Rode DS1 Overview

Key Features

• Adjustable from 11 to 15.74"
• Includes Cable Clips
• Includes 3/8 to 5/8" Adapter

The Rode DS1 Microphone Desktop Stand is designed to securely support a wide variety of microphones. The stand features an adjustable height between 11 to 15.74", and includes two cable clips and a 3/8 to 5/8" adapter.

Rode SC6 Overview

Key Features

• Connects 2 Mics to Smartphone Audio Jack
• Headphone Monitoring Jack

The RØDE SC6 Dual TRRS Input and Headphone Output for Smartphones is an input/output breakout box for smartphones and tablets. It has two TRRS inputs and one stereo headphone output. It connects to any TRRS device, such as your smartphone, and allows you to use one or two smartLav microphones while providing a headphone jack for monitoring and playback. Use it to monitor audio from the smartLav and input two smartLavs into the mono channel in interview or dual-dialog applications.

Rode DEADCAT VMPR Overview

Key Features

• For VideoMic Pro with Lyre Shock-Mount
• Minimizes Wind-Noise
• Acoustically Transparent

The DeadCat VMPR Artificial Fur Wind Shield from Rode is a furry wind-cover for the VideoMic Pro with the Lyre Shock-mount (sold separately). The artificial fur minimizes wind-noise in windy environments while remaining acoustically transparent. Not compatible with VideoMic Pro with band suspension.

Rode MAGCLIP GO Overview

Turn your Wireless GO Transmitter into a piece of wearable tech with the Rode MagClip GO, a magnetic clip that lets you affix the transmitter to nearly any piece of clothing. Clip the transmitter to a tie, a shirt collar and more. Position the mic with complete flexibility.

Simply put the transmitter on one side of the material and the magnet on the other side with the swatch of clothing sandwiched in between. The transmitter will stay in place.

RODE Lavgo Overview

Key Features

• For Mobile Journalist, Videographer
• Clip-On Mic for Rode Wireless GO Systems
• Gold-Plated 3.5mm TRS Connector
• Durable 3.9' Kevlar-Reinforced Cable
• Discreet Black, Easy to Conceal
• Omni Polar Pattern for 360° Pickup
• Wide 20 Hz to 20 kHz Frequency Response
• Pop Shield Reduces Vocal Plosives
• Mic Clip with Cable Management
• Compatible with Many 3.5mm Transmitters

A Discreet Lav Mic for On-Camera Talent

Use the black Rode Lavalier GO omnidirectional lavalier microphone to get the convenience and clarity of a broadcast-quality, clip-on lapel mic for your Rode Wireless GO system. Ideal for mobile journalists and videographers, the Lavalier GO features a durable 3.9' Kevlar-reinforced cable terminated in a gold-plated 3.5mm TRS connector for enhanced conductivity. The miniature mic capsule is easily concealed and features a foam pop shield to reduce vocal plosives. Its omnidirectional polar pattern provides 360 degrees of sound pickup, while the condenser element yields a wide, full-frequency response, giving you a clear and intelligible voice capture.

Designed for Journalists and Creators

• 3.5mm TRS output provides compatibility with the Rode Wireless GO and many recording devices and wireless transmitters equipped to provide 2.7V of plug-in power through a standard, non-locking 3.5mm TRS microphone connector
• Discreet 4.5mm miniature mic capsule handles up to 110 dB of SPL for speech, dialog, and presentations
• Condenser mic element and active JFET electronics yield a wide 20 Hz to 20 kHz frequency response
• 3.9' Kevlar-reinforced cable ensures lasting durability
• Gold plating on 3.5mm plug enhances conductivity

Accessories

• Mic clip with cable management included for neatly securing microphone to clothing
• Foam pop shield softens vocal plosives and wind noise
• Small pouch included for storage and transport
• Combine with Rode SC4 adapter (available separately) to use the Lavalier GO with smartphones and tablets outfitted with 3.5mm TRRS jacks

Rode VideoMic Me Overview

If you're shooting mobile video and want better audio than what your phone provides—or if you need to record VO or ADR on the go—the Rode VideoMIC Me is worth your consideration. This is a shotgun mic that plugs right into a smartphone's 3.5mm TRRS headphone jack, letting you record quality audio in the process.

The mic focuses the audio capture on what's directly in front of the capsule thanks to the directional polar pattern. It's primarily intended for use with compatible smartphones and devices that sport 3.5mm TRRS connections. The mic comes with a flexible mounting bracket as well as a furry windscreen for achieving a better sound in windy conditions.

Perfect for Mobile Video and More

with its simple plug-and-play form factor, the mic is perfectly suited for mobile video recording. However, the quality of the mic itself is good enough to be used for VO or ADR when studios are not available; the mic has been used this way in a few television shows.

Directional Pickup for a Better Sound

The highly directional cardioid polar pattern will help tamp down unwanted room noise and ambience.

Versatile 3.5mm Jack

A rear-mounted, built-in 3.5mm jack works with headphones, or it can also be utilized for backup recording.

RODE XLR Male to XLR Female Cable Overview

Key Features

• Part of Color-Coordinated Cable Set
• Easily Identify Microphone and Equipment
• 9.8' Length

This black, 9.8' XLR Male to XLR Female Cable from RODE is part of their color coordinated XLR cable set designed to speed up your workflow and make it easy to quickly track down and resolve any potential problems—so you can get back to creating. The 9.8' length makes the cable well suited for a wide variety of tasks, including recording, podcasting, and streaming applications.

RODE Wireless PRO Overview

Key Features

• 2-Person Interviews, Content & Podcasts
• 2 x Mini Clip-On Transmitter/Recorders
• Built-In Omni Mics & Included Lav Mics
• 2-Channel Receiver with Metering Display
• Use with Camera, Mobile Device, Computer
• Records 40 Hours of 32-Bit Float Audio
• Timecode Support, Encryption
• Intelligent GainAssist, Headphone Jack
• 7-Hr Rechargeable Batteries + USB Power
• Charging Case, 853' Range

Engineered for serious content creators looking for easy-to-use, broadcast-quality wireless audio, the Rode Wireless PRO provides a powerful feature set that ensures reliable performance while keeping your on-set workflow moving quickly and efficiently. The system allows you to record two on-camera personalities at the same time to your camera, smartphone, or computer and provides two clip-on transmitters with built-in microphones, 32-bit float back-up recording, timecode support, and two lavalier mics, along with a dual-channel receiver and a host of accessories to seamlessly integrate with your camera, laptop, or mobile device.

