camera Control REST API commands\u003c\/li\u003e\n\u003cli\u003eAdds support for inhibiting proxy recording\u003c\/li\u003e\n\u003cli\u003eImproved Blackmagic Cloud functionality\u003c\/li\u003e\n\u003cli\u003eImproved B4 lens compatibility\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eThree Cameras in One\u003c\/p\u003e\u003cp\u003eBroadcast Production Camera\u003c\/p\u003e\u003cp\u003eThe perfect solution for broadcasters, URSA Broadcast G2 includes ENG camera controls positioned around the camera, so you can locate them by feel. It also features a low-light sensor, so you get amazing images using natural light. That's the perfect combination for broadcast news and programming.\u003c\/p\u003e\u003cp\u003eLive Studio Camera\u003c\/p\u003e\u003cp\u003eURSA Broadcast includes an advanced YRGB color corrector built-in and full remote camera control. You can use B4 ENG or large studio box lenses, or even change the lens mount and use any lens. Plus, the optional Blackmagic focus and zoom demands let you control the lens from the tripod handles.\u003c\/p\u003e\u003cp\u003eDigital Cinema Camera\u003c\/p\u003e\u003cp\u003eURSA Broadcast G2 includes an advanced 6K digital film sensor, and you can change the lens mount. Use a PL mount for digital film lenses or EF for photo lenses. Plus, the high dynamic range, great low-light performance, and Blackmagic RAW means you get a true \"Hollywood\" quality digital film camera.\u003c\/p\u003e\u003cp\u003eKey Features\u003c\/p\u003e\u003cp\u003eDigital Film Quality for Broadcast\u003c\/p\u003e\u003cp\u003eThe large 6K sensor, combined with Blackmagic generation 5 color science, gives you the same imaging technology used in digital film cameras. This means broadcasters can now use digital cinema quality in broadcasts. The 6K sensor features a resolution of 6144 x 3456, so it's flexible enough for broadcast and digital film work. When using B4 lenses, you get a 4K window of the sensor for Ultra HD broadcast use. Then, if you change to a PL or EF lens mount, you can use the full 6K resolution of the sensor for digital film. With 13 stops of dynamic range, you get darker blacks and brighter whites, so it's perfect for color correction. Using digital film in broadcast is a revolution in image quality.\u003c\/p\u003e\u003cp\u003eLow-Light Performance\u003c\/p\u003e\u003cp\u003eThe new URSA Broadcast features incredible low-light performance, so you can shoot using ambient light or even under moonlight. In advanced cameras, ISO is a measurement of the image sensor's sensitivity to light. The Blackmagic URSA Broadcast G2 features gain from -12dB (100 ISO) up to +36dB (25,600 ISO), so it's optimized to reduce grain and noise in images while maintaining the full dynamic range of the sensor. The primary native ISO is 400, which is ideal for use under studio lighting. Then the secondary high base ISO of 3200 is perfect when shooting in dimly lit environments. The gain can be set via a camera switch, the LCD menu, or remotely using the SDI remote camera control protocol.\u003c\/p\u003e\u003cp\u003eCompatible with B4 Broadcast Lenses\u003c\/p\u003e\u003cp\u003eThe URSA Broadcast G2 features a B4 broadcast lens mount that includes optics specifically designed to match the camera's sensor. The B4 lens mount lets you use modern UHD lenses or lower-cost HD lenses. Older HD lenses often feature resolutions well beyond HD, so you get great quality at a low cost. B4 lenses are fantastic because they are par-focal, so the image stays in focus as you zoom in and out, so you don't need to constantly chase focus as you shoot. That lets you work much faster. You also get full electronic lens control to adjust focus, iris, and zoom using the camera's controls or remotely. Plus, if you want to use alternative lenses, you can change the mount to PL, EF, and more.\u003c\/p\u003e\u003cp\u003eBuilt-In Optical ND Filters\u003c\/p\u003e\u003cp\u003eURSA Broadcast G2 features high-quality neutral density (ND) filters that let you quickly reduce the amount of light entering the camera. The 1\/4, 1\/16th and 1\/64th stop filters have been specifically designed to match the image sensor and color science of URSA Broadcast G2, providing you with additional latitude and better colorimetry. This lets you use different combinations of aperture and shutter angles in a wider range of situations. The IR filters have been designed to evenly filter both optical and IR wavelengths, eliminating IR contamination. Plus, the filter status on the LCD can be displayed as a fraction, number, or stop reduction.