Two Transmitters with Built-In Mics, Lavaliers, and 32-Bit Float Recording

• Each of the compact transmitters clips quickly and easily to talent and features a built-in microphone with a forgiving omnidirectional pickup pattern that makes it easy to place on talent and get great sound.
• For a more discreet look, two lavalier mics are included; these plug securely into the locking 3.5mm jacks on the transmitters—which can be clipped to belts or hidden in pockets.
• Intelligent GainAssist technology automatically sets input levels for you, saving you time and worry on set.
• Each transmitter features 32GB of internal storage, allowing you to record up to 40 hours of uncompressed back-up recordings while simultaneously transmitting to the receiver.

• The transmitters feature 32-bit float recording to maximize the dynamic range, prevent digital clipping, and ensure noise-free normalizing, even on very quiet recordings.
• Advanced timecode capabilities offer quick-and-easy audio/video sync in postproduction.
• A two-step high-pass filter can be set to 75 or 100 Hz to reduce unwanted low frequencies for clearer speech
• The lavaliers feature foam windscreens, and furry windscreens are provided for the lavs and transmitter mics for outdoor shooting.

A Dual-Channel Receiver for Your Phone, Camera, or Computer

• The compact and lightweight dual-channel receiver attaches to your camera or mobile device and allows you to record the incoming transmitters' signals to your device's audio tracks. 
• Its bright, high-contrast display shows battery status for the receiver and transmitters, audio level, signal strength, and more.
• Rode's Series IV technology provides reliable, crystal-clear wireless transmission at a range up to 853' and features 128-bit encryption for security.
• The Wireless PRO is fully compatible with other Rode Series IV wireless devices, including the Wireless GO II, Wireless ME, RODECaster Duo, and RODECaster Pro II to ensure they work seamlessly together.
• A comprehensive cable set is included, allowing you to record to devices with 3.5mm, USB-C, and Lightning connectors.
• Monitor your audio in the field with the Wireless PRO’s high-power headphone output, complete with onboard level control, or connect a headset or narrator microphone such as a lavalier to capture a third audio track.

Versatile Powering Options to Maximize Shooting Time

• Internal lithium-ion polymer batteries in the transmitters and receiver offer up to seven hours of battery life to handle long shoots.
• The included smart charging case will completely recharge both transmitters and the receiver two times.
• Easily recharge over lunch and dinner breaks—go from empty to a full charge in just 2.5 hours.
• USB Type-C ports provide for battery recharging, powering via external USB battery packs (available separately), and firmware updates.
• The case also allows for ultrafast data transfer, so you can quickly export recordings on the move.
• The transmitters can be set to automatically turn off after 15 minutes if they aren't recording or aren't paired to preserve battery life.
• Use the plug-in power detection option on the receiver to further extended battery life.

Professional Features for Serious Content Creators

• Designed with stunning simplicity and efficiency in mind, the Rode Wireless PRO offers instantaneous functionality out of the box for your next news shoot, video project, or interview. Power up, let the receiver and transmitters automatically pair, then Go PRO.
• Precisely match your mic to your camera with flexible gain controls and tailored presets. Add an extra layer of protection with the safety channel. 
• Check your audio levels at a glance with the bright LCD display and configure settings on the fly with dedicated controls for everything from gain adjustment to triggering recordings. Customize the system to your needs anywhere using your computer or smartphone with the RØDE Central app. The Wireless PRO gives you complete control over your setup, so you can be ready for any recording situation.

Timecode Support for Fast and Easy Audio and Video Sync

• Timecode is a media synchronization system that is designed to perfectly synchronize all your audio and video recordings. Not only does timecode save you time in the editing process, especially when working on shoots using multiple cameras and audio recorders, but it also becomes a single source of truth for referencing specific scenes, moments, or timestamps within your project.
• Timecode essentially works by labelling every clip with the exact time it starts. These timings are frame-accurate, which means clips can be perfectly aligned down to a fraction of a second, even if your devices started or stopped recording at different times.
• The Wireless PRO receiver acts as the 'Source' in a timecode setup, meaning that timecode is generated by the Wireless PRO and is received by other ‘Sync’ devices, such as cameras and audio recorders.
• The Wireless PRO outputs timecode information as an audio signal. If your camera accepts timecode, it will record this data into your video files directly, but if it doesn’t then you can still record this audio timecode signal into your camera’s mic or aux input just like you would a microphone—this audio is then later recognized as timecode in your editing software.
• The Wireless Pro receiver will automatically send timecode to the transmitters, so the recordings on your transmitters will have timecode baked into them and be perfectly synchronized, but you need to record the timecode onto your camera(s), so that your video files also have this sync information.

Rode PSA-1+ Overview

Key Features

• Smooth, Silent 360-Degree Rotation
• 37" Horizontal Reach
• 34" Vertical Reach
• Integrated Management for USB/XLR Cable
• Supports Mics up to 2.7 lb
• C-Clamp & Desk Insert Hardware Included
• Includes 3/8 to 5/8" Mic Thread Adapter

Experience smooth, silent, and versatile mic positioning in your podcast setup, voiceover studio, and livestream work with the Rode PSA1+ pro studio arm. This two-section boom arm rotates a full 360 degrees and features a maximum reach of 37" horizontal and 34" vertical, ensuring you'll always be able to put the mic in the perfect spot while expending minimal effort.

Whether attached to a table via the supplied C-clamp or installed in a surface using the included threaded desk insert, the PSA1+ can support microphones weighing up to 2.7 pounds; even large broadcast mics are no problem for the PSA1+ arm. It comes with a 3/8 to 5/8" adapter to allow compatibility with most microphones and shockmounts on the market, and it boasts integrated cable management that'll keep your existing USB or XLR cable from becoming an unruly and unsightly mess.

Holds Popular Rode Microphones

The PSA1+ is compatible with all Rode mics and shockmounts excluding lavalier, mobile, wireless, and headset microphones and the SM5 shockmount.

• PodMic
• Podcaster
• Procaster
• Broadcaster
• NT1
• NT1-A
• NT-USB
• NT-USB Mini
• VideoMic NTG

Supports Heavy Mics

With a load capacity ranging from 0.2 to 2.7 lb, the PSA1+ is more than capable of accommodating most microphones, be they small and light or large and hefty. It features a 3/8" thread and includes a 5/8" adapter to ensure compatibility with the vast majority of mics, clips, and mounts.

Smooth, Silent Mic Positioning

Thanks to its silent operation and 360 degrees of rotation, the PSA1+ allows effortless and thoroughly versatile positioning of your microphone. Considering its horizontal reach of 37" and vertical reach of 34", you'll have no problem putting the mic right where you need it.

Integrated Cable Management

The PSA1+ features integrated cable management with external clips to keep your cable run neat and orderly. Plus, it accommodates USB or XLR cables, so it's sure to work with your digital or analog microphone cable.

Multiple Mounting Options

To enable optimal mounting to a desk or table, the PSA1+ is supplied with a C-clamp and a threaded desk insert. The clamp can attach to surfaces up to 2.2" thick, while the desk insert works with surfaces up to 2.8" thick.

Rode PodMic Overview

Podcasters looking for the right mic to bring professional-quality sound to their productions on YouTube, FaceBook, Twitch, and elsewhere have a great option with the PodMic from Rode. This cost-effective, stylish, end-address dynamic XLR microphone is specifically tuned for speech and broadcast. Tailor-made for use with the RodeCaster Pro podcast production studio and PSA1 broadcast arm, it can also be plugged into a wide Range of pro audio gear to deliver broadcast-quality sound.

Podcast in Any Environment

Most podcasts happen in bedrooms, home studios, or offices with less than perfect acoustics and noises coming from the outside. The PodMic features a dynamic capsule with a tight cardioid polar pattern, great for picking up the speaker while reducing unwanted sounds that are further away or off to the sides.

Get Close to Your Mic

with its end-address design, the PodMic invites you to get right up close and create intimate, broadcast-style voice recordings with a deep and warm tone. Its compact size lets you and your guests see each other and enjoy an open and comfortable talking experience, while the mic stays out of the camera's way when videocasting.

Built to Last

Solid-brass construction with a hard-wearing matte-black ceramic finish ensures that the PodMic will continue to deliver the same level of performance over the years, while still looking great.

Clean Speech without Distractions

The PodMic's internal pop filter and double-mesh housing work to effectively reduce distracting breath and plosive noises (as in "s", "p", and "b" sounds) without the need for an unsightly external pop filter.

Protect Your Sound from Vibrations

The internal shockmount helps to isolate the PodMic from handling noise and vibrations when you are adjusting the mic or if there's a bump or knock on the table. The integrated swing mount that holds the mic further insulates it from low-frequency noises, which could ruin your audio.

Swing into the Right Position

The PodMic has two wing nuts on each side of its built-in mount, allowing you to quickly swing the mic into the right orientation and lock it into place. Mounting the PodMic on the PSA1 broadcast boom arm (available separately) gives you the added flexibility to position the microphone exactly where you want it.

Get Professional Results

Pair the PodMic with the powerful RodeCaster Pro podcast production studio to leverage the most out of your microphone. Select the PodMic microphone preset in the RodeCaster Pro audio options and matching digital signal processing is automatically applied, giving your voice the depth, presence, and hint of shimmer associated with top professional radio broadcasters.

Rode RODECaster Pro 2 Overview

Key Features

• For Podcasters, Streamers, and Musicians
• 4 High-End Mic/Line/Instrument Preamps
• 6 Faders and Large Color Touchscreen
• Multitrack Recording to microSD or USB
• Mix-Minus for Phone Call Interviews
• Studio-Quality APHEX Processing
• 4 Headphone Outputs for Host and Guests
• 8 Programmable Pads for Audio, FX & MIDI
• Dual USB Ports for Two Host Devices
• Bluetooth for Calls & Wireless Playback

From Evolution to Revolution

Smartly designed for more than podcasting, the Rode RODECaster Pro II integrated audio production studio expands on the success of its predecessor with enhancements in sound, connectivity, and adaptability, pushing its feature set into attractive territory for live streamers, gamers, and musically inclined content creators. This all-in-one solution makes advanced effortless with fluid workflows via a large touchscreen and tactile controls, studio-quality onboard processing, multitrack recording and mixing, assignable sound pads, and extensive customization. Produce and mix on the fly in just moments, with up to four microphones, music, prerecorded segments, and remote guests on calls, all going on at once.

Version II Upgrades

• Premium boutique-class preamps with a ground-up redesign and mic/line/instrument combo inputs
• Customizable mixer with RGB color coding
• Extensively programmable SMART pads for launching sounds, shows, mixer actions, and more
• iOS-ready dual USB Type-C ports to connect multiple computers or mobile devices
• Advanced high-quality Bluetooth input/output, Wi-Fi, and Ethernet

4 High-End Preamps

• Built to compete with pricey, boutique microphone preamplifiers, the Revolution preamps deliver transparency and detail with ultralow noise (just -131.5 dBV) and incredible gain up to 76 dB, which enables ideal recording levels, even for low-output dynamic mics—no mic boosters, lifters, or normalization needed.
• Pro-grade Neutrik XLR-1/4" combo jacks provide connection points for microphones (+48V phantom power is available for condenser mics), line-level sources, or instruments such as electric guitar and bass. Pairs of the analog input channels can be linked to easily record stereo mic setups, synths, DJ mixers, or outboard gear.

Studio-Quality Processing and Effects

• Authentic emulations of classic APHEX hardware processors are onboard—Aural Exciter elevates clarity and sheen, Big Bottom adds warm and deep low-frequency punch, and Compellor glues it all together with compression/leveling—as well as other widely used processors including a reverb, delay, pitch shifter, equalizer, high-pass filter, noise gate, de-esser, robot effects, and more.
• Use the VoxLab editor to quickly manipulate parameters on several processors via three intuitive controls, or access the advanced editor (on-screen or with a computer) for intricate editing. Use presets, save your own presets, and load them at any time to immediately call up your favorite settings.

8 Programmable SMART Pads

• In place of the original model's sound pads, the RODECaster Pro II has programmable SMART pads. Each SMART pad can trigger audio files such as music or sound bites, activate special effects, send MIDI commands to software or hardware, or execute mixer functions like fades, music ducking, and bleeping.
• Bank switching buttons beneath the pads allow easy access to eight banks for a total of 64 unique actions.
• Select the color of your choice for the pad illumination, a convenient way to remember which effect is on which pad.

Customizable Multichannel Mixer

• The 9-channel mixer features 6 channels with full-size broadcast-quality physical faders and three virtual channels, with the option to expand via digital hosting and hardware integrations with future updates.
• Physical faders and virtual channels are freely assignable to the four analog inputs, USB and Bluetooth interfaces, and SMART pads.
• Each channel offers a pan control, mute button, and listen button (pre- or after-fader solo). With channel-specific color coding on the RODECaster Pro II, you're assured fast identification of your sources.