\u003c\/p\u003e\u003cp\u003eCommon Media and File Formats\u003c\/p\u003e\u003cp\u003eURSA Broadcast is designed to work with standard file formats used by all broadcast systems and editing software. You can record in ProRes 422 HQ and ProRes 422 into QuickTime files. The new Blackmagic URSA Broadcast G2 model can even record into H.265 for incredibly small files at 60:1 to 285:1 compression ratios, in 10-bit broadcast quality. Plus. you can record to Blackmagic RAW files, a revolutionary new format designed to capture and preserve the quality of the sensor data from the camera. That means you get the perfect range of file formats designed for all types of workflows.\u003c\/p\u003e\u003cp\u003eDual Media Slots for Nonstop Recording\u003c\/p\u003e\u003cp\u003eWith dual CFast 2.0 recorders and dual SD\/UHS-II card recorders, you can choose the media that's best for you. Both types of media are standard, inexpensive, and readily available at computer and camera stores. Plus, with dual media slots, URSA Broadcast gives you nonstop recording. When a card is full, recording automatically continues onto the next card, so you can swap a full card while recording continues. You get enough speed to record high-quality ProRes and H.265 video file formats, even when working in Ultra HD at high frame rates. That means URSA Broadcast G2 is easy to integrate into your existing broadcast systems. You can even record 12-bit Blackmagic RAW cinema files.\u003c\/p\u003e\u003cp\u003eUSB-C for Recording Direct to External Media Disks\u003c\/p\u003e\u003cp\u003eThe Blackmagic URSA Broadcast G2 features a high-speed USB-C expansion port on the rear of the camera that allows you to record to external disks or connect to a wide range of accessories. If you plug in a large and low-cost external USB flash disk, you can record ProRes, H.265, or even high-quality 12-bit Blackmagic RAW files for later editing and color correction. That means you can just move the disk to a computer to work, and you don't need to waste time with file copying. Plus, the USB port will power the disk that's plugged in. You can even plug in optional focus and zoom demands to allow full lens control.\u003c\/p\u003e\u003cp\u003eStrong and Lightweight Magnesium Design\u003c\/p\u003e\u003cp\u003eURSA Broadcast G2 features a super-strong, lightweight magnesium alloy body that's perfectly balanced and designed to be comfortable to use all day. It features familiar, externally mounted switches and controls that give you direct access to the most important camera settings. The controls are laid out logically, making them easy to locate by feel, so you can adjust settings without having to look at the buttons. You also get a foldout touchscreen for monitoring, viewing camera status, and changing settings using on-screen menus. URSA Broadcast G2 also includes standard 12G-SDI connections, XLR audio inputs, USB-C, and an industry-standard 4-pin XLR broadcast 12 VDC connection.\u003c\/p\u003e\u003cp\u003eBuilt-In LCD with Touch Controls\u003c\/p\u003e\u003cp\u003eWith a built-in LCD that folds out, you can both monitor and control the camera. While URSA Broadcast G2 features lots of physical buttons and knobs, using the LCD, you also get on-screen status and touchscreen controls. The built-in touchscreen also includes a heads-up display with the most important shooting information, as well as menus for all camera settings, LUTs, and custom presets. Behind the LCD, there are extra buttons, as well as knobs for audio levels. There are even programmable function buttons that can have functions assigned to them, such as zebra, false color, focus peaking, LUTs, and more. Plus, you can change the function assigned to each button in the on-screen menus.\u003c\/p\u003e\u003cp\u003eExternal Status Display\u003c\/p\u003e\u003cp\u003eThe status display is a high-visibility LCD screen designed to be easily seen, even in bright light. The status display shows record, locked, and reference timecodes, along with the current shooting frame rate, shutter angle, aperture, white balance, gain, and iris. It also features a battery indicator, card recording status, and audio meters for monitoring levels. The screen's backlight can be turned on when you are shooting in dimly lit locations and off when you are shooting outdoors and in bright light to increase contrast, making it easy to read under any condition.\u003c\/p\u003e\u003cp\u003eProgram Video Monitoring\u003c\/p\u003e\u003cp\u003eIf you're doing live production, sometimes you need to monitor program video back from the switcher. Simply press the camera's PGM button and the viewfinder will switch from the camera display to the program return feed from the switcher. A built-in speaker also lets you monitor the switcher audio as well. Program return is a fantastic feature, as sometimes on large live shows, camera operators can be left waiting a long time for their camera to be used, so program return lets them watch the show while they wait. This means that even if the camera operator is a large distance away from the switcher, they can still keep up with what is happening and remain alert.