Stereo or Multitrack Recording

• Record stereo or individual multitrack files to a microSD card or USB storage such as an external drive.
• Choose uncompressed WAV format for maximum audio quality or MP3 format to save storage space and extend recording time.
• Use the RODECaster Pro II as a high-quality USB audio interface to stream/record to a computer with ultrafast data transfer.
• RODECaster Pro II runs at 24-bit / 48 kHz, the industry standard for video production.

Monitoring for All

• Four high-powered 1/4" headphone outputs provide clear personal monitoring for the host and up to three guests.
• Separate color-coded volume controls let all participants easily control their own headphone levels.
• Connect a pair of active speakers to the 1/4" line outputs if you need to amplify your content to a live audience, or go wireless and monitor through a Bluetooth speaker to check the mix on an alternate system.
• Selectable high or low sensitivity optimizes the gain structure of the headphone outputs, so you can set headphone levels easier.

Podcast-Friendly Specialties

• Producer talkback mode lets you communicate with guests without affecting the recording.
• Equipped with advanced Bluetooth connectivity, the RODECaster Pro II can be used for ultrahigh-quality phone-call integration, crystal-clear audio streaming, wireless monitoring, and more.
• Mix-minus on the Bluetooth and USB channels prevents the person on the other end of the call from hearing a distracting echo, making the RODECaster Pro II great for remote and local guests in your podcast.

Fast Workflow

• Save multiple Shows containing all of the RODECaster Pro II's settings, an ideal way to instantly switch between types of productions such as podcasts, live streams, and game commentary. Tailored presets for Rode microphones and other popular models help you get great sounds in a hurry.
• The 5.5" color touchscreen with haptic feedback and automatic brightness adjustment, and tilted for optimal viewing. Next to the touchscreen, a rotary encoder is placed for efficient navigation and control.
• Dual USB Type-C interfaces allow two computers or mobile devices to be connected simultaneously, unlocking great options for everything from remote podcasting to organizing complex streaming setups.

Additional Features

• An internal 1.5 GHz quad-core audio engine delivers significant processing power and unlocks huge potential for future updates.
• Bidirectional MIDI communication allows excellent integration with DAWs and streaming software.
• Wi-Fi and Ethernet connections offer high-speed communication with computers and other devices for updating firmware wirelessly, software and hardware integrations, and more.
• The USB connections are MFi-certified for seamless integration with iOS devices such as iPads.
• Power the RODECaster Pro II via the included AC adapter or through USB Type-C PD (30W).
• Ready for global use, the unit has 10 languages—English, Chinese, Japanese, Korean, French, German, Italian, Spanish, Portuguese, and Hindi.
• RODECaster Pro II is fully updatable for continued evolution with new firmware that will be available to all users via Wi-Fi, Ethernet, or USB.
• Protect your RODECaster Pro II with the optional RODECover II, a tough polycarbonate cover that guards it against debris, dust, and spills.
• Mounting options include a 3/8" female thread for various stand types and 100 x 100 VESA mounting holes.

RODE VideoMic GO II Overview

Key Features

• Vlogger, Run & Gun, Voiceover, Podcaster
• For Cameras, Mobile Devices & Computers
• Runs on Plug-In Power or USB Power
• Simple Operation with No Controls
• 3.5mm TRS Output to Camera or Headphones
• USB Type-C Digital Audio Output
• Detachable Flat 3.5mm Cable
• Works with Rode Connect Software
• Windscreen Reduces Wind Noise
• Includes Shoe/Pole Shockmount

As a smaller, simplified version of the extremely versatile VideoMic NTG, the Rode VideoMic GO II ultracompact shotgun microphone is a radical departure from the original VideoMic GO, with significant upgrades to the body, shockmount, cable, and more. It gives video content creators, run-and-gun filmmakers, voiceover artists, and podcasters the sound of the highly regarded NTG shotguns in a convenient camera-mount mic that works with cameras, portable recorders, iOS and Android mobile devices, and USB-equipped computers.

Use the VideoMic GO II as a traditional shotgun mic for your DSLR or turn it into a digital microphone by connecting it to your smartphone, tablet, or laptop with separately available cables; in both configurations it delivers focused directivity, low noise, and isolation from external vibrations. When used as a USB microphone, the 3.5mm jack functions as a headphone output for monitoring the live signal or playback from your host device. Since the mic runs on plug-in power or USB power and has no controls or switches, it is easy and fast to operate.

What's New in Version II

Compared to the original VideoMic GO, the VideoMic GO II was thoroughly overhauled and loaded with design elements in form and function from Rode's popular VideoMic NTG. With upgrades to the body, shockmount, and cable, plus the ability to operate as an analog or digital USB microphone, this version is a completely different mic from the original VideoMic GO.

Technology Ported from the VideoMic NTG

The VideoMic GO II's body features acoustic perforations rather than the linear slots traditionally used in shotgun microphones. This annular line tube technology was ported from Rode's VideoMic NTG to deliver transparency and a natural, uncolored sound.

Directional Sound Pickup

The VideoMic GO II utilizes a supercardioid polar pattern to focus on the sound in front of it while attenuating other sounds from the sides and rear. Its low-noise electronics and sensitive condenser element deliver more detailed audio than mics typically found in cameras and portable recorders.

TRS Camera Connection

A detachable 3.5mm TRS cable is supplied to quickly hook up your camera. The cable is wired in a dual-mono configuration, ensuring that the mic signal is sent identically to both input channels of your camera or portable recorder. Both short and flat, the cord is easy to keep tidy.

Full USB Microphone Functionality

Plug the VideoMic GO II into your computer, smartphone, or tablet via USB to use it as a digital USB microphone for direct recording to your favorite software. Its integrated analog-to-digital converter operates at 24-bit / 48 kHz to provide full-resolution, uncompressed audio quality.

MFi-Certified for Apple iOS Mobile Devices

The VideoMic GO II is officially MFi-certified, unlocking complete compatibility with Lightning-equipped iOS devices, including iPhone, iPad, and iPod. Plug your VideoMic GO II into your iPhone, iPad, or iPod via USB with the Rode SC15 USB Type-C to Lightning accessory cable (available separately).

Convenient Headphone Monitoring

When using the VideoMic GO II as a USB microphone, plug your headphones into its 3.5mm output for convenient headphone monitoring.

Uses Plug-In Power or USB Power

No batteries are needed for the VideoMic GO II. It runs on plug-in power through the TRS connection to your camera, or it can be bus powered via USB.

Shockmount with Sliding Rail and Cable Management

Understanding that the rubber bands used in many shockmounts can snap and stretch, Rode chose to opt for a rugged Rycote Lyre suspension-style shockmount designed for attachment to a camera or boom pole. This simplifies setup of the mic and inhibits the transfer of vibrations from the camera. The shockmount's sliding rail system lets you shift the position of the mic forward or backward for perfect placement. Forget about messy cabling; the built-in cable management keeps the cord run orderly.

Windscreen Minimizes Wind Noise

The VideoMic GO II includes a foam windscreen to minimize unwanted wind noise from light breezes, fans, heaters, and air conditioners. For maximum reduction of wind noise in outdoor environments, consider a furry windshield such as the Rode WS12 (available separately).

Works with Rode Apps

• Rode Connect: Record with up to four microphones on a computer, with intuitive controls and powerful features. Create pro-quality podcasts or livestreams, and access studio-quality processing at the click of a button.
• Rode Reporter: Configure device settings, including adjusting the input gain, engaging a high-pass filter, high-frequency boost, and pad, and recording broadcast-quality audio on the go with your mobile device.
• Rode Central: Unlock advanced features and configure device settings anywhere. Set the input gain, engage a high-pass filter, high-frequency boost, and pad, and update firmware for accessing new features.

Rode VideoMic Me-L Overview

Key Features

• For Mobile Video or Mobile VO
• Shotgun-Style Mic with iOS Connector
• Included Mic Clip & Furry Windscreen
• 3.5mm & Lightning Connections
• Compatible with Built-In Audio Apps
• Cardioid Pattern Tamps Down Room Tone
• Monitor/Record with 3.5mm Headphone Jack
• Broadcast-Quality Capture up to 48 kHz

If you're shooting mobile iOS video and want better audio than what your phone provides—or if you need to record VO or ADR on the go—the Rode VideoMic Me-L is worth your consideration. This is a shotgun mic that plugs right into iOS devices via a lightning port, using the connection point as a mount as well.

The mic focuses the audio capture on what's directly in front of the capsule thanks to the directional polar pattern. It's primarily intended for use with iOS devices, though it does offer a 3.5mm TRS jack, which can be used for monitoring or for backup analog recording, provided you've plugged in the mic to a lightning port. Even though the mic can mount directly on top of your iOS lightning port, it comes with a dedicated mic clip should you rather use it as well as a furry windscreen for achieving a better sound in windy conditions.

Perfect for Mobile Video and More

With its simple plug-and-play form factor, the mic is perfectly suited for mobile iOS video recording. However, the quality of the mic itself is good enough to be used for VO or ADR when studios are not available; the mic has been used this way in a few television shows.

Broadcast Quality

When connected over the Lightning port, the mic captures audio in a broadcast-quality 48 kHz sample-rate, making it suitable for use in pro circumstances. The highly directional cardioid polar pattern will help tamp down unwanted room noise and ambience.

Versatile 3.5mm Jack

The built-in 3.5mm jack works with headphones, or it can also be utilized for backup recording.

RODE NTG2 Overview

Key Features

• For Indie Films, TV & Documentaries
• AA Battery or Phantom Powered
• Selectable 80 Hz Low-Cut Filter
• Low Handling Noise
• High Maximum SPL Before Distortion
• Slight Presence Boost
• Windscreen Reduces Wind Noise
• Lightweight Metal Housing

Capture quality sound indoors or outside for your next indie film, TV shoot, or documentary project with the Rode NTG2 shotgun microphone. With low handling noise, the ability to endure loud sound sources before distortion, and support for battery or phantom power, the NTG2 offers a versatile, cost-effective solution for recording clean dialogue and sound effects.

The NTG2's elevated sensitivity allows it to produce strong output levels without having to apply extreme gain at your mic preamp. Sonically, the NTG2 delivers consistently clear sound due in part to its gentle rise in high frequencies and its rumble-reducing selectable low-cut filter. The durable and lightweight high-grade aluminum housing is finished in hard-wearing epoxy paint to withstand the stress of location recording.

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Quality Sound Capture

The combination of the NTG2's 11" long body and supercardioid polar pattern yields focused front-facing directionality and enhanced attenuation of sound entering from the sides. Its low self-noise of 18 dBA and sensitive condenser element communicate detailed audio unburdened by the hiss that plagues many low-cost microphones. Plus, its balanced output allows longer cable runs than most camera-mount shotgun microphones.

Battery or Phantom Powered

Thanks to its 3-pin XLR output and operability with 48V phantom power or a single AA battery, the NTG2 is compatible with a variety of handheld audio recorders, field recorders, and mixer adapters as well as built-in preamps on cameras and camcorders.

Ideal for Boompole Mounting

The NTG2 includes a mic clip for easy placement on a mic stand or boompole. Alternatively, mount the NTG2 in the Rode SM4-R shockmount or Rode PG2-R pistol grip (both available separately) to impede the transfer of vibrations in boompole or handheld applications.

Windscreen Minimizes Wind Noise

The NTG2 has a foam windscreen to reduce unwanted wind noise from breezes, fans, heaters, and air conditioners. For maximum reduction of handling noise and wind noise in indoor or outdoor environments, consider the Rode Blimp furry windshield and shockmount suspension system (available separately).

Rode Wireless GO II Overview

Key Features

• 2-Person Interviews, Vlogs & Podcasts
• Built-In Omni Mics & 3.5mm Mic Inputs
• 2 x Mini Clip-On Transmitters/Recorders
• Records 7 Hours of Uncompressed Audio
• Easy Setup with No Menus
• Stereo or Dual-Mono Output Modes
• 7-Hr Rechargeable Batteries + USB Power
• Powerful Features/Customization via App
• USB Audio Interface Functionality
• Up to 8 Mics on Set / 656' Range

Expanding on the original Wireless GO with updates allowing for two-person shoots, onboard recording, a greatly extended range, and flexible output options, the black Rode Wireless Go II system lets videographers, vloggers, and mobile journalists confidently and quickly incorporate wireless audio into their setup regardless of their experience level or what device they're recording to.

Boasting secure Series IV 2.4 GHz digital transmission, easy operability, and built-in mics (lavalier mics available separately), the system is ready to go at the press of a button; you can focus on getting the shot knowing that the Wireless GO II is delivering quality audio at a range of up to 656 feet. There are no menus and no finicky dials, just simple power-on-and-go functionality and a bright, informative LCD screen showing you what you need to see. When you're ready for more, use Rode's companion app to access a powerful feature set and extended customization of settings.

Version II Upgrades

Whereas the original Wireless GO employed a single channel, version II is a dual-channel system, capable of handling two transmitters at the same time for simple, two-person shoots with low latency (3.5 to 4 ms).