\u003c\/p\u003e\u003cp\u003eLoad Custom 3D LUTs to Recreate Film Looks\u003c\/p\u003e\u003cp\u003eDigital film cameras shoot logarithmic color space to preserve the dynamic range, which is great for later post-production. However, when these files are viewed on a monitor, they can look flat and washed out. 3D LUTs solve this problem as they allow you to apply a \"look\" to the monitor so you get an idea of how the finished images will look when editing. LUTs can be applied temporarily for monitoring only, or they can be recorded into the Blackmagic RAW files for use in post-production. The URSA Broadcast G2 works with industry-standard 17- and 33-point 3D LUT files or you can work with the built-in LUTs such as Extended Video, Film to Video, Film to Rec.2020, and more.\u003c\/p\u003e\u003cp\u003eStandard Television Industry Connections\u003c\/p\u003e\u003cp\u003eBlackmagic URSA Broadcast G2 features the latest technology and connections, such as 12G-SDI. This includes 12G-SDI connections for both video output and return program feed input. The 12G-SDI connections are multirate and switch between all HD and UHD formats up to 2160p60. Other connections include a headphone connection, USB-C, balanced XLR audio with phantom power, and timecode\/reference input. There's also a front-mounted 12-pin Hirose connector for broadcast lens control, which can also power the lens. Plus, for connecting a viewfinder or on-set monitor, there's even an HD-SDI monitoring output and a broadcast style 4-pin XLR 12 VDC power output.\u003c\/p\u003e\u003cp\u003eSupports All Broadcast Frame Rates\u003c\/p\u003e\u003cp\u003eWhether you're shooting a sporting event or a breaking news story, Blackmagic URSA Broadcast G2 can shoot super-smooth, crystal clear slow-motion video. To shoot slow-motion video, URSA Broadcast supports the higher broadcast frame rates of 60 frames per second, but it can also record this high frame rate into a lower frame rate file for smooth slow-motion shooting. You can set up your preferred high-speed frame rate using the camera's on-screen menus, then switch between standard sync speed and off-speed frame rates using the HFR button on the side of the camera. That means you can have a higher frame rate setup and ready to go, so it's instantly available when the action gets exciting.\u003c\/p\u003e\u003cp\u003eProfessional Audio Connections and Built-In Microphones\u003c\/p\u003e\u003cp\u003eURSA Broadcast G2 has a high-quality microphone and professional audio recorder built in so you don't have to carry any extra sound equipment. That means you can use the built-in stereo microphone or you can connect external microphones. The XLR connections have 48V phantom power so you can plug in everything from shotgun to wireless clip-on mics. You can also select to link audio inputs on the camera so you can plug in lapel microphones that often only have a single mono connection if you want to record the mic onto both channels of the recorded file. URSA Broadcast G2 also features knobs for adjusting levels and onscreen meters so you can trim audio levels even when shoulder mounted.\u003c\/p\u003e\u003cp\u003eStudio Camera Control via SDI\u003c\/p\u003e\u003cp\u003eAll Blackmagic Design ATEM switchers can control cameras via a protocol embedded into the URSA Broadcast G2's SDI video connections. Setup is easy because all ATEM switchers broadcast control commands from the switcher's SDI program output to the camera via the SDI program input. The switcher can perform color correction, tally, and lens control, and these are sent to all cameras. All you need to do is select the correct camera number, and it all works. This means someone can manage the image color and gain, so the camera operator is not distracted trying to adjust their camera, and they are then free to focus on framing the shots.\u003c\/p\u003e\u003cp\u003eWork in Both HD or Ultra HD\u003c\/p\u003e\u003cp\u003eThe Blackmagic URSA Broadcast G2 is not just a great UHD 4K camera, but it's also an amazing HD camera. The high-resolution sensor and generation 5 color science create amazing images with a high dynamic range and wide color fidelity. But when you need to do HD work, the camera will scale the image sensor down to 1080 HD video standards. This helps you get stories on air fast, in HD or Ultra HD video standards, anywhere in the world. Plus, when working in HD, the high-resolution sensor allows sub-pixel image processing for superior anti-aliasing and sharp images. Blackmagic URSA Broadcast G2 is a future-proof camera that's perfect for both HD and UHD production.