Use the Rode Central Mac/Windows companion app (iOS/Android apps coming soon) to unlock powerful features and device customization €”onboard transmitter recording, configurable safety track recording in dual mono mode, file playback and export, and more.

Via the app, each transmitter provides an onboard audio recorder offering up to seven hours of uncompressed recording (24-bit / 48 kHz WAV) or 24 hours of compressed recording, perfect for worry-free backup recording or a fast and easy way to capture sound from your subjects. Export files in various formats such as MP3 or WAV (16-, 24-, or 32-bit float) with date and time stamp information as well as automatic markers anywhere the transmitter-receiver link was broken.

Since the Wireless GO II can handle two transmitters at once, it features the ability to switch between stereo or dual-mono output modes. This enables each transmitter, and therefore each subject, to be recorded to a separate channel. Alternatively, signal from both transmitters can be mixed together and recorded identically to left and right channels. Use the app to activate safety track recording (-20 dB on the right channel).

In addition to the traditional 3.5mm TRS analog output, the Wireless GO II receiver has a USB Type-C digital audio output for operation as a 24-bit / 48 kHz audio interface. This can be connected to a computer with the supplied USB Type-C to USB Type-A cable, to the Lightning port of an iOS mobile device via the Rode SC15 cable, or to the USB Type-C port of a laptop, iPad Pro, or Android mobile device with the Rode SC16 cable (SC15 and SC16 cables available separately).

The new Series IV technology extends the line-of-sight operating range of the Wireless GO II to approximately 656' compared to the 230' maximum range of the original Wireless GO. It also offers increased signal strength in crowded wireless environments. Plus, the system is designed to run both transmitters without affecting the range performance.

Firmware Update 1.5.4

"Always" Recording Mode: When this mode is activated, the transmitter will start recording audio as soon as it is switched on. It will continue recording until it is switched off, regardless of the status of the receiver. This means that you will have a continuous recording from the moment the transmitter is switched on, making this mode suitable for using the Wireless GO II as a standalone field recorder. Note that in this mode, the "mute" function will not affect the onboard recording (although it will still mute the wireless transmission). This will be the default recording mode when the Wireless GO II is on the latest firmware.

"Backup" Recording Mode: When this mode is activated, the transmitter will start recording audio when it connects to the receiver. When the receiver is switched off, the recording will stop. This means that if the signal drops out at any time or if you forget to hit record on your device, you will still have a backup recording for the period that the wireless connection was active.

Off: Switching off the recording function means the transmitter will not record any audio. Existing recordings will remain on the unit until manually deleted using Rode Central.

Activatable input pads on the transmitters engage low-sensitivity mode to avoid distortion when dealing with loud talkers.

LED brightness adjustment for the transmitters allows optimal visibility in any shooting environment.

Change the functionality of the transmitter power button to either mute the input, drop a marker into the onboard recording, or deactivate the button.

Out of the Box, onto the Set

Designed with stunning simplicity and efficiency in mind, the Rode Wireless GO II offers instantaneous functionality out of the box for your next news shoot, video project, or interview. Power up, let the receiver and transmitters automatically pair, then GO!

Mobile journalists, videographers, and vloggers will appreciate the Wireless GO II's pocket- and bag-friendly portability. With the transmitters and receiver each weighing just over an ounce and measuring approximately 1.7 x 1.8 x 0.7 inches, the subjects and camera operator will forget they're even there!

Clip each miniature transmitter to clothing, attach it to a belt, or slide it in a pocket; use it as a lavalier mic (no need for a separate mic), or operate it as a traditional bodypack transmitter with an external lav mic such as the Rode Lavalier GO (available separately).

Thanks to the receiver's minute form factor and integrated clip, it provides the flexibility to be easily mounted on a camera, in a sound bag, or to a mobile device. Its bright, high-contrast display shows battery status for the receiver and transmitter, audio level, signal strength, and more.

True Wireless Microphone Ready for Run-and-Gun

Equipped with a high-caliber, pre-polarized, omnidirectional lavalier built into the transmitter's compact housing, the Wireless GO II delivers quality audio without demanding a separate microphone (external lavalier mics optional).

The internal capsule's omnidirectional polar pattern ensures reliable audio pickup, even if mic placement is less than ideal; your subject's voice will be captured with clarity, intelligibility, and consistency.

Grab a Mic and Go

Already have a top-of-the-line external lav? The transmitter packs in a 3.5mm TRS input with plug-in power, so you can connect most lavalier microphones equipped with a non-locking 3.5mm TRS mini plug (such as Rode's own Lavalier GO, available separately), and still enjoy the convenience of the Wireless GO II.

The 3.5mm TRS external mic input passes wideband audio along to the internal mic preamp, which provides requires no manipulation of settings or parameters.

Sonically Solid and Secure

Like Rode's popular RODELink wireless systems, the Wireless GO II system utilizes the 2.4 GHz frequency band to get you away from the congested and confusing domain of UHF. Forget about scanning for channels and dialing in squelch to get a strong signal; the Wireless GO II just works!

Courtesy of Rode's optimized transmission algorithm, the Wireless GO II empowers you with a line-of-sight range of up to 656 feet, and bolsters signal dependability to mitigate drop-outs in crowded short-range environments such as retail stores, malls, office buildings, and hotels.

Rode's new Series IV 2.4 GHz digital transmission incorporates 128-bit encryption for security, stability, and hassle-free operation while bypassing the frustration of dealing with licenses and frequency mandates. Go anywhere in the world with the Wireless GO II; it automatically gives you a strong signal no matter the scenario.

Note: For optimal performance from this 2.4 GHz system, users are encouraged to maintain as direct a line of sight as possible between the transmitter and receiver. The Wireless GO II is not backward-compatible with the original Wireless GO system.

Additional Features

The receiver's 3.5mm TRS output sends a mic-level signal, making it compatible with an array of devices such as DSLRs and portable audio recorders.

A 3-stage level control (0, -12, or -24 dB) on the receiver allows simple and effective optimization of signal levels. Use the app to adjust the level in 3 dB increments from 0 to -30 dB.

View transmitter and receiver battery levels on the receiver's bright, high-contrast display.

Operate up to four systems simultaneously for more complex setups including up to eight microphones.

Includes the SC5 3.5mm TRS "memory" cable for tidy cable management and compatibility with cameras, DSLRs, and portable audio recorders. Plug into your smartphone or tablet via an SC7 TRS-to-TRRS cable (available separately), or snag a VXLR adapter (available separately) for hookup to an XLR-equipped video camera or audio recorder.

Internal lithium-ion polymer batteries offer up to seven hours of battery life to handle long shoots.