\u003c\/p\u003e\u003cp\u003eChange to PL, EF, and F Lens Mounts\u003c\/p\u003e\u003cp\u003eURSA Broadcast G2 features an interchangeable lens mount, so you can easily swap the included B4 lens mount for an EF, a PL, or even an F mount. URSA Broadcast G2 comes with a B4 mount already installed, plus a spare EF mount is included. That means if you're starting out, you can change the mount and use low-cost photographic lenses. Photographic lenses offer incredible quality because they're designed for high-resolution photography. You can also purchase optional PL and F mounts separately. If you're shooting for digital film, the PL mount is best. as it's the most common lens mount for cinema lenses. With URSA Broadcast G2, you get a single camera that works with virtually all modern lenses.\u003c\/p\u003e\u003cp\u003eLatest Generation 5 Color Science\u003c\/p\u003e\u003cp\u003eFeaturing the same generation 5 color science as the high-end URSA Mini Pro 12K, the new URSA Broadcast G2 delivers an even greater advancement in image quality with stunning, accurate skin tones, and faithful color in every shot. You get a new dynamic 12-bit gamma curve designed to capture more color data in the highlights and shadows for better-looking images. The color science also handles some of the complex Blackmagic RAW image processing, so color and dynamic range data from the sensor is preserved via metadata, which you can then use in post-production. That means you get images that have a natural, filmlike response to color adjustments in post with DaVinci Resolve Studio.\u003c\/p\u003e\u003cp\u003eBlackmagic RAW Quality\u003c\/p\u003e\u003cp\u003eBlackmagic RAW is a revolutionary new format designed to capture and preserve the quality of the sensor data from your camera. Common video files have a lot of video processing, so you can lose some of the original sensor detail. Blackmagic RAW eliminates this problem, so you get stunning images with incredible detail and rich color throughout the whole post-production pipeline. Blackmagic RAW also saves camera settings as metadata, so you can change ISO, white balance, and exposure later in DaVinci Resolve. Plus, the files are small and fast, so editing responsiveness is incredible. Only Blackmagic RAW gives you the highest quality, smallest files, and fastest performance.\u003c\/p\u003e\u003cp\u003ePowered by Blackmagic OS\u003c\/p\u003e\u003cp\u003eWith the advanced Blackmagic OS, you get an intuitive and user-friendly camera operating system based on the latest technology. Blackmagic OS is a truly modern operating system, where all camera features run independently for smoother control, plus URSA Broadcast G2 powers on virtually instantly. It features the same controls and menus as other Blackmagic Design cameras, so you can move between cameras on set easily. The interface uses simple tap and swipe gestures to adjust settings, add metadata, and view recording status. You also get full control over advanced camera features such as on-screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings, and more.\u003c\/p\u003e\u003cp\u003eBuilt-In Timecode Generator\u003c\/p\u003e\u003cp\u003eAll models of Blackmagic URSA Broadcast G2 have a built-in time-of-day timecode generator, so you can sync all the cameras and then do multicamera editing later because all the recordings will have the same timecode. Simply plug in an external timecode generator to the BNC timecode input, and the camera will automatically detect timecode and lock the internal generator. Now each camera can start and stop recording, and the shots from all cameras will have matched timecode. Imagine shooting a music festival with multiple cameras. Then the DaVinci Resolve sync bin can be used to automatically sync the recordings and display them in a multiview for easy editing.\u003c\/p\u003e\u003cp\u003eFocus and Zoom Demands\u003c\/p\u003e\u003cp\u003eThe optional zoom and focus demands allow you to use photography lenses for live production. The focus and zoom demands have USB-C connections, so they control the lens via the camera's electronic lens control. Each zoom and focus demand has two USB-C ports, so you can daisy-chain them then connect to the camera with a single USB connection. The design has an incredibly precise feel, so you get very fine lens control, and you can frame and adjust the lens without taking your hands off the tripod handles. The buttons can be customized, so you can assign different camera functions to them. Plus, hardware is included for mounting the focus and zoom demands onto tripod handles.