USB Type-C ports for battery recharging, powering via external USB battery packs (available separately), and firmware updates.

Easily recharge over lunch and dinner breaks €”go from empty to a full charge in just two hours.

Includes three USB Type-C to USB Type-A cables for simultaneously charging the transmitters and receiver.

Includes three furry windshields to minimize noise from wind and rustling clothes. These have been redesigned with a secure screw-lock bayonet attachment method to eliminate slippage.

Saramonic DK3A Overview

Key Features

• For Wireless Transmitters and Recorders
• For Saramonic, Sennheiser, Rode & Senal
• Locking 3.5mm TRS Connector
• Visually Unobtrusive at 4mm in Diameter
• Omnidirectional Polar Pattern
• 5.9' Attached Cable
• Fitted Metal and Foam Windscreens
• Furry Windscreens with Elastic Fasteners
• Includes Soft Case

Designed for use with popular wireless transmitters, portable audio recorders, and mixer adapters, the Saramonic DK3A is a premium omnidirectional lavalier microphone equipped with a gold-plated locking 3.5mm TRS connector, making it compatible with devices from Saramonic, Sennheiser, Rode, Senal, Tascam, Zoom, Sony, Azden, Nady, BOYA, Roland, and Marantz.

Thanks to the DK3A's compact size (4mm diameter), it can be easily kept out of sight. Its omnidirectional polar pattern picks up sound from all directions, allowing it to capture speech consistently even if the mic is not pointed directly at the subject.

The DK3A includes fitted metal and foam windscreens for indoor use and furry windscreens with elastic fastening clips for effective wind noise reduction during outdoor shoots. A soft case is supplied for safe and convenient transport of the mic and its accessories.

Compatible Devices

• Saramonic: UwMic Series TX9/TX15/TX10, Blink 500 TX, VmicLink TX, SR-Q2, and SR-Q2M
• Sennheiser: Evolution Series G1/G2/G3/G4, XSW-D, SK AVX, SKD1, SK1093, and SK20
• Rode: Wireless GO, RODELink TX-Belt, and TX-XLR
• Tascam: DR-05, DR-05 mkII, DR-05X, DR-07, DR-07 mkII, DR-07X, DR-10L, and DR-10C
• Zoom: F1-LP, F1-SP, H1, H1n, H2, H2n, H4, H4n, H4n Pro, H5, H6, and XYH-6
• Azden: 35BT and 15BT
• Nady: UB10, UB16, WLT14, and WLT15
• Senal: AWS-2000
• BOYA: TX8, TX8 Pro, and WFM12
• Roland: R-05 and R-07
• Sony: PMC-A10, PMC-D10, PMC-D50, PMC-D100, and PMC-D1
• Marantz: PMD620

Microphone Features

• Specially tailored for the dialog, it delivers a crisp, full-frequency response and increased vocal intelligibility
• Omnidirectional polar pattern provides 360 degrees of sound pickup
• Ideal for capturing natural sounding dialog for video productions, interviews, speech, and many other indoor/outdoor applications
• At 4mm in diameter, it is easily concealed, disappearing when hidden under clothing, in hair, or on costumes
• Microphone, metal mic clip, and five included windscreens all fit neatly into pockets in the included compact soft case
• Furry windscreens feature bands and fasteners, allowing you to wrap the windscreen closely to the mic for added protection from the wind, and to prevent it from falling off
• Metal and foam windscreens are fitted for optimal attachment

5.9' Attached Cable with Locking Connector

The gold-plated locking 3.5mm TRS connector is compatible with numerous wireless systems from Saramonic, Sennheiser, Rode, Azden, Nady, Senal, BOYA, and more, plus audio recorders with 3.5mm microphone inputs with plug-in power from manufacturers like Zoom, Tascam, Sony, Marantz, Roland, and more, and even DSLR, mirrorless, and video cameras with 3.5mm microphone inputs that provide plug-in power

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SCORE / NILAI KONDISI BARANG INI ADALAH
8+ = Item ini menunjukan bekas penggunaan dan terdapat baret medium

BERIKUT ADALAH TABEL SCORE BARANG USED ITEM DI DOSS
10 = Item ini sudah dimiliki sebelum nya tapi tampak seperti barang baru
9+ = Item ini menunjukan sedikit tanda penggunaan atau tidak ada tanda - tanda pengunaan sama sekali
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Leica Q3 43 Overview

Key Features

• 60MP Full-Frame BSI CMOS Sensor
• APO-Summicron 43mm f/2 ASPH. Lens
• 8K30, 4K60 & 4:2:2 10-Bit, FHD ProRes HQ
• Phase-Detection AF & Optical IS
• Triple Resolution Technology
• 5.76m-Dot OLED Electronic Viewfinder
• 3" 1.84m-Dot Tilting Touchscreen LCD
• ISO 50-100000, Up to 15-fps Shooting
• SD UHS-II Slot; USB-C and HDMI Ports
• IP52 Weather Sealing

A first for the Q series, the Leica Q3 43 is the same powerful and portable camera but now touts a longer APO-Summicron 43mm f/2 ASPH. lens. Built for those looking for more reach rather than a wider field of view, this sibling of the original Q3 is better positioned for portrait photographers and everyday shooters looking for a narrower, more natural perspective compared to the 28mm lens of the original.

Beyond the lens and some aesthetic differences on the camera body, the Q3 43 remains functionally the same as the Q3: it includes the high-performance 60MP full-frame sensor, hybrid AF system, 8K video recording, and refined handling design that made the original Q3 version a versatile all-in-one choice for a variety of shooting needs.

Full-Frame Sensor and Maestro IV Processor

60MP BSI CMOS Sensor

Taken from the M11 and original Q3, the Q3 43 features the same high-resolution 60MP full-frame CMOS sensor. This sensor features a back-illuminated (BSI) design that offers improved noise performance and faster readout speeds, which benefits both photo and video applications. The higher resolution suits more detail-oriented applications, like landscape and architectural subjects, and the noise-reduction benefits of the BSI design improves clarity and color accuracy when working in low-light conditions with higher ISOs.

The added resolution of the 60MP sensor also enables unique digital zoom capabilities to simulate working with different focal length lenses: a 1.4x crop simulates a 60mm focal length, a 1.7x crop simulates a 75mm focal length, a 2x crop simulates a 90mm focal length, a 2.8x crop simulates a 120mm lens, and a 3.5x crop simulates a 150mm focal length.

Triple Resolution Technology

Also like the M11 and Q3, the 60MP sensor in the Q3 43 enables the use of Triple Resolution Technology. This unique pixel binning process allows photographers to select 60MP, 36MP, or 18MP output, with each resolution making use of the full sensor area and providing rich 14-bit color and a 14-stop dynamic range.

Maestro IV

The Maestro IV processor, along with 8GB of buffer memory, suits the multimedia-intended use of the Q3 43 and enables speedy performance when shooting stills or recording video. The faster processing also benefits using Triple Resolution Technology, helps achieve a wider sensitivity range from ISO 50-100000, allows continuous shooting up to an impressive 15 fps, and facilitates smooth operation when working with the EVF and LCD.

APO-Summicron 43mm f/2 ASPH. Lens and Hybrid AF

43mm: A New Perspective

The Q3 43 is the first Q-series camera to feature this unique focal length, which approximates the field of view of the human eye for a very realistic, distortion-free, and natural perspective compared to wider or longer focal lengths. This versatile focal length is well-suited to everything from landscapes to portraits to street subjects and, like its sister model, the Q3, also includes a dedicated Macro position for close-up shooting down to 10.4" away.

Apochromatic Optical Design

Beyond the unique focal length, Leica also took the opportunity to create a new APO lens. This APO-Summicron 43mm f/2 ASPH. has an apochromatically corrected design that yields extremely high color accuracy that is void of fringing or other color aberrations. The lens design also includes aspherical elements for high sharpness, low distortion, and high contrast. It's a well-corrected lens offering a very usable combination of a versatile focal length, bright f/2 maximum aperture, impressive color rendering, and high sharpness.

Hybrid Autofocus and Subject Tracking

Leveraging the powerful processing and updated sensor design, the Q3 43 sports a hybrid AF system that utilizes phase-detection focusing along with contrast-detection and depth from defocus (DFD) AF for faster, more accurate focusing when working with moving subjects or in mixed lighting conditions. The addition of phase-detection focusing also enables an intelligent subject recognition system that can detect and track eyes, faces, bodies, and animals in the frame.

8K Video and ProRes Recording

With more attention given to video recording Like the original Q3, a lot of design attention has been given to the video performance of the Q3 43; it's a well-rounded multimedia camera with video performance that rivals the exceptional stills capabilities.

• DCI 8K recording is supported at up to 30p with 4:2:0 10-bit color when recording internally or at 8-bit when recording externally via the micro-HDMI port.
• 4K recording is also possible, with 4:2:2 10-bit color, at up to 60p with support for recording internally or externally. When shooting Full HD, the frame rate can be pushed to 120p for slow motion playback and all resolutions also support a true 24p frame rate for cinematic rendering.

• ProRes 422 HQ recording can be done internally with a Full HD resolution at frame rates up to 60p.
• Micro-HDMI and USB-C ports provide greater access to accessories like external recorders, gimbals, power banks, and more to benefit using the Q3 43 as a tool for video creators.
• The Q3 43 is also introducing the ability to work with RODE external microphones via USB-C connection for improved audio quality while recording video.

Camera Design

Hi-Res EVF and Tilting LCD

Two key physical improvements from the Q3 are, again, staple features for the the Q3 43—a high-resolution electronic viewfinder and the versatile tilting touchscreen rear LCD:

• 5.76m-dot OLED EVF offers a high-resolution eye-level means for composing and features a 120 fps refresh rate for more realistic motion rendering. This finder has a 0.79x magnification, an adjustable diopter, and an eye sensor for automatic switching between the EVF and LCD.
• Debuting with the Q3 series, the LCD screen has a tilting design that can face both upward and downward to suit working from a variety of shooting positions. This 3" 1.84m-dot LCD is also a touchscreen for more intuitive settings control.

Portable, Weather-Sealed Design

The Q3 43 is a compact camera meant for everyday shooting and its design remains similar to previous generations, but with some notable updates for improved usability:

• Distinguishing itself from the original Q3, the Q3 43 has a unique grey leatherette on the body, which contrasts with the black top and bottom plates of the body for a unique and timeless look.
• Magnesium alloy body is sealed to protect against dust and moisture (IP52-rated) for use in harsh environmental conditions.
• BP-SCL6 lithium-ion battery is rated to provide 350 shots per charge and uses the same physical design as its predecessor, the BP-SCL4, which can also be used with this camera.

• USB-C 3.1 Gen 2 port can be used for transferring, tethering, power delivery, in-camera battery charging, and for connecting RODE external microphones. The Q3 43 is also Made for iPhone certified to enable a direct, wired connection to an iPhone.
• Micro-HDMI port facilitates working with an external monitor and recorder as well as previewing footage from the camera directly on a TV.
• Accepts one SD-type memory card and supports the UHS II protocol.
• Physical design remains nearly the same as the original Q3 and all of the accessories can be shared between the two cameras, including the Thumb Supports, the HG-DC1 Wireless Charging Handgrip, and the Multifunction Protector, among other accessories.

Expanded Connectivity and Wireless Charging Accessories

• Improved wireless connectivity (Wi-Fi 2.4 & 5 GHz and Bluetooth 5.0) and an updated Leica FOTOS app enable wireless transfer speeds up to 10x faster than the previous generation; transfer speeds up to 35MB/s are now possible, enabling moving a full-resolution DNG from the camera to your mobile device in just 2 seconds.
• Upgraded Leica FOTOS app enables transferring new Leica Looks to your camera, including Contemporary, Classic, Blue, Selenium, Sepia, and more. The announcement of the Q3 43 also brings the introduction of a new Leica Look—Leica Chrome—which can be applied to JPEGs for adding a bit of "analog charm."
• FOTOS app also supports adding GPS information to your files using locational data from your mobile device.
• When paired with the optional HG-DC1 Wireless Charging Handgrip, the Q3 43 supports wireless battery charging via Qi-compatible charging mats, like the Drop XL Wireless Charger.

Blackmagic Design Overview

Key Features

• Side Rosette Plate for PYXIS
• For Adding Handgrips or Extension Arms
• 5 x 1/4"-20 Accessory Mounts
• 4 x 3/8"-16 Accessory Mounts
• Aircraft-Grade Aluminum Construction

Add accessory mounting prowess to your PYXIS 6K camera with this Rosette Plate from Blackmagic Design. Constructed from the same aircraft-grade aluminum as the PYXIS camera body, this versatile plate provides a rosette mounting option to facilitate the mounting of handgrips or extension arms. It also has five 1/4"-20 and four 3/8"-16 threaded mounting holes for adding a wide range of accessories such as microphones, brackets, and more.

FeiyuTech Arri Rosettes Expansion Accessory For SCORP Series