\u003c\/p\u003e\u003cp\u003eOptional Viewfinders, SMPTE Fiber, and Lens Mounts\u003c\/p\u003e\u003cp\u003eThere's a wide range of accessories specifically designed to work perfectly with URSA Broadcast G2. However, a shoulder mount kit, V-mount battery plate, and top handle are included, so you don't need to purchase anything extra. Plus, you get a spare EF lens mount if you don't own a B4 lens and would like to start out using a photography lens. You can add the optional Blackmagic URSA Viewfinder, or for live production, you can add a Blackmagic URSA Studio Viewfinder. There's also an optional fiber converter that can power the camera from 1.2 miles away via the single SMPTE fiber. For long-duration recording, URSA Mini Recorder gives you the option to record to external SSDs.\u003c\/p\u003e\u003cp\u003eRecord to SSDs and U.2 Media\u003c\/p\u003e\u003cp\u003eThe optional Blackmagic URSA Mini Recorder lets you record files onto large 2.5\" SSDs, as well as the latest U.2 NVMe Enterprise SSDs. SSDs such as the latest 7mm U.2 NVMe disks are super fast, delivering data transfer speeds of up to 900 MB\/s. This blazing-fast performance allows you longer recording times for full-resolution 4K and 6K 12-bit Blackmagic RAW files in the highest-quality Q0 encoding. The unique design of the Blackmagic URSA Mini Recorder means it attaches directly to the back of your URSA Broadcast G2 between the camera and the battery. It's controlled via the USB-C, so you don't have to worry about manually starting or stopping the SSD recorder.\u003c\/p\u003e\u003cp\u003eLocalized in 13 Languages\u003c\/p\u003e\u003cp\u003eAll Blackmagic Design cameras are designed to be used worldwide, so they support 13 popular languages. When setting up your camera, you can choose to work in English, German, French, Spanish, Portuguese, Italian, Russian, Polish, Ukrainian, Turkish, Chinese, Japanese, or Korean. It's easy to switch to another language simply by going into the menu settings. When switching between languages, all the on-screen overlays, the heads-up display, and setup menus will be displayed in the selected language, and you can change languages any time you like.\u003c\/p\u003e\u003cp\u003eWireless Bluetooth Camera Remote Control\u003c\/p\u003e\u003cp\u003eIf you're positioning the camera on the end of a boom or in another hard-to-reach location, you can get full control via Bluetooth from up to 30' away. You can download the Blackmagic Camera Control app for your iPad or use third-party apps such as Bluetooth+ or tRigger on your iOS and Android devices. There's even a free developer SDK with sample code available from the Blackmagic Design developer website, so you can create your own remote camera control and digital slate solutions. Imagine building an app that can jam sync timecode and trigger all cameras to record at the same time. The possibilities are endless.\u003c\/p\u003e\u003cp\u003eCompatible with Industry-Standard Batteries\u003c\/p\u003e\u003cp\u003eAll URSA cameras support a wide range of battery plates from manufacturers such as IDX, Blueshape, Anton Bauer, and more. A V-mount battery plate is installed on the camera, or you can change to an optional Blackmagic URSA Gold Battery Plate. All Blackmagic battery plates are designed to mount directly onto the camera. URSA Broadcast G2 includes a 4-pin XLR power connector that supports 12 to 18V for connecting external power supplies and battery packs. The standard power connector also means you can use the camera with your existing power supplies and batteries. For live production, the optional fiber converter can power the camera from up to 1.2 miles away via a single SMPTE fiber cable.\u003c\/p\u003e\u003cp\u003eIncludes DaVinci Resolve Studio\u003c\/p\u003e\u003cp\u003eURSA Broadcast G2 includes a full version of DaVinci Resolve Studio, which is the same software used in Hollywood for creating high-end feature films, episodic television shows, commercials, and more. DaVinci Resolve features the new cut page with intelligent editing tools and innovative new features designed to help you quickly find the footage you want, edit it together, and output it fast. In addition to the new cut page, you also get DaVinci's legendary professional editing, advanced color correction, audio post, and visual effects tools, all in a single software application. Now you can use the same high-end software that professional editors and colorists use.\u003c\/p\u003e","brand":"Blackmagic","offers":[{"title":"Default Title","offer_id":47639885709542,"sku":"114699","price":104480000.0,"currency_code":"IDR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/3088\/0230\/files\/1758093479.jpg?v=1781087286"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/3088\/0230\/collections\/Digital_Cinema_Cameras.png?v=1778303846","url":"https:\/\/doss.co.id\/collections\/camera-cinema-cameras.oembed?page=3","provider":"DOSS Camera \u0026 Gadget","version":"1.0","type